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The Monster Diamond

A TALE OF THE PENAL COLONY OF WEST AUSTRALIA.

'I’LL have it, I tell you! Curse you!—there!'
The long knife glittered, was sheathed, and was bare.
The sawyer staggered and tripped and fell,
And falling he uttered a frightened yell:
His face to the sky, he shuddered and gasped,
And tried to put from him the man he had grasped
A moment before in the terrible strife.
'I'll have it, I tell you, or have your life!
Where is it?' The sawyer grew weak, but still
His brown face gleamed with a desperate will.
'Where is it?' he heard, and the red knife's drip
In his slayer's hand fell down on his lip.
'Will you give it?' 'Never!' A curse, the knife
Was raised and buried.

Thus closed the life
Of Samuel Jones, known as 'Number Ten'
On his Ticket-of-Leave; and of all the men
In the Western Colony, bond or free,
None had manlier heart or hand than he.

In digging a sawpit, while all alone,—
For his mate was sleeping,—Sam struck a stone
With the edge of the spade, and it gleamed like fire,
And looked at Sam from its bed in the mire,
Till he dropped the spade and stooped and raised
The wonderful stone that glittered and blazed
As if it were mad at the spade's rude blow;
But its blaze set the sawyer's heart aglow
As he looked and trembled, then turned him round,
And crept from the pit, and lay on the ground,
Looking over the mold-heap at the camp
Where his mate still slept. Then down to the swamp
He ran with the stone, and washed it bright,
And felt like a drunken man at the sight
Of a diamond pure as spring-water and sun,
And larger than ever man's eyes looked on!

Then down sat Sam with the stone on his knees,
And fancies came to him, like swarms of bees
To a sugar-creamed hive; and he dreamed awake
Of the carriage and four in which he'd take
His pals from the Dials to Drury Lane,
The silks and the satins for Susan Jane,
The countless bottles of brandy and beer
He'd call for and pay for, and every year
The dinner he'd give to the Brummagem lads,—
He'd be king among cracksmen and chief among pads,
And he'd sport a—
Over him stooped his mate,
A pick in his hand, and his face all hate.
Sam saw the shadow, and guessed the pick,
And closed his dream with a spring so quick
The purpose was baffled of Aaron Mace,
And the sawyer mates stood face to face.
Sam folded his arms across his chest,
Having thrust the stone in his loose shirt-breast,
While he tried to think where he dropped the spade.
But Aaron Mace wore a long, keen blade
In his belt,—he drew it,—sprang on his man:
What happened, you read when the tale began.

Then he looked—the murderer, Aaron Mace—
At the gray-blue lines in the dead man's face;
And he turned away, for he feared its frown
More in death than life. Then he knelt him down,—
Not to pray,—but he shrank from the staring eyes,
And felt in the breast for the fatal prize.
And this was the man, and this was the way
That he took the stone on its natal day;
And for this he was cursed for evermore
By the West Australian Koh-i-nor.

In the half-dug pit the corpse was thrown,
And the murderer stood in the camp alone.
Alone? No, no! never more was he
To part from the terrible company
Of that gray-blue face and the bleeding breast
And the staring eyes in their awful rest.
The evening closed on the homicide,
And the blood of the buried sawyer cried
Through the night to God, and the shadows dark
That crossed the camp had the stiff and stark,
And horrible look of a murdered man!
Then he piled the fire, and crept within
The ring of its light, that closed him in
Like tender mercy, and drove away
For a time the specters that stood at bay,
And waited to clutch him as demons wait,
Shut out from the sinner by Faith's bright gate.
But the fire burnt low, and the slayer slept,
And the key of his sleep was always kept
By the leaden hand of him he had slain,
That oped the door but to drench the brain
With agony cruel. The night wind crept
Like a snake on the shuddering form that slept
And dreamt, and woke and shrieked; for there,
With its gray-blue lines and its ghastly stare,
Cutting into the vitals of Aaron Mace,
In the flickering light was the sawyer's face!
Evermore 'twas with him, that dismal sight,—
The white face set in the frame of night.

He wandered away from the spot, but found
No inch of the West Australian ground
Where he could hide from the bleeding breast,
Or sink his head in a dreamless rest.

And always with him he bore the prize
In a pouch of leather: the staring eyes
Might burn his soul, but the diamond's gleam
Was solace and joy for the haunted dream.

So the years rolled on, while the murderer's mind
Was bent on a futile quest,—to find
A way of escape from the blood-stained soil
And the terrible wear of the penal toil.

But this was a part of the diamond's curse,—
The toil that was heavy before grew worse,
Till the panting wretch in his fierce unrest
Would clutch the pouch as it lay on his breast,
And waking cower, with sob and moan,
Or shriek wild curses against the stone
That was only a stone; for he could not sell,
And he dare not break, and he feared to tell
Of his wealth: so he bore it through hopes and fears—
His God and his devil—for years and years.

And thus did he draw near the end of his race,
With a form bent double and horror-lined face,
And a piteous look, as if asking for grace
Or for kindness from some one; but no kind word
Was flung to his misery: shunned, abhorred,
E'en by wretches themselves, till his life was a curse,
And he thought that e'en death could bring nothing worse
Than the phantoms that stirred at the diamond's weight,—
His own life's ghost and the ghost of his mate.
So he turned one day from the haunts of men,
And their friendless faces: an old man then,
In a convict's garb, with white flowing hair,
And a brow deep seared with the word, 'Despair.'
He gazed not back as his way he took
To the untrod forest; and oh! the look,
The piteous look in his sunken eyes,
Told that life was the bitterest sacrifice.

But little was heard of his later days:
'Twas deemed in the West that in change of ways
He tried with his tears to wash out the sin.
'Twas told by some natives who once came in
From the Kojunnp Hills, that lonely there
They had seen a figure with long white hair;
They encamped close by where his hut was made,
And were scared at night when they saw he prayed
To the white man's God; and on one wild night
They had heard his voice till the morning light.

Years passed, and a sandal wood-cutter stood
At a ruined hut in a Kojunup wood:
The rank weeds covered the desolate floor,
And an ant-hill stood on the fallen door;
The cupboard within to the snakes was loot,
And the hearth was the home of the bandicoot.
But neither at hut nor snake nor rat
Was the woodcutter staring intent, but at
A human skeleton clad in gray,
The hands clasped over the breast, as they
Had fallen in peace when he ceased to pray.

As the bushman looked on the form, he saw
In the breast a paper: he stooped to draw
What might tell him the story, but at his touch
From under the hands rolled a leathern pouch,
And he raised it too,—on the paper's face
He read 'Ticket-of-Leave of Aaron Mace.'
Then he opened the pouch, and in dazed surprise
At its contents strange he unblessed his eyes:
'Twas a lump of quartz,—a pound weight in full,-
And it fell from his hand on the skeleton's skull!

poem by John Boyle O'Reilly
Submitted by Poetry Lover
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The Stone

"And will you cut a stone for him,
To set above his head?
And will you cut a stone for him--
A stone for him?" she said.

Three days before, a splintered rock
Had struck her lover dead--
Had struck him in the quarry dead,
Where, careless of a warning call,
He loitered, while the shot was fired--
A lively stripling, brave and tall,
And sure of all his heart desired . . .
A flash, a shock,
A rumbling fall . . .
And, broken 'neath the broken rock,
A lifeless heap, with face of clay,
And still as any stone he lay,
With eyes that saw the end of all.

I went to break the news to her:
And I could hear my own heart beat
With dread of what my lips might say;
But some poor fool had sped before;
And, flinging wide her father's door,
Had blurted out the news to her,
Had struck her lover dead for her,
Had struck the girl's heart dead in her,
Had struck life, lifeless, at a word,
And dropped it at her feet:
Then hurried on his witless way,
Scarce knowing she had heard.

And when I came, she stood alone--
A woman, turned to stone:
And, though no word at all she said,
I knew that all was known.

Because her heart was dead,
She did not sigh nor moan.
His mother wept:
She could not weep.
Her lover slept:
She could not sleep.
Three days, three nights,
She did not stir:
Three days, three nights,
Were one to her,
Who never closed her eyes
From sunset to sunrise,
From dawn to evenfall--
Her tearless, staring eyes,
That, seeing naught, saw all.

The fourth night when I came from work,
I found her at my door.
"And will you cut a stone for him?"
She said: and spoke no more:
But followed me, as I went in,
And sank upon a chair;
And fixed her grey eyes on my face,
With still, unseeing stare.
And, as she waited patiently,
I could not bear to feel
Those still, grey eyes that followed me,
Those eyes that plucked the heart from me,
Those eyes that sucked the breath from me
And curdled the warm blood in me,
Those eyes that cut me to the bone,
And cut my marrow like cold steel.

And so I rose and sought a stone;
And cut it smooth and square:
And, as I worked, she sat and watched,
Beside me, in her chair.
Night after night, by candlelight,
I cut her lover's name:
Night after night, so still and white,
And like a ghost she came;
And sat beside me, in her chair,
And watched with eyes aflame.

