To Victor Daley
I thought that silence would be best,
But I a call have heard,
And, Victor, after all the rest,
I well might say a word:
The day and work is nearly done,
And ours the victory,
And we are resting, one by one,
In graveyards by the sea.
But then you talked of other nights,
When, gay from dusk to dawn,
You wasted hours with other lights
That went where you have gone.
You spoke not of the fair and “fast”,
But of the pure and true—
“Sweet ugly women of the past”
Who stood so well by you.
You made a jest on that last night,
I met it with a laugh:
You wondered which of us should write
The other’s epitaph.
We filled the glasses to the brim—
“The land’s own wine” you know—
And solemnly we drank to him
Who should be first to go.
No ribald jest; we were but two—
The royst’ring days were past—
And in our heart of hearts we knew,
That one was going fast.
We both knew who should win the race—
Were rest or fame the prize—
As with a quaint smile on your face
You looked into my eyes.
You talked about old struggles brave,
But in a saddened tone—
The swindles editors forgave
For laughter’s sake alone.
You talked of humorous distress,
And bailiffs that you knew,
But with a touch of bitterness
I’d never seen in you.
No need for tears or quick-caught breath—
You sleep not in the sand—
No need for ranting song of death,
With the death drink in our hand.
No need for vain invective hurled
At “cruel destiny”,
Though you seem dead to all the world
You are not dead to me.
I see you walk into the room—
We aye remember how—
And, looking back into the gloom,
You’ll smile about it now.
’Twas Victor’s entry, solemn style—
With verse or paragraph:
Though we so often saw your smile
How many heard you laugh?
They dare to write about the man
That they have never seen:
The blustering false Bohemian
That you have never been;
Some with the false note in their voice,
And with the false tear shed,
Who in their secret heart rejoice
For one more rival—dead.
They miss the poems, real and true,
Where your heart’s blood was shed.
And rave of reckless things that you
Threw out for bitter bread.
They “weep” and “worship” while you “rest”,
They drivel and they dote—
But, Victor, we remember best
The things we never wrote.
The things that lie between us two,
The things I’ll never tell.
A fool, I stripped my soul, but you—
You wore your mask too well
(How strangely human all men be,
Though each one plays a part).
You only dropped it once for me,
But then I saw your heart.
A souls’-match, such as one might strike
With or without intent
(How strangely all men are alike—
With masks so different).
No need to drop the mask again,
On that last night, I know—
It chanced when we were sober men,
Some seven years ago.
They slander you, fresh in the sand,
They slander me alive;
But, when their foul souls flee the land,
Our spirits shall arrive.
In slime and envy let them rave,
And let the worst be said:
“A drunkard at a drunkard’s grave,”
“A brilliant drunkard dead.”
Because we would not crawl to them,
Their hands we would not shake,
Because their greed we would condemn,
Their bribes we would not take:
Because unto the fair and true
Our hearts and songs we gave—
But I forgot them when I threw
My white flower on your grave.
So let us turn, and with a smile
Let those poor creatures pass
While we, the few who wait awhile,
Drink to an empty glass.
We’ll live as in the days gone by,
To no god shall we bow—
Though, Victor, there are times when I
Feel jealous of you now.
But I’ll have done with solemn songs,
Save for my country’s sake;
It is not meet, for all the wrongs,
That any heart should break.
So many need to weep and smile,
Though all the rest should frown,
That I’d take your burden up awhile
Where you have laid it down.
poem by Henry Lawson
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Written Out [1]
Sing the song of the reckless, who care not what they do;
Sing the song of a sinner and the song of a writer, too—
Down in a pub in the alleys, in a dark and dirty hole,
With every soul a drunkard and the boss with never a soul.
Uncollared, unkempt, unshaven, sat the writer whose fame was fair,
And the girls of the streets were round him, and the bullies and bludgers there;
He was one of themselves and they told him the things that they had to tell—
He was studying human nature with his brothers and sisters in hell.
He was neither poor nor lonely, for a place in the world he’d won,
And up in the heights of the city he’d a thousand friends or none;
But he knew that his chums could wait awhile, that he’d reckon with foes at last,
For he lived far into a future that he knew because of the past.
They remembered the man he had been, they remembered the songs he wrote,
And some of them came to pity and some of them came to gloat:
Some of them shouted exulting—some whispered with bated breath
That down in a den in the alleys he was drinking himself to death.
Thus said the voice of the hypocrites—and the true hearts sighed with pain,
‘Oh! he never will write as he used to write! He never will write again;’
A poet had written his epitaph in numbers of sad regret,
And the passing-notice was pigeon-holed, and the last review was set.
But the strength was in him to rise again to a greater height, he knew,
For the sake of the friends who were true to him and the work that he had to do;
He was sounding the depths that he had to know, he was gathering truths for his craft,
And he heard the chatter of little men—and he turned to his beer and laughed.
poem by Henry Lawson
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Burial of Barber
BEAR him, comrades, to his grave;
Never over one more brave
Shall the prairie grasses weep,
In the ages yet to come,
When the millions in our room,
What we sow in tears, shall reap.
