Lament for the Poets: 1916

I heard the Poor Old Woman say:
"At break of day the fowler came,
And took my blackbirds from their songs
Who loved me well thro' shame and blame

No more from lovely distances
Their songs shall bless me mile by mile,
Nor to white Ashbourne call me down
To wear my crown another while.

With bended flowers the angels mark
For the skylark the place they lie,
From there its little family
Shall dip their wings first in the sky.

And when the first suprise of flight
Sweet songs excite, from the far dawn
Shall there come blackbirds loud with love,
Sweet echoesmof the singers gone.

But in the lovely hush of eve
Weeping I grieve the silent bills"
I heard the Poor Old Woman say
In Derry of the little hills.

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Sweet Echo Dell

"Three there were that left my cot;
Two are here, and one is not;
Why does Willie linger? Say, can you tell?"

"He was weary by the way;
When we came he could but stay
In the shady grove at Sweet Echo Dell."

Echo Dell! (Echo Dell!) Echo Dell! (Echo Dell!)
It was there we softly said "Farewell!" ("Farewell!")
And the towering granite crest
Nobly guards his place rest,
Near the lovely lake of Sweet Echo Dell.

"Is he laden well with gold?
Does he bring me wealth untold?
Why then does he linger? Say can you tell?"

"All his treasures are above;
All he sent you was his love,
With a whispered prayer from Sweet Echo Dell."

Coming homeward, does he sing
Like a lark upon the wing?
Why then does he linger? Say, can you tell?"

Naught is heard but rippling waves,
Warbling birds, and shouting braves;
Silent is his voice in Sweet Echo Dell."

"Is he coming by-and-by?
May I bless him ere I die?
Why then does he linger? Say, can you tell?"

"Mirrored in that mountain lake,
Heaven is near, and he will wake
Never elsewhere than in Sweet Echo Dell."

"Would you crush my only joy?
Surely I shall meet my boy;
When then does he linger? Say, can you tell?"

"Never will his weary feet
Travel more, yet may soon meet
When your soul floats over Sweet Echo Dell."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Billy Breathes

Tumbling greens, a pick-up screams alone above the square
Whoa, sing softly
Above the trees where billy breathes we float upon the air
Whoa, oh
Softly sing sweet songs
Softly sing sweet songs
Softly sing sweet songs
Ooooh ooooh
Silent scenes in motion means, Ill wake you when were there
Whoa, sing softly
Time, it seems, in broken dreams, to sleep beside the stair
Whoa, oh
Softly sing sweet songs
Softly sing sweet songs
Softly sing sweet songs
Ooooh ooooh
Softly sing sweet songs
Softly sing sweet songs
Softly sing sweet songs
Softly sing sweet songs

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Taylor Swift- Narrative Poem

Listen my children and you shall hear,
The life story of Taylor Swift loud and clear.
How she touched the hearts of many,
With her amazing songs plenty.

She was born and raised in Wyomissing, Pennsylvania land.
She wrote songs when she felt her social life was offhand.
Taylor always had trouble fitting in.
She always got knocked down like a social bowling pin.

A computer repairman taught her the guitar to play.
He taught her only three chords and she learned the rest someway.
Now she has 6 albums,66 songs, and 10 hit singles.
This breath-taking celebrity came from a timid girl who mingled.

She has had many songs that topped charts.
Her songs are always written straight from her heart.
Her first song was written when she was thirteen.
Taylor wrote songs when she needed to come clean.

Taylor Swift writes her songs about her personal life.
About break-ups, make-ups, and love strive.
"My goal is to never write songs that my fans can't relate to"
Just about every girl feels one or two of her songs that tell their story true.

In 2009, Taylor won the Best Music Video CMA award.
She was so excited and adored.
But then Kanye West ran up and took the microphone
And the event of how he protested that she didn't deserve it is well known

She is very humorous and comical
She is more average and normal,
Than some may think she is.
She's just a teenager trying to have fun and fit in like the rest of us.

Taylor doesn't have a "Love Story".
She also has "Beautiful Eyes"
She knows that she's "…not a princess. This ain't a fairy tale"
She knows when to "Jump than fall".

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A legend and Diva, Whitney Houston

A legend and Diva, Whitney Houston
(Ode to Singer Whitney Houston)

Dedicating this poem
To you, Whitney
We all love your songs.

You're really a diva
Let your songs remain
In our mind and remain
Evergreen through time.

On February eleven,
Twenty twelve
You left us too early,
We never tire enough
Of all your songs.

You inspire us
With your lovely songs
And your beautiful voice.

Your songs
enrich our life,
motivate us,
make us happy.

