Alankar (Decor) -1

ALANKAR(DECOR)

(This Alankar series is of poetry-forms
and syllabic and word patterns)

Tribute To trees-1
(syllable pattern-single syllables)


Grow more and more
Trees of need so
To sup our hearts
All time their bliss

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Alankar(Decor) -79

Alankar(Decor) -58

Sail O'Soul Sail(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.


2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.


3
Sail O'Soul Sail

Once boarded why you fear o' soul
Just be watching where sails your mind
Aspiring to horizon-goal
All set on a smooth float by wind

All set on a smooth float by wind
On gentle waves across your sea
As you sail assailed by your mind
How those desires hit your heart free

How those desires hit your heart free
As of a choice in heaven's trade
That your mind is on aiming spree
In illumed dreamings in fate's shade

In illumed dreamings in fate's shade
While your sail is mid way caught up
How your sea baits in storming grade
And shocked you struggle to catch up

And shocked you struggle to catch up
For not yours but your mind's misdeed
Helpless you are jailed in lockup
Your vessel too shattered indeed

Your vessel too shattered indeed
Such is your sea of greed and lust
Such is the fate of your sea's heed
Wind too is feeling difficult

Wind too is feeling difficult
Now that the sea somewhat calms still
Wind settles in silenced cool mute
Atlast your vessel too nihil

Atlast your vessel too nihil
And sea gone in presence of Nought
You are freed atlast to your will
To board the next the way you're caught

sea-life, wind-breath, vessel-body.

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Pacific Trash Vortex (Triple Tetractys)

The rules for writing a tetractys are as follows:
Line 1 is one syllable syllable
Segment of speech usually consisting of a vowel with or without accompanying
consonant sounds (e.g., a, I, out, too, cap, snap, check) . A syllabic consonant,
like the final n sound in button and widen, also constitutes a syllable.
line 2 is two syllables; line 3 is three syllables; line 4 is four syllables;
and line 5, is ten syllables.
The fourth and fifth lines may rhyme or rime, the most prominent of the
literary artifices used in versification. Although it was used in ancient East
Asian poetry, rhyme was practically unknown to the ancient Greeks and Romans.
But this is not mandatory.

Waste
Sea green
Wavering
In slimy traps
In woozy circles
Gushing at the deep water horizon


Melody still rooting in bluesy rock
Gloppy red icing
Crooked letters
Violet
Colored
Dream


Fish
Yellow
Flimsy boats
Lanky white man
Muzzy from the work
Cloudy indigo sky hanging round all.

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Patterns

The night sets softly
With the hush of falling leaves,
Casting shivering shadows
On the houses through the trees,
And the light from a street lamp
Paints a pattern on my wall,
Like the pieces of a puzzle
Or a child's uneven scrawL
Up a narrow flight of stairs
In a narrow Little room,
As I lie upon my bed
In the early evening gloom.
Impaled on my wall
My eyes can dimly see
The pattern of my life
And the puzzle that is me.
>From the moment of my birth
To the instant of my death,
There are Patterns I must follow
Just as I must breathe each breath.
Like a rat in a maze
The path before me lies,
And the pattern never alters
Until the rat dies.
And the pattern still remains
On the wall where darkness fell,
And it's fitting that it should,
For in darknesss I must dwell.
Like the color of my skin,
Or the day that I grow old,
My life is made of Patterns
That can scarcely be controlled.

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Bussokusekiku Japanese form

Bussokusekiku

6 lines
5 syllable, line one
7 syllables line two
5 syllables line three
7 syllables in the last three lines

Orientally
inspired I write poetry.
Exercise my brain
Look at things differently

If I can do it so can you

White chrysanthemum.
Signifying purity
One single blossom.
Typically Japanese
in its simplicity
Needs no explanation.

Savage warrior
who composes poetry.
Shows his softer side.
He must be a samurai.
A well trained brave fighting man
Writes beautifully of love.

28/10/2009
http: // blog.myspace.com/poeticpiers

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Patterns

The night sets softly
With the hush of falling leaves
Casting shivering shadows
On the houses through the trees
And the light from a street lamp
Paints a pattern on my wall
Like the pieces of a puzzle
Or a child's uneven scrawl
Up a narrow flight of stairs
In a narrow little room
As I lie upon my bed
In the early evening gloom
Impaled on my wall
My eyes can dimly see
The pattern of my life
And the puzzle that is me
From the moment of my birth
To the instant of my death
There are patterns I must follow
Just as I must breathe each breath
Like a rat in a maze
The path before my lies
And the pattern never alters
Until the rat dies
And the pattern still remains
On the wall where darkness fell
And it's fitting that it should
For in darkness I must dwell
Like the color of my skin
Or the day that I grow old
My life is made of patterns
That can scarcely be controlled

