To Sir Godfrey Kneller, Principal Painter to His Majesty
Once I beheld the fairest of her kind,
And still the sweet idea charms my mind:
True, she was dumb; for nature gazed so long,
Pleased with her work, that she forgot her tongue;
But, smiling, said—She still shall gain the prize;
I only have transferred it to her eyes.
Such are thy pictures, Kneller, such thy skill,
That nature seems obedient to thy will;
Comes out, and meets thy pencil in the draught,
Lives there, and wants but words to speak her thought.
At least thy pictures look a voice; and we
Imagine sounds, deceived to that degree,
We think 'tis somewhat more than just to see.
Shadows are but privations of the light;
Yet, when we walk, they shoot before the sight;
With us approach, retire, arise, and fall;
Nothing themselves, and yet expressing all.
Such are thy pieces, imitating life
So near, they almost conquer'd in the strife;
And from their animated canvas came,
Demanding souls, and loosened from the frame.
Prometheus, were he here, would cast away
His Adam, and refuse a soul to clay;
And either would thy noble work inspire,
Or think it warm enough, without his fire.
But vulgar hands may vulgar likeness raise;
This is the least attendant on thy praise:
From hence the rudiments of art began;
A coal, or chalk, first imitated man:
Perhaps the shadow, taken on a wall,
Gave outlines to the rude original;
Ere canvas yet was strained, before the grace
Of blended colours found their use and place,
Or cypress tablets first received a face.
By slow degrees the godlike art advanced;
As man grew polished, picture was enhanced:
Greece added posture, shade, and perspective,
And then the mimic piece began to live.
Yet perspective was lame, no distance true,
But all came forward in one common view:
No point of light was known, no bounds of art;
When light was there, it knew not to depart,
But glaring on remoter objects played;
Not languished and insensibly decayed.
Rome raised not art, but barely kept alive,
And with old Greece unequally did strive;
Till Goths and Vandals, a rude northern race,
Did all the matchless monuments deface.
Then all the Muses in one ruin lie,
And rhyme began to enervate poetry.
Thus, in a stupid military state,
The pen and pencil find an equal fate.
Flat faces, such as would disgrace a screen,
Such as in Bantam's embassy were seen,
Unraised, unrounded, were the rude delight
Of brutal nations, only born to fight.
Long time the sister arts, in iron sleep,
A heavy Sabbath did supinely keep;
At length, in Raphael's age, at once they rise,
Stretch all their limbs, and open all their eyes.
Thence rose the Roman, and the Lombard line;
One coloured best, and one did best design.
Raphael's, like Homer's, was the nobler part,
But Titian's painting looked like Virgil's art.
Thy genius gives thee both; where true design,
Postures unforced, and lively colours join,
Likeness is ever there; but still the best,
(Like proper thoughts in lofty language drest,)
Where light, to shades descending, plays, not strives,
Dies by degrees, and by degrees revives.
Of various parts a perfect whole is wrought;
Thy pictures think, and we divine their thought.
Shakespeare, thy gift, I place before my sight;
With awe, I ask his blessing ere I write;
With reverence look on his majestic face;
Proud to be less, but of his godlike race.
His soul inspires me, while thy praise I write,
And I, like Teucer, under Ajax fight;
Bids thee, through me, be bold; with dauntless breast
Contemn the bad, and emulate the best.
Like his, thy critics in the attempt are lost;
When most they rail, know then, they envy most.
In vain they snarl aloof; a noisy crowd,
Like women's anger, impotent and loud.
While they their barren industry deplore,
Pass on secure, and mind the goal before,
Old as she is, my muse shall march behind,
Bear off the blast, and intercept the wind.
Our arts are sisters, though not twins in birth,
For hymns were sung in Eden's happy earth:
For oh, the painter muse, though last in place,
Has seized the blessing first, like Jacob's race.
Apelles' art an Alexander found,
And Raphael did with Leo's gold abound;
But Homer was with barren laurel crowned.
Thou hadst thy Charles a while, and so had I;
But pass we that unpleasing image by.
Rich in thyself, and of thyself divine,
All pilgrims come and offer at thy shrine.
A graceful truth thy pencil can command;
The fair themselves go mended from thy hand.
Likeness appears in every lineament,
But likeness in thy work is eloquent.
Though nature there her true resemblance bears,
A nobler beauty in thy piece appears.
So warm thy work, so glows the generous frame,
Flesh looks less living in the lovely dame.
Thou paint'st as we describe, improving still,
When on wild nature we engraft our skill,
Yet not creating beauties at our will.
But poets are confined to narrower space,
To speak the language of their native place;
The painter widely stretches his command,
Thy pencil speaks the tongue of every land.
From hence, my friend, all climates are your own,
Nor can you forfeit, for you hold of none.
All nations all immunities will give
To make you theirs, where'er you please to live;
And not seven cities, but the world, would strive.
Sure some propitious planet then did smile,
When first you were conducted to this isle;
Our genius brought you here, to enlarge our fame,
For your good stars are everywhere the same.
Thy matchless hand, of every region free,
Adopts our climate, not our climate thee.
Great Rome and Venice early did impart
To thee the examples of their wondrous art.
Those masters, then but seen, not understood,
With generous emulation fired thy blood;
For what in nature's dawn the child admired,
The youth endeavoured, and the man acquired.
If yet thou hast not reached their high degree,
'Tis only wanting to this age, not thee.
Thy genius, bounded by the times, like mine,
Drudges on petty draughts, nor dare design
A more exalted work, and more divine.
For what a song, or senseless opera,
Is to the living labour of a play;
Or what a play to Virgil's work would be,
Such is a single piece to history.
But we, who life bestow, ourselves must live;
Kings cannot reign, unless their subjects give;
And they, who pay the taxes, bear the rule:
Thus thou, sometimes, art forced to draw a fool;
But so his follies in thy posture sink,
The senseless idiot seems at last to think.
Good heaven! that sots and knaves should be so vain,
To wish their vile resemblance may remain,
And stand recorded, at their own request,
To future days, a libel or a jest!
Else should we see your noble pencil trace
Our unities of action, time, and place;
A whole composed of parts, and those the best,
With every various character exprest;
Heroes at large, and at a nearer view;
Less, and at distance, an ignoble crew;
While all the figures in one action join,
As tending to complete the main design.
More cannot be by mortal art exprest,
But venerable age shall add the rest:
For time shall with his ready pencil stand,
Retouch your figures with his ripening hand,
Mellow your colours, and imbrown the teint,
Add every grace, which time alone can grant;
To future ages shall your fame convey,
And give more beauties than he takes away.
poem by John Dryden
Submitted by Poetry Lover
Vote! | Copy!
Related quotes
Protogenes And Apelles
When poets wrote and painters drew
As Nature pointed out the view,
Ere Gothic forms were known in Greece
To spoil the well-proportion'd piece;
And in our verse ere Monkish rhymes
Had jangled their fantastic chimes;
Ere on the flowery lands of Rhodes
Those knights had fix'd their dull abodes,
Who knew not much to paint or write,
Nor cared to pray, nor dared to fight;
Protogenes, historians note,
Lived there, a burgess, scot and lot;
And as old Pliny's writings show
Apelles did the same at Co.
Agreed these points of time and place,
Proceed we in the present case.
Piqued by Protogenes's fame,
From Co to Rhodes Apelles came
To see a rival and a friend,
Prepared to censure or commend;
Here to absolve, and there object,
As art with candour might direct.
He sails, he lands, he comes, he rings;
His servants follow with the things:
Appears the governante of the house,
For such in Greece were much in use;
If young or handsome, yea or no,
Concerns not me or thee to know.
Does Squire Protogenes live here?
Yes Sir, says he, with gracious air,
And curtesy low, but just call'd out
By lords peculiarly devout,
Who came on purpose, Sir, to borrow
Our Venus for the feast to-morrow
To grace the church: 'tis Venus day;
I hope Sir you intend to stay
To see our Venus: 'tis the piece
The most renown'd throughout all Greece
So like th' original they say;
But I have no great skill that way.
But, Sir, at six ('tis now past three)
Dromo must make my master's tea:
At six, Sir, if you please to come,
You'll find my master, Sir, at home.
Tea, says a critic, big with laughter,
Was found some twenty years ages after.
Authors, before they write, should read,
'Tis very true; but we'll proceed.
And, Sir, at present would you please
To leave your name - Fair maiden, yes.
Reach me that board. No sooner spoke
But done. With one judicious stroke
On the plain ground Appelles drew
A circle regularly true.
