The Young Lieutenant
The young lieutenant's face was grey.
As came the day.
The watchers saw it lifting white
And ghostlike from the pool of night.
His eyes were wide and strangely lit.
Each thought in that unhallowed pit:
“I, too, may seem like one who dies
With wide, set eyes.”
He stood so still we thought it death,
For through the breath
Of reeking shell we came, and fire,
To hell, unlit, of blood and mire.
Tianced in a chill delirium
We wondered, though our lips were dumb
What precious thing his fingers pressed
Against his breast.
His left hand clutched so lovingly
What none might see.
All bloodless were his lips beneath
The straight, white, rigid clip of teeth.
His eyes turned to the distance dim;
Our sleepless eyes were all on him.
He stirred; we aped a phantom cheer.
The hour was here!
The young lieutenant blew his call.
“God keep us all!”
He whispered softly. Out he led;
And over the vale of twisted dead,
Close holding that dear thing, he went.
On through the storm we followed, bent
To pelt of iron and the rain
Of flame and pain.
His wan face like a lodestar glowed
Down that black road,
And deep among the torn and slain
We drove, and twenty times again
He squared us to the charging hordes.
His word was like a hundred swords.
And still a hand the treasure pressed
Against his breast.
Our gain we held. Up flamed the sun.
“The ridge is won,”
He calmly said, and, with a sigh,
“Thank God, a man is free to die!”
He smiled at this, and so he passed.
His secret prize we knew at last,
For through his hand the jewel's red,
Fierce lustre bled.
poem by Edward George Dyson
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Related quotes
Roses On White Lace
I saw you in your wedding gown
The prettiest dress
I came into the room that night
And made such a mess
In my own way, I lovingly kiss the bride
With your ring in your hand
Your eyes and your mouth open wide
In my eyes
Blood drops look like roses on white lace
They won't wash away
In my mind they're roses on white lace
Straight from the heart
So dead upon the bed
You hurt me in the deepest way
I'm crippled inside
I took your evil skin away
It's all cut and dried
I saw you tonight and carefully took your hand
With some smears on my cheeks
I knew that you would understand
In my eyes
Blood drops look like roses on white lace
They won't wash away
In my mind they're roses on white lace
Straight from the heart
So dead upon the bed, still searching for your head
They're never gonna find your face
It's hidden away
I found a very special place where you used to play
In my own way, I lovingly kiss the bride
With your ring in your hand
Your eyes and your mouth open wide
In my eyes
Blood drops look like roses on white lace
They won't wash away
In my mind they're roses on white lace
Straight from the heart
Blood drops look like roses on white lace
Crimson and sweet, stained on the sheet
Roses on white lace, pretty in red, dripping and wet
Roses on white lace, spilled on the walls, dark in the hall
song performed by by Alice Cooper
Submitted by Lucian Velea
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The House Of Dust: Part 03: 02: The Screen Maiden
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
poem by Conrad Potter Aiken
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The Tryst
I raised the veil, I loosed the bands,
I took the dead thing from its place.
Like a warm stream in frozen lands
My lips went wandering on her face,
My hands burnt in her hands.
She could not stay me, being dead;
Her body here was mine to hold.
What if her lips had lost their red?
To me they always tasted cold
With the cold words she said.
Did my breath run along her hair,
And free the pulse, and fire the brain,
My wild blood wake her wild blood there?
Here eyelids lifted wide again
In a blue, sudden stare.
Beneath my fierce, profane caress
The whole white length of body moved;
The drowsy bosom seemed to press
As if against a breast beloved,
Then fail for weariness.
No, not that anguish! Christ forbid
That I should raise such dead! I rose,
Stifled the mouth with lilies, hid
Those eyes, And drew the long hair close,
And shut the coffin lid.
My cold brow on the cold wood laid,
Quiet and close to-night we lie.
No cruel words her lips have said.
I shall not take nor she deny.
The dead is with the dead.
poem by Muriel Stuart
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The Stone
"And will you cut a stone for him,
To set above his head?
And will you cut a stone for him--
A stone for him?" she said.
Three days before, a splintered rock
Had struck her lover dead--
Had struck him in the quarry dead,
Where, careless of a warning call,
He loitered, while the shot was fired--
A lively stripling, brave and tall,
And sure of all his heart desired . . .
