The New Wife and the Old
Dark the halls, and cold the feast,
Gone the bridemaids, gone the priest.
All is over, all is done,
Twain of yesterday are one!
Blooming girl and manhood gray,
Autumn in the arms of May!
Hushed within and hushed without,
Dancing feet and wrestlers' shout;
Dies the bonfire on the hill;
All is dark and all is still,
Save the starlight, save the breeze
Moaning through the graveyard trees,
And the great sea-waves below,
Pulse of the midnight beating slow.
From the brief dream of a bride
She hath wakened, at his side.
With half-uttered shriek and start,-
Feels she not his beating heart?
And the pressure of his arm,
And his breathing near and warm?
Lightly from the bridal bed
Springs that fair dishevelled head,
And a feeling, new, intense,
Half of shame, half innocence,
Maiden fear and wonder speaks
Through her lips and changing cheeks.
From the oaken mantel glowing,
Faintest light the lamp is throwing
On the mirror's antique mould,
High-backed chair, and wainscot old,
And, through faded curtains stealing,
His dark sleeping face revealing.
Listless lies the strong man there,
Silver-streaked his careless hair;
Lips of love have left no trace
On that hard and haughty face;
And that forehead's knitted thought
Love's soft hand hath not unwrought.
'Yet,' she sighs, 'he loves me well,
More than these calm lips will tell.
Stooping to my lowly state,
He hath made me rich and great,
And I bless him, though he be
Hard and stern to all save me!'
While she speaketh, falls the light
O'er her fingers small and white;
Gold and gem, and costly ring
Back the timid lustre fling,-
Love's selectest gifts, and rare,
His proud hand had fastened there.
Gratefully she marks the glow
From those tapering lines of snow;
Fondly o'er the sleeper bending
His black hair with golden blending,
In her soft and light caress,
Cheek and lip together press.
Ha!-that start of horror! why
That wild stare and wilder cry,
Full of terror, full of pain?
Is there madness in her brain?
Hark! that gasping, hoarse and low,
'Spare me,-spare me,-let me go!'
God have mercy!-icy cold
Spectral hands her own enfold,
Drawing silently from them
Love's fair gifts of gold and gem.
'Waken! save me!' still as death
At her side he slumbereth.
Ring and bracelet all are gone,
And that ice-cold hand withdrawn;
But she hears a murmur low,
Full of sweetness, full of woe,
Half a sigh and half a moan
'Fear not! give the dead her own!'
Ah!-the dead wife's voice she knows!
That cold hand whose pressure froze,
Once in warmest life had borne
Gem and band her own hath worn.
'Wake thee! wake thee!' Lo, his eyes
Open with a dull surprise.
In his arms the strong man folds her,
Closer to his breast he holds her;
Trembling limbs his own are meeting,
And he feels her heart's quick beating
'Nay, my dearest, why this fear?'
'Hush!' she saith, 'the dead is here!'
'Nay, a dream,-an idle dream.'
But before the lamp's pale gleam
Tremblingly her hand she raises.
There no more the diamond blazes,
Clasp of pearl, or ring of gold,-
'Ah!' she sighs, 'her hand was cold!'
Broken words of cheer he saith,
But his dark lip quivereth,
And as o'er the past he thinketh,
From his young wife's arms he shrinketh;
Can those soft arms round him lie,
Underneath his dead wife's eye?
She her fair young head can rest
Soothed and childlike on his breast,
And in trustful innocence
Draw new strength and courage thence;
He, the proud man, feels within
But the cowardice of sin!
She can murmur in her thought
Simple prayers her mother taught,
And His blessed angels call,
Whose great love is over all;
He, alone, in prayerless pride,
Meets the dark Past at her side!
One, who living shrank with dread
From his look, or word, or tread,
Unto whom her early grave
Was as freedom to the slave,
Moves him at this midnight hour,
With the dead's unconscious power!
Ah, the dead, the unforgot!
From their solemn homes of thought,
Where the cypress shadows blend
Darkly over foe and friend,
Or in love or sad rebuke,
Back upon the living look.
And the tenderest ones and weakest,
Who their wrongs have borne the meekest,
Lifting from those dark, still places,
Sweet and sad-remembered faces,
O'er the guilty hearts behind
An unwitting triumph find.
poem by John Greenleaf Whittier
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Meeting In Winter
Winter in the world it is,
Round about the unhoped kiss
Whose dream I long have sorrowed o’er;
Round about the longing sore,
That the touch of thee shall turn
Into joy too deep to burn.
Round thine eyes and round thy mouth
Passeth no murmur of the south,
When my lips a little while
Leave thy quivering tender smile,
As we twain, hand holding hand,
Once again together stand.
Sweet is that, as all is sweet;
For the white drift shalt thou meet,
Kind and cold-cheeked and mine own,
Wrapped about with deep-furred gown
In the broad-wheeled chariot:
Then the north shall spare us not;
The wide-reaching waste of snow
Wilder, lonelier yet shall grow
As the reddened sun falls down.
But the warders of the town,
When they flash the torches out
O’er the snow amid their doubt,
And their eyes at last behold
Thy red-litten hair of gold;
Shall they open, or in fear
Cry, “Alas! What cometh here?
