White Void For The Moment, Quiescent as Paper and Canvas
White void for the moment, quiescent as paper and canvas,
a little white square in the middle of my heart
as a psychologist once said, startled and wide-eyed,
and there's no one there, as if I were the simplest
of impossibilities. Could be. But who would be there
to know what it might make a difference to, or care?
Some purposes fulfill themselves or maybe
the quality of peace goes white in the winter
as it does in the dove, so as not to attract
undue attention to itself in a snow storm of poems.
Or maybe, sooner or later, even reality
comes to realize its suprasensual ground of being
is misconceptualized from a word or a name
that has the creative power of one of the shapeshifting lords
of the dead metaphors that get brought back to life
with no idea of where they've been in the meantime.
All of genesis in the first word, the to logos,
the whole table of contents of the imagination, now and to come,
the alpha and omega like the short and long vowels
of the sacred syllables of picture music,
apple bloom playing the dead branches of its leafless violins,
and the grammar of a living medium of animal images
and the shamans who entered into their visionary agony
painted on the blackboards of our native skull caves
where we worshipped bears dressed in the hides of humans.
The happy beginnings quit and the hard-line endings go on forever.
I'm back here at Long Bay, like the long story
of a lifemask that's been passing itself off as me for light years
sitting alone around a daylily of fire
giving a private lapdance to the wind,
scattering stars and leaves and smoke around
all over the place, as if it were looking for something it lost
in a panic to retrieve it from the passage of the mindstream
like time unravelling the seams of all things
unstitching the constellations like the wavelengths
of the enfeebled threads that kept our wounds together
long enough to heal into the crude ores
of terraformed scar tissue that might smoulder
like a starmap of brown stars over the course of time,
even when it's been mined out like the open pits of the moon,
no light bulbs in the sockets of an empty skull
but never shines the way its eyes used to
when you could look through them
like reflecting telescopes into the sidereal splendours of the soul.
Before it discovered the unbearable solitude
in the nightfall of pain, and the white apparition
that comes like the silence of a nurse in soft shoes
to sow its mouth shut to keep the others
from waking up on the night ward from their dreams
to discover like a wild rose at the end of summer
that everything is terminal, our departures and arrivals,
our exits and entrances alike. That there's a holy war of one
deep in the heart, win, lose, or draw, day and night
that goes on without respite that even for survival
the crazy wisdom of a compassionate warrior will not fight,
our human divinity not something to be won,
but a birthright, a square of light like a faceless stamp
on a loveletter that melts like a snowflake
as soon as it alights like a star on the furnace of the heart
and the ghosts of our tears return like rivers
to the oceanic awareness of the bays
we sit beside listening to the spiritual white noise
of the cosmic events, in bliss and sorrow,
we once lived through like the mirages and muses
of a tomorrow that came too late to celebrate our absence.
poem by Patrick White
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The Lament Of The Last Train Whistle
The lament of the last train whistle
has disappeared into the distance
mournfully looking for its lost child.
October night in the woods
around an old fire pit of prophetic skulls
blowing ghosts of smoke in my face
that bring me to tears, a neolithic calendar
of all the old and new moons that have passed.
So many, so much, that used to matter
doesn't anymore. Dream figures
that shed their skins like the longer wavelengths
of watersnakes in an infra-red mindscape
of serpent fire dying like the sun
that can tell the hour by the taste of its ashes.
I throw more well-dried thresholds on the fire
like branches that used to be green with the tears
of sweeter departures and arrivals over the years.
All the light's jumped from orbitals
of the tree rings that sag like bags
under the eyes knotted like islands
in the heartwood of their xylem and phloem.
Here where the river parts like long hair
on the skull of a stone, I sit like a demon
in a sacred place, clarified, alert, and alone
as any nocturnal animal in the woods.
The chalkdust of my bones trying
to connect the stars to their constellations
snagged in the trees like the rags of spiderwebs
on the blackboard of a starmap as wide as the sky
and deep as the subconscious of the Burgess Shale.
It's not a betrayal to let go of your faith
when you had none in the first place
and you don't need a parachute on the edge of space
to plunge from paradise, or a weather balloon
of a bad Christian poet to shepherd Dante
like a moon out of hell. Be yourself,
especially when nobody's watching
except that same drone in the sky
that occasionally flashes a flake of silver off
its stone cold third eye to flint your awareness
that it's still there in the cosmic background
like a witness to your dreams and schemes
for a luxuriously appointed life of enlightenment.
Be yourself. The direct copulative imperative
that has supplanted the light as the first word
out of the mouth of creation. Be yourself.
And then let there be light by the side of a good fire
to let you see who that is as acutely
as you can see in the dark who that is not.
The migration of the Canada geese might seem
a broken rosary of new moons calling out
the names of God to you, and one unknown,
or silhouetted against the moon they might
suggest the afterbirth attached to a cut umbilical cord
and your heart might feel reborn somewhere
in the autumn of your life, a child of the fire,
a flower in the full bloom of its solitude
dancing with its own mercurial apparition
on the waters of life in the mindstream
always out of season enough to lag behind
so it can tell the time by the widening gaps in its passage
as it's waiting for the night to catch up to its own shining
like a thief of fire unchained from the rock
that broke the glass window of its transfixed seeing
with a meteor in the hands of an enlightened delinquent.
Or you might read the falling leaves as occult lifelines
on a Tarot deck of overlapping lifespans
like the scales of a dragon playing solitaire
beside the small inferno of a signal fire to the stars,
to let them know you're coming faster
than the time it takes for a thought to make it
all the way to death and back to birth again
as if you were pinging your emotions
like stray wavelengths from the oceans of your awareness
off the horns of the moon the way
you used to skip rocks out over the sea as a boy
to see how long they would keep on going
like a waterclock of stone before they sank
like the flying fish of the hard, cold facts of life back into
the numinous depths of your collective unknowing
where the stars aren't fixed to anything that isn't
flowing along with them like the wind on the mindstream
or a small fire catching its breath in the silence and the solitude
of so much radiance, before it's on its way again for good.
poem by Patrick White
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Nightbird On A Winter Branch
Nightbird on a winter branch.
Dark blossom of the new moon,
Last kiss on the eyelids of the dead
As the snow falls like apple bloom.
I see you’ve left the door ajar:
The backdoor of an eclipse
To let the first crescent of the light out.
The sacred syllable of the mistfits
Lost in the silence and the solitude
You raise like heretical mystics into songs
That only you alone can sing
So that each in their homelessness belongs
To the false dawn of the same secret
They weep over like empty lockets
That stole the moon from their windows
As they burned at the stake, rockets
Martyred in the fire of the holy books
That inspire them deeper into exile
This late at night far from anywhere
Distance is measured by the mile
And not the wingspan of the light-years
It’s taken me to write this.
Like a bird that flew out of the darkness,
That left no trace of the witness
As it blew a kiss of sudden insight.
A word in passing from the dead
About who’s behind the death mask
Of the snow that’s covering my head
Like the polar ice cap of a planet
With the prophetic wisdom of a skull.
Life in the birthmark of the new.
Death in the harvest of the moon at full.
Emptiness devoid of all light.
The first sign of renewal in the urn
Of a nightbird on a winter branch.
Diamonds of ice and insight that burn
Like coal in the eyes of a snow man
With the passion of a phoenix born
A star in the cold furnace of the sky.
Where every passage is a rite of return
That hides its brightest jewels
blossoming like enlightenment on the wing
In the dark ore of a nightbird
When a deathmask opens its mouth to sing.
poem by Patrick White
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Out Here Alone
Out here alone so late at night
with all these spectacular stars
burning through the clean glass
of the freezing winter air
I can almost hear them thinking
behind the myths of the cover stories
they've told for years
dark truths about life and light
it would be madness in a man to understand.
Don't try to stuff the impersonal secret
of the universe
into your sentimental heart.
How could you ever fit its likeness
into a locket
and finger it lovingly as your own?
Out here alone so late
even if you have come
like a thief in the night
to steal from the light
when nobody's home
there are no cracks no facets no gaps
no backdoors, unlocked windows
or emergency exits,
no stairwells or entrances
in these jewels of insight
that can feel your eyes falling upon them
like rain running down a mirror
that shuts you out
like someone in the bathroom crying
for reasons that are light-years beyond you.
However deep and sincere your tears are
they're still only dry wells
in that vast ocean of awareness,
black snowflakes
on the roaring furnace of the abyss
and if you reach out with affection
hoping to make things better
by embracing it all
you're still only tendering a kiss
to the gaping jaws of your own lipless skull.