A flash, a shock,
A rumbling fall . . .
And, broken 'neath the broken rock,
A lifeless heap, with face of clay,
And still as any stone he lay,
With eyes that saw the end of all.
I went to break the news to her:
And I could hear my own heart beat
With dread of what my lips might say;
But some poor fool had sped before;
And, flinging wide her father's door,
Had blurted out the news to her,
Had struck her lover dead for her,
Had struck the girl's heart dead in her,
Had struck life, lifeless, at a word,
And dropped it at her feet:
Then hurried on his witless way,
Scarce knowing she had heard.
And when I came, she stood alone--
A woman, turned to stone:
And, though no word at all she said,
I knew that all was known.
Because her heart was dead,
She did not sigh nor moan.
His mother wept:
She could not weep.
Her lover slept:
She could not sleep.
Three days, three nights,
She did not stir:
Three days, three nights,
Were one to her,
Who never closed her eyes
From sunset to sunrise,
From dawn to evenfall--
Her tearless, staring eyes,
That, seeing naught, saw all.
The fourth night when I came from work,
I found her at my door.
"And will you cut a stone for him?"
She said: and spoke no more:
But followed me, as I went in,
And sank upon a chair;
And fixed her grey eyes on my face,
With still, unseeing stare.
And, as she waited patiently,
I could not bear to feel
Those still, grey eyes that followed me,
Those eyes that plucked the heart from me,
Those eyes that sucked the breath from me
And curdled the warm blood in me,
Those eyes that cut me to the bone,
And cut my marrow like cold steel.
And so I rose and sought a stone;
And cut it smooth and square:
And, as I worked, she sat and watched,
Beside me, in her chair.
Night after night, by candlelight,
I cut her lover's name:
Night after night, so still and white,
And like a ghost she came;
And sat beside me, in her chair,
And watched with eyes aflame.
She eyed each stroke,
And hardly stirred:
she never spoke
A single word:
And not a sound or murmur broke
The quiet, save the mallet stroke.
With still eyes ever on my hands,
With eyes that seemed to burn my hands,
My wincing, overwearied hands,
She watched, with bloodless lips apart,
And silent, indrawn breath:
And every stroke my chisel cut,
Death cut still deeper in her heart:
The two of us were chiselling,
Together, I and Death.
And when at length my job was done,
And I had laid the mallet by,
As if, at last, her peace were won,
She breathed his name, and, with a sigh,
Passed slowly through the open door:
And never crossed my threshold more.
Next night I laboured late, alone,
To cut her name upon the stone.
poem by Wilfred Wilson Gibson
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The Father
The evening found us whom the day had fled,
Once more in bitter anger, you and I,
Over some small, some foolish, trivial thing
Our anger would not decently let die,
But dragged between us, shamed and shivering
Until each other's taunts we scarcely heard,
Until we lost the sense of all we said,
And knew not who first spoke the fatal word.
It seemed that even every kiss we wrung
We killed at birth with shuddering and hate,
As if we feared a thing too passionate.
However close we clung
One hour the next hour found us separate,
Estranged, and Love most bitter on our tongue.
To-night we quarrelled over one small head,
Our fruit of last year's maying, the white bud
Blown from our stormy kisses and the dead
First rapture of our wild, estranging blood.
You clutched him: there was panther in your eyes,
We breathed like beasts in thickets, on the wall
Our shadows in huge challenge seemed to rise,
The room grew dark with anger. Yet through all
The shame and hurt and pity of it you were
Still strangely and imperishably dear,
As one who loves the wild day none the less
That breaks in bitter hands the buds of Spring,
Whose cold hand stops the breath of loveliness,
And drives the wailing ghost of beauty past,
Making the rose, — even the rose, a thing
For pain to be remembered by at last.
I said: 'My son shall wear his father's sword.'
You said: 'Shall hands once blossoms at my breast
Be stained with blood?' I answered with a word
More bitter, and your own, the bitterest
Stung me to sullen anger, and I said:
'My son shall be no coward of his line
Because his mother choose'; you turned your head
And your eyes grew implacable in mine.
And like a trodden snake you turned to meet
The foe with sudden hissing… then you smiled,
And broke our life in pieces at my feet,
'Your child?' you said: 'Your child?'
poem by Muriel Stuart
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White Innocence
She drifted from some minor festival.