Bear him up the icy hill,
With the Kansas, frozen still
As his noble heart, below,
And the land he came to till
With a freeman's thews and will,
And his poor hut roofed with snow!
One more look of that dead face,
Of his murder's ghastly trace!
One more kiss, O widowed one!
Lay your left hands on his brow,
Lift you right hands up and vow
That his work shall yet be done.
Patience, friends! The eye of God
Every path by Murder trod
Watches, lidless, day and night;
And the dead man in his shroud,
And his widow weeping loud,
And our hearts, are in his sight.
Every deadly threat that swells
With the roar of gambling hells,
Every brutal jest and jeer,
Every wicked thought and plan
Of the cruel heart of man,
Though but whispered, He can hear!
We in suffering, they in crime,
Wait the just award of time,
Wait the vengeance that is due;
Not in vain a heart shall break,
Not a tear for Freedom's sake
Fall unheeded: God is true.
While the flag with stars bedecked
Threatens where it should protect,
And the Law shakes hands with Crime,
What is left us but to wait,
Match our patience to our fate,
And abide the better time?
Patience, friends! The human heart
Everywhere shall take our part,
Everywhere for us shall pray;
On our side are nature's laws,
And God's life is in the cause
That we suffer for to-day.
Well to suffer is divine;
Pass the watchword down the line,
Pass the countersign: 'Endure.'
Not to him who rashly dares,
But to him who nobly bears,
Is the victor's garland sure.
Frozen earth to frozen breast,
Lay our slain one down to rest;
Lay him down in hope and faith,
And above the broken sod,
Once again, to Freedom's God,
Pledge ourselves for life or death,
That the State whose walls we lay,
In our blood and tears, to-day,
Shall be free from bonds of shame,
And our goodly land untrod
By the feet of Slavery, shod
With cursing as with flame!
Plant the Buckeye on his grave,
For the hunter of the slave
In its shadow cannot rest;
And let martyr mound and tree
Be our pledge and guaranty
Of the freedom of the West!
poem by John Greenleaf Whittier
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The Dead Singer
'SHE is dead!' they say; 'she is robed for the grave; O there are lilies upon her breast;
Her mother has kissed her clay-cold lips, and folded her hands to rest;
Her blue eyes show through the waxen lids: they have hidden her hair's gold crown;
Her grave is dug, and its heap of earth is waiting to press her down.'
'She is dead!' they say to the people, her people, for whom she sung;
Whose hearts she touched with sorrow and love, like a harp with life-chords strung.
And the people hear—but behind their tear they smile as though they heard
Another voice, like a mystery, proclaim another word.
'She is not dead.' it says to their hearts; 'true Singers can never die;
Their life is a voice of higher things, unseen to the common eye;
The truths and the beauties are clear to them, God's right and the human wrong,
The heroes who die unknown, and the weak who are chained and scourged by the strong.'
And the people smile at the death-word, for the mystic voice is clear:
'THE SINGER WHO LIVED IS ALWAYS ALIVE: WE HEARKEN AND ALWAYS HEAR!'
And they raise her body with tender hands, and bear her down to the main,
They lay her in state on the mourning ship, like the lily-maid Elaine;
And they sail to her isle across the sea, where the people wait on the shore
To lift her in silence with heads all bare to her home forevermore,
Her home in the heart of her country; oh, a grave among our own
Is warmer and dearer than living on in the stranger lands alone.
No need of a tomb for the Singer! Her fair hair's pillow now
Is the sacred clay of her country, and the sky above her brow
Is the same that smiled and wept on her youth, and the grass around is deep
With the clinging leaves of the shamrock that cover her peaceful sleep.
Undreaming there she will rest and wait, in the tomb her people make,
Till she hears men's hearts, like the seeds in Spring, all stirring to be awake,
Till she feels the moving of souls that strain till the bands around them break;
And then, I think, her dead lips will smile and her eyes be oped to see,
When the cry goes out to the Nations that the Singer's land is free!
poem by John Boyle O'Reilly
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Spring Dirge
A child came singing through the dusty town
A song so sweet that all men stayed to hear,
Forgetting for a space their ancient fear
Of evil days and death and fortune’s frown.
She sang of Winter dead and Spring new-born
In the green fields beyond the far hills’ bound;
And how this fair Spring, coming blossom-crowned,
Would cross the city’s threshold on the morn.
And each caged bird in every house anigh,
Even as she sang, caught up the glad refrain
Of Love and Hope and fair days come again,
Till all who heard forgot they had to die.
And all the ghosts of buried woes were laid
That heard the song of this sweet sorceress;
The Past grew to a dream of old distress,
And merry were the hearts of man and maid.
So, at the first faint blush of tender dawn,
Spring stole with noiseless steps through the gray gloom,
And men knew only by a strange perfume
That she had softly entered and withdrawn.
But ah! the lustre of her violet eyes
Was dimmed with tears for her sweet singing maid,
Whose voice would sound no more in shine or shade
To charm men’s souls at set of sun or rise.
