The Wit and the Beau
Strephon, whose Person ev'ry Grace
Was careful to adorn;
Thought, by the Beauties of his Face,
In Silvia's Love to find a place,
And wonder'd at her Scorn.
With Bows, and Smiles he did his Part;
But Oh! 'twas all in vain:
A Youth less Fine, a Youth of Art
Had talk'd himself into her Heart,
And wou'd not out again.
Strephon with change of Habits press'd,
And urg'd her to admire;
His Love alone the Other dress'd,
As Verse, or Prose became it best,
And mov'd her soft Desire.
This found, his courtship Strephon ends,
Or makes it to his Glass;
There, in himself now seeks amends,
Convinc'd, that where a Wit pretends,
A Beau is but an Ass.
poem by Anne Kingsmill Finch
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Related quotes
Ode, written 1739
Urit spes animi credula mutui.-Hor.
Imitation.
Fond hope of a reciprocal desire
Inflames the breast.
'Twas not by beauty's aid alone
That Love usurp'd his airy throne,
His boasted power display'd;
'Tis kindness that secures his aim,
'Tis hope that feeds the kindling flame
Which beauty first convey'd.
In Clara's eyes the lightning view;
Her lips with all the rose's hue
Have all its sweets combined;
Yet vain the blush, and faint the fire,
Till lips at once, and eyes, conspire
To prove the charmer kind--
Though wit might gild the tempting snare
With softest accent, sweetest air,
By envy's self admired;
If Lesbia's wit betray'd her scorn,
In vain might every Grace adorn
What every Muse inspired.
Thus airy Strephon tuned his lyre-
He scorn'd the pangs of wild desire,
Which lovesick swains endure;
Resolved to brave the keenest dart,
Since frowns could never wound his heart;
And smiles-must ever cure.
But, ah! how false these maxims prove,
How frail security from love,
Experience hourly shows;
Love can imagined smiles supply;
On every charming lip and eye
Eternal sweets bestows.
In vain we trust the fair one's eyes;
In vain the sage explores the skies,
To learn from stars his fate;
Till, led by fancy wide astray,
He finds no planet mark his way;
Convinced and wise-too late.
As partial to their words we prove,
Then boldly join the lists of love,
With towering hopes supplied:
So heroes, taught by doubtful shrines,
Mistook their deity's designs;
Then took the field-and died.
poem by William Shenstone
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The Look
Strephon kissed me in the spring,
Robin in the fall,
But Colin only looked at me
And never kissed at all.
Strephon's kiss was lost in jest,
Robin's lost in play,
But the kiss in Colin's eyes
Haunts me night and day.
poem by Sara Teasdale
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Songs Set To Music: 22. Set By Mr. De Fesch
In vain, alas! poor Strephon tries
To ease his tortured breast,
Since Amoret the cure denies,
And makes his pain a jest.
Ah! fair one, why to me so coy,
And why to him so true?
Who with more coldness slights the joy
Than I with love pursue.
Die, then, unhappy lover, die;
For since she gives thee death,
The world has nothing that can buy
A minute more of breath.
Yet though I could your scorn outlive,
'Twere folly, since to me
Not love itself a joy can give,
But, Amoret, in thee.
poem by Matthew Prior
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Nancy of the Vale
The western sky was purpled o'er
With every pleasing ray;
And flocks reviving felt no more
The sultry heats of day;
When from an hazel's artless bower
Soft warbled Strephon's tongue;
He blest the scene, he blest the hour,
While Nancy's praise he sung.
'Let fops with fickle falsehood range
The paths of wanton love,
While weeping maids lament their change,
And sadden every grove:
'But endless blessings crown the day
I saw fair Esham's dale!
And every blessing find its way
To Nancy of the Vale.
''Twas from Avona's banks the maid
Diffused her lovely beams,
And every shining glance display'd
The Naiad of the streams.
'Soft as the wild-duck's tender young,
That float on Avon's tide;
Bright as the water-lily, sprung,
And glittering near its side
'Fresh as the bordering flowers her bloom,
Her eye all mild to view;
The little halcyon's azure plume
Was never half so blue.
'Her shape was like the reed so sleek,
So taper, strait, and fair;
Her dimpled smile, her blushing cheek,
How charming sweet they were!
'Far in the winding vale retired,
This peerless bud I found,
And shadowing rocks and woods conspired
To fence her beauties round.
