Taylor Swift- Narrative Poem

Listen my children and you shall hear,
The life story of Taylor Swift loud and clear.
How she touched the hearts of many,
With her amazing songs plenty.

She was born and raised in Wyomissing, Pennsylvania land.
She wrote songs when she felt her social life was offhand.
Taylor always had trouble fitting in.
She always got knocked down like a social bowling pin.

A computer repairman taught her the guitar to play.
He taught her only three chords and she learned the rest someway.
Now she has 6 albums,66 songs, and 10 hit singles.
This breath-taking celebrity came from a timid girl who mingled.

She has had many songs that topped charts.
Her songs are always written straight from her heart.
Her first song was written when she was thirteen.
Taylor wrote songs when she needed to come clean.

Taylor Swift writes her songs about her personal life.
About break-ups, make-ups, and love strive.
"My goal is to never write songs that my fans can't relate to"
Just about every girl feels one or two of her songs that tell their story true.

In 2009, Taylor won the Best Music Video CMA award.
She was so excited and adored.
But then Kanye West ran up and took the microphone
And the event of how he protested that she didn't deserve it is well known

She is very humorous and comical
She is more average and normal,
Than some may think she is.
She's just a teenager trying to have fun and fit in like the rest of us.

Taylor doesn't have a "Love Story".
She also has "Beautiful Eyes"
She knows that she's "…not a princess. This ain't a fairy tale"
She knows when to "Jump than fall".

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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My Computer

"what?" they say, "you got a
computer?"

it's like I have sold out to
the enemy.

I had no idea so many
people were prejudiced
against
computers.

even two editors have
written me letters about
the computer.

one disparaged the
computer in a mild and
superior way.
the other seemed
genuinely
pissed.

I am aware that a
computer can't create
a poem.
but neither can a
typewriter.

yet, still, once or
twice a week
I hear:
"what?
you have a
computer?
you?"

yes, I do
and I sit up here
almost every
night,
sometimes with
beer or
wine,
sometimes
without
and I work the
computer.
the damn thing
even corrects
my spelling.

and the poems
come flying
out,
better than
ever.

I have no
idea what causes
all this
computer
prejudice.

me?
I want to go
the next step
beyond the
computer.
I'm sure it's
there.

and when I get
it,
they'll say,
"hey, you hear,
Chinaski got a
space-biter!"

"what? "

"yes, it's true!"

"I can't believe
it!"

and I'll also have
some beer or
some wine
or maybe nothing
at all
and I'll be
85 years old
driving it home
to
you and me
and to the little girl
who lost her
sheep.
or her
computer.

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Lewis Carroll

My Fairy

I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".

When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".

"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".

Moral: "You mustn't."

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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There was one I met upon the road

There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.

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Emily Dickinson

Arcturus

"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!

I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!

I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!

Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.

What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.

What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!

Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—

I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."

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Revolt In The Ranks

I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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No More Music

The Porch was blazoned with geranium bloom;
Myrtle and jasmine meadows lit the lea;
With rose and violet the vale's perfume
Languished to where the hyacinthine sea
Dreamed tenderly . . . "And I must go," said he.

He spoke in that dim, ghostly voice of his:
"I was a singer; then the Was . . . and GAS."
(I had to lean to him, no word to miss.)
"We bought this little café nigh to Grasse;
With sun and flowers my last few days will pass.

"And music too. I have my mandolin:
Say! Maybe you can strum on your guitar . . .
Come on - we two will make melodious din,
While Madame sings to us behind the bar:
You'll see how sweet Italian folk-songs are."

So he would play and I would thrum the while;
I used to there every lovely day;
His wife would listen with a sunny smile,
And when I left: "Please come again," she'd say.
"He seems quite sad when you have one away."

Alas! I had to leave without good-bye,
And lived in sooty cities for ayear.
Oh, how my heart ached for that happy sky!
Then, then one day my café I drew near -
God! it was strange how I was gripped with fear.

So still it was; I saw no mandolin,
No gay guitar with ribbons blue and red;
Then all in black, stone-faced the wife came in . . .
I did not ask; I looked, she shook her head:
"La musique est fini," was all she said.

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My Friend, The Parking Lot Attendant

—he's a dandy
—small moustache
—usually sucking on a cigar

he tends to lean into cars as he
transacts business

first time I met him, he said,
"hey! ya gonna make a
killin'?"

"maybe," I answered.

next meeting it was:
"hey, Ramrod! what's
happening?"

"very little," I told
him.

next time I had my girlfriend with me
and he just
grinned.

next time I was
alone.

"hey," he asked, "where's the young
chick?"

"I left her at home...."

"Bullshit! I'll bet she dumped
you!"

and the next time
he really leaned into the car:

"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"

"how'd you guess?" I
answered.

that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.

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Love's Message

"I LOVE YOU" HAS THREE SEPARATE PARTS

THAT TAKEN TOGETHER WILL BIND LOVING HEARTS.

IF ONE PART IS MISSING, THERE'S NO LOVE AT ALL.

SO OUT-OF-LOVE IS THE SAD AND EVENTUAL FALL.

THE "I" FIRST MUST KNOW AND LOVE ITSELF FOR SURE.

ONLY THEN CAN IT GIVE SELFLESS "LOVE" THAT IS PURE.

THE "YOU" CHOSEN WITH NO RESTRAINT OR COMPLAINTS

IS "I LOVE YOU, " A MESSAGE FROM GOD AND THE SAINTS.

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The Spider

"Oh, look at that great ugly spider!" said Ann;
And screaming, she brush'd it away with her fan;
"'Tis a frightful black creature as ever can be,
I wish that it would not come crawling on me. "

"Indeed," said her mother, "I'll venture to say,
The poor thing will try to keep out of your way;
For after the fright, and the fall, and the pain,
It has much more occasion than you to complain.

"But why should you dread the poor insect, my dear?
If it hurt you, there'd be some excuse for your fear;
But its little black legs, as it hurried away,
Did but tickle your arm, as they went, I dare say.

"For them to fear us we must grant to be just,
Who in less than a moment can tread them to dust;
But certainly we have no cause for alarm;
For, were they to try, they could do us no harm.

"Now look! it has got to its home; do you see
What a delicate web it has spun in the tree?
Why here, my dear Ann, is a lesson for you:
Come learn from this spider what patience can do!

"And when at your business you're tempted to play,
Recollect what you see in this insect to-day,
Or else, to your shame, it may seem to be true,
That a poor little spider is wiser than you. "

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Thomas Hardy

The Subalterns

I

"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."

II

--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."

III

--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."

IV

--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"

V

We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.

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