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Patterns

Patterns all around you
Patterns everywhere
Patterns of behavior
Sometimes seem unfair
Can you recognize the patterns that you find?
Patterns unfamiliar
Patterns lead you through (to)
Patterns of discovery
Tracing out the clues
Can you recognize the patterns that you find?
Stuck in your mind
In this land where stability is hard to find
You can rearrange the patterns so unkind
Dont bother asking why a pattern never cries
Old patterns never die they just go on and on
Patterns multiplying
Re-direct our view
Endless variations
Make it all seem new

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Patterns Of Time

carefully looking at this time
and that other time
how they correlate to connect each time
of the next time
to follow the same pattern of time
with no dime
but a crime
if a time
is wasted on no time
for you will never find a time
on the same time
that was underutilized by the time
you realize it were time
it will never be the same time
but a different time
at that point in time
on each pattern of time
from am to pm it is time
still morning to midnight is time
and any time
of the day is time
as from monday to sunday time
year start to midyear and year end is time

so, time
ticking as you may be aware of time
that everything is well connected to time
and must be done on time
for you will never find the same time
of that very point in time
-
do what you can, on time. for time is never a fact but a situation of the same condition on a different setting, but still its time. therefore, time is longer than rope and shorter than your scope though at times time is beyond our scope of reach and intelligence of the mind on time.
-
**extracted from 'patterns of time'**
from **patterns of life** november 2011 ebook
ntema's unique poetry (nup) .

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Alankar(Decor) -77

Here He Dwelleth(Chain Verse)


Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.


2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.

2b

Here He Dwelleth (8-5-8-5 syllables
with linking and alternate rhymes
abab, cdcd, e.t.c)


'Woes have done intolerable
O'Lord please descend
Thee alone is responsible
This fate you to mend

Mend our lives o'divine mender
Our lives at your feet
Come o'lord ' pleaded man slender
Then spoke a voice sweet

Sweet from Nought, 'tell me o'my child
Which form you want me
Man or animal, mild or wild
Elements any? '

'Any form? ' man thought for a while
Knowing their foul tone
Chose not living beings hostile
But wished for stone

Stone, he carved hard created God
Thence forms more sculpted
Valorous with weapons to guard
Lighted life trusted

Trusted, God would sure come to bless
And that he be freed
Of slaying woes and killing stress
That way he waited

Waited lord too again asked man
From the Nought 'o' child
Tell, to what shall I hold on than
To conceal and hide'

'Hide not my Lord, here are my makes
Your choice my pleasure
Choose to be but in all my makes
Thee I shall treasure'

Treasured powers cloaked the idol
Thereon by prayers
Matins, litanies rose tidal
Joined all obeyers

Obeyers' way thus was one found
Gods and names many
Bathed with decor many profound
Bound He by any

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Guess the Title - Patter down Pat

..........................PATTERNS

....... ................which.......stitch

....... .........PATTERNS....PATTERNS

............ ...fit....................................into

...........PATTERNS....................PATTE RNS

.........knit......................... .........................onto

....PATTERNS ..........................................PATTERN S

enrich.................................. ...................................which

. ...PATTERNS...................................... ....PATTERNS

.........knit................ ..................................onto

... ........PATTERNS....................PATTERNS

...............fit............................ ........into

................PATTERNS....P ATTERNS

.......................which...... .stitch

..........................PATTERNS



10 August 1995


robi03_0762_robi03_0000 QXX_MXX

[C] Jonathan Robin written

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Mastering The Self, Though Uglier At First, And Clumsier...

sometimes you look for a pattern
you walk at the road leading to some other paths
along the way are the yellow flowers
wild with the rain last night
and giving the best
their bests this morning
when you still have to wash your hands
and clean your shoes
and comb your hair
in such a parting mode
between your
chin
a canal of
indifference

there are so many patterns to see
how does this rays of light come like daggers? are they like knives
or simply flowing waters in a pattern of subsumed invincibility?

distrust of self makes one find patterns
like a ship following the lines of the coast amidst the storms
a line of coconut trees
the shape of the horizon that looks like a margin of a paper
a frame of a painting
those van Gogh clouds and towering trees
scrambled patterns yet pointing to a stress
an accent of
similitude

you look at the end
the result gives nothing but barrenness of your creation
there is no unique touch of the self
and no one is amazed
except perhaps the shock that goes with an overrated imitation

damned
one goes back to the point of origin
the sole of your feet
the tip of your eyelash
ugly at first
but evolving into the uniqueness of your spirit
sprite, blithe
dropping the wings
loosening the grip on the expectations of others
now flying
alone and high