'That Nature in so lone a dell
Should form a nymph so sweet!
Or Fortune to her secret cell
Conduct my wandering feet!
'Gay lordlings sought her for their bride,
But she would ne'er incline:
'Prove to your equals true,' she cried,
'As I will prove to mine.
''Tis Strephon, on the mountain's brow,
Has won my right good will;
To him I gave my plighted vow,
With him I'll climb the hill.'
'Struck with her charms and gentle truth,
I clasp'd the constant fair;
To her alone I gave my youth,
And vow my future care.
'And when this vow shall faithless prove,
Or I those charms forego;
The stream that saw our tender love,
That stream shall cease to flow.'
poem by William Shenstone
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Louisa To Strephon
Ah! Strephon, how can you despise
Her, who without thy pity dies!
To Strephon I have still been true,
And of as noble blood as you;
Fair issue of the genial bed,
A virgin in thy bosom bred:
Embraced thee closer than a wife;
When thee I leave, I leave my life.
Why should my shepherd take amiss,
That oft I wake thee with a kiss?
Yet you of every kiss complain;
Ah! is not love a pleasing pain?
A pain which every happy night
You cure with ease and with delight;
With pleasure, as the poet sings,
Too great for mortals less than kings.
Chloe, when on thy breast I lie,
Observes me with revengeful eye:
If Chloe o'er thy heart prevails,
She'll tear me with her desperate nails;
And with relentless hands destroy
The tender pledges of our joy.
Nor have I bred a spurious race;
They all were born from thy embrace.
Consider, Strephon, what you do;
For, should I die for love of you,
I'll haunt thy dreams, a bloodless ghost;
And all my kin, (a numerous host,)
Who down direct our lineage bring
From victors o'er the Memphian king;
Renown'd in sieges and campaigns,
Who never fled the bloody plains:
Who in tempestuous seas can sport,
And scorn the pleasures of a court;
From whom great Sylla found his doom,
Who scourged to death that scourge of Rome,
Shall on thee take a vengeance dire;
Thou like Alcides shalt expire,
When his envenom'd shirt he wore,
And skin and flesh in pieces tore.
Nor less that shirt, my rival's gift,
Cut from the piece that made her shift,
Shall in thy dearest blood be dyed,
And make thee tear thy tainted hide.
poem by Jonathan Swift
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Songs Set To Music: 5. Set By Mr. De Fesch
Let perjured fair Amynta know
What for her sake I undergo;
Tell her, for her how I sustain
A lingering fever's wasting pain;
Tell her the torments I endure,
Which only, only she can cure.
But, oh! she scorns to hear or see
The wretch that lies so low as me;
Her sudden greatness turns her brain,
And Strephon hopes, alas! in vain;
For ne'er 'twas found (though often tried)
That Pity ever dwelt with Pride.
poem by Matthew Prior
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Inside Silvia
I love that look comes in your eyes when were all alone
And its much too late for friends to come calling
I disconnect the phone
And I put on the radio and I take her and I talk real low
And I hold her tight and soon Im dancing in the night
Inside silvia, oh silvia, yeah, yeah, silvia
I know my love is alive
Inside silvia, yeah silvia, oh silvia, oh
Sometimes you get so crazy and I know its all in your mind
And right in the middle of the night, I see just what you need
And they say that love is blind
And I hold you till the feelings come
But sometimes when the lovins done I see the scared little girl
Afraid of the woman
Inside silvia, oh silvia, yeah, yeah, silvia
I know my love is alive
Inside silvia, yeah silvia, oh silvia, oh
Though the world may rage and storm
Theres still one harbor where Im safe and warm
Its when Im inside silvia, yeah silvia, oh silvia, oh
Inside silvia, oh silvia, yeah, yeah, silvia
I know my love is alive
Inside silvia, yeah silvia, oh silvia, oh
song performed by by Rick Springfield
Submitted by Lucian Velea
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A Paraphrase, Circa 1715
Since Chloe is so monstrous fair,
With such an eye and such an air,
What wonder that the world complains
When she each am'rous suit disdains?
Close to her mother's side she clings,
And mocks the death her folly brings
To gentle swains that feel the smarts
Her eyes inflict upon their hearts.
Whilst thus the years of youth go by,
Shall Colin languish, Strephon die?
Nay, cruel nymph! come, choose a mate,
And choose him ere it be too late!
poem by Eugene Field
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Town Eclogues: Wednesday
DANCINDA.