And will you please, Sweet-heart, said he,
To show your master this from me?
By it he presently will know
How painters write their names at Co.
He gave the pannel to the maid.
Smiling and curtesying, Sir, she said,
I shall not fail to tell my master:
And, Sir, for fear of all disaster
I'll keep it my own self : Safe bind,
Says the old proverb and safe find.
So, Sir, as sure as a key or lock -
Your servant, Sir, - at six o'clock.
Again at six Apelles came,
Found the same prating civil dame.
Sir, that my master has been here
Will by the board itself appear:
If from the perfect line be found
He has presumed to swell the round,
Or colours on the draught to lay,
'Tis thus, (he order'd me to say)
Thus write the painters of this isle;
Let those of Co remark the style.
She said; and to his hand restored
The rival pledge, the missive board.
Upon the happy line were laid
Such obvious light and easy shade,
That Paris' apple stood confest,
Or Leda's egg, or Cloe's breast.
Apelles view'd the finish'd piece;
And live, said he, the arts of Greece!
Howe'er Protogenes and I
May in our rival talents vie;
Howe'er our works may have exprest
Who truest drew or colour'd best,
When he beheld my flowing line
He found at least I could design;
And from his artful round I grant
That he with perfect skill can paint.
The dullest genius cannot fail
To find the moral of my tale;
That the distinguish'd part of men,
With compass, pencil, sword, or pen,
Should in life's visit leave their name
In characters which may proclaim
That they with ardour strove to raise
At once their arts and country's praise;
And in their working took great care
That all was full, and round, and fair.
poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!
To S. M. A Young African Painter, On Seeing His Works
TO show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown'd with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless'd,
May peace with balmy wings your soul invest!
But when these shades of time are chas'd away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav'nly murmurs flow,
And there my muse with heav'nly transport glow:
No more to tell of Damon's tender sighs,
Or rising radiance of Aurora's eyes,
For nobler themes demand a nobler strain,
And purer language on th' ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.
poem by Phillis Wheatley
Submitted by Poetry Lover
Vote! | Copy!
A Funeral Elegy on the Death of The Lady Penelope Clifton
Since thou art dead, Clifton, the world may see
A certain end of flesh and blood in thee;
Till then a way was left for man to cry,
Flesh may be made so pure it cannot die;
But now thy unexpected death doth strike
With grief the better and the worse alike;
The good are sad they are not with thee there,
The bad have found they must not tarry here.
Death, I confess, 'tis just in thee to try
Thy pow'r on us, for thou thyself must die;
Thou pay'st but wages, Death, yet I would know
What strange delight thou tak'st to pay them so;
When thou com'st face to face thou strik'st us mute
And all our liberty is to dispute
With thee behind thy back, which I will use:
If thou hadst bravery in thee, thou wouldst choose
(Since thou art absolute, and canst controul
All things beneath a reasonable soul)
Some looked for way of killing; if her day
Had ended in a fire, a sword, or sea,
Or hadst thou come hid in a hundred years
To make an end of all her hopes and fears,
Or any other way direct to thee
Which Nature might esteem an enemy,
Who would have chid thee? now it shews thy hand
Desires to cozen where it might command:
Thou art not prone to kill, but where th' intent
Of those that suffer is their nourishment;
If thou canst steal into a dish, and creep
When all is still as though into a sleep,
And cover thy dry body with a draught,
Whereby some innocent lady may be caught,
And cheated of her life, then thou wilt come
And stretch thyself upon her early tomb,
And laugh as pleased, to show thou canst devour
Mortality as well by wit as pow'r.
I would thou hadst had eyes, or not a dart,
That yet at least, the clothing of that heart
Thou struck'st so spitefully might have appear'd
To thee, and with a reverence have been fear'd:
But since thou art so blind, receive from me
Who 'twas on whom thou wrought'st this tragedy;
She was a lady, who for public fame,
Never (since she in thy protection came,
Who sett'st all living tongues at large) received
A blemish; with her beauty she deceived
No man; when taken with it, they agree
'Twas Nature's fault, when from 'em 'twas in thee.
And such her virtue was, that although she
Received as much joy, having pass'd through thee,
As ever any did; yet hath thy hate
Made her as little better in her state,
As ever it did any being here;
She lived with us as if she had been there.
Such ladies thou canst kill no more, but so
I give thee warning here to kill no moe;
For if thou dost, my pen shall make the rest
Of those that live, especially the best,
Whom thou most thirstest for, to abandon all
Those fruitless things, which thou wouldst have us call
Preservatives, keeping, their diet so,
As the long-living poor their neighbours do:
Then shall we have them long, and they at last
Shall pass from thee to her, but not so fast.
poem by Francis Beaumont
Submitted by Poetry Lover
Vote! | Copy!
To the Painter Preparing to Draw M.M.H.
Be not too forward, painter; 'tis
More for thy fame, and art, to miss
All other faces, than come near
The Lady, that expecteth here.
Be wise, and think it less disgrace
To draw an angel, than her face;
For in such forms, who is so wise
To tell thee where thy error lies?
But since all beauty (that is known)
Is in her virgin sweetness one,
How can it be, that painting her
But every look should make thee err?
But thou art resolute I see;
Yet let my fancy walk with thee:
Compose a ground more dark and sad,
Than that the early Chaos had,
And show, to the whole sex's shame,
Beauty was darkness till she came.
Then paint her eyes, whose active light
Shall make the former shadows bright,
And with their every beam supply
New day, to draw her picture by.
Now, if thou wilt complete the face,
A wonder paint in every place.
Beneath these, for her fair neck's sake,
White as the Paphian Turtles, make
A pillar, whose smooth base doth show
It self lost in a mount of snow;
Her breast, the house of chaste desire,
Cold, but increasing others' fire.
But how I lose (instructing thee)
Thy pencil, and my poetry!
For when thou hast expressed all art,
As high as truth, in every part,
She can resemble at the best,
One, in her beauty's silence dressed,
Where thou, like a dull looker-on,
Art lost, and all thy art undone;
For if she speak, new wonders rise
From her teeth, chin, lip, and eyes;
So far above that excellent
Did take thee first, thou should repent
To have begun, and lose i'th'end
Thy eyes with wonder how to mend.
At such a loss, here's all thy choice,
Leave off, or paint her with a voice.
poem by James Shirley
Submitted by Poetry Lover
Vote! | Copy!
To the Right Honourable The Countess Dowager Of Devonshire, On A Piece Of Wiessen's
Wiessen and nature held a long contest
If she created or he painted best;
With pleasing thought the wondrous combat grew,
She still form'd fairer, he still liker drew.
In these seven brethren they contended last;
With art increased their utmost skill they tried,
And both well pleased they had themselves surpass'd,
The goddess triumph'd, and the painter died.
That both their skill to this vast height did raise,
Be ours the wonder, and be yours the praise:
For here, as in some glass, is well descried
Only yourself thus often multiply'd.
When heaven had you and gracious Anna made,
What more exalted beauty could it add?
Having no nobler images in store,
It but kept up to these, nor could do more
Than copy well what it had framed before.
If in dear Burghley's generous face we see
Obliging truth and handsome honesty,
With all that world of charms which soon will move
Reverence in men, and in the fair ones love;
His every grace his fair descent assures,
He has his mother's beauty, she has yours.
If every Cecil's face had every charm
That thought can fancy or that heaven can form,
Their beauties all become your beauty's due;
They are all fair, because they're all like you.
If every Ca'ndish great and charming look,
From you that air, from you the charms, they took,
In their each limb your image is exprest,
But on their brow firm courage stands confest;
There their great father, by a strong increase,
Adds strength to beauty, and completes the piece.
Thus still your beauty in your sons we view,
Wiessen seven times one great perfection drew;
Whoever sat, the picture still is you.
So when the parent sun with genial beams
Has animated many goodly gems,
He sees himself improved, while every stone,
With a resembling light, reflects a sun.
So when great Rhea many births had given,
Such as might govern earth and people heaven,
Her glory grew diffused; and, fuller known,
She saw the Deity in every son;
And to what god soe'er men altars raised,
Honouring the offspring, they the mother praised.
In short-lived charms let others place their joys,
Which sickness blasts, and certain age destroys;
Your stronger beauty time can ne'er deface,
'Tis still renew'd and stamp'd in all your race.
Ah! Wiessen, had thy art been so refined
As with their beauty to have drawn their mind,
Through circling years thy labours would survive,
And living rules to fairest virtue give,
To men unborn and ages yet to live:
T'would still be wonderful, and still be new,
Against what time, or spite, or fate could do,
Till thine, confused with nature's pieces lie,
And Ca'ndish's name and Cecil's honour die.
poem by Matthew Prior
Submitted by Poetry Lover
Vote! | Copy!