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Transcend

The cosmos, including humans, consists of
superimposed waves in various frequencies
forming beats by peaking together in regular
sequence of rhythmic patterns

Human life is a dance governed by patterned
rhythms, directed by the sun's electromagnetic
fields of radiation, which are determined by
the planets' configurations

Everything on earth consists of cosmic energy -
pattern pictures in series, all things in existence
are electromagnetic phenomena formed by
these patterns of waves frequencies

In a universe of effervescence, liquid water forms
ice crystal regions in remembrance of its frozen
existence, fragile water directs all forms of life
by means of chemical reactions

Chaos is free, uses paths formed by patterns to
create unique directions for life to transcend
the present in unheard-of new innovations…


Lyall Watson "Supernature" pp.1-100

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Where Trees Are, I Am!

Just trees will grow in shapes that please,
My shapes do grow like limbs;
Eyes see, ears hear - abilities!
But trees possess just whims.

Where trees are, I am! So you are
The one with limbs, the one
Who swears with words always bizarre,
Phrases of prediction.

The plants called trees are super-wise,
The stalks are trunks profound,
Their limbs and roots also advise,
The trees are aboveground.

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Words

words comfort me
like fairies in my forest
at night
when everything is dark
and cold
and lonely
words are like fireflies
on the trees
perhaps
on this therapy
i have become a slave
to words
everyday they command
that i write them
forms of worship
terms of endearment
and for such love
and affection
i have become a word
myself
man of letters
sounding like
syllables

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The Words As Bridges...

in a true relationship
a word is a bridge that can connect
two distant cities,

it will take just a syllable to get to know
each other and cling like vines
on the trellis and give a flower
to the passers-by,

others have destroyed many bridges
with just one word, the harshest thing that can
happen to
syllables, like

saying bye. And it ends there like
a shadow of the
western movie against the sun
and then the curtains
fall

and we all leave and carry with us
the story of
guilt and forgiveness....

on my own experience
the words are always bridges to old cities
and though rusty
they still hold the missing gaps
and the river or the
sea below
will always be hungry for some
morsels of lives
to fall

in my own world
no word destroys, no syllable cuts
an umbilical cord,

i place it there. In print.
and time is powerless to erase it.

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Alankar(Decor) -86

Growth(Cinquino)

Cinquino is
a form that reverses the syllable count of the Crapsey Cinquain.
a poem in 5 lines.
syllabic,2-8-6-4-2 syllables per line.
unrhymed

Growth

Happy
L ittle blooms playing on the street
Happy thoughts turn sombre
Boozy big blooms
Sporting

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Alankar(Decor) -76

Bhaji-(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.


2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----

2

Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)

I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day

Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis

Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used

Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash

Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated

Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I

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What Do They Think Of Poetry? ,

what do they think of poetry, ?
what do they think of poetry,
I tried to discern,
poetry is value,
They said that poetry has no diction,
Someone told me poetry is for the ladies,
I give him math and calculations,

These are the serf's of poetic value,
their criticism is all absurd,
they give limit's to it,
that they never read the deeper meaning of poetry,
They never knew it's metaphysical and deft pattern's,

math has the immutabilty,
you can never say a horse has five leg's,
but poetry is the euphoria,
the resonance,
the assonance,
the intonation,
the mutabality,
the maxim,
the troth,
just like in Crime and Punishment with character's like,
Raskolnikov,
math could not cure his indigent soul,
Only the vicissitudes and written word of empyreal value,
the contemplation,
maybe agitation of Integrated pattern's,
or maybe suffering of the soul to regain salvation.

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Luc-Bat! you say

In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines

First line starts with six syllables, next eight

A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.

born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn

Try it in the loo!

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Alankar(Decor) -80

Crapsey Cinquain-
a stand-alone poem, a complete poem in 5 lines. It can be written in a chain, but each cinquain should be able to stand alone.
syllabic lines in a pattern of 2-4-6-8-2 syllable per line

1 Stars

They do
Whole night their job
Perhaps looking from up
Down on earth's nightly danseuses
Winkling

2 Star

He does
Whole life his deeds
Sincere, honest, loyal
Rewarded finally on top
Wondered

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Song of the woods

For a time the birds
and the trees
and animals dwelt in me,
but then came man.

Axes and saws
started to chop and bite
and as trees fell,
there wasn’t a place
safe for animals to be.

Time swept past
and man’s machines
started to carve
right trough trees.

Trees fell faster
than any could grow
and the climate was altered
by man and his machines.

Lost was the air
that had risen from me
and the forest rain dwindled
and a scorching sun
started to batter me.

The world of old is lost
and most of the trees are gone
and clouds of pollution
blankets the world.

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