She eyed each stroke,
And hardly stirred:
she never spoke
A single word:
And not a sound or murmur broke
The quiet, save the mallet stroke.

With still eyes ever on my hands,
With eyes that seemed to burn my hands,
My wincing, overwearied hands,
She watched, with bloodless lips apart,
And silent, indrawn breath:
And every stroke my chisel cut,
Death cut still deeper in her heart:
The two of us were chiselling,
Together, I and Death.

And when at length my job was done,
And I had laid the mallet by,
As if, at last, her peace were won,
She breathed his name, and, with a sigh,
Passed slowly through the open door:
And never crossed my threshold more.

Next night I laboured late, alone,
To cut her name upon the stone.

poem by Wilfred Wilson Gibson
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The Dukite Snake

Well, mate, you’ve asked about a fellow
You met to-day, in a black-and-yellow
Chain-gang suit, with a peddler’s pack,
Or with some such burden, strapped to his back.
Did you meet him square? No, passed you by?
Well, if you had, and had looked in his eye,
You’d have felt for your irons then and there;
For the light in his eye is a madman’s glare.
Ay, mad, poor fellow! I know him well,
And if you’re not sleepy just yet, I’ll tell
His story,—a strange one as ever you heard
Or read; but I’ll vouch for it, every word.

You just wait a minute, mate: I must see
How that damper’s doing, and make some tea.
You smoke? That’s good; for there’s plenty of weed
In that wallaby skin. Does your horse feed
In the hobbles? Well, he’s got good feed here,
And my own old bush mare won’t interfere.
Done with that meat? Throw it there to the dogs,
And fling on a couple of banksia logs.

And now for the story. That man who goes
Through the bush with the pack and the convict’s clothes
Has been mad for years; but he does no harm,
And our lonely settlers feel no alarm
When they see or meet him. Poor Dave Sloane
Was a settler once, and a friend of my own.
Some eight years back, in the spring of the year,
Dave came from Scotland, and settled here.
A splendid young fellow he was just then,
And one of the bravest and truest men
That I ever met: he was kind as a woman
To all who needed a friend, and no man—
Not even a convict—met with his scorn,
For David Sloane was a gentleman born.
Ay, friend, a gentleman, though it sounds queer:
There’s plenty of blue blood flowing out here,
And some younger sons of your “upper ten”
Can be met with here, first-rate bushmen.
Why, friend, I—Bah! curse that dog! you see
This talking so much has affected me.

Well, Sloane came here with an axe and a gun;
He bought four miles of a sandal-wood run.
This bush at that time was a lonesome place,
So lonesome the sight of a white man’s face
Was a blessing, unless it came at night,
And peered in your hut, with the cunning fright
Of a runaway convict; and even they
Were welcome, for talk’s sake, while they could stay.
Dave lived with me here for a while, and learned
The tricks of the bush,—how the snare was laid
In the wallaby track, how traps were made,
How ’possums and kangaroo rats were killed,
And when that was learned, I helped him to build
From mahogany slabs a good bush hut,
And showed him how sandal-wood logs were cut.
I lived up there with him days and days,
For I loved the lad for his honest ways.
I had only one fault to find: at first
Dave worked too hard; for a lad who was nursed,
As he was, in idleness, it was strange
How he cleared that sandal-wood off his range.
From the morning light till the light expired
He was always working, he never tired;
Till at length I began to think his will
Was too much settled on wealth, and still
When I looked at the lad’s brown face, and eye
Clear open, my heart gave such thought the lie.
But one day—for he read my mind—he laid
His hand on my shoulder: “Don’t be afraid,”
Said he, “that I’m seeking alone for pelf.
I work hard, friend; but ’tis not for myself.”

And he told me then, in his quiet tone,
Of a girl in Scotland, who was his own,—
His wife,—’twas for her: ’twas all he could say,
And his clear eye brimmed as he turned away.
After that he told me the simple tale:
They had married for love, and she was to sail
For Australia when he wrote home and told
The oft-watched-for story of finding gold.

In a year he wrote, and his news was good:
He had bought some cattle and sold his wood.
He said, “Darling, I’ve only a hut,—but come.”
Friend, a husband’s heart is a true wife’s home;
And he knew she’d come. Then he turned his hand
To make neat the house, and prepare the land
For his crops and vines; and he made that place
Put on such a smiling and homelike face,
That when she came, and he showed her round
His sandal-wood and his crops in the ground,
And spoke of the future, they cried for joy,
The husband’s arm clasping his wife and boy.

Well, friend, if a little of heaven’s best bliss
Ever comes from the upper world to this,
It came into that manly bushman’s life,
And circled him round with the arms of his wife.
God bless that bright memory! Even to me,
A rough, lonely man, did she seem to be,
While living, an angel of God’s pure love,
And now I could pray to her face above.
And David he loved her as only a man
With a heart as large as was his heart can.
I wondered how they could have lived apart,
For he was her idol, and she his heart.

Friend, there isn’t much more of the tale to tell:
I was talking of angels awhile since. Well,
Now I’ll change to a devil,—ay, to a devil!
You needn’t start: if a spirit of evil
Ever came to this world its hate to slake
One mankind, it came as a Dukite Snake.

Like? Like the pictures you’ve seen of Sin,
A long red snake,—as if what was within
Was fire that gleamed through his glistening skin.
And his eyes!—if you could go down to hell
And come back to your fellows here and tell
What the fire was like, you could find no thing,
Here below on the earth, or up in the sky,
To compare it to but a Dukite’s eye!

Now, mark you, these Dukites don’t go alone:
There’s another near when you see but one;
And beware you of killing that one you see
Without finding the other; for you may be
More than twenty miles from the spot that night,
When camped, but you’re tracked by the lone Dukite,
That will follow your trail like Death or Fate,
And kill you as sure as you killed its mate!

Well, poor Dave Sloane had his young wife here
Three months,—’twas just this time of the year.
He had teamed some sandal-wood to the Vasse,
And was homeward bound, when he saw in the grass
A long red snake: he had never been told
Of the Dukite’s ways,—he jumped to the road,
And smashed its flat head with the bullock-goad!

He was proud of the red skin, so he tied
Its tail to the cart, and the snake’s blood dyed
The bush on the path he followed that night.

He was early home, and the dead Dukite
Was flung at the door to be skinned next day.
At sunrise next morning he started away
To hunt up his cattle. A three hours’ ride
Brought him back: he gazed on his home with pride
And joy in his heart; he jumped from his horse
And entered—to look on his young wife’s corse,
And his dead child clutching his mother’s clothes
As in fright; and there, as he gazed, arose
From her breast, where ’twas resting, the gleaming head
Of the terrible Dukite, as if it said,
“I’ve had vengeance, my foe: you took all I had.”

And so had the snake—David Sloane was mad!
I rode to his hut just by chance that night,
And there on the threshold the clear moonlight
Showed the two snakes dead. I pushed in the door
With an awful feeling of coming woe:
The dead was stretched on the moonlit floor,
The man held the hand of his wife,—his pride,
His poor life’s treasure,—and crouched by her side.
O God! I sank with the weight of the blow.

I touched and called him: he heeded me not,
So I dug her grave in a quiet spot,
And lifted them both,—her boy on her breast,—
And laid them down in the shade to rest.
Then I tried to take my poor friend away,
But he cried so woefully, “Let me stay
Till she comes again!” that I had no heart
To try to persuade him then to part
From all that was left to him here,—her grave;
So I stayed by his side that night, and, save
One heart-cutting cry, he uttered no sound,—
O God! that wail—like the wail of a hound!

’Tis six long years since I heard that cry,
But ’twill ring in my ears till the day I die.
Since that fearful night no one has heard
Poor David Sloane utter sound or word.
You have seen to-day how he always goes:
He’s been given that suit of convict’s clothes
By some prison officer. On his back
You noticed a load like a peddler’s pack?
Well, that’s what he lives for: when reason went,
Still memory lived, for the days are spent
In searching for Dukites; and year by year
That bundle of skins is growing. ’Tis clear
That the Lord out of evil some good still takes;
For he’s clearing this bush of the Dukite snakes.

poem by John Boyle O'Reilly
Submitted by Poetry Lover
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We Are To Play The Game Of Death

WE are to play the game of death to-night, my bride and I.
The night is black, the clouds in the sky are capricious, and the waves are raving at sea.
We have left our bed of dreams, flung open the door and come out, my bride and I.
We sit upon a swing, and the storm winds give us a wild push from behind.
My bride starts up with fear and delight, she trembles and clings to my breast.
Long have I served her tenderly.
I made for her a bed of flowers and I closed the doors to shut out the rude light from her eyes.
I kissed her gently on her lips and whispered softly in her ears till she half swooned in languor.
She was lost in the endless mist of vague sweetness.
She answered not to my touch, my songs failed to arouse her.
To-night has come to us the call of the storm from the wild.
My bride has shivered and stood up, she has clasped my hand and come out.
Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast.
The push of death has swung her into life.
We are face to face and heart to heart, my bride and I.

poem by Rabindranath Tagore
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Ned Connor

’TWAS night—and where a watery sound
Came moaning up the Flat,
Six rude and bearded stockmen round
Their blazing hut-fire sat,
And laughed as on some starting hound
The cracking fuel spat.