Whence hath come this Heavenly
To tell of all the world undone?”
They shall open, and we shall see
The long street litten scantily
By the long stream of light before
The guest-hall’s half-open door;
And our horses’ bells shall cease
As we reach the place of peace;
Thou shalt tremble, as at last
The worn threshold is o’er-past,
And the fire-light blindeth thee:
Trembling shalt thou cling to me
As the sleepy merchants stare
At thy cold hands slim and fair,
Thy soft eyes and happy lips
Worth all lading of their ships.
O my love, how sweet and sweet
That first kissing of thy feet,
When the fire is sunk alow,
And the hall made empty now
Groweth solemn, dim and vast!
O my love, the night shall last
Longer than men tell thereof
Laden with our lonely love!
poem by William Morris
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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The Coronation Of Inez De Castro
There was music on the midnight;
From a royal fane it roll'd,
And a mighty bell, each pause between,
Sternly and slowly toll'd.
Strange was their mingling in the sky,
It hush'd the listener's breath;
For the music spoke of triumph high,
The lonely bell, of death.
There was hurrying through the midnight:-
A sound of many feet;
But they fell with a muffled fearfulness,
Along the shadowy street;
And softer, fainter, grew their tread,
As it near'd the Minster-gate,
Whence broad and solemn light was shed
From a scene of royal state.
Full glow'd the strong red radiance
In the centre of the nave,
Where the folds of a purple canopy
Sweep down in many a wave;
Loading the marble pavement old
With a weight of gorgeous gloom;
For something lay 'midst their fretted gold,
Like a shadow of the tomb.
And within that rich pavilion
High on a glittering throne,
A woman's form sat silently,
Midst the glare of light alone.
Her Jewell'd robes fell strangely still-
The drapery on her breast
Seem'd with no pulse beneath to thrill,
So stone-like was its rest.
But a peal of lordly music
Shook e'en the dust below,
When the burning gold of the diadem
Was set on her pallid brow!
Then died away that haughty sound,
And from th' encircling band,
Stept Prince and Chief, 'midst the hush profound,
With homage to her hand.
Why pass'd a faint cold shuddering
Over each martial frame,
As one by one, to touch that hand,
Noble and leader came?
Was not the settled aspect fair?
Did not a queenly grace,
Under the parted ebon hair.
Sit on the pale still face?
Death, Death! canst
thou
be lovely
Unto the eye of Life?
Is not each pulse of the quick high breast
With thy cold mien at strife?
-It was a strange and fearful sight,
The crown upon that head,
The glorious robes and the blaze of light,
All gather'd round the Dead!
And beside her stood in silence
One with a brow as pale,
And white lips rigidly compress'd,
Lest the strong heart should fail;
King Pedro with a jealous eye
Watching the homage done
By the land's flower and chivalry
To her, his martyr'd one.
But on the face he look'd not
Which once his star had been:
To every form his glance was turn'd,
Save of the breathless queen;
Though something, won from the grare's embrace,
Of her beauty still was there,
Its hues were all of that shadowy place,
'Twas not for
him
to bear.
Alas! the crown, the sceptre,
The treasures of the earth,
And the priceless love that pour'd those gifts,
Alike of wasted worth!
The rites are closed-bear back the Dead
Unto the chamber deep,
Lay down again the royal head,
Dust with the dust to sleep.
There is music on the midnight-
A requiem sad and slow.
As the mourners through the sounding aisle
In dark procession go,
And the ring of state, and the starry crown,
And all the rich array,
Are borne to the house of silence down,
With her, that queen of clay.
And tearlessly and firmly,
King Pedro led the train-
But his face was wrapt in his folding robe,
When they lower'd the dust again.
-'Tis hush'd at last, the tomb above,
Hymns die, and steps depart:
Who call'd thee strong as Death, O Love?
Mightier
thou wert and art!
poem by Felicia Dorothea Hemans
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The Feud
I hear a cry from the Sansard cave,
O mother, will no one hearken?
A cry of the lost, will no one save?
A cry of the dead, though the oceans rave,
And the scream of a gull as he wheels o'er a grave,
While the shadows darken and darken.'
'Oh, hush thee, child, for the night is wet,
And the cloud-caves split asunder,
With lightning in a jagged fret,
Like the gleam of a salmon in the net,
When the rocks are rich in the red sunset,
And the stream rolls down in thunder.'
'Mother, O mother, a pain at my heart,
A pang like the pang of dying.'
'Oh, hush thee, child, for the wild birds dart
Up and down, and close and part,
Wheeling round where the black cliffs start,
And the foam at their feet is flying.'
'O mother, a strife like the black clouds'
And a peace that cometh after.'
'Hush, child, for peace is the end of life,
And the heart of a maiden finds peace as a wife,
But the sky and the cliffs and the ocean are rife
With the storm and thunder's laughter.'
'Come in, my sons, come in and rest,
For the shadows darken and darken,
And your sister is pale as the white swan's breast,
And her eyes are fixed and her lips are pressed
In the death of a name ye might have guessed,
Had ye twain been here to hearken.'
