To a Dead Poet

I knew not if to laugh or weep;
They sat and talked of you--
"'Twas here he sat; 'twas this he said!
'Twas that he used to do.

"Here is the book wherein he read,
The room wherein he dwelt;
And he" (they said) "was such a man,
Such things he thought and felt."

I sat and sat, I did not stir;
They talked and talked away.
I was as mute as any stone,
I had no word to say.

They talked and talked; like to a stone
My heart grew in my breast--
I, who had never seen your face
Perhaps I knew you best.

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Mom

"Hello mom, " I said "It's me"
"California set me free"
She just laughed and said "I knew"
Said I was one of the few
Who could make it anywhere
Go through life without a care
Which I can I know for sure
For in my heart I am pure
We talked for a long, long while
Which is really not my style
Then just before our goodbyes
She started in with the lies
About how good life had been
How she gave up on the gin
Then I heard a word she slurred
That moment my world was blurred
Was I to ignore the call
Or stop her from her sure fall
It pains me every day
That I didn't even pray
For we never spoke again
That's the source of all my pain

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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The Gossiper

(9/15/12)

She was well to do, and had more
Money than me and you.
She loved to gossip and put people down
it mattered not- who was around.

She talked about everyone that she knew
And wouldn't let you leave till she was through.
She talked about her neighbors and her friends
And put them down to the bitter end.

They said she was lonely and didn't have a life
But who in the world would make her " his wife"?
Now the years have taken its toll
And she's gotten very old.
But! There was someone " who had done just that"
And she became bitter and fat.

She had married at a very young age
To a man who was twice her age.
After a few years he passed away
And she became even more bitter and enraged.

That is when she started to talk
About all who was around
And enjoyed the fact of putting people down.

Soon no one came to visit any more
For she had closed all the doors
They had gotten tired of trying
To be her friend, when she talked
About them - to no end.

There was nothing that could stop
Her wagging tongue, even as she
Was in her dying bed.
She talked about the living and the dead.
When the time came and she was laid to rest.
They said there was two coffins laid in the ground.

One for her body and one for her tongue
So she could not talk to anyone.

(the comical moral of this story)

: Don't talk without knowing- cause
Your tongue don't know where it's going.

© L. RAMS

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The Ghost Machine

Wittgenstein took a sip from his tea.

"You're wrong Descartes, I can tell you,

because body and mind are one".

"Wittgenstein is right", seconded Ryle.

He looked very angry

and shook his head as he continued:

"In claiming that your thoughts are separated

from your body you created a dogma

of the ghost in the machine."

"Gentlemen", Descartes said, "relax.

Where were you when I talked about these things?

You were not even born then".

"Wait a minute", said Bohm. "You're all wrong."

"What? " snapped out Ryle.

"You heard it correctly. You're all wrong", insisted Bohm.

"You have to explain", Wittgenstein said.

Descartes looked to be perplexed.

"Well", explained Bohm,

"since everything in the universe is information,

the existence of matter is nothing but a myth.

The universe is an enormous thought, a giant computer.

It is the machine, which is the ghost."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Emily Dickinson

He forgot—and I—remembered

203

He forgot—and I—remembered—
'Twas an everyday affair—
Long ago as Christ and Peter—
"Warmed them" at the "Temple fire."

"Thou wert with him"—quoth "the Damsel"?
"No"—said Peter, 'twasn't me—
Jesus merely "looked" at Peter—
Could I do aught else—to Thee?

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Thomas Hardy

I have lived with Shades

I

I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;

II

And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.

III

"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."

IV

"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."

V

"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Lesson

Whenever my mother, who taught
small children forty years,
asked a question, she
already knew the answer.
"Would you like to" meant
you would. "Shall we" was
another, and "Don't you think."
As in "Don't you think
it's time you cut your hair."

So when, in the bare room,
in the strict bed, she said,
"You want to see?" her hands
were busy at her neckline,
untying the robe, not looking
down at it, stitches
bristling where the breast
had been, but straight at me.

I did what I always did:
not weep --she never wept--
and made my face a kindly
whitewashed wall, so she
could write, again, whatever
she wanted there.


Anonymous submission.

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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With each other

(after T.T. Cloete)

Together we enjoyed evenings
in each other's company, dined out,
at times we talked and sometimes were silent;
for months we knew about our love,

we visited and drove around,
shared poems, stories and memories,
at times we only stayed peacefully at home,
we knew that love can never be boring

and we talked almost right through nights,
we went to church in suits and ties and coats,
we embraced every time that we got together,
even in rain showers and in muddy patches

while we were becoming much more in love.

[Reference: "die welkomsomhelsing" (the welcoming embrace) by T.T. Cloete.]

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Good - Better - Best

When young, in tones quite positive
I said, "The world shall see
That I can keep myself from sin;
A good man I will be."

But when I loved Miss Kate St. Clair
'Twas thus my musing ran:
"I cannot be compared with her;
I'll be a better man."

'Twas at the wedding of a friend
(He married Kate St. Clair)
That I became superlative,
For I was "best man" there.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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The Reverend Micah Sowls

The REVEREND MICAH SOWLS,
He shouts and yells and howls,
He screams, he mouths, he bumps,
He foams, he rants, he thumps.

His armour he has buckled on, to wage
The regulation war against the Stage;
And warns his congregation all to shun
"The Presence-Chamber of the Evil One,"

The subject's sad enough
To make him rant and puff,
And fortunately, too,
His Bishop's in a pew.