And merrier still the log-fire cracks
As night the darker falls,
While not a noisy tongue there lacks
To tell of drunken brawls,
But most of battle with the Blacks
Some bloody tale appals.

Amongst them then Ned Connor spoke,
And up his form he drew:—
What is there in an open stroke
To boast of? You but slew
Those who’d have done, each hell-black one,
The same or worse to you.

But lost among the hills, one day,
Which then was well nigh shut,
I met a Black upon my way,
And thus the matter put
Unto him:—“See! this knife’s for thee,
Come, guide me to my hut.”

His savage eyes grew huge with joy
As on the prize they bent,
And leading, even like a boy
He capered as he went:
But think you, men, to give the toy
Ned Connor ever meant?

An hour had brought us many a mile
And then, as closed the day,
The savage pointed with a smile,
To where my Station lay:
“There! give to me the knife,” said he,
“And let me go my way.”

I never meant that he should touch
The thing, as I have said,
And when he stretched his hand to clutch,
A thought came in my head:
I raised my gun, as though in fun—
I fired —— and he was dead!

The ruffian laughed in his pitiless mood
When ended thus his tale,
But all the rest though men of blood,
With horror seemed to quail,
And saw though he stood boastfully
That Connor too was pale:

For through the moaning of the trees
He seemed to hear the sound
Of his own laughter in the breeze
Keep roaming out till drowned
In wild and bitter mockeries
Up-answering from the ground.

Now what to hear had made them fear,
Had also made them dry:
But strange! the water-pail that late
Brimm’d in the corner nigh
Was empty! In amazement great
There’s not a drop, they cry!

Their thirst grew bitter and they said
Come, this will never do!
It is your turn for water, Ned,
Then why not go? He drew
Full hard his breath and from his head
There dripped a sudden dew.

But shaming to be taxed with fear,
He seized the pail and said
What care I? Though the night be drear,
Who ever saw the dead?
And if I fail to fill this pail,
The devil shall, instead.

He sallied forth. A sudden blast
Went sobbing by the door,
Through which they heard his footsteps fast
Recede—and when no more
They heard them, round the fire aghast
They gathered as before.

“I would not go alone to-night
The way that he is gone,”
Said one, “for all the gold my sight
Hath ever fallen upon:
To slay that creature was not right,
I’d say’t were he my son!”

And now impatient all and wild
They wondered at his stay,
Till one outspake: “A weanling child
Could not make more delay:
If longer slack in coming back,
He’ll bring with him the day.”

But while they thus were wondering—hark!
They hear a frantic shriek,
Then nearing footsteps through the dark,
Come waywardly and weak:
And as the dogs did howl and bark,
They stared but feared to speak.

Against the door, that to had swung,
One rushed then and ’twas split;
’Twas Connor! who amid them sprung
And fell into a fit:
And long that night in ghastly plight,
He struggled there in it.

And when his sense returned—again
The sun was rising bright,
But shuddering as in mental pain
He turned him from the light,
And pointing, said—“To bed! to bed!
For Death is in my sight!”

They bore him to his bed straightway,
Those horror-stricken men,
And questioned him as there he lay,
Of what had met his ken:
Within himself he seemed to pray,
And thus bespake them then:—

“I went (you heard), with impious boast
For water to the brook,
But when the threshold I had crost,
All strength my heart forsook;
Each forward step seemed fate—but most
I feared behind to look.

Long murky clouds were hurrying fast
Across the starless sky,
Strange sounds came drowning up the blast
That piped by fits so high:
A winding gleam, and lo! the stream
Went wildly moaning by.

I knew not why, but it struck mine eye
With a dull damp sense of awe,
And bankward densely crawling by,
Crude Shapes methought I saw!
But I must not back, I said, alack!
But down at once and draw.

Now standing at the water’s edge,
Mine eyes thereon I threw,
And, lo! distinctly through the sedge,
What is it there I view?—
Not mine own shadow from the ledge,
But him!—the Black I slew!

’Twas no delusion! There he stood
Within the gleaming brook,
The same as when I shed his blood,
His stature and his look,
Even to the dread accusing shade
His dying aspect took!

With backward bound I started round
And up the bank did flee,
But, ah! as swiftly in my track
Bare footfalls seemed to be!
Step, step, for mine, close at my back
I heard, but nought could see!

It was a horrible thing to hear
Behind me still the sound
I could not bear to have it there,
And desperate, faced me round,
When through the dark a sudden spark
Shot upward from the ground!

Staggered as with a stunning stroke
I could not turn again,
But saw whence came the spark, a smoke
Arise—I saw it plain,
And from it an earthy odour broke
That bit me to the brain!

At first I saw it bloating out
In size not o’er a span,
Then as it slowly wreathed about
To heighten it began,
Until it took in bulk and look
The stature of a man!

No stir was near—I might but hear
The beating of my blood
And there within my reach almost,
The horrid Phantom stood!
I stared till fear in fear was lost
So awful was my mood.

I spoke—I know not what—and lo!
The diabolic birth
’Gan wildly writhing to and fro
As if in ghostly mirth
And then against me rushing so,
It dashed me to the earth!

Mine eyes flashed out with sputtering flame—
The ground kept swimming fast—
And roaming round about there came
Wild laughter in the blast!
A moment—and then all was tame,
Forgotten, painless, past.

At length my brain began to swim
As consciousness regrew,
But when with eyeballs strained and dim,
I looked again—I knew
A form stood o’er me, it was him,—
The savage that I slew!

I shrieked, and bounding to my feet,
I fled, but as before,
Bare footsteps tracked me beat for beat
With mine, even to the door:
What then befel I cannot tell—
I know of nothing more!”

He ceased and turning in his bed,
Aloud for mercy cried,
And for three days and nights, ’tis said,
He uttered nought beside;
When raving out with sudden dread,
The haunted Murderer died.

The fearful men around him then,
Each one of them did say,
It was a damn’ed wrong in Ned,
The savage so to slay,
And where he said he saw the dead,
They buried him next day.

poem by Charles Harpur
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The Dead To The Living

Work while it is day: the night cometh, when no man can work.

IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,

She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!

And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!

Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'

'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.

poem by Edith Nesbit
Submitted by Poetry Lover
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The Christ upon the Hill

Part I.

A couple old sat o'er the fire,
And they were bent and gray;
They burned the charcoal for their Lord,
Who lived long leagues away.

Deep in the wood the old pair dwelt,
Far from the paths of men,
And saw no face but their poor son's,
And a wanderer's now and then.

The son, alas! Had grown apace,
And left his wits behind;
He was as helpless as the air,
As empty as the wind.

With puffing lips and shambling feet,
And eyes a-staring wide,
He whistled ever as he went,
And little did beside.

He whistled high, he whistled low,
He whistled sharp and sweet;
He brought the redbreast to his hand,
And the brown hare to his feet.

Without a fear of beast or bird,
He wandered all the day;
But when the light began to fail
His courage passed away.

He feared the werewolf in the wood,
The dragon in the dell,
And home he fled as if pursued
By all the hosts of hell.

"Ah! we are old," the woman said,
"And soon shall we be gone,
And what will our poor Michael do
When he is left alone?

"We are forgotten of all men;
And he is dead, I fear,
That good old priest, who used to come
And shrive us thrice a year.

"We have no kin," the mother said,
"We have no friend," said she;
The father gazed upon the fire,
And not a word said he.

Again she spoke, "No friend or kin,
'Death, only Death,' is near;
And he will take us both away,
And leave our Michael here.

"And who shall give him bite or sup?
And who shall keep him neat?
Ah! what were Heaven if we must weep
Before God's mercy-seat!"

And when the woman ceased, the man
A little waited still,
And then he said, "We have one friend --
The Christ upon the Hill."

Part II.

The Christ upon the Hill --so gaunt
And lean and stark and drear;
It made the heart with pity start,
It smote the soul with fear.

High reared against a cliff it stood,
Just where the great roads met;
And many a knee had worn the stone
Wherein the Rood was set.

For deadly was the pass beyond,
And all men paused to pray
For courage, or to pour their thanks
For dangers passed away.

But not for fear of beast or fiend,
But boding deeper ill,
The charcoal-burner and his wife
Slow climbed the weary hill.

Before the Rood their simple son
Lay stretched upon the ground,
And crumbled black bread for the birds
That hopped and pecked around.

(For he had gone before with feet
As wild and light as air,
And borne the basket on his back
That held their frugal fare.)