" NO, fair DANCINDA, no ; you strive in vain
" To calm my care and mitigate my pain ;
" If all my sighs, my cares, can fail to move,
" Ah ! sooth me not with fruitless vows of love."
Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride ?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart ;
`What proof of love remains for me to grant ?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --
Too many favours had not made it plain !
But such a passion breaks thro' all disguise,
Love reddens on my cheek and wishes in my eyes.
Is't not enough (inhuman and unkind !)
I own the secret conflict of my mind ?
You cannot know what secret pain I prove,
When I with burning blushes own I love.
You see my artless joy at your approach,
I sigh, I faint, I tremble at your touch ;
And in your absence all the world I shun ;
I hate mankind, and curse the cheering sun.
Still as I fly, ten thousand swains pursue ;
Ten thousand swains I sacrifice to you.
I shew you all my heart without disguise :
But these are tender proofs that you despise --
I see too well what wishes you pursue ;
You wou'd not only conquer, but undo :
You, cruel victor, weary of your flame,
Would seek a cure in my eternal shame ;
And not content my honour to subdue,
Now strive to triumph o'er my virtue too.
Oh ! LOVE, a God indeed to womankind,
Whose arrows burn me and whose fetters bind,
Avenge thy altars, vindicate thy fame,
And blast these traytors that profane thy name,
Who by pretending to thy sacred fire,
Raise cursed trophies to impure desire.
Have you forgot with what ensnaring art
You first seduc'd this fond uncautious heart ?
Then as I fled, did you not kneeling cry,
Turn, cruel beauty ; whither wou'd you fly ?
Why all these Doubts ? why this distrustful fear ?
No impious wishes shall offend your ear :
Nor ever shall my boldest hopes pretend
Above the title of a tender friend ;
Blest, if my lovely Goddess will permit
My humble vow, thus sighing at her feet.
The tyrant Love that in my Bosom reigns,
The God himself submits to wear your chains ;
You shall direct his course, his ardour tame,
And check the fury of his wildest flame.
Unpractis'd youth is easily deceiv'd ;
Sooth'd by such sounds, I listen'd and believ'd :
Now quite forgot that soft submissive fear :
You dare to ask what I must blush to hear.
Cou'd I forget the honour of my race,
And meet your wishes, fearless of disgrace ;
Cou'd passion o'er my tender youth prevail,
And all my mother's pious maxims fail ;
Yet to preserve your heart (which still must be,
False as it is, for ever dear to me)
This fatal proof of love I wou'd not give,
Which you contemn the moment you receive.
The wretched she, who yields to guilty joys
A man may pity, but he must despise.
Your ardour ceas'd, I then shou'd see you shun
The wretched victim by your arts undone.
Yet if I cou'd that cold indifference bear,
What more wou'd strike me with the last despair,
With this reflection wou'd my soul be torn,
To know I merited your cruel scorn.
Has Love no pleasures free from guilt or fear ?
Pleasures less fierce, more lasting, more sincere ?
Thus let us gently kiss and fondly gaze,
Love is a child, and like a child it plays.
O STREPHON, if you wou'd continue just,
If Love be something more than brutal lust,
Forbear to ask what I must still deny,
This bitter pleasure, this destructive joy,
So closely follow'd by the dismal train
Of cutting shame, and guilt's heart-piercing pain.
She paus'd ; and fix'd her eyes upon her fan ;
He took a pinch of snuff, and thus began ;
Madam, if Love -- but he cou'd say no more,
For Mademoiselle came rapping at the door.
The dangerous moments no adieus afford ;
Begone, she cries, I'm sure I hear my Lord.
The lover starts from his unfinish'd loves,
To snatch his hat, and seek his scatter'd gloves :
The sighing dame to meet her dear prepares,
While STREPHON cursing, slips down the back-stairs.
poem by Lady Mary Wortley Montagu
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Wednesday, the Tête à Tête
DANCINDA.
"NO, fair DANCINDA, no; you strive in vain
"To calm my care and mitigate my pain ;
"If all my sighs, my cares, can fail to move,
"Ah! sooth me not with fruitless vows of love."
Thus STREPHON spoke. DANCINDA thus reply'd :
`What must I do to gratify your pride?
`Too well you know (ungrateful as thou art)
`How much you triumph in this tender heart;
`What proof of love remains for me to grant?