For there, with dews of dawn upon her hair,
Like a fair flower plucked and flung away,
Dead in the street the little maiden lay
Who gave new life to hearts nigh dead of care.
Alas! must this be still the bitter doom
Awaiting those, the finer-souled of earth,
Who make for men a morning song of mirth
While yet the birds are dumb amid the gloom?
They walk on thorny ways with feet unshod,
Sing one last song, and die as that song dies.
There is no human hand to close their eyes,
And very heavy is the hand of God.
poem by Victor James Daley
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One Woman's Memory
Here is a lock of his soft, dark hair,
And here are the letters he wrote to me.
And the ring of gold that I used to wear
Is here in the casket-see!
I put them away ten years ago.
'What is it,' you ask, 'did I love in vain?
Was my lover unfaithful?' No, oh! no.
My heart was spared that pain.
He died in the bloom of his manhood's youth.
You say I have his memory, friend;
That he is not dead, but lives, in truth;
Wait till you hear the end.
Death in itself is a little thing,
It is only passing from here to there;
But a death of shame has a bitter sting
That makes it hard to bear.
He was good and true as a man could be,
Noble and pure, when I loved him first;
But all of his race were cursed, you see,
With a fiery, craving thirst.
And the tempter, morning and noon and night,
Was placed in his path by a mother's hand.
The woe of wine, and its blasting blight,
She did not understand.
I did not know, or I did not think,
Of the awful shame that was hidden there
When I saw him lift the glass, and drink
To the health of his 'lady fair.'
I knew and I thought when it was too late.
I reached out my hands, but I could not save.
He hurried on to his fearful fate,
And sank in a drunkard's grave.
He was good, and kind, and true, but weak
When the ruby wine danced o'er the brim.
And woe is me that I did not speak
One warning word to him!
If I had but told him to cast away,
To touch not and taste not the mocker, wine,
I need not have felt as I feel to-day
That blood stains these hands of mine.
O ye who have friends on the awful brink
That hangs o'er the river of ruin and death!
When you see them lift the glass, oh! think
Of the jaggèd rocks beneath.
Reach out a hand ere the deed is done.
Send forth a cry in the dear Lord's name.
Oh! stand not aloof while a precious one
Speeds down to a grave of shame.
poem by Ella Wheeler Wilcox
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To Jim
I gaze upon my son once more,
With eyes and heart that tire,
As solemnly he stands before
The screen drawn round the fire;
With hands behind clasped hand in hand,
Now loosely and now fast—
Just as his fathers used to stand
For generations past.
A fair and slight and childish form,
And big brown thoughtful eyes—
God help him! for a life of storm
And stress before him lies:
A wanderer and a gipsy wild,
I’ve learnt the world and know,
For I was such another child—
Ah, many years ago!
But in those dreamy eyes of him
There is no hint of doubt—
I wish that you could tell me, Jim,
The things you dream about.
Dream on, my son, that all is true
And things not what they seem—
’Twill be a bitter day for you
When wakened from your dream.
You are a child of field and flood,
But with the gipsy strains
A strong Norwegian sailor’s blood
Is running through your veins.
Be true, and slander never stings,
Be straight, and all may frown—
You’ll have the strength to grapple things
That dragged your father down.
These lines I write with bitter tears
And failing heart and hand,
But you will read in after years,
And you will understand:
You’ll hear the slander of the crowd,
They’ll whisper tales of shame,
But days will come when you’ll be proud
To bear your father’s name.
But oh! beware of bitterness
When you are wronged, my lad—
I wish I had the faith in men
And women that I had!
’Tis better far (for I have felt
The sadness in my song)
To trust all men and still be wronged
Than to trust none and wrong.
Be generous and still do good
And banish while you live
The spectre of ingratitude
That haunts the ones who give.
But if the crisis comes at length
That your future might be marred,
Strike hard, my son, with all your strength!
For your own self’s sake, strike hard!
poem by Henry Lawson
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Magdalen
All things I can endure, save one.
The bare, blank room where is no sun;
The parcelled hours; the pallet hard;
The dreary faces here within;
The outer women's cold regard;
The Pastor's iterated "sin";--
These things could I endure, and count
No overstrain'd, unjust amount;
No undue payment for such bliss--
Yea, all things bear, save only this:
That you, who knew what thing would be,
Have wrought this evil unto me.
It is so strange to think on still--
That you, that you should do me ill!
Not as one ignorant or blind,
But seeing clearly in your mind
How this must be which now has been,
Nothing aghast at what was seen.
Now that the tale is told and done,
It is so strange to think upon.
You were so tender with me, too!
One summer's night a cold blast blew,
Closer about my throat you drew
That half-slipt shawl of dusky blue.
And once my hand, on summer's morn,
I stretched to pluck a rose; a thorn
Struck through the flesh and made it bleed
(A little drop of blood indeed!)
Pale grew your cheek you stoopt and bound
Your handkerchief about the wound;
Your voice came with a broken sound;
With the deep breath your breast was riven;
I wonder, did God laugh in Heaven?
