A Perfect Strain
O BID the minstrel tune his harp,
And bid the minstrel sing;
And let it be a perfect strain
That round the hall shall ring:
A strain to throb in lady's heart,
To brim the warrior's soul,
As dew fills up the summer rose
And wine the lordly bowl!
O let the minstrel's voice ring clear,
His touch sweep gay and light;
Nor let his glittering tresses know
One streak of wintry white.
And let the light of ruddy June
Shine in his joyous eyes,
If he would wake the only strain
That never fully dies!
O what the strain that woos the knight
To turn from steed and lance,
The page to turn from hound and hawk,
The maid from lute and dance;
The potent strain, that nigh would draw
The hermit from his cave,
The dryad from the leafy oak,
The mermaid from the wave;
That almost might still charm the hawk
To drop the trembling dove?
O ruddy minstrel, tune thy harp,
And sing of Youthful Love!
poem by Isabella Valancy Crawford
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Related quotes
Sonnet IX: Passion And Worship
One flame-winged brought a white-winged harp-player
Even where my lady and I lay all alone;
Saying: “Behold, this minstrel is unknown;
Bid him depart, for I am minstrel here:
Only my strains are to Love's dear ones dear.”
Then said I: “Through thine hautboy's rapturous tone
Unto my lady still this harp makes moan,
And still she deems the cadence deep and clear.”
Then said my lady: “Thou art Passion of Love,
And this Love's Worship: both he plights to me.
Thy mastering music walks the sunlit sea:
But where wan water trembles in the grove
And the wan moon is all the light thereof,
This harp still makes my name its voluntary.”
poem by Dante Gabriel Rossetti
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Shadows within Shadows
Come with me in the shadows, come
Way beyond the caravan way
Drum out the fear and hear the drum
Play minstrel play; play minstrel play
Burn the candles ‘n smell 'em burn
Daylight is gone, this is your day
Learn the music that shadows learn
Play minstrel play; play minstrel play
Romance in shadows sweet romance
Sway to music, let your heart sway
Dance with dancers, join in their dance
Play minstrel play; play minstrel play
Come with me in the shadows, come
Play minstrel play; play minstrel play
__________________________________
Shadow Sonnet
Giudelines found here:
http: //www.shadowpoetry.com/resources/wip/types.html
poem by Amera Andersen
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My soul is dark
I
My soul is dark—Oh! quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.—
If in this heart a hope be dear,
That sound shall charm it forth again—
If in these eyes there lurk a tear,
'Twill flow—and cease to burn my brain—
II
But bid the strain be wild and deep,
Nor let thy notes of joy be first—
I tell thee—Minstrel! I must weep,
Or else this heavy heart will burst—
For it hath been by sorrow nurst,
And ached in sleepless silence long—
And now 'tis doom'd to know the worst,
And break at once—or yield to song.
poem by Byron (1815)
Submitted by Veronica Serbanoiu
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My Soul Is Dark
My soul is dark -- Oh! quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.
If in this heart a hope be dear,
That sound shall charm it forth again:
If in these eyes there lurk a tear,
'Twill flow, and cease to burn my brain.
But bid the strain be wild and deep,
Nor let thy notes of joy be first;
I tell thee, minstrel, I must weep,
Or else this heavy heart will burst;
For it hath been by sorrow nursed,
And ached in sleepless silence long;
And now 'tis doom'd to know the worst,
And break at once -- or yield to song.
poem by Byron from Hebrew Melodies (April 1815)
Submitted by anonym
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The Minstrel Boy
The Minstrel-Boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on,
And his wild harp slung behind him.
"Land of song!" said the warrior-bard,
"Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!"
The Minstrel fell! -- but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its chords asunder;
And said, "No chains shall sully thee,
Thou soul of love and bravery!
Thy songs were made for the pure and free,
They shall never sound in slavery."
poem by Thomas Moore
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Silence is in Our Festal Halls
Silence is in our festal halls --
Sweet son of song! thy course is o'er;
In vain on thee sad Erin calls,
Her minstrel's voice responds no more; --
All silent as the Eolian shell
Sleeps at the close of some bright day,
When the sweet breeze, that waked its swell
At sunny morn, hath died away.
