The black leopard

(after N. P. van Wyk Louw)

Its dark night when something stirs
with eyes gleaming yellow cruel,
outside the open glass window I see him,
sneaking as if he can climb in.
Weird a change has occurred,
changing him suddenly from man to animal,
giving him a type of mercilessness
to plunder, to cold bloodedly kill,
continuously he lives in the glare of vengeance.

[Reference: "Die swart luiperd" (The black leopard) by N. P. van Wyk Louw.]

poem by Gert StrydomReport problemRelated quotes
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That our love must be lost (in answer to N. P. van Wyk Louw)

That our love must be lost,
at a time will have to end
that there is an end to all things,
is something that I find sorrowful and amazing
that no one can stop the coming of the night,
when sometimes I see your sunny glances
tags at my mind as I do know
that nothing, nobody can stop death
when at times I hold you tenderly
as if love can last eternally.

[Reference: "Dat alle liefde" ("That all love") by N. P. van Wyk Louw.]

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Nazim Hikmet

Hymn To Life

The hair falling on your forehead
suddenly lifted.
Suddenly something stirred on the ground.
The trees are whispering
in the dark.
Your bare arms will be cold.

Far off
where we can't see,
the moon must be rising.
It hasn't reached us yet,
slipping through the leaves
to light up your shoulder.
But I know
a wind comes up with the moon.
The trees are whispering.
Your bare arms will be cold.

From above,
from the branches lost in the dark,
something dropped at your feet.
You moved closer to me.
Under my hand your bare flesh is like the fuzzy skin of a fruit.
Neither a song of the heart nor "common sense"--
before the trees, birds, and insects,
my hand on my wife's flesh
is thinking.
Tonight my hand
can't read or write.
Neither loving nor unloving...
It's the tongue of a leopard at a spring,
a grape leaf,
a wolf's paw.
To move, breathe, eat, drink.
My hand is like a seed
splitting open underground.
Neither a song of the heart nor "common sense,"
neither loving nor unloving.
My hand thinking on my wife's flesh
is the hand of the first man.
Like a root that finds water underground,
it says to me:
"To eat, drink, cold, hot, struggle, smell, color--
not to live in order to die
but to die to live..."

And now
as red female hair blows across my face,
as something stirs on the ground,
as the trees whisper in the dark,
and as the moon rises far off
where we can't see,
my hand on my wife's flesh
before the trees, birds, and insects,
I want the right of life,
of the leopard at the spring, of the seed splitting open--
I want the right of the first man.


Trans. by Randy Blasing and Mutlu Konuk (1993)

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Pressure

There was a kind of pressure, in the room,
I mean, it wasn't anything tangible but it was there
and he looked about him to try to spot the culprit.

A suspicious character was drinking brandy,
he could certainly be the one, but wait,
there she was, a tall red head with hawk like eyes.

They looked at each other and then she crooked her finger,
"yes… you" she mouthed! "Come here, talk to me"
He slowly walked towards her, settling at her side.

"It's cold for the time of year", he whispered.
"Not cold enough" was the coded reply.
Then she took out a yellow glove from her bag.

"When are you going to introduce me? " she asked
"That's right, " she said, "I'm from the ministry"
and I want you to act as though we're old friends.

"O.K." he replied, "slip me the key first and I'll
take you over. The stooge is that small,
rather portly man in the black bow tie."

"But can he lead us to Nightingales, " she asked
They've killed two of our spies already.
At that she dropped the yellow glove on the floor.

The lights went out and as they fumbled in the dark
the pressure grew……….do you feel it?
Nah, its just that dodgy guy sitting next to you.

************************************* ************

Footnote:

No spies were killed or yellow gloves
dropped during the making
of this episode.
However, some fumbling
did take place.

*********************************** ***************
Next episode:

Dazed and sore, Montague came round,
feeling pressure on his head
which seemed to be warm and comforting.
It was Marjorie's soft hand.

"Are you alright, my dear" she said,
looking concerned and worried.
Blood dripped down Montague's cheek,
he'd been hit on the head with a sharp object!

"Where is she? " he stammered, "She still has the key"
"Leave her to us" said the man in the black bow tie
"We've got it all under control,
Just tell us who sent you! "

Monty's eyes rolled back in his head.
The pressure was all too hard to take
and Marjorie's perfume had
triggered off his allergy.

Or was this a counter plot to extract the truth?
Did they know he was allergic to Channel no 5?
Too late! A sharp pain in Montague's chest
saw the end of him…….

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Conscious

His fingers wake, and flutter up the bed.
His eyes come open with a pull of will,
Helped by the yellow may-flowers by his head.
A blind-cord drawls across the window-sill . . .
How smooth the floor of the ward is! what a rug!
And who's that talking, somewhere out of sight?
Why are they laughing? What's inside that jug?
"Nurse! Doctor!" "Yes; all right, all right."

But sudden dusk bewilders all the air --
There seems no time to want a drink of water.
Nurse looks so far away. And everywhere
Music and roses burnt through crimson slaughter.
Cold; cold; he's cold; and yet so hot:
And there's no light to see the voices by --
No time to dream, and ask -- he knows not what.

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La Fontaine

Another Imitation Of Anacreon

PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Our Love

Just "us" and "we"
For we are one
Not "you" and "me"
Or we are done

There for always
Every moment
Good and bad days
That's our intent

As we embark
On this journey
Out of the dark
Where we can see

And live each day
Giving it all
I pray we stay
And do not fall

So hold on tight
And don't let go
We'll make it right
Our love will grow

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Robert Graves

A Child's Nightmare

Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."