How strange, that you should work my woe!
How strange! I wonder, do you know
How gladly, gladly I had died
(And life was very sweet that tide)
To save you from the least, light ill?
How gladly I had borne your pain.
With one great pulse we seem'd to thrill,--
Nay, but we thrill'd with pulses twain.
Even if one had told me this,
"A poison lurks within your kiss,
Gall that shall turn to night his day:"
Thereon I straight had turned away--
Ay, tho' my heart had crack'd with pain--
And never kiss'd your lips again.
At night, or when the daylight nears,
I hear the other women weep;
My own heart's anguish lies too deep
For the soft rain and pain of tears.
I think my heart has turn'd to stone,
A dull, dead weight that hurts my breast;
Here, on my pallet-bed alone,
I keep apart from all the rest.
Wide-eyed I lie upon my bed,
I often cannot sleep all night;
The future and the past are dead,
There is no thought can bring delight.
All night I lie and think and think;
If my heart were not made of stone,
But flesh and blood, it needs must shrink
Before such thoughts. Was ever known
A woman with a heart of stone?
The doctor says that I shall die.
It may be so, yet what care I?
Endless reposing from the strife?
Death do I trust no more than life.
For one thing is like one arrayed,
And there is neither false nor true;
But in a hideous masquerade
All things dance on, the ages through.
And good is evil, evil good;
Nothing is known or understood
Save only Pain. I have no faith
In God, or Devil, Life or Death.
The doctor says that I shall die.
You, that I knew in days gone by,
I fain would see your face once more,
Con well its features o'er and o'er;
And touch your hand and feel your kiss,
Look in your eyes and tell you this:
That all is done, that I am free;
That you, through all eternity,
Have neither part nor lot in me.
The Bards Who Lived at Manly
The camp of high-class spielers,
Who sneered in summer dress,
And doo-dah dilettante,
And scornful “venuses”—
House agents, and storekeepers,
All eager they to “bleed”—
The bards who tackled Manly,
Were plucky bards indeed!
With shops that feared to trust them,
And pubs that looked askance;
And prigs who read their verses,
But gave them not a glance;—
When all were vain and selfish,
And editors were hard—
The bard that stuck to Manly
Was sure a mighty bard.
What mattered floors were barren,
And windows curtainless,
And our life seemed to others
But blackguard recklessness?
We wore our clothes for comfort,
We earned our bread alway,
And beer and good tobacco
Came somehow every day.
Came kindred souls to Manly—
Outsiders that we knew,
And with them scribes and artists,
And low comedians too;
And sometimes bright girl writers—
Called “Tommy”, “Jack”, or “Pat”—
(Though each one had a sweetheart
The rest knew nought of that).
’Twas not the paltry village
We honoured unaware,
Or welcome warm, or friendship,
Or “tone” that took us there;
We longed to sing for mankind,
Where heaven’s breath was free
We only sought the grandeur
Of sea-cliff, sands and sea.
And we were glad at Manly,
All unaware of “swells”,
Of doctors and of nurses,
And private hospitals;
With little fear of bailiffs,
And great contempt for greed—
The bards who lived at Manly,
They were a healthy breed.
Oh! moonlit nights at Manly,
When all the world was fair!
In shirts and turned-up trousers
We larked like big boys there.
Oh! glorious autumn mornings—
The gold and green and blue—
We “stripped” as well as any,
And swam as strongly too.
The artist had a missus,
Who rather loved the wretch,
And so for days together
He’d stay at home and sketch.
And then—I fear ’twas only
When things were getting tight—
The bards would shun each other,
And hump themselves—and write.
When bailiffs came to Manly
They’d find no “sticks” to take,
We’d welcome them as brothers—
Their grimy hands we’d shake;
We’d send for beer in billies—
And straightway send for more—
And bailiff nights in Manly
Were merry nights of yore.
There are some things that landlords
And law can’t do at all:
They could not take the pictures
We painted on the wall;
They could not take the table—
The table was a door;
They could not take the bedsteads—
The beds were on the floor.
The door of some old stable—
We’d borrowed for a drink—
A page of rhymes and sketches,
And stained with beer and ink;
A dead hand drew the portraits—
And, say, should I be shamed,
To seek it out in Manly
And get the old door framed?
They left the masterpieces
The artist dreamed of long;
They could not take the gardens
From Victor Daley’s song;
They left his summer islands
And fairy ships at sea,
They could not take my mountains
And western plains from me.
One bailiff was our brother,
No better and no worse—
And, oh! the yarns he told us
To put in prose and verse,
And sorry we to lose him,
And sorry he to go—
(Oh! skeletons of Pott’s Point,
How many things we know)!
The very prince of laughter,
With brains and sympathy;
And with us on the last night
He spent his bailiff’s fee.
He banished Durkin’s gruffness,
He set my soul afloat,
And drew till day on Daley’s
Bright store of anecdote.
He said he’d stick to business—
Though he could well be free—
If but to save poor devils
From harder “bums” than he,
Now artist, bard and bailiff
Have left this vale of sin—
I trust, if they reach Heaven,
They’ll take that bailiff in.
