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The Voice in the Wild Oak

Twelve years ago, when I could face
High heaven’s dome with different eyes—
In days full-flowered with hours of grace,
And nights not sad with sighs—
I wrote a song in which I strove
To shadow forth thy strain of woe,
Dark widowed sister of the grove!—
Twelve wasted years ago.
But youth was then too young to find
Those high authentic syllables,
Whose voice is like the wintering wind
By sunless mountain fells;
Nor had I sinned and suffered then
To that superlative degree
That I would rather seek, than men,
Wild fellowship with thee!

But he who hears this autumn day
Thy more than deep autumnal rhyme,
Is one whose hair was shot with grey
By Grief instead of Time.
He has no need, like many a bard,
To sing imaginary pain,
Because he bears, and finds it hard,
The punishment of Cain.

No more he sees the affluence
Which makes the heart of Nature glad;
For he has lost the fine, first sense
Of Beauty that he had.
The old delight God’s happy breeze
Was wont to give, to Grief has grown;
And therefore, Niobe of trees,
His song is like thine own!

But I, who am that perished soul,
Have wasted so these powers of mine,
That I can never write that whole,
Pure, perfect speech of thine.
Some lord of words august, supreme,
The grave, grand melody demands;
The dark translation of thy theme
I leave to other hands.

Yet here, where plovers nightly call
Across dim, melancholy leas—
Where comes by whistling fen and fall
The moan of far-off seas—
A grey, old Fancy often sits
And fills thy strong, strange rhyme by fits
With awful utterings.

Then times there are when all the words
Are like the sentences of one
Shut in by Fate from wind and birds
And light of stars and sun,
No dazzling dryad, but a dark
Dream-haunted spirit doomed to be
Imprisoned, crampt in bands of bark,
For all eternity.

Yea, like the speech of one aghast
At Immortality in chains,
What time the lordly storm rides past
With flames and arrowy rains:
Some wan Tithonus of the wood,
White with immeasurable years—
An awful ghost in solitude
With moaning moors and meres.

And when high thunder smites the hill
And hunts the wild dog to his den,
Thy cries, like maledictions, shrill
And shriek from glen to glen,
As if a frightful memory whipped
Thy soul for some infernal crime
That left it blasted, blind, and stript—
A dread to Death and Time!

But when the fair-haired August dies,
And flowers wax strong and beautiful,
Thy songs are stately harmonies
By wood-lights green and cool—
Most like the voice of one who shows
Through sufferings fierce, in fine relief,
A noble patience and repose—
A dignity in grief.

But, ah! conceptions fade away,
And still the life that lives in thee—
The soul of thy majestic lay—
Remains a mystery!
And he must speak the speech divine—
The language of the high-throned lords—
Who’d give that grand old theme of thine
Its sense in faultless words.

By hollow lands and sea-tracts harsh,
With ruin of the fourfold gale,
Where sighs the sedge and sobs the marsh,
Still wail thy lonely wail;
And, year by year, one step will break
The sleep of far hill-folded streams,
And seek, if only for thy sake
Thy home of many dreams.

poem by Henry Kendall
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In Memoriam~ -- Alice Fane Gunn Stenhouse

The grand, authentic songs that roll
Across grey widths of wild-faced sea,
The lordly anthems of the Pole,
Are loud upon the lea.

Yea, deep and full the South Wind sings
The mighty symphonies that make
A thunder at the mountain springs -
A whiteness on the lake.

And where the hermit hornet hums,
When Summer fires his wings with gold,
The hollow voice of August comes,
Across the rain and cold.

Now on the misty mountain tops,
Where gleams the crag and glares the fell,
Wild Winter, like one hunted, stops
And shouts a fierce farewell.

Keen fitful gusts shoot past the shore
And hiss by moor and moody mere -
The heralds bleak that come before
The turning of the year.

A sobbing spirit wanders where
By fits and starts the wild-fire shines;
Like one who walks in deep despair,
With Death amongst the pines.

And ah! the fine, majestic grief
Which fills the heart of forests lone,
And makes a lute of limb and leaf
Is human in its tone.

Too human for the thought to slip -
How every song that sorrow sings
Betrays the broad relationship
Of all created things.

Man's mournful speech, the wail of tree,
The words the winds and waters say,
Make up that general elegy,
Whose burden is decay.

To-night my soul looks back and sees,
Across wind-broken wastes of wave,
A widow on her bended knees
Beside a new-made grave.

A sufferer with a touching face
By love and grief made beautiful;
Whose rapt religion lights the place
Where death holds awful rule.

The fair, tired soul whose twofold grief
For child and father lends a tone
Of pathos to the pallid leaf
That sighs above the stone.

The large beloved heart whereon
She used to lean, lies still and cold,
Where, like a seraph, shines the sun
On flowerful green and gold.

I knew him well - the grand, the sweet,
Pure nature past all human praise;
The dear Gamaliel at whose feet
I sat in other days.

He, glorified by god-like lore,
First showed my soul Life's highest aim;
When, like one winged, I breathed - before
The years of sin and shame.

God called him Home. And, in the calm
Beyond our best possessions priced,
He passed, as floats a faultless psalm,
To his fair Father, Christ.

But left as solace for the hours
Of sorrow and the loss thereof;
A sister of the birds and flowers,
The daughter of his love.

She, like a stray sweet seraph, shed
A healing spirit, that flamed and flowed
As if about her bright young head
A crown of saintship glowed.

Suppressing, with sublime self-slight,
The awful face of that distress
Which fell upon her youth like blight,
She shone like happiness.

And, in the home so sanctified
By death in its most noble guise,
She kissed the lips of love, and dried
The tears in sorrow's eyes.

And helped the widowed heart to lean,
So broken up with human cares,
On one who must be felt and seen
By such pure souls as hers.

Moreover, having lived, and learned
The taste of Life's most bitter spring,
For all the sick this sister yearned -
The poor and suffering.

But though she had for every one
The phrase of comfort and the smile,
This shining daughter of the sun
Was dying all the while.

Yet self-withdrawn - held out of reach
Was grief; except when music blent
Its deep, divine, prophetic speech
With voice and instrument.

Then sometimes would escape a cry
From that dark other life of hers -
The half of her humanity -
And sob through sound and verse.

At last there came the holy touch,
With psalms from higher homes and hours;
And she who loved the flowers so much
Now sleeps amongst the flowers.

By hearse-like yews and grey-haired moss,
Where wails the wind in starts and fits,
Twice bowed and broken down with loss,
The wife, the mother sits.

God help her soul! She cannot see,
For very trouble, anything
Beyond this wild Gethsemane
Of swift, black suffering;

Except it be that faltering faith
Which leads the lips of life to say:
'There must be something past this death -
Lord, teach me how to pray!'

Ah, teach her, Lord! And shed through grief
The clear full light, the undefiled,
The blessing of the bright belief
Which sanctified her child.

Let me, a son of sin and doubt,
Whose feet are set in ways amiss -
Who cannot read Thy riddle out,
Just plead, and ask Thee this;

Give her the eyes to see the things -
The Life and Love I cannot see;
And lift her with the helping wings
Thou hast denied to me.

Yea, shining from the highest blue
On those that sing by Beulah's streams,
Shake on her thirsty soul the dew
Which brings immortal dreams.

So that her heart may find the great,
Pure faith for which it looks so long;
And learn the noble way to wait,
To suffer, and be strong.

poem by Henry Kendall
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Robert Parkes

High travelling winds by royal hill
Their awful anthem sing,
And songs exalted flow and fill
The caverns of the spring.

To-night across a wild wet plain
A shadow sobs and strays;
The trees are whispering in the rain
Of long departed days.

I cannot say what forest saith —
Its words are strange to me:
I only know that in its breath
Are tones that used to be.

Yea, in these deep dim solitudes
I hear a sound I know —
The voice that lived in Penrith woods
Twelve weary years ago.

And while the hymn of other years
Is on a listening land,
The Angel of the Past appears
And leads me by the hand;

And takes me over moaning wave,
And tracts of sleepless change,
To set me by a lonely grave
Within a lonely range.

The halo of the beautiful
Is round the quiet spot;
The grass is deep and green and cool,
Where sound of life is not.

Here in this lovely lap of bloom,
The grace of glen and glade,
That tender days and nights illume,
My gentle friend was laid.

I do not mark the shell that lies
Beneath the touching flowers;
I only see the radiant eyes
Of other scenes and hours.

I only turn, by grief inspired,
Like some forsaken thing,
To look upon a life retired
As hushed Bethesda’s spring.

The glory of unblemished days
Is on the silent mound —
The light of years, too pure for praise;
I kneel on holy ground!

Here is the clay of one whose mind
Was fairer than the dew,
The sweetest nature of his kind
I haply ever knew.

This Christian, walking on the white
Clear paths apart from strife,
Kept far from all the heat and light
That fills his father’s life.

The clamour and exceeding flame
Were never in his days:
A higher object was his aim
Than thrones of shine and praise.

Ah! like an English April psalm,
That floats by sea and strand,
He passed away into the calm
Of the Eternal Land.

The chair he filled is set aside
Upon his father’s floor;
In morning hours, at eventide,
His step is heard no more.

No more his face the forest knows;
His voice is of the past;
But from his life of beauty flows
A radiance that will last.

Yea, from the hours that heard his speech
High shining mem’ries give
That fine example which will teach
Our children how to live.

Here, kneeling in the body, far
From grave of flower and dew,
My friend beyond the path of star,
I say these words to you.

Though you were as a fleeting flame
Across my road austere,
The memory of your face became
A thing for ever dear.

I never have forgotten yet
The Christian’s gentle touch;
And, since the time when last we met,
You know I’ve suffered much.

I feel that I have given pain
By certain words and deeds,
But stricken here with Sorrow’s rain,
My contrite spirit bleeds.