Yet still you teize me with some new complaint.
Oh ! would to heav'n ! -- but the fond wish is vain --
Too many favours had not made it plain !
But such a passion breaks thro' all disguise,
Love reddens on my cheek and wishes in my eyes.
Is't not enough (inhuman and unkind !)
I own the secret conflict of my mind ?
You cannot know what secret pain I prove,
When I with burning blushes own I love.
You see my artless joy at your approach,
I sigh, I faint, I tremble at your touch ;
And in your absence all the world I shun ;
I hate mankind, and curse the cheering sun.
Still as I fly, ten thousand swains pursue ;
Ten thousand swains I sacrifice to you.
I shew you all my heart without disguise :
But these are tender proofs that you despise --
I see too well what wishes you pursue ;
You wou'd not only conquer, but undo :
You, cruel victor, weary of your flame,
Would seek a cure in my eternal shame ;
And not content my honour to subdue,
Now strive to triumph o'er my virtue too.
Oh ! LOVE, a God indeed to womankind,
Whose arrows burn me and whose fetters bind,
Avenge thy altars, vindicate thy fame,
And blast these traytors that profane thy name,
Who by pretending to thy sacred fire,
Raise cursed trophies to impure desire.
Have you forgot with what ensnaring art
You first seduc'd this fond uncautious heart ?
Then as I fled, did you not kneeling cry,
Turn, cruel beauty ; whither wou'd you fly ?
Why all these Doubts ? why this distrustful fear ?
No impious wishes shall offend your ear :
Nor ever shall my boldest hopes pretend
Above the title of a tender friend ;
Blest, if my lovely Goddess will permit
My humble vow, thus sighing at her feet.
The tyrant Love that in my Bosom reigns,
The God himself submits to wear your chains ;
You shall direct his course, his ardour tame,
And check the fury of his wildest flame.
Unpractis'd youth is easily deceiv'd ;
Sooth'd by such sounds, I listen'd and believ'd :
Now quite forgot that soft submissive fear :
You dare to ask what I must blush to hear.
Cou'd I forget the honour of my race,
And meet your wishes, fearless of disgrace ;
Cou'd passion o'er my tender youth prevail,
And all my mother's pious maxims fail ;
Yet to preserve your heart (which still must be,
False as it is, for ever dear to me)
This fatal proof of love I wou'd not give,
Which you contemn the moment you receive.
The wretched she, who yields to guilty joys
A man may pity, but he must despise.
Your ardour ceas'd, I then shou'd see you shun
The wretched victim by your arts undone.
Yet if I cou'd that cold indifference bear,
What more wou'd strike me with the last despair,
With this reflection wou'd my soul be torn,
To know I merited your cruel scorn.
Has Love no pleasures free from guilt or fear ?
Pleasures less fierce, more lasting, more sincere ?
Thus let us gently kiss and fondly gaze,
Love is a child, and like a child it plays.
O STREPHON, if you wou'd continue just,
If Love be something more than brutal lust,
Forbear to ask what I must still deny,
This bitter pleasure, this destructive joy,
So closely follow'd by the dismal train
Of cutting shame, and guilt's heart-piercing pain.
She paus'd ; and fix'd her eyes upon her fan ;
He took a pinch of snuff, and thus began ;
Madam, if Love -- but he cou'd say no more,
For Mademoiselle came rapping at the door.
The dangerous moments no adieus afford ;
Begone, she cries, I'm sure I hear my Lord.
The lover starts from his unfinish'd loves,
To snatch his hat, and seek his scatter'd gloves :
The sighing dame to meet her dear prepares,
While STREPHON cursing, slips down the back-stairs.
poem by Lady Mary Wortley Montagu
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The Dying Kid
Optima quaeque dies miseris mortalibus aevi
Prima fugit-…
~Virg.
Imitation.
Ah! wretched mortals we! - our brightest days
On fleetest pinions fly.
A tear bedews my Delia's eye,
To think yon playful kid must die;
From crystal spring, and flowery mead,
Must, in his prime of life, recede!
Erewhile, in sportive circles round
She saw him wheel, and frisk, and bound!
From rock to rock pursue his way,
And on the fearful margin play.
Pleased on his various freaks to dwell,
She saw him climb my rustic cell;
Thence eye my lawns with verdure bright,
And seem'd all ravish'd at the sight:
She tells with what delight he stood,
To trace his features in the flood:
Then skipp'd aloof with quaint amaze,
And then drew near again to gaze.