There's a silence older than space
in the bottomless heart of things
that makes intelligence seem
the unlikeliest of exaggerations
a human could ever mean
holding his mind up like a lamp to the stars
as if he could find his own way back by his own light
without the dream that themes his mindstream with creation.
But as foolish and futile as it is to surmise
or try to get a leg up on the wise
I don't think the darkness
is the negative space
around the troubled face that appeared
after all the dots were connected
like rising constellations
in a child's colouring book.
And I don't think there are gods
squatting like frogs
on the lotus of the world
making us up as they go along
like wheels and roads
to the grunts and groans
of an axial mating song
anyone could mistake for a joke.
And I don't think the stars
believe the things we say about them
or even remotely feel the mystic dread
of what it is to be a human
looking up at their shining
out of deeper darknesses within
where no direction can be given to the lost like eyes
that would never find their own way home again
were it not for the stars and fireflies that mislead us
from one illumination to the next
by giving the finger to the braille of the text
that would school a gust of stardust into us
like God gave life to Adam
and Eve gave life to God
long before there were any laws to blind them
like Satanic lightning bolts
uprooting their eyes like rain from the clouds
to put those fires out.
I look up at the stars
with the eyes of an exile
through the diaspora of my breath
and I want to think them all to death
like the people and things I've left behind me
when it was time to go my own way
anywhere into the darkness inside me
to see if I could shine a light upon myself
that didn't blind me to the fact
neither in the beginning
nor in the end
was I there to witness the act
that made a certainty as good as a doubt
to the great indifference
that wasn't trying to find me
like a needle of light in the heart of a haystack.
I look up at the stars
like a scarecrow in winter
trying to put its pants on
one leg after another
like a man
with nothing but time to burn
scattering his ashes among the stars
urn after urn
skull after skull
of the heretics and mystics
that were martyred by his scar-crossed heart
in the name of nothing real.
I don't know what they feel
but I look up at the stars
like a black rose
of blood and starmud
in the last death throes
of self-immolation
and see in my own image
what I've always had
in common with creation.
poem by Patrick White
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Living On The Cutting Edge Of The Lunar Waste
Living on the cutting edge of the lunar waste
I made of my last moonrise. A truce
with underwhelming circumstances for awhile,
no apparent pitfalls on a Saturday night in Perth,
too cold for snakes, and the leaves playing their cards
close to earth and the air a knife at your throat,
I can remember when I tried harder to exist,
and it's still a holy war every day just to subsist
and not let it scar your spirit into being cauterized
like a bad tattoo of the moon you had effaced,
but tonight I seek the ease of a solitude older than humans
down in the wetlands of the Tay River just off
Sunset Boulevard before you cross the first bridge.
Waist high in the broken antennae of the brittle grass
yellow as the fossils in a graveyard
of green praying mantes, decultified romantics,
I pad the skull of rock I usually sit on like a prophetic throne
with the old manuscripts of fallen maple leaves,
recalling lines from poems like lyrical snippets of chromosomes
I'd written many years ago to adapt my heart
to the changes it had to go through to recast
the cannon it was into the life of a shapeshifting bell
with the pulse of a nightbird lamenting the dead
instead of a twenty-one gun salute like a firing squad
aimed at the stars. Death is the saddest loss of discipline
the spirit will ever be called upon to master in order to survive.
It was sitting here one night, staring into the eye socket
bored into the albino nugget of a crow's skull,
the boney harps of its wings torn off their hinges
like gates that weren't strong enough to keep something out,
as the black flight feathers of a long eclipse slowly passed
across my eyes, that I realized, dead or alive,
existence is an interactive creative medium that doesn't care
whether you live it like a seance or an exorcism
and there are untold ages of the shining left
even in the oldest ashes of a star strewn on the path
of these long nocturnal firewalks through the mind
and that hello and farewell were the two wings
of the same waterbird, beating in unison
that empowered it to fly like a phoenix of imagination
out of an aviary of urns of its past lives
that might not sing for awhile but never lose their voice.
Cultivate the kind of spirit that can sing to you in the silence
when you're down, about the beauty of just being here
to live it, though you don't want to hear it,
you want to drown in your sorrow like a bell
but somehow the sound of life cuts through you
like a lunar blade with a growing edge
through wounded water and you can't help but wonder
what your ghost would give just to be here again
if only one more time, to resonate with the pain
like a back up singer to the universe,
who knows all the loneliest lyrics by heart
like a waterbird out on the river late at night.
If only to hit one perfect note of sadness, one tine
of separation and suffering like a phantom waterlily
adding its shining to the light like the art
of knowing how to paint starmaps on your tears
indelibly on water for light years to come
to let people know you were once here,
you listened as they will by the side
of this river of life to the same songs, hurt and alone,
as they must if they want to step out of the chorus
and sing solo through their tears in their own voice
before they're gone to a hundred billion stars
that are listening to the same echo
being whispered in their ears like the fires of life
carried away by the desire to live on
like the empty lifeboat of a song full of moonlight
drifting down river to an ocean of awareness
where the gateways of the crow are refeathered
like the exit and entrance of an eclipse of wings
still keeping time to the picture-music that shines
like a new moonrise in the voice of a mindstream that sings
its way through the woods at night alone like a wild grape vine
sustaining the tears of its spiritual high notes until they turn
into the euphoric lunacy of a poetic wine aged in an earthly urn.
poem by Patrick White
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Something Deeper Than Stars
Something deeper than tears to weep for you.
I weep blood. I weep the silence
on the backstairs with the screen door
that bangs like the sound of one hand clapping
all through the night at the slightest gust of wind
as if a constellation were trying
to strike up a insightful conversation
with a wet match, the sceptre of a spent blossom.
I need a moon deeper than water to drown in.
I need to dance the pain away
in a sword dance of serpents
that know how to carry a tune
like a well fledged arrow, a beautiful toxin,
straight to the heart of the mysterious apple
that's sitting on top of my head like a prophetic skull.
No flower can say. Not any number of song sparrows
returning to the budding tree in spring,
no green leaf of an innocent tongue,
not even this dry leaf of mine in autumn
writing lyrics on the wind no one can read,
not even among ghosts, can find a voice
that isn't already the dead language
of an absence that can't be adorned
by a seance of words.
I light no candles. I summon no gods.
No pretence of knowing where you've gone.
No black hole that's as empty as
your ring on the table, no halo
that ever fell as far from heaven.
Good-bye's too optimistic and farewell's
the rudder of a grave on the rocks.
And if I were to raise the paper sail
of another poem like the waxing phase
of the funereal moonboat
that carried you away,
I'd make it black. I'd raise it
like the shroud of a black magician
that can make things disappear,
like an eclipse at half mast
and patch it with the skull and crossbones
of a different phase of the moon on the dark side.
I wouldn't return your personal belongings
back to the morning like starlings and doves.
But there aren't enough sacred syllables
swimming like moonlit fish
in the watershed of the silence
to open this fountainmouth of grief
like an aviary of flightless birds.
Nor would I risk having you remember me,
and turn around like a false start,
supposing you can still recall anything at all,
like a light you left on in the hall
the night you left home for good.
You were magic while you were here to work it.
You were the black nun of an enlightened cult of one.
You were the black mass of the sun at midnight
and the blood sister of the moon
that nicked your finger
on both her crescent thorns at once
so one was the cure to the other's wound
like the eyes of a cat, the fangs of a snake.
Given how close to the moon you were
it didn't come as a surprise
when you started writing me loveletters
inscribed in bone as if you'd just invented
a whole new language out of your claws
to make love to a poet in the nude when the moon
didn't lay its silver sword down between us
to keep us a threshold apart from our fingertips.
And it wasn't long before the elixir began to work
and I lost count of the number
of consensual metaphors I had for your lips,
similitudes for the night skies
that surrounded your eyes in a delirium of stars
that revelled in the crazy wisdom
of their mystically inspired atmospheres.
As just as beautiful as they were,
so were they irresistibly dangerous.
How many light years now
have I poured this memory of them
like a love potion over my roots
and waited for you to bloom in my bloodstream
like stars and blossoms streaming
through the heartwood of an ageing tree
that has as many dead branches on it as it does leaves,
and like an orchard anticipating moonrise,
knew you weren't coming anymore,
and the night bird had no one to sing for?
But, hey, I'm still a better seance
than I am an exorcism and if you can hear me
calling the faithful to prayer
in all directions at once like a paper airplane
the boy in me has sent out to search for you
like a loveletter in a hurricane of razor wire,
dripping with clusters of blood
the size of hemorrhaging grapes,
fireflies caught in a spider-web
of starless constellations that aren't a sign
of anything except I miss you worst at night.