And they were faint, and, ere they prayed,
They sat them down to eat;
And much they marvelled at their son,
Who never touched his meat,

But, now the birds were flown away,
Sat up, and only gazed
Upon the Christ upon the cross,
As one with wonder dazed.

Full long he sat and never moved;
But then he gave a cry,
And caught his mother by the wrist
And said, "I heard a sigh."

"It is an image made of wood,
It has no voice," she said;
"'Twas but the wind you heard, my son,"
But Michael shook his head,

And gazed again, so earnestly
His face grew almost wise;
And now he cried again, and said,
"Look, how he closed his eyes!"

"'Tis but the shadow of a bird
That passed across his face,"
The mother said; "see, even now
It hovers near the place."

And then the father said, "My son,
The image is of wood;
And do you think a man could live
Without a taste of food?"

"No food?" the silly youth replied,
And pointed to a wren,
Who with a crumb upon Christ's lip
Had just alighted then.

And now the old man held his peace,
And the woman ceased to strive,
For still he shook his silly head,
And said, "The man's alive."

"It is God's will," they said, and knelt,
And knew not what to say;
But when they rose they felt as though
All fear had passed away.

And they could smile when Michael left
His dinner on the stone;
He said, "The birds will feed the Christ
When they are quite alone."

Part III.

The couple sat before the fire,
More old, and sad, and poor,
For there was winter at the heart,
And winter at the door.

It shook the roof with shocks of wind;
It caked the pane with snow;
The candle flickered on the sill,
Like a soul that longed to go.

'Twas Michael's beacon, -- gone to feed
The Christ upon the Hill;
And midnight long had passed and gone,
And he was absent still.

And now and then they turned a log,
And now they dropped a word:
"'Twas all the wind," the mother said;
The father said, "The bird."

"I hoped that it was God himself,"
The mother muttered low;
"It must have been the fiend," he said,
"For to deceive him so."

And then the mother cried aloud,
"What matter it?" she said;
"Or wind, or bird, or fiend, or God,
For he is dead -- is dead!"

"Hark!" cried the man, and through the storm
A note came high and clear;
It was the whistle of their son,
That sound they longed to hear.

And then a cry for help, and out
Into the snow they ran;
And there was Michael. On his back
He bore a helpless man.

"He lives, he lives," he wildly cried;
"His wounds are dripping still;"
And surely, red from hand and side
There ran a tiny rill.

They brought Him in and laid Him down,
Upon the warm hearthstone;
It was the Christ, but not of wood,
But made of flesh and bone.

They washed His wounds, and at their touch
They turned to purple scars,
Like a young moon upon the breast,
On hands and feet like stars.

They brought to moisten His dry lips
They hoarded flask of wine;
They wrapped Him round with blankets warm,
And waited for a sign.

And soon without the help of hand
He rose upon His feet,
And like a friend beside the fire
He took the vacant seat.

He sat up in the chair then,
And straight began to shine,
Until His face and raiment poured
A glory most divine.

The thorns upon His forehead
Broke out in leaves of gold;
The blood-drops turned to berries,
Like rubies rich and bold.

The blankets that bewrapped Him
Flowed into folds of white,
Bestarred with gold and jewels
Which sparkled in the light.

The very chair He sat on
Became a crystal throne;
The oaken stool beneath His feet
Turned to a jasper stone.

He stretched an arm to Michael,
And touched him with His hand,
And he arose beside the throne
An angel, bright and grand.

And then His lips were opened,
And strong and sweet and clear,
Like water from a fountain,
His voice was good to hear.

"I am the King of Glory;
I am your brother too;
And even as you do to Me,
So do I unto you.

"You took Me in and clothed Me;
You washed My body pierced;
You gave me of your wine to drink
When I was sore athirst.

"And you have suffered also,
And you must suffer still;
I suffered upon Calvary;
I suffer on the Hill.

"But I am Prince of Sorrow,
And I am Lord of Care;
I come to bring you comfort,
And save you from despair.

"Your son, your only son, is safe
And beautiful to see;
And though you miss him for a while,
You know he is with Me.

"And I will give him peace and joy
As no man every knew --
A little grief, a little pain,
And I will come for you."

He rose, His arms around their son;
And through the open door
They only saw a whirl of snow,
And heard the tempest roar.

poem by William Cosmo Monkhouse
Submitted by Poetry Lover
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The Mutiny of the Chains

PENAL COLONY OF WESTERN AUSTRALIA, 1857

THE sun rose o'er dark Fremantle,
And the Sentry stood on the wall;
Above him, with white lines swinging,
The flag-staff, bare and tall:
The flag at its foot—the Mutiny Flag—
Was always fast to the line,—
For its sanguine field was a cry of fear,
And the Colony counted an hour a year
In the need of the blood-red sign.

The staff and the line, with its ruddy flash,
lake a threat or an evil-bode,
Were a monstrous whip with a crimson lash,
Fit sign for the penal code.

The Sentry leant on his rifle, and stood
By the mast, with a deep-drawn breath;
A stern-browed man, but there heaved a sigh
For the sight that greeted his downward eye
In the prison-square beneath.

In yellow garb, in soldier lines,
One hundred men in chains;
While the watchful warders, sword in hand,
With eyes suspicious keenly scanned
The links of the living lanes.

There, wary eyes met stony eyes,
And stony face met stone.
There was never a gleam of trust or truce;
In the covert thought of an iron loose,
Grim warder and ward were one.

Why was it so, that there they stood,—
Stern driver and branded slave?
Why rusted the gyve in the bondman's blood,
No hope for him but the grave?
Out of thousands there why was it so
That one hundred hearts must feel
The bitterest pang of the penal woe,
And the grind of a nation's heel?

Why, but for choice—the bondman's choice?
They balanced the gains and pains;.
They took their chance of the chains.
There spake in their hearts a hidden voice
Of the blinding joy of a freeman's burst
Through the great dim woods. Then the toil accurst;
The scorching days and the nights in tears
The riveted rings for years and years;
They weighed them all—they looked before
At the one and other, and spoke them o'er,
And they saw what the heart of man must see,
That the uttermost blessing is Liberty!
Ah, pity them, God! they must always choose,
For the life to gain and the death to lose.
They dream of the woods and the mountain spring,
And they grasp the flower, to clutch the sting.

Even so: they are better than those who bend
Like beasts to the lash, and go on to the end
As a beast will go, with to-day for a life,
And to-morrow a blank. Offer peace and strife
To a man enslaved—let him vote for ease
And coward labor, and be content;
Or let him go out in the front, as these,
With their eyes on the doom and the danger, went.
And take your choice—the man who remains
A self-willed serf, or the one who stains
His sudden hand with a drive for light
Through a bristling rank and a gloomy night.
This man for me—for his heart he'll share
With a friend: with a foe, he'll fight him fair.
And such as he are in every rank
Of the column that moves with a dismal clank
And a dead-march step toward the rock-bound place
Where the chain-gangs toil—o'er the beetling face
Of the cliff that roots in the Swan's deep tide:
Steep walls of granite on either side,
At the precipice' foot the river wide;
Behind them in ranks the warders fall;
And above them, the Sentry paces the wall.

Year in, year out, has the Sentry stood
On the wall at the foot of the mast.
He has turned from the toilers to watch the flood
Like, his own slow life go past.
He has noted the Chains grow fat and lean;
He has sighed for their empty spaces,
And thought of the cells where their end had been,
Where they lay with their poor dead faces,
With never a kiss, or prayer, or knell—
They were better at rest in the river;
He thinks of the shadow that o'er them fell
From the mast with its whip-like quiver;
He has seen it tipped with its crimson lash
When the mutiny-flood had risen
And swept like a sea with an awful swash
Through the squares and the vaulted prison.
His thoughts are afar with the woeful day,
With the ranged dead men and the dying,
And slowly he treads till they pass away—
Then a pause, and a start, and a scuffling sound,
And a glance beneath, at a battle-ground,
Where the lines are drawn, and the Chains are found

Their armed guards defying!
A hush of death—and the Sentry stands
By the mast, with the halyards tight in his hands,
And the Mutiny Flag is flying!

Woe to the weak, to the mutineers!
The bolt of their death is driven;
A mercy waits on all other tears,
But the Chains are never forgiven.
Woe to the rebels!—their hands are bare,
Their manacled bodies helpless there;
Their faces lit with a strange wild light,
As if they had fought and had won the fight!

No cry is uttered—upraised no hand;
All stilled to a muscle's quiver;
One line on the brink of the cliff they stand,
Their shadows flung down on the river.
The quarry wall is on either side,
The blood-red flag high o'er them;
But the lurid light in their eyes defied
The gathering guards before them.
No parley is held when the Chains revolt:
Grimly silent they stand secure
On the outward lip of the embrasure;
Waiting fierce-eyed for the fatal bolt.
A voice from the guard, in a monotone;
A voice that was cold and hard as stone: —
'Make ready! Fire!'
O Christ, the cry
From the manacled men! not fear to die,
Or whine for mercy; rebelled they stood,
Well knowing the price of revolt was blood;
Well knowing—but each one knew that he
Would sell his blood for his liberty!