Yet, at our feasts, thy spirit long,
Awaked by music's spell, shall rise;
For, name so link'd with deathless song
Partakes its charm and never dies;
And even within the holy fane,
When music wafts the soul to heaven,
One thought to him, whose earliest strain
Was echoed there, shall long be given.
But where is now the cheerful day,
The social night, when by thy side,
He who now weaves this parting lay
His skilless voice with thine allied;
And sung those songs whose every tone,
When bard and minstrel long have past,
Shall still, in sweetness all their own,
Embalm'd by fame, undying last.
Yes, Erin, shine alone the fame --
Or, if thy bard have shared the crown,
From thee the borrow'd glory came,
And at thy feet is now laid down.
Enough, if Freedom still inspire,
His latest song, and still there be,
As evening closes round his lyre,
One ray upon its chords from thee.
poem by Thomas Moore
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Bunnies
Crushed in the arms...
Crushed in the arms of a bear.
Crushed in the arms...
Crushed in the arms of a bear.
In my strain...
In my strain...
In my strain...
In my strain...
Now I could never fall in love.
And feeling such a thrill
Why don't you anger me, anger me, I will.
Oh... Why don't you anger me?
Anger me I will.
Oh Why dont you anger me?
(crushed in the arms)
Now I could never fall in love. (i strain)
And feeling such a person. (in my strain)
And feeling such a person
Anger me. You anger me.
Strangle me. You strangle me.
Strangle me... and I strain...
And I strain... (of a bear)
And I strain... (crushed in the arms)
And I strain... (of a bear)
And I strain... (crushed in the arms)
And I strain...
Why don't you just go...
Why don't you just go...
Why don't you just go...
Strangle me... Strangle me...
Oh I strain...
Strangle me... Strangle me...
Oh I strain...
Strangle me... Strangle me...
Why dont you just..
Strangle me... Strangle me...
(Bunnies is a constantely evolving ambient song molded from Howie's Line 6 pedal. Many different versions of this song exist including different sets of lyrics.)
song performed by by Howie Day
Submitted by Lucian Velea
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The Minstrel
"WHAT tuneful strains salute mine ear
Without the castle walls?
Oh, let the song re-echo here,
Within our festal halls!"
Thus spake the king, the page out-hied;
The boy return'd; the monarch cried:
"Admit the old man yonder!"
"All hail, ye noble lords to-night!
All hail, ye beauteous dames!
Star placed by star! What heavenly sight!
Whoe'er can tell their names?
Within this glittering hall sublime,
Be closed, mine eyes! 'tis not the time
For me to feast my wonder."
The minstrel straightway closed his eyes,
And woke a thrilling tone;
The knights look'd on in knightly guise,
Fair looks tow'rd earth were thrown.
The monarch, ravish'd by the strain,
Bade them bring forth a golden chain,
To be his numbers' guerdon.
"The golden chain give not to me,
But give the chain to those
In whose bold face we shiver'd see
The lances of our foes.
Or give it to thy chancellor there;
With other burdens he may bear
This one more golden burden.
"I sing, like birds of blithesome note,
That in the branches dwell;
The song that rises from the throat
Repays the minstrel well.
One boon I'd crave, if not too bold--
One bumper in a cup of gold
Be as my guerdon given."
The bowl he raised, the bowl he quaff'd:
"Oh drink, with solace fraught!
Oh, house thrice-blest, where such a draught
A trifling gift is thought!
When Fortune smiles, remember me,
And as I thank you heartily,
As warmly thank ye Heaven!"
poem by Johann Wolfgang von Goethe
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Fore-Warning
I'd rather be the Jester than the Minstrel of the King;
I'd rather jangle cap and bells than twang the stately harp;
I'd rather make his royal ribs with belly-laughter ring,
Than see him sitting in the suds and sulky as a carp.
