After the Funeral (In memory of Ann Jones)
After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,
I stand, for this memorial's sake, alone
In the snivelling hours with dead, humped Ann
Whose hodded, fountain heart once fell in puddles
Round the parched worlds of Wales and drowned each sun
(Though this for her is a monstrous image blindly
Magnified out of praise; her death was a still drop;
She would not have me sinking in the holy
Flood of her heart's fame; she would lie dumb and deep
And need no druid of her broken body).
But I, Ann's bard on a raised hearth, call all
The seas to service that her wood-tongud virtue
Babble like a bellbuoy over the hymning heads,
Bow down the walls of the ferned and foxy woods
That her love sing and swing through a brown chapel,
Blees her bent spirit with four, crossing birds.
Her flesh was meek as milk, but this skyward statue
With the wild breast and blessed and giant skull
Is carved from her in a room with a wet window
In a fiercely mourning house in a crooked year.
I know her scrubbed and sour humble hands
Lie with religion in their cramp, her threadbare
Whisper in a damp word, her wits drilled hollow,
Her fist of a face died clenched on a round pain;
And sculptured Ann is seventy years of stone.
These cloud-sopped, marble hands, this monumental
Argument of the hewn voice, gesture and psalm
Storm me forever over her grave until
The stuffed lung of the fox twitch and cry Love
And the strutting fern lay seeds on the black sill.
poem by Dylan Thomas
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Related quotes
Song from Aella
O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cole he lies in the grave below:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O he lies by the willow-tree!
My love is dead,
Gone to his death-bed
All under the willow-tree.
Hark! the raven flaps his wing
In the brier'd dell below;
Hark! the death-owl loud doth sing
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.
See! the white moon shines on high;
Whiter is my true-love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Here upon my true-love's grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coldness of a maid:
My love is dead,
Gone to his death-bed
All under the willow-tree.
With my hands I'll dent the briers
Round his holy corse to gre:
Ouph and fairy, light your fires,
Here my body still shall be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Come, with acorn-cup and thorn,
Drain my heartès blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed
All under the willow-tree.
poem by Thomas Chatterton
Submitted by Veronica Serbanoiu
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The Forest Road
The forest road,
The infinite straight road stretching away
World without end: the breathless road between the walls
Of the black listening trees: the hushed, grey road
Beyond the window that you shut to-night
Crying that you would look at it by day -
There is a shadow there that sings and calls
But not for you. Oh! hidden eyes that plead in sleep
Against the lonely dark, if I could touch the fear
And leave it kissed away on quiet lids -
If I could hush these hands that are half-awake,
Groping for me in sleep I could go free.
I wish that God would take them out of mine
And fold them like the wings of frightened birds
Shot cruelly down, but fluttering into quietness so soon.
Broken, forgotten things? there is no grief for them in the green Spring
When the new birds fly back to the old trees.
But it shall not be so with you. I will look back. I wish I knew that God would stand
Smiling and looking down on you when morning comes,
To hold you, when you wake, closer than I,
So gently though: and not with famished lips or hungry arms:
He does not hurt the frailest, dearest things
As we do in the dark. See, dear, your hair -
I must unloose this hair that sleeps and dreams
About my face, and clings like the brown weed
To drowned, delivered things, tossed by the tired sea
Back to the beaches. Oh! your hair! If you had lain
A long time dead on the rough, glistening ledge
Of some black cliff, forgotten by the tide,
The raving winds would tear, the dripping brine would rust away
Fold after fold of all the loveliness
That wraps you round, and makes you, lying here,
The passionate fragrance that the roses are.
But death would spare the glory of your head
In the long sweetness of the hair that does not die:
The spray would leap to it in every storm,
The scent of the unsilenced sea would linger on
In these dark waves, and round the silence that was you -
Only the nesting gulls would hear - but there would still be whispers in your hair;
Keep them for me; keep them for me. What is this singing on the road
That makes all other music like the music in a dream -
Dumb to the dancing and the marching feet; you know, in dreams, you see
Old pipers playing that you cannot hear,
And ghostly drums that only seem to beat. This seems to climb:
Is it the music of a larger place? It makes our room too small: it is like a stair,
A calling stair that climbs up to a smile you scarcely see,
Dim, but so waited for; and you know what a smile is, how it calls,
How if I smiled you always ran to me.
Now you must sleep forgetfully, as children do.
There is a Spirit sits by us in sleep
Nearer than those who walk with us in the bright day.
I think he has a tranquil, saving face: I think he came
Straight from the hills: he may have suffered there in time gone by,
And once, from those forsaken heights, looked down,
Lonely himself, on all the lonely sorrows of the earth.
It is his kingdom - Sleep. If I could leave you there -
If, without waking you, I could get up and reach the door -!
We used to go together. - Shut, scared eyes,
Poor, desolate, desperate hands, it is not I
Who thrust you off. No, take your hands away -
I cannot strike your lonely hands. Yes, I have struck your heart,
It did not come so near. Then lie you there
Dear and wild heart behind this quivering snow
With two red stains on it: and I will strike and tear
Mine out, and scatter it to yours. Oh! throbbing dust,
You that were life, our little wind-blown hearts!
The road! the road!
