The Dead Singer
'SHE is dead!' they say; 'she is robed for the grave; O there are lilies upon her breast;
Her mother has kissed her clay-cold lips, and folded her hands to rest;
Her blue eyes show through the waxen lids: they have hidden her hair's gold crown;
Her grave is dug, and its heap of earth is waiting to press her down.'
'She is dead!' they say to the people, her people, for whom she sung;
Whose hearts she touched with sorrow and love, like a harp with life-chords strung.
And the people hear—but behind their tear they smile as though they heard
Another voice, like a mystery, proclaim another word.
'She is not dead.' it says to their hearts; 'true Singers can never die;
Their life is a voice of higher things, unseen to the common eye;
The truths and the beauties are clear to them, God's right and the human wrong,
The heroes who die unknown, and the weak who are chained and scourged by the strong.'
And the people smile at the death-word, for the mystic voice is clear:
'THE SINGER WHO LIVED IS ALWAYS ALIVE: WE HEARKEN AND ALWAYS HEAR!'
And they raise her body with tender hands, and bear her down to the main,
They lay her in state on the mourning ship, like the lily-maid Elaine;
And they sail to her isle across the sea, where the people wait on the shore
To lift her in silence with heads all bare to her home forevermore,
Her home in the heart of her country; oh, a grave among our own
Is warmer and dearer than living on in the stranger lands alone.
No need of a tomb for the Singer! Her fair hair's pillow now
Is the sacred clay of her country, and the sky above her brow
Is the same that smiled and wept on her youth, and the grass around is deep
With the clinging leaves of the shamrock that cover her peaceful sleep.
Undreaming there she will rest and wait, in the tomb her people make,
Till she hears men's hearts, like the seeds in Spring, all stirring to be awake,
Till she feels the moving of souls that strain till the bands around them break;
And then, I think, her dead lips will smile and her eyes be oped to see,
When the cry goes out to the Nations that the Singer's land is free!
poem by John Boyle O'Reilly
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Related quotes
That lonely girl
Somewhere 'neath the blue sky
But a little above the deep
Somewhere in this little universe
My ears can hear something
Yes my ears can hear a voice
Stranger than every familiar thing
Better than that butterfly injured wing
Nicer than that crying droplet
More beautiful than my old love song
Louder than the firefly whisper
Quieter than the moon cry
My eyes are searching that voice
May be someone is shouting
No
No, that’s a cry
Someone in this world is crying
Someone is weeping
But no one can hear
No one can see
People don’t hear
People don’t see
People are not people
People inhale love
But exhale nothing
People's hearts are full of nothing
Love is dead in their hearts
Love is where, the stars with weepy eyes are
Love is where, whenever you look down you see nothing but red roses
Love is where, the sky is simply blue and the rainbow's smile has seven colors
Love is in that lonely girl's heart
A lonely girl nigh the pond in rain
Yes it rains
Yes it rains to wash only her eyes
Yes it rains to cover people's colorless hearts
Yes it rains, cause after that, when the rainbow comes
People will know black is not the only color
I can think
I can feel
I can hear
I can understand
I can love
She is still crying
She is crying to prove that people are harder than meteor
But softer than nothing
No feeling
No understanding
She is crying
poem by Reihaneh Jalalian
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Old Ireland
FAR hence, amid an isle of wondrous beauty,
Crouching over a grave, an ancient, sorrowful mother,
Once a queen--now lean and tatter'd, seated on the ground,
Her old white hair drooping dishevel'd round her shoulders;
At her feet fallen an unused royal harp,
Long silent--she too long silent--mourning her shrouded hope and
heir;
Of all the earth her heart most full of sorrow, because most full of
love.
Yet a word, ancient mother;
You need crouch there no longer on the cold ground, with forehead
between your knees;
O you need not sit there, veil'd in your old white hair, so
dishevel'd; 10
For know you, the one you mourn is not in that grave;
It was an illusion--the heir, the son you love, was not really dead;
The Lord is not dead--he is risen again, young and strong, in another
country;
Even while you wept there by your fallen harp, by the grave,
What you wept for, was translated, pass'd from the grave,
The winds favor'd, and the sea sail'd it,
And now with rosy and new blood,
Moves to-day in a new country.
poem by Walt Whitman
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The Two Coffins
In yonder old cathedral
Two lovely coffins lie;
In one, the head of the state lies dead,
And a singer sleeps hard by.