If you could sense the tremor
in even the slightest wavelength of light
I'm trying to shine on the darkness to find you,
I'd write you a holy book of sacred silence
inspired by the shadows in my blood
that overtake me like strangers from behind
with an urgent message not to return home
to what isn't there anymore.
I'd sit out here all night by myself
beside the black waters of this night creek
unravelling like a ribbon in mourning,
that's been talking to itself
as it walks in its sleep on the water,
and I would beseech the stars with my eyes
to let me know if they've seen you,
and in my heart I would entreat them
with the solo of a wounded wolf
raising its head up in a wild prayer
to catch a trace of you on the chilly night air,
to give me a starmap to when and where
I can see you face to face again
and touch your eyelids in your sleep
like crocuses coming up through the snow.
Like moonrise in the apple blow of the storm
that scattered us to winds like all these poems
I've tried to write for you ever since
as if you were still somewhere nearby
like another pair of eyes
in my pain and my solitude
watching from the woods
the stars, the water, the moon,
under the stones in the river
that mark your grave and name
above the flowing of this endless epitaph
of leaves and blossoms and poems
as if you alone could still read them,
like the comings and goings,
of waterbirds on the moon,
the first draft of words on the wind,
maple leaves and keys on the mindstream,
and still understand what I was trying to mean.
poem by Patrick White
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Obliterations Of Beauty And We Weep
Obliterations of beauty and we weep
for what cannot long abide in us
because we, not the rose, are the ones
who are passing so irrevocably away
into an abyss that doesn't
take the measure of anything.
The lake knows the time
by the wingspan of its waterbirds.
I note the location of the stars
in the rotation of the Big Dipper.
And there are crickets
that will yield the time as well.
Time, too, like human solitude
is embodied in the things of this world.
Time perishes when we do,
is born with us, matures,
and embraces our ends as its own nature.
Time sets its pace to the passage of us.
We are the muse, the motivator, the demi-urge
of its passion for shedding
the leaves and flowers and moon like skin.
And we're the ones who grow infinite
at the speed of light so that everything stops
immeasurably from there on everafter.
All things returning to the one, and the one,
returning to transcendence. Which is why
I come here this late at night when the stars
are as far from people as they can be
and yet they're still as intimate to me
as my eyes are. A mutually creative continuum.
The star makes the eye I need to see it by.
I am the fragrance of the wildflowers
and the adamantine insights of the rocks.
The singing master of the nightbirds.
The oracle in the leprous skull of the raccoon.
And my heart is one long, continuous moonrise
when I think of how the dead still animate me.
How they cling to my heart like ants to a peony
to let me know when it's time to bloom.
The dead trees house the mosquitoes and the herons.
The fallen pine cones, the seed koans of Zen masters
under their brittle eyelids waiting for the fire
to crack them deciduously open into evergreens.
I don't lament the passivity of the dead in my life
because I put them to good use in their capacity
as enlightened mentors who urge me
to live splendidly whatever I encounter in the world
for all our sakes. I can be the blossom and the fruit
on the dead branch, as easily as a red-winged blackbird
sings from the green and leafless alike.
Not a bush wolf raises its voice up to the moon
that I don't feel its distant longing in my own throat
like a sacred syllable half way to blossoming among the dead
who always hear it like an auspicious beginning
to the summons of their leave-taking in the fall,
to the deeper greeting in the meaning of farewell.
poem by Patrick White
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Undevoted, Free, And Wild
Undevoted, free, and wild,
no one to answer to, no one to answer for,
the urns shattered, and the ashes scattered,
and the fire liberated to perfect its own combustion
and the stars without anyone to walk home,
and the solitude silent, dark, and deep, cool
as the bliss of a wine-cellar talking in its sleep,
I have grown mad in the heat of the purple sun.
I have spoken from the mouths of the caves in the desert
and not expected the echo of my own voice
to return to me like a pilgrim stashing a gnostic gospel
deep in the sand, without realizing
how much closer to the stars dirt is than I am.
When you're no one but the wind in disguise
you don' need to be humble, you don't need to wise,
nothing to trust, and no one to rely on,
you can watch the dead at night
streaming toward Orion
like a blue-white ribbon of light
undoing the gift wrappings off the bodies and eyes
of people who can see and be again.
And you know it comes to everyone
like a nebular orchid with a fragrance of stars,
that the Sahara will green and bloom again
and the wind sing hymns to the grass
and the gazelles sport their elegant legs,
adolescents in the spring brush,
running like violins succulent with beginnings,
and it doesn't matter you're alone out here
listening to the ashes of a mirage
make up legends to tell the fire
about its ancestors buried on the moon anonymously
and how their blood once stained the earth
like a scarlet letter even the stars couldn't wash off.
The mystic anti-hero of my own dragon myth
I exalt in my isolation like a shriek of revolution
and overthrow myself like a book in the flames
to keep something I don't understand alive in me
as if I had to keep on dying to sustain myself
and the distinction between one and the other were lost upon life.
It's a touch, it's a feel, it's a hole in veil
with one eye looking out at me to see
if I've intensified the dark enough to break into stars,
if I can unravel my heart like smoke like water like fire
and perfectly disappear into the atmosphere of my dispersal
without a shudder of farewell to the masks I wore like scales.
Not to be constrained by even so much as
the single thread of a straitjacket, the husk
of an abandoned sanctuary left to the imagination
of the hermetic flowers to do with as they wish.
I shriek freedom across the heavens like the death cry
of a hawk waking the valley up in the morning.
I whisper to the water things the wind was never meant to hear.
So faithful to my calling, I lead those who come, away from me,
as if it were the perennial custom of the universe
to meet like this for a moment in time and space
and then disperse into the darkness alone like a unlit candle.
I'm a riot of fools in the sublimity of the presence within me
that elates the crazy wisdom of my spontaneous ignitions
and schools the black lightning of its absence
in the folly of trying to enclose my spirit in gates
like a candle in the niche of a tempestuous vision.
Yeeeeeeessssss, I scream into the face of nothing
like the efoliant scripture of my confession and protest
that life doesn't need an alibi to live and die by,
no extraneous, no outer, no other, no object, no subject
no flying buttress to act as a bridge
over a flowing river of Gothic stone,
no strong tree standing on its own to cut down
and carve into a crutch, no cork to keep the ocean out,
no bucket to bail the moonlight out of the lifeboat,
no jade Buddha to make your supplications to,
no footprints on the water Jesus walked,
no cave in Ramadan to receive the angel of light,
no Kabbalah to baffle your way through the night,
no Schmidt-Cassegrain reflecting telescopes
on clock driven equatorial mounts geared to the heavens
to thread the golden needle of the mystery
without any knots in your spinal cord,
to penetrate the vulva of the sea like a sacred shell
that once gathered armies on a burning hillside
to contest their revelations with the tongues of swords.
I shall tell you, my brother, I shall hasten to you my sister
like moonlight through your window, I shall not
hold back from you the least shadow of the furthest star
releasing its dark wisdom like the black doves
of its own excruciating ashes glowing like the pain
of horrendous transformations into light.
I shall not bring you the skins of the dragons I've shed
but inspire you with a fire you've never been burned by before,
a spiritual immolation into a godhead without a metaphor
to guide you by, a torch you can't drown in your tears,
a long firewalk down to a river of stars,
and there you shall cross on a burning life raft
of the bones you've been carrying around for lightyears like a body.
And it's a heresy of silence to say, but there
you shall you shall lie down in the nocturnal emptiness
in the long blue seagrass of the moon
and empower out of your own creative abundance
whatever worlds your longing inspires you to embrace
to amuse the bright vacancy of eternity with time, like love,
and the dark abundance of unperishing potential
with space, like wisdom, and the clear light of the void
and the unspeakable absence of any other voice
to ruin the silence with the bliss and sorrow of seeking
the mystic night you found within you longing like a bird
for the stillness to write it like a lyric of the wind,
a passage of blood through the labyrinth of the heart,
a shadow against the moonrise of a compassionate awareness
there's a divinity that sings like a human
in the heart of everything that breaks its long fast of nothing
with praise and celebration, with fire and light and rain
with the firstt sacred syllables to touch the lips
of the black rose charred in the heart of the dragon, like poetry.
poem by Patrick White
Submitted by Poetry Lover
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The Stars So Near
The stars so near it seems the approaching morning
could wet its thumb and forefinger
and pinching their wicks like intimate candles
that have held the lovers close
and the ghosts at bay all night
put them out with a hiss.