When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"

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Henry Van Dyke

The Window

All night long, by a distant bell,
The passing hours were notched
On the dark, while her breathing rose and fell,
And the spark of life I watched
In her face was glowing or fading, -- who could tell? --
And the open window of the room,
With a flare of yellow light,
Was peering out into the gloom,
Like an eye that searched the night.

Oh, what do you see in the dark, little window, and why do you fear?
"I see that the garden is crowded with creeping forms of fear:
Little white ghosts in the locust-tree, that wave in the night-wind's breath,
And low in the leafy laurels the larking shadow of death."

Sweet, clear notes of a waking bird
Told of the passing away
Of the dark, -- and my darling may have heard;
For she smiled in her sleep, while the ray
Of the rising dawn spoke joy without a word,
Till the splendor born in the east outburned
The yellow lamplight, pale and thin,
And the open window slowly turned
To the eye of the morning, looking in.

Oh, what do you see in the room, little window, that makes you so bright?
"I see that a child is asleep on her pillow, soft and white,
With the rose of life on her tips, and the breath of life in her breast,
And the arms of God around her as she quietly takes her rest."

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There was one I met upon the road

There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Winter (in answer to D. J. Opperman)

Through dark nights I am alone,
I am still missing you in this bleak season
while the storm wind blows strong in the rain,
I forget everything that love could do,
while I hear the storm moaning like a beast,
when the weather trembles wet against the windows,
then the naked trees do not have any leaves
and then suddenly everything around me gets silent,
over your life so completely wasted.

[Reference: "Voorwinter" "Pre-winter" by D. J. Opperman.]

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How Deep Is Your Love?

Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."

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As We Teach We Learn

As we teach we learn, each day
And as we learn we see fresh ways,
To forward go, in boundless joy
Our "blueprint" lives to so enjoy.
The circles turn and spirals wend
Through journeys galore without an end.
So open up your soul and eye
To realise that we never die.
We roam Eternal through the sky
With sun and moon and stars, to cry
Their messages of love and peace
We see the light as we complete
Another Universal twirl,
Sometimes as "boy", and sometimes as "girl, "
though all that truly counts you see,
Is that "I" is always ever "Me"

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A hall of mirrors...

She said—she'd love me forever.
And that she always would.
That our two hearts—thoughts
"Could bond; the stars for good".

It wasn't harmony: From
The outset—that is true!
For her my sweetheart, I'
"Watch's as infants, do".

Out of the sash-window
Or that—skylight in the soul,
In reflections, light...
"Entwined—we're made whole".

Halves of the locket...
Combined, clasped.
Is what we now—became!
"In each other's grasp".

But soon these mirrors
Broke like shards of glass...
A hall of mirrors...?
"With no-truths—Alas"...

The lights ebbing darkness...
Shone on, all their paths.
But; know all hearts—break!
"Drown in hollow—baths".

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A Casualty

That boy I took in the car last night,
With the body that awfully sagged away,
And the lips blood-crisped, and the eyes flame-bright,
And the poor hands folded and cold as clay --
Oh, I've thought and I've thought of him all the day.

For the weary old doctor says to me:
"He'll only last for an hour or so.
Both of his legs below the knee
Blown off by a bomb. . . . So, lad, go slow,

And please remember, he doesn't know."
So I tried to drive with never a jar;
And there was I cursing the road like mad,
When I hears a ghost of a voice from the car:
"Tell me, old chap, have I `copped it' bad?"
So I answers "No," and he says, "I'm glad."

"Glad," says he, "for at twenty-two
Life's so splendid, I hate to go.
There's so much good that a chap might do,
And I've fought from the start and I've suffered so.
'Twould be hard to get knocked out now, you know."

"Forget it," says I; then I drove awhile,
And I passed him a cheery word or two;
But he didn't answer for many a mile,
So just as the hospital hove in view,
Says I: "Is there nothing that I can do?"

Then he opens his eyes and he smiles at me;
And he takes my hand in his trembling hold;
"Thank you -- you're far too kind," says he:
"I'm awfully comfy -- stay . . . let's see:
I fancy my blanket's come unrolled --
My feet, please wrap 'em -- they're cold . . . they're cold."

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Katherine Mansfield

The Arabian Shawl

"It is cold outside, you will need a coat--
What! this old Arabian shawl!
Bind it about your head and throat,
These steps... it is dark... my hand... you
might fall."

What has happened? What strange, sweet charm
Lingers about the Arabian shawl...
Do not tremble so! There can be no harm
In just remembering--that is all.

"I love you so--I will be your wife,"
Here, in the dark of the Terrace wall,
Say it again. Let that other life
Fold us like the Arabian shawl.

"Do you remember?"... "I quite forget,
Some childish foolishness, that is all,
To-night is the first time we have met...
Let me take off my Arabian shawl!"

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What Goes Around . . .

In position and out of sight,
hiding until the time was right,
the cat crawled forward with such skill,
the bird could not escape the "kill." It happened almost every day.
The cat would never miss its prey.
So many kills against its name,
it loved to play that "pouncing" game. But then one day, the cat outside,
not chasing birds, no need to hide,
just lying in the grass to rest,
and dreaming of that new found nest. But suddenly, an angry cry,
the sound of many birds nearby.
Like bombers on a bombing run,
they started "swooping" one by one. The battle on, surprise attack,
the cat "pinned down," could not fight back.
The "message" on that battleground,
what goes around does come around.

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