Hymn to Science
Science! thou fair effusive ray
From the great source of mental day,
Free, generous, and refin'd!
Descend with all thy treasures fraught,
Illumine each bewilder'd thought,
And bless my lab'ring mind.
But first with thy resistless light,
Disperse those phantoms from my sight,
Those mimic shades of thee;
The scholiast's learning, sophist's cant,
The visionary bigot's rant,
The monk's philosophy.
O! let thy powerful charms impart
The patient head, the candid heart,
Devoted to thy sway;
Which no weak passions e'er mislead,
Which still with dauntless steps proceed
Where Reason points the way.
Give me to learn each secret cause;
Let number's, figure's, motion's laws
Reveal'd before me stand;
These to great Nature's scenes apply,
And round the globe, and thro' the sky,
Disclose her working hand.
Next, to thy nobler search resign'd,
The busy, restless, human mind
Thro' ev'ry maze pursue;
Detect Perception where it lies,
Catch the ideas as they rise,
And all their changes view.
Say from what simple springs began
The vast, ambitious thoughts of man,
Which range beyond control;
Which seek Eternity to trace,
Dive thro' th' infinity of space,
And strain to grasp the whole.
Her secret stores let Memory tell,
Bid Fancy quit her fairy cell,
In all her colours drest;
While prompt her sallies to control,
Reason, the judge, recalls the soul
To Truth's severest test.
Then launch thro' Being's wide extent;
Let the fair scale, with just ascent,
And cautious steps, be trod;
And from the dead, corporeal mass,
Thro' each progressive order pass
To Instinct, Reason, God.
There, Science! veil thy daring eye;
Nor dive too deep, nor soar too high,
In that divine abyss;
To Faith content thy beams to lend,
Her hopes t' assure, her steps befriend,
And light her way to bliss.
Then downwards take thy flight agen;
Mix with the policies of men,
And social nature's ties:
The plan, the genius of each state,
Its interest and its pow'rs relate,
Its fortunes and its rise.
Thro' private life pursue thy course,
Trace every action to its source,
And means and motives weigh:
Put tempers, passions in the scale,
Mark what degrees in each prevail,
And fix the doubtful sway.
That last, best effort of thy skill,
To form the life, and rule the will,
Propitious pow'r! impart:
Teach me to cool my passion's fires,
Make me the judge of my desires,
The master of my heart.
Raise me above the vulgar's breath,
Pursuit of fortune, fear of death,
And all in life that's mean.
Still true to reason be my plan,
Still let my action speak the man,
Thro' every various scene.
Hail! queen of manners, light of truth;
Hail! charm of age, and guide of youth;
Sweet refuge of distress:
In business, thou! exact, polite;
Thou giv'st Retirement its delight,
Prosperity its grace.
Of wealth, pow'r, freedom, thou! the cause;
Foundress of order, cities, laws,
Of arts inventress, thou!
Without thee what were human kind?
How vast their wants, their thoughts how blind!
Their joys how mean! how few!
Sun of the soul! thy beams unveil!
Let others spread the daring sail,
On Fortune's faithless sea;
While undeluded, happier I
From the vain tumult timely fly,
And sit in peace with thee.
poem by Mark Akenside
Submitted by Poetry Lover
Vote! | Copy!
To The Pious Memory Of The Accomplished Young Lady Mrs. Anne Killigrew
Thou youngest virgin-daughter of the skies,
Made in the last promotion of the Blest;
Whose palms, new pluck'd from Paradise,
In spreading branches more sublimely rise,
Rich with immortal green above the rest:
Whether, adopted to some neighbouring star,
Thou roll'st above us, in thy wand'ring race,
Or, in procession fix'd and regular,
Mov'd with the Heavens' majestic pace:
Or, call'd to more superior bliss,
Thou tread'st, with seraphims, the vast abyss.
What ever happy region is thy place,
Cease thy celestial song a little space;
(Thou wilt have time enough for hymns divine,
Since Heav'n's eternal year is thine.)
Hear then a mortal Muse thy praise rehearse,
In no ignoble verse;
But such as thy own voice did practise here,
When thy first fruits of poesy were giv'n;
To make thyself a welcome inmate there:
While yet a young probationer,
And Candidate of Heav'n.
If by traduction came thy mind,
Our wonder is the less to find
A soul so charming from a stock so good;
Thy father was transfus'd into thy blood:
So wert thou born into the tuneful strain,
(An early, rich, and inexhausted vein.)
But if thy preexisting soul
Was form'd, at first, with myriads more,
It did through all the mighty poets roll,
Who Greek or Latin laurels wore,
And was that Sappho last, which once it was before.
If so, then cease thy flight, O Heav'n-born mind!
Thou hast no dross to purge from thy rich ore:
Nor can thy soul a fairer mansion find,
Than was the beauteous frame she left behind:
Return, to fill or mend the choir, of thy celestial kind.
May we presume to say, that at thy birth,
New joy was sprung in Heav'n as well as here on earth.
For sure the milder planets did combine
On thy auspicious horoscope to shine,
And ev'n the most malicious were in trine.
Thy brother-angels at thy birth
Strung each his lyre, and tun'd it high,
That all the people of the sky
Might know a poetess was born on earth;
And then if ever, mortal ears
Had heard the music of the spheres!
And if no clust'ring swarm of bees
On thy sweet mouth distill'd their golden dew,
'Twas that, such vulgar miracles,
Heav'n had not leisure to renew:
For all the blest fraternity of love
Solemniz'd there thy birth, and kept thy Holyday above.
O Gracious God! How far have we
Profan'd thy Heav'nly gift of poesy?
Made prostitute and profligate the Muse,
Debas'd to each obscene and impious use,
Whose harmony was first ordain'd above
For tongues of angels, and for hymns of love?
O wretched we! why were we hurried down
This lubrique and adult'rate age,
(Nay added fat pollutions of our own)
T'increase the steaming ordures of the stage?
What can we say t'excuse our Second Fall?
Let this thy vestal, Heav'n, atone for all!
Her Arethusian stream remains unsoil'd,
Unmix'd with foreign filth, and undefil'd,
Her wit was more than man, her innocence a child!
Art she had none, yet wanted none:
For Nature did that want supply,
So rich in treasures of her own,
She might our boasted stores defy:
Such noble vigour did her verse adorn,
That it seem'd borrow'd, where 'twas only born.
Her morals too were in her bosom bred
By great examples daily fed,
What in the best of Books, her Father's Life, she read.
And to be read her self she need not fear,
Each test, and ev'ry light, her Muse will bear,
Though Epictetus with his lamp were there.
Ev'n love (for love sometimes her Muse express'd)
Was but a lambent-flame which play'd about her breast:
Light as the vapours of a morning dream,
So cold herself, whilst she such warmth express'd,
'Twas Cupid bathing in Diana's stream.
Born to the spacious empire of the Nine,
One would have thought, she should have been content
To manage well that mighty government;
But what can young ambitious souls confine?
To the next realm she stretch'd her sway,
For painture near adjoining lay,
A plenteous province, and alluring prey.
A chamber of dependences was fram'd,
(As conquerors will never want pretence,
When arm'd, to justify th'offence)
And the whole fief, in right of poetry she claim'd.
The country open lay without defence:
For poets frequent inroads there had made,
And perfectly could represent
The shape, the face, with ev'ry lineament:
And all the large domains which the Dumb-sister sway'd,
All bow'd beneath her government,
Receiv'd in triumph wheresoe'er she went,
Her pencil drew, what e'er her soul design'd,
And oft the happy draught surpass'd the image in her mind.
The sylvan scenes of herds and flocks,
And fruitful plains and barren rocks,
Of shallow brooks that flow'd so clear,
The bottom did the top appear;
Of deeper too and ampler floods,
Which as in mirrors, show'd the woods;
Of lofty trees, with sacred shades,
And perspectives of pleasant glades,
Where nymphs of brightest form appear,
And shaggy satyrs standing near,
Which them at once admire and fear.
The ruins too of some majestic piece,
Boasting the pow'r of ancient Rome or Greece,
Whose statues, friezes, columns broken lie,
And tho' defac'd, the wonder of the eye,
What Nature, art, bold fiction e'er durst frame,
Her forming hand gave feature to the name.
So strange a concourse ne'er was seen before,
But when the peopl'd Ark the whole creation bore.
