En.Citatepedia^®.ro

The Lady's Dressing Room

By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
'Those secrets of the hoary deep'!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.

poem by Jonathan Swift
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The Wit and the Beau

Strephon, whose Person ev'ry Grace
Was careful to adorn;
Thought, by the Beauties of his Face,
In Silvia's Love to find a place,
And wonder'd at her Scorn.
With Bows, and Smiles he did his Part;
But Oh! 'twas all in vain:
A Youth less Fine, a Youth of Art
Had talk'd himself into her Heart,
And wou'd not out again.

Strephon with change of Habits press'd,
And urg'd her to admire;
His Love alone the Other dress'd,
As Verse, or Prose became it best,
And mov'd her soft Desire.

This found, his courtship Strephon ends,
Or makes it to his Glass;
There, in himself now seeks amends,
Convinc'd, that where a Wit pretends,
A Beau is but an Ass.

poem by Anne Kingsmill Finch
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The Look

Strephon kissed me in the spring,
Robin in the fall,
But Colin only looked at me
And never kissed at all.

Strephon's kiss was lost in jest,
Robin's lost in play,
But the kiss in Colin's eyes
Haunts me night and day.

poem by Sara Teasdale
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Louisa To Strephon

Ah! Strephon, how can you despise
Her, who without thy pity dies!
To Strephon I have still been true,
And of as noble blood as you;
Fair issue of the genial bed,
A virgin in thy bosom bred:
Embraced thee closer than a wife;
When thee I leave, I leave my life.
Why should my shepherd take amiss,
That oft I wake thee with a kiss?
Yet you of every kiss complain;
Ah! is not love a pleasing pain?
A pain which every happy night
You cure with ease and with delight;
With pleasure, as the poet sings,
Too great for mortals less than kings.
Chloe, when on thy breast I lie,
Observes me with revengeful eye:
If Chloe o'er thy heart prevails,
She'll tear me with her desperate nails;
And with relentless hands destroy
The tender pledges of our joy.
Nor have I bred a spurious race;
They all were born from thy embrace.
Consider, Strephon, what you do;
For, should I die for love of you,
I'll haunt thy dreams, a bloodless ghost;
And all my kin, (a numerous host,)
Who down direct our lineage bring
From victors o'er the Memphian king;
Renown'd in sieges and campaigns,
Who never fled the bloody plains:
Who in tempestuous seas can sport,
And scorn the pleasures of a court;
From whom great Sylla found his doom,
Who scourged to death that scourge of Rome,
Shall on thee take a vengeance dire;
Thou like Alcides shalt expire,
When his envenom'd shirt he wore,
And skin and flesh in pieces tore.
Nor less that shirt, my rival's gift,
Cut from the piece that made her shift,
Shall in thy dearest blood be dyed,
And make thee tear thy tainted hide.

poem by Jonathan Swift
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Celia

Celia, we know, is sixty-five,
Yet Celia's face is seventeen;
Thus winter in her breast must live,
While summer in her face is seen.

How cruel Celia's fate, who hence
Our heart's devotion cannot try;
Too pretty for our reverence,
Too ancient for our gallantry!

poem by Alexander Pope
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Celia

Cherry, cherry,
glowing on the hearth,
bright red cherry….
When you try to pick up cherry
Celia’s shriek
sticks in you like a pin.

When God throws hailstones
you cuddle in Celia’s shawl
and press your feet on her belly
high up like a stool.
When Celia makes umbrella of her hand.
Rain falls through
big pink spokes of her fingers.
When wind blows Celia’s gown up off her legs
she runs under pillars of the bank—
great round pillars of the bank
have on white stockings too.

Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don’t believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.

It isn’t a dream….
It comes again and again….
You hear ivy crying on steeples
the flames haven’t caught yet
and images screaming
when they see red light on the lilies
on the stained glass window of St. Joseph.
The girl with the black eyes holds you tight,
and you run… and run
past the wild, wild towers…
and trees in the gardens tugging at their feet
and little frightened dolls
shut up in the shops
crying… and crying… because no one stops…
you spin like a penny thrown out in the street.
Then the man clutches her by the hair….
He always clutches her by the hair….
His eyes stick out like spears.
You see her pulled-back face
and her black, black eyes
lit up by the glare….
Then everything goes out.
Please God, don’t let me dream any more
of the girl with the black, black eyes.