For your sole sake I rue the blow,
But this assurance send:
I smote, in noon, the public foe,
But not the private friend.

I know that once I wronged your sire,
But since that awful day
My soul has passed through blood and fire,
My head is very grey.

Here let me pause! From years like yours
There ever flows and thrives
The splendid blessing which endures
Beyond our little lives.

From lonely lands across the wave
Is sent to-night by me
This rose of reverence for the grave
Beside the mountain lea.

poem by Henry Kendall
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To a Mountain

To thee, O father of the stately peaks,
Above me in the loftier light -- to thee,
Imperial brother of those awful hills
Whose feet are set in splendid spheres of flame,
Whose heads are where the gods are, and whose sides
Of strength are belted round with all the zones
Of all the world, I dedicate these songs.
And if, within the compass of this book,
There lives and glows ONE verse in which there beats
The pulse of wind and torrent -- if ONE line
Is here that like a running water sounds,
And seems an echo from the lands of leaf,
Be sure that line is thine. Here, in this home,
Away from men and books and all the schools,
I take thee for my Teacher. In thy voice
Of deathless majesty, I, kneeling, hear
God's grand authentic Gospel! Year by year,
The great sublime cantata of thy storm
Strikes through my spirit -- fills it with a life
Of startling beauty! Thou my Bible art
With holy leaves of rock, and flower, and tree,
And moss, and shining runnel. From each page
That helps to make thy awful volume, I
Have learned a noble lesson. In the psalm
Of thy grave winds, and in the liturgy
Of singing waters, lo! my soul has heard
The higher worship; and from thee, indeed,
The broad foundations of a finer hope
Were gathered in; and thou hast lifted up
The blind horizon for a larger faith!
Moreover, walking in exalted woods
Of naked glory, in the green and gold
Of forest sunshine, I have paused like one
With all the life transfigured: and a flood
Of light ineffable has made me feel
As felt the grand old prophets caught away
By flames of inspiration; but the words
Sufficient for the story of my Dream
Are far too splendid for poor human lips!
But thou, to whom I turn with reverent eyes --
O stately Father, whose majestic face
Shines far above the zone of wind and cloud,
Where high dominion of the morning is --
Thou hast the Song complete of which my songs
Are pallid adumbrations! Certain sounds
Of strong authentic sorrow in this book
May have the sob of upland torrents -- these,
And only these, may touch the great World's heart;
For, lo! they are the issues of that grief
Which makes a man more human, and his life
More like that frank exalted life of thine.
But in these pages there are other tones
In which thy large, superior voice is not --
Through which no beauty that resembles thine
Has ever shone. THESE are the broken words
Of blind occasions, when the World has come
Between me and my Dream. No song is here
Of mighty compass; for my singing robes
I've worn in stolen moments. All my days
Have been the days of a laborious life,
And ever on my struggling soul has burned
The fierce heat of this hurried sphere. But thou,
To whose fair majesty I dedicate
My book of rhymes -- thou hast the perfect rest
Which makes the heaven of the highest gods!
To thee the noises of this violent time
Are far, faint whispers; and, from age to age,
Within the world and yet apart from it,
Thou standest! Round thy lordly capes the sea
Rolls on with a superb indifference
For ever; in thy deep, green, gracious glens
The silver fountains sing for ever. Far
Above dim ghosts of waters in the caves,
The royal robe of morning on thy head
Abides for ever! Evermore the wind
Is thy august companion; and thy peers
Are cloud, and thunder, and the face sublime
Of blue mid-heaven! On thy awful brow
Is Deity; and in that voice of thine
There is the great imperial utterance
Of God for ever; and thy feet are set
Where evermore, through all the days and years,
There rolls the grand hymn of the deathless wave.

poem by Henry Kendall
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The Song of Arda: (From “Annatanam”.)

LOW as a lute, my love, beneath the call
Of storm, I hear a melancholy wind;
The memorably mournful wind of yore
Which is the very brother of the one
That wanders, like a hermit, by the mound
Of Death, in lone Annatanam. A song
Was shaped for this, what time we heard outside
The gentle falling of the faded leaf
In quiet noons: a song whose theme doth turn
On gaps of Ruin and the gay-green clifts
Beneath the summits haunted by the moon.
Yea, much it travels to the dens of dole;
And in the midst of this strange rhyme, my lords,
Our Desolation like a phantom sits
With wasted cheeks and eyes that cannot weep
And fastened lips crampt up in marvellous pain.

A song in whose voice is the voice of the foam
And the rhyme of the wintering wave,
And the tongue of the things that eternally roam
In forest, in fell or in cave;
But mostly ’tis like to the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.

The torrent flies over the thunder-struck clift
With many and many a call;
The leaves are swept down, and a dolorous drift
Is hurried away with the fall.
But mostly ’tis like the Wind without home
In the glen of a desolate grave—
Of a deep and desolate grave.

Whoever goes thither by night or by day
Must mutter, O Father, to Thee,
For the shadows that startle, the sounds that waylay
Are heavy to hear and to see;
And a step and a moan and a whisper for aye
Have made it a sorrow to be—
A sorrow of sorrows to be.

Oh! cover your faces and shudder, and turn
And hide in the dark of your hair,
Nor look to the Glen in the Mountains, to learn
Of the mystery mouldering there;
But rather sit low in the ashes and urn
Dead hopes in your mighty despair—
In the depths of your mighty despair.

poem by Henry Kendall
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In Memory of Edward Butler

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

poem by Henry Kendall
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The Austral Months

January

The first fair month! In singing Summer’s sphere
She glows, the eldest daughter of the year.
All light, all warmth, all passion, breaths of myrrh,
And subtle hints of rose-lands, come with her.
She is the warm, live month of lustre—she
Makes glad the land and lulls the strong, sad sea.
The highest hope comes with her. In her face
Of pure, clear colour lives exalted grace;
Her speech is beauty, and her radiant eyes
Are eloquent with splendid prophecies.

February

The bright-haired, blue-eyed last of Summer. Lo,
Her clear song lives in all the winds that blow;
The upland torrent and the lowland rill,
The stream of valley and the spring of hill,
The pools that slumber and the brooks that run
Where dense the leaves are, green the light of sun,
Take all her grace of voice and colour. She,
With rich warm vine-blood splashed from heel to knee,
Comes radiant through the yellow woodlands. Far
And near her sweet gifts shine like star by star.
She is the true Demeter. Life of root
Glows under her in gardens flushed with fruit;
She fills the fields with strength and passion—makes
A fire of lustre on the lawn-ringed lakes;
Her beauty awes the great wild sea; the height
Of grey magnificence takes strange delight
And softens at her presence, at the dear
Sweet face whose memory beams through all the year.

March

Clear upland voices, full of wind and stream,
Greet March, the sister of the flying beam
And speedy shadow. She, with rainbow crowned,
Lives in a sphere of songs of mazy sound.
The hymn of waters and the gale’s high tone,
With anthems from the thunder’s mountain throne,
Are with her ever. This, behold, is she
Who draws its great cry from the strong, sad sea;
She is the month of majesty. Her force
Is power that moves along a stately course,
Within the lines of order, like no wild
And lawless strength of winter’s fiercest child.
About her are the wind-whipped torrents; far
Above her gleams and flies the stormy star,
And round her, through the highlands and their rocks,
Rings loud the grand speech from the equinox.

April

The darling of Australia’s Autumn—now
Down dewy dells the strong, swift torrents flow!
This is the month of singing waters—here
A tender radiance fills the Southern year;
No bitter winter sets on herb and root,
Within these gracious glades, a frosty foot;
The spears of sleet, the arrows of the hail,
Are here unknown. But down the dark green dale
Of moss and myrtle, and the herby streams,
This April wanders in a home of dreams;
Her flower-soft name makes language falter. All
Her paths are soft and cool, and runnels fall
In music round her; and the woodlands sing
For evermore, with voice of wind and wing,
Because this is the month of beauty—this
The crowning grace of all the grace that is.

May

Now sings a cool, bland wind, where falls and flows
The runnel by the grave of last year’s rose;
Now, underneath the strong perennial leaves,
The first slow voice of wintering torrent grieves.
Now in a light like English August’s day,
Is seen the fair, sweet, chastened face of May;
She is the daughter of the year who stands
With Autumn’s last rich offerings in her hands;
Behind her gleams the ghost of April’s noon,
Before her is the far, faint dawn of June;
She lingers where the dells and dewy leas
Catch stormy sayings from the great bold seas;
Her nightly raiment is the misty fold
That zones her round with moonlight-coloured gold;
And in the day she sheds, from shining wings,
A tender heat that keeps the life in things.

June

Not like that month when, in imperial space,
The high, strong sun stares at the white world’s face;
Not like that haughty daughter of the year
Who moves, a splendour, in a splendid sphere;
But rather like a nymph of afternoon,
With cool, soft sunshine, comes Australian June.
She is the calm, sweet lady, from whose lips
No breath of living passion ever slips;
The wind that on her virgin forehead blows
Was born too late to speak of last year’s rose;
She never saw a blossom, but her eyes
Of tender beauty see blue, gracious skies;
She loves the mosses, and her feet have been
In woodlands where the leaves are always green;
Her days pass on with sea-songs, and her nights
Shine, full of stars, on lands of frosty lights.

July

High travelling winds, filled with the strong storm’s soul,
Are here, with dark, strange sayings from the Pole;
Now is the time when every great cave rings
With sharp, clear echoes caught from mountain springs;
This is the season when all torrents run
Beneath no bright, glad beauty of the sun.
Here, where the trace of last year’s green is lost,
Are haughty gales, and lordships of the frost.
Far down, by fields forlorn and forelands bleak,
Are wings that fly not, birds that never speak;
But in the deep hearts of the glens, unseen,
Stand grave, mute forests of eternal green;
And here the lady, born in wind and rain,
Comes oft to moan and clap her palms with pain.
This is our wild-faced July, in whose breast
Is never faultless light or perfect rest.