An ancient mirror deep within me
I couldn’t bring myself to bury
with the woman who once looked into it
is beginning to flood like a river of eyes with autumn rain
and I want to cry for things
that have departed like water birds
from their circuitous reflections on the mindstream
and leave the heart knocking
like an empty lifeboat against the rocks
that no one sings from now.
I’ve stared at the moon several nights in a row
as if we drank from the same skull
and I want to elevate my tears to a higher level
as a rite of passage worthy of what I mourn
but no lights on in the lockmaster’s house
me and the moon both know
how impossible it is to raise the dead
from their watersheds
by adding a few tears to a dry seabed
out of the largesse of the living
in the wake of so many shadows.
I’m trying to align my third eye like a bubble
in the middle of a balance beam
and build on the cornerstone of the moon
a Taj Mahal of lunar coral to commemorate
the loss of so much beauty
to the things it touched like braille
as if it wasn’t enough just to light them up
but parting the depths of its fathomless veils
open their eyes as well.
I shall turn three times in the silver grass
and stretching my body out like a scar upon the earth
lay down in a deer-bed by the river
with her absence bigger than the night for awhile
and listen to the frogs and crickets
as I used to listen for her footfalls on the creaking stairs
and the moon won’t lay its sword of light on the waters
like a vow of separation to keep us apart
and I shall ask every star
down to the sixth magnitude of time and shining
what has become of her who used to weave
English ox-eyed daisies into her hair
as if she were already among the constellations
showing off the lesser luminaries of earth
as if there were nothing so small
nothing so slighted or disregarded
no moment of life so devoid of inspiration
even the fireflies that can’t stay fixed in one place
long enough to beat a path into a zodiac
and elaborate their own creation myths
into something unborn and unperishing
weren’t enlightened
by the immaculate darkness of her transience.
To suffer everything as if it were a blessing she once said.
I look up through the leafless bough of an aging maple
twisted like a burnt match stick
whose fire’s just flared out.
I look up at the stars
as if they’d built their webs between the branches
like momentary dream catchers.
And I can’t manage it.
poem by Patrick White
Submitted by Poetry Lover
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As Much As I Love The Stars
As much as I love the stars, I know
the spirit must seek its lost radiance
in the midst of the filth of this world,
even when its third eye is trying
to wash it off in tears it really means.
Under the half-closed eyelid
of the pine cone pagoda in oceanic meditation
is a fire-seed waiting for immolation
like an overdue urn about to give birth.
And do you see how the moon
feathers the waves with silver,
and the breathing waters so much
like the flesh of a woman undulating
under the caress of an unaccustomed hand
shines back like fish swimming through a starmap?
As above so below. Same with inside and outside.
Astrophysics is psychology. Noumena, phenomena.
Are you looking for a unified, field theory of your mind?
Study that small sacred syllable of a black ant
with the torn wing of a butterfly
under full sail in its mandible
it's taking back to the heap
of a thriving passage tomb burial
like a high card it's going to lay on the table
without intending to call anyone's bluff.
The moon on the lake isn't timed.
Death's not too late. Life's not too early.
Not all the flowers bloom at once
in a wave of mass hysteria at a sports stadium.
Time is as generous to the dandelion
as it is to the hyacinth or the rose.
When a total eclipse of the soul
can be as illuminating to a firefly
as the enlightenment of the full moon
can be to the mad at harvest time
and the night bird sings on the same branch
out of the same longing
as the mourning dove does
on the burgeoning bough,
how far must a wave look for the grail
before it realizes it's swimming in it
and by virtue of it having never been lost or found,
like the universe you're surrounded by
dipping its other wing in the cup you drink from
like blood from your own prophetic skull
or an elixir of love from the goblet of a black tulip,
as an antidote to falling into a cult of trances,
trying to teach rattlesnakes to ghost dance for rain
when everywhere you look as far as the eye can see,
nothing but the bleached bones of their vertebrae
crumbling like aqueducts across a sea of sand
looking for the holy hourglass to green it again?
When things are like this, why send
a caravan of mirages like thought-trains
on a pilgrimage for water on the moon?
Is a course correction more innocent
than its original direction or is it
just another change of heart on the part
of a weathervane that thinks linearly
it's got its hand on the rudder of the wind?
Best thing to do in a storm
is let go of the wheel of birth and death
and either go down with the ship like a constellation,
or trust in a bubble-shaped universe you still might float
like a turbulent waterlily above the turmoil of it all,
anchored to the bottom like a key on a kite
to lure the lightning to your spinal cord
the way copulating snakes make their own caduceus,
twin wavelengths from the same inner matrix
ascending like helical thermals under a dove's wings,
so that dragons are born of cosmic eggs
that know how to heal fire with fire
that can consume itself like life
without ever getting burnt out
even when autumn's coming on
and you can begin to smell
the smoke and ashes on its breath.
Enlightenment the inspiration of the search,
the spirit returns to the candle in your hand,
to dance with the flame of life within you
on your own threshold, in your own doorway as you realize
like someone waking up from a dream
in their own bed, their head on a softer pillow
than they imagined a moonrock could be
at one sixth the gravity of earth, what
was there to aspire to that could possibly be
higher and wiser than a cloud circling a mountain
or down in the valley where the stars slum
once they get off the night shift, more compassionate
than a honey bee in the eye of a stargazer lily
smothering it in a rusty ochre dust storm of pollen
the way we prepared our dead when we lived in caves
to bloom like a hive when its spirit returns to matter
in its next incarnation as a gust of wildflowers on Mars.
Hawkweed and Indian paintbrush I would think.
And the unusual fruits and flowers that can sprout
from a windfall of intensely radiant meteor showers
flung out of the darkness by the hands of generous sowers
that were ploughing the moon for themselves
long before the ox of the mind showed up
like the blessing of a delusional dependency
that makes you think, gone to seed, you need it.
When the truth has always been mindful
and mindlessly green as the thorns and the leaves
of the locust trees in spring coming into blossom
as easily as the mindstream follows its own lead everywhere
with nothing but its own flowing for a navigator.
No gate, no lock, no pivot, no hinge, no waterclock
trying to put the fire of life out in a bucket brigade
of community-oriented arsonists, departure
never any further off the beaten path from home
than its arrival can be lead astray
by the shadow of the return journey
it casts behind it like the widening wake
of a waterbird's wings unravelling
the flying carpet of the water that wove it
like wavelengths of the hidden harmonies
that are on your side like your eyes are
when you step out of the blazing house of life
once in a while, into the expansive solitude
of your own inimitably creative darkness,
without a candle, a firefly, a lightning strike
for a guide, and look up, just look up
in any direction you wish, and don't pick any one
of the six thousand stars you can see
with the naked eye in the country,
no matter you don't know their names
or myths of origin, or much about shepherd moons,
or what an antikythera is, then run around
looking for an underground circumpolar sage
to show you on a starmap where your shining is at
like the light of the star, though you cry
in bliss and sorrow, delusion and insight,
you can't wash out of your own eye
anymore than you can Venus in the dawn
when you're sitting on a mountain under a Bodhi tree
trying to attain the unattainable empty-handed
in the same breath that's been giving it all away
for light years, inexhaustibly, like a flower-mouth
of enlightenment in everything you say or do,
the world in the creative wake of whatever medium
that's shapeshifting into you like water into fish,
darkness into star, sky into a bird on the wing
in a homesick sunset, or the shining of the source
like the lantern in your hand you needlessly labour
at keeping lit to go look for it without realizing
it's your own blazing that blinds you to the gift
of what the darkness arrays before you like candles and stars
and nocturnal waterlilies opening like a new moonrise
amazed by the occult mystery of the fire that burns
in the subliminal watersheds of your fathomless eyes.
In this boundless space, why should you be surprised
behind all the masks of God, her best disguise
when the hidden secret wished to be known
and she revealed herself, was your own face,
your eyes, your mouth, your ears, your voice alone
pouring the universe like the light of picture-music
into your own ears like the spirit of a word
that can't be enlightened until it's been heard by you.
poem by Patrick White
Submitted by Poetry Lover
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Someone Lingers In Your Absence Like An Icon
Someone lingers in your absence like an icon, a gate
to an open field where the white horse
that stood in the tall grass, grazing on its solitude
like a phase of the moon come to earth
is gone. A bird, a purple martin with so much
distance and disappearance in it wings
and the open vastness of the skies it was absorbed by
I can barely hear you singing from here
over the raving of an unkempt wind on a crazy night
when the ghosts are rioting in their graves
like old leaves without attachments at the feet of the new
and gravity receives the grave goods of the tree
as do I these strange epiphanies of you
that haunt me retroactively like apple-bloom.