Celia’s shadow rocks and rocks…
and mama’s eyes stare out of the pillow
as though she had gone away
and the night had come in her place
as it comes in empty rooms…
you can’t bear it—
the night threshing about
and lashing its tail on its sides
as bold as a wolf that isn’t afraid—
and you scream at her face, that is white as a stone on a grave
and pull it around to the light,
till the night draws backward… the night that walks alone
and goes away without end.
Mama says, I am cold, Betty, and shivers.
Celia tucks the quilt about her feet,
but I run for my little red cloak
because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…
…Celia saying
I’d beg the world with you….
Celia… holding on to the cab…
hands wrenched away…
wind in the masts… like Celia crying….
Celia never minded if you slapped her
when the comb made your hairs ache,
but though you rub your cheek against mama’s hand
she has not said darling since….
Now I will slap her again….
I will bite her hand till it bleeds.

It is cool by the port hole.
The wet rags of the wind
flap in your face.

poem by Lola Ridge
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Songs Set To Music: 5. Set By Mr. De Fesch

Let perjured fair Amynta know
What for her sake I undergo;
Tell her, for her how I sustain
A lingering fever's wasting pain;
Tell her the torments I endure,
Which only, only she can cure.

But, oh! she scorns to hear or see
The wretch that lies so low as me;
Her sudden greatness turns her brain,
And Strephon hopes, alas! in vain;
For ne'er 'twas found (though often tried)
That Pity ever dwelt with Pride.

poem by Matthew Prior
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You Gote-heard Gods

Strephon.

You Gote-heard Gods, that loue the grassie mountaines,
You Nimphes that haunt the springs in pleasant vallies,
You Satyrs ioyde with free and quiet forests,
Vouchsafe your silent eares to playning musique,
Which to my woes giues still an early morning;
And drawes the dolor on till wery euening.

Klaius.

O Mercurie, foregoer to the euening,
O heauenlie huntresse of the sauage mountaines,
O louelie starre, entitled of the morning,
While that my voice doth fill these wofull vallies,
Vouchsafe your silent eares to plaining musique,
Which oft hath Echo tir'd in secrete forrests.

Strephon.

I that was once free-burges of the forrests,
Where shade from Sunne, and sports I sought at euening,
I that was once esteem'd for pleasant musique,
Am banisht now among the monstrous mountaines
Of huge despaire, and foule afflictions vallies,
Am growne a shrich-owle to my selfe each morning.

Klaius.

I that was once delighted euery morning,
Hunting the wilde inhabiters of forrests,
I that was once the musique of these vallies,
So darkened am, that all my day is euening,
Hart-broken so, that molehilles seeme high mountaines,
And fill the vales with cries in steed of musique.

Strephon.

Long since alas, my deadly Swannish musique
Hath made it selfe a crier of the morning,
And hath with wailing strength clim'd highest mountaines:
Long since my thoughts more desert be then forrests:
Long since I see my ioyes come to their euening,
And state throwen downe to ouer-troden vallies.

Klaius.

Long since the happie dwellers of these vallies,
Haue praide me leaue my strange exclaiming musique,
Which troubles their dayes worke, and ioyes of euening:
Long since I hate the night, more hate the morning:
Long since my thoughts chase me like beasts in forrests,
And make me wish my selfe layd vnder mountaines.

Strephon.

Me seemes I see the high and stately mountaines,
Transforme themselues to lowe deiected vallies:
Me seemes I heare in these ill changed forrests,
The Nightingales doo learne of Owles their musique:
Me seemes I feele the comfort of the morning
Turnde to the mortall serene of an euening.

Klaius.

Me seemes I see a filthie clowdie euening,
As soon as Sunne begins to clime the mountaines:
Me seemes I feele a noysome sent, the morning
When I doo smell the flowers of these vallies:
Me seemes I heare, when I doo heare sweete musique,
The dreadfull cries of murdred men in forrests.

Strephon.

I wish to fire the trees of all these forrests;
I giue the Sunne a last farewell each euening;
I curse the fidling finders out of Musicke:
With enuie I doo hate the loftie mountaines;
And with despite despise the humble vallies:
I doo detest night, euening, day, and morning.

Klaius.

Curse to my selfe my prayer is, the morning:
My fire is more, then can be made with forrests;
My state more base, then are the basest vallies:
I wish no euenings more to see, each euening;
Shamed I hate my selfe in sight of mountaines,
And stoppe mine eares, lest I growe mad with Musicke.

Strephon.