The scene then chang'd, with bold erected look
Our martial king the sight with reverence strook:
For not content t'express his outward part,
Her hand call'd out the image of his heart,
His warlike mind, his soul devoid of fear,
His high-designing thoughts, were figur'd there,
As when, by magic, ghosts are made appear.
Our phoenix queen was portray'd too so bright,
Beauty alone could beauty take so right:
Her dress, her shape, her matchless grace,
Were all observ'd, as well as heav'nly face.
With such a peerless majesty she stands,
As in that day she took the crown from sacred hands:
Before a train of heroines was seen,
In beauty foremost, as in rank, the queen!
Thus nothing to her genius was deny'd,
But like a ball of fire the further thrown,
Still with a greater blaze she shone,
And her bright soul broke out on ev'ry side.
What next she had design'd, Heaven only knows,
To such immod'rate growth her conquest rose,
That fate alone its progress could oppose.
Now all those charms, that blooming grace,
The well-proportion'd shape, and beauteous face,
Shall never more be seen by mortal eyes;
In earth the much lamented virgin lies!
Not wit, not piety could fate prevent;
Nor was the cruel destiny content
To finish all the murder at a blow,
To sweep at once her life, and beauty too;
But, like a harden'd felon, took a pride
To work more mischievously slow,
And plunder'd first, and then destroy'd.
O double sacrilege on things divine,
To rob the relique, and deface the shrine!
But thus Orinda died:
Heav'n, by the same disease, did both translate,
As equal were their souls, so equal was their fate.
Meantime her warlike brother on the seas
His waving streamers to the winds displays,
And vows for his return, with vain devotion, pays.
Ah, generous youth, that wish forbear,
The winds too soon will waft thee here!
Slack all thy sails, and fear to come,
Alas, thou know'st not, thou art wreck'd at home!
No more shalt thou behold thy sister's face,
Thou hast already had her last embrace.
But look aloft, and if thou ken'st from far,
Among the Pleiad's, a new-kindl'd star,
If any sparkles, than the rest, more bright,
'Tis she that shines in that propitious light.
When in mid-air, the golden trump shall sound,
To raise the nations under ground;
When in the valley of Jehosophat,
The Judging God shall close the book of fate;
And there the last Assizes keep,
For those who wake, and those who sleep;
When rattling bones together fly,
From the four corners of the sky,
When sinews o'er the skeletons are spread,
Those cloth'd with flesh, and life inspires the dead;
The sacred poets first shall hear the sound,
And foremost from the tomb shall bound:
For they are cover'd with the lightest ground,
And straight, with in-born vigour, on the wing,
Like mounting larks, to the new morning sing.
There thou, sweet saint, before the choir shall go,
As harbinger of Heav'n, the way to show,
The way which thou so well hast learn'd below.
poem by John Dryden
Submitted by Poetry Lover
Vote! | Copy!
Υμνος αυμνος
O Thou whose image in the shrine
Of human spirits dwells divine;
Which from that precinct once conveyed,
To be to outer day displayed,
Doth vanish, part, and leave behind
Mere blank and void of empty mind,
Which wilful fancy seeks in vain
With casual shapes to fill again!
O Thou that in our bosom’s shrine
Dost dwell, unknown because divine!
I thought to speak, I thought to say,
‘The light is here,’ ‘behold the way,’
‘The voice was thus,’ and ‘thus the word,’
And ‘thus I saw,’ and ‘that I heard,’—
But from the lips that half essayed
The imperfect utterance fell unmade.
O Thou, in that mysterious shrine
Enthroned, as I must say, divine!
I will not frame one thought of what
Thou mayest either be or not.
I will not prate of ‘thus’ and ‘so,’
And be profane with ‘yes’ and ‘no,’
Enough that in our soul and heart
Thou, whatso’er Thou may’st be, art.
Unseen, secure in that high shrine
Acknowledged present and divine,
I will not ask some upper air,
Some future day to place Thee there;
Nor say, nor yet deny, such men
And women saw Thee thus and then:
Thy name was such, and there or here
To him or her Thou didst appear.
Do only Thou in that dim shrine,
Unknown or known, remain, divine;
There, or if not, at least in eyes
That scan the fact that round them lies,
The hand to sway, the judgment guide,
In sight and sense Thyself divide:
Be Thou but there,—in soul and heart,
I will not ask to feel Thou art.
poem by Arthur Hugh Clough
Submitted by Veronica Serbanoiu
Vote! | Copy!
Qui Laborat, Orat
O only Source of all our light and life,
Whom as our truth, our strength, we see and feel,
But whom the hours of mortal moral strife
Alone aright reveal!
Mine inmost soul, before Thee inly brought,
Thy presence owns ineffable, divine;
Chastised each rebel self-encentered thought,
My will adoreth Thine.
With eye down-dropt, if then this earthly mind
Speechless remain, or speechless e’en depart;
Nor seek to see, for what of earthly kind
Can see Thee as Thou art?
If well-assured ’tis but profanely bold
In thought’s abstractest forms to seem to see,
It dare not dare the dread communion hold
In ways unworthy Thee,
O not unowned, thou shalt unnamed forgive,
In worldly walks the prayerless heart prepare;
And if in work its life it seem to live,
Shalt make that work be prayer.
Nor times shall lack, when while the work it plies,
Unsummoned powers the blinding film shall part,
And scarce by happy tears made dim, the eyes
In recognition start.
But, as thou wiliest, give or e’en forbear
The beatific supersensual sight,
So, with Thy blessing blest, that humbler prayer
Approach Thee morn and night.
poem by Arthur Hugh Clough
Submitted by Veronica Serbanoiu
Vote! | Copy!
Ode
To the Pious Memory of the Accomplished Young Lady, Mrs Anne Killigrew,
Excellent in the Two Sister-arts of Poesy and Painting.
Thou youngest Virgin Daughter of the skies,
Made in the last promotion of the blest;
Whose palms, new-plucked from Paradise,
In spreading branches more sublimely rise,
Rich with immortal green, above the rest:
Whether, adopted to some neighbouring star,
Thou roll'st above us in thy wand'ring race,
Or, in procession fixed and regular
Moved with the heavens' majestic pace;
Or, called to more superior bliss,
Thou tread'st with seraphims the vast abyss:
Whatever happy region be thy place,
Cease thy celestial song a little space;
(Thou wilt have time enough for hymns divine,
Since Heaven's eternal year is thine.)
Hear then a mortal muse thy praise rehearse
In no ignoble verse;
But such as thy own voice did practise here,
When thy first fruits of poesie were given,
To make thyself a welcome inmate there;
While yet a young probationer
And candidate of Heaven.
If by traduction came thy mind,
Our wonder is the less to find
A soul so charming from a stock so good;
Thy father was transfused into thy blood:
So wert thou born into the tuneful strain,
(An early, rich, and inexhausted vein.)
But if thy pre-existing soul
Was formed, at first, with myriads more,
It did through all the mighty poets roll
Who Greek or Latin laurels wore,
And was that Sappho last, which once it was before;
If so, then cease thy flight, O Heav'n-born mind!
Thou hast no dross to purge from thy rich ore:
Nor can thy soul a fairer mansion find
Than was the beauteous frame she left behind:
Return, to fill or mend the choir of thy celestial kind.
May we presume to say that at thy birth
New joy was sprung in Heav'n as well as here on earth?
For sure the milder planets did combine
On thy auspicious horoscope to shine,
And ev'n the most malicious were in trine.
Thy brother-angels at thy birth
Strung each his lyre, and tuned it high,
That all the people of the sky
Might know a poetess was born on earth;
And then if ever, mortal ears
Had heard the music of the spheres!
And if no clust'ring swarm of bees
On thy sweet mouth distilled their golden dew,
'Twas that such vulgar miracles
Heav'n had not leisure to renew:
For all the blest fraternity of love
Solemnized there thy birth, and kept thy holyday above.
O gracious God! how far have we
Profaned thy Heav'nly gift of poesy!
Made prostitute and profligate the Muse,
Debased to each obscene and impious use,
Whose harmony was first ordained above,
For tongues of angels and for hymns of love!
Oh wretched we! why were we hurried down
This lubrique and adult'rate age
(Nay, added fat pollutions of our own)
T' increase the steaming ordures of the stage?
What can we say t' excuse our second fall?
Let this thy vestal, Heav'n, atone for all:
Her Arethusian stream remains unsoiled,
Unmixed with foreign filth and undefiled;
Her wit was more than man, her innocence a child.
Art she had none, yet wanted none,
For nature did that want supply:
So rich in treasures of her own,
She might our boasted stores defy:
Such noble vigour did her verse adorn,
That it seemed borrowed, where 'twas only born.