I'd rather be the Court buffoon than its most high-browed sage:
So you who read, take head, take heed, -
Ere yet you turn my page.
poem by Robert William Service
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Modern Love
Hey, Im feeling so dirty, youre looking so clean
All you can give is a spin in your washing machine
I fly off to rome to my prima bella
She leaves me in the rain with telescopic umbrella
Ooh the pain -- modern love can be a strain
I trusted my venus was untouched in her shell
But the pearls in her oyster were as tacky as hell
For lady godiva I came incognito
But her driver had stolen her red hot magneto
Ooh the pain -- modern love can be a strain
I dont know why they leave me in the lurch
To carry on the search
Its driving me up the wall
Pity when I have so much passion
Romance is out of fashion
Cant handle modern love at all
So I worship diana by the light of the moon
When I pull out my pipe she screams out of tune
In paris my heart sinks when I see the mona lisa
She gives me the wink, then she shows me the freezer
Ooh the pain
Modern love can be a strain
song performed by by Peter Gabriel
Submitted by Lucian Velea
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He Never Smiled Again
The bark that held a prince went down,
The sweeping waves roll'd on;
And what was England's glorious crown
To him that wept a son?
He lived-for life may long be borne
Ere sorrow break its chain;-
Why comes not death to those who mourn?
-He never smiled again!
There stood proud forms around his throne,
The stately and the brave,
But which could fill the place of one,
That one beneath the wave?
Before him pass'd the young and fair,
In pleasure's reckless train,
But seas dash'd o'er his son's bright hair-
-He never smiled again!
He sat where festal bowls went round ;
He heard the minstrel sing,
He saw the Tourney's victor crown'd,
Amidst the knightly ring:
A murmur of the restless deep
Was blent with every strain,
A voice of winds that would not sleep-
-He never smiled again!
Hearts, in that time, clos'd o'er the trace
Of vows once fondly pour'd,
And strangers took the kinsman's place
At many a joyous board;
Graves, which true love had bath'd with tears,
Were left to Heaven's bright rain,
Fresh hopes were born for other years-
-He never smiled again!
poem by Felicia Dorothea Hemans
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Lines on reading some verses entitled "A Farewell to Love"
Oh, stern indeed must be that minstrel's heart,
In the world's dusty highway doomed to move,
Who with life's sunshine and its flowers can part,
Who strikes his harp, and sings, Farewell to Love!
To Love! that beam that colors all our light,
As the red rays illume the light of day;
Whose rose-hue, once extinguished from the sight,
Leaves the life-landscape of a dull, cold gray.
To Love! the ethereal, the Promethean spirit,
That bids this dust with life divine be moved;
The only memory that we still inherit
Of the lost Eden where our parents roved.
Oh, hopeless bard, recall that farewell strain,
Nor from thy beast let this fond faith depart;
Recall that utterance of thy cold disdain,
Thy doubt of Love, the atheism of the heart.
And on the altar reared within thy soul,
Let the rekindled flame again aspire
And guard it round by all things beautiful,
As vestal forms watched o'er the sacred fire; --
That fire that once extinguished on the shrine,
Gave fearful sign of coming woe to Rome,
As the quenched brightness of this light divine
Forebodes to thee a dark and loveless doom.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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The Road to Avignon
A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
And gazing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Slowly she walks to the balustrade,
Idly notes how the blossoms fade
In the sun's caress; then crosses where
The shadow shelters a carven chair.
Within its curve, supine she lies,
And wearily closes her tired eyes.
The minstrel beseeches his silver strings,
And holding the lady spellbound, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Clouds sail over the distant trees,
Petals are shaken down by the breeze,
They fall on the terrace tiles like snow;
The sighing of waves sounds, far below.
A humming-bird kisses the lips of a rose
Then laden with honey and love he goes.
The minstrel woos with his silver strings,
And climbing up to the lady, sings: --
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Step by step, and he comes to her,
Fearful lest she suddenly stir.