Unwarned by a word, uncalled, unshriven,
They dare by a look—and the doom is given.
They raise their brows in the wild revolt,
And God's wrath flames in the fierce death-bolt;
God's wrath?—nay, man's; God never smote
A rebel dead whose swelling throat
Was full with protest. Hear, then smite;
God's justice weighs not shrieks the right.

'Make ready! Fire!'
Again outburst
The horror and shame for the deed accurst!
O, cry of the weak, as the hot blood calls
From the burning wound, and the stricken falls
With his face in the dust; and the strong one stands,
With scornful lips and ensanguined hands;
O, blood of the weak, unbought, unpriced,
Thy smoke is a piteous prayer to Christ!

They stand on the brink of the cliff—they bend
To the dead in their chains; then rise, and send
To the murdering muzzles defiant eyes.

'Make ready! Fire!'
The smoke-clouds rise:
They are still on the face of the cliff—they bend
Once more to the dead—they whisper a word
To the hearts in the dust—then, undeterred,
They raise their, faces, so grimly set,
Till the eyes of slayer and doomed have met.
O merciful God, let thy pity rain
Ere the hideous lightning leaps again!
They have sinned—they have erred—let the living stand
They have dared and rued—let thy loving hand
Be laid on those brows that bravely face
The death that shall wash them of all disgrace!
Be swift with pity—O, late, too late!
The tubes are leveled—the marksmen wait
For the word of doom—the spring is pressed
By the nervous finger—the sight is straight—
'Make ready!'—
Why falters the dread command?
Why stare as affrighted the armed band?
Why lower the rifles from shoulder to hip.
Why dies the word on the leader's lip,
While the voice that was hard grows husky deep
And the face is a-tremble as if to weep?

The Chains on the brink of the cliff are lined;
The living are bowed o'er the dead—they rise
And they face the rifles with burning eyes;
Then they bend again, and with one set mind
They raise the dead and the wounded raise
In their loving arms with words of praise
And tender grief for the torturing wounds.
One backward step with a burdened tread—
They bear toward the-precipice wounded and dead—
Then they turned on the cliff to front the guard
With faces like men that have died in fight;
Their brows were raised as if proud reward
Were theirs, and their eyes had a victor's light.

They spoke not a word, but stood sublime
In their somber strength, and the watchers saw
That they smiled as they looked, and their words were heard
As they spoke to the dying a loving word.

They were Men at last—they knew naught of crime;
They were masters and makers of life and law.
They turned from the guard that quailed and shrank
From the gleaming eyes of the burdened rank;
They turned on the cliff, and a sob was heard
As they looked far down on the darkened river;
They raised their eyes to the sky—they grasped
The dead to their breasts, while the wounded clasped
The necks of the brothers who bore their weight—
Then they sprang from the cliff, as a horse will spring
For his life from a precipice—sprang to death
In silence and sternness—one deep breath,
As they plunged, of liberty, thrilled their souls,
And then—the Chains were at rest forever!

poem by John Boyle O'Reilly
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In Nunhead Cemetary

It is the clay what makes the earth stick to his spade;
He fills in holes like this year after year;
The others have gone; they were tired, and half afraid
But I would rather be standing here;

There is nowhere else to go. I have seen this place
From the windows of the train that's going past
Against the sky. This is rain on my face -
It was raining here when I saw it last.

There is something horrible about a flower;
This, broken in my hand, is one of those
He threw it in just now; it will not live another hour;
There are thousands more; you do not miss a rose.

One of the children hanging about
Pointed at the whole dreadful heap and smiled
This morning after THAT was carried out;
There is something terrible about a child.

We were like children last week, in the Strand;
That was the day you laughed at me
Because I tried to make you understand
The cheap, stale chap I used to be
Before I saw the things you made me see.

This is not a real place; perhaps by-and-by
I shall wake - I am getting drenched with all this rain:
To-morrow I will tell you about the eyes of the Chrystal Palace train
Looking down on us, and you will laugh and I shall see what you see again.

Not here, not now. We said 'Not yet
Across our low stone parapet
Will the quick shadows of the sparrows fall.

But still it was a lovely thing
Through the grey months to wait for Spring
With the birds that go a-gypsying
In the parks till the blue seas call.
And next to these, you used to care
For the Lions in Trafalgar Square,
Who'll stand and speak for London when her bell of Judgement tolls -
And the gulls at Westminster that were
The old sea-captains souls.
To-day again the brown tide splashes step by step, the river stair,

And the gulls are there!

By a month we have missed our Day:
The children would have hung about
Round the carriage and over the way
As you and I came out.

We should have stood on the gulls' black cliffs and heard the sea
And seen the moon's white track,
I would have called, you would have come to me
And kissed me back.

You have never done that: I do not know
Why I stood staring at your bed
And heard you, though you spoke so low,
But could not reach your hands, your little head;
There was nothing we could not do, you said,
And you went, and I let you go!

Now I will burn you back, I will burn you through,
Though I am damned for it we two will lie
And burn, here where the starlings fly
To these white stones from the wet sky - ;
Dear, you will say this is not I -
It would not be you, it would not be you!

If for only a little while
You will think of it you will understand,
If you will touch my sleeve and smile
As you did that morning in the Strand
I can wait quietly with you
Or go away if you want me to -
God! What is God? but your face has gone and your hand!
Let me stay here too.

When I was quite a little lad
At Christmas time we went half mad
For joy of all the toys we had,
And then we used to sing about the sheep
The shepherds watched by night;
We used to pray to Christ to keep
Our small souls safe till morning light - ;
I am scared, I am staying with you to-night -
Put me to sleep.

I shall stay here: here you can see the sky;
The houses in the street are much too high;
There is no one left to speak to there;
Here they are everywhere,
And just above them fields and fields of roses lie -
If he would dig it all up again they would not die.

poem by Charlotte Mary Mew
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After Death

IF we must part, this parting is the best:
How would you bear to lay
Your head on some warm pillow far away--
Your head, so used to lying on my breast?

But now your pillow is cold;
Your hands have flowers, and not my hands, to hold;
Upon our bed the worn bride-linen lies.
I have put the death-money upon your eyes,
So that you should not wake up in the night.
I have bound your face with white;
I have washed you, yes, with water and not with tears,--
Those arms wherein I have slept so many years,
Those feet that hastened when they came to me,
And all your body that belonged to me.
I have smoothed your dear dull hair,
And there is nothing left to say for you
And nothing left to fear or pray for you;
And I have got the rest of life to bear:
Thank God it is you, not I, who are lying there.

If I had died
And you had stood beside
This still white bed
Where the white, scented, horrible flowers are spread,--
I know the thing it is,
And I thank God that He has spared you this.
If one must bear it, thank God it was I
Who had to live and bear to see you die,
Who have to live, and bear to see you dead.

You will have nothing of it all to bear:
You will not even know that in your bed
You lie alone. You will not miss my head
Beside you on the pillow: you will rest
So soft in the grave you will not miss my breast.
But I--but I--Your pillow and your place--
And only the darkness laid against my face,
And only my anguish pressed against my side--
Thank God, thank God, that it was you who died!

poem by Edith Nesbit
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The Dreamer

The lone man gazed and gazed upon his gold,
His sweat, his blood, the wage of weary days;
But now how sweet, how doubly sweet to hold
All gay and gleamy to the campfire blaze.
The evening sky was sinister and cold;
The willows shivered, wanly lay the snow;
The uncommiserating land, so old,
So worn, so grey, so niggard in its woe,
Peered through its ragged shroud. The lone man sighed,
Poured back the gaudy dust into its poke,
Gazed at the seething river listless-eyed,
Loaded his corn-cob pipe as if to smoke;
Then crushed with weariness and hardship crept
Into his ragged robe, and swiftly slept.

. . . . .

Hour after hour went by; a shadow slipped
From vasts of shadow to the camp-fire flame;
Gripping a rifle with a deadly aim,
A gaunt and hairy man with wolfish eyes . . .

* * * * * * *

The sleeper dreamed, and lo! this was his dream:
He rode a streaming horse across a moor.
Sudden 'mid pit-black night a lightning gleam
Showed him a way-side inn, forlorn and poor.
A sullen host unbarred the creaking door,
And led him to a dim and dreary room;
Wherein he sat and poked the fire a-roar,
So that weird shadows jigged athwart the gloom.
He ordered wine. 'Od's blood! but he was tired.
What matter! Charles was crushed and George was King;
His party high in power; how he aspired!
Red guineas packed his purse, too tight to ring.
The fire-light gleamed upon his silken hose,
His silver buckles and his powdered wig.
What ho! more wine! He drank, he slowly rose.
What made the shadows dance that madcap jig?
He clutched the candle, steered his way to bed,
And in a trice was sleeping like the dead.

. . . . .