And the depth of the emptiness that informs
the substance of my imaginings, devastates me
like an eclipse slowly swallowing my heart
like a black cataract of snake skin I keep
trying to shake like a cosmic egg without much luck.
As if I were bleeding out like a rose after
the green thorns have hardened into fangs
that are killing and curing me at the same time.
Some nights I just want to join my emptiness to yours
and be done with it, no more of this, no more.
No more of watching the beauty of the world
burn out into a dark radiance that makes me
want to gouge my eyes out so I can see it without wincing.
Without feeling so wounded by the abundance of the rose
that blooms and disappears like the auroral apparitions
of a widow in veils of spider webs and black lightning,
thinking it might be you under there somewhere I can't go
without losing you again. Check-mate. Pain.
And it isn't anything either of us can do anything about.
It just goes down that way. The absence of your shining,
small nonrenewable gestures of your heart and hands
vividly recalled like modest butterfly volumes of poetry
blowing down an abandoned street at night in the rain, you
sewing a patch on my heart with the delicacy of a needle
mending a flying carpet grounded like a wavelength of light.
As I am now that you've become that rip in my heart
all the stars are pouring out of like a puncture wound
I let go right through me like needles and gamma rays
piercing the heart of a voodoo doll of dark matter
that makes me feel like wooden puppet of light
carved out of one of these black walnut trees.
Endure. Participate. See. Wonder.
Praise. Celebrate. Mourn. Do the next best thing.
And when you're hurting your worst, sing.
And even when I'm soldiering my way through stone
like a flying fish in the wrong medium,
or walking alone with the Alone through the woods,
just to meet you where you ask me to when you call
and I come like a burning bridge down to the river,
wondering if I might have lived here once in another lifetime,
I do say these things to myself like medicinal chants
and preventative medicine, healing totems with benign effect
hung in the medicine bag slung around my neck.
Sweet grass and a pinch of sacred earth, just in case
I forget how to dance on my own grave
with grace and flare and style and an enigmatic smile
that really means it if it really means anything at all.
Or not succumb to this ice-age of a bell
my tongue is stuck to like a child's to a wire fence,
or this black diamond nightbird
that cuts my darkness to the quick
because it's got nothing to sing about
that can answer the call of the living for someone
on a foggy hill to come to the rescue of the empty lifeboat
drifting like the corpse of a dead swan downriver,
except the dead air of this strange place
where space is indelibly bruised by the passing
of the beauty it once contained like stars in a Mason jar.
Like a candle in the lantern of a skull
I've carried before me like a nightwatchman
on the edge of a dangerous precipice for lightyears
until I lost my footing and fell in one night,
as I once did into love, and learned to see in the dark
I was growing wings where I had none before
and looking up from the bottom of an empty wishing well
noticed the dead still blooming like stars
in the white shadows of the sun at midnight.
And out of the corners of my eyes
when what I can't see what need to know about being alive
comes looking for me like the sacred syllable
on the lips of a pearl diver on the moon in total eclipse
like a kiss out of nowhere, comes like the singing bird
to the dead branch in my heart
that's having trouble remembering how to blossom
after a long winter, as if you'd summoned me to the trees
like a purple passage in the Book of the Dead,
to teach me how to take the pain
and through the alchemy of the grief
that flows through my heartwood like light and rain
turn it into life again, as if every leaf
were a new loveletter from the dead
I've been saving for years like expurgated starmaps
illustrated by exiled constellations in Braille
to a spiritual lost and found at my fingertips
where they know who you are, and they've seen you
like a soft moonrise glowing through the willows
down by the river that weeps like a black mirror
for the stars and waterbirds in passing
that appear and disappear each in its time
and you wait for me like the longing of the dead
to make some kind of sign, however simple and austere,
the withered star of a wild rose without a flower,
that let's me know you're near, you're here
rooted in me on earth where we've both come
to renew our shining from the bottom up to the blossom.
poem by Patrick White
Submitted by Poetry Lover
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When The Blue Dove Turns Back
When the blue dove turns back,
exhausted by looking for things
she hoped to find,
blue blood to the dark side of the heart,
no land in sight, no blithe word,
no sprig of olive in her beak,
and the bruised sky turns black
and there’s nothing to seek
but the misdirections of the stars,
she looks for shelter
under the wing of the dragon
that takes her into his darkness
like the night takes in the moon.
Just for her he disarms
the claws on one wing and a prayer
like a dead branch to receive her blossom.
She thaws like snow in the heat
of his ancient serpent fire
and weeps like a window
for things that go on forever.
Like the homeless continuity
of her random flight plan.
He speaks to her tenderly
like silence out of the enormity
of his solitude within
as if she were standing
in the shadows of opening doors.
No lover, no assassin, no eclipse,
no starmap to anywhere,
not a sage of snake wisdom,
his yellow eyes slashed like full moons,
he says, you’ve got wings, just like me
and maybe it’s not landfall you’re looking for
not something continental
to rest upon like a mountaintop
but the wind, whichever way it blows,
wherever it goes
that is always vagrantly at home
and everywhere in touch with itself.
Just as the night sea never
severs itself from its own weather
whatever mirror it wears
with or without a facelift,
you might think you’re so far out of it
you’re flying a kite on string theory,
a high note on a stave of power lines.
But what are these if not
your own umbilical and spinal cords
attached like wavelengths and lifelines
to everything in the womb of the dark mother
who keeps on giving birth to you
from one bucket of a waterclock
to the next forever?
And when you’re lost in your own eyes,
is the night not compassionate,
does it not lay out a starmap before you
and say go whichever way you want,
follow whatever star you choose.
In an omnidirectional world of light
they’re all true north
even when you’re walking
in the shadows of your own shining.
Even when you’re trying to reach landfall
by cooking rocks in a tinfoil crack spoon
like the feminine gender of Columbus
in the Caribbean islands
when you break up
like Pangaea into continents
as if you were fracturing prophetic skulls
that didn’t take their own advice,
hoping someone might name one after you.
And I can think of a few
that could be immediately renamed after you
though you’re not the first
nor the last to discover them.
Mu and Atlantis.
But they’re not the kind of place
you want to pilot an ark to.
And if you think it’s hard now
try tugging a shipwreck up from the bottom
to see if even one of a kind survived.
There you can eat the carrion of corpses
like the white crow
Noah sent out first
to look for dry land
then cursed the bird
for feeding off the drowned
with a hoarse voice
and an eclipse of black feathers,
turning diamond back into coal
you can cook in a spoon
like forty nights of new moons
that never open their eyes
because they’re as stillborn
as the porcelain doorknob
of a cosmic egg
you can only break out of
on the inside
by letting the world
unfold your wingspan
like a loveletter to yourself
you finally decide to send back like word
of a blue dove at peace with herself
at the first sight of real land
even from the crow’s nest
you’re living in now
from hand to mouth.
poem by Patrick White
Submitted by Poetry Lover
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There's A Black Lotus In My Heart
There's a black lotus in my heart, black hole
of enlightenment, black waterstar, sacred eclipse.
Nothing worth attaining that isn't unattainable.
And all the gates are upside down and backwards.
Albino starmaps with black dots shining
on the other side of the mirror, zodiacs
of black matter looping back on themselves
like solar auroras of the sun that rises at midnight.
I don't know what all this means. I may have gone
too far into exile and actually managed to get
to the dark side of the moon. Or I'm a warehouse
of shadows at noon that have lost track of the time
like blind sundials that feel they're being followed.
The light illuminates, but I bloom nocturnally.
I've got the burn marks of stars all over my skin.
I work on the nightshift at the foundry of a constellation
busy pouring itself out like iron and oxygen, blood and air,
forged out the afterlives of hydrogen I've gathered over the years.
A fire-womb engendering one you fill with water.
Fire the midwife of its own daughter. I'm envious
of creative immolations I know I'll never attain.
Though my left brain is in full communication with the right
and I'm a full moon of the bright vacancy, dark abundance
of both sides, and the harvest is ripe, I'm always
a star ahead of my light, so I don't end up
like a dead school furnace in the basement
writing my memoirs like a manuscript of ashes in an urn.