Once had that King great power
And proudly ruled the land--
His crown e'en now is on his brow
And his sword is in his hand.
How sweetly sleeps the singer
With calmly folded eyes,
And on the breast of the bard at rest
The harp that he sounded lies.
The castle walls are falling
And war distracts the land,
But the sword leaps not from that mildewed spot
There in that dead king's hand.
But with every grace of nature
There seems to float along--
To cheer again the hearts of men
The singer's deathless song.
poem by Eugene Field
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From the Grave
When the first sere leaves of the year were falling,
I heard, with a heart that was strangely thrilled,
Out of the grave of a dead Past calling,
A voice I fancied forever stilled.
All through winter and spring and summer,
Silence hung over that grave like a pall,
But, borne on the breath of the last sad comer,
I listen again to the old-time call.
It is only a love of a by-gone season,
A senseless folly that mocked at me
A reckless passion that lacked all reason,
So I killed it, and hid it where none could see.
I smothered it first to stop its crying,
Then stabbed it through with a good sharp blade,
And cold and pallid I saw it lying,
And deep—ah' deep was the grave I made.
But now I know that there is no killing
A thing like Love, for it laughs at Death.
There is no hushing, there is no stilling
That which is part of your life and breath.
You may bury it deep, and leave behind you
The land, the people, that knew your slain;
It will push the sods from its grave, and find you
On wastes of water or desert plain.
You may hear but tongues of a foreign people,
You may list to sounds that are strange and new;
But, clear as a silver bell in a steeple,
That voice from the grave shall call to you.
You may rouse your pride, you may use your reason.
And seem for a space to slay Love so;
But, all in its own good time and season,
It will rise and follow wherever you go.
You shall sit sometimes, when the leaves are falling,
Alone with your heart, as I sit to-day,
And hear that voice from your dead Past calling
Out of the graves that you hid away.
poem by Ella Wheeler Wilcox
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Children's Playground In The City
THIS is a place where men laid their dead,
Each with his life-tale of good or ill;
Here prayers were murmured and hot tears shed,
And passionate anguish moaned its fill.
Silent now is each voice that cried,
And the tears that were wept have all been dried
In the dust; and dust are the hearts that bled
With hopeless longing for hearts grown still.
Dead and forgotten! for Death, requiter
Of love, taught Memory how to forget!
The love that remembered them died. Grow brighter,
Oh, dim grave-garden, with dead hearts set!
Room for the small flying feet to pass,
The feet of the children over the grass!
The dead, if they knew it, would feel them lighter
Than the weight of a stone that no tears make wet.
We must die too, and the grief that will live
Must die as surely--death comes to all;
But you who come after--let Nature give
To our graves her tears, to our dust her pall:
Let her hide us away in her cold broad breast,
Let us be forgotten, and be at rest,
And over our heads let the great world strive,
And the children's voices carol and call.
If your heart on the flower of remembrance is set,
There is one way to pluck it--and only one:
Dare you ask your country not to forget
A name that needs to be graved on stone?
By grief, strife, sacrifice, scorn of fame,
You may grave on the people's hearts your name,
Or your name may die, and your soul live yet
In the cause you died for--the work you have done.
poem by Edith Nesbit
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The Man Who Knew
The Dreamer visioned Life as it might be,
And from his dream forthright a picture grew,
A painting all the people thronged to see,
And joyed therein -- till came the Man Who Knew,
Saying: "'Tis bad! Why do ye gape, ye fools!
He painteth not according to the schools."
The Dreamer probed Life's mystery of woe,
And in a book he sought to give the clue;
The people read, and saw that it was so,
And read again -- then came the Man Who Knew,
Saying: "Ye witless ones! this book is vile:
It hath not got the rudiments of style."
Love smote the Dreamer's lips, and silver clear
He sang a song so sweet, so tender true,
That all the market-place was thrilled to hear,
And listened rapt -- till came the Man Who Knew,
Saying: "His technique's wrong; he singeth ill.