Across the room there crept, so shadow soft,
His sullen host, with naked knife a-gleam,
(A gaunt and hairy man with wolfish eyes.) . . .
And as he lay, the sleeper dreamed a dream.

* * * * * *

'Twas in a ruder land, a wilder day.
A rival princeling sat upon his throne,
Within a dungeon, dark and foul he lay,
With chains that bit and festered to the bone.
They haled him harshly to a vaulted room,
Where One gazed on him with malignant eye;
And in that devil-face he read his doom,
Knowing that ere the dawn-light he must die.
Well, he was sorrow-glutted; let them bring
Their prize assassins to the bloody work.
His kingdom lost, yet would he die a King,
Fearless and proud, as when he faced the Turk.
Ah God! the glory of that great Crusade!
The bannered pomp, the gleam, the splendid urge!
The crash of reeking combat, blade to blade!
The reeling ranks, blood-avid and a-surge!
For long he thought; then feeling o'er him creep
Vast weariness, he fell into a sleep.

. . . . .

The cell door opened; soft the headsman came,
Within his hand a mighty axe a-gleam,
(A gaunt and hairy man with wolfish eyes,) . . .
And as he lay, the sleeper dreamed a dream.

* * * * * *

'Twas in a land unkempt of life's red dawn;
Where in his sanded cave he dwelt alone;
Sleeping by day, or sometimes worked upon
His flint-head arrows and his knives of stone;
By night stole forth and slew the savage boar,
So that he loomed a hunter of loud fame,
And many a skin of wolf and wild-cat wore,
And counted many a flint-head to his name;
Wherefore he walked the envy of the band,
Hated and feared, but matchless in his skill.
Till lo! one night deep in that shaggy land,
He tracked a yearling bear and made his kill;
Then over-worn he rested by a stream,
And sank into a sleep too deep for dream.

. . . . .

Hunting his food a rival caveman crept
Through those dark woods, and marked him where he lay;
Cowered and crawled upon him as he slept,
Poising a mighty stone aloft to slay --
(A gaunt and hairy man with wolfish eyes.) . . .

* * * * * *

The great stone crashed. The Dreamer shrieked and woke,
And saw, fear-blinded, in his dripping cell,
A gaunt and hairy man, who with one stroke
Swung a great ax of steel that flashed and fell . . .
So that he woke amid his bedroom gloom,
And saw, hair-poised, a naked, thirsting knife,
A gaunt and hairy man with eyes of doom --
And then the blade plunged down to drink his life . . .
So that he woke, wrenched back his robe, and looked,
And saw beside his dying fire upstart
A gaunt and hairy man with finger crooked --
A rifle rang, a bullet searched his heart . . .

* * * * * *

The morning sky was sinister and cold.
Grotesque the Dreamer sprawled, and did not rise.
For long and long there gazed upon some gold
A gaunt and hairy man with wolfish eyes.

poem by Robert William Service
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The Cross Roads

There was an old man breaking stones
To mend the turnpike way,
He sat him down beside a brook
And out his bread and cheese he took,
For now it was mid-day.

He lent his back against a post,
His feet the brook ran by;
And there were water-cresses growing,
And pleasant was the water's flowing
For he was hot and dry.

A soldier with his knapsack on
Came travelling o'er the down,
The sun was strong and he was tired,
And of the old man he enquired
How far to Bristol town.

Half an hour's walk for a young man
By lanes and fields and stiles.
But you the foot-path do not know,
And if along the road you go
Why then 'tis three good miles.

The soldier took his knapsack off
For he was hot and dry;
And out his bread and cheese he took
And he sat down beside the brook
To dine in company.

Old friend! in faith, the soldier says
I envy you almost;
My shoulders have been sorely prest
And I should like to sit and rest,
My back against that post.

In such a sweltering day as this
A knapsack is the devil!
And if on t'other side I sat
It would not only spoil our chat
But make me seem uncivil.

The old man laugh'd and moved. I wish
It were a great-arm'd chair!
But this may help a man at need;
And yet it was a cursed deed
That ever brought it there.

There's a poor girl lies buried here
Beneath this very place.
The earth upon her corpse is prest
This stake is driven into her breast
And a stone is on her face.

The soldier had but just lent back
And now he half rose up.
There's sure no harm in dining here,
My friend? and yet to be sincere
I should not like to sup.

God rest her! she is still enough
Who sleeps beneath our feet!
The old man cried. No harm I trow
She ever did herself, tho' now
She lies where four roads meet.

I have past by about that hour
When men are not most brave,
It did not make my heart to fail,
And I have heard the nightingale
Sing sweetly on her grave.

I have past by about that hour
When Ghosts their freedom have,
But there was nothing here to fright,
And I have seen the glow-worm's light
Shine on the poor girl's grave.

There's one who like a Christian lies
Beneath the church-tree's shade;
I'd rather go a long mile round
Than pass at evening thro' the ground
Wherein that man is laid.

There's one that in the church-yard lies
For whom the bell did toll;
He lies in consecrated ground,
But for all the wealth in Bristol town
I would not be with his soul!

Did'st see a house below the hill
That the winds and the rains destroy?
'Twas then a farm where he did dwell,
And I remember it full well
When I was a growing boy.

And she was a poor parish girl
That came up from the west,
From service hard she ran away
And at that house in evil day
Was taken in to rest.

The man he was a wicked man
And an evil life he led;
Rage made his cheek grow deadly white
And his grey eyes were large and light,
And in anger they grew red.

The man was bad, the mother worse,
Bad fruit of a bad stem,
'Twould make your hair to stand-on-end
If I should tell to you my friend
The things that were told of them!

Did'st see an out-house standing by?
The walls alone remain;
It was a stable then, but now
Its mossy roof has fallen through
All rotted by the rain.

The poor girl she had serv'd with them
Some half-a-year, or more,
When she was found hung up one day
Stiff as a corpse and cold as clay
Behind that stable door!

It is a very lonesome place,
No hut or house is near;
Should one meet a murderer there alone
'Twere vain to scream, and the dying groan
Would never reach mortal ear.

And there were strange reports about
That the coroner never guest.
So he decreed that she should lie
Where four roads meet in infamy,
With a stake drove in her breast.

Upon a board they carried her
To the place where four roads met,
And I was one among the throng
That hither followed them along,
I shall never the sight forget!

They carried her upon a board
In the cloaths in which she died;
I saw the cap blow off her head,
Her face was of a dark dark red
Her eyes were starting wide:

I think they could not have been closed
So widely did they strain.
I never saw so dreadful a sight,
And it often made me wake at night,
For I saw her face again.

They laid her here where four roads meet.
Beneath this very place,
The earth upon her corpse was prest,
This post is driven into her breast,
And a stone is on her face.

poem by Robert Southey
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The Organist

In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.

One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.

She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'

'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'

And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.

And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.

And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'

So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.

At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.

'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.

And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.

The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.

And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.

poem by Archibald Lampman
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English Eclogues II - The Grandmother's Tale

JANE.
Harry! I'm tired of playing. We'll draw round
The fire, and Grandmamma perhaps will tell us
One of her stories.

HARRY.
Aye--dear Grandmamma!
A pretty story! something dismal now;
A bloody murder.

JANE.
Or about a ghost.

GRANDMOTHER.
Nay, nay, I should but frighten you. You know
The other night when I was telling you
About the light in the church-yard, how you trembled
Because the screech-owl hooted at the window,
And would not go to bed.

JANE.
Why Grandmamma
You said yourself you did not like to hear him.
Pray now! we wo'nt be frightened.

GRANDMOTHER.
Well, well, children!
But you've heard all my stories. Let me see,--
Did I never tell you how the smuggler murdered
The woman down at Pill?

HARRY.
No--never! never!

GRANDMOTHER.
Not how he cut her head off in the stable?

HARRY.
Oh--now! do tell us that!

GRANDMOTHER.
You must have heard
Your Mother, children! often tell of her.
She used to weed in the garden here, and worm
Your uncle's dogs, and serve the house with coal;
And glad enough she was in winter time
To drive her asses here! it was cold work
To follow the slow beasts thro' sleet and snow,
And here she found a comfortable meal
And a brave fire to thaw her, for poor Moll
Was always welcome.

HARRY.
Oh--'twas blear-eyed Moll
The collier woman,--a great ugly woman,
I've heard of her.

GRANDMOTHER.
Ugly enough poor soul!
At ten yards distance you could hardly tell
If it were man or woman, for her voice
Was rough as our old mastiff's, and she wore
A man's old coat and hat,--and then her face!
There was a merry story told of her,
How when the press-gang came to take her husband
As they were both in bed, she heard them coming,
Drest John up in her night-cap, and herself
Put on his clothes and went before the Captain.

JANE.
And so they prest a woman!

GRANDMOTHER.
'Twas a trick
She dearly loved to tell, and all the country
Soon knew the jest, for she was used to travel
For miles around. All weathers and all hours
She crossed the hill, as hardy as her beasts,
Bearing the wind and rain and winter frosts,
And if she did not reach her home at night
She laid her down in the stable with her asses
And slept as sound as they did.