'Hush, mother, a corpse lies on the sand,
And the spray is round it driven,
It lies on its face, and one white hand
Points through the mist on the belt of strand
To where the cliffs of Sansard stand,
And the ocean's strength is riven.'
'Was it God, my sons, who laid him there?
Or the sea that left him sleeping?'
'Nay, mother, our dirks where his heart was bare,
As swift as the rain through the teeth of the air;
And the foam-fingers play in the Saxon's hair,
While the tides are round him creeping.'
'Oh, curses on you, hand and head,
Like the rains in this wild weather
The guilt of blood is swift and dread,
Your sister's face is cold and dead,
Ye may not part whom God would wed
And love hath knit together.'
poem by Frederick George Scott
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Hope Dieth: Hope Liveth
Strong are thine arms, O love, & strong
Thine heart to live, and love, and long;
But thou art wed to grief and wrong:
Live, then, and long, though hope be dead!
Live on, & labour thro’ the years!
Make pictures through the mist of tears,
Of unforgotten happy fears,
That crossed the time ere hope was dead.
Draw near the place where once we stood
Amid delight’s swift-rushing flood,
And we and all the world seemed good
Nor needed hope now cold and dead.
Dream in the dawn I come to thee
Weeping for things that may not be!
Dream that thou layest lips on me!
Wake, wake to clasp hope’s body dead!
Count o’er and o’er, and one by one
The minutes of the happy sun
That while agone on kissed lips shone,
Count on, rest not, for hope is dead.
Weep, though no hair’s breadth thou shalt move
The living Earth, the heaven above
By all the bitterness of love!
Weep and cease not, now hope is dead!
Sighs rest thee not, tears bring no ease,
Life hath no joy, and Death no peace:
The years change not, though they decrease,
For hope is dead, for hope is dead.
Speak, love, I listen: far away
I bless the tremulous lips, that say,
“Mock not the afternoon of day,
Mock not the tide when hope is dead!”
I bless thee, O my love, who say’st:
“Mock not the thistle-cumbered waste;
I hold Love’s hand, and make no haste
Down the long way, now hope is dead.
With other names do we name pain,
The long years wear our hearts in vain.
Mock not our loss grown into gain,
Mock not our lost hope lying dead.
Our eyes gaze for no morning-star,
No glimmer of the dawn afar;
Full silent wayfarers we are
Since ere the noon-tide hope lay dead.
Behold with lack of happiness
The master, Love, our hearts did bless
Lest we should think of him the less:
Love dieth not, though hope is dead!”
poem by William Morris
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Lethe
Through the noiseless doors of Death
Three passed out, as with one breath.
Two had faces stern as Fate,
Stamped with unrelenting hate.
One upon her lips of guile
Wore a cold, mysterious smile.
Each of each unseen, the pale
Shades went down the hollow vale
Till they came unto the deep
River of Eternal Sleep.
Breath of wind, or wing of bird,
Never that dark stream hath stirred;
Still it seems as is the shore,
But it flows for evermore
Softly, through the meadows wan
To the Sea Oblivion.
In the dusk, like drops of blood,
Poppies hang above the flood;
On its surface lies a thin,
Ghostly web of mist, wherein
All things vague and changing seem
As the faces in a dream.
Two knelt down upon the bank
And of that dark water drank.
But the Third stood by the while,
Smiling her mysterious smile.
Rising up, those shades of men
Gazed upon each other, then
Side by side, upon the bank,
In a bed of poppies sank.
“What,” one to the other saith,
“Sent thee through the doors of death?”—
“While life throbbed in every vein,
For a woman I was slain.
“Love is but a fleeting spell,
Hate alone remembers well.
“For my slayer I shall wait,
And though he at Heaven’s gate
“Stand, and wear an angel’s crown,
I shall seize and drag him down!”
So the stern shade made reply.
Then the first that spake said: “I
“For a woman’s sake, also,
Slew myself—and slew my foe.
“Slew myself, that in no shape
He my vengeance should escape,
“Till Oblivion swallow both:
And I swore a solemn oath
“I would—hate remembers well—
Hunt his spotted soul to hell.
“But I left, ere leave-taking,
Round her throat a dark red ring.
“I shall know her—you shall note—
By that red ring round her throat.
“Well I loved my fair, false wife,
And perchance in this new life
“She may love me—we shall see—
She shall choose ’twixt him and me.”
Softly did the other sigh:
“My love’s love will never die.
“Love is not a fleeting spell—
Love, like hate, remembers well.
“Soon—mayhap on this dim shore—
We shall meet to part no more.”
Then the first Shade spoke and said:
“In this Kingdom of the Dead
“Let us, who so strangely meet,
Pledge each other in this sweet
“Water, our revenge to wreak
Side by side, and so to seek,
“Side by side, whate’er our fate,
Those we love and those we hate.”
Kneeling on the dim shore then,
Side by side, they drank again.
And they saw, like drops of blood,
Poppies nodding o’er the flood,
And they gazed upon the thin
Ghostly web of mist, wherein
All things vague and changing seem
As the faces in a dream;
And by some enchantment weird,
As they gazed thereon appeared
Unto each, down-bending low,
Form and features of his foe,
For a moment, then were gone,
And upon the meadows wan—
Half in Death and half a-swoon—
Shone a pale and spectral moon.