August

Across the range, by every scarred black fell,
Strong Winter blows his horn of wild farewell;
And in the glens, where yet there moves no wing,
A slow, sweet voice is singing of the Spring.
Yea, where the bright, quick woodland torrents run,
A music trembles under rain and sun.
The lips that breathe it are the lips of her
At whose dear touch the wan world’s pulses stir—
The nymph who sets the bow of promise high
And fills with warm life-light the bleak grey sky.
She is the fair-haired August. Ere she leaves
She brings the woodbine blossom round the eaves;
And where the bitter barbs of frost have been
She makes a beauty with her gold and green;
And, while a sea-song floats from bay and beach,
She sheds a mist of blossoms on the peach.

September
*

October

Where fountains sing and many waters meet,
October comes with blossom-trammelled feet.
She sheds green glory by the wayside rills
And clothes with grace the haughty-featured hills.
This is the queen of all the year. She brings
The pure chief beauty of our southern springs.
Fair lady of the yellow hair! Her breath
Starts flowers to life, and shames the storm to death;
Through tender nights and days of generous sun
By prospering woods her clear strong torrents run;
In far deep forests, where all life is mute,
Of leaf and bough she makes a touching lute.
Her life is lovely. Stream, and wind, and bird
Have seen her face—her marvellous voice have heard;
And, in strange tracts of wildwood, all day long,
They tell the story in surpassing song.

November

Now beats the first warm pulse of Summer—now
There shines great glory on the mountain’s brow.
The face of heaven in the western sky,
When falls the sun, is filled with Deity!
And while the first light floods the lake and lea,
The morning makes a marvel of the sea;
The strong leaves sing; and in the deep green zones
Of rock-bound glens the streams have many tones;
And where the evening-coloured waters pass,
Now glides November down fair falls of grass.
She is the wonder with the golden wings,
Who lays one hand in Summer’s—one in Spring’s;
About her hair a sunset radiance glows;
Her mouth is sister of the dewy rose;
And all the beauty of the pure blue skies
Has lent its lustre to her soft bright eyes.

December

The month whose face is holiness! She brings
With her the glory of majestic things.
What words of light, what high resplendent phrase
Have I for all the lustre of her days?
She comes, and carries in her shining sphere
August traditions of the world’s great year;
The noble tale which lifts the human race
Has made a morning of her sacred face.
Now in the emerald home of flower and wing
Clear summer streams their sweet hosannas sing;
The winds are full of anthems, and a lute
Speaks in the listening hills when night is mute
And through dim tracks where talks the royal tree
There floats a grand hymn from the mighty sea;
And where the grey, grave, pondering mountains stand
High music lives—the place is holy land!

poem by Henry Kendall
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Hymn of Praise

Encompassed by the psalm of hill and stream,
By hymns august with their majestic theme,
Here in the evening of exalted days
To Thee, our Friend, we bow with breath of praise.

The great, sublime hosannas of the sea
Ascend on wings of mighty winds to Thee,
And mingled with their stately words are tones
Of human love, O Lord of all the zones!

Ah! at the close of many splendid hours,
While falls Thy gracious light in radiant showers,
We seek Thy face, we praise Thee, bless Thee, sing
This song of reverence, Master, Maker, King!

To Thee, from whom all shining blessings flow,
All gifts of lustre, all the joys we know,
To Thee, O Father, in this lordly space,
The great world turns with worship in its face.

For that glad season which will pass to-day
With light and music like a psalm away,
The gathered nations with a grand accord,
In sight of Thy high heaven, thank Thee, Lord!

All praise is Thine - all love that we can give
Is also Thine, in whose large grace we live,
In whom we find the ~One~ long-suffering Friend,
Whose immemorial mercy has no end.

poem by Henry Kendall
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Narrara Creek

From the rainy hill-heads, where, in starts and in spasms,
Leaps wild the white torrent from chasms to chasms—
From the home of bold echoes, whose voices of wonder
Fly out of blind caverns struck black by high thunder—
Through gorges august, in whose nether recesses
Is heard the far psalm of unseen wildernesses—
Like a dominant spirit, a strong-handed sharer
Of spoil with the tempest, comes down the Narrara.
Yea, where the great sword of the hurricane cleaveth
The forested fells that the dark never leaveth—
By fierce-featured crags, in whose evil abysses
The clammy snake coils, and the flat adder hisses—
Past lordly rock temples, where Silence is riven
By the anthems supreme of the four winds of heaven—
It speeds, with the cry of the streams of the fountains
It chained to its sides, and dragged down from the mountains!

But when it goes forth from the slopes with a sally—
Being strengthened with tribute from many a valley—
It broadens and brightens, and thereupon marches
Above the stream sapphires and under green arches,
With the rhythm of majesty—careless of cumber—
Its might in repose and its fierceness in slumber—
Till it beams on the plains, where the wind is a bearer
Of words from the sea to the stately Narrara!

Narrara! grand son of the haughty hill torrent,
Too late in my day have I looked at thy current—
Too late in my life to discern and inherit
The soul of thy beauty, the joy of thy spirit!
With the years of the youth and the hairs of the hoary,
I sit like a shadow outside of thy glory;
Nor look with the morning-like feelings, O river,
That illumined the boy in the days gone for ever!

Ah! sad are the sounds of old ballads which borrow
One-half of their grief from the listener’s sorrow;
And sad are the eyes of the pilgrim who traces
The ruins of Time in revisited places;
But sadder than all is the sense of his losses
That cometh to one when a sudden age crosses
And cripples his manhood. So, stricken by fate, I
Felt older at thirty than some do at eighty.

Because I believe in the beautiful story,
The poem of Greece in the days of her glory—
That the high-seated Lord of the woods and the waters
Has peopled His world with His deified daughters—
That flowerful forests and waterways streaming
Are gracious with goddesses glowing and gleaming—
I pray that thy singing divinity, fairer
Than wonderful women, may listen, Narrara!

O spirit of sea-going currents!—thou, being
The child of immortals, all-knowing, all-seeing—
Thou hast at thy heart the dark truth that I borrow
For the song that I sing thee, no fanciful sorrow;
In the sight of thine eyes is the history written
Of Love smitten down as the strong leaf is smitten;
And before thee there goeth a phantom beseeching
For faculties forfeited—hopes beyond reaching.

Thou knowest, O sister of deities blazing
With splendour ineffable, beauty amazing,
What life the gods gave me—what largess I tasted—
The youth thrown away, and the faculties wasted.
I might, as thou seest, have stood in high places,
Instead of in pits where the brand of disgrace is,
A byword for scoffers—a butt and a caution,
With the grave of poor Burns and Maginn for my portion.
But the heart of the Father Supreme is offended,
And my life in the light of His favour is ended;
And, whipped by inflexible devils, I shiver,
With a hollow “Too late” in my hearing for ever;
But thou—being sinless, exalted, supernal,
The daughter of diademed gods, the eternal—
Shalt shine in thy waters when time and existence
Have dwindled, like stars, in unspeakable distance.

But the face of thy river—the torrented power
That smites at the rock while it fosters the flower—
Shall gleam in my dreams with the summer-look splendid,
And the beauty of woodlands and waterfalls blended;
And often I’ll think of far-forested noises,
And the emphasis deep of grand sea-going voices,
And turn to Narrara the eyes of a lover,
When the sorrowful days of my singing are over.

poem by Henry Kendall
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The Melbourne International Exhibition

I

Brothers from far-away lands,
Sons of the fathers of fame,
Here are our hearts and our hands—
This is our song of acclaim.
Lords from magnificent zones,
Shores of superlative sway,
Awful with lustre of thrones,
This is our greeting to-day.
Europe and Asia are here—
Shining they enter our ports!
She that is half of the sphere
Beams like a sun in our courts.
Children of elders whose day
Shone to the planet’s white ends,
Meet, in the noble old way,
Sons of your forefather’s friends.

II

Dressed is the beautiful city—the spires of it
Burn in the firmament stately and still;
Forest has vanished—the wood and the lyres of it,
Lutes of the sea-wind and harps of the hill.
This is the region, and here is the bay by it,
Collins, the deathless, beheld in a dream:
Flinders and Fawkner, our forefathers grey, by it
Paused in the hush of a season supreme.
Here, on the waters of majesty near to us,
Lingered the leaders by towers of flame:
Elders who turn from the lordly old year to us
Crowned with the lights of ineffable fame.

III

Nine and seventy years ago,
Up the blaze of yonder bay,
On a great exalted day,
Came from seas august with snow—
Waters where the whirlwinds blow—
First of England’s sons who stood
By the deep green, bygone wood
Where the wild song used to flow
Nine and seventy years ago.

Five and forty years ago,
On a grand auspicious morn
When the South Wind blew his horn,
Where the splendid mountains glow—
Peaks that God and Sunrise know—
Came the fearless, famous band,
Founders of our radiant land,
From the lawns where roses grow,
Five and forty years ago.

IV

By gracious slopes of fair green hills,
In shadows cool and deep,
Where floats the psalm of many rills,
The noble elders sleep.
But while their children’s children last,
While seed from seedling springs,
The print and perfume of their past
Will be as deathless things.

Their voices are with vanished years,
With other days and hours;
Their homes are sanctified by tears—
They sleep amongst the flowers.
They do not walk by street or stream,
Or tread by grove or shore,
But, in the nation’s highest dream,
They shine for evermore.

V

By lawny slope and lucent strand
Are singing flags of every land;
On streams of splendour—bays impearled—
The keels are here of all the world.
With lutes of light and cymbals clear
We waft goodwill to every sphere.
The links of love to-day are thrown
From sea to sea—from zone to zone;
And, lo! we greet, in glory drest,
The lords that come from east and west,
And march like noble children forth
To meet our fathers from the North!