Sunshine and silence, and each to each,
The lute and his singing their only speech;
He leans above her, her eyes unclose,
The humming-bird enters another rose.
The minstrel hushes his silver strings.
Hark! The beating of humming-birds' wings!
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
poem by Amy Lowell
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The Lute-Player
She was a lady great and splendid,
I was a minstrel in her halls.
A warrior like a prince attended
Stayed his steed by the castle walls.
Far had he fared to gaze upon her.
'O rest thee now, Sir Knight,' she said.
The warrior wooed, the warrior won her,
In time of snowdrops they were wed.
I made sweet music in his honour,
And longed to strike him dead.
I passed at midnight from her portal,
Throughout the world till death I rove:
Ah, let me make this lute immortal
With rapture of my hate and love!
poem by William Watson
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The Harp Of The Minstrel
The harp of the minstrel has never a tone
As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
And cadence his grief into musical rhyme.
The faces have faded, the eyes have grown dim
That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
The grass and the stubble--the frost and the snow.
Then sigh, if thou wilt, as the whispering strings
Strive ever in vain for the utterance clear,
And think of the sorrowful spirit that sings,
And jewel the song with the gem of a tear.
For the harp of the minstrel has never a tone
As sad as the song in his bosom tonight,
And the magical touch of his fingers alone
Can not waken the echoes that breathe it aright.
poem by James Whitcomb Riley
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The Revellers
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
They are here-the fair face and the careless heart,
And stars shall wane ere the mirthful part.
-But I met a dimly mournful glance,
In a sudden turn of the flying dance;
I heard the tone of a heavy sigh,
In a pause of the thrilling melody!
And it is not well that woe should breathe
On the bright spring-flowers of the festal wreath!
-Ye that to thought or to grief belong,
Leave, leave the hall of song!
Ring, joyous chords!-but who art thou
With the shadowy locks o'er thy pale young brow,
And the world of dreamy gloom that lies
In the misty depths of thy soft dark eyes?
-Thou hast lov'd, fair girl! thou hast lov'd too well!
Thou art mourning now o'er a broken spell;
Thou hast pour'd thy heart's rich treasures forth,
And art unrepaid for their priceless worth!
Mourn on!-yet come thou not here the while,
It is but a pain to see thee smile!
There is not a tone in our songs for thee-
-Home with thy sorrows flee!
Ring, joyous chords!-ring out again!
-But what dost thou with the Revel's train?
A silvery voice through the soft air floats,
But thou hast no part in the gladdening notes;
There are bright young faces that pass thee by,
But they fix no glance of thy wandering eye!
Away! there's a void in thy yearning breast,
Thou weary man! wilt thou here find rest?
Away! for thy thoughts from the scene have fled,
And the love of thy spirit is with the dead!
Thou art but more lone midst the sounds of mirth-
-Back to thy silent hearth!
Ring, joyous chords!-ring forth again!
A swifter still, and a wilder strain!
-But thou , though a reckless mien be thine,
And thy cup be crown'd with the foaming wine,
By the fitful bursts of thy laughter loud,
By thine eye's quick flash through its troubled cloud,
I know thee!-it is but the wakeful fear
Of a haunted bosom that brings thee here!
I know thee!-thou fearest the solemn night,
With her piercing stars and her deep wind's might!
There's a tone in her voice which thou fain wouldst shun,
For it asks what the secret soul hath done!
And thou-there's a dark weight on thine-away!
-Back to thy home and pray!
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
And bring fresh wreaths!-we will banish all
Save the free in heart from our festive hall.
On through the maze of the fleet dance, on!
-But where are the young and the lovely?-gone!
Where are the brows with the red rose crown'd,
And the floating forms with the bright zone bound?
And the waving locks and the flying feet,
That still should be where the mirthful meet!
-They are gone-they are fled-they are parted all-
-Alas! the forsaken hall!
poem by Felicia Dorothea Hemans
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Street Minstrel
Music will waft
On summer morning soft.
Like wind chimes,
Unwritten rhymes.
From the Minstrel's deft hand.