For she, whose parts maintainde a perfect musique,
Whose beautie shin'de more then the blushing morning,
Who much did passe in state the stately mountaines,
In straightnes past the Cedars of the forrests,
Hath cast me wretch into eternall euening,
By taking her two Sunnes from these darke vallies.

Klaius.

For she, to whom compar'd, the Alpes are vallies,
She, whose lest word brings from the spheares their musique,
At whose approach the Sunne rose in the euening,
Who, where she went, bare in her forhead morning,
Is gone, is gone from these our spoyled forrests,
Turning to desarts our best pastur'de mountaines.

Strephon. Klaius.

These mountaines witnesse shall, so shall these vallies,
These forrests eke, made wretched by our musique,
Our morning hymne is this, and song at euening.

poem by Philip Sidney
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Songs Set To Music: 12. Set By Mr. Smith

Since my words, though ne'er so tender,
With sincerest truth express'd,
Cannot make your heart surrender,
Nor so much as warm your breast;

What will move the springs of Nature
What will make you think me true?
Tell me, thou mysterious creature,
Tell poor Strephon what will do.

Do not, Charmion, rack your lover
Thus, by seeming not to know
What so plainly all discover,
What his eyes so plainly show.

Fair one, 'tis yourself deceiving,
'Tis against your reason's laws;
Atheist-like (th' effect perceiving)
Still to disbelieve the cause.

poem by Matthew Prior
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Hint From Voiture

Let Sol his annual journeys run,
And when the radiant task is done,
Confess, through all the globe, 'twou'd pose him,
To match the charms that Celia shows him.

And should he boast he once had seen
As just a form, as bright a mien,
Yet must it still for ever pose him
To match - what Celia never shows him.

poem by William Shenstone
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Advice

Cease, fond shepherd -- cease desiring
What you never must enjoy;
She derides your vain aspiring,
She to all your sex is coy.
Cunning Damon once pursu'd her,
Yet she never would incline;
Strephon too as vainly woo'd her,
Though his flocks are more than thine.
At Diana's shrine aloud,
By the zone around her waist,
Thrice she bow'd, and thrice she vow'd
Like the Goddess to be chaste.

poem by Lady Mary Wortley Montagu
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Saturday Night

Saturday night in the crowded town;
Pleasure and pain going up and down,
Murmuring low on the ear there beat
Echoes unceasing of voice and feet.
Withered age, with its load of care,
Come in this tumult of life to share,
Childhood glad in its radiance brief,
Happiest-hearted or bowed with grief,
Meet alike, as the stars look down
Week by week on the crowded town.

~And in a kingdom of mystery,
Rapt from this weariful world to see
Magic sights in the yellow glare,
Breathing delight in the gas-lit air,
Careless of sorrow, of grief or pain,
Two by two, again and again,
Strephon and Chloe together move,
Walking in Arcady, land of love.~

What are the meanings that burden all
These murmuring voices that rise and fall?
Tragedies whispered of, secrets told,
Over the baskets of bought and sold;
Joyous speech of the lately wed;
Broken lamentings that name the dead:
Endless runes of the gossip's rede,
And gathered home with the weekly need,
Kindly greetings as neighbours meet
There in the stir of the busy street.

Then is the glare of the gaslight ray
Gifted with potency strange to-day,
Records of time-written history
Flash into sight as each face goes by.
There, as the hundreds slow moving go,
Each with his burden of joy or woe,
Souls, in the meeting of stranger's eyes,
Startled this kinship to recognise, --
Meet and part, as the stars look down,
Week by week on the crowded town.

~And still, in the midst of the busy hum,
Rapt in their dream of delight they come.
Heedless of sorrow, of grief or care,
Wandering on in enchanted air,
Far from the haunting shadow of pain:
Two by two, again and again,
Strephon and Chloe together move,
Walking in Arcady, land of love.~

poem by Mary Colborne-Veel
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Since Bearing Of A Gentle Mind

Since bearing of a Gentle mind
Woud make you perfect be
Dear Celia to your self be kind
By being so to me
Hast to be happy while you can
Time flys and pleasures flow
Nor ere will have the Chance again
To be so long as now
Give me a kiss now give me more
And now another bliss
For Love has such a world in store
We need not dy on this
Twas thus Amintor Celia wood
the Fair expecting lay
He took the hint his point pursud
And blessd the lucky day.

poem by Thomas Parnell
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The Dying Kid

Optima quaeque dies miseris mortalibus aevi
Prima fugit-…
~Virg.
Imitation.