The bards that lived in Manly
Have vanished one and one;
But do not think in Manly
Bohemian days are done.
They bled me white in Manly
When rich and tempest-tossed—
I’ll leave some bills in Manly
To pay for what I lost.
They’d grab and grind in Manly,
Then slander, sneer, and flout.
The shocked of moral Manly!
They starved my brothers out.
The miserable village,
Set in a scene so fair,
Were honester and cleaner
If some of us were there!
But one went with December—
These last lines seem to-night
Like some song I remember,
And not a song I write.
With vision strangely clearer
My old chums seem to be,
In death and absence, nearer
Than e’er they were to me.
Alone, and still not lonely—
When tears will not be shed—
I wish that I could only
Believe that they were dead.
With hardly curbed emotion,
I can’t but think, somehow,
In Manly by the ocean
They’re waiting for me now.
poem by Henry Lawson
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A Christmas Eve
GOOD fellows are laughing and drinking
(To-night no heart should grieve),
But I am of old days thinking,
Alone, on Christmas Eve.
Old memories fast are springing
To life again; old rhymes
Once more in my brain are ringing—
Ah, God be with old times!
There never was man so lonely
But ghosts walked him beside,
For Death our spirits can only
By veils of sense divide.
Numberless as the blades of
Grass in the fields that grow,
Around us hover the shades of
The dead of long ago.
Friends living a word estranges;
We smile, and we say “Adieu!”
But, whatsoever else changes,
Dead friends are faithful and true.
An old-time tune, or a flower,
The simplest thing held dear
In bygone days has the power
Once more to bring them near.
And whether it be through thinking
Of memories sad and sweet,
Or hearing the cheery clinking
Of glasses across the street,
I know not; but this is certain
That, here in the dusk, I view
Like shadows seen through a curtain,
The shades of the friends I knew.
Methinks that I hear their laughter—
An echo of ghostly mirth,
As if in the dim Hereafter
They jest as they did on earth.
The fancy possibly droll is,
And yet it relieves my mind
To think the enfranchised soul is
So humorously inclined.
But hark! whose steps in the glancing
Moonbeams are these I hear,
That sound as if timed to dancing
Music of gallant cheer!
Half Galahad, half Don Juan,
His head full of wild romance;
’Twas thus that of old would Spruhan
Come lilting, “We met by chance.”
Sure never a spirit lighter
At heart quaffed mountain dew;
Never was goblin brighter
That Oberon’s kingdom knew.
And though at this season yearly
I miss the grasp of his hand,
I know that Spruhan has merely
Gone back to Fairyland.
. . . . .
The shades grow dimmer and dimmer,
And now they fade from view,
I see in the East the glimmer
Of dawn. Old friends, adieu!
Sitting here, lonely hearted,
Writing these random rhymes.
I drink to the days departed,—
Ah, God be with old times!
poem by Victor James Daley
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To a Dead Poet
I knew not if to laugh or weep;
They sat and talked of you--
"'Twas here he sat; 'twas this he said!
'Twas that he used to do.
"Here is the book wherein he read,
The room wherein he dwelt;
And he" (they said) "was such a man,
Such things he thought and felt."
I sat and sat, I did not stir;
They talked and talked away.
I was as mute as any stone,
I had no word to say.
They talked and talked; like to a stone
My heart grew in my breast--
I, who had never seen your face
Perhaps I knew you best.
The Firing-Line
They are creeping on through the cornfields yet, and they clamber amongst the rocks,
Ere they rush to stab with the bayonet and smash with the rifle-stocks.
And many are wounded, many are dead—some reel as if drunk with wine,
And fling them down on a blood-stained bed, and sleep in the firing-line.
And they dream, perhaps, of the days shut back, while the shrapnel shrieks and crashes,
And field-guns hammer and rifles crack, and the blood of a comrade splashes.
In horrible shambles they rest a while from murder by right divine;
They curse or jest, and they frown or smile—and they dream in the firing-line.
In the dreadful din of a ghastly fight they are shooting, murdering, men;
In the smothering silence of ghastly peace we murder with tongue and pen.
Where is heard the tap of the typewriter—where the track of reform they mine—
Where they stand to the frame or the linotype—we are all in the firingline.
Weary and parched in the world-old war we are fighting with quivering nerves;
The dead are our fathers who charged before, and the children are our reserves.
In the world-old war, with the world-old wrongs that shall last while the stars still shine,
My comrades and I, who would sing their songs, are all in the firing-line.
There are some of us cowards who hug the ground, and some of us reckless who jest;
And some of us careless who slumber sound, and some of us weary who rest.
There are some of us dreamers, whose beds seem soft, and O heart! O friend of mine!
The brightest and bravest of earth too oft lie drunk in the firing-line.
But the sleeper may wake ere the fort we storm, and the coward be first to dare,
And the weak grow strong, and the drunkard reform, and the dreamer strike hardest there.