Waste not your time." The singer's voice was still.
And then the people roused as if from sleep,
Crying: "What care we if it be not Art!
Hath he not charmed us, made us laugh and weep?
Come, let us crown him where he sits apart."
Then, with his picture spurned, his book unread,
His song unsung, they found their Dreamer -- dead.
poem by Robert William Service
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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The Tryst
I raised the veil, I loosed the bands,
I took the dead thing from its place.
Like a warm stream in frozen lands
My lips went wandering on her face,
My hands burnt in her hands.
She could not stay me, being dead;
Her body here was mine to hold.
What if her lips had lost their red?
To me they always tasted cold
With the cold words she said.
Did my breath run along her hair,
And free the pulse, and fire the brain,
My wild blood wake her wild blood there?
Here eyelids lifted wide again
In a blue, sudden stare.
Beneath my fierce, profane caress
The whole white length of body moved;
The drowsy bosom seemed to press
As if against a breast beloved,
Then fail for weariness.
No, not that anguish! Christ forbid
That I should raise such dead! I rose,
Stifled the mouth with lilies, hid
Those eyes, And drew the long hair close,
And shut the coffin lid.
My cold brow on the cold wood laid,
Quiet and close to-night we lie.
No cruel words her lips have said.
I shall not take nor she deny.
The dead is with the dead.
poem by Muriel Stuart
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Parted Presence
LOVE, I speak to your heart,
Your heart that is always here.
Oh draw me deep to its sphere,
Though you and I are apart,
And yield, by the spirit's art,
Each distant gift that is dear.
O love, my love, you are here!
Your eyes are afar to-day,
Yet, love, look now in mine eyes.
Two hearts sent forth may despise
All dead things by the way.
All between is decay,
Dead hours and this hour that dies.
O love, look deep in mine eyes!
Your hands to-day are not here,
Yet lay them, love, in my hands.
The hourglass sheds its sands
All day for the dead hours' bier;
But now, as two hearts draw near,
This hour like a flower expands.
O love, your hands in my hands!
Your voice is not on the air,
Yet, love, I can hear your voice:
It bids my heart to rejoice
As knowing your heart is there,—
A music sweet to declare
The truth of your steadfast choice.
O love, how sweet is your voice!
To-day your lips are afar,
Yet draw my lips to them, love.
Around, beneath, and above,
Is frost to bind and to bar;
But where I am and you are,
Desire and the fire thereof.
O kiss me, kiss me, my love!
Your heart is never away,
But ever with mine, for ever,
For ever without endeavour,
To-morrow, love, as to-day;
Two blent hearts never astray,
Two souls no power may sever,
Together, O my love, for ever!
poem by Dante Gabriel Rossetti
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Villanelle
We said farewell, my youth and I,
When all fair dreams were gone or going,
And Love’s red lips were cold and dry.
When white blooms fell from tree-tops high—
Our Austral winter’s way of snowing—
We said farewell, my youth and I.
We did not sigh—what use to sigh
When Death passed as a mower mowing,
And Love’s red lips were cold and dry?
But hearing Life’s stream thunder by,
That sang of old through flowers flowing,
We said farewell, my youth and I.
There was no hope in the blue sky,
No music in the low winds blowing,
And Love’s red lips were cold and dry.
My hair is black as yet, then why
So sad! I know not, only knowing
We said farewell, my youth and I.
All are not buried when they die;
Dead souls there are through live eyes showing
When Love’s red lips are cold and dry.
So, seeing where the dead men lie,
Out of their hearts the grave-flowers growing,
We said farewell, my youth and I,
When Love’s red lips were cold and dry.
poem by Victor James Daley
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The Currency Lass
THEY marshalled her lovers four and four,
A drum at their heads, in the days of old:
O, none could have guessed their hearts were sore;
They marched with such gayness in scarlet and gold.
They came to the dance place on the hill
Where Death was the piper (he pipes full well);
They grounded their arms and stood stock-still;
And just why he sorrowed no one would tell.
O, some had been wed in distant lands,
And sweethearts had others — but let that pass;
She held them at ease in snow-white hands,
For Queen over all was the Currency Lass.