Then these twain rose, drowsy-eyed,
And departed side by side.
But the Woman Shade the while
Smiled her cold, mysterious smile.
And her beauty made a light
In that realm of pallid night
(Beauty laughs at worm and grave)
Like the moon beneath the wave.
Back she flung her hair of gold,
Glowing, gleaming, fold on fold,
Showing—all but these might note—
The red ring around her throat.
But they passed with cold surprise,
And unrecognising eyes.
Lightly laughed she then, and said:
“In this Kingdom of the Dead
“Strange the sights that one may see!
There go twain who died for me
“Seeking, through Creation wide,
For each other—side by side!”
Then she wove a poppy crown,
Placed it on her head, and down
On the river’s margin sank
Midst the poppies of its bank,
Saying: “In the world above
Long he tarries, my true love.
“Here beside this river’s rim
I will sleep, and wait for him.”
poem by Victor James Daley
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Love in Twilight
There is darkness behind the light -- and the pale light drips
Cold on vague shapes and figures, that, half-seen loom
Like the carven prows of proud, far-triumphing ships --
And the firelight wavers and changes about the room,
As the three logs crackle and burn with a small still sound;
Half-blotting with dark the deeper dark of her hair,
Where she lies, head pillowed on arm, and one hand curved round
To shield the white face and neck from the faint thin glare.
Gently she breathes -- and the long limbs lie at ease,
And the rise and fall of the young, slim, virginal breast
Is as certain-sweet as the march of slow wind through trees,
Or the great soft passage of clouds in a sky at rest.
I kneel, and our arms enlace, and we kiss long, long.
I am drowned in her as in sleep. There is no more pain.
Only the rustle of flames like a broken song
That rings half-heard through the dusty halls of the brain.
One shaking and fragile moment of ecstasy,
While the grey gloom flutters and beats like an owl above.
And I would not move or speak for the sea or the sky
Or the flame-bright wings of the miraculous Dove!
poem by Stephen Vincent Benet
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Such, Such Is He Who Pleaseth Me
FLY, dearest, fly! He is not nigh!
He who found thee one fair morn in Spring
In the wood where thou thy flight didst wing.
Fly, dearest, fly! He is not nigh!
Never rests the foot of evil spy.
Hark! flutes' sweet strains and love's refrains
Reach the loved one, borne there by the wind,
In the soft heart open doors they find.
Hark! flutes' sweet strains and love's refrains,
Hark!--yet blissful love their echo pains.
Erect his head, and firm his tread,
Raven hair around his smooth brow strays,
On his cheeks a Spring eternal plays.
Erect his head, and firm his tread,
And by grace his ev'ry step is led.
Happy his breast, with pureness bless'd,
And the dark eyes 'neath his eyebrows placed,
With full many a beauteous line are graced.
Happy his breast, with pureness bless'd,
Soon as seen, thy love must be confess'd.
His mouth is red--its power I dread,
On his lips morn's fragrant incense lies,
Round his lips the cooling Zephyr sighs.
His mouth is red--its power I dread,
With one glance from him, all sorrow's fled.
His blood is true, his heart bold too,
In his soft arms, strength, protection, dwells
And his face with noble pity swells.
His blood is true, his heart bold too,
Blest the one whom those dear arms may woo!
poem by Johann Wolfgang von Goethe
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Feast Of The Assumption
Dark! Dark! Dark!
The sun is set; the day is dead:
Thy Feast has fled;
My eyes are wet with tears unshed;
I bow my head;
Where the star-fringed shadows softly sway
I bend my knee,
And, like a homesick child, I pray,
Mary, to thee.
Dark! Dark! Dark!
And, all the day -- since white-robed priest
In farthest East,
In dawn's first ray -- began the Feast,
I -- I the least --
Thy least, and last, and lowest child,
I called on thee!
Virgin! didst hear? my words were wild;
Didst think of me?
Dark! Dark! Dark!
Alas! and no! The angels bright,
With wings as white
As a dream of snow in love and light,
Flashed on thy sight;
They shone like stars around thee, Queen!
I knelt afar --
A shadow only dims the scene
Where shines a star!
Dark! Dark! Dark!
And all day long, beyond the sky,
Sweet, pure, and high,
The angel's song swept sounding by
Triumphantly;
And when such music filled thy ear,
Rose round thy throne,
How could I hope that thou wouldst hear
My far, faint moan?
Dark! Dark! Dark!
And all day long, where altars stand,
Or poor or grand,
A countless throng from every land,
With lifted hand,
Winged hymns to thee from sorrow's vale
In glad acclaim;
How couldst thou hear my lone lips wail
Thy sweet, pure name?
Dark! Dark! Dark!
Alas! and no! Thou didst not hear
Nor bend thy ear,
To prayer of woe as mine so drear;
For hearts more dear
Hid me from hearing and from sight
This bright Feast-day;
Wilt hear me, Mother, if in its night
I kneel and pray?
Dark! Dark! Dark!
The sun is set, the day is dead;
Thy Feast hath fled;
My eyes are wet with the tears I shed;
I bow my head;
Angels and altars hailed thee, Queen,
All day; ah! be
To-night what thou hast ever been --
A mother to me!