God give me strength in my country’s need, though shame and disgrace be mine,
And death be certain, to rise and lead when we charge from the firing-line.
poem by Henry Lawson
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The Things We Dare Not Tell
The fields are fair in autumn yet, and the sun's still shining there,
But we bow our heads and we brood and fret, because of the masks we wear;
Or we nod and smile the social while, and we say we're doing well,
But we break our hearts, oh, we break our hearts! for the things we must not tell.
There's the old love wronged ere the new was won, there's the light of long ago;
There's the cruel lie that we suffer for, and the public must not know.
So we go through life with a ghastly mask, and we're doing fairly well,
While they break our hearts, oh, they kill our hearts! do the things we must not tell.
We see but pride in a selfish breast, while a heart is breaking there;
Oh, the world would be such a kindly world if all men's hearts lay bare!
We live and share the living lie, we are doing very well,
While they eat our hearts as the years go by, do the things we dare not tell.
We bow us down to a dusty shrine, or a temple in the East,
Or we stand and drink to the world-old creed, with the coffins at the feast;
We fight it down, and we live it down, or we bear it bravely well,
But the best men die of a broken heart for the things they cannot tell.
poem by Henry Lawson
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Mater Dolorosa
Who is this that sits by the way, by the wild wayside,
In a rent stained raiment, the robe of a cast-off bride,
In the dust, in the rainfall sitting, with soiled feet bare,
With the night for a garment upon her, with torn wet hair?
She is fairer of face than the daughters of men, and her eyes,
Worn through with her tears, are deep as the depth of skies.
This is she for whose sake being fallen, for whose abject sake,
Earth groans in the blackness of darkness, and men's hearts break.
This is she for whose love, having seen her, the men that were
Poured life out as water, and shed their souls upon air.
This is she for whose glory their years were counted as foam;
Whose face was a light upon Greece, was a fire upon Rome.
Is it now not surely a vain thing, a foolish and vain,
To sit down by her, mourn to her, serve her, partake in the pain?
She is grey with the dust of time on his manifold ways,
Where her faint feet stumble and falter through year-long days.
Shall she help us at all, O fools, give fruit or give fame,
Who herself is a name despised, a rejected name?
We have not served her for guerdon. If any do so,
That his mouth may be sweet with such honey, we care not to know.
We have drunk from a wine-unsweetened, a perilous cup,
A draught very bitter. The kings of the earth stood up,
And the rulers took counsel together, to smite her and slay;
And the blood of her wounds is given us to drink today.
Can these bones live? or the leaves that are dead leaves bud?
Or the dead blood drawn from her veins be in your veins blood?
Will ye gather up water again that was drawn and shed?
In the blood is the life of the veins, and her veins are dead.
For the lives that are over are over, and past things past;
She had her day, and it is not; was first, and is last.
Is it nothing unto you then, all ye that pass by,
If her breath be left in her lips, if she live now or die?
Behold now, O people, and say if she be not fair,
Whom your fathers followed to find her, with praise and prayer,
And rejoiced, having found her, though roof they had none nor bread;
But ye care not; what is it to you if her day be dead?
It was well with our fathers; their sound was in all men's lands;
There was fire in their hearts, and the hunger of fight in their
hands.
Naked and strong they went forth in her strength like flame,
For her love's and her name's sake of old, her republican name.
But their children, by kings made quiet, by priests made wise,
Love better the heat of their hearths than the light of her eyes.
Are they children of these thy children indeed, who have sold,
O golden goddess, the light of thy face for gold?
Are they sons indeed of the sons of thy dayspring of hope,
Whose lives are in fief of an emperor, whose souls of a Pope?
Hide then thine head, O beloved; thy time is done;
Thy kingdom is broken in heaven, and blind thy sun.
What sleep is upon you, to dream she indeed shall rise,
When the hopes are dead in her heart as the tears in her eyes?
If ye sing of her dead, will she stir? if ye weep for her, weep?
Come away now, leave her; what hath she to do but sleep?
But ye that mourn are alive, and have years to be;
And life is good, and the world is wiser than we.
Yea, wise is the world and mighty, with years to give,
And years to promise; but how long now shall it live?
And foolish and poor is faith, and her ways are bare,
Till she find the way of the sun, and the morning air.
In that hour shall this dead face shine as the face of the sun,
And the soul of man and her soul and the world's be one.
poem by Algernon Charles Swinburne
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Children's Playground In The City
THIS is a place where men laid their dead,
Each with his life-tale of good or ill;
Here prayers were murmured and hot tears shed,
And passionate anguish moaned its fill.
Silent now is each voice that cried,
And the tears that were wept have all been dried
In the dust; and dust are the hearts that bled
With hopeless longing for hearts grown still.
Dead and forgotten! for Death, requiter
Of love, taught Memory how to forget!
The love that remembered them died. Grow brighter,
Oh, dim grave-garden, with dead hearts set!
Room for the small flying feet to pass,
The feet of the children over the grass!
The dead, if they knew it, would feel them lighter
Than the weight of a stone that no tears make wet.