Her morals too were in her bosom bred
By great examples daily fed,
What in the best of books, her father's life, she read.
And to be read herself she need not fear;
Each test and ev'ry light her muse will bear,
Though Epictetus with his lamp were there.
Ev'n love (for love sometimes her muse expressed)
Was but a lambent-flame which played about her breast,
Light as the vapours of a morning dream;
So cold herself, while she such warmth expressed,
'Twas Cupid bathing in Diana's stream.
Born to the spacious empire of the Nine,
One would have thought she should have been content
To manage well that mighty government;
But what can young ambitious souls confine?
To the next realm she stretched her sway,
For painture near adjoining lay,
A plenteous province, and alluring prey.
A chamber of dependences was framed,
(As conquerers will never want pretence,
When armed, to justify th' offence),
And the whole fief, in right of poetry, she claimed.
The country open lay without defence;
For poets frequent inroads there had made,
And perfectly could represent
The shape, the face, with ev'ry lineament;
And all the large domains which the dumb-sister swayed,
All bowed beneath her government,
Received in triumph wheresoe'er she went.
Her pencil drew whate'er her soul designed,
And oft the happy draught surpassed the image in her mind.
The sylvan scenes of herds and flocks,
And fruitful plains and barren rocks;
Of shallow brooks that flowed so clear,
The bottom did the top appear;
Of deeper too and ampler floods
Which as in mirrors showed the woods;
Of lofty trees, with sacred shades,
And perspectives of pleasant glades,
Where nymphs of brightest form appear,
And shaggy satyrs standing near,
Which them at once admire and fear.
The ruins too of some majestic piece,
Boasting the pow'r of ancient Rome or Greece,
Whose statues, friezes, columns, broken lie,
And, though defaced, the wonder of the eye;
What nature, art, bold fiction, e'er durst frame,
Her forming hand gave feature to the name.
So strange a concourse ne'er was seen before,
But when the peopled ark the whole creation bore.
The scene then changed; with bold erected look
Our martial king the sight with rev'rence strook:
For, not content t' express his outward part,
Her hand called out the image of his heart,
His warlike mind, his soul devoid of fear,
His high-designing thoughts were figured there,
As when, by magic, ghosts are made appear.
Our phoenix Queen was portrayed too so bright,
Beauty alone could beauty take so right:
Her dress, her shape, her matchless grace,
Were all observed, as well as heavenly face.
With such a peerless majesty she stands,
As in that day she took the crown from sacred hands:
Before a train of heroines was seen,
In beauty foremost, as in rank, the Queen!
Thus nothing to her genius was denied,
But like a ball of fire, the farther thrown,
Still with a greater blaze she shone,
And her bright soul broke out on ev'ry side.
What next she had designed, Heaven only knows:
To such immod'rate growth her conquest rose,
That Fate alone its progress could oppose.
Now all those charms, that blooming grace,
That well-proportioned shape, and beauteous face,
Shall never more be seen by mortal eyes;
In earth the much-lamented virgin lies!
Not wit nor piety could Fate prevent;
Nor was the cruel destiny content
To finish all the murder at a blow,
To sweep at once her life and beauty too;
But, like a hardened felon, took a pride
To work more mischievously slow,
And plundered first, and then destroyed.
O double sacrilege on things divine,
To rob the relic, and deface the shrine!
But thus Orinda died:
Heaven, by the same disease, did both translate;
As equal were their souls, so equal was their fate.
Meantime, her warlike brother on the seas
His waving streamers to the winds displays,
And vows for his return, with vain devotion, pays.
Ah, gen'rous youth! that wish forbear,
The winds too soon will waft thee here!
Slack all thy sails, and fear to come,
Alas, thou know'st not, thou art wrecked at home!
No more shalt thou behold thy sister's face,
Thou hast already had her last embrace.
But look aloft, and if thou kenn'st from far
Among the Pleiads a new-kindled star,
If any sparkles than the rest more bright,
'Tis she that shines in that propitious light.
When in mid-air the golden trump shall sound,
To raise the nations underground;
When in the valley of Jehosaphat
The judging God shall close the book of Fate;
And there the last assizes keep
For those who wake and those who sleep;
When rattling bones together fly
From the four corners of the sky,
When sinews o'er the skeletons are spread,
Those clothed with flesh, and life inspires the dead;
The sacred poets first shall hear the sound,
And foremost from the tomb shall bound:
For they are covered with the lightest ground;
And straight with in-born vigour, on the wing,
Like mounting larks, to the New Morning sing.
There thou, sweet saint, before the choir shall go,
As harbinger of Heav'n, the way to show,
The way which thou so well hast learned below.
poem by John Dryden
Submitted by Poetry Lover
Vote! | Copy!
To The Painter Of An Ill-drawn Picture of Cleone
Sooner I'd praise a Cloud which Light beguiles,
Than thy rash Hand which robs this Face of Smiles;
And does that sweet and pleasing Air control,
Which to us paints the fair CLEONE's Soul.
'Tis vain to boast of Rules or labour'd Art;
I miss the Look that captivates my Heart,
Attracts my Love, and tender Thoughts inspires;
Nor can my Breast be warm'd by common Fires;
Nor can ARDELIA love but where she first admires.
Like Jupiter's, thy Head was sure in Pain
When this Virago struggl'd in thy Brain;
And strange it is, thou hast not made her wield
A mortal Dart, or penetrating Shield,
Giving that Hand of disproportion'd size
The Pow'r, of which thou hast disarm'd her Eyes:
As if, like Amazons, she must oppose,
And into Lovers force her vanquish'd Foes.
Had to THEANOR thus her Form been shown
To gain her Heart, he had not lost his own;
Nor, by the gentlest Bands of Human Life,
At once secur'd the Mistress and the Wife.
For still CLEONE's Beauties are the same,
And what first lighten'd, still upholds his Flame.
Fain his Compassion wou'd thy Works approve,
Were pitying thee consistent with his Love,
Or with the Taste which Italy has wrought
In his refin'd and daily heighten'd Thought,
Where Poetry, or Painting find no place,
Unless perform'd with a superior Grace.
Cou'd but my Wish some Influence infuse,
Ne'er shou'd the Pencil, or the Sister-Muse
Be try'd by those who easily excuse:
But strictest Censors shou'd of either judge,
Applaud the Artist, and despise the Drudge.
Then never wou'd thy Colours have debas'd
CLEONE's Features, and her Charms defac'd:
Nor had my Pen (more subject to their Laws)
Assay'd to vindicate her Beauty's Cause.
A rigid Fear had kept us both in Awe,
Nor I compos'd, nor thou presum'd to draw;
But in CLEONE viewing with Surprize
That Excellence, to which we ne'er cou'd rise,
By less Attempts we safely might have gain'd
That humble Praise which neither has obtain'd,
Since to thy Shadowings, or my ruder Verse,
It is not giv'n to shew, or to rehearse
What Nature in CLEONE's Face has writ,
A soft Endearment, and a chearful Wit,
That all-subduing, that enliv'ning Air
By which, a sympathizing Joy we share,
For who forbears to smile, when smil'd on by the Fair?
poem by Anne Kingsmill Finch
Submitted by Poetry Lover
Vote! | Copy!
Evolution
THOU stand'st complete in every part,
An individual of thy kind;
But whence thou cam'st and what thou art,
Didst ever ask thee of thy mind?
Thou claim'st a portion of God's earth;
5
Thou say'st to all men, "This is I;"
Thou hast a date to mark thy birth,
And other date when thou shalt die.
Thy years are in the planets' years;
A space in all that mighty span,
10
A little space of smiles and tears,
Is writ in shining letters—"Man."
Thou hear'st the mighty ocean roll,
Thou seest death on every hand;
There loom strange phantoms in thy soul,
15
And boundless heavens arch the land.
Thy feet are on the sand and clay,
Which once had other growths than these,
And in the great world's yesterday,
Heard murmurs of the tropic seas.
20
Life out of death, death out of life,
In endless cycles rolling on,
And fire-gleams flashing from the strife
Of what will come and what has gone.
A perfect whole, a perfect plan,
25
Ay, doubtless, in the perfect mind,
An onward march since time began,
With yet no laggart left behind.
All blended in a wondrous chain,
Each link the fittest for its place;
30
The stronger made to bear the strain,
The weaker formed to give it grace.
But what art thou and what am I?
What place is ours in all this scheme?
What is it to be born and die?
35
Are we but phases in a dream,
That earth or some prime mother dreams,
Folded away in crimson skies?