VI

To Thee be the glory, All-Bountiful Giver!
The song that we sing is an anthem to Thee,
Whose blessing is shed on Thy people for ever,
Whose love is like beautiful light on the sea.
Behold, with high sense of Thy mercy unsleeping,
We come to Thee, kneel to Thee, praise Thee, and pray,
O Lord, in whose hand is the strength that is keeping
The storm from the wave and the night from the day!

poem by Henry Kendall
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Mooni

AH, to be by Mooni now!
Where the great dark hills of wonder,
Scarred with storm and cleft asunder
By the strong sword of the thunder,
Make a night on morning’s brow!
Just to stand where Nature’s face is
Flushed with power in forest places—
Where of God authentic trace is—
Ah, to be by Mooni now!

Just to be by Mooni’s springs!
There to stand, the shining sharer
Of that larger life, and rarer
Beauty caught from beauty fairer
Than the human face of things!
Soul of mine from sin abhorrent
Fain would hide by flashing current
Like a sister of the torrent,
Far away by Mooni’s springs.

He that is by Mooni now,
Sees the water-sapphires gleaming
Where the River Spirit, dreaming
Sleeps by fall and fountain streaming
Under lute of leaf and bough!
Hears, where stamp of storm with stress is,
Psalms from unseen wildernesses
Deep amongst far hill-recesses—
He that is by Mooni now.

Yea, for him by Mooni’s marge
Sings the yellow-haired September
With the face the gods remember
When the ridge is burnt to ember,
And the dumb sea chains the barge!
Where the mount like molten brass is,
Down beneath fern-feathered passes,
Noonday dew in cool green grasses
Gleams on him by Mooni’s marge.

Who that dwells by Mooni yet,
Feels, in flowerful forest arches,
Smiting wings and breath that parches
Where strong Summer’s path of march is
And the suns in thunder set?
Housed beneath the gracious kirtle
Of the shadowy water myrtle,
Winds may hiss with heat, and hurtle—
He is safe by Mooni yet!

Days there were when he who sings
(Dumb so long through passion’s losses)
Stood where Mooni’s water crosses
Shining tracts of green-haired mosses,
Like a soul with radiant wings;
Then the psalm the wind rehearses—
Then the song the stream disperses
Lent a beauty to his verses—
Who to-night of Mooni sings.

Ah, the theme—the sad, grey theme!
Certain days are not above me,
Certain hearts have ceased to love me,
Certain fancies fail to move me
Like the affluent morning dream.
Head whereon the white is stealing,
Heart whose hurts are past all healing,
Where is now the first pure feeling?
Ah, the theme—the sad, grey theme!

Sin and shame have left their trace!
He who mocks the mighty, gracious
Love of Christ, with eyes audacious,
Hunting after fires fallacious,
Wears the issue in his face.
Soul that flouted gift and Giver,
Like the broken Persian river,
Thou hast lost thy strength for ever!
Sin and shame have left their trace.

In the years that used to be,
When the large, supreme occasion
Brought the life of inspiration,
Like a god’s transfiguration
Was the shining change in me.
Then, where Mooni’s glory glances,
Clear diviner countenances
Beamed on me like blessed chances,
In the years that used to be.

Ah, the beauty of old ways!
Then the man who so resembled
Lords of light unstained, unhumbled,
Touched the skirts of Christ, nor trembled
At the grand benignant gaze!
Now he shrinks before the splendid
Face of Deity offended,
All the loveliness is ended!
All the beauty of old ways!

Still to be by Mooni cool—
Where the water-blossoms glister,
And, by gleaming vale and vista,
Sits the English April’s sister
Soft, and sweet, and wonderful.
Just to rest beyond the burning
Outer world—its sneers and spurning—
Ah! my heart—my heart is yearning
Still to be by Mooni cool:

Now, by Mooni’s fair hill heads,
Lo, the gold green lights are glowing,
Where, because no wind is blowing,
Fancy hears the flowers growing
In the herby watersheds!
Faint it is—the sound of thunder
From the torrents far thereunder,
Where the meeting mountains ponder—
Now, by Mooni’s fair hill heads:

Just to be where Mooni is,
Even where the fierce fall races
Down august unfathomed places,
Where of sun or moon no trace is,
And the streams of shadow hiss!
Have I not an ample reason
So to long for—sick of treason—
Something of the grand old season,
Just to be where Mooni is?

poem by Henry Kendall
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Leichhardt

LORDLY harp, by lordly master wakened from majestic sleep,
Yet shall speak and yet shall sing the words which make the fathers weep!
Voice surpassing human voices—high, unearthly harmony—
Yet shall tell the tale of hero, in exalted years to be!
In the ranges, by the rivers, on the uplands, down the dells,
Where the sound of wind and wave is, where the mountain anthem swells,
Yet shall float the song of lustre, sweet with tears and fair with flame,
Shining with a theme of beauty, holy with our Leichhardt’s name!
Name of him who faced for science thirsty tracts of bitter glow,
Lurid lands that no one knows of—two-and-thirty years ago.

Born by hills of hard grey weather, far beyond the northern seas,
German mountains were his sponsors, and his mates were German trees;
Grandeur of the old-world forests passed into his radiant soul,
With the song of stormy crescents where the mighty waters roll.
Thus he came to be a brother of the river and the wood—
Thus the leaf, the bird, the blossom, grew a gracious sisterhood;
Nature led him to her children, in a space of light divine:
Kneeling down, he said—“My mother, let me be as one of thine!”
So she took him—thence she loved him—lodged him in her home of dreams,
Taught him what the trees were saying, schooled him in the speech of streams.

For her sake he crossed the waters—loving her, he left the place
Hallowed by his father’s ashes, and his human mother’s face—
Passed the seas and entered temples domed by skies of deathless beam,
Walled about by hills majestic, stately spires and peaks supreme!
Here he found a larger beauty—here the lovely lights were new
On the slopes of many flowers, down the gold-green dells of dew.
In the great august cathedral of his holy lady, he
Daily worshipped at her altars, nightly bent the reverent knee—
Heard the hymns of night and morning, learned the psalm of solitudes;
Knew that God was very near him—felt His presence in the woods!

But the starry angel, Science, from the home of glittering wings,
Came one day and talked to Nature by melodious mountain springs:
“Let thy son be mine,” she pleaded; “lend him for a space,” she said,
“So that he may earn the laurels I have woven for his head!”
And the lady, Nature, listened; and she took her loyal son
From the banks of moss and myrtle—led him to the Shining One!
Filled his lordly soul with gladness—told him of a spacious zone
Eye of man had never looked at, human foot had never known.
Then the angel, Science, beckoned, and he knelt and whispered low—
“I will follow where you lead me”—two-and-thirty years ago.

On the tracts of thirst and furnace—on the dumb, blind, burning plain,
Where the red earth gapes for moisture, and the wan leaves hiss for rain,
In a land of dry, fierce thunder, did he ever pause and dream
Of the cool green German valley and the singing German stream?
When the sun was as a menace, glaring from a sky of brass,
Did he ever rest, in visions, on a lap of German grass?
Past the waste of thorny terrors, did he reach a sphere of rills,
In a region yet untravelled, ringed by fair untrodden hills?
Was the spot where last he rested pleasant as an old-world lea?
Did the sweet winds come and lull him with the music of the sea?

Let us dream so—let us hope so! Haply in a cool green glade,
Far beyond the zone of furnace, Leichhardt’s sacred shell was laid!
Haply in some leafy valley, underneath blue, gracious skies,
In the sound of mountain water, the heroic traveller lies!
Down a dell of dewy myrtle, where the light is soft and green,
And a month like English April sits, an immemorial queen,
Let us think that he is resting—think that by a radiant grave
Ever come the songs of forest, and the voices of the wave!
Thus we want our sons to find him—find him under floral bowers,
Sleeping by the trees he loved so, covered with his darling flowers!

poem by Henry Kendall
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Verses, On The Death Of The Same Lady

LIKE a poor ghost the night I seek;
ts hollow winds repeat my sighs;
The cold dews mingle on my cheek
With tears that wander from mine eyes.

The thorns that still my couch molest,
Have robb'd these heavy eyes of sleep;
But though deprived of tranquil rest,
I here at last am free to weep.

Twelve times the moon, that rises red
O'er yon tall wood of shadowy pine,
Has fill'd her orb, since low was laid
My Harriet! that sweet form of thine!

While each sad month, as slow it pass'd,
Brought some new sorrow to deplore;
Some grief more poignant than the last,
But thou canst calm those griefs no more.

No more thy friendship soothes to rest
This wearied spirit tempest-toss'd;
The cares that weigh upon my breast
Are doubly felt since thou art lost.

Bright visions of ideal grace
That the young poet's dreams inflame,
Were not more lovely than thy face;
Were not more perfect than thy frame.

Wit, that no sufferings could impair,
Was thine, and thine those mental powers
Of force to chase the fiends that tear
From Fancy's hands her budding flowers.

O'er what, my angel friend, thou wert,
Dejected Memory loves to mourn;
Regretting still that tender heart,
Now withering in a distant urn.

But ere that wood of shadowy pine
Twelve times shall yon full orb behold,
This sickening heart, that bleeds for thine,
My Harriet!—may like thine be cold!

poem by Charlotte Smith
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A Voice On The Wind

I

She walks with the wind on the windy height
When the rocks are loud and the waves are white,
And all night long she calls through the night,
'O my children, come home!'
Her bleak gown, torn as a tattered cloud,
Tosses around her like a shroud,
While over the deep her voice rings loud,-
'O my children, come home, come home!
O my children, come home!'

II

Who is she who wanders alone,
When the wind drives sheer and the rain is blown?
Who walks all night and makes her moan,
'O my children, come home!'
Whose face is raised to the blinding gale;
Whose hair blows black and whose eyes are pale,
While over the world goes by her wail,-
'O my children, come home, come home!
O my children, come home!'