We must die too, and the grief that will live
Must die as surely--death comes to all;
But you who come after--let Nature give
To our graves her tears, to our dust her pall:
Let her hide us away in her cold broad breast,
Let us be forgotten, and be at rest,
And over our heads let the great world strive,
And the children's voices carol and call.
If your heart on the flower of remembrance is set,
There is one way to pluck it--and only one:
Dare you ask your country not to forget
A name that needs to be graved on stone?
By grief, strife, sacrifice, scorn of fame,
You may grave on the people's hearts your name,
Or your name may die, and your soul live yet
In the cause you died for--the work you have done.
poem by Edith Nesbit
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The Golden Wedding Of Sterling And Sarah Lanier, September 27, 1868.
By the Eldest Grandson.
A rainbow span of fifty years,
Painted upon a cloud of tears,
In blue for hopes and red for fears,
Finds end in a golden hour to-day.
Ah, YOU to our childhood the legend told,
'At the end of the rainbow lies the gold,'
And now in our thrilling hearts we hold
The gold that never will pass away.
Gold crushed from the quartz of a crystal life,
Gold hammered with blows of human strife,
Gold burnt in the love of man and wife,
Till it is pure as the very flame:
Gold that the miser will not have,
Gold that is good beyond the grave,
Gold that the patient and the brave
Amass, neglecting praise and blame.
O golden hour that caps the time
Since, heart to heart like rhyme to rhyme,
You stood and listened to the chime
Of inner bells by spirits rung,
That tinkled many a secret sweet
Concerning how two souls should meet,
And whispered of Time's flying feet
With a most piquant silver tongue.
O golden day, -- a golden crown
For the kingly heads that bowed not down
To win a smile or 'scape a frown,
Except the smile and frown of Heaven!
Dear heads, still dark with raven hair;
Dear hearts, still white in spite of care;
Dear eyes, still black and bright and fair
As any eyes to mortals given!
Old parents of a restless race,
You miss full many a bonny face
That would have smiled a filial grace
Around your Golden Wedding wine.
But God is good and God is great.
His will be done, if soon or late.
Your dead stand happy in yon Gate
And call you blessed while they shine.
So, drop the tear and dry the eyes.
Your rainbow glitters in the skies.
Here's golden wine: young, old, arise:
With cups as full as our souls, we say:
'Two Hearts, that wrought with smiles through tears
This rainbow span of fifty years,
Behold how true, true love appears
True gold for your Golden Wedding day!'
poem by Sidney Lanier
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A Smile Is A Complicated Thing
A smile is a complicated thing, I'll tell you why,
Anyone can smile, as anyone should,
Yet still it can mask the deepest cuts, I know it's true,
It can deceive people into thinking one's okay, has it worked? ,
It can hide the tears that have dried upon ones face, can you see them?
A smile can show the world a little bit of light, if even just a glimmer,
It can take dark cracks in one's mind and disguise them, I wear a disguise,
It can put on a show for everyone to see, will you clap for me? ,
Yet a smile can also be true, I've had those too,
Offering nothing but joy and laughter, I remember those,
So before you pass off ones smile take a second to smile back, please smile at me,
Reassure them that they don't waste their smiles, are mine wasted? ,
Never judge a smile or ignore the eyes of the smiling, look in my eyes,
Look for hidden pains behind the mask, can you see? ,
Don't be deceived by the charade, listen to my silent story,
And before you pass by smile back, please smile back,
For your smile could be saying the same, do you know how I feel? ,
Everyone has reason to smile, are you smiling? ,
But a smile is a complicated things, I have told you why,
No one should smile alone, smile with me,
We all smile together for good and for bad, what's your story? ,
You're never alone, I am here,
A smile is a complicated thing, I have told you why.
poem by Bethany Maxwell
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Victor Should Have Been A Jazz Musician
I went to a concert, to see nina, simone,
The concert was over, there was still a band playing, the rap up,
The booguh played with his hands, I close my eyes, and look at him,
Victor should have been a jazz musician,
I said to myself, victor should have been a jazz musician,
I looked at his face, and I saw victor, looked at his smile, and I saw victor,
I looked at his hair, and thought,
Victor should have been a jazz musician,
Victor should have been a jazz musician,
And the people dancing on the floor, dancing on the floor, were so high,
You should have seen victor smile, you should have seen victor smile,
As they danced all the while all around on the floor, and he laughed,
Victor should have been a jazz musician,
Oh, victor should have been a jazz musician,
He was playing so nice, the jazz musician,
Ah, ah,
Hes living in a fast beat, in a city thats hot,
Telling all the latinos and puerto ricans, victor seems happy, but he doesnt even know himself, hes gotta look inside to know his first love,
Victor was a jazz musician, he was playing so nice, victor was a jazz musician, (? ) victor was a jazz musician,
Victor loves his music, he loves his music, somewhere, he plays his music, somewhere,
Victor is a jazz musician,
Jazz.
song performed by by Grace Jones
Submitted by Lucian Velea
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Do You Think That I Do Not Know?