Didnt look like any sumrner of love:
Just a thousand weekend warriors in a muddy field.
She was the hand to fit my glove.
Funny thing, the innocence of the lonely.
Funny thing, the charm of the young.
See how she moves just like two angels (in white innocence).
Yet one of them is on the run.
The others tapping at my car window
And Im squinting through the sun
Trying to see if shes some child of the nineties:
Or just another dangerous fantasy of mine.
Yeah. white innocence.
She was white innocence.
A perfect hole was in her stocking:
It made a perfect window to her heart.
I could have moved among her waterfalls:
Her misty curtains drawn apart.
Did she see warm safety in my numbers
To want to hitch a ride this way?
Felt like I was taking her to market now
To be sold as the last lot of the day.
Funny thing, the distance of the lonely.
Funny thing, the charm of the young.
White innocence.
She pressed the button, lowered the window:
Let her hand trail in the slipstream of the night.
A frost from nowhere seemed to lick her fingers:
I could have warmed them, but the moment wasnt right.
Obvious, she was headed nowhere special:
Yes, well it was even obvious to me.
I was doing some, some watching, some waiting:
Shed been here before, most definitely.
There was the promise of early bed-time.
There was the promise of heaven on earth.
Think I was sending out low-voltage electricity:
Played it right down for what it was worth.
She turned and looked at me in white innocence
And with the clearest eyes of forever grey
She rested one small hand for a second on my knee:
I stopped the car. she walked away.
Funny thing, the wisdom of the lonely.
Funny thing, the charm of the young.
Away you go now.
White innocence.
song performed by by Jethro Tull
Submitted by Lucian Velea
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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The Summer Recess of 62.
It was the second day
of the summer recess
and Judith and you
walked through the field
behind her house
and sat down on the grass
the sky above blue
like an upside-down ocean
with the white clouds
like small fluffy islands
and she said
Mother doesn't trust you
why not?
you asked
she doesn't trust any male
she says they're all after
the one thing
you looked at her
sitting there beside you
her hair brown and curly
and her eyes blue
and bright
and you said
not all males
are the same
she looked up
at the sky
and said
I know but that's
how she sees things
my mother likes you
you said
she says you're good for me
keep me focused
she smiled
and lay back
on the grass
and you lay
beside her
and turned
to look at her there
taking in her profile
and she turned
to face you
and she said
does your mother
trust us to be together?
sure she does
you said
an airplane
went over the sky
a sparrow hawk
hovered above
its eyes watching
and waiting
you put your hand
on her hip
and she placed
her hand on yours
you felt her hipbone
beneath her green skirt
moved your palm
gently over and over
she moved your hand
off of her hip
and said
just in case
mother's looking at us
from the upstairs window
would she?
you asked
of course
she said
she held your hand
and took it
and laid it
on her breast
her heart
somewhere beating
your hand sensing
the softness beneath
the white blouse
and she said
just as well
she never saw us
last Christmas
and you smiled
and remembered
and the sparrow hawk
flew off through the sky
and the sound
of a distant train
and your heart thumping
like the downpour of rain.
poem by Terry Collett
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We Are To Play The Game Of Death
WE are to play the game of death to-night, my bride and I.
The night is black, the clouds in the sky are capricious, and the waves are raving at sea.
We have left our bed of dreams, flung open the door and come out, my bride and I.
We sit upon a swing, and the storm winds give us a wild push from behind.
My bride starts up with fear and delight, she trembles and clings to my breast.
Long have I served her tenderly.
I made for her a bed of flowers and I closed the doors to shut out the rude light from her eyes.
I kissed her gently on her lips and whispered softly in her ears till she half swooned in languor.
She was lost in the endless mist of vague sweetness.
She answered not to my touch, my songs failed to arouse her.
To-night has come to us the call of the storm from the wild.
My bride has shivered and stood up, she has clasped my hand and come out.
Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast.
The push of death has swung her into life.
We are face to face and heart to heart, my bride and I.
poem by Rabindranath Tagore
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The Ghost at the Second Bridge
You'd call the man a senseless fool,—
A blockhead or an ass,
Who’d dare to say he saw the ghost
Of Mount Victoria Pass;
But I believe the ghost is there,
For, if my eyes are right,
I saw it once upon a ne’er-
To-be-forgotten night.