Dark! Dark! Dark!
Thy queenly crown in angels' sight
Is fair and bright;
Ah! lay it down; for, oh! to-night
Its jeweled light
Shines not as the tender love-light shines,
O Mary! mild,
In the mother's eyes, whose pure heart pines
For poor, lost child!
Dark! Dark! Dark!
Sceptre in hand, thou dost hold sway
Fore'er and aye
In angel-land; but, fair Queen! pray
Lay it away.
Let thy sceptre wave in the realms above
Where angels are;
But, Mother! fold in thine arms of love
Thy child afar!
Dark! Dark! Dark!
Mary, I call! Wilt hear the prayer
My poor lips dare?
Yea! be to all a Queen most fair,
Crown, sceptre, bear!
But look on me with a mother's eyes
From heaven's bliss;
And waft to me from the starry skies
A mother's kiss!
Dark! Dark! Dark!
The sun is set; the day is dead;
Her Feast has fled;
Can she forget the sweet blood shed,
The last words said
That evening -- 'Woman! behold thy Son!
Oh! priceless right,
Of all His children! The last, least one,
Is heard to-night.
poem by Abram Joseph Ryan
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The Lamp of Poor Souls
[In many English churches before the Reformation there was kept a little lamp continually burning, called the Lamp of Poor Souls. People were reminded thereby to pray for the souls of those dead whose kinsfolk were too poor to pay for prayers and masses.]
Above my head the shields are stained with rust,
The wind has taken his spoil, the moth his part;
Dust of dead men beneath my knees, and dust,
Lord, in my heart.
Lay Thou the hand of faith upon my fears;
The priest has prayed, the silver bell has rung,
But not for him. O unforgotten tears,
He was so young!
Shine, little lamp, nor let thy light grow dim.
Into what vast, dread dreams, what lonely lands,
Into what griefs hath death delivered him,
Far from my hands?
Cradled is he, with half his prayers forgot.
I cannot learn the level way he goes.
He whom the harvest hath remembered not
Sleeps with the rose.
Shine, little lamp, fed with sweet oil of prayers.
Shine, little lamp, as God's own eyes may shine,
When He treads softly down His starry stairs
And whispers, "Thou art Mine."
Shine, little lamp, for love hath fed thy gleam.
Sleep, little soul, by God's own hands set free.
Cling to His arms and sleep, and sleeping, dream,
And dreaming, look for me.
poem by Marjorie Lowry Christie Pickthall
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The American Forest Girl
Wildly and mournfully the Indian drum
On the deep hush of moonlight forests broke;
'Sing us a death-song, for thine hour is come,
So the red warriors to their captive spoke.
Still, and amidst those dusky forms alone,
A youth, a fair-hair'd youth of England stood,
Like a king's son; tho' from his cheek had flown
The mantling crimson of the island-blood,
And his press'd lips look'd marble. Fiercely bright,
And high around him, blaz'd the fires of night,
Rocking beneath the cedars to and fro,
As the wind pass'd, and with a fitful glow
Lighting the victim's face: But who could tell
Of what within his secret heart befel,
Known but to heaven that hour? Perchance a thought
Of his far home then so intensely wrought,
That its full image, pictur'd to his eye
On the dark ground of mortal agony,
Rose clear as day! and he might see the band,
Of his young sisters wand'ring hand in hand,
Where the laburnums droop'd; or haply binding
The jasmine, up the door's low pillars winding;
Or, as day clos'd upon their gentle mirth,
Gathering with braided hair, around the hearth
Where sat their mother; and that mother's face
Its grave sweet smile yet wearing in the place
Where so it ever smiled!Perchance the prayer
Learn'd at her knee came back on his despair;
The blessing from her voice, the very tone
Of her 'Good-night' might breathe from boyhood gone!
He started and look'd up: thick cypress boughs
Full of strange sound, wav'd o'er him, darkly red
In the broad stormy firelight; savage brows,
With tall plumes crested and wild hues o'erspread,
Girt him like feverish phantoms; and pale stars
Look'd thro' the branches as thro' dungeon bars,
Shedding no hope. He knew, he felt his doom
Oh! what a tale to shadow with its gloom
That happy hall in England! Idle fear!
Would the winds tell it? Who might dream or hear
The secret of the forests? to the stake
They bound him; and that proud young soldier strove
His father's spirit in his breast to wake,
Trusting to die in silence! He, the love
Of many hearts! the fondly rear'd, the fair,
Gladdening all eyes to see! And fetter'd there.
He stood beside his death-pyre, and the brand
Flamed up to light it, in the chieftain's hand.
He thought upon his God. Hush! hark! a cry
Breaks on the stern and dread solemnity,
A step hath pierc'd the ring! Who dares intrude
On the dark hunters in their vengeful mood?
A girl a young slight girl a fawn-like child
Of green Savannas and the leafy wild,
Springing unmark'd till then, as some lone flower,
Happy because the sunshine is its dower;
Yet one that knew how early tears are shed,
For hers had mourn'd a playmate brother dead.