Deconstruct me wholly down to my last atom
and I promise you, if that's all I've got to work with
like one stem cell to another at the beginning
of a matrix of causes and conditions into which
we'll be placed by a Hox gene assessing the chi
of which direction our eyes should face, and how many
degrees of separation there should be between our ears,
I promise you, I'll still burn with the fireflies
and the supernovas like a blind prophet
who saw two wavelengths copulating like snakes
and has been tied at this stake of of a spine,
an oracular heretic of both sexes in synchrony
like the hybrid of a phoenix and a waterbird
burning in visionary serpent fire ever since
for the sake of a muse that always comes
in the nick of time like rain on the moon to my rescue.
When it's night in the diamond of my third eye
is the light not more mystically enhanced by the darkness,
more mystically specific than the white wash of the sun?
The moon is the mitochondrian that tempers
the toxicity of the light so the nucleus of the solar system
can blaze with alien oxygen meteorically across the night.
The black mirror, brighter than the white,
shows you your reflection on the inside
where you're arrayed like a faceless world
that's given up trying to second guess
who's the unerring witness under the lifemask
of the surreal cosmology that doesn't recognize
it's not a self, at first glance, and that all physics
is the psychology of ridding yourself of the delusion
you can, even if you're riding a flying carpet
out into this desert of stars to sweep the constellations away
like mirages that have been throwing bad meat
down your holy wells like sacred crocodiles.
Ignite even so much as a matchbook at this distance
or turn on a flashlight to see what's in the dark
as if you were looking for your mind with your mind on the light
even though it's as abundantly clear as your eyes it's night out,
and the billions of stars in the next closest galaxy,
Messier 31, at eleven o'clock above the middle star
in Andromeda on the rocks, and two million light years
of enlightenment will gently recede back into the cosmic hiss
and disappear from your field of view subliminally
knowing, because the timing's yours, you're a daylily
covering your insight with the petals of your own hands
because you don't know how to open them sidereally yet
from the outside in, where your darkness shines
and the night you turn your face away from
like the bright side of the moon blinds you
by a reflected glory to the radiance of the origins
of your own vision, deep within, where it all begins
emanating stars of the darkness of your own eyes.
poem by Patrick White
Submitted by Poetry Lover
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Things Might Be Drifting Away
Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.
Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.
Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.
But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.
We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.
We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.
And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.
You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?
Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.
The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.
The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.
You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.
You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.
poem by Patrick White
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Scouring The Patina Of Time Off With Stars
Scouring the patina of time off with stars
the way I used to grind pyrex plates
with varying grades of carborundum
down into telescopic mirrors, then silver them
with a vapour of aluminum to add
to the luster of their parabolic eyes.
Been looking into the darkness so long
I'm beginning to shine on my own.
Now from moment to moment
there's as much darkness coming out of the light
as there are black holes sand-blasting
the hour-glass shape of this bubble of the multiverse
with firestorms of desert stars as I make my way
from one oasis to the next where the mirages
wander in out of the night to drink
from the reflections of their own faces
with hands cupped like the hulls of leaking lifeboats.
I don't believe a life of delusion is any less painful
than a life of enlightenment, even if
your scarecrow self is finally standing naked
under a full moon that's come to realize
that an orbit isn't the same as an enlightenment path
that can loop back on itself like a snake or a shoelace
or the retrograde motion of Mars, without
wandering off the road you were meant to walk
because that's the way you went. Give them both
sixteen ounce gloves and let reality
have it out with delusion in eternity
like two siblings of the same dark mother
trying to get some rest from the racket
after giving up on interceding
by putting some distance between them
light years out of earshot of the nightbirds
that have been longing for her return ever since.
Even the first bliss of the blossoming of illumination
grows sad if it's not wholly shared like an orchard
with everyone as the wind turns around like a fist
flowering into a more open-handed approach to life.
Enlightenment is in everyone like a wavelength
is in a particle when no one is watching.
And if today you're an angel in a coma of ice
tomorrow the diamonds will fall out of your dark halo
and slowly thaw you out as you get closer to the light
like a comet plunging into the sun like the vapour
of a bridal veil you've finally shed like a snakeskin
that had to come off like the white-out of the eclipse
you were living, to see the stars that were rooted
in the darkness within emerging out of your own starmud
like waterlilies and larkspur and the peony buds
of the remote observatories on cold mountaintops
breaking into life like planets at a suggestion from the ants.
Stations of our perishing, perhaps. Phases of the moon
topping my skull up again like the cup that she drinks from
with the crazy wisdom of the lunatic she takes for a companion.
First crescent after the crone. Death's door left ajar
to let a little of the light out for those of us
who like to walk down long country roads alone at night
brindled by shadows, runged by black flames
like ladders of prophetic fire with nothing left to lean on
but the event horizons of their own imaginations
exploring the inevitable exits and entrances
of the passage of life like a waterclock of stars
descending the dark stairwells of the night with the maple keys
to the secret cellars where they age the best wine
by letting it stare into the dark so long
it begins to shine like a blind dream with a light of its own.
poem by Patrick White
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If Only I Could Remember Things For Awhile
If only I could remember things for awhile
as they were before they changed. Savour them.
Let the flavour of the jewel
that's been ripening in my voice
wash through my mouth
like the mystic blaze of a star sapphire
and every word I say be a firefly of insight
that can shed some light on dark matter.
Would that my tears fell fruitfully enough
to feed the world, that one dropp of my blood
after years of preparing the potion, were enough
to immunize a whole planet from affliction.
And what marvels would my eyes not delight
in showing anyone, if they could astonish the blind
like an orbiting telescope that's just had
its cataracts removed
like the reflection of the moon peeled
like an albino eclipse off the black mirror of the lake
only to discover that all this time they groped through the dark
like star-nosed moles, it was their own face that got in the way
of what was shining. If only my hands
knew how to build like the birds
and my bones were strong crossbeams and rafters,
what palaces of light and water and air
would my heart not offer to the homeless
like the growth rings of a maple tree
that threw them the keys like winged samara
and said, move in, its yours. It's built on bedrock
not the quicksand cornerstone of a slum lord.
For the lonely sitting with their cats and their elbows
in half-opened windows, observing
the pigeons and the stars for memorable events,
I would break this long fast of my solitude
like black Slavic peasant bread with strangers
who sat above the salt at the table
as my honoured guests, and ask them, eye to eye,
heart to heart, all ears, as if I were a radio telescope
listening like Seti, if they've heard any news back yet
from Bellatrix or Rigel, and which
of Jupiter's shepherd moons is hiding
a secret affair with life that everyone's dying to know.
It's heart-breaking that we can't all bring our tears to bear
into one cloud weeping over a drought like a dry creekbed
where we're all hibernating in our own starmud
like toads and frogs waiting for flashfloods of the next rain
to underwhelm us like gravestones in a makeshift cemetery.
What would the world be like if we could
walk up a long country road at night far from ourselves
and not have to ask the roadkill for directions in life?
As if we were sure enough where we were going
to risk being followed by the lost like a starcluster of fireflies
within the compass of everyone's bearings, not
out there somewhere like the ghost of a spaced-out lighthouse
but like the porchlight of nearby farm on a summer night
that draws living things out of the dark like the full moon to it,
even if it just be gnats in the air, bats, or Luna moths,
what a seance of life we could be to each other
as if we left the screen door unlatched
for any lunatic of the light on the road this late at night
who might wander in like the seeds of new themes on the wind
to enrich the bright vacancy of our dark abundance
with a starmap to where our buried treasure lies hidden
like diamonds in the ore of the hearthstones of our hearts.
If I could take the whole of my darkness
and enchant its snakepits into the wavelengths
of the light I would have emanate out of me
like the rainbow body of a Tibetan rinpoche
entrusted with the wisdom of the Himalayas
to seek a low place among the stars like a sea
that all things flow down into like the shining images
we retain of ourselves like the reverberations
of experienced luminaries echoing
like seasoned birds to each other
in the valleys and black holes of tears and death below.
Sacred syllables of immortal butterflies
in the orchards of morning and moonrise.
I would shine down upon the abyss of the lovers
like a water star from the bottom up
of all the burning bridges they have yet to cross
like Aldebaran at zenith, or Cygnus at nadir,
to get them to the other side
of what binds them to each other
like water and air, light, earth and fire,
and each moment of my life, every step
I risked anew, I would become the way
that's never taken itself before this deep into the mystery
of what it means to be alive and everywhere
be endangered by the beauty of our own awareness.
Instead of breathing for the dead as long as I can
underwater on the moon, I would invite them
to make a new birthmark in new medium
that calls them back from the night like light
from the scattered ashes of the empty urn of a star
coming together again in a gravitational womb
of their own remains, where everyone achieves
the all consuming illumination of their endless afterlives
by opening the koan of a single flower
in the light of their darkest hour of perennial insight.
poem by Patrick White
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I Woke Up Saying Your Name
I woke up saying your name
but in the course of the day forgot.