Ah! wretched mortals we! - our brightest days
On fleetest pinions fly.

A tear bedews my Delia's eye,
To think yon playful kid must die;
From crystal spring, and flowery mead,
Must, in his prime of life, recede!

Erewhile, in sportive circles round
She saw him wheel, and frisk, and bound!
From rock to rock pursue his way,
And on the fearful margin play.

Pleased on his various freaks to dwell,
She saw him climb my rustic cell;
Thence eye my lawns with verdure bright,
And seem'd all ravish'd at the sight:

She tells with what delight he stood,
To trace his features in the flood:
Then skipp'd aloof with quaint amaze,
And then drew near again to gaze.

She tells me how with eager speed
He flew to hear my vocal reed;
And how, with critic face profound,
And steadfast ear, devour'd the sound.

His every frolic, light as air,
Deserves the gentle Delia's care;
And tears bedew her tender eye,
To think the playful kid must die.

But knows my Delia, timely wise,
How soon this blameless era flies;
While violence and craft succeed,
Unfair design, and ruthless deed?

Soon would the vine his wounds deplore,
And yield her purple gifts no more;
Ah! soon erased from every grove
Were Delia's name, and Strephon's love.

No more those bowers might Strephon see,
Where first he fondly gazed on thee;
No more those beds of flowerets find,
Which for thy charming brows he twined.

Each wayward passion soon would tear
His bosom, now so void of care;
And, when they left his ebbing vein,
What, but insipid age, remain?

Then mourn not the decrees of Fate,
That gave his life so short a date;
And I will join my tenderest sighs,
To think that youth so swiftly flies!

poem by William Shenstone
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Song: Perswasions to enjoy

If the quick spirits in your eye
Now languish and anon must die;
If every sweet and every grace
Must fly from that forsaken face;
Then, Celia, let us reap our joys
Ere Time such goodly fruit destroys.

Or if that golden fleece must grow
For ever free from agèd snow;
If those bright suns must know no shade,
Nor your fresh beauties ever fade;
Then fear not, Celia, to bestow
What, still being gather'd, still must grow.

Thus either Time his sickle brings
In vain, or else in vain his wings.

poem by Thomas Carew
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Perswasions to enjoy

IF the quick spirits in your eye
Now languish, and anon must die;
If every sweet, and every grace
Must fly from that forsaken face;
Then, Celia, let us reap our joys,
Ere Time such goodly fruit destroys.

Or if that golden fleece must grow
Forever, free from aged snow;
If those bright suns must know no shade,
Nor your fresh beauties ever fade;
Then fear not, Celia, to bestow
What, still being gathered, still must grow.
Thus, either Time his sickle brings
In vain, or else in vain his wings.

poem by Thomas Carew
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Nancy of the Vale

The western sky was purpled o'er
With every pleasing ray;
And flocks reviving felt no more
The sultry heats of day;

When from an hazel's artless bower
Soft warbled Strephon's tongue;
He blest the scene, he blest the hour,
While Nancy's praise he sung.

'Let fops with fickle falsehood range
The paths of wanton love,
While weeping maids lament their change,
And sadden every grove:

'But endless blessings crown the day
I saw fair Esham's dale!
And every blessing find its way
To Nancy of the Vale.

''Twas from Avona's banks the maid
Diffused her lovely beams,
And every shining glance display'd
The Naiad of the streams.

'Soft as the wild-duck's tender young,
That float on Avon's tide;
Bright as the water-lily, sprung,
And glittering near its side

'Fresh as the bordering flowers her bloom,
Her eye all mild to view;
The little halcyon's azure plume
Was never half so blue.

'Her shape was like the reed so sleek,
So taper, strait, and fair;
Her dimpled smile, her blushing cheek,
How charming sweet they were!

'Far in the winding vale retired,
This peerless bud I found,
And shadowing rocks and woods conspired
To fence her beauties round.

'That Nature in so lone a dell
Should form a nymph so sweet!
Or Fortune to her secret cell
Conduct my wandering feet!

'Gay lordlings sought her for their bride,
But she would ne'er incline:
'Prove to your equals true,' she cried,
'As I will prove to mine.

''Tis Strephon, on the mountain's brow,
Has won my right good will;
To him I gave my plighted vow,
With him I'll climb the hill.'

'Struck with her charms and gentle truth,
I clasp'd the constant fair;
To her alone I gave my youth,
And vow my future care.