So REVEREND MICAH claps on extra steam,
His eyes are flashing with superior gleam,
He is as energetic as can be,
For there are fatter livings in that see.

The Bishop, when it's o'er,
Goes through the vestry door,
Where MICAH, very red,
Is mopping of his head.

"Pardon, my Lord, your SOWLS' excessive zeal,
It is a theme on which I strongly feel."
(The sermon somebody had sent him down
From London, at a charge of half-a-crown.)

The Bishop bowed his head,
And, acquiescing, said,
"I've heard your well-meant rage
Against the Modern Stage.

"A modern Theatre, as I heard you say,
Sows seeds of evil broadcast - well it may;
But let me ask you, my respected son,
Pray, have you ever ventured into one?"

"My Lord," said MICAH, "no!
I never, never go!
What! Go and see a play?
My goodness gracious, nay!"

The worthy Bishop said, "My friend, no doubt
The Stage may be the place you make it out;
But if, my REVEREND SOWLS, you never go,
I don't quite understand how you're to know."

"Well, really," MICAH said,
"I've often heard and read,
But never go - do you?"
The Bishop said, "I do."

"That proves me wrong," said MICAH, in a trice:
"I thought it all frivolity and vice."
The Bishop handed him a printed card;
"Go to a theatre where they play our Bard."

The Bishop took his leave,
Rejoicing in his sleeve.
The next ensuing day
SOWLS went and heard a play.

He saw a dreary person on the stage,
Who mouthed and mugged in simulated rage,
Who growled and spluttered in a mode absurd,
And spoke an English SOWLS had never heard.

For "gaunt" was spoken "garnt,"
And "haunt" transformed to "harnt,"
And "wrath " pronounced as "rath,"
And "death" was changed to "dath."

For hours and hours that dismal actor walked,
And talked, and talked, and talked, and talked,
Till lethargy upon the parson crept,
And sleepy MICAH SOWLS serenely slept.

He slept away until
The farce that closed the bill
Had warned him not to stay,
And then he went away.

"I thought MY gait ridiculous," said he -
"MY elocution faulty as could be;
I thought I mumbled on a matchless plan -
I had not seen our great Tragedian!

"Forgive me, if you can,
O great Tragedian!
I own it with a sigh -
You're drearier than I!"

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Talked Me Into It

I'll stand and hold onto
everything I wished for
I'm stubborn, but you talked me into it
You have the key to my mind
I melt in front of you
You turn me on without trying
You talked me into it
And I let you, at that time
I could have believed
anything you said
You ignored me before that night
but I was desperate for your attention
If I was psychic,
woulda wished for anything but you
You talked me into it
Into everything I wished for
I'm stubborn, but you talked me into it
Wondered if you knew I existed
I was enchanted with you
Never felt more forgotten
I'm stubborn, but you laughed
Said, I'll never leave you in the rain
I took your word, let you
Talk me into it
You're the only one that has
enough of me to love
and wish
You talked me into it
Banished me to the back of your mind
after all these years
Never felt more forgotten
I'm stubborn, but
I remember that night
When you talked me into it
But I stood and held onto
everything I wished for
I'm stubborn, but you talked me into it

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An Old Story

(Retold in Rhyme)

They threw him in a prison cell;
He moaned upon his bed.
And when he crept from coils of hell:
"Last night you killed," they said.

"last night in drunken rage you slew
A being brave with breath;
A radiant soul, because of you
Lies dark in death."

"last night I killed," he moaned distraught,
"When I was wild with wine;
I slew, and I remember naught . . .
O Mother, Mother mine!

"To what unbridled rage may lead
You taught me at your knew.
Why did I not your warning heed . . .
And now - the gallows tree.

"O Mother, Mother, come to me,
For I am sore distrest,
And I would kneel beside your knee
And weep upon your breast. . . ."

They stared at him; their lips were dumb,
Their eyes tear filled;
Then spoke the Priest: "She cannot come . . .
'Twas she you killed."

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Rudyard Kipling

Heriot's Ford

"What's that that hirples at my side?"
The foe that you must fight, my lord.
"That rides as fast as I can ride?"
The shadow of your might, my lord.

"Then wheel my horse against the foe!"
He's down and overpast, my lord.
You war against the sunset-glow,
The judgment follows fast, my lord!

"Oh, who will stay the sun's descent?"
King Joshua he is dead, my lord.
"I need an hour to repent!"
'Tis what our sister said, my lord.

"Oh, do not slay me in my sins!"
You're safe awhile with us, my lord.
"Nay, kill me ere my fear begins!"
We would not serve you thus, my lord.

"Where is the doom that I must face?"
Three little leagues away, my lord.
"Then mend the horses' laggard pace!"
We need them for next day, my lord.

"Next day--next day! Unloose my cords!"
Our sister needed none, my lord.
You had no mind to face our swords,
And--where can cowards run, my lord?

"You would not kill the soul alive?"
'Twas thus our sister cried, my lord.
"I dare not die with none to shrive."
But so our sister died, my lord.

"Then wipe the sweat from brow and cheek."
It runnels forth afresh, my lord.
"Uphold me--for the flesh is weak."
You've finished with the Flesh, my lord!

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Emily Dickinson

I Died For Beauty

I died for beauty, but was scarce
Adjusted in the tomb,
When one who died for truth was lain
In an adjoining room.

He questioned softly why I failed?
"For beauty," I replied.
"And I for truth - the two are one;
We brethren are," he said.

And so, as kinsmen met a-night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names.

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