We'll remember you
In all your songs
Let the world listens your songs
Always and forever.

Goodbye, Whitney,
A legend and diva,
May your soul be blessed by God
May you rest in Peace and in Joy,

May your songs be heard here and
In heaven.
Leaving a legacy behind
For all to hear and enjoy

Farewell to you, Whitney Houston,
We miss you,
Love you and
All your songs.

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Song of The Stream-Drops

By silent forest and field and mossy stone,
We come from the wooden hill, and we go to the sea.
We labour, and sing sweet songs, but we never moan,
For our mother, the sea, is calling us cheerily.
We have heard her calling us many and many a day
From the cool grey stones and the white sands far away.

The way is long, and winding and slow is the track,
The sharp rocks fret us, the eddies bring us delay,
But we sing sweet songs to our mother, and answer her back;
Gladly we answer our mother, sweetly repay.
Oh, we hear, we hear her singing wherever we roam,
Far, far away in the silence, calling us home.

Poor mortal, your ears are dull, and you cannot hear;
But we, we hear it, the breast of our mother abeat;
Low, far away, sweet and solemn and clear,
Under the hush of the night, under the noon-tide heat:
And we sing sweet songs to our mother, for so we shall please her best,
Songs of beauty and peace, freedom and infinite rest.

We sing, and sing, through the grass and the stones and the reeds,
And we never grow tired, though we journey ever and aye,
Dreaming, and dreaming, wherever the long way leads,
Of the far cool rocks and the rush of the wind and the spray.
Under the sun and the stars we murmur and dance and are free,
And we dream and dream of our mother, the width of the sheltering sea.

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Nora, the Maid of Killarney

Down by the beautiful Lakes of Killarney,
Off times I have met my own dear Barney,
In the sweet summer time of the year,
In the silvery moonlight so clear,
I've rambled with my sweetheart Barney,
Along the green banks of the Lakes of Killarney.

The Lakes of Killarney are most lovely to be seen
In the summer season when nature's face is green,
Especially in the beautiful silvery moonlight,
When its waters do shine like silver bright;
Such was the time when me and my Barney
Went to walk by the purty Lakes of Killarney.

My Barney was beautiful, gallant, and gay,
But, alas, he has left me and gone far away,
To that foreign country called Amerikay;
But when he returns we will get married without delay,
And again we will roam by the Lakes of Killarney,
Me and my sweetheart, charming Barney.

And until he returns I will feel rather sad,
For while walking with Barney I always felt glad;
May God send him home again safe to me,
And he will fill my sad heart with glee,
While we walk by the Lakes of Killarney.

I dreamt one night I was walking with Barney,
Down by the beautiful Lakes of Killarney,
And he said, "Nora, dear Nora, don't fret for me,
For I will soon come home to thee;
And I will build a nice cabin near the Lakes of Killarney,
And Nora will live happy with her own dear Barney."

But, alas, I awoke from my beautiful dream,
For, och, if was a most lovely scene;
But I hope it will happen some unexpected day,
When Barney comes home from Amerikay;
Then Barney will relate his adventures to me,
As we walk by the silvery Lakes of Killarney.

We will ramble among its green trees and green bushes,
And hear the sweet songs of the blackbirds and thrushes,
And gaze on its lovely banks so green,
And its waters glittering like crystal in the moonlight's sheen;
Och! how I long to be walking with Barney,
Along the green banks of the Lakes of Killarney.

Of all the spots in Ireland, Killarney for me,
For 'twas there I first met my dear Barney:
He was singing, I remember, right merrily;
And his singing filled my heart with glee,
And he said, "Nora, dear Nora, will you walk with me,
For you are the prettiest girl I ever did see."

"Now, Barney," I said, "you are just mocking me,
When you say no other girl like me you can see";
Then he said, "Nora, you are the only girl I do love,
And this I do swear by the saints above,
I will marry you, dear Nora, without delay,
When I come home from Amerikay."

But when Barney landed in Amerikay,
He courted another girl without dismay,
And he married her in the month of May,
And when I heard it I fainted away;
So maidens beware of such men as Barney,
Or else they will deceive ye with their flattering blarney.

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The Locket

From out her shabby rain-coat pocket
The little Jew girl in the train
Produced a dinted silver locket
With pasted in it portraits twain.
"These are my parents, sir" she said;
"Or were, for now I fear they're dead.

"I know to Belsen they were sent;
I never heard of them again.
So many were like that - they went,
Our woeful quest was all in vain.
I was in London with a friend,
Or I, too, would have shared their end.

"They could have got away, I'm told,
And joined me here in Marylebne,
But Grannie was so sick and old,
They could not leave her there alone.
When they were seized she cried and cried:
Thank God! 'Twas in her bed she died.