III

She walks with the wind in the windy wood;
The dark rain drips from her hair and hood,
And her cry sobs by, like a ghost pursued,
'O my children, come home!'
Where the trees loom gaunt and the rocks stretch drear,
The owl and the fox crouch back with fear,
As wild through the wood her voice they hear,-
'O my children, come home, come home!
O my children, come home!'

IV

Who is she who shudders by
When the boughs blow bare and the dead leaves fly?
Who walks all night with her wailing cry,
'O my children, come home!'
Who, strange of look, and wild of tongue,
With wan feet wounded and hands wild-wrung,
Sweeps on and on with her cry, far-flung,-
'O my children, come home, come home!
O my children, come home!'

V

'Tis the Spirit of Autumn, no man sees,
The mother of Death and of Mysteries,
Who cries on the wind all night to these,
'O my children, come home!'
The Spirit of Autumn, pierced with pain,
Calling her children home again,
Death and Dreams, through ruin and rain,-
'O my children, come home, come home!
O my children, come home!'

poem by Madison Julius Cawein
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Verses IV

On the Death of the same Lady, written in Sept. 1794.
LIKE a poor ghost the night I seek;
Its hollow winds repeat my sighs;
The cold dews mingle on my cheek
With tears that wander from mine eyes.
The thorns that still my couch molest,
Have robb'd these heavy eyes of sleep;
But though deprived of tranquil rest,
I here at last am free to weep.
Twelve times the moon, that rises red
O'er yon tall wood of shadowy pine,
Has fill'd her orb, since low was laid
My Harriet! that sweet form of thine!

While each sad month, as slow it pass'd,
Brought some new sorrow to deplore;
Some grief more poignant than the last,
But thou canst calm those griefs no more.
No more thy friendship soothes to rest
This wearied spirit tempest-toss'd;
The cares that weigh upon my breast
Are doubly felt since thou art lost.
Bright visions of ideal grace
That the young poet's dreams inflame,
Were not more lovely than thy face;
Were not more perfect than thy frame.
Wit, that no sufferings could impair,
Was thine, and thine those mental powers
Of force to chase the fiends that tear
From Fancy's hands her budding flowers.
O'er what, my angel friend, thou wert,
Dejected Memory loves to mourn;
Regretting still that tender heart,
Now withering in a distant urn.
But ere that wood of shadowy pine
Twelve times shall yon full orb behold,
This sickening heart, that bleeds for thine,
My Harriet!--may like thine be cold!

poem by Charlotte Smith
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The Sydney International Exhibition

Now, while Orion, flaming south, doth set
A shining foot on hills of wind and wet—
Far haughty hills beyond the fountains cold
And dells of glimmering greenness manifold—
While August sings the advent of the Spring,
And in the calm is heard September’s wing,
The lordly voice of song I ask of thee,
High, deathless radiance—crowned Calliope!
What though we never hear the great god’s lays
Which made all music the Hellenic days—
What though the face of thy fair heaven beams
Still only on the crystal Grecian streams—
What though a sky of new, strange beauty shines
Where no white Dryad sings within the pines:
Here is a land whose large, imperial grace
Must tempt thee, goddess, in thine holy place!
Here are the dells of peace and plenilune,
The hills of morning and the slopes of noon;
Here are the waters dear to days of blue,
And dark-green hollows of the noontide dew;
Here lies the harp, by fragrant wood-winds fanned,
That waits the coming of thy quickening hand!
And shall Australia, framed and set in sea,
August with glory, wait in vain for thee?
Shall more than Tempe’s beauty be unsung
Because its shine is strange—its colours young?
No! by the full, live light which puts to shame
The far, fair splendours of Thessalian flame—
By yonder forest psalm which sinks and swells
Like that of Phocis, grave with oracles—
By deep prophetic winds that come and go
Where whispering springs of pondering mountains flow—
By lute-like leaves and many-languaged caves,
Where sounds the strong hosanna of the waves,
This great new majesty shall not remain
Unhonoured by the high immortal strain!
Soon, soon, the music of the southern lyre
Shall start and blossom with a speech like fire!
Soon, soon, shall flower and flow in flame divine
Thy songs, Apollo, and Euterpe, thine!
Strong, shining sons of Delphicus shall rise
With all their father’s glory in their eyes;
And then shall beam on yonder slopes and springs
The light that swims upon the light of things.
And therefore, lingering in a land of lawn,
I, standing here, a singer of the dawn,
With gaze upturned to where wan summits lie
Against the morning flowing up the sky—
Whose eyes in dreams of many colours see
A glittering vision of the years to be—
Do ask of thee, Calliope, one hour
Of life pre-eminent with perfect power,
That I may leave a song whose lonely rays
May shine hereafter from these songless days.

For now there breaks across the faint grey range
The rose-red dawning of a radiant change.
A soft, sweet voice is in the valleys deep,
Where darkness droops and sings itself to sleep.
The grave, mute woods, that yet the silence hold
Of dim, dead ages, gleam with hints of gold.
Yon eastern cape that meets the straitened wave—
A twofold tower above the whistling cave—
Whose strength in thunder shields the gentle lea,
And makes a white wrath of a league of sea,
Now wears the face of peace; and in the bay
The weak, spent voice of Winter dies away.
In every dell there is a whispering wing,
On every lawn a glimmer of the Spring;
By every hill are growths of tender green—
On every slope a fair, new life is seen;
And lo! beneath the morning’s blossoming fires,
The shining city of a hundred spires,
In mists of gold, by countless havens furled,
And glad with all the flags of all the world!

These are the shores, where, in a dream of fear,
Cathay saw darkness dwelling half the year!
These are the coasts that old fallacious tales
Chained down with ice and ringed with sleepless gales!
This is the land that, in the hour of awe,
From Indian peaks the rapt Venetian saw!
Here is the long grey line of strange sea wall
That checked the prow of the audacious Gaul,
What time he steered towards the southern snow,
From zone to zone, four hundred years ago!
By yonder gulf, whose marching waters meet
The wine-dark currents from the isles of heat,
Strong sons of Europe, in a far dim year,
Faced ghastly foes, and felt the alien spear!
There, in a later dawn, by shipless waves,
The tender grasses found forgotten graves.
Far in the west, beyond those hills sublime,
Dirk Hartog anchored in the olden time;
There, by a wild-faced bay, and in a cleft,
His shining name the fair-haired Northman left;
And, on those broad imperial waters, far
Beneath the lordly occidental star,
Sailed Tasman down a great and glowing space
Whose softer lights were like his lady’s face.
In dreams of her he roved from zone to zone,
And gave her lovely name to coasts unknown
And saw, in streaming sunset everywhere,
The curious beauty of her golden hair,
By flaming tracts of tropic afternoon,
Where in low heavens hangs a fourfold moon.
Here, on the tides of a resplendent year,
By capes of jasper, came the buccaneer.
Then, then, the wild men, flying from the beach,
First heard the clear, bold sounds of English speech;
And then first fell across a Southern plain
The broad, strong shadows of a Saxon train.
Near yonder wall of stately cliff, that braves
The arrogance of congregated waves,
The daring son of grey old Yorkshire stood
And dreamed in a majestic solitude,
What time a gentle April shed its showers,
Aflame with sunset, on the Bay of Flowers.
The noble seaman who withheld the hand,
And spared the Hector of his native land—
The single savage, yelling on the beach
The dark, strange curses of barbaric speech.
Exalted sailor! whose benignant phrase
Shines full of beauty in these latter days;
Who met the naked tribes of fiery skies
With great, divine compassion in his eyes;
Who died, like Him of hoary Nazareth,
That death august—the radiant martyr’s death;
Who in the last hour showed the Christian face
Whose crumbling beauty shamed the alien race.
In peace he sleeps where deep eternal calms
Lie round the land of heavy-fruited palms.
Lo! in that dell, behind a singing bar,
Where deep, pure pools of glittering waters are,
Beyond a mossy, yellow, gleaming glade,
The last of Forby Sutherland was laid—
The blue-eyed Saxon from the hills of snow
Who fell asleep a hundred years ago.
In flowerful shades, where gold and green are rife,
Still rests the shell of his forgotten life.
Far, far away, beneath some northern sky
The fathers of his humble household lie;
But by his lonely grave are sapphire streams,
And gracious woodlands, where the fire-fly gleams;
And ever comes across a silver lea
The hymn sublime of the eternal sea.

On that bold hill, against a broad blue stream,
Stood Arthur Phillip in a day of dream:
What time the mists of morning westward rolled,
And heaven flowered on a bay of gold!
Here, in the hour that shines and sounds afar,
Flamed first old England’s banner like a star;
Here, in a time august with prayer and praise,
Was born the nation of these splendid days;
And here this land’s majestic yesterday
Of immemorial silence died away.
Where are the woods that, ninety summers back,
Stood hoar with ages by the water-track?
Where are the valleys of the flashing wing,
The dim green margins and the glimmering spring?
Where now the warrior of the forest race,
His glaring war-paint and his fearless face?
The banks of April and the groves of bird,
The glades of silence and the pools unstirred,
The gleaming savage and the whistling spear,
Passed with the passing of a wild old year!
A single torrent singing by the wave,
A shadowy relic in a mountain cave,
A ghost of fire in immemorial hills,
The whittled tree by folded wayside rills,
The call of bird that hides in hollows far,
Where feet of thunder, wings of winter are—
Of all that Past, these wrecks of wind and rain,
These touching memories—these alone remain!