They ushered her forth in all her charms —
Her eyes were alight and as gold her hair;
She looked on the men and oped her arms —
What wonder if then they had wished them there?
She hearkened the Preacher, thin and pale;
His voice was as frost, yet his words were wise;
But sin on the soul is like wrought mail,
And only a scorn of him fired her eyes.
'O sorrow and pray, the hour draws nigh,
The Lord in His justice shall question thee!'
The Preacher made prayer 'twixt sob and sigh,
And down dropped his soul on bended knee.
'He fashioned thee fair' — a sideways look —
'Red-lipped and right royal to look upon,
A joy of the Earth' — his thin hands shook,
And passionate lights in his deep eyes shone.
In scarlet and gold her lovers stood,
A host under famine with heads out-thrust;
Keen-flamed in the sun ran reddest blood,
And lips that were thirsty grew dry as dust.
They loved her for years — their tangled souls
Like silvery fish in her beauty-mesh
All breathless reposed . . .A dull drum rolls,
And Death is at hand for the Flower of Flesh.
She lifted her head for one love-word
(Afar was a clamour of new-come ships);
Her hair in a cloud the low wind stirred,
And silent they marvelled at her red lips.
'A lover was I from youth,' she said;
'And Love is my lord till I fill the grave' —
Then coyly she drooped her gold-haired head —
'Now, last of my lovers, a kiss I crave!'
The Preacher was whirled in passion's rout,
And dark was the stain on his soul's white snow;
Her lips were as life — his soul leapt out,
And sure there was laughter in Hell below.
'A singer was I these years,' she said,
'And so I must sing till my soul doth pass.'
Then forth from her sin-sweet lips there sped
The long-dead song of the Currency Lass.
The hands of the spoiler touch her throat;
The noon grows near and the last sands run:
(Still over the scene her wild words float)
The noose is ready, the song is done.
'A dancer I was from birth,' she said;
'A baby, I danced on my mother's knee;
Now whistle a jig, with swaying head,
And, lovers of mine, I will dance for ye!'
Stood each with a droop, a cheated man,
While Sorrow went weaving an ice-cold spell . . .
Good-bye to the world! The dance began
With Death for the piper — he piped full well!
poem by Roderic Quinn
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Youth and Calm
'Tis death! and peace, indeed, is here,
And ease from shame, and rest from fear.
There's nothing can dismarble now
The smoothness of that limpid brow.
But is a calm like this, in truth,
The crowning end of life and youth,
And when this boon rewards the dead,
Are all debts paid, has all been said?
And is the heart of youth so light,
Its step so firm, its eye so bright,
Because on its hot brow there blows
A wind of promise and repose
From the far grave, to which it goes;
Because it hath the hope to come,
One day, to harbour in the tomb?
Ah no, the bliss youth dreams is one
For daylight, for the cheerful sun,
For feeling nerves and living breath -
Youth dreams a bliss on this side death.
It dreams a rest, if not more deep,
More grateful than this marble sleep;
It hears a voice within it tell:
Calm's not life's crown, though calm is well.
'Tis all perhaps which man acquires,
But 'tis not what our youth desires.
poem by Matthew Arnold (1852)
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To Victor Daley
I thought that silence would be best,
But I a call have heard,
And, Victor, after all the rest,
I well might say a word:
The day and work is nearly done,
And ours the victory,
And we are resting, one by one,
In graveyards by the sea.
But then you talked of other nights,
When, gay from dusk to dawn,
You wasted hours with other lights
That went where you have gone.
You spoke not of the fair and “fast”,
But of the pure and true—
“Sweet ugly women of the past”
Who stood so well by you.
You made a jest on that last night,
I met it with a laugh:
You wondered which of us should write
The other’s epitaph.
We filled the glasses to the brim—
“The land’s own wine” you know—
And solemnly we drank to him
Who should be first to go.
No ribald jest; we were but two—
The royst’ring days were past—
And in our heart of hearts we knew,
That one was going fast.
We both knew who should win the race—
Were rest or fame the prize—
As with a quaint smile on your face
You looked into my eyes.
You talked about old struggles brave,
But in a saddened tone—
The swindles editors forgave
For laughter’s sake alone.