"How did they die? I cannot bear
To think of that - it crazes me.
My mother was so sweet, so fair;
My father handsome as you see . . .
I'm sure no daughter ever had
More lovely parents . . . Yes, it's sad.

"But for their loss I shall not grieve;
I'll hug the hope they still survive;
Oh, I must make myself believe
Somehow, somewhere they're still alive. . . .

"Well, that's my only souvenir,
A locket stained with many a tear."

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Vashti

She leaned her head upon her hand
And heard the King's decree --
"My lords are feasting in my halls;
Bid Vashti come to me.

"I've shown the treasures of my house,
My costly jewels rare,
But with the glory of her eyes
No rubies can compare.

"Adorn'd and crown'd I'd have her come,
With all her queenly grace,
And, 'mid my lords and mighty men,
Unveil her lovely face.

"Each gem that sparkles in my crown,
Or glitters on my throne,
Grows poor and pale when she appears,
My beautiful, my own!"

All waiting stood the chamberlains
To hear the Queen's reply.
They saw her cheek grow deathly pale,
But light flash'd to her eye:

"Go, tell the King," she proudly said,
"That I am Persia's Queen,
And by his crowds of merry men
I never will be seen.

"I'll take the crown from off my head
And tread it 'neath my feet,
Before their rude and careless gaze
My shrinking eyes shall meet.

"A queen unveil'd before the crowd! --
Upon each lip my name! --
Why, Persia's women all would blush
And weep for Vashti's shame!

"Go back!" she cried, and waved her hand,
And grief was in her eye:
"Go, tell the King," she sadly said,
"That I would rather die."

They brought her message to the King;
Dark flash'd his angry eye;
'Twas as the lightning ere the storm
Hath swept in fury by.

Then bitterly outspoke the King,
Through purple lips of wrath --
"What shall be done to her who dares
To cross your monarch's path?"

Then spake his wily counsellors --
"O King of this fair land!
From distant Ind to Ethiop,
All bow to thy command.

"But if, before thy servants' eyes,
This thing they plainly see,
That Vashti doth not heed thy will
Nor yield herself to thee,

"The women, restive 'neath our rule,
Would learn to scorn our name,
And from her deed to us would come
Reproach and burning shame.

"Then, gracious King, sign with thy hand
This stern but just decree,
That Vashti lay aside her crown,
Thy Queen no more to be."

She heard again the King's command,
And left her high estate;
Strong in her earnest womanhood,
She calmly met her fate,

And left the palace of the King,
Proud of her spotless name --
A woman who could bend to grief,
But would not bow to shame.

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No More Music

The Porch was blazoned with geranium bloom;
Myrtle and jasmine meadows lit the lea;
With rose and violet the vale's perfume
Languished to where the hyacinthine sea
Dreamed tenderly . . . "And I must go," said he.

He spoke in that dim, ghostly voice of his:
"I was a singer; then the Was . . . and GAS."
(I had to lean to him, no word to miss.)
"We bought this little café nigh to Grasse;
With sun and flowers my last few days will pass.

"And music too. I have my mandolin:
Say! Maybe you can strum on your guitar . . .
Come on - we two will make melodious din,
While Madame sings to us behind the bar:
You'll see how sweet Italian folk-songs are."

So he would play and I would thrum the while;
I used to there every lovely day;
His wife would listen with a sunny smile,
And when I left: "Please come again," she'd say.
"He seems quite sad when you have one away."

Alas! I had to leave without good-bye,
And lived in sooty cities for ayear.
Oh, how my heart ached for that happy sky!
Then, then one day my café I drew near -
God! it was strange how I was gripped with fear.

So still it was; I saw no mandolin,
No gay guitar with ribbons blue and red;
Then all in black, stone-faced the wife came in . . .
I did not ask; I looked, she shook her head:
"La musique est fini," was all she said.

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I've a Secret to Tell Thee

I've a secret to tell thee, but hush! not here --
Oh! not where the world its vigil keeps:
I'll seek, to whisper it in thine ear,
Some shore where the Spirit of Silence sleeps;
Where Summer's wave unmurmuring dies,
Nor fay can hear the fountain's gush;
Where, if but a note her night-bird sighs,
The rose saith, chidingly, "Hush, sweet, hush!"

There, amid the deep silence of that hour,
When stars can be heard in ocean dip,
Thyself shall, under some rosy bower,
Sit mute, with thy finger on thy lip:
Like him, the boy, who born among
The flowers that on the Nile-stream blush,
Sits ever thus -- his only song
To earth and heaven, "Hush, all, hush!"