Or are we dazzled with the beams
Of light too strong for new-born eyes?
40
Certes, we are not very much;
We cannot cause ourselves to be;
Not even the limbs by which we touch
Are really owned by thee and me.
But they were fashioned years ago,
45
Ay, centuries; since earth's natal morn,
The wondering ages saw them grow,
Till our time came and we were born.
And we are present, future, past—
Shall live again, have lived before,
50
Like billows on the beaches cast
Of tides that flow for evermore.
And yet thou sayest, "This is I;
I am marked off from all my kind;
I look not to the by-and-by;
55
I care not for what lies behind."
That may be so; but to mine eyes
A being of wondrous make thou art—
The point at which infinities
Converge, touch, and for ever part.
60
Thou canst not unmake what has been,
Nor hold back that which is to come;
We dwell upon the waste between
In the small "now" which is our home.
"Though this be so," thou answerest, "still
65
I feel and know myself to be:
Thy creed would make the perfect will
In God's sight like a stone or tree."
Ah no! for stone and tree are one,
And perfect will bears different fruit;
70
The will is grander than the sun,
The body brother to the brute.
But in the ages thou shalt be
A link from unknown to unknown,
A bridge across a darkling sea,
75
A light on the world's pathway thrown
Ay, such is man—a moan in sleep;
A passing dream; he thinks and is,
And then falls back into the deep
Where other deeps call unto this.
80
But in that thinking, in that pause,
That dream which did so little yield,
There met a universe of laws,
And branched out into wider field.
We live not for ourselves—ah no!
85
We do not live; man lives in us.
The race dwells in us; even so
The race will live, though we pass thus.
The forces that have fashioned thee
Have rolled through space since time began—
90
Have ranged the heavens, the earth, the sea,
And in God's time have made thee man.
And so to further goal they move,
When thou hast passed from mortal sight;
To fashion beings that will prove
95
More wondrous still, more full of light.
We are the foam-crest on the wave,
Lit for a moment by the sun;
A moment thus we toss and rave,
Then fall back ere our day is done.
100
Thou then art twain—the force that builds
The broad foundations of the race,
And separate light from God that gilds
The soul with individual grace.
God looks at both: the one displays
105
The laws that work His purpose still;
The other thine own spirit sways,
And here God asks the perfect will.
I would not have thee think the less
Of this small part which is man's soul,
110
Nor miss the exceeding blessedness
Of knowing thyself a separate whole.
"What proof," thou sayest, "if this be true,
That thou and I survive the shock
Which summons all we are and do
115
To credit of the primal stock?
"If I and thou a moment are
Conscious of self, of touch, of sight,
Then vanish like a falling star,
And sink in everlasting night,
120
"What proof that in the overthrow
The thing that says, knows, ‘This is I,'
Will not pass with the rest, and go
Dissolved into the vast supply?"
Though formed of elemental dust,
125
And moulded through such countless years,
We perish not with these, but must
Survive the rolling of the spheres.
We must, I say; for what most high
In man? Is't not the subtle part,
130
The power which tells me, "This is I;
I am not everything thou art"?
Would God have laboured then and wrought
With fire and water, life and death,
And through the weary cycles brought
135
A creature with the vital breath,
And breathed such power within his soul,
And crowned him with such wondrous grace,
And said, "Go forth from pole to pole,
And meet thy brother face to face,"
140
If this strange power were meant to sink
Back into chaos or be lost,
Or cast off as a broken link,
Or die like wave along the coast?
Not that God's way. On—ever on,
145
To nobler, purer, higher things;
Form out the ages that are gone
Each newer, grander era springs.
So nought is lost, but all must pass,
And life through varied stages move;
150
From the pale fungus in the grass,
To deepest depths of light and love.
And we must pass—we shall not die;
Changed and transformed, but still the same,
To grander heights of mystery,
155
To fairer realms than whence we came.
God will not let His work be lost;
Too wondrous is the mind of man,
Too many ages it has cost
The huge fulfilment of His plan.
160
But on we pass, for ever on,
Through death to other deaths and life;
To brighter lights when these are gone;
To broader thought, more glorious strife;
To vistas opening out of these;
165
To wonders shining from afar,
Above the surging of the seas,
Above the course of moon and star;
To higher powers of will and deed,
All bounds and limits left behind;
170
To truths undreamt in any creed;
To deeper love, more God-like mind.
For this the sky and sea and earth
God moulded with His ice and fire;
For this the ages gave us birth,
175
And filled our hearts with mad desire.
Great God! we move into the vast;
All questions vain—the shadows come!
We hear no answer from the past;
The years before us all are dumb.
180
We trust Thy purpose and Thy will,
We see afar the shining goal;
Forgive us if there linger still
Some human fear within our soul!
Forgive us, if when crumbling in
185
The world that we have loved and known,
With forms so fair to us, we sin
By eyes averted from Thy throne!
Forgive us, if with thoughts too wild,
And eyes too dim to pierce the gloom,
190
We shudder like a frightened child
That enters at a darkened room!
Forgive us, if when dies away
All human sound upon our ears,
We hear not, in the swift decay,
195
Thy loving voice to calm our fears!
But lo! the dawn of fuller days;
Horizon-glories fringe the sky!
Our feet would climb the shining ways
To meet man's widest destiny.
200
Come, then, all sorrow's recompense!
The kindling sky is flaked with gold;
Above the shattered screen of sense,
A voice like thunder cries, "Behold!"
poem by Frederick George Scott
Submitted by Poetry Lover
Vote! | Copy!
L'envoi To "Life's Handicap"
My new-cut ashlar takes the light
Where crimson-blank the windows flare;
By my own work, before the night,
Great Overseer I make my prayer.
If there be good in that I wrought,
Thy hand compelled it, Master, Thine;
Where I have failed to meet Thy thought
I know, through Thee, the blame is mine.
One instant's toil to Thee denied
Stands all Eternity's offence,
Of that I did with Thee to guide
To Thee, through Thee, be excellence.
Who, lest all thought of Eden fade,
Bring'st Eden to the craftsman's brain,
Godlike to muse o'er his own trade
And Manlike stand with God again.
The depth and dream of my desire,
The bitter paths wherein I stray,
Thou knowest Who hast made the Fire,
Thou knowest Who hast made the Clay!
One stone the more swings to her place
In that dread Temple of Thy Worth --
It is enough that through Thy grace
I saw naught common on Thy earth.
Take not that vision from my ken;
Oh whatsoe'er may spoil or speed,
Help me to need no aid from men
That I may help such men as need!
poem by Rudyard Kipling
Submitted by Poetry Lover
Vote! | Copy!
Blessed Among Women --To The Signora Cairoli
Blessed was she that bare,
Hidden in flesh most fair,
For all men's sake the likeness of all love;
Holy that virgin's womb,
The old record saith, on whom
The glory of God alighted as a dove;
Blessed, who brought to gracious birth
The sweet-souled Saviour of a man-tormented earth.
But four times art thou blest,
At whose most holy breast
Four times a godlike soldier-saviour hung;
And thence a fourfold Christ
Given to be sacrificed
To the same cross as the same bosom clung;
Poured the same blood, to leave the same
Light on the many-folded mountain-skirts of fame.
Shall they and thou not live,
The children thou didst give
Forth of thine hands, a godlike gift, to death,
Through fire of death to pass
For her high sake that was
Thine and their mother, that gave all you breath?
Shall ye not live till time drop dead,
O mother, and each her children's consecrated head?
Many brought gifts to take
For her love's supreme sake,
Life and life's love, pleasure and praise and rest,
And went forth bare; but thou,
So much once richer, and now
Poorer than all these, more than these be blest;
Poorer so much, by so much given,
Than who gives earth for heaven's sake, not for earth's sake heaven.
Somewhat could each soul save,
What thing soever it gave,
But thine, mother, what has thy soul kept back?
None of thine all, not one,
To serve thee and be thy son,
Feed with love all thy days, lest one day lack;
All thy whole life's love, thine heart's whole,
Thou hast given as who gives gladly, O thou the supreme soul.
The heart's pure flesh and blood,
The heaven thy motherhood,
The live lips, the live eyes, that lived on thee;
The hands that clove with sweet
Blind clutch to thine, the feet
That felt on earth their first way to thy knee;
The little laughter of mouths milk-fed,
Now open again to feed on dust among the dead;
The fair, strong, young men's strength,
Light of life-days and length,
And glory of earth seen under and stars above,
And years that bring to tame
Now the wild falcon fame,
Now, to stroke smooth, the dove-white breast of love;
The life unlived, the unsown seeds,
Suns unbeholden, songs unsung, and undone deeds.