She had sat gazing on the victim long,
Until the pity of her soul grew strong;
And, by its passion's deep'ning fervour sway'd,
Ev'n to the stake she rush'd, and gently laid
His bright head on her bosom, and around
His form her slender arms to shield it wound
Like close liannes; then rais'd her glittering eye
And clear-toned voice that said, 'He shall not die!'
'He shall not die!' the gloomy forest thrill'd
To that sweet sound. A sudden wonder fell
On the fierce throng; and heart and hand were still'd,
Struck down, as by the whisper of a spell.
They gaz'd their dark souls bow'd before the maid,
She of the dancing step in wood and glade!
And, as her cheek flush'd thro' its olive hue,
As her black tresses to the night-wind flew,
Something o'ermaster'd them from that young mien–
Something of heaven, in silence felt and seen;
And seeming, to their child-like faith, a token
That the Great Spirit by her voice had spoken.
They loos'd the bonds that held their captive's breath;
From his pale lips they took the cup of death;
They quench'd the brand beneath the cypress tree;
'Away,' they cried, 'young stranger, thou art free!'
poem by Felicia Dorothea Hemans
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The Old Wife and the New
He sat beneath the curling vines
That round the gay verandah twined,
His forehead seamed with sorrow’s lines,
An old man with a weary mind.
His young wife, with a rosy face
And brown arms ambered by the sun,
Went flitting all about the place—
Master and mistress both in one.
What caused that old man’s look of care?
Was she not blithe and fair to see?
What blacker than her raven hair,
What darker than her eyes might be?
The old man bent his weary head;
The sunlight on his gray hair shone;
His thoughts were with a woman dead
And buried, years and years agone:
The good old wife who took her stand
Beside him at the altar-side,
And walked with him, hand clasped in hand,
Through joy and sorrow till she died.
Ah, she was fair as heart’s desire,
And gay, and supple-limbed, in truth,
And in his veins there leapt like fire
The hot red blood of lusty youth.
She stood by him in shine and shade,
And, when hard-beaten at his best,
She took him like a child and laid
His aching head upon her breast.
She helped him make a little home
Where once were gum-trees gaunt and stark,
And bloodwoods waved green-feathered foam—
Working from dawn of day to dark,
Till that dark forest formed a frame
For vineyards that the gods might bless,
And what was savage once became
An Eden in the wilderness.
And how at their first vintage-time
She laughed and sang—you see such shapes
On vases of the Grecian prime—
And danced a reel upon the grapes!
And ever, as the years went on,
All things she kept with thrifty hand,
Till never shone the sun upon
A fairer homestead in the land.
Then children came—ah, me! ah, me!
Sad blessings that a mother craves!
That old man from his seat could see
The shadows playing o’er their graves.
And then she closed her eyes at last,
Her gentle, useful, peaceful life
Was over—garnered with the past;
God rest thee gently, Good Old Wife!
His young wife has a rosy face,
And laughs, with reddest lips apart,
But cannot fill the empty place
Within that old man’s lonely heart.
His young wife has a rosy face,
And brown arms ambered by the sun,
Goes flitting all about the place,
Master and mistress both in one;
But though she sings, or though she sighs,
He sees her not—he sees instead
A gray-haired Shade with gentle eyes—
The good old wife, long dead, long dead.
He sits beneath the curling vines,
Through which the merry sunrays dart,
His forehead seamed with sorrow’s lines—
An old man with a broken heart.
poem by Victor James Daley
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The Duel
Oh many a duel the world has seen
That was bitter with hate, that was red with gore.
But I sing of a duel by far more cruel
Than ever a poet was sung before.
It was waged by night, yea by day and by night,
With never a pause or halt or rest,
And the curious spot where this battle was fought
Was the throbbing heart in a woman’s breast.
There met two rivals in deadly strife,
And they fought for this woman so pale and proud.
One was a man in the prime of his life,
And one was a corpse in a moldy shroud;
One wrapped in a sheet from his head to his feet,
The other one clothed in worldly fashion;
But a rival to dread is a man who is dead,
If he has been loved in life with passion.
The living lover he battled with sighs,
He strove for the woman with words that burned,
While stiff and stark lay the corpse in the dark,
And silently yearned and yearned and yearned.
One spoke of the rapture that life still held
For hearts that yielded to love’s desire,
And one through the cold grave’s earthly mold
Sent thoughts of a past that were fraught with fire.
The living lover seized hold of her hands –
“You are mine, ” he cried, “and we will not part! ”
But she felt the clutch of the dead man’s touch
On the tense-drawn strings of her aching heart.
Yet the touch was of ice, and she shrank with fear –
Oh! the hands of the dead are cold, so cold –
And warm were the arms that waited near
To gather her close in their clinging fold.
And warm was the light in the living eyes,
But the eyes of the dead, how they stare and stare!
With sudden surrender she turned to the tender
And passionate lover who wooed her there.
Farewell to sorrow, hail, sweet to-morrow!
The battle was over, the duel was done.
They swooned in the blisses of love’s fond kisses,
And the dead man stared on in the dark alone.
poem by Ella Wheeler Wilcox
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The Dying Hour
I.
OH! watch me; watch me still
Thro' the long night's dreary hours,
Uphold by thy firm will
Worn Nature's sinking powers!
II.