What sun is this that beams and broadens west?
What wonder this, in deathless glory dressed?
What strange, sweet harp of highest god took flame
And gave this Troy its life, its light, its name?
What awful lyre of marvellous power and range
Upraised this Ilion—wrought this dazzling change?
No shining singer of Hellenic dreams
Set yonder splendour by the morning streams!
No god who glimmers in a doubtful sphere
Shed glory there—created beauty here!
This is the city that our fathers framed—
These are the crescents by the elders named!
The human hands of strong, heroic men
Broke down the mountain, filled the gaping glen,
Ran streets through swamp, built banks against the foam,
And bent the arch and raised the lordly dome!
Here are the towers that the founders made!
Here are the temples where these Romans prayed!
Here stand the courts in which their leaders met!
Here are their homes, and here their altars yet!
Here sleep the grand old men whose lives sublime
Of thought and action shine and sound through time!
Who worked in darkness—onward fought their ways
To bring about these large majestic days—
Who left their sons the hearts and high desires
Which built this city of the hundred spires!

A stately Morning rises on the wing,
The hills take colour, and the valleys sing.
A strong September flames beyond the lea—
A silver vision on a silver sea.
A new Age, “cast in a diviner mould”,
Comes crowned with lustre, zoned and shod with gold!
What dream is this on lawny spaces set?
What miracle of dome and minaret?
What great mute majesty is this that takes
The first of morning ere the song-bird wakes?
Lo, this was built to honour gathering lands
By Celtic, Saxon, Australasian hands!
These are the halls where all the flags unfurled
Break into speech that welcomes all the world.
And lo, our friends are here from every zone—
From isles we dream of and from tracts unknown!
Here are the fathers from the stately space
Where Ireland is and England’s sacred face!
Here are the Norsemen from their strong sea-wall,
The grave, grand Teuton and the brilliant Gaul!
From green, sweet groves the dark-eyed Lusians sail,
And proud Iberia leaves the grape-flushed vale.
Here are the lords whose starry banner shines
From fierce Magellan to the Arctic pines.
Here come the strangers from the gates of day—
From hills of sunrise and from white Cathay.
The spicy islands send their swarthy sons,
The lofty North its mailed and mighty ones.
Venetian keels are floating on our sea;
Our eyes are glad with radiant Italy!
Yea, North and South, and glowing West and East,
Are gathering here to grace our splendid feast!
The chiefs from peaks august with Asian snow,
The elders born where regal roses grow,
Come hither, with the flower of that fair land
That blooms beyond the fiery tracts of sand
Where Syrian suns their angry lustres fling
Across blind channels of the bygone spring.
And on this great, auspicious day, the flowers
Of labour glorify majestic hours.

The singing angel from the starry sphere
Of dazzling Science shows his wonders here;
And Art, the dream-clad spirit, starts, and brings
From Fairyland her strange, sweet, glittering things.
Here are the works man did, what time his face
Was touched by God in some exalted place;
Here glows the splendour—here the marvel wrought
When Heaven flashed upon the maker’s thought!
Yea, here are all the miracles sublime—
The lights of Genius and the stars of Time!
And, being lifted by this noble noon,
Australia broadens like a tropic moon.
Her white, pure lustre beams across the zones;
The nations greet her from their awful thrones.
From hence the morning beauty of her name
Will shine afar, like an exceeding flame.
Her place will be with mighty lords, whose sway
Controls the thunder and the marching day.
Her crown will shine beside the crowns of kings
Who shape the seasons, rule the course of things,
The fame of her across the years to be
Will spread like light on a surpassing sea;
And graced with glory, girt with power august,
Her life will last till all things turn to dust.

To Thee the face of song is lifted now,
O Lord! to whom the awful mountains bow;
Whose hands, unseen, the tenfold storms control;
Whose thunders shake the spheres from pole to pole;
Who from Thy highest heaven lookest down,
The sea Thy footstool, and the sun Thy crown;
Around whose throne the deathless planets sing
Hosannas to their high, eternal King.
To Thee the soul of prayer this morning turns,
With faith that glitters, and with hope that burns!
And, in the moments of majestic calm
That fill the heart in pauses of the psalm,
She asks Thy blessing for this fair young land
That flowers within the hollow of Thine hand!
She seeks of Thee that boon, that gift sublime,
The Christian radiance, for this hope of Time!
And Thou wilt listen! and Thy face will bend
To smile upon us—Master, Father, Friend!
The Christ to whom pure pleading heart hath crept
Was human once, and in the darkness wept;
The gracious love that helped us long ago
Will on us like a summer sunrise flow,
And be a light to guide the nation’s feet
On holy paths—on sacred ways and sweet

poem by Henry Kendall
Submitted by Poetry Lover
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Ulla, Or The Adjuration

'Thou'rt gone!–thou'rt slumb'ring low,
With the sounding seas above thee;
It is but a restless wo,
But a haunting dream to love thee!
Thrice the glad swan has sung,
To greet the spring-time hours,
Since thine oar at parting flung
The white spray up in showers.

There's a shadow of the grave on thy hearth and round thy home;
Come to me from the ocean's dead!–thou'rt surely of them–come!'

'Twas Ulla's voice–alone she stood
In the Iceland summer night,
Far gazing o'er a glassy flood,
From a dark rock's beetling height.

'I know thou hast thy bed
Where the sea-weed's coil hath bound thee;
The storm sweeps o'er thy head,
But the depths are hush'd around thee.
What wind shall point the way
To the chambers where thou'rt lying?
Come to me thence, and say
If thou thought'st on me in dying?

I will not shrink to see thee with a bloodless lip and cheek–
Come to me from the ocean's dead!–thou'rt surely of them–speak!'

She listen'd–'twas the wind's low moan,
'Twas the ripple of the wave,
'Twas the wakening osprey's cry alone,
As it started from its cave.

'I know each fearful spell
Of the ancient Runic lay,
Whose mutter'd words compel
The tempest to obey.
But I adjure not thee
By magic sign or song,
My voice shall stir the sea
By love,–the deep, the strong!

By the might of woman's tears, by the passion of her sighs,
Come to me from the ocean's dead!–by the vows we pledg'd–arise!'

Again she gazed with an eager glance,
Wandering and wildly bright;–
She saw but the sparkling waters dance
To the arrowy northern light.

'By the slow and struggling death
Of hope that loath'd to part,
By the fierce and withering breath
Of despair on youth's high heart;
By the weight of gloom which clings
To the mantle of the night,
By the heavy dawn which brings
Nought lovely to the sight,

By all that from my weary soul thou hast wrung of grief and fear,
Come to me from the ocean's dead–awake, arise, appear!'

Was it her yearning spirit's dream,
Or did a pale form rise,
And o'er the hush'd wave glide and gleam,
With bright, still, mournful eyes?

'Have the depths heard?–they have!
My voice prevails–thou'rt there,
Dim from thy watery grave,
Oh! thou that wert so fair!
Yet take me to thy rest!
There dwells no fear with love;
Let me slumber on thy breast,
While the billow rolls above!

Where the long-lost things lie hid, where the bright ones have their home,
We will sleep among the ocean's dead–stay for me, stay!–I come!'

There was a sullen plunge below,
A flashing on the main,
And the wave shut o'er that wild heart's wo,
Shut,–and grew still again.

poem by Felicia Dorothea Hemans
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The Last Oracle

eipate toi basilei, xamai pese daidalos aula.
ouketi PHoibos exei kaluban, ou mantida daphnen,
ou pagan laleousan . apesbeto kai lalon udor.

Years have risen and fallen in darkness or in twilight,
Ages waxed and waned that knew not thee nor thine,
While the world sought light by night and sought not thy light,
Since the sad last pilgrim left thy dark mid shrine.
Dark the shrine and dumb the fount of song thence welling,
Save for words more sad than tears of blood, that said:
Tell the king, on earth has fallen the glorious dwelling,
And the watersprings that spake are quenched and dead.
Not a cell is left the God, no roof, no cover
In his hand the prophet laurel flowers no more.
And the great king's high sad heart, thy true last lover,
Felt thine answer pierce and cleave it to the core.
And he bowed down his hopeless head
In the drift of the wild world's tide,
And dying, Thou hast conquered, he said,
Galilean; he said it, and died.
And the world that was thine and was ours
When the Graces took hands with the Hours
Grew cold as a winter wave
In the wind from a wide-mouthed grave,
As a gulf wide open to swallow
The light that the world held dear.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!

Age on age thy mouth was mute, thy face was hidden,
And the lips and eyes that loved thee blind and dumb;
Song forsook their tongues that held thy name forbidden,
Light their eyes that saw the strange God's kingdom come.
Fire for light and hell for heaven and psalms for pæans
Filled the clearest eyes and lips most sweet of song,
When for chant of Greeks the wail of Galileans
Made the whole world moan with hymns of wrath and wrong.
Yea, not yet we see thee, father, as they saw thee,
They that worshipped when the world was theirs and thine,
They whose words had power by thine own power to draw thee
Down from heaven till earth seemed more than heaven divine.
For the shades are about us that hover
When darkness is half withdrawn
And the skirts of the dead night cover
The face of the live new dawn.
For the past is not utterly past
Though the word on its lips be the last,
And the time be gone by with its creed
When men were as beasts that bleed,
As sheep or as swine that wallow,
In the shambles of faith and of fear.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!

Yet it may be, lord and father, could we know it,
We that love thee for our darkness shall have light
More than ever prophet hailed of old or poet
Standing crowned and robed and sovereign in thy sight.
To the likeness of one God their dreams enthralled thee,
Who wast greater than all Gods that waned and grew;
Son of God the shining son of Time they called thee,
Who wast older, O our father, than they knew.
For no thought of man made Gods to love or honour
Ere the song within the silent soul began,
Nor might earth in dream or deed take heaven upon her
Till the word was clothed with speech by lips of man.
And the word and the life wast thou,
The spirit of man and the breath;
And before thee the Gods that bow
Take life at thine hands and death.
For these are as ghosts that wane,
That are gone in an age or twain;
Harsh, merciful, passionate, pure,
They perish, but thou shalt endure;
Be their flight with the swan or the swallow,
They pass as the flight of a year.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!