I should have forgiven you sooner
but my tongue was a noose and a knot.
I should have let you fool my eyes
but not my heart. No Grecian urn
but just the same
I loved the shapely vase of your body
and the fact that my ashes weren’t buried in it.
But those bouquets of angry snakes
you kept trying to arrange
into a Zen garden in Kyoto
or a hair do in Mycenean Greece
kept me looking for an antidote for years
to all those estranged wavelengths
of a gamma ray burst
I stood like a nuclear meltdown in the way of,
though I poured my blood out like heavy water
to get you to stop and cool down.
What it is is what it is only
if you don’t factor in what it’s not.
Otherwise, in the bigger picture,
what it is is just as much what it’s not.
And who can assess
what didn’t go down between us?
I’m sitting on a cold rock down by the Tay River
freezing my proverbials off
because I like being alone with the stars
at three in the morning
because they don’t ask for an explanation
about why I’m up so late
so many light years from home.
And they don’t ask me to translate my scars,
the dead word into the living,
back into wounds
they couldn’t relate to anyway.
And I don’t need to tell them
if you’re going to open yourself up to someone,
if you’re going to bloom, if
you’re going to shine
a rose, a star,
you’re bound to taste your own thorns
or the splinters of broken chandeliers
on your tongue, or a dog
with porcupine quills in its mouth,
howling at the dark side of the moon
as the greater of two faith healers.
Though neither the stars nor I
are into comparative mortality.
And as I approach death and love aimlessly
looking at the stars timelessly alone
I don’t bemoan my brevity anymore
and they don’t flash their eternity in my face.
There’s just stars and eyes for awhile
and both of us agree
death and eternity are none of our business.
There’s just this little bit of heat and light
that flares like a matchbook for a minute
and then goes out
like a holybook, a firefly,
a poem or a flower
burning in its own ashes, smothered
in its own smoke like a pillow
over a dream in a skull
that effaced itself like stars
packed into a snowman that thaws
according to cosmic laws
not meant for our eyes only.
And God, the Zeitgeist,
the Universal Id knows,
how we’ve both tried
to enlighten these lumps of coal,
these sorry excuses for eyes
into diamonds that flow
with love and compassion.
How we have laboured like Sisyphus
to haul what’s deep underground,
the dark ore within us,
up into mountains of light
only to watch it run down again
rivers and rain
into the great night seas beyond
like a heart-mind continuum.
A leaf and a starmap on a lifestream.
We have advanced into our retrogression
like everything else in the universe,
big heavy methane planets
with shepherd moons
that cast their shadows
like beauty spots on Saturn,
and our axes toppled like Neptune’s.
poem by Patrick White
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Your Eyes For Awhile
Your eyes for awhile
were the only eyes
I could see through
to catch a glimpse of god;
were windows into my own soul
that I could look through from the outside
without throwing the moon
through my reflection like a stone
in the hand of an angry boy.
And it was always as true
as the way your heart grew
that you could love strangers
easier than I do even now
after all these years of learning how
to talk to mirrors in their own language.
And you were not one woman
but all women forever
when I saw you once
bending down like the dusk
to touch the last of the flowers
as if you would never see them again.
As serene as the evening
there was no labour in your beauty
and I swear when I saw you that night
I felt as if I were the whole world watching
time put a finger to its lips
and pour its fountain
into the flow of your body
as if it were the sum of all passage.
And though I was your friend in all things
every evening since
the candle went out
in the lantern of a lost tomorrow
I have walked out into abandoned fields alone
and asked the saddest questions
of the most distant stars
knowing there is not enough light sometimes
even in the eyes of God
to be a companion of our sorrows.
And the questions grow longer
as the darkness deepens
the echo of my longing
in a well as dry as my skull
and closes its gates like scars.
And then those nights come
like a life or a day
or even just this moment
when I stop asking
why human suffering
is always indescribably true
and joyful as an irreproachable buffoon
sword-dancing alone with the moon
who writes me dangerous loveletters
as if she were the Lady of the Lake
receiving me back
like a funeral ship
into this mysterium of you,
I can almost believe that you know
even though the night mocks the crow
that pines for mercy
and turns its lightless face toward you
as if it could still feel
the warmth of the sun at midnight
in your eyes again
like the afterlife of light
playing with fireflies in the abyss
now that the summer constellations have gone down;
that somehow you must know
like a guitar
on the far side of a room
where someone is singing
as if they had their ear
to the womb
of your irrevocable absence
that binds me to you with every breath
I take for two
as if I had learned to live on death
to keep you alive in me
where you still flow through the seasons
on the nightstreams of my blood
like blossoms and leaves and stars
and the moon leaves no scars on the water;
must know. Or a demon’s a kinder face
to bestow on the darkness
than a black hole without eyes,
though it’s taken many, long, painful years
for the night to share the light with its jewels again
and as many schools as there are fools to fill them
that even just one
of those slightly compassionate smiles
you would send across the room
to cool the furnace of my heart
with the lightness of one snowflake,
one feather
gracing a change in the weather,
knew more about love
as a raindropp knows the sea
than all of us
who have been washed up
on this cold, lonely shore together
thinking we may have been saved
for something more
than this tidal longing
to brave the sea again
and even if doomed to drown
as I have learned
from this shale of pain
that has carbon-dated the eras
of my missing you
like a life that didn’t
flash before my eyes
as I went down for good with everything,
to thank-you, o, yes,
with nothing but love and light in my heart
and your face in the eye of my solitude
as I stand before the sea in gratitude
to thank-you
as you well knew one day I could
for the generosity of the wound
that has run like my life
down these eyes
these windows
this page
these empty mirrors
of autumn rain
that have wept for years without you
just to see you again
for one moment more
than the time I have left
to know that I never will.
poem by Patrick White
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And You Shall Forever Be
And you shall forever be
all that could not be said of me
though I spoke for myself as long as I could
to answer your absence in paint and words
like this night creek talking in tongues to itself.
I see the maple leaves rotting in manuscript
like the dead civilization of a mummified language
that never made it into print.
And though I know every name
of the wildflowers that did, and of the stars,
their perennial myths of origin,
and of the fireflies, their efflorescent haikus,
tonight I walk among bones and pelvises of ice,
the desecration of forms, limbs lobbed off
like the right arms of offended trees and the eyes
of small skulls plucked out like stillborn moons
that never made it through the winter.
Alone with this emptiness which yet remains
the biggest clue I've ever found
to the whereabouts of myself,
I am not estranged by my usual compassion
for outcast things with no voice of their own.
There is no pillow of snow over the mouth
of what can't be said without me.
The dead don't hold their fingers
up to their lips to bid me keep silent.
They're all dancing wildly to lyrics of their own
in a winter carnival of deathmasks
that have shed their bodies
like the hags of the withered waterlilies
trying to wash the brown out of their gowns
like sunspots from the memory of the stars.
As if there were an eloquence
in the radiance of their rags
that overwhelmed the silence
with the sacred syllables of a mother-tongue
that has no word for time or death.
No word for life that distinguishes them from me.
Not just moonlight on the barkless limbs of mannequins
that have shed their skin seductively.
Not the dead of a northern Pompey
frozen in ash and ice and snow
catastrophically posed for generations to come
but the hymns of the homeless
who've finally found common ground
with the tent cities of the stars high overhead
and the gypsy moths in the Dutch elms.
The long vowels of the living joining hands
with the skeletal consonants of the dead
to make one whole word we can say in our sleep
like a secret we keep between ourselves.
And for the moment I feel almost complete here
like the first draft of a book
that the dead have yet to rewrite.
And though I've said it thousands of times before
in as many ways as I was inspired to,
like a fire that reared up at the mere shadow of the whip
to outrun the starlight for the sheer spirit
of challenging the will of this body
dug like a spur in its own ribs,
it was clear from the very beginning,
as clear as poppies and marigolds
in the summer of their oral traditions,
no more can be said in the dead of winter
than can be said by the living
to coax the wild crocuses out in spring.
You might be a lone night bird
that inhabits the woods like a magus
with too many stars to follow
to follow any one of them
and gratify your life by stargazing
and calling the faithful to prayer
like a muezzin in the morning
with the voice of an underground river.
And for all your lucidity you might never find
the long shadows of your ancestors
erecting the waterlilies of their tents
along the riverbanks of those rivers and lifelines
you keep returning to every year like waterbirds.