Therefore shall man's love be
As an own son to thee,
And the world's worship of thee for a child;
All thine own land as one
New-born, a nursing son,
All thine own people a new birth undefiled;
And all the unborn Italian time,
And all its glory, and all its works, thy seed sublime.
That henceforth no man's breath,
Saying "Italy," but saith
In that most sovereign word thine equal name;
Nor can one speak of thee
But he saith "Italy,"
Seeing in two suns one co-eternal flame;
One heat, one heaven, one heart, one fire,
One light, one love, one benediction, one desire.
Blest above praise and prayer
And incense of men's air,
Thy place is higher than where such voices rise
As in men's temples make
Music for some vain sake,
This God's or that God's, in one weary wise;
Thee the soul silent, the shut heart,
The locked lips of the spirit praise thee that thou art.
Yea, for man's whole life's length,
And with man's whole soul's strength,
We praise thee, O holy, and bless thee, O mother of lights;
And send forth as on wings
The world's heart's thanksgivings,
Song-birds to sing thy days through and thy nights;
And wrap thee around and arch thee above
With the air of benediction and the heaven of love.
And toward thee our unbreathed words
Fly speechless, winged as birds,
As the Indian flock, children of Paradise,
The winged things without feet,
Fed with God's dew for meat,
That live in the air and light of the utter skies;
So fleet, so flying a footless flight,
With wings for feet love seeks thee, to partake thy sight.
Love like a clear sky spread
Bends over thy loved head,
As a new heaven bends over a new-born earth,
When the old night's womb is great
With young stars passionate
And fair new planets fiery-fresh from birth;
And moon-white here, there hot like Mars,
Souls that are worlds shine on thee, spirits that are stars.
Till the whole sky burns through
With heaven's own heart-deep hue,
With passion-coloured glories of lit souls;
And thine above all names
Writ highest with lettering flames
Lightens, and all the old starriest aureoles
And all the old holiest memories wane,
And the old names of love's chosen, found in thy sight vain.
And crowned heads are discrowned,
And stars sink without sound,
And love's self for thy love's sake waxes pale
Seeing from his storied skies
In what new reverent wise
Thee Rome's most highest, her sovereign daughters, hail;
Thee Portia, thee Veturia grey,
Thee Arria, thee Cornelia, Roman more than they.
Even all these as all we
Subdue themselves to thee,
Bow their heads haloed, quench their fiery fame;
Seen through dim years divine,
Their faint lights feminine
Sink, then spring up rekindled from thy flame;
Fade, then reflower and reillume
From thy fresh spring their wintering age with new-blown bloom.
To thy much holier head
Even theirs, the holy and dead,
Bow themselves each one from her heavenward height;
Each in her shining turn,
All tremble toward thee and yearn
To melt in thine their consummated light;
Till from day's Capitolian dome
One glory of many glories lighten upon Rome.
Hush thyself, song, and cease,
Close, lips, and hold your peace;
What help hast thou, what part have ye herein?
But you, with sweet shut eyes,
Heart-hidden memories,
Dreams and dumb thoughts that keep what things have been
Silent, and pure of all words said,
Praise without song the living, without dirge the dead.
Thou, strengthless in these things,
Song, fold thy feebler wings,
And as a pilgrim go forth girt and shod,
And where the new graves are,
And where the sunset star,
To the pure spirit of man that men call God,
To the high soul of things, that is
Made of men's heavenlier hopes and mightier memories;
To the elements that make
For the soul's living sake
This raiment of dead things, of shadow and trance,
That give us chance and time
Wherein to aspire and climb
And set our life's work higher than time or chance
The old sacred elements, that give
The breath of life to days that die, to deeds that live;
To them, veiled gods and great,
There bow thee and dedicate
The speechless spirit in these thy weak words hidden;
And mix thy reverent breath
With holier air of death,
At the high feast of sorrow a guest unbidden,
Till with divine triumphal tears
Thou fill men's eyes who listen with a heart that hears.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
Vote! | Copy!
On the Death of E. Waller, Esq.
How, to thy Sacred Memory, shall I bring
(Worthy thy Fame) a grateful Offering?
I, who by Toils of Sickness, am become
Almost as near as thou art to a Tomb?
While every soft, and every tender Strain
Is ruffl'd, and ill-natur'd grown with Pain.
But, at thy Name, my languisht Muse revives,
And a new Spark in the dull Ashes strives.
I hear thy tuneful Verse, thy Song Divine;
And am lnspir'd by every charming Line.
But, Oh! –––––––––
What Inspiration, at the second hand,
Can an Immortal Elegic Command?
Unless, Me Pious Offerings, mine should be
Made Sacred, being Consecrate to thee.
Eternal, as thy own Almighty Verse,
Should be those Trophies that adom thy Hearse.
The Thought Illustrious, and the Fancy Young;
The Wit Sublime, the Judgment Fine, and Strong;
Soft, as thy Notes to Sacharissa sung.
Whilst mine, like Transitory Flowers, decay,
That come to deck thy Tomb a short-liv'd Day.
Such Tributes are, like Tenures, only fit
To shew from whom we hold our Right to Wit.
Hafl, wondrous Bard, whose Heav'n-born Genius first
My Infant Muse, and Blooming Fancy Nurst.
With thy soft Food of Love I first began,
Then fed on nobler Panegyrick Strain,
Numbers Seraphic! and, at every View,
My Soul extended, and much larger grew:
Where e're I Read, new Raptures seiz'd my Blood;
Methought I heard the Language of a God.
Long did the untun'd World in Ignorance stray,
Producing nothing that was Great and Gay,
Till taught, by thee, the true Poetick way.
Rough were the Tracts before, Dull, and Obscure;
Nor Pleasure, nor Instruction could procure.
Their thoughtless Labour could no Passion move;
Sure, in that Age, the Poets knew not Love:
That Charming God, like Apparitions, then
Was only talk'd on, but ne're seen by Men:
Darkness was o're the Muses Land displaid,
And even the Chosen Tribe unguided straid.
Till, by thee rescu'd from th' Egyptian Night,
They now look up, and view the God of Light,
That taught them how to Love, and how to Write;
And to Enhance the Blessing which Heav'n lent,
When for our great Instructor thou wert sent.
Large was thy Life, but yet thy Glories more;
And, like the Sun, did still dispense thy Power,
Producing somthing wondrous every hour:
And, in thy Circulary Course, didst see
The very Life and Death of Poetry.
Thou saw'st the Generous Nine neglected lie,
None listning to their Heav'nly Harmony;
The World being grown to that low Ebb of Sense,
To disesteem the noblest Excellence;
And no Encouragement to Phophets shewn,
Who in past Ages got so great Renown.
Though Fortune Elevated thee above
Its scanty Gratitude, or fickle Love;
Yet, fallen with the World, untir'd by Age,
Scorning th'unthinking Crowd, thou quit'st the Stage.
poem by Aphra Behn
Submitted by Poetry Lover
Vote! | Copy!
Thou Dost Not Know
Thou dost not know it! but to hear
One word of praise from thee,
There is no pain I would not bear,
No task too great for me.
My hands could tireless toil all day,
My feet could tireless run,
If at the close thy lips would say,
'Brave, noble heart, well done.'
* * * * *
Thou dost not know it! but to win
Approval from thine eyes,
My soul has conquered many a sin,
And conquering neared the skies.
And though the reward may not be given,
In all my earthly days,
I feel that after death, in heaven,
Thy lips will give me praise.
* * * * *
Thou dost not know, may never know,
That all I strive to be,
All things praiseworthy that I do,
I strive, and do, for thee.
And though I seldom see thy face,
Or touch thy hand, my friend,
Those meetings are the means of grace,
That help me to the end.
* * * * *
Thou dost not know that thy grand life
Has been my beacon light.
I aim to conquer in the strife,
That I may reach thy height.
I strive to live, so that my feet
May walk the fields most fair,
For the after-life, seems, oh! so sweet,
Because thou wilt be there.
* * * * *
Thou dost not know how brave and strong
A woman's heart can be.
But few could hide so well and long
What mine has hid from thee.
So well, that should this idyl chance
To meet thine eye, my friend,
Thou'd scan it with a careless glance,
Nor dream to whom 'twas penned.
poem by Ella Wheeler Wilcox
Submitted by Poetry Lover
Vote! | Copy!
Sonnet 38: How can my Muse want subject to invent
How can my Muse want subject to invent
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent
For every vulgar paper to rehearse?