You talked of humorous distress,
And bailiffs that you knew,
But with a touch of bitterness
I’d never seen in you.
No need for tears or quick-caught breath—
You sleep not in the sand—
No need for ranting song of death,
With the death drink in our hand.
No need for vain invective hurled
At “cruel destiny”,
Though you seem dead to all the world
You are not dead to me.
I see you walk into the room—
We aye remember how—
And, looking back into the gloom,
You’ll smile about it now.
’Twas Victor’s entry, solemn style—
With verse or paragraph:
Though we so often saw your smile
How many heard you laugh?
They dare to write about the man
That they have never seen:
The blustering false Bohemian
That you have never been;
Some with the false note in their voice,
And with the false tear shed,
Who in their secret heart rejoice
For one more rival—dead.
They miss the poems, real and true,
Where your heart’s blood was shed.
And rave of reckless things that you
Threw out for bitter bread.
They “weep” and “worship” while you “rest”,
They drivel and they dote—
But, Victor, we remember best
The things we never wrote.
The things that lie between us two,
The things I’ll never tell.
A fool, I stripped my soul, but you—
You wore your mask too well
(How strangely human all men be,
Though each one plays a part).
You only dropped it once for me,
But then I saw your heart.
A souls’-match, such as one might strike
With or without intent
(How strangely all men are alike—
With masks so different).
No need to drop the mask again,
On that last night, I know—
It chanced when we were sober men,
Some seven years ago.
They slander you, fresh in the sand,
They slander me alive;
But, when their foul souls flee the land,
Our spirits shall arrive.
In slime and envy let them rave,
And let the worst be said:
“A drunkard at a drunkard’s grave,”
“A brilliant drunkard dead.”
Because we would not crawl to them,
Their hands we would not shake,
Because their greed we would condemn,
Their bribes we would not take:
Because unto the fair and true
Our hearts and songs we gave—
But I forgot them when I threw
My white flower on your grave.
So let us turn, and with a smile
Let those poor creatures pass
While we, the few who wait awhile,
Drink to an empty glass.
We’ll live as in the days gone by,
To no god shall we bow—
Though, Victor, there are times when I
Feel jealous of you now.
But I’ll have done with solemn songs,
Save for my country’s sake;
It is not meet, for all the wrongs,
That any heart should break.
So many need to weep and smile,
Though all the rest should frown,
That I’d take your burden up awhile
Where you have laid it down.
poem by Henry Lawson
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Snowpowder
Snowpowder sprinkled in my hair
I reach for her, but she’s not there.
Her soft golden hair, no longer by my side,
her emerald eyes, that for me were blind.
Deep pools of green, I can’t deny.
Her skis are gone, the track is fresh,
the first ripples of pain, stir beneath my breast.
From this moment forth, I’ll know no rest.
A single tear lies upon my cheek
A silver pear; a glistening streak
My heart is broken, I cannot speak.
I can see her face within the mist
still see her smile
that from enjoyment grew
still see the pleasure
within her eyes, that I once knew.
I can see the movement of her lips
those tender lips when she spoke to me
the feel of them that set me free.
I hear her laughter on the wind
a honey sweet voice like morning dew.
So clear and still hanging on the breeze
it stirs my heart, sucks forth my breath.
Snowpowder sprinkled in my hair
Desperation, Grief, Despair.
A silent cry an inward tear
a choked-up so bursting from within
a heart-reaching moan
that split the air.
My hand she took in a last embrace
with a parting kiss she sealed my fate
my body rocks, now convulsively shakes.
The sun is bright now, sky cream white blue
but my heart is cold still, dead through you.
Our love was strong once wild and free.
Like a flower growing in scorching desert sands
the fragrance of it, captivated me.
The beauty withers
Its time is past.
The seeds are sown
Some may last.
Alone in the snow
This life I part.
poem by Terence George Craddock
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The Cathedral tombs
THEY lie, with upraised hands, and feet
Stretched like dead feet that walk no more,
And stony masks oft human sweet,
As if the olden look each wore,
Familiar curves of lip and eye,
Were wrought by some fond memory.
All waiting: the new-coffined dead,
The handful of mere dust that lies
Sarcophagused in stone and lead
Under the weight of centuries:
Knight, cardinal, bishop, abbess mild,
With last week's buried year-old child.