’Twas in the year of eighty-nine—
The day was nearly gone,
The stars were shining, and the moon
Is mentioned further on;
I’d tramped as far as Hartley Vale,
Tho’ tired at the start,
But coming back I got a lift
In Johnny Jones’s cart.
’Twas winter on the mountains then—
The air was rather chill,
And so we stopped beside the inn
That stands below the hill.
A fire was burning in the bar,
And Johnny thought a glass
Would give the tired horse a spell
And help us up the Pass.
Then Jimmy Bent came riding up—
A tidy chap was Jim—
He shouted twice, and so of course
We had to shout for him.
And when at last we said good-night
He bet a vulgar quid
That we would see the “ghost in black”,
And sure enough we did.
And as we climbed the stony pinch
Below the Camel Bridge,
We talked about the “Girl in black”
Who haunts the Second Bridge.
We reached the fence that guards the cliff
And passed the corner post,
And Johnny like a senseless fool
Kept harping on the ghost.
“She’ll cross the moonlit road in haste
And vanish down the track;
Her long black hair hangs to her waist
And she is dressed in black;
Her face is white, a dull dead white—
Her eyes are opened wide—
She never looks to left or right,
Or turns to either side.”
I didn’t b’lieve in ghosts at all,
Tho’ I was rather young,
But still I wished with all my heart
That Jack would hold his tongue.
The time and place, as you will say,
(’Twas twelve o’clock almost)—
Were both historically fa-
Vourable for a ghost.
But have you seen the Second Bridge
Beneath the “Camel’s Back”?
It fills a gap that broke the ridge
When convicts made the track;
And o’er the right old Hartley Vale
In homely beauty lies,
And o’er the left the mighty walls
Of Mount Victoria rise.
And there’s a spot above the bridge,
Just where the track is steep,
From which poor Convict Govett rode
To christen Govett’s Leap;
And here a teamster killed his wife—
For those old days were rough—
And here a dozen others had
Been murdered, right enough.
The lonely moon was over all
And she was shining well,
At angles from the sandstone wall
The shifting moonbeams fell.
In short, the shifting moonbeams beamed,
The air was still as death,
Save when the listening silence seemed
To speak beneath its breath.
The tangled bushes were not stirred
Because there was no wind,
But now and then I thought I heard
A startling noise behind.
Then Johnny Jones began to quake;
His face was like the dead.
“Don’t look behind, for heaven’s sake!
The ghost is there!” he said.
He stared ahead—his eyes were fixed;
He whipped the horse like mad.
“You fool!” I cried, “you’re only mixed;
A drop too much you’ve had.
I’ll never see a ghost, I swear,
But I will find the cause.”
I turned to see if it was there,
And sure enough it was!
Its look appeared to plead for aid
(As far as I could see),
Its hands were on the tailboard laid,
Its eyes were fixed on me.
The face, it cannot be denied
Was white, a dull dead white,
The great black eyes were opened wide
And glistened in the light.
I stared at Jack; he stared ahead
And madly plied the lash.
To show I wasn’t scared, I said—
“Why, Jack, we’ve made a mash.”
I tried to laugh; ’twas vain to try.
The try was very lame;
And, tho’ I wouldn’t show it, I
Was frightened, all the same.
“She’s mashed,” said Jack, “I do not doubt,
But ’tis a lonely place;
And then you see it might turn out
A breach of promise case.”
He flogged the horse until it jibbed
And stood as one resigned,
And then he struck the road and ran
And left the cart behind.
Now, Jack and I since infancy
Had shared our joys and cares,
And so I was resolved that we
Should share each other’s scares.
We raced each other all the way
And never slept that night,
And when we told the tale next day
They said that we were—intoxicated.
poem by Henry Lawson
Submitted by Poetry Lover
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The Girl With Magic Eyes
I sit in thought
My hand to head
My heart it wants to cry
My face turns sides
My smile sheds
The girl with magic eyes
The piece of mind
My eyes they tear
My brain it starts to fry
Vanished in air
I cannot hear
The girl with magic eyes
To see her face
Deep in my mind
My breath it starts to sigh
Touch her soft skin
I like this kind
The girl with the magic eyes
To breathe her smell
Just from a thought
I feel like I should die
To taste her lips
That I have fought
The girl with magic eyes
To have her close
Is all I want
I stare into the sky
Stuck to my dreams
My mind she haunts
The girl with magic eyes
poem by Paul Celano
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Snap-Dragon
She bade me follow to her garden where
The mellow sunlight stood as in a cup
Between the old grey walls; I did not dare
To raise my face, I did not dare look up
Lest her bright eyes like sparrows should fly in
My windows of discovery and shrill 'Sin!'