They say that I never have written of love,
As a writer of songs should do;
They say that I never could touch the strings
With a touch that is firm and true;
They say I know nothing of women and men
In the fields where Love's roses grow,
And they say I must write with a halting pen
Do you think that I do not know?
When the love-burst came, like an English Spring,
In days when our hair was brown,
And the hem of her skirt was a sacred thing
And her hair was an angel's crown.
The shock when another man touched her arm,
Where the dancers sat round in a row;
The hope and despair, and the false alarm
Do you think that I do not know?
By the arbour lights on the western farms,
You remember the question put,
While you held her warm in your quivering arms
And you trembled from head to foot.
The electric shock from her finger tips,
And the murmuring answer low,
The soft, shy yielding of warm red lips
Do you think that I do not know?
She was buried at Brighton, where Gordon sleeps,
When I was a world away;
And the sad old garden its secret keeps,
For nobody knows to-day.
She left a message for me to read,
Where the wild wide oceans flow;
Do you know how the heart of a man can bleed
Do you think that I do not know?
I stood by the grave where the dead girl lies,
When the sunlit scenes were fair,
And the white clouds high in the autumn skies,
And I answered the message there.
But the haunting words of the dead to me
Shall go wherever I go.
She lives in the Marriage that Might Have Been
Do you think that I do not know?
They sneer or scoff, and they pray or groan,
And the false friend plays his part.
Do you think that the blackguard who drinks alone
Knows aught of a pure girl's heart?
Knows aught of the first pure love of a boy
With his warm young blood aglow,
Knows aught of the thrill of the world-old joy
Do you think that I do not know?
They say that I never have written of love,
They say that my heart is such
That finer feelings are far above;
But a writer may know too much.
There are darkest depths in the brightest nights,
When the clustering stars hang low;
There are things it would break his strong heart to write
Do you think that I do not know?
poem by Henry Lawson
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Amaranth
ONCE a poet—long ago—
Wrote a song as void of art
As the songs that children know,
And as pure as a child’s heart.
With a sigh he threw it down,
Saying, “This will never shed
Any glory or renown
On my name when I am dead.
“I will sing a lordly song
Men shall hear, when I am gone,
Through the years sound clear and strong
As a golden clarion.”
So this lordly song he sang
That would gain him deathless fame—
When the death-knell o’er him rang
No man even knew its name.
Ay, and when his way he found
To the place of singing souls,
And beheld their bright heads crowned
With song-woven aureoles,
He stood shame-faced in the throng,
For his brow of wreath was bare,
And, alas! his lordly song
Sere had grown in that sweet air;
Then, all sudden, a divine
Light fell on him from afar,
And he felt the child-song shine
On his forehead like a star.
So for ever. Each and all
Songs of passion or of mirth
That are not heart-pure shall fall
As a sky-lark’s—to the earth;
But the soul’s song has no bounds—
Like the voice of Israfel,
From the heaven of heavens it sounds
To the very hell of hell.
poem by Victor James Daley
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In War
Fret the nonchalant noon
With your spleen
Or your gay brow,
For the motion of your spirit
Ever moves with these.
When day shall be too quiet,
Deaf to you
And your dumb smile,
Untuned air shall lap the stillness
In the old space for your voice-
The voice that once could mirror
Remote depths
Of moving being,
Stirred by responsive voices near,
Suddenly stilled for ever.
No ghost darkens the places
Dark to One ;
But my eyes dream,
And my heart is heavy to think
How it was heavy once.
In the old days when death Stalked the world
For the flower of men,
And the rose of beauty faded
And pined in the great gloom,
One day we dug a grave :
We were vexed
With the sun's heat.
We scanned the hooded dead :
At noon we sat and talked.
How death had kissed their eyes
Three dread noons since,
How human art won
The dark soul to flicker
Till it was lost again :
And we whom chance kept whole-
But haggard,
Spent-were charged
To make a place for them who knew
No pain in any place.
The good priest came to pray ;
Our ears half heard,
And half we thought
Of alien things, irrelevant ;
And the heat and thirst were great.
The good priest read : 'I heard .
Dimly my brain
Held words and lost. . . .
Sudden my blood ran cold. . . .
God ! God ! It could not be.
He read my brother's name ; I sank-
I clutched the priest.
They did not tell me it was he
Was killed three days ago.
What are the great sceptred dooms
To us, caught
In the wild wave
We break ourselves on them,
My brother, our hearts and years.
THE DEAD HEROES
Flame out, you glorious skies,
Welcome our brave;
Kiss their exultant eyes ;
Give what they gave.
Flash, mailed seraphim,
Your burning spears;
New days to outflame their dim
Heroic years.
Thrills their baptismal tread
The bright proud air ;
The embattled plumes outspread
Burn upwards there.
Flame out, flame out, 0 Song !
Star ring to star;
Strong as our hurt is strong
Our children are.
Their blood is England's heart ;
By their dead hands
It is their noble part
That England stands.
England-Time gave them thee;
They gave back this
To win Eternity
And claim God's kiss.
poem by Isaac Rosenberg
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