O, give thyself the thanks, if aught in me
Worthy perusal stand against thy sight,
For who's so dumb that cannot write to thee,
When thou thyself dost give invention light?
Be thou the tenth Muse, ten times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date.
If my slight Muse do please these curious days,
The pain be mine, but thine shall be the praise.
poem by William Shakespeare
Submitted by Poetry Lover
Vote! | Copy!
A Description Of One Of The Pieces Of Tapistry At Long-Leat
THUS Tapistry of old, the Walls adorn'd,
Ere noblest Dames the artful Shuttle scorn'd:
Arachne, then, with Pallas did contest,
And scarce th' Immortal Work was judg'd the Best.
Nor valorous Actions, then, in Books were fought;
But all the Fame, that from the Field was brought,
Employ'd the Loom, where the kind Consort wrought:
Whilst sharing in the Toil, she shar'd the Fame,
And with the Heroes mixt her interwoven Name.
No longer, Females to such Praise aspire,
And seldom now We rightly do admire.
So much, All Arts are by the Men engross'd,
And Our few Talents unimprov'd or cross'd;
Even I, who on this Subject wou'd compose,
Which the fam'd Urbin for his Pencil chose,
(And here, in tinctur'd Wool we now behold
Correctly follow'd in each Shade, and Fold)
Shou'd prudently from the Attempt withdraw,
But Inclination proves the stronger Law:
And tho' the Censures of the World pursue
These hardy Flights, whilst his Designs I view;
My burden'd Thoughts, which labour for a Vent,
Urge me t'explain in Verse, what by each Face is meant.
Of SERGIUS first, upon his lofty Seat,
With due Regard our Observations treat;
Who, whilst he thence on ELYMAS looks down,
Contracts his pensive Brow into a Frown,
With Looks inquistive he seeks the Cause
Why Nature acts not still by Natures Laws.
'Twas but a Moment, since the Sorcerer's Sight
Receiv'd the Day, and blaz'd infernal Light:
Untouch'd, the Optiques in a Moment fail'd,
Their fierce Illumination quench'd, or veil'd;
Throughout th' Extention of his ample Sway,
No Fact, like this, the Roman cou'd survey,
Who, with spread Hands, invites Mankind to gaze,
And sympathize in the profound Amaze.
To share his Wonder every one combines,
By diff'rent Aspects shewn, and diff'rent Signs.
A comely Figure, near the Consul plac'd,
With serious Mildness and Instruction grac'd,
To Others seems imparting what he saw,
And shews the Wretch with reverential Awe:
Whilst a more eager Person next we find,
Viewing the Wizard with a Skeptic's Mind;
Who his fixt Eyes so near him do's apply,
We think, enliv'ning Beams might from them fly,
To re-inkindle, by so just an Aim,
The radial Sparks, but lately check'd and tame,
As Tapers new put-out will catch approaching Flame.
But dire Surprize th' Enquiry do's succeed,
Whilst full Conviction in his Face we read,
And He, who question'd, now deplores the Deed.
To sacred PAUL a younger Figure guides,
With seeming Warmth, which still in Youth presides;
And pointing forward, Elder Men directs,
In Him, to note the Cause of these Effects;
Upon whose Brow do's evidently shine
Deputed Pow'r, t' inflict the Wrath Divine;
Whilst sad and solemn, suited to their Years,
Each venerable Countenance appears,
Where, yet we see Astonishment reveal'd,
Tho' by the Aged often 'tis conceal'd;
Who the Emotions of their Souls disguize,
Lest by admiring they shou'd seem less Wise.
But to thy Portrait, ELYMAS, we come
Whose Blindness almost strikes the Poet dumb;
And whilst She vainly to Describe thee seeks,
The Pen but traces, where the Pencil speaks.
Of Darkness to be felt, our Scriptures write,
Thou Darken'd seem'st, as thou would'st feel the Light;
And with projected Limbs, betray'st a Dread,
Of unseen Mischiefs, levell'd at thy Head.
Thro' all thy Frame such Stupefaction reigns,
As Night it self were sunk into thy Veins:
Nor by the Eyes alone thy Loss we find,
Each Lineament helps to proclaim thee Blind.
An artful Dimness far diffus'd we grant,
And failing seem all Parts through One important Want.
Oh! Mighty RAPHAEL, justly sure renown'd!
Since in thy Works such Excellence is found;
No Wonder, if with Nature Thou'rt at strife,
Who thus can paint the Negatives of Life;
And Deprivation more expressive make,
Than the most perfect Draughts, which Others take.
Whilst to this Chiefest Figure of the Piece,
All that surround it, Heightnings do encrease:
In some, Amazement by Extreams is shewn,
Who viewing his clos'd Lids, extend their Own.
Nor can, by that, enough their Thoughts express,
Which op'ning Months seem ready to confess.
Thus stand the LICTORS gazing on a Deed,
Which do's all humane Chastisements exceed;
Enfeebl'd seem their Instruments of smart,
When keener Words can swifter Ills impart.
Thou, BARNABAS, though Last, not least our Care,
Seem'st equally employ'd in Praise, and Prayer,
Acknowledging th' Omnipotent Decree,
Yet soft Compassion in thy Face we see;
Whilst lifted Hands implore a kind Relief,
Tho' no Impatience animates thy Grief;
But mild Suspence and Charity benign,
Do all th' excesses of thy Looks confine.
Thus far, our slow Imagination goes:
Wou'd the more skill'd THEANOR his disclose;
Expand the Scene, and open to our Sight
What to his nicer Judgement gives Delight;
Whose soaring Mind do's to Perfections climb,
Nor owns a Relish, but for Things sublime:
Then, wou'd the Piece fresh Beauties still present,
Nor Length of Time wou'd leave the Eye content:
As moments, Hours; as Hours the Days wou'd seem,
Observing here, taught to observe by HIM.
poem by Anne Kingsmill Finch
Submitted by Poetry Lover
Vote! | Copy!
Cleburne
Another ray of light hath fled, another Southern brave
Hath fallen in his country's cause and found a laureled grave-
Hath fallen, but his deathless name shall live when stars shall set,
For, noble Cleburne, thou art one this world will ne'er forget.
'Tis true, thy warm heart beats no more, that on thy noble head
Azrael placed his icy hand, and thou art with the dead;
The glancing of thine eyes are dim; no more will they be bright
Until they ope in Paradise, with clearer, heavenlier light.
No battle news disturbs thy rest upon the sun-bright shore,
No clarion voice awakens thee on earth to wrestle more,
No tramping steed, no wary foe bids thee awake, arise,
For thou art in the angel world, beyond the starry skies.
Brave Cleburne, dream in thy low bed, with pulseless deadened heart;
Calm, calm and sweet, O warrior rest! thou well hast borne thy part,
And now a glory wreath for thee the angels singing twine,
A glory wreath, not of the earth, but made by hands divine.
A long farewell-we give thee up, with all thy bright reknown,
A chieftain here on earth is lost, in heaven an angel found.
Above thy grave a wail is heard-a nation mourns her dead;
A nobler for the South ne'er died, a braver never bled.
A last farewell-how can we speak the bitter word farewell!
The anguish of our bleeding hearts vain words may never tell.
Sleep on, sleep on, to God we give our chieftain in his might;
And weeping, feel he lives on high, where comes no sorrow's night.
poem by Anonymous Americas
Submitted by Poetry Lover
Vote! | Copy!
To my Dear Friend M. Ben Jonson, on his Fox
If it might stand with justice to allow
The swift conversion of all follies; now,
Such is my mercy, that I could admit
All sorts should equally approve the wit
Of this thy even work, whose growing fame
Shall raise thee high, and thou it, with thy name.
And did not manners and my love command
Me to forbear to make those understand,
Whom thou, perhaps, hast in thy wiser doom
Long since firmly resolved, shall never come
To know more than they do; I would have shewn
To all the world, the art, which thou alone
Hast taught our tongue, the rules of time, of place,
And other rites, delivered, with the grace
Of comic style, which, only, is far more
Than any English stage hath known before.
But, since our subtle gallants think it good
To like of nought, that may be understood,
Lest they should he disproved; or have, at best,
Stomachs so raw, that nothing can digest
But what's obscene, or barks: let us desire
They may continue, simply, to admire
Fine clothes, and strange words; and may live, in age,
To see themselves ill brought upon the stage,
And like it: whilst thy bold and knowing muse
Contemns all praise, but such as thou wouldst choose.
poem by Francis Beaumont
Submitted by Poetry Lover
Vote! | Copy!