She tells me how with eager speed
He flew to hear my vocal reed;
And how, with critic face profound,
And steadfast ear, devour'd the sound.
His every frolic, light as air,
Deserves the gentle Delia's care;
And tears bedew her tender eye,
To think the playful kid must die.
But knows my Delia, timely wise,
How soon this blameless era flies;
While violence and craft succeed,
Unfair design, and ruthless deed?
Soon would the vine his wounds deplore,
And yield her purple gifts no more;
Ah! soon erased from every grove
Were Delia's name, and Strephon's love.
No more those bowers might Strephon see,
Where first he fondly gazed on thee;
No more those beds of flowerets find,
Which for thy charming brows he twined.
Each wayward passion soon would tear
His bosom, now so void of care;
And, when they left his ebbing vein,
What, but insipid age, remain?
Then mourn not the decrees of Fate,
That gave his life so short a date;
And I will join my tenderest sighs,
To think that youth so swiftly flies!
poem by William Shenstone
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The Lady's Dressing Room
By haughty Celia spent in dressing;
The goddess from her chamber issues,
Arrayed in lace, brocades, and tissues.
Strephon, who found the room was void
And Betty otherwise employed,
Stole in and took a strict survey
Of all the litter as it lay;
Whereof, to make the matter clear,
An inventory follows here.
And first a dirty smock appeared,
Beneath the arm-pits well besmeared.
Strephon, the rogue, displayed it wide
And turned it round on every side.
On such a point few words are best,
And Strephon bids us guess the rest;
And swears how damnably the men lie
In calling Celia sweet and cleanly.
Now listen while he next produces
The various combs for various uses,
Filled up with dirt so closely fixt,
No brush could force a way betwixt.
A paste of composition rare,
Sweat, dandruff, powder, lead and hair;
A forehead cloth with oil upon't
To smooth the wrinkles on her front.
Here alum flower to stop the steams
Exhaled from sour unsavory streams;
There night-gloves made of Tripsy's hide,
Bequeath'd by Tripsy when she died,
With puppy water, beauty's help,
Distilled from Tripsy's darling whelp;
Here gallypots and vials placed,
Some filled with washes, some with paste,
Some with pomatum, paints and slops,
And ointments good for scabby chops.
Hard by a filthy basin stands,
Fouled with the scouring of her hands;
The basin takes whatever comes,
The scrapings of her teeth and gums,
A nasty compound of all hues,
For here she spits, and here she spews.
But oh! it turned poor Strephon's bowels,
When he beheld and smelt the towels,
Begummed, besmattered, and beslimed
With dirt, and sweat, and ear-wax grimed.
No object Strephon's eye escapes:
Here petticoats in frowzy heaps;
Nor be the handkerchiefs forgot
All varnished o'er with snuff and snot.
The stockings, why should I expose,
Stained with the marks of stinking toes;
Or greasy coifs and pinners reeking,
Which Celia slept at least a week in?
A pair of tweezers next he found
To pluck her brows in arches round,
Or hairs that sink the forehead low,
Or on her chin like bristles grow.
The virtues we must not let pass,
Of Celia's magnifying glass.
When frighted Strephon cast his eye on't
It shewed the visage of a giant.
A glass that can to sight disclose
The smallest worm in Celia's nose,
And faithfully direct her nail
To squeeze it out from head to tail;
(For catch it nicely by the head,
It must come out alive or dead.)
Why Strephon will you tell the rest?
And must you needs describe the chest?
That careless wench! no creature warn her
To move it out from yonder corner;
But leave it standing full in sight
For you to exercise your spite.
In vain, the workman shewed his wit
With rings and hinges counterfeit
To make it seem in this disguise
A cabinet to vulgar eyes;
For Strephon ventured to look in,
Resolved to go through thick and thin;
He lifts the lid, there needs no more:
He smelt it all the time before.
As from within Pandora's box,
When Epimetheus oped the locks,
A sudden universal crew
Of humane evils upwards flew,
He still was comforted to find
That Hope at last remained behind;
So Strephon lifting up the lid
To view what in the chest was hid,
The vapours flew from out the vent.
But Strephon cautious never meant
The bottom of the pan to grope
And foul his hands in search of Hope.
O never may such vile machine
Be once in Celia's chamber seen!
O may she better learn to keep
'Those secrets of the hoary deep'!