Thou the word, the light, the life, the breath, the glory,
Strong to help and heal, to lighten and to slay,
Thine is all the song of man, the world's whole story;
Not of morning and of evening is thy day.
Old and younger Gods are buried or begotten
From uprising to downsetting of thy sun,
Risen from eastward, fallen to westward and forgotten,
And their springs are many, but their end is one.
Divers births of godheads find one death appointed,
As the soul whence each was born makes room for each;
God by God goes out, discrowned and disanointed,
But the soul stands fast that gave them shape and speech.
Is the sun yet cast out of heaven?
Is the song yet cast out of man?
Life that had song for its leaven
To quicken the blood that ran
Through the veins of the songless years
More bitter and cold than tears,
Heaven that had thee for its one
Light, life, word, witness, O sun,
Are they soundless and sightless and hollow,
Without eye, without speech, without ear?
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!

Time arose and smote thee silent at his warning,
Change and darkness fell on men that fell from thee;
Dark thou satest, veiled with light, behind the morning,
Till the soul of man should lift up eyes and see.
Till the blind mute soul get speech again and eyesight,
Man may worship not the light of life within;
In his sight the stars whose fires grow dark in thy sight
Shine as sunbeams on the night of death and sin.
Time again is risen with mightier word of warning,
Change hath blown again a blast of louder breath;
Clothed with clouds and stars and dreams that melt in morning,
Lo, the Gods that ruled by grace of sin and death!
They are conquered, they break, they are stricken,
Whose might made the whole world pale;
They are dust that shall rise not or quicken
Though the world for their death's sake wail.
As a hound on a wild beast's trace,
So time has their godhead in chase;
As wolves when the hunt makes head,
They are scattered, they fly, they are fled;
They are fled beyond hail, beyond hollo,
And the cry of the chase, and the cheer.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!

Day by day thy shadow shines in heaven beholden,
Even the sun, the shining shadow of thy face:
King, the ways of heaven before thy feet grow golden;
God, the soul of earth is kindled with thy grace.
In thy lips the speech of man whence Gods were fashioned,
In thy soul the thought that makes them and unmakes;
By thy light and heat incarnate and impassioned,
Soul to soul of man gives light for light and takes.
As they knew thy name of old time could we know it,
Healer called of sickness, slayer invoked of wrong,
Light of eyes that saw thy light, God, king, priest, poet,
Song should bring thee back to heal us with thy song.
For thy kingdom is past not away,
Nor thy power from the place thereof hurled;
Out of heaven they shall cast not the day,
They shall cast not out song from the world.
By the song and the light they give
We know thy works that they live;
With the gift thou hast given us of speech
We praise, we adore, we beseech,
We arise at thy bidding and follow,
We cry to thee, answer, appear,
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!

poem by Algernon Charles Swinburne
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A Year's Carols

JANUARY
HAIL, January, that bearest here
On snowbright breasts the babe-faced year
That weeps and trembles to be born.
Hail, maid and mother, strong and bright,
Hooded and cloaked and shod with white,
Whose eyes are stars that match the morn.
Thy forehead braves the storm's bent bow,
Thy feet enkindle stars of snow.

FEBRUARY
Wan February with weeping cheer,
Whose cold hand guides the youngling year
Down misty roads of mire and rime,
Before thy pale and fitful face
The shrill wind shifts the clouds apace
Through skies the morning scarce may climb.
Thine eyes are thick with heavy tears,
But lit with hopes that light the year's.

MARCH
Hail, happy March, whose foot on earth
Rings as the blast of martial mirth
When trumpets fire men's hearts for fray.
No race of wild things winged or finned
May match the might that wings thy wind
Through air and sea, through scud and spray.
Strong joy and thou were powers twin-born
Of tempest and the towering morn.

APRIL
Crowned April, king whose kiss bade earth
Bring forth to time her lordliest birth
When Shakespeare from thy lips drew breath
And laughed to hold in one soft hand
A spell that bade the world's wheel stand,
And power on life, and power on death,
With quiring suns and sunbright showers
Praise him, the flower of all thy flowers.

MAY
Hail, May, whose bark puts forth full-sailed
For summer; May, whom Chaucer hailed
With all his happy might of heart,
And gave thy rosebright daisy-tips
Strange frarance from his amorous lips
That still thine own breath seems to part
And sweeten till each word they say
Is even a flower of flowering May.

JUNE
Strong June, superb, serene, elate
With conscience of thy sovereign state
Untouched of thunder, though the storm
Scathe here and there thy shuddering skies
And bid its lightning cross thine eyes
With fire, thy golden hours inform
Earth and the souls of men with life
That brings forth peace from shining strife.

JULY
Hail, proud July, whose fervent mouth
Bids even be morn and north be south
By grace and gospel of thy word,
Whence all the splendour of the sea
Lies breathless with delight in thee
And marvel at the music heard
From the ardent silent lips of noon
And midnight's rapturous plenilune.

AUGUST
Great August, lord of golden lands,
Whose lordly joy through seas and strands
And all the red-ripe heart of earth
Strikes passion deep as life, and stills
The folded vales and folding hills
With gladness too divine for mirth,
The gracious glories of thine eyes
Make night a noon where darkness dies.

SEPTEMBER
Hail, kind September, friend whose grace
Renews the bland year's bounteous face
With largess given of corn and wine
Through many a land that laughs with love
Of thee and all the heaven above,
More fruitful found than all save thine
Whose skies fulfil with strenuous cheer
The fervent fields that knew thee near.

OCTOBER
October of the tawny crown,
Whose heavy-laden hands drop down
Blessing, the bounties of thy breath
And mildness of thy mellowing might
Fill earth and heaven with love and light
Too sweet for fear to dream of death
Or memory, while thy joy lives yet,
To know what joy would fain forget.

NOVEMBER
Hail, soft November, though thy pale
Sad smile rebuke the words that hail
Thy sorrow with no sorrowing words
Or gratulate thy grief with song
Less bitter than the winds that wrong
Thy withering woodlands, where the birds
Keep hardly heart to sing or see
How fair thy faint wan face may be.

DECEMBER
December, thou whose hallowing hands
On shuddering seas and hardening lands
Set as a sacramental sign
The seal of Christmas felt on earth
As witness toward a new year's birth
Whose promise makes thy death divine,
The crowning joy that comes of thee
Makes glad all grief on land or sea.

poem by Algernon Charles Swinburne
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Blessed Among Women --To The Signora Cairoli

Blessed was she that bare,
Hidden in flesh most fair,
For all men's sake the likeness of all love;
Holy that virgin's womb,
The old record saith, on whom
The glory of God alighted as a dove;
Blessed, who brought to gracious birth
The sweet-souled Saviour of a man-tormented earth.

But four times art thou blest,
At whose most holy breast
Four times a godlike soldier-saviour hung;
And thence a fourfold Christ
Given to be sacrificed
To the same cross as the same bosom clung;
Poured the same blood, to leave the same
Light on the many-folded mountain-skirts of fame.

Shall they and thou not live,
The children thou didst give
Forth of thine hands, a godlike gift, to death,
Through fire of death to pass
For her high sake that was
Thine and their mother, that gave all you breath?
Shall ye not live till time drop dead,
O mother, and each her children's consecrated head?

Many brought gifts to take
For her love's supreme sake,
Life and life's love, pleasure and praise and rest,
And went forth bare; but thou,
So much once richer, and now
Poorer than all these, more than these be blest;
Poorer so much, by so much given,
Than who gives earth for heaven's sake, not for earth's sake heaven.

Somewhat could each soul save,
What thing soever it gave,
But thine, mother, what has thy soul kept back?
None of thine all, not one,
To serve thee and be thy son,
Feed with love all thy days, lest one day lack;
All thy whole life's love, thine heart's whole,
Thou hast given as who gives gladly, O thou the supreme soul.

The heart's pure flesh and blood,
The heaven thy motherhood,
The live lips, the live eyes, that lived on thee;
The hands that clove with sweet
Blind clutch to thine, the feet
That felt on earth their first way to thy knee;
The little laughter of mouths milk-fed,
Now open again to feed on dust among the dead;

The fair, strong, young men's strength,
Light of life-days and length,
And glory of earth seen under and stars above,
And years that bring to tame
Now the wild falcon fame,
Now, to stroke smooth, the dove-white breast of love;
The life unlived, the unsown seeds,
Suns unbeholden, songs unsung, and undone deeds.

Therefore shall man's love be
As an own son to thee,
And the world's worship of thee for a child;
All thine own land as one
New-born, a nursing son,
All thine own people a new birth undefiled;
And all the unborn Italian time,
And all its glory, and all its works, thy seed sublime.

That henceforth no man's breath,
Saying "Italy," but saith
In that most sovereign word thine equal name;
Nor can one speak of thee
But he saith "Italy,"
Seeing in two suns one co-eternal flame;
One heat, one heaven, one heart, one fire,
One light, one love, one benediction, one desire.

Blest above praise and prayer
And incense of men's air,
Thy place is higher than where such voices rise
As in men's temples make
Music for some vain sake,
This God's or that God's, in one weary wise;
Thee the soul silent, the shut heart,
The locked lips of the spirit praise thee that thou art.

Yea, for man's whole life's length,
And with man's whole soul's strength,
We praise thee, O holy, and bless thee, O mother of lights;
And send forth as on wings
The world's heart's thanksgivings,
Song-birds to sing thy days through and thy nights;
And wrap thee around and arch thee above
With the air of benediction and the heaven of love.

And toward thee our unbreathed words
Fly speechless, winged as birds,
As the Indian flock, children of Paradise,
The winged things without feet,
Fed with God's dew for meat,
That live in the air and light of the utter skies;
So fleet, so flying a footless flight,
With wings for feet love seeks thee, to partake thy sight.