HARRY.
With her asses!

GRANDMOTHER.
Yes, and she loved her beasts. For tho' poor wretch
She was a terrible reprobate and swore
Like any trooper, she was always good
To the dumb creatures, never loaded them
Beyond their strength, and rather I believe
Would stint herself than let the poor beasts want,
Because, she said, they could not ask for food.
I never saw her stick fall heavier on them
Than just with its own weight. She little thought
This tender-heartedness would be her death!
There was a fellow who had oftentimes,
As if he took delight in cruelty.
Ill-used her Asses. He was one who lived
By smuggling, and, for she had often met him
Crossing the down at night, she threatened him,
If he tormented them again, to inform
Of his unlawful ways. Well--so it was--
'Twas what they both were born to, he provoked her,
She laid an information, and one morn
They found her in the stable, her throat cut
From ear to ear,'till the head only hung
Just by a bit of skin.

JANE.
Oh dear! oh dear!

HARRY.
I hope they hung the man!

GRANDMOTHER.
They took him up;
There was no proof, no one had seen the deed,
And he was set at liberty. But God
Whoss eye beholdeth all things, he had seen
The murder, and the murderer knew that God
Was witness to his crime. He fled the place,
But nowhere could he fly the avenging hand
Of heaven, but nowhere could the murderer rest,
A guilty conscience haunted him, by day,
By night, in company, in solitude,
Restless and wretched, did he bear upon him
The weight of blood; her cries were in his ears,
Her stifled groans as when he knelt upon her
Always he heard; always he saw her stand
Before his eyes; even in the dead of night
Distinctly seen as tho' in the broad sun,
She stood beside the murderer's bed and yawn'd
Her ghastly wound; till life itself became
A punishment at last he could not bear,
And he confess'd it all, and gave himself
To death, so terrible, he said, it was
To have a guilty conscience!

HARRY.
Was he hung then?

GRANDMOTHER.
Hung and anatomized. Poor wretched man,
Your uncles went to see him on his trial,
He was so pale, so thin, so hollow-eyed,
And such a horror in his meagre face,
They said he look'd like one who never slept.
He begg'd the prayers of all who saw his end
And met his death with fears that well might warn
From guilt, tho' not without a hope in Christ.

poem by Robert Southey
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Tidings

THE darkness gripped us, hot, intense;
The sea snored like some sleeping brute;
We stood alert, with every sense
Like some leashed hound, nerve-thrilled, acute.
About us clammy dew made wet
The thin, green leaves and sleeping flowers;
Strained eyes against the night we set;
Strained ears, like open doors, were ours.
No sight! save when across the black
Broad breast of night fierce lightning tore
A ragged gash, a serpent track,
And thunder answered the sea's snore.
One sighed, and one would no more stand
At easeless rest, but drooping walked;
Then, though none spoke, one raised his hand
As if to silence tongues that talked.
We heard it! On the granite ground
It sounded nigh, and on the beach
It grew remote; upon that sound
With seeking eyes each questioned each.
Grouped close, like men of carven stone —
Chilled stone — we stood with rooted feet.
'He comes! What news?' Not hoofs alone
In that tense moment swiftly beat.
Cried one: 'Joy rides at such a pace,
Joy swift of hoof, and light as air!'
Said one — eyes sunk, and pallid face —
'So too, at times, rides dread Despair!'
We waited, vexed by dumb surmise,
Eyes wide, lips wide, tense faces white;
Ears served till ears gave place to eyes,
Sound likewise yielding unto sight.
He came with headlong speed and dash,
Fierce lightning lighting land and sea,
And in that red, revealing flash
He rose and shouted 'Victory!'

poem by Roderic Quinn
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The Ballad Of One-Eyed Mike

This is the tale that was told to me by the man with the crystal eye,
As I smoked my pipe in the camp-fire light, and the Glories swept the sky;
As the Northlights gleamed and curved and streamed, and the bottle of "hooch" was dry.

A man once aimed that my life be shamed, and wrought me a deathly wrong;
I vowed one day I would well repay, but the heft of his hate was strong.
He thonged me East and he thonged me West; he harried me back and forth,
Till I fled in fright from his peerless spite to the bleak, bald-headed North.

And there I lay, and for many a day I hatched plan after plan,
For a golden haul of the wherewithal to crush and to kill my man;
And there I strove, and there I clove through the drift of icy streams;
And there I fought, and there I sought for the pay-streak of my dreams.

So twenty years, with their hopes and fears and smiles and tears and such,
Went by and left me long bereft of hope of the Midas touch;
About as fat as a chancel rat, and lo! despite my will,
In the weary fight I had clean lost sight of the man I sought to kill.

'Twas so far away, that evil day when I prayed to the Prince of Gloom
For the savage strength and the sullen length of life to work his doom.
Nor sign nor word had I seen or heard, and it happed so long ago;
My youth was gone and my memory wan, and I willed it even so.

It fell one night in the waning light by the Yukon's oily flow,
I smoked and sat as I marvelled at the sky's port-winey glow;
Till it paled away to an absinthe gray, and the river seemed to shrink,
All wobbly flakes and wriggling snakes and goblin eyes a-wink.

'Twas weird to see and it 'wildered me in a queer, hypnotic dream,
Till I saw a spot like an inky blot come floating down the stream;
It bobbed and swung; it sheered and hung; it romped round in a ring;
It seemed to play in a tricksome way; it sure was a merry thing.

In freakish flights strange oily lights came fluttering round its head,
Like butterflies of a monster size--then I knew it for the Dead.
Its face was rubbed and slicked and scrubbed as smooth as a shaven pate;
In the silver snakes that the water makes it gleamed like a dinner-plate.

It gurgled near, and clear and clear and large and large it grew;
It stood upright in a ring of light and it looked me through and through.
It weltered round with a woozy sound, and ere I could retreat,
With the witless roll of a sodden soul it wantoned to my feet.

And here I swear by this Cross I wear, I heard that "floater" say:
"I am the man from whom you ran, the man you sought to slay.
That you may note and gaze and gloat, and say `Revenge is sweet',
In the grit and grime of the river's slime I am rotting at your feet.

"The ill we rue we must e'en undo, though it rive us bone from bone;
So it came about that I sought you out, for I prayed I might atone.
I did you wrong, and for long and long I sought where you might live;
And now you're found, though I'm dead and drowned, I beg you to forgive."

So sad it seemed, and its cheek-bones gleamed, and its fingers flicked the shore;
And it lapped and lay in a weary way, and its hands met to implore;
That I gently said: "Poor, restless dead, I would never work you woe;
Though the wrong you rue you can ne'er undo, I forgave you long ago."

Then, wonder-wise, I rubbed my eyes and I woke from a horrid dream.
The moon rode high in the naked sky, and something bobbed in the stream.
It held my sight in a patch of light, and then it sheered from the shore;
It dipped and sank by a hollow bank, and I never saw it more.

This was the tale he told to me, that man so warped and gray,
Ere he slept and dreamed, and the camp-fire gleamed in his eye in a wolfish way--
That crystal eye that raked the sky in the weird Auroral ray.

poem by Robert William Service
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The Old Wife and the New

He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.

His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.

What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?

The old man bent his weary head;
The sunlight on his gray hair shone;
His thoughts were with a woman dead
And buried, years and years agone:

The good old wife who took her stand
Beside him at the altar-side,
And walked with him, hand clasped in hand,
Through joy and sorrow till she died.

Ah, she was fair as heart’s desire,
And gay, and supple-limbed, in truth,
And in his veins there leapt like fire
The hot red blood of lusty youth.

She stood by him in shine and shade,
And, when hard-beaten at his best,
She took him like a child and laid
His aching head upon her breast.

She helped him make a little home
Where once were gum-trees gaunt and stark,
And bloodwoods waved green-feathered foam—
Working from dawn of day to dark,

Till that dark forest formed a frame
For vineyards that the gods might bless,
And what was savage once became
An Eden in the wilderness.

And how at their first vintage-time
She laughed and sang—you see such shapes
On vases of the Grecian prime—
And danced a reel upon the grapes!

And ever, as the years went on,
All things she kept with thrifty hand,
Till never shone the sun upon
A fairer homestead in the land.

Then children came—ah, me! ah, me!
Sad blessings that a mother craves!
That old man from his seat could see
The shadows playing o’er their graves.

And then she closed her eyes at last,
Her gentle, useful, peaceful life
Was over—garnered with the past;
God rest thee gently, Good Old Wife!

His young wife has a rosy face,
And laughs, with reddest lips apart,
But cannot fill the empty place
Within that old man’s lonely heart.
His young wife has a rosy face,
And brown arms ambered by the sun,
Goes flitting all about the place,
Master and mistress both in one;

But though she sings, or though she sighs,
He sees her not—he sees instead
A gray-haired Shade with gentle eyes—
The good old wife, long dead, long dead.