Some soul
Will stop and stand
Remembering a song.
In the high street throng.
Then resume
What they had planned.
Minstrel of the street.
Keeping the beat.
That slow applause
Of coins into his hat.
The notes
That he will trade.
Outside the laundromat.
To clean their soul.
With Ballads
Blues
And Rock and Roll.
Amid the noise and haste
He will try to paste
Songs.
On billboards
That don't exist.
For lips
He has never kissed.
As If
The whole world knew.
This sweet Minstrel
Was so blue.
His heart aching.
In the echoes of his ditty.
In alleyways waking
Asking for no pity.
He will play.
For a pocket of loose money.
Then steal away.
Just as the hot sun
Turns to honey.
At twilight sweet.
So special
Is the Minstrel
Of the street.
poem by Kevin East
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The Valse
When to sweet music my lady is dancing
My heart to mild frenzy her beauty inspires.
Into my face are her brown eyes a-glancing,
And swift my whole frame thrills with tremulous fires.
Dance, lady, dance, for the moments are fleeting,
Pause not to place yon refractory curl;
Life is for love and the night is for sweeting;
Dreamily, joyously, circle and whirl.
Oh, how those viols are throbbing and pleading;
A prayer is scarce needed in sound of their strain.
Surely and lightly as round you are speeding,
You turn to confusion my heart and my brain.
Dance, lady, dance to the viol's soft calling,
Skip it and trip it as light as the air;
Dance, for the moments like rose leaves are falling,
Strikes, now, the clock from its place on the stair.
Now sinks the melody lower and lower,
The weary musicians scarce seeming to play.
Ah, love, your steps now are slower and slower,
The smile on your face is more sad and less gay.
Dance, lady, dance to the brink of our parting,
My heart and your step must not fail to be light.
Dance! Just a turn--tho' the tear-drop be starting.
Ah--now it is done--so--my lady, good-night!
poem by Paul Laurence Dunbar
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Songs The Minstrel Sang
Its almost over its almost done
And you cant put the blame on anyone
Its almost easy and its almost fun
Did you get caught with your britches on
Hi derry day in the month of may
Was the song the minstrel sang
To the good of robin hood
Maid marion and all the gang
His aim was mean and his shot was clean
And his suit was the shade of evergreen
The folks he knew hadnt naught to fear
When the sheriff was there they were over here
Hi derry doon in the month of june
Was the song the minstrel sung
To the good of robin hoods
Good name and a place to run
He loved strong ale and a run down jail
Was the kind of a scene where he never failed
There was no man on the sea or land
Who could get maid marion on the trail
Hi derry day in the month of may
Was the song the minstrel sang
To the good of robin hood
Maid marion and all the gang
Its almost over its almost done
And you cant put the blame on marion
She almost made it to the friars gate
But the old wooden bridge wouldnt elevate
Hi derry doon in the month of june
Was the song the minstrel sung
To the good of robin hoods
Good name and a place to run
song performed by by Gordon Lightfoot
Submitted by Lucian Velea
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Downed
Words and music by rick nielsen
Downed, downed out of my head
round, round out of my head
Im gonna live on a mountain
Way down under in australia
Its either that or suicide
Its such a strange strain on you
Ooh, I got a mind
Over you its not the first time
Ooh, I got a mind
Rainbows crawling on a midday sun
But Ive been lucky youre the only one
Sundays calling, youll be number one
Its such a strange strain on you
Ooh, you think of jesus christ
You walk on water but dont bet your life, oh no
All you walk is a fine line
Its such a strange strain on you
Downed, downed out of my head
round, round out of my head
Too many people want to save the world
Another problem is it a boy or girl
Some say the weekend is the only world
Its such a strange strain on you
Ooh, Ive got a mind
Over you its not the first time
All you walk is a fine line
Its such a strange strain on you
Downed, downed out of my head
round, round out of my head
Downed, downed out of my head
round, round out of my head
(repeat to coda)
song performed by by Cheap Trick
Submitted by Lucian Velea
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