After the tempest cometh peace,
After long travail sweet repose;
These folded palms, these feet that cease
From any motion, are but shows
Of--what? What rest? How rest they? Where?
The generations naught declare.
Dark grave, unto whose brink we come,
Drawn nearer by all nights and days;
Each after each, thy solemn gloom
We pierce with momentary gaze,
Then go, unwilling or content,
The way that all our fathers went.
Is there no voice or guiding hand
Arising from the awful void,
To say, 'Fear not the silent land;
Would He make aught to be destroyed?
Would He? or can He? What know we
Of Him who is Infinity?
Strong Love, which taught us human love,
Helped us to follow through all spheres
Some soul that did sweet dead lips move,
Lived in dear eyes in smiles and tears,
Love--once so near our flesh allied,
That 'Jesus wept' when Lazarus died;--
Eagle-eyed Faith that can see God,
In worlds without and heart within;
In sorrow by the smart o' the rod,
In guilt by the anguish of the sin;
In everything pure, holy, fair,
God saying to man's soul, 'I am there';--
These only, twin-archangels, stand
Above the abyss of common doom,
These only stretch the tender hand
To us descending to the tomb,
Thus making it a bed of rest
With spices and with odors drest.
So, like one weary and worn, who sinks
To sleep beneath long faithful eyes,
Who asks no word of love, but drinks
The silence which is paradise--
We only cry--'Keep angelward,
And give us good rest, O good Lord!'
poem by Dinah Maria Mulock Craik
Submitted by Poetry Lover
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Opera Singer
I am an Opera Singer
I stand on painted Tape
It tells me where I'm going
And where to throw my cape
I call my co-star's brother
I call my co-star's name
I play both good and evil parts
I sing to Verdi's play
And every single morning
By 10 AM I'm dressed
My rehearsals last for hours and hours
With diligence I have been blessed
Some people they call me monster
Some people they call me saint
My talent feeds my darker side
Yet no one will complain
I am an opera singer
I sing in foreign lands
I've sung for kings in Europe
And emperors in Japan
And after each performance
People stand around and wave
Just to tell me that they love my voice
Just to tell me that I'm great
I am an opera singer
I will sing when you're all dead
I sing the mountains crumbling apart
I sing what can't be said
I am an opera singer
I sing in foreign lands
Most people seem to know my name
Or at least know who I am
song performed by by Cake from Comfort Eagle
Submitted by Lucian Velea
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Burial of Barber
BEAR him, comrades, to his grave;
Never over one more brave
Shall the prairie grasses weep,
In the ages yet to come,
When the millions in our room,
What we sow in tears, shall reap.
Bear him up the icy hill,
With the Kansas, frozen still
As his noble heart, below,
And the land he came to till
With a freeman's thews and will,
And his poor hut roofed with snow!
One more look of that dead face,
Of his murder's ghastly trace!
One more kiss, O widowed one!
Lay your left hands on his brow,
Lift you right hands up and vow
That his work shall yet be done.
Patience, friends! The eye of God
Every path by Murder trod
Watches, lidless, day and night;
And the dead man in his shroud,
And his widow weeping loud,
And our hearts, are in his sight.
Every deadly threat that swells
With the roar of gambling hells,
Every brutal jest and jeer,
Every wicked thought and plan
Of the cruel heart of man,
Though but whispered, He can hear!
We in suffering, they in crime,
Wait the just award of time,
Wait the vengeance that is due;
Not in vain a heart shall break,
Not a tear for Freedom's sake
Fall unheeded: God is true.
While the flag with stars bedecked
Threatens where it should protect,
And the Law shakes hands with Crime,
What is left us but to wait,
Match our patience to our fate,
And abide the better time?
Patience, friends! The human heart
Everywhere shall take our part,
Everywhere for us shall pray;
On our side are nature's laws,
And God's life is in the cause
That we suffer for to-day.
Well to suffer is divine;
Pass the watchword down the line,
Pass the countersign: 'Endure.'
Not to him who rashly dares,
But to him who nobly bears,
Is the victor's garland sure.