So with a downcast mien and laughing voice
I followed, followed the swing of her white dress
That rocked in a lilt along: I watched the poise
Of her feet as they flew for a space, then paused to press
The grass deep down with the royal burden of her:
And gladly I'd offered my breast to the tread of her.
'I like to see,' she said, and she crouched her down,
She sunk into my sight like a settling bird;
And her bosom crouched in the confines of her gown
Like heavy birds at rest there, softly stirred
By her measured breaths: 'I like to see,' said she,
'The snap-dragon put out his tongue at me.'
She laughed, she reached her hand out to the flower
Closing its crimson throat: my own throat in her power
Strangled, my heart swelled up so full
As if it would burst its wineskin in my throat,
Choke me in my own crimson; I watched her pull
The gorge of the gaping flower, till the blood did float
Over my eyes and I was blind --
Her large brown hand stretched over
The windows of my mind,
And in the dark I did discover
Things I was out to find:
My grail, a brown bowl twined
With swollen veins that met in the wrist,
Under whose brown the amethyst
I longed to taste: and I longed to turn
My heart's red measure in her cup,
I longed to feel my hot blood burn
With the lambent amethyst in her cup.
Then suddenly she looked up
And I was blind in a tawny-gold day
Till she took her eyes away. So she came down from above
And emptied my heart of love . . .
So I helf my heart aloft
To the cuckoo that fluttered above,
And she settled soft.
It seemed that I and the morning world
Were pressed cup-shape to take this reiver
Bird who was weary to have furled
Her wings on us,
As we were weary to receive her:
This bird, this rich
Sumptuous central grain,
This mutable witch,
This one refrain,
This laugh in the fight,
This clot of light,
This core of night.
She spoke, and I closed my eyes
To shut hallucinations out.
I echoed with surprise
Hearing my mere lips shout
The answer they did devise.
Again, I saw a brown bird hover
Over the flowers at my feet;
I felt a brown bird hover
Over my heart, and sweet
Its shadow lay on my heart.
I thought I saw on the clover
A brown bee pulling apart
The closed flesh of the clover
And burrowing into its heart.
She moved her hand, and again
I felt the brown bird hover
Over my heart . . . and then
The bird came down on my heart,
As on a nest the rover
Cuckoo comes, and shoves over
The brim each careful part
Of love, takes possession and settles down,
With her wings and her feathers does drown
The nest in a heat of love.
She turned her flushed face to me for the glint
Of a moment. 'See,' she laughed, 'if you also
Can make them yawn.' I put my hand to the dint
In the flower's throat, and the flower gaped wide with woe.
She watched, she went of a sudden intensely still,
She watched my hand, and I let her watch her fill.
I pressed the wretched, throttled flower between
My fingers, till its head lay back, its fangs
Poised at her: like a weapon my hand stood white and keen,
And I held the choked flower-serpent in its pangs
Of mordant anguish till she ceased to laugh,
Until her pride's flag, smitten, cleaved down to the staff.
She hid her face, she murmured between her lips
The low word 'Don't!' I let the flower fall,
But held my hand afloat still towards the slips
Of blossom she fingered, and my crisp fingers all
Put forth to her: she did not move, nor I,
For my hand like a snake watched hers that could not fly.
Then I laughed in the dark of my heart, I did exult
Like a sudden chuckling of music: I bade her eyes
Meet mine, I opened her helpless eyes to consult
Their fear, their shame, their joy that underlies
Defeat in such a battle: in the dark of her eyes
My heart was fierce to make her laughter rise . . .
Till her dark deeps shook with convulsive thrills, and the dark
Of her spirit wavered like water thrilled with light,
And my heart leaped up in longing to plunge its stark
Fervour within the pool of her twilight:
Within her spacious gloom, in the mystery
Of her barbarous soul, to grope with ecstasy.