He sits beneath the curling vines,
Through which the merry sunrays dart,
His forehead seamed with sorrow’s lines—
An old man with a broken heart.

poem by Victor James Daley
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My Foe

A Belgian Priest-Soldier Speaks;

GURR! You cochon! Stand and fight!
Show your mettle! Snarl and bite!
Spawn of an accursed race,
Turn and meet me face to face!
Here amid the wreck and rout
Let us grip and have it out!
Here where ruins rock and reel
Let us settle, steel to steel!
Look! Our houses, how they spit
Sparks from brands your friends have lit.
See! Our gutters running red,
Bright with blood your friends have shed.
Hark! Amid your drunken brawl
How our maidens shriek and call.
Why have you come here alone,
To this hearth's blood-spattered stone?
Come to ravish, come to loot,
Come to play the ghoulish brute.
Ah, indeed! We well are met,
Bayonet to bayonet.
God! I never killed a man:
Now I'll do the best I can.
Rip you to the evil heart,
Laugh to see the life-blood start.
Bah! You swine! I hate you so.
Show you mercy? No! . . . and no! . . .

There! I've done it. See! He lies
Death a-staring from his eyes;
Glazing eyeballs, panting breath,
How it's horrible, is Death!
Plucking at his bloody lips
With his trembling finger-tips;
Choking in a dreadful way
As if he would something say
In that uncouth tongue of his. . . .
Oh, how horrible Death is!

How I wish that he would die!
So unnerved, unmanned am I.
See! His twitching face is white!
See! His bubbling blood is bright.
Why do I not shout with glee?
What strange spell is over me?
There he lies; the fight was fair;
Let me toss my cap in air.
Why am I so silent? Why
Do I pray for him to die?
Where is all my vengeful joy?
Ugh! My foe is but a boy.

I'd a brother of his age
Perished in the war's red rage;
Perished in the Ypres hell:
Oh, I loved my brother well.
And though I be hard and grim,
How it makes me think of him!
He had just such flaxen hair
As the lad that's lying there.
Just such frank blue eyes were his. . . .
God! How horrible war is!

I have reason to be gay:
There is one less foe to slay.
I have reason to be glad:
Yet -- my foe is such a lad.
So I watch in dull amaze,
See his dying eyes a-glaze,
See his face grow glorified,
See his hands outstretched and wide
To that bit of ruined wall
Where the flames have ceased to crawl,
Where amid the crumbling bricks
Hangs a blackebed crucifix.

Now, oh now I understand.
Quick I press it in his hand,
Close his feeble finger-tips,
Hold it to his faltering lips.
As I watch his welling blood
I would stem it if I could.
God of Pity, let him live!
God of Love, forgive, forgive.

* * * *

His face looked strangely, as he died,
Like that of One they crucified.
And in the pocket of his coat
I found a letter; thus he wrote:
The things I've seen! Oh, mother dear,
I'm wondering can God be here?
To-night amid the drunken brawl
I saw a Cross hung on a wall;
I'll seek it now, and there alone
Perhaps I may atone, atone. . . .

Ah no! 'Tis I who must atone.
No other saw but God alone;
Yet how can I forget the sight
Of that face so woeful white!
Dead I kissed him as he lay,
Knelt by him and tried to pray;
Left him lying there at rest,
Crucifix upon his breast.

Not for him the pity be.
Ye who pity, pity me,
Crawling now the ways I trod,
Blood-guilty in sight of God.

poem by Robert William Service
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The Young Lieutenant

The young lieutenant's face was grey.
As came the day.
The watchers saw it lifting white
And ghostlike from the pool of night.
His eyes were wide and strangely lit.
Each thought in that unhallowed pit:
“I, too, may seem like one who dies
With wide, set eyes.”

He stood so still we thought it death,
For through the breath
Of reeking shell we came, and fire,
To hell, unlit, of blood and mire.
Tianced in a chill delirium
We wondered, though our lips were dumb
What precious thing his fingers pressed
Against his breast.

His left hand clutched so lovingly
What none might see.
All bloodless were his lips beneath
The straight, white, rigid clip of teeth.
His eyes turned to the distance dim;
Our sleepless eyes were all on him.
He stirred; we aped a phantom cheer.
The hour was here!

The young lieutenant blew his call.
“God keep us all!”
He whispered softly. Out he led;
And over the vale of twisted dead,
Close holding that dear thing, he went.
On through the storm we followed, bent
To pelt of iron and the rain
Of flame and pain.

His wan face like a lodestar glowed
Down that black road,
And deep among the torn and slain
We drove, and twenty times again
He squared us to the charging hordes.
His word was like a hundred swords.
And still a hand the treasure pressed
Against his breast.

Our gain we held. Up flamed the sun.
“The ridge is won,”
He calmly said, and, with a sigh,
“Thank God, a man is free to die!”
He smiled at this, and so he passed.
His secret prize we knew at last,
For through his hand the jewel's red,
Fierce lustre bled.

poem by Edward George Dyson
Submitted by Poetry Lover
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Wattle & Daub

She lived right next to the forest
In a cottage of wattle and daub,
A roof of bark and a floor of dirt
With a whisk of milk, absorbed,
Her man had died of a heart attack
For over a year, he'd gone,
Had left her to fend for herself out there
In the shade of a ghostly gum.

He lay right under a stringy bark,
She'd dug the grave herself,
Had made a cross with her loving hands
Deep planted at his head,
On lonely nights she would sit out there
And whisper him under the stars,
'Oh Jim, where now are your strong, brown hands,
Where now are your loving arms? '

She didn't cry, for she couldn't cry
For her heart had turned to stone,
Her love was buried and six feet down
With crumbling flesh and bone,
Her eyes were hard as the hardest flint,
Her lips a fine white line,
And when the stars came out at night
She would look for the slightest sign.

She looked for a heaven beyond the stars,
She looked for the eyes of God,
She knew that he watched her as she slept,
He watched where her steps had trod,
She prayed for her days to end in peace
And soon, for she was alone,
She carved a notch in the mantelpiece
Each day, since her love had flown.

She bucketed water from the creek
That trickled on past her door,
It once was a raging river bed
But that had been back, before...
Before a neighboring farmer dammed,
And quelled the flowing stream,
Had turned her husband's protests down
With a sneer, and words obscene.

Her Jim had worked then twice as hard
To irrigate his feed,
The cattle had died in the summer months
On the parched ground of their need,
He worked from the time the sun came up
To the time that the stars came out,
And in the end, collapsed and died
From the toil of a man-made drought.

The farmer up by the dam had said
That he'd take her land for free,
She'd never be able to stay out there
Alone, she would turn and flee,
Then he would double his pasture
And would open the dam to flood,
And let his cattle to roam abroad
By the cottage of wattle and daub.

Now during the long drawn evenings
And deep in the forest's shade,
She could hear strange noises, threatening,
As they howled across the glade,
She loaded the shotgun Jim had left,
And kept it inside the door,
She'd not be driven from off the land
Where her husband lay, forlorn.

One night a shadowy figure came
Strode out of the darkening wood,
Crossed the creek in the evening mist
In a cape with a long black hood,
It howled and jittered like one possessed
She opened the cottage door,
Then blanched as she saw it light a torch
And the flames begin to roar.

She went to reach for the shotgun then
But a hand caught fast her wrist,
Lifted the gun and pointed it,
She stood with her hand on her breast,
Her heart was pounding, her legs were weak
As she watched the phantom stand,
He shrieked in fear as he saw the gun
In a strong, brown pair of hands.

The blast took one of his legs clean off,
The phantom fell with a scream,
The shotgun dropped to the earthen porch
She thought it a crazy dream,
She turned to look for the strong brown hands
That she knew as well as her own,
But the porch was clear, and she felt no fear
For her husband had come home.

The dam was breached in a minute or so,
The torrent then flooded down,
Washed the remains of the farmer to
The lowlands, where he drowned,
She went out back and buried the gun
With a smile in her eyes, like stars
Looked up to the skies, and saw God's eyes
And round her, two loving arms!

4 June 2009

poem by David Lewis Paget
Submitted by Poetry Lover
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The Woodcutter

We came behind him by the wall,
My brethren drew their brands,
And they had strength to strike him down -
And I to bind his hands.

Only once, to a lantern gleam,
He turned his face from the wall,
And it was as the accusing angel's face
On the day when the stars shall fall.

I grasped the axe with shaking hands,
I stared at the grass I trod;
For I feared to see the whole bare heavens
Filled with the face of God.

I struck: the serpentine slow blood
In four arms soaked the moss -
Before me, by the living Christ,
The blood ran in a cross.

Therefore I toil in forests here
And pile the wood in stacks,
And take no fee from the shivering folk
Till I have cleansed the axe.

But for a curse God cleared my sight,
And where each tree doth grow
I see a life with awful eyes,
And I must lay it low.

poem by G.K. Chesterton from The Wild Knight and Other Poems (1900)
Submitted by Veronica Serbanoiu
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