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Emily Dickinson

I cried at Pity—not at Pain

588

I cried at Pity—not at Pain—
I heard a Woman say
"Poor Child"—and something in her voice
Convicted me—of me—

So long I fainted, to myself
It seemed the common way,
And Health, and Laughter, Curious things—
To look at, like a Toy—

To sometimes hear "Rich people" buy
And see the Parcel rolled—
And carried, I supposed—to Heaven,
For children, made of Gold—

But not to touch, or wish for,
Or think of, with a sigh—
And so and so—had been to me,
Had God willed differently.

I wish I knew that Woman's name—
So when she comes this way,
To hold my life, and hold my ears
For fear I hear her say

She's "sorry I am dead"—again—
Just when the Grave and I—
Have sobbed ourselves almost to sleep,
Our only Lullaby—

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Hymn

I HEARD a voice at midnight, and it cried,
"O weary heart, O soul for which I died,
Why wilt thou spurn My wounded hands and side?
"Is there a heart more tender, more divine,
Than that sad heart which gave itself for thine?
5
Could there be love more warm, more full than Mine?
"What other touch can still thy trembling breath?
What other hand can hold thee after death?
What bread so sweet to him that hungereth?

"Warm is thy chamber, soft and warm thy bed;
10
Bleak, howling winds are round the path I tread;—
The Son of man can nowhere lay His head.
"Wilt thou not open to Me? To and fro
I wander, weary, thro' the driving snow;
But colder still that thou wouldst spurn Me so.
15

"I have a crown more bright than all that be,
I have a kingdom wider than the sea;
But both have I abandoned, seeking thee.
"Poor, weary heart, so worn and sad within!
Oh, open to thy Friend, thy Stay from sin,
20
That I, with all My love, may enter in."
I heard a voice at midnight, and I cried,
"O Lord, I need Thy wounded hands and side—
I need Thy love,—Lord, enter and abide."

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Emily Dickinson

It can't be "Summer"!

221

It can't be "Summer"!
That—got through!
It's early—yet—for "Spring"!
There's that long town of White—to cross—
Before the Blackbirds sing!
It can't be "Dying"!
It's too Rouge—
The Dead shall go in White—
So Sunset shuts my question down
With Cuffs of Chrysolite!

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Dante Alighieri

Sestina

I have come, alas, to the great circle of shadow,
to the short day and to the whitening hills,
when the colour is all lost from the grass,
though my desire will not lose its green,
so rooted is it in this hardest stone,
that speaks and feels as though it were a woman.

And likewise this heaven-born woman
stays frozen, like the snow in shadow,
and is unmoved, or moved like a stone,
by the sweet season that warms all the hills,
and makes them alter from pure white to green,
so as to clothe them with the flowers and grass.

When her head wears a crown of grass
she draws the mind from any other woman,
because she blends her gold hair with the green
so well that Amor lingers in their shadow,
he who fastens me in these low hills,
more certainly than lime fastens stone.

Her beauty has more virtue than rare stone.
The wound she gives cannot be healed with grass,
since I have travelled, through the plains and hills,
to find my release from such a woman,
yet from her light had never a shadow
thrown on me, by hill, wall, or leaves’ green.

I have seen her walk all dressed in green,
so formed she would have sparked love in a stone,
that love I bear for her very shadow,
so that I wished her, in those fields of grass,
as much in love as ever yet was woman,
closed around by all the highest hills.

The rivers will flow upwards to the hills
before this wood, that is so soft and green,
takes fire, as might ever lovely woman,
for me, who would choose to sleep on stone,
all my life, and go eating grass,
only to gaze at where her clothes cast shadow.

Whenever the hills cast blackest shadow,
with her sweet green, the lovely woman
hides it, as a man hides stone in grass.

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A Morning Walk

From Frankston into Cranbourne
The road runs all along
Between green-golden stretches,
A lovely way of song,
With thrushes singing loud and gay
And blackbirds clear and strong.
From Frankston into Cranbourne
We went, and cared for none.
The pines along the wayside
Showed yellow shoots, each one;
And the bare old orchard trees were gray
As cobwebs in the sun.
Where the bracken's frosted silver
Rimmed spikes of pearly heath
We saw the cream clematis
Weave lacy wreath on wreath
Above the jade-green fuchsia bells
And greenhoods underneath.
The purple sarsparilla
Spread out a cloak of pride,
And flat-faced little sundews---
Each chalice opened wide---
Were white flotillas floating on
Some tangled, moveless tide.
We knelt beside still waters,
As dark as dark could be,
And plucked the strange swamp-lilies,
Their fretted ivory
Flung up in two black-dusted wings
With fairy symmetry.
We watched the firesmoke rising
Behind its dim blue veil;
The shy young gum-trees dancing
In a vision sweet and frail,
And the far-off hills that lay in dream,
Pale as the dawn is pale.
From Frankston into Cranbourne
The road runs all along
Between green-golden stretches,
The lovely way of song,
With thrushes singing loud and gay
And blackbirds clear and strong.