While yet thy face is there
(The loose locks round it flying),
So young, and fresh, and fair,
I feel not I am dying!
III.
Stoop down, and kiss my brow!
The shadows round me closing
Warn me that dark and low
I soon shall be reposing.
IV.
But while those pitying eyes
Are bending thus above me,
In vain the death-dews rise,--
Thou dost regret and love me!
V.
Then watch me thro' the night,
Thro' my broken, fitful slumber;
By the pale lamp's sickly light
My dying moments number!
VI.
Thy fond and patient smile
Shall soothe my painful waking;
Thy voice shall cheer me while
The slow grey dawn is breaking!
VII.
The battle-slain, whose thirst
No kindly hand assuages,
Whose low faint farewells burst
Unheard, while combat rages,--
VIII.
The exiled, near whose bed
Some vision'd form seems weeping,
Whose steps shall never tread
The land where he lies sleeping,--
IX.
The drown'd, whose parting breath
Is caught by wild winds only,--
Theirs is the bitter death,
Beloved, for they die lonely!
X.
But thus, tho' rack'd, to lie,
Thou near, tho' full of sadness,
Leaves still, e'en while I die,
A lingering gleam of gladness!
XI.
I feel not half my pain
When to mine thy fond lip presses,--
I warm to life again
Beneath thy soft caresses!
XII.
Once more, oh! yet once more
Fling, fling thy white arms round me,
As oft in days of yore
Their gentle clasp hath bound me;
XIII.
And hold me to that breast
Which heaves so full with sorrow--
Who knows where I may rest
In the dark and blank to-morrow?
XIV.
Ah! weep not--it shall be
An after-thought to cheer thee,
That while mine eyes could see,
And while mine ears could hear thee--
XV.
Thy voice and smile were still
The spells on which I doated,
And thou, through good and ill,
To me and mine devoted!
XVI.
And calmly by my tomb,
When the low bright day declineth,
And athwart the cypress gloom
The mellow sunset shineth,--
XVII.
Thou'lt sit and think of Him,
Who, of Heaven's immortal splendour,
Had a dream on earth, though dim,
In thy love so pure and tender,--
XVIII.
Who scarcely feels thy touch,--
Whom thy voice can rouse no longer,--
But whose love on earth was such,
That only death was stronger.
XIX.
Yes, sit, but not in tears!
Thine eyes in faith uplifting,
From thy lot of changeful years,
To the Heaven where naught is shifting.
XX.
From this world, where all who love
Are doomed alike to sever,
To the glorious realms above,
Where they dwell in peace for ever!
XXI.
And then such hope shall beam
From the grave where I lie sleeping,
This bitter hour shall seem
Too vague and far for weeping--
XXII.
And grief--ah! hold me now!
My fluttering pulse is failing,--
The death-dews chill my brow,--
The morning light is paling!
XXIII.
I seek thy gaze in vain,--
Earth reels and fades before me;
I die!--but feel no pain,--
Thy sweet face shining o'er me!
poem by Caroline Elizabeth Sarah Norton
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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Fragoletta
O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?
I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.
What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?
I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.
O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.
Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.
Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?
How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?
Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.
Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.
Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!
Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.
Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.
O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.
poem by Algernon Charles Swinburne
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Ivan The Czar
He sat in silence on the ground,
The old and haughty Czar;
Lonely, tho' princes girt him round,
And leaders of the war:
He had cast his jewell'd sabre,
That many a field had won,
To the earth beside his youthful dead,
His fair and first-born son.
With a robe of ermine for its bed,
Was laid that form of clay,
Where the light a stormy sunset shed,
Thro' the rich tent made way:
And a sad and solemn beauty
On the pallid face came down,
Which the Lord of nations mutely watch'd,
In the dust, with his renown.
Low tones at last of wo and fear
From his full bosom broke;–
A mournful thing it was to hear
How then the proud man spoke!
The voice that thro' the combat
Had shouted far and high,
Came forth in strange, dull, hollow tones,
Burden'd with agony.
'There is no crimson on thy cheek,
And on thy lip no breath,
I call thee, and thou dost not speak–
They tell me this is death!
And fearful things are whispering
That I the deed have done–
For the honour of thy father's name,
Look up, look up, my son!
'Well might I know death's hue and mien,
But on thine aspect, boy!
What, till this moment, have I seen
Save pride and tameless joy?
Swiftest thou wert to battle,
And bravest there of all–
How could I think a warrior's frame
Thus like a flower should fall?
'I will not bear that still, cold look–
Rise up, thou fierce and free!
Wake as the storm wakes! I will brook
All, save this calm, from thee!
Lift brightly up, and proudly,
Once more thy kindling eyes!
Hath my word lost its power on earth?
I say to thee, arise!
'Didst thou not know I lov'd thee well?
Thou didst not! and art gone
In bitterness of soul, to dwell
Where man must dwell alone.
Come back, young fiery spirit!
If but one hour, to learn
The secrets of the folded heart,
That seem'd to thee so stern.
'Thou wert the first, the first, fair child,
That in mine arms I press'd;
Thou wert the bright one, that hast smil'd
Like summer on my breast!
I rear'd thee as an eagle,
To the chase thy steps I led,
I bore thee on my battle-horse,
I look upon thee–dead!