And I do not care though the large hands of revenge
Shall get my throat at last -- shall get it soon,
If the joy that they are lifted to avenge
Have risen red on my night as a harvest moon,
Which even Death can only put out for me,
And death I know is beter than not-to-be.
poem by David Herbert Lawrence
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Tidings
THE darkness gripped us, hot, intense;
The sea snored like some sleeping brute;
We stood alert, with every sense
Like some leashed hound, nerve-thrilled, acute.
About us clammy dew made wet
The thin, green leaves and sleeping flowers;
Strained eyes against the night we set;
Strained ears, like open doors, were ours.
No sight! save when across the black
Broad breast of night fierce lightning tore
A ragged gash, a serpent track,
And thunder answered the sea's snore.
One sighed, and one would no more stand
At easeless rest, but drooping walked;
Then, though none spoke, one raised his hand
As if to silence tongues that talked.
We heard it! On the granite ground
It sounded nigh, and on the beach
It grew remote; upon that sound
With seeking eyes each questioned each.
Grouped close, like men of carven stone —
Chilled stone — we stood with rooted feet.
'He comes! What news?' Not hoofs alone
In that tense moment swiftly beat.
Cried one: 'Joy rides at such a pace,
Joy swift of hoof, and light as air!'
Said one — eyes sunk, and pallid face —
'So too, at times, rides dread Despair!'
We waited, vexed by dumb surmise,
Eyes wide, lips wide, tense faces white;
Ears served till ears gave place to eyes,
Sound likewise yielding unto sight.
He came with headlong speed and dash,
Fierce lightning lighting land and sea,
And in that red, revealing flash
He rose and shouted 'Victory!'
poem by Roderic Quinn
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The Hand Of Love
The young woman intertwines her hands with her older man
Smiling laughing at his funny charming jokes
The cool rain is the only relief her boiling heart has
His hand softly squeezes hers
He smiles, she smiles
The sun in both of their eyes
Warming them from the inside out
He touches the side of her face
With the hands of steal
But the touch of silk
With stars in her eyes
And the rain soak their innocents
He gently presses his lips to her hand
Baby you are me unspoken princess
She sighs
Has he’s still holding her delicate hand
He be believes that is made out of gold
He knows she is the other half of his soul
He says I love you to her heart as no words are spoken
Looking into her green eyes
That night in the warm rain of mystery
poem by Mrs. Cynosure
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Cambrai and Marne
Before our trenches at Cambrai
We saw their columns cringe away.
We saw their masses melt and reel
Before our line of leaping steel.
A handful to their storming hordes,
We scourged them with the scourge of swords,
And still, the more we slew, the more
Came up for every slain a score.
Between the hedges and the town
The cursing squadrons we rode down;
To stay them we outpoured our blood
Between the beetfields and the wood.
In that red hell of shrieking shell
Unfaltering our gunners fell;
They fell, or ere that day was done,
Beside the last unshattered gun.
But still we held them, like a wall
On which the breakers vainly fall–
Till came the word, and we obeyed,
Reluctant, bleeding, undismayed.
Our feet, astonished, learned retreat;
Our souls rejected still defeat;
Unbroken still, a lion at bay,
We drew back grimly from Cambrai.
In blood and sweat, with slaughter spent,
They thought us beaten as we went,
Till suddenly we turned, and smote
The shout of triumph in their throat.
At last, at last we turned and stood–
And Marne's fair water ran with blood;
We stood by trench and steel and gun,
For now the indignant flight was done.
We ploughed their shaken ranks with fire,
We trod their masses into mire;
Our sabres drove through their retreat
As drives the whirlwind through young wheat.
At last, at last we drove them back
Along their drenched and smoking track;
We hurled them back, in blood and flame,
The reeking ways by which they came.
By cumbered road and desperate ford
How fled their shamed and harassed horde!
Shout, Sons of Freemen, for the day
When Marne so well avenged Cambrai!
poem by Sir Charles George Douglas Roberts
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Not Mine
I have to see the fire burn in your eyes
I have to hold you and call you mine
I need to feel your lips on mine
I need to hear your covetous sighs
I feel your breath on my cheek
I feel your eyes on your feet
I wish that we could meet
I wish at your face, I could peek
Your eyes don't burn with fire
Your sighs with derision, not desire
Your lips grimace as in pain
Not mine, I realize once again
Oh, that you knew my pain!