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Sadness and Joy

I pray you, Sadness, leave me soon,
In sweet invention thou art poor!
Thy sister, Joy can make ten songs
While thou art making four.

One hour with thee is sweet enough;
But when we find the whole day gone
And no created thing is left --
We mourn the evil done.

Thou art too slow to shape thy thoughts
In stone, on canvas, or in song;
But Joy, being full of active heat,
Must do some deed ere long.

Thy sighs are gentle, sweet thy tears;
But if thou canst not help a man
To prove in substance what he feels --
Then givve me Joy, who can.

Therefore sweet Sadness, leave me soon,
Let thy bright sister, Joy, come more;
For she can make ten lovely songs
While thou art making four.

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The Mad Wanderer

There came to Grasmere's pleasant vale
A stranger maid in tatters clad,
Whose eyes were wild, whose cheek was pale,
While oft she cried, "Poor Kate is mad!"

Four words were all she'd ever say,
Nor would she shelter in a cot;
And e'en in winter's coldest day
She still would cry, "My brain is hot."

A look she had of better days;
And once, while o'er the hills she ranged,
We saw her on her tatters gaze,
And heard her say, "How Kate is changed!"

Whene'er she heard the death-bell sound,
Her face grew dreadful to behold;
She started, trembled, beat the ground,
And shuddering cried, "Poor Kate is cold!"

And when to church we brought the dead,
She came in ragged mourning drest;
The coffin-plate she trembling read,
Then laughing cried, "Poor Kate is blest!"

But when a wedding peal was rung,
With dark revengeful leer she smiled,
And, curses muttering on her tongue,
She loudly screamed, "Poor Kate is wild!"

To be in Grasmere church interred,
A corpse one day from far was brought;
Poor Kate the death-bell sounding heard,
And reached the aisle as quick as thought:

When on the coffin looking down,
She started, screamed, and back retired,
Then clasped it....breathing such a groan!
And with that dreadful groan expired.

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The Hills Of Youth

Once, on the far blue hills,
Alone with the pine and the cloud, in those high still places;
Alone with a whisper of ferns and a chuckle of rills,
And the peat-brown pools that mirrored the angels’ faces,
Pools that mirrored the wood-pigeon’s grey-blue feather,
And all my thistledown dreams as they drifted along;
Once, oh, once, on the hills, thro’ the red-bloomed heather
I followed an elfin song.


Once, by the wellsprings of joy,
In the glens of the hart’s-tongue fern, where the brooks came leaping
Over the rocks, like a scrambling bare-foot boy
That never had heard of a world grown old with weeping;
Once, thro’ the golden gorse (do the echoes linger
In Paradise woods, where the foam of the may runs wild?)
I followed the flute of a light-foot elfin singer,
A god with the eyes of a child.


Once, he sang to me there,
From a crag on a thyme-clad height where the dew still glistened;
He sang like the spirit of Spring in that dawn-flushed air,
While the angels opened their doors and the whole sky listened:
He sang like the soul of a rainbow, if heaven could hear it,
Beating to heaven, on wings that were April’s own;
A song too happy and brave for the heart to bear it,
Had the heart of the hearer known.


Once, ah, once, no more,
The hush and the rapture of youth in those holy places,
The stainless height, the hearts that sing and adore
Till the sky breaks out into flower with the angels’ faces!
Once, in the dawn, they were mine; but the noon bereft me.
At midnight now, in an ebb of the loud world’s roar,
I catch but a broken stave of the songs that left me
On hills that are mine no more.

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She Loves Him

He sees her when she leers seductively
Of all maidens in the cottage he saw her lovely
He was a friend to all yet a little to her, shy
She liked him and he knew not why

She asks, "For me a cho'late, would you buy? "
For her the oceans he would cross sightlessly
He knew much well; a smile wry
"I love you, Jessie" he said, never heard with ears
"Do you, really? Please tell me why? ! "
A feeling my heart has lived on these year

Against their love were many; did leave hearts to tear
Elope! He would've with her to the cold hills
To a distant land of the unknown deserts
Never to return, never to love again- she scribes
And ever seeks broken within, never an auxiliary…ever relentless!

poem by Nicholas BoatengReport problemRelated quotes
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