'And when this vow shall faithless prove,
Or I those charms forego;
The stream that saw our tender love,
That stream shall cease to flow.'

poem by William Shenstone
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Song

No more shall hapless Celia's ears
Be flattered with the cries
Of lovers drowned in floods of tears,
Or murdered by her eyes;
No serenades to break her rest,
Nor songs her slumbers to molest,
With my fa, la, la.

The fragrant flowers that once would bloom
And flourish in her hair,
Since she no longer breathes perfume
Their odours to repair,
Must fade, alas! and wither now
As placed on any common brow,
With my fa, la, la.

Her lip, so winning and so meek,
No longer has its charms;
As well she might by whistling seek
To lure us to her arms;
Affected once, 'tis real now,
As her forsaken gums may show,
With my fa, la, la.

The down that on her chin so smooth
So lovely once appeared,
That, too, has left her with her youth,
Or sprouts into a beard;
As fields, so green when newly sown,
With stubble stiff are overgrown,
With my fa, la, la.

Then, Celia, leave your apish tricks,
And change your girlish airs,
For ombre, snuff, and politics,
Those joys that suit your years;
No patches can lost youth recall,
Nor whitewash prop a tumbling wall,
With my fa, la, la.

poem by William Cowper
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What Celia Saw in the Back of a Spoon

Celia looked at her reflection
In the back of the spoon;
Her face was blown outward
As if captured on some balloon.
It almost made her laugh;
The memory of it;
How she and her sister Sassy
Would do that as kids,
Before the dark days,
Before her death in a bath.
That drowning, that sad death.
Sassy's husband had beaten her
Black and blue and green
And she'd hide herself away
So as not to be seen.
But she'd seen her,
Seen the bruises
Like smudged tattoos,
The closed eyes,
The swollen lips,
The hardly able to talk words
Pushing through the mouth
To say: he says he loves me still.
Celia stared at her reflection,
The way her own mouth was distorted,
Her lips blown up, her eyes enlarged,
Out of proportion.
She almost laughed,
But something about Sassy's sad death
Made her stifle any guffaw
That may have broken free
From her distorted reflected jaw.
There was the time she'd seen her
Undressing for bed when she stayed
Because Sassy's husband (the weird freak)
Was off on business, some big deal,
Needing to be pulled off,
And she saw the black and blueness
With tinges of green
Along her naked flesh,
The buttocks welted
Where he had belted.
Sassy had said nothing,
Had not noticed Celia looking,
Had not thought it unusual
To be unclothed as such
Away from other's peering eyes.
Now Sassy was dead;
Found in the bath;
Drugged out, wrists slit,
Having drowned recorded.
But he had driven her over the edge;
He had bullied and beaten
Like some spoilt cruel child
An unwanted toy.
Celia turned the spoon over
And put it down.
No more desire to laugh,
Just fond memories of Sassy
Before her death in the bath.

poem by Terry Collett
Submitted by Poetry Lover
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Of Caterpillars and Childhood

We were childhood playmates
Way back in the late fifties
She was sort of a retardate,
We children were not aware of this.

One day we climbed a guava tree
And Celia (that's her name)
Tried to climb the tree with me
How we enjoyed that racing game!

On a stronger branch I sat
My brother climbed the other
As Celia climbed I noticed that
Green caterpillars were all over!

I jumped off that tree so fast
And my brother followed suit
Celia tried to get off, alas!
A caterpillar stuck to her foot.

She held to a branch in fear
Her hand crushed the green thing there
With a scream she let go, oh dear!
She fell on her back with a holler!

Her grandma came rushing over
As we laughed at the silly crying
But out came our angry Mother
And we were in for a big scolding.

Looking back I have my regret
I have not been able to say 'Sorry'
My friend was one I will never forget
So for her, I write this little story.

poem by Cynthia Buhain-Baello
Submitted by Poetry Lover
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Songs Set To Music: 22. Set By Mr. De Fesch

In vain, alas! poor Strephon tries
To ease his tortured breast,
Since Amoret the cure denies,
And makes his pain a jest.

Ah! fair one, why to me so coy,
And why to him so true?
Who with more coldness slights the joy
Than I with love pursue.

Die, then, unhappy lover, die;
For since she gives thee death,
The world has nothing that can buy
A minute more of breath.

Yet though I could your scorn outlive,
'Twere folly, since to me
Not love itself a joy can give,
But, Amoret, in thee.

poem by Matthew Prior
Submitted by Poetry Lover
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