Oh, that you knew my troubles
But you know nothing, don't you?
You know not that I need you
I close my crying eyes
My tears I do disguise
Invisible to the world
Just another lonely girl
I will just close my eyes
My mind will rewind time
To a place where you were mine
As my heart breaks, and dies
poem by Gwenevere Cornwell
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The Messenger
She rose up in the early dawn,
And white and silently she moved
About the house. Four men had gone
To battle for the land they loved,
And she, the mother and the wife,
Waited for tidings from the strife.
How still the house seemed! and her tread
Was like the footsteps of the dead.
The long day passed; the dark night came.
She had not seen a human face.
Some voice spoke suddenly her name.
How loud it echoed in that place,
Where, day on day, no sound was heard
But her own footsteps. 'Bring you word,'
She cried to whom she could not see,
'Word from the battle-plain to me?'
A soldier entered at the door,
And stood within the dim firelight;
'I bring you tidings of the four,'
He said, 'who left you for the fight.'
'God bless you, friend,' she cried, 'speak on!
For I can bear it. One is gone?'
'Ay, one is gone!' he said. 'Which one?'
'Dear lady, he, your eldest son.'
A deathly pallor shot across
Her withered face; she did not weep.
She said: 'It is a grievous loss,
But God gives His belovèd sleep.
What of the living-of the three?
And when can they come back to me?'
The soldier turned away his head:
'Lady, your husband, too, is dead.'
She put her hand upon her brow;
A wild, sharp pain was in her eyes.
'My husband! Oh, God, help me now!'
The soldier heard her shuddering sighs.
The task was harder than he thought.
'Your youngest son, dear madam, fought
Close at his father's side; both fell
Dead, by the bursting of a shell.'
She moved her lips and seemed to moan.
Her face had paled to ashen gray:
'Then one is left me-one alone,'
She said, 'of four who marched away.
Oh, overruling, All-wise God,
How can I pass beneath Thy rod!'
The soldier walked across the floor,
Paused at the window, at the door,
Wiped the cold dew-drops from his cheek
And sought the mourner's side again.
'Once more, dear lady, I must speak:
Your last remaining son was slain
Just at the closing of the fight,
'Twas he who sent me here to-night.'
'God knows,' the man said afterward,
'The fight itself was not so hard.'
poem by Ella Wheeler Wilcox
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Unwelcome
|WE were young, we were merry, we were very very wise,
And the door stood open at our feast,
When there passed us a woman with the West in her eyes,
And a man with his back to the East.
O, still grew the hearts that were beating so fast,
The loudest voice was still.
The jest died away on our lips as thy passed,
And the rays of July struck chill.
The cups of red wine turned pale on the board,
The white bread black as soot.
The hound forgot the hand of her lord,
She fell down at his foot.
Low let me lie, where the dead dog lies,
Ere I sit me down again at a feast,
When there passes a woman with the West in her eyes,
And a man with his back to the East.
poem by Mary Elizabeth Coleridge
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Teddy Bear
O Teddy Bear! with your head awry
And your comical twisted smile,
You rub your eyes -- do you wonder why
You've slept such a long, long while?
As you lay so still in the cupboard dim,
And you heard on the roof the rain,
Were you thinking . . . what has become of him?
And when will he play again?
Do you sometimes long for a chubby hand,
And a voice so sweetly shrill?
O Teddy Bear! don't you understand
Why the house is awf'ly still?
You sit with your muzzle propped on your paws,
And your whimsical face askew.
Don't wait, don't wait for your friend . . . because
He's sleeping and dreaming too.
Aye, sleeping long. . . . You remember how
He stabbed our hearts with his cries?
And oh, the dew of pain on his brow,
And the deeps of pain in his eyes!
And, Teddy Bear! you remember, too,
As he sighed and sank to his rest,
How all of a sudden he smiled to you,
And he clutched you close to his breast.
I'll put you away, little Teddy Bear,
In the cupboard far from my sight;
Maybe he'll come and he'll kiss you there,
A wee white ghost in the night.
But me, I'll live with my love and pain
A weariful lifetime through;
And my Hope: will I see him again, again?
Ah, God! If I only knew!
poem by Robert William Service
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Giacinta
Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.
But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.
And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''
And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.
``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''
They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.
poem by Wilfrid Scawen Blunt
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