Frozen earth to frozen breast,
Lay our slain one down to rest;
Lay him down in hope and faith,
And above the broken sod,
Once again, to Freedom's God,
Pledge ourselves for life or death,
That the State whose walls we lay,
In our blood and tears, to-day,
Shall be free from bonds of shame,
And our goodly land untrod
By the feet of Slavery, shod
With cursing as with flame!
Plant the Buckeye on his grave,
For the hunter of the slave
In its shadow cannot rest;
And let martyr mound and tree
Be our pledge and guaranty
Of the freedom of the West!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Burial
And when the Lord saw her, He had compassion on her, and said unto
her, Weep not. And He came and touched the bier; and they that
bare him stood still. And He said, Young man, I say unto thee,
Arise.--St. Luke vii. 13, 14.
Who says, the wan autumnal soon
Beams with too faint a smile
To light up nature's face again,
And, though the year be on this wane,
With thoughts of spring the heart beguile?
Waft him, thou soft September breeze,
And gently lay him down
Within some circling woodland wall,
Where bright leaves, reddening ere they fall,
Wave gaily o'er the waters brown.
And let some graceful arch be there
With wreathed mullions proud,
With burnished ivy for its screen,
And moss, that glows as fresh and green
As thought beneath an April cloud. -
Who says the widow's heart must break,
The childless mother sink? -
A kinder truer voice I hear,
Which e'en beside that mournful bier
Whence parents' eyes would hopeless shrink,
Bids weep no more--O heart bereft,
How strange, to thee, that sound!
A widow o'er her only son,
Feeling more bitterly alone
For friends that press officious round.
Yet is the voice of comfort heard,
For Christ hath touched the bier -
The bearers wait with wondering eye,
The swelling bosom dares not sigh,
But all is still, 'twixt hope and fear.
E'en such an awful soothing calm
We sometimes see alight
On Christian mourners, while they wait
In silence, by some churchyard gate,
Their summons to this holy rite.
And such the tones of love, which break
The stillness of that hour,
Quelling th' embittered spirit's strife -
"The Resurrection and the Life
Am I: believe, and die no more."
Unchanged that voice--and though not yet
The dead sit up and speak,
Answering its call; we gladlier rest
Our darlings on earth's quiet breast,
And our hearts feel they must not break.
Far better they should sleep awhile
Within the Church's shade,
Nor wake, until new heaven, new earth,
Meet for their new immortal birth
For their abiding-place be made,
Than wander back to life, and lean
On our frail love once more.
'Tis sweet, as year by year we lose
Friends out of sight, in faith to muse
How grows in Paradise our store.
Then pass, ye mourners, cheerly on,
Through prayer unto the tomb,
Still, as ye watch life's falling leaf,
Gathering from every loss and grief
Hope of new spring and endless home.
Then cheerly to your work again
With hearts new-braced and set
To run, untired, love's blessed race.
As meet for those, who face to face
Over the grave their Lord have met.
poem by John Keble
Submitted by Poetry Lover
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Midnight—September 19, 1881
DEATH OF PRESIDENT GARFIELD.
ONCE in a lifetime, we may see the veil
Tremble and lift, that hides symbolic things;
The Spirit's vision, when the senses fail,
Sweeps the weird meaning that the outlook brings.
Deep in the midst of turmoil, it may be—
A crowded street, a forum, or a field,—
The soul inverts the telescope to see
To-day's event in future's years revealed.
Back from the present, let us look at Rome:
Behold, what Cato meant, what Brutus said.
Hark! the Athenians welcome Cimon home!
How clear they are those glimpses of the dead!
But we, hard toilers, we who plan and weave
Through common days the web of common life,
What word, alas! shall teach us to receive
The mystic meaning of our peace and strife?
Whence comes our symbol? Surely, God must speak-
No less than He can make us heed or pause:
Self-seekers we, too busy or too weak
To search beyond our daily lives and laws.
From things occult our earth-turned eyes rebel;
No sound of Destiny can reach our ears;
We have no time for dreaming—Hark! a knell—
A knell at midnight! All the nation hears!
A second grievous throb! The dreamers wake—
The merchant's soul forgets his goods and ships;
The weary workmen from their slumbers break;
The women raise their eyes with quivering lips;
The miner rests upon his pick to hear;
The printer's type stops midway from the case;
The solemn sound has reached the roysterer's ear,
And brought the shame and sorrow to his face.