As mutton cutlets, prime of meat,
Which, though with art you salt and beat
As laws of cookery require
And toast them at the clearest fire,
If from adown the hopeful chops
The fat upon the cinder drops,
To stinking smoke it turns the flame
Poisoning the flesh from whence it came;
And up exhales a greasy stench
For which you curse the careless wench;
So things which must not be exprest,
When plumpt into the reeking chest,
Send up an excremental smell
To taint the parts from whence they fell,
The petticoats and gown perfume,
Which waft a stink round every room.
Thus finishing his grand survey,
Disgusted Strephon stole away
Repeating in his amorous fits,
Oh! Celia, Celia, Celia shits!
But vengeance, Goddess never sleeping,
Soon punished Strephon for his peeping:
His foul Imagination links
Each dame he see with all her stinks;
And, if unsavory odors fly,
Conceives a lady standing by.
All women his description fits,
And both ideas jump like wits
By vicious fancy coupled fast,
And still appearing in contrast.
I pity wretched Strephon blind
To all the charms of female kind.
Should I the Queen of Love refuse
Because she rose from stinking ooze?
To him that looks behind the scene
Satira's but some pocky queen.
When Celia in her glory shows,
If Strephon would but stop his nose
(Who now so impiously blasphemes
Her ointments, daubs, and paints and creams,
Her washes, slops, and every clout
With which he makes so foul a rout),
He soon would learn to think like me
And bless his ravished sight to see
Such order from confusion sprung,
Such gaudy tulips raised from dung.
poem by Jonathan Swift
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Advice
Cease, fond shepherd -- cease desiring
What you never must enjoy;
She derides your vain aspiring,
She to all your sex is coy.
Cunning Damon once pursu'd her,
Yet she never would incline;
Strephon too as vainly woo'd her,
Though his flocks are more than thine.
At Diana's shrine aloud,
By the zone around her waist,
Thrice she bow'd, and thrice she vow'd
Like the Goddess to be chaste.
poem by Lady Mary Wortley Montagu
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Solvitur acris Hiems
Youth, that went, is come again,
Youth, for which we all were fain;
With soft pleasure and sweet pain
In each nerve and every vein,
Circling through the heart and brain,
Whence and wherefore come again?
Eva, tell me!
Dead and buried when we thought him,
Who the magic spell hath taught him?
Who the strong elixir brought him?
Dead and buried as we thought,
Lo! unasked for and unsought
Comes he, shall it be for nought?
Eva, tell me!
Youth that lifeless long had lain,
Youth that long we longed in vain for,
Used to grumble and complain for,
Thought at last to entertain
A decorous cool disdain for,
On a sudden see again
Comes, but will not long remain,
Comes, with whom too in his train,
Comes, and shall it be in vain?
Eva, tell me!
poem by Arthur Hugh Clough
Submitted by Veronica Serbanoiu
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Eros
Why hast thou nothing in thy face?
Thou idol of the human race,
Thou tyrant of the human heart,
The flower of lovely youth that art;
Yea, and that standest in thy youth
An image of eternal Truth,
With thy exuberant flesh so fair,
That only Pheidias might compare,
Ere from his chaste marmoreal form
Time had decayed the colours warm;
Like to his gods in thy proud dress,
Thy starry sheen of nakedness.
Surely thy body is thy mind,
For in thy face is nought to find,
Only thy soft unchristen’d smile,
That shadows neither love nor guile,
But shameless will and power immense,
In secret sensuous innocence.
O king of joy, what is thy thought?
I dream thou knowest it is nought,
And wouldst in darkness come, but thou
Makest the light where’er thou go.
Ah yet no victim of thy grace,
None who e’er long’d for thy embrace,
Hath cared to look upon thy face.
poem by Robert Seymour Bridges
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Oft Have I Read That Innocence Retreats
Oft have I read that Innocence retreats
Where cooling streams salute ye summer Seats
Singing at ease she roves ye field of flowrs
Or safe with shepheards lys among the bowrs
But late alas I crossd a country fare
And found No Strephon nor Dorinda there
There Hodge & William Joynd to cully ned
While Ned was drinking Hodge & William dead
There Cicely Jeard by day the slips of Nell
& ere ye night was ended Cicely fell
Are these the Virtues which adorn the plain
Ye bards forsake your old Arcadian Vein
To sheep those tender Innocents resign
The place where swains & nymphs are said to shine
Swains twice as Wicked Nymphs but half as sage
Tis sheep alone retrieve ye golden age.