Or you could find no sign of anyone
for light years who could recognize you
for who you are even as you change time-zones
like a child with ageing eyes
who was raised by the alone with the Alone
in an incomprehensible solitude that included everyone.
Here where distinctions break down
and the dead and the living both draw
from the same source as they've always done
each is known to the other
by attributes that neither of them have.
The warm heart of a black rose
looking back over its shoulder
at a bend in the night creek,
the moon rising up over the valley,
a pearl in partial eclipse,
taking one long, last look
at the broken cages of ghostly tree limbs
and shattered ladders of lifeboat wing bones
that drowned on the way to their own rescue.
Is one side of a window truer than another?
Inner and outer, I and the other
truly separated by this mere hole in my eye?
Do the stars streaming through my mind
feel a subtle change in the nature of the sky
when they do, a different feel to the darkness,
something strange about the flowers
they open like loveletters, sensing someone
has been tampering with their mail
as if the message were still the medium
but with a different return address?
Is my absence any less baffling than my presence?
These with the hearts of departed things
any less whole or real or displaced
or death any less of a prelude to time
than any other point in its passage is?
Even in death, even when the sun
shines at midnight it's always dawn.
The waterbirds go. The waterbirds come back.
Like an ongoing dialogue in an hourglass
where content is the same as timing
and the most enduring of things
are the things that most readily pass
between the bright vacancy
and dark abundance of life
like the moon that keeps growing
without coming or going like a journey
standing in the doorway
of its own unending threshold.
poem by Patrick White
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Seeds Of Fire In A Nightsky
Seeds of fire in a nightsky root like flowers
in the ashes of my eyes I scattered on the wind
like the dust of stars I followed even into oblivion
to remain faithful to the life of the light
whatever transformations within me grew
into the starless darkness of the unknown heart
I've carried in my chest for years like the empty shrine
of a dead lantern to the last firefly to go out.
And this is a seeing without the eyes of the stranger
I no longer recognize as who I thought I was
when I could read the constellations like the Linear B
of the lost civilization that was elaborated out of me
to perish in the mountainous silence of what was abandoned
when I burned my starmaps and entered chaos
like the blackhole of the singularity
that could rejuvenate me out of nothing like a grail
I was seeking at the bottom of the deepest grave
I ever descended into, a spider at the end of its silk,
or a caterpillar like the distant rumour of a butterfly
on a tranformational pilgrimage to an unknown shrine
that crawled with it all the way back to the beginning
of the radical innocence of an radiant world,
before time overran it with arrivals and departures
as if it never meant anything in the first place
to aspire to the light in the hope of a deeper intimacy with life.
And in this darkness, there is no letting go,
or hanging on to what cannot be grasped by understanding
until you realize that understanding only ever finds itself
and the vastness of what's expanding before it
into the unknown, is not a journey with a destination
or a threshold that can be crossed into illumination
like a voice meditating in the silence of its mother-tongue.
I was looking for the light by the light
I was given to go by when the wind blew it out
like a candle I no longer needed
to make my way deeper into this homeless darkness
that does not cast a shadow of time on enlightened extinction.
How can you divine what isn't missing within yourself?
The seeker dies by the side of the road
like a cry for help in the dangerous distance
pleading to be rescued by its own echo, and it comes
but not in a language of its own, not
as the event of anything that could have been anticipated,
not as something you can bring back with you
like the taste of water to the lips of a delirious mirage
to prove there's a reality beyond delusion
where everyone drinks from the same well
the muses of wisdom summon them to without a mouth.
As unsentimental as an overnight frost on the garden,
the larkspur rimed by billions of cold stars,
as if my seeing condensed out of the air
and every insight were a sign of farewell to the mystery
that urged me to risk everything like a tribute
to the divinity of nothing that had seized upon my heart
like a sacred clown faithful to the folly of experience.
Like the footprints of space and time that stretched behind him
for lightyears like the forced smile and phony tear
of the painted lifemask that convinced him he was not dead
to the ordeals of the journey he was leading nowhere
but to where he was every moment of the way
trusting in the crazy wisdom of the laughter
that regaled him every step of the way
like the cornerstone of the absurdity
that kept looking for new hills of prophetic skulls
to roll over like dice in a bone-box.
To wander like a rogue planet on an aberrant wavelength
of dark matter that doesn't express itself like moonlight
talking to itself like the open-mouthed seed syllables
of the waterlilies at night on the Fall river
writing love poems back to the stars that inspired them.
You want to overhear what the universe
is whispering to itself like a madman in his sleep
in the unbreachable silence of a fathomless dream
of random atoms engendering the forms of awareness
like a grammar of chaos out of its own unattainability
trying to make some sense of what it's saying,
an asylum of paradigms that undermines it own existence
in the arraying of a conditioned universe?
You have to learn to learn to hear it in a language
no one has ever spoken before you, as if
you'd never heard your own voice before
from somewhere deep within you saying
let it be as the stars broke into light
like the distant echo of an unknown wonder
that perceives the source of its own extinction
in the birth of everything, in the slightest conception
of the inconceivable rooting in its own ashes on the wind.
We all listen to the eloquence of things we don't understand
like a secret we're forbidden to tell anyone,
that keeps giving us away death after death,
birth after birth to our imperceptible selves.
Imagination seeds the mind of our uninhibited potential
to flower into worlds where the fruit comes before the blossom
as the harvest precedes the seed, or the darkness
wakes the nightbird up to its longing for love and light
and all our deaths are already achieved behind us
long before anyone was born to suffer them.
And yet we suffer them like a truce with the absurdity of the act
that establishes peace like a third-eye
in the middle of a hurricane that gives meaning
to the dark abundance of our extinction gathering into light
by sacrificing our emptiness like gods to our own creations
over and over and over again, as we surrender to ourselves
like candles returning themselves like fire
to the the light that inspired them
like water to the river it was taken from.
The distance of the journey of life is a wingspan
that cannot be estimated in shadows.
And though you master all the meanings in the world
and learn to love their subtleties like the taste
of mystic wine, or enlightened tea,
you're still the guest that's never met its host face to face
because everything you say is always behind you
like the light of a star whose immediate life
is always ahead of it hidden in the darkness like a jewel
that has yet to know the light of a direct encounter.
If you want to see deeply into the shining
you have to grow your own eyes to accommodate
the perennial insight into the restive vision at hand.
And you must learn to live without knowing
what it is you've come to understand
about the ashes of the dragons in the afterlives of the stars.
Don't let the scars intimidate the innocence of your wounds
as if you could never be hurt again by what
you cherished the most in your search to find yourself
in the absence of anything you could be attached to.
Look at the fireflies emerging from the valley fog
of a passing storm like a shapeshifting constellation
dancing at its own wake like a blissed-out drunk at a funeral.
You can taste the whole history of life
like a wandering myth of origin in every sip of water
flavoured with the reflection of things that changed along the way.
Don't mourn the transformations that enabled you to stay awhile
like snow on the mountaintops, dew on the tongues
of the new leaves of the apple-tree that emerge
like the sacred syllables of lovepoems
to the unknown windfalls of the mystery they facilitate
out of the urgency of their own becoming.
Here, where we speak for awhile, in the diction of things
arranged in the mystic grammars and paradigms
of our own likeness reflected like starmaps
to the shining that ripened our eyes from within
as if the whole world were turned inside out
and you had to descend into yourself to see the stars
like an arrangement of chaos expressed in metaphors,
the liars speak clearly in the language of other men's mouths
that can be easily understood, as the tongue-tied sages
blunder like an ineffable silence into the deepening mystery
of the creative eloquence of the unsayable things
that life speaks through them like the facts of a dream
that trues their wisdom to the disparate harmonies
of the illuminated chaos deep within the heart of life
that keeps contradicting itself like a pulse among the dead.
poem by Patrick White
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Avalanche-the White Death
The land is white
The name of the land brings you
to the land of nothing
The name is white
The white is dead
Sun shines pale, the land shades full of pain
Avalea doesn't bloom and fall in this drain
I'm going back alive again
But no one's crying for the dead
The land is still white
Ice and snow are still the same as yesterday
But the wind is stronger in the sorrow
The land is white
The white is dead
They weep wherever they blow
Forever love, cursed land
Forever goodbye, my lovely land
No more tears falling in this land
Even the sand doesn't know
why he doesn't round to anywhere
The land has frozen like stone
The air is blowed dead
The land is white
The name is white
The land called white is dead
poem by Maria Sudibyo
Submitted by Poetry Lover
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