'Lay down my warlike banners here,
Never again to wave,
And bury my red sword and spear,
Chiefs! in my first-born's grave!
And leave me!–I have conquer'd,
I have slain–my work is done!
Whom have I slain?–ye answer not–
Thou too art mute, my son!'
And thus his wild lament was pour'd
Thro' the dark resounding night,
And the battle knew no more his sword,
Nor the foaming steed his might.
He heard strange voices moaning
In every wind that sigh'd;
From the searching stars of heaven he shrank–
Humbly the conqueror died.
poem by Felicia Dorothea Hemans
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To The Muse Of The North
O muse that swayest the sad Northern Song,
Thy right hand full of smiting & of wrong,
Thy left hand holding pity; & thy breast
Heaving with hope of that so certain rest:
Thou, with the grey eyes kind and unafraid,
The soft lips trembling not, though they have said
The doom of the World and those that dwell therein.
The lips that smile not though thy children win
The fated Love that draws the fated Death.
O, borne adown the fresh stream of thy breath,
Let some word reach my ears and touch my heart,
That, if it may be, I may have a part
In that great sorrow of thy children dead
That vexed the brow, and bowed adown the head,
Whitened the hair, made life a wondrous dream,
And death the murmur of a restful stream,
But left no stain upon those souls of thine
Whose greatness through the tangled world doth shine.
O Mother, and Love and Sister all in one,
Come thou; for sure I am enough alone
That thou thine arms about my heart shouldst throw,
And wrap me in the grief of long ago.
poem by William Morris
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Madona Mia
UNDER green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen’s head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joy from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet,
Yet no man knows.
Only this thing is said;
That white and gold and red,
God’s three chief words, man’s bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady’s praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This was my lady’s birth;
God gave her might and mirth
And laid his whole sweet earth
Between her hands.
Under deep apple-boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
poem by Algernon Charles Swinburne
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She Sat Alone Beside Her Hearth
SHE sat alone beside her hearth—
For many nights alone;
She slept not on the pleasant couch
Where fragrant herbs were strewn.
At first she bound her raven hair
With feather and with shell;
But then she hoped; at length, like night,
Around her neck it fell.
They saw her wandering mid the woods,
Lone, with rite cheerless dawn,
And then they said, 'Can this be her
We called 'The Startled Fawn?' '
Her heart was in her large sad eyes,
Half sunshine and half shade;
And love, as love first springs to life,
Of every thing afraid.
The red leaf far more heavily
Fell down to autumn earth,
Than her light feet, which seemed to move
To music and to mirth.
With the light feet of early youth,
What hopes and joys depart,
Ah! nothing like the heavy step
Betrays the heavy heart.
It is a usual history
That Indian girl could tell;
Fate sets apart one common doom
For all who love too well.
The proud—the shy—the sensitive,—
Life has not many such;
They dearly buy their happiness,
By feeling it too much.
A stranger to her forest home,
That fair young stranger came;
They raised for him the funeral song—
For him the funeral flame.
Love sprang from pity,—and her arms
Around his arms she threw;
She told her father, 'If he dies,
Your daughter dieth too.'
For her sweet sake they set him free—
He lingered at her side;
And many a native song yet tells
Of that pale stranger's bride.
Two years have passed—how much two years
Have taken in their flight!
They've taken from the lip its smile,
And from the eye its light.
Poor child! she was a child in years—
So timid and so young;
With what a fond and earnest faith
To desperate hope she clung!
His eyes grew cold—his voice grew strange—
They only grew more dear.
She served him meekly, anxiously,
With love—half faith—half fear.
And can a fond and faithful heart
Be worthless in those eyes
For which it beats?—Ah! wo to those
Who such a heart despise.
Poor child! what lonely days she passed,
With nothing to recall
But bitter taunts, and careless words,
And looks more cold than all.
Alas! for love, that sits at home,
Forsaken, and yet fond;
The grief that sits beside the hearth—
Life has no grief beyond.
He left her, but she followed him—
She thought he could not bear,
When she had left her home for him,
To look on her despair.
Adown the strange and mighty stream
She took her lonely way;
The stars at night her pilots were,
As was the sun by day.
Yet mournfully—how mournfully!—
The Indian looked behind,
When the last sound of voice or step
Died on the midnight wind,
Yet still adown the gloomy stream
She plied her weary oar;
Her husband—he had left their home,
And it was home no more.
She found him—but she found in vain—
He spurned her from his side;
He said, her brow was all too dark,
For her to be his bride.
She grasped his hands,—her own were cold,—
And silent turned away,
As she had not a tear to shed,
And not a word to say.
And pale as death she reached her boat,
And guided it along;
With broken voice she strove to raise
A melancholy song.
None watched the lonely Indian girl,—
She passed unmarked of all,
Until they saw her slight canoe
Approach the mighty Fall!
Upright, within that slender boat
They saw the pale girl stand,
Her dark hair streaming far behind—
Upraised her desperate hand.
The air is filled with shriek and shout—
They call, but call in vain;
The boat amid the waters dash'd—
'Twas never seen again!
poem by Letitia Elizabeth Landon
Submitted by Poetry Lover
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