poem by Thomas Parnell
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Until Then My Love (Free Verse)
Until Then My Love (Free Verse)
I hope that we meet
In a not so distant life
Where you and I
Are husband and wife
One where we meet
In our youth
Where we grow up together
In which we are couth
We may only hope
We may even pray
That sooner or later
Will come that day
Until then my love
I just want you to know
I can only wish
That you were my beau
P.s. I tried to write this poem from a woman's view. I tried to place
myself in a woman's shoes. There are times that I try to do this in some
of my poetry. I am not sure if I do a good job or not, but I do like to try it
every now and then. If you want to look at this poem through the eyes
of a hopeless romantic guy, you can change the last word beau to bow.
Edwin Tanguma © 12/10/2011
poem by Edwin Tanguma
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Spring - The First Pastoral ; or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
poem by Alexander Pope
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Saturday Night
Saturday night in the crowded town;
Pleasure and pain going up and down,
Murmuring low on the ear there beat
Echoes unceasing of voice and feet.
Withered age, with its load of care,
Come in this tumult of life to share,
Childhood glad in its radiance brief,
Happiest-hearted or bowed with grief,
Meet alike, as the stars look down
Week by week on the crowded town.
~And in a kingdom of mystery,
Rapt from this weariful world to see
Magic sights in the yellow glare,
Breathing delight in the gas-lit air,
Careless of sorrow, of grief or pain,
Two by two, again and again,
Strephon and Chloe together move,
Walking in Arcady, land of love.~
What are the meanings that burden all
These murmuring voices that rise and fall?
Tragedies whispered of, secrets told,
Over the baskets of bought and sold;
Joyous speech of the lately wed;
Broken lamentings that name the dead:
Endless runes of the gossip's rede,
And gathered home with the weekly need,
Kindly greetings as neighbours meet
There in the stir of the busy street.
Then is the glare of the gaslight ray
Gifted with potency strange to-day,
Records of time-written history
Flash into sight as each face goes by.
There, as the hundreds slow moving go,
Each with his burden of joy or woe,
Souls, in the meeting of stranger's eyes,
Startled this kinship to recognise, --
Meet and part, as the stars look down,
Week by week on the crowded town.
~And still, in the midst of the busy hum,
Rapt in their dream of delight they come.
Heedless of sorrow, of grief or care,
Wandering on in enchanted air,
Far from the haunting shadow of pain:
Two by two, again and again,
Strephon and Chloe together move,
Walking in Arcady, land of love.~
poem by Mary Colborne-Veel
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A Pastoral Ballad
Ye shepherds so cheerful and gay,
Whose flocks never carelessly roam;
Should Corydon's happen to stray,
Oh! call the poor wanderers home.
Allow me to muse and to sigh,
Nor talk of the change that ye find;
None once was so watchful as I;
I have left my dear Phillis behind.
Now I know what it is, to have strove
With the torture of doubt and desire;
What it is to admire and to love,
And to leave her we love and admire,
Ah, lead forth my flock in the morn,
And the damps of each evening repel;
Alas! I am faint and forlorn:
-I have bade my dear Phillis farewell.
Since Phillis vouchsaf'd me a look,
I never once dreamed of my vine;
May I lose both my pipe and my crook,
If I knew of a kid that was mine!
I priz'd every hour that went by,
Beyond all that had pleas'd me before;
But now they are past, and I sigh;
And I grieve that I priz'd them no more.
But why do I languish in vain;
Why wander thus pensively here?
Oh! why did I come from the plain,
Where I fed on the smiles of my dear?
They tell me, my favourite maid,
The pride of that valley, is flown;
Alas! where with her I have stray'd,
I could wander with pleasure, alone.
When forc'd the fair nymph to forgo,
What anguish I felt at my heart!
Yet I thought-but it might not be so-
'Twas with pain that she saw me depart.
She gaz'd, as I slowly withdrew:
My path I could hardly discern;
So sweetly she bade me adieu,
I thought that she bade me return.
The pilgrim that journeys all day
To visit some far distant shrine,
If he bear but a relique away,
Is happy, nor heard to repine.
Thus widely remov'd from the fair,
Where my vows, my devotion, I owe,
Soft hope is the relique I bear,
And my solace wherever I go.
poem by William Shenstone
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