Love like a clear sky spread
Bends over thy loved head,
As a new heaven bends over a new-born earth,
When the old night's womb is great
With young stars passionate
And fair new planets fiery-fresh from birth;
And moon-white here, there hot like Mars,
Souls that are worlds shine on thee, spirits that are stars.

Till the whole sky burns through
With heaven's own heart-deep hue,
With passion-coloured glories of lit souls;
And thine above all names
Writ highest with lettering flames
Lightens, and all the old starriest aureoles
And all the old holiest memories wane,
And the old names of love's chosen, found in thy sight vain.

And crowned heads are discrowned,
And stars sink without sound,
And love's self for thy love's sake waxes pale
Seeing from his storied skies
In what new reverent wise
Thee Rome's most highest, her sovereign daughters, hail;
Thee Portia, thee Veturia grey,
Thee Arria, thee Cornelia, Roman more than they.

Even all these as all we
Subdue themselves to thee,
Bow their heads haloed, quench their fiery fame;
Seen through dim years divine,
Their faint lights feminine
Sink, then spring up rekindled from thy flame;
Fade, then reflower and reillume
From thy fresh spring their wintering age with new-blown bloom.

To thy much holier head
Even theirs, the holy and dead,
Bow themselves each one from her heavenward height;
Each in her shining turn,
All tremble toward thee and yearn
To melt in thine their consummated light;
Till from day's Capitolian dome
One glory of many glories lighten upon Rome.

Hush thyself, song, and cease,
Close, lips, and hold your peace;
What help hast thou, what part have ye herein?
But you, with sweet shut eyes,
Heart-hidden memories,
Dreams and dumb thoughts that keep what things have been
Silent, and pure of all words said,
Praise without song the living, without dirge the dead.

Thou, strengthless in these things,
Song, fold thy feebler wings,
And as a pilgrim go forth girt and shod,
And where the new graves are,
And where the sunset star,
To the pure spirit of man that men call God,
To the high soul of things, that is
Made of men's heavenlier hopes and mightier memories;

To the elements that make
For the soul's living sake
This raiment of dead things, of shadow and trance,
That give us chance and time
Wherein to aspire and climb
And set our life's work higher than time or chance
The old sacred elements, that give
The breath of life to days that die, to deeds that live;

To them, veiled gods and great,
There bow thee and dedicate
The speechless spirit in these thy weak words hidden;
And mix thy reverent breath
With holier air of death,
At the high feast of sorrow a guest unbidden,
Till with divine triumphal tears
Thou fill men's eyes who listen with a heart that hears.

poem by Algernon Charles Swinburne
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Leaves from Australian Forests (12 Sonnets)

I
A Mountain Spring

Peace hath an altar there. The sounding feet
Of thunder and the ’wildering wings of rain
Against fire-rifted summits flash and beat,
And through grey upper gorges swoop and strain;
But round that hallowed mountain-spring remain,
Year after year, the days of tender heat,
And gracious nights, whose lips with flowers are sweet,
And filtered lights, and lutes of soft refrain.
A still, bright pool. To men I may not tell
The secret that its heart of water knows,
The story of a loved and lost repose;
Yet this I say to cliff and close-leaved dell:
A fitful spirit haunts yon limpid well,
Whose likeness is the faithless face of Rose.

II
Laura

If Laura—lady of the flower-soft face—
Should light upon these verses, she may take
The tenderest line, and through its pulses trace
What man can suffer for a woman’s sake.
For in the nights that burn, the days that break,
A thin pale figure stands in Passion’s place,
And peace comes not, nor yet the perished grace
Of youth, to keep old faiths and fires awake.
Ah! marvellous maid. Life sobs, and sighing saith,
“She left me, fleeting like a fluttered dove;
But I would have a moment of her breath,
So I might taste the sweetest sense thereof,
And catch from blossoming, honeyed lips of love
Some faint, some fair, some dim, delicious death.”

III
By a River

By red-ripe mouth and brown, luxurious eyes
Of her I love, by all your sweetness shed
In far, fair days, on one whose memory flies
To faithless lights, and gracious speech gainsaid,
I pray you, when yon river-path I tread,
Make with the woodlands some soft compromise,
Lest they should vex me into fruitless sighs
With visions of a woman’s gleaming head!
For every green and golden-hearted thing
That gathers beauty in that shining place,
Beloved of beams and wooed by wind and wing,
Is rife with glimpses of her marvellous face;
And in the whispers of the lips of Spring
The music of her lute-like voice I trace.

IV
Attila

What though his feet were shod with sharp, fierce flame,
And death and ruin were his daily squires,
The Scythian, helped by Heaven’s thunders, came:
The time was ripe for God’s avenging fires.
Lo! loose, lewd trulls, and lean, luxurious liars
Had brought the fair, fine face of Rome to shame,
And made her one with sins beyond a name—
That queenly daughter of imperial sires!
The blood of elders like the blood of sheep,
Was dashed across the circus. Once while din
And dust and lightnings, and a draggled heap
Of beast-slain men made lords with laughter leap,
Night fell, with rain. The earth, so sick of sin,
Had turned her face into the dark to weep.

V
A Reward

Because a steadfast flame of clear intent
Gave force and beauty to full-actioned life;
Because his way was one of firm ascent,
Whose stepping-stones were hewn of change and strife;
Because as husband loveth noble wife
He loved fair Truth; because the thing he meant
To do, that thing he did, nor paused, nor bent
In face of poor and pale conclusions; yea!
Because of this, how fares the Leader dead?
What kind of mourners weep for him to-day?
What golden shroud is at his funeral spread?
Upon his brow what leaves of laurel, say?
About his breast is tied a sackcloth grey,
And knots of thorns deface his lordly head.

VI To ——
A handmaid to the genius of thy song
Is sweet, fair Scholarship. ’Tis she supplies
The fiery spirit of the passioned eyes
With subtle syllables, whose notes belong
To some chief source of perfect melodies;
And glancing through a laurelled, lordly throng
Of shining singers, lo! my vision flies
To William Shakespeare! He it is whose strong,
Full, flute-like music haunts thy stately verse.
A worthy Levite of his court thou art!
One sent among us to defeat the curse
That binds us to the Actual. Yea, thy part,
Oh, lute-voiced lover! is to lull the heart
Of love repelled, its darkness to disperse.

VII
The Stanza of Childe Harold

Who framed the stanza of Childe Harold? He
It was who, halting on a stormy shore,
Knew well the lofty voice which evermore,
In grand distress, doth haunt the sleepless sea
With solemn sounds. And as each wave did roll
Till one came up, the mightiest of the whole,
To sweep and surge across the vacant lea,
Wild words were wedded to wild melody.
This poet must have had a speechless sense
Of some dead summer’s boundless affluence;
Else, whither can we trace the passioned lore
Of Beauty, steeping to the very core
His royal verse, and that rare light which lies
About it, like a sunset in the skies?

VIII
A Living Poet

He knows the sweet vexation in the strife
Of Love with Time, this bard who fain would stray
To fairer place beyond the storms of life,
With astral faces near him day by day.
In deep-mossed dells the mellow waters flow
Which best he loves; for there the echoes, rife
With rich suggestions of his long ago,
Astarte, pass with thee! And, far away,
Dear southern seasons haunt the dreamy eye:
Spring, flower-zoned, and Summer, warbling low
In tasselled corn, alternate come and go,
While gypsy Autumn, splashed from heel to thigh
With vine-blood, treads the leaves; and, halting nigh,
Wild Winter bends across a beard of snow.

IX
Dante and Virgil

When lost Francesca sobbed her broken tale
Of love and sin and boundless agony,
While that wan spirit by her side did wail
And bite his lips for utter misery—
The grief which could not speak, nor hear, nor see—
So tender grew the superhuman face
Of one who listened, that a mighty trace
Of superhuman woe gave way, and pale
The sudden light up-struggled to its place;
While all his limbs began to faint and fail
With such excess of pity. But, behind,
The Roman Virgil stood—the calm, the wise—
With not a shadow in his regal eyes,
A stately type of all his stately kind.

X
Rest

Sometimes we feel so spent for want of rest,
We have no thought beyond. I know to-day,
When tired of bitter lips and dull delay
With faithless words, I cast mine eyes upon
The shadows of a distant mountain-crest,
And said “That hill must hide within its breast
Some secret glen secluded from the sun.
Oh, mother Nature! would that I could run
Outside to thee; and, like a wearied guest,
Half blind with lamps, and sick of feasting, lay
An aching head on thee. Then down the streams
The moon might swim, and I should feel her grace,
While soft winds blew the sorrows from my face,
So quiet in the fellowship of dreams.”

XI
After Parting

I cannot tell what change hath come to you
To vex your splendid hair. I only know
One grief. The passion left betwixt us two,
Like some forsaken watchfire, burneth low.
’Tis sad to turn and find it dying so,
Without a hope of resurrection! Yet,
O radiant face that found me tired and lone!
I shall not for the dear, dead past forget
The sweetest looks of all the summers gone.
Ah! time hath made familiar wild regret;
For now the leaves are white in last year’s bowers,
And now doth sob along the ruined leas
The homeless storm from saddened southern seas,
While March sits weeping over withered flowers.

XII
Alfred Tennyson

The silvery dimness of a happy dream
I’ve known of late. Methought where Byron moans,
Like some wild gulf in melancholy zones,
I passed tear-blinded. Once a lurid gleam
Of stormy sunset loitered on the sea,
While, travelling troubled like a straitened stream,
The voice of Shelley died away from me.
Still sore at heart, I reached a lake-lit lea.
And then the green-mossed glades with many a grove,
Where lies the calm which Wordsworth used to love,
And, lastly, Locksley Hall, from whence did rise
A haunting song that blew and breathed and blew
With rare delights. ’Twas there I woke and knew
The sumptuous comfort left in drowsy eyes.

poem by Henry Kendall
Submitted by Poetry Lover
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