Again it booms! O Mystic Veil, upraise!
—Behold, 'tis lifted? On the darkness drawn,
A picture lined with light! The people's gaze,
Prom sea to sea, beholds it till the dawn!
A death-bed scene—a sinking sufferer lies,
Their chosen ruler, crowned with love and pride;
Around, his counselors, with streaming eyes;
His wife, heart-broken, kneeling by his side:
Death's shadow holds her—it will pass too soon;
She weeps in silence—bitterest of tears;
He wanders softly—Nature's kindest boon;
And as he murmurs, all the country hears:
For him the pain is past, the struggle ends;
His cares and honors fade—his younger life
In peaceful Mentor conies, with dear old friends;
His mother's arms take home his dear young wife.
He stands among the students, tall and strong,
And teaches truths republican and grand;
He moves—ah, pitiful—he sweeps along
O'er fields of carnage leading his command!
He speaks to crowded faces—round him surge
Thousands and millions of excited men:
He hears them cheer—sees some vast light emerge—
Is borne as on a tempest—then—ah, then,
The fancies fade, the fever's work is past;
A deepened pang, then recollection's thrill;
He feels the faithful lips that kiss their last.
His heart beats once in answer, and is still!
The curtain falls: but hushed, as if afraid,
The people wait, tear-stained, with heaving breast;
'Twill rise again, they know, when he is laid
With Freedom, in the Capitol, at rest.
poem by John Boyle O'Reilly
Submitted by Poetry Lover
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Broken Chances
My Love,
I don't know how you're going to get this,
But it is my last word on this Earth.
Just what ever you do sit alone and read this.
I want you to be at the lake where you gave me my first kiss,
I want you to sit by the tree that held us, and read this.
~~~~~~~~~~~~~~~~~~~~~
You were my love, my only one person who always made me smile,
You held my hand through so many things, so many firsts.
You were my light you were my smile
And you told me the three deadly words,
The words that always kill, but first make you smile.
I have sewed my mouth shut, so you will never see me smile.
I would melt at the sound of your voice,
I would just sit and listen just to know you were really there,
I would call when you weren't home, just to hear your voice.
My wish every day was to hear you say 'I love you',
To hear your voice.
I have glued my ears so I don't have to listen to your lies.
I remember the feeling of your hands running through my hair,
You'd weave your fingers through it to comfort me,
Sometimes I would act sad just to feel your fingers in my hair,
I would silently smile and melt in your arms.
I remember your fingers running through my blond hair.
I have cut my hair so I can never remember that feeling.
U can see you standing looking at me with your sparkling eyes,
I always see you,
I can never see past those deep eyes,
I can see you smile at me, see your hands reach for mine.
I can still see your eyes.
I have cut my eyes out so I can never again fall into your deceiving eyes.
You made my heart race with butterflies, with hope.
I gave you my heart to keep, you said you'd never break it,
You gave me the one thing i needed ti keep going; hope.
And I fell for the traps, I gave you EVERYTHING.
I ave you all the hope I held in my heart, my soul.
I have stabbed my heart, just so you can't shatter what's already broken.
You became my life, you became my love, my everything.
No matter what happened I still loved you,
And no matter what I tried to give you everything,
And you made me loose so much that I'm left with nothing,
And with my dying breath I give you what was all I had left, my everything.
I take my life to show you what love really means, that it's not the lie you told.
I may not be able to smile when you hold me,
I may not be able to hear your words even if their truth,
I may not be able to remember you soothing touch, or your warmth,
I mat not be able to see your eyes, or your reaching hands,
I may not be able to press my beating heart against your skin,
I may not be able to give you a second chance, for like my heart it is broken,
But After the pain and lies, I believe in what I felt for you,
And hope maybe someday you'll believe the same, and find beauty from pain
Even with nothing left to give you but my word, I breath my last breath for you.
I lay in silence to let you live, to give to you a broken second chance,
For I will always love you,
Be............
by: Bethany Maxwell =)
poem by Bethany Maxwell
Submitted by Poetry Lover
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