There is a shadow there: I see my soul,
I hear my soul, singing among the trees!
poem by Charlotte Mary Mew
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The Funeral Of An Animal
The funeral made me sink into an animal,
The room felt comfortable, more so than one’s mind.
I stare at the camera working my sleep
And sight became pleasure in the snivelling months.
You add a holy symbol to the deathly months and years,
A stuffed dog or cat betrays me further than this.
Alone and magnified by the sun of hard work,
Fibres in the organs of right stoop into oblivion.
After this cooking pleasure, the wine-cups are filled
To make the flames too wide for the animals.
poem by Naveed Akram
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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Infirmity
In purest song one plays the constant fool
As changes shimmer in the inner eye.
I stare and stare into a deepening pool
And tell myself my image cannot die.
I love myself: that’s my one constancy.
Oh, to be something else, yet still to be!
Sweet Christ, rejoice in my infirmity;
There’s little left I care to call my own.
Today they drained the fluid from a knee
And pumped a shoulder full of cortisone;
Thus I conform to my divinity
By dying inward, like an aging tree.
The instant ages on the living eye;
Light on its rounds, a pure extreme of light
Breaks on me as my meager flesh breaks down—
The soul delights in that extremity.
Blessed the meek; they shall inherit wrath;
I’m son and father of my only death.
A mind too active is no mind at all;
The deep eye sees the shimmer on the stone;
The eternal seeks, and finds, the temporal,
The change from dark to light of the slow moon,
Dead to myself, and all I hold most dear,
I move beyond the reach of wind and fire.
Deep in the greens of summer sing the lives
I’ve come to love. A vireo whets its bill.
The great day balances upon the leaves;
My ears still hear the bird when all is still;
My soul is still my soul, and still the Son,
And knowing this, I am not yet undone.
Things without hands take hands: there is no choice,—
Eternity’s not easily come by.
When opposites come suddenly in place,
I teach my eyes to hear, my ears to see
How body from spirit slowly does unwind
Until we are pure spirit at the end.
poem by Theodore Roethke
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Untitled: With rosy stages
With rosy stages the stone sinks in the moor
Song of gliding and black laughter
Figures go in and out of rooms
And death grins bony in black boat.
Pirate on the canal in the red wine
Whose mast and sail often broke in the storm.
Drowned ones bump purple against the rock
Of the bridges. Steely the call of the guards clangs.
But sometimes, the glance listens in the candlelight
And follows the shadows on decayed walls
And dancers are with sleep-devoured hands.
The night, that breaks blackly on your head
And dead people who turn over in beds
Grasp the marble with broken hands.
poem by Georg Trakl
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Optical Illusion
Optical Illusion
It was an old rabbit, glass eyed and stuffed, that sat on
a window sill it also had a bald spot on top of its head,
petted by children who knew it was alive. The window it
sat by faced the woods and on a day when window was
open, and it was a day in May, it vanished. Hunters had
seen it jump through the air fast as a midnight shadow.
A rich man bought the woods chopped down trees and
filled in the tarn, where it often had been seen smiling to
its own image. This so he could get a trophy on his wall
and be famous as the man who shot the phantom rabbit.
He went insane all he could find was a yellow plastic duck.
A stuffed rabbit sits on the window sill it has glass eyes,
a bald spot on top of its head; snowing outside it deeply
sighs good to be indoors on a day like this.
poem by Oskar Hansen
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Lelek To Me Forvever / Lelek Meni Zauvijek
Who took away from me, my son
To mourn above your grave, my son
To go below with you, my son
To reach the sky with a tear, my son
To spill a cloud from my breasts, my son
To open the heaven's door with a cry, my son
For you a heaven to enter, my son
To curse with a curse
To burn with a thunder, my son
I swear with a thunder in the wing of rain, my son
Made of my milk from my breasts, my son
Lelek lelek to me forever, my son
Lelek to me forever
Cut from breasts with empty hands I stand, my son
In drops I pour in clouds I'm hidden, my son
With bread in my mouth a bitter piece, my son
A cradle rocking in a grave, my son
Feed the earth with earth a grian of my pain, my son
Armfuls of sobs on fire to burn, my son
May the dawn freeze and outbreak halt, my son
Lelek lelek to me forever, my son
Lelek to me forever
I let my hair loose, my son
I tore my plaits, my son
Better to be in your grave, my son
Than to sleep with a stone on my chest, my son
Lelek lelek to me forever, my son
Lelek to me forever
Oh why did I deliver you at all, my son
Under this ruthless sky, my son
Your eyes dead to see, my son
Your hands dead to cross, my son
Your hair dead to caress, my son
Your cheek cold to kiss, my son
The sky will break from my pain, my son
The earth will open from my pain, my son
Swallow everything living in pain, my son
Into the black earth with my pain, my son
Lelek lelek to me forever, my son
Lelek to me forever
poem by Miroslava Odalovic
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If my head hurt a hair's foot
'If my head hurt a hair's foot
Pack back the downed bone. If the unpricked ball of my breath
Bump on a spout let the bubbles jump out.
Sooner drop with the worm of the ropes round my throat
Than bully ill love in the clouted scene.
'All game phrases fit your ring of a cockfight:
I'll comb the snared woods with a glove on a lamp,
Peck, sprint, dance on fountains and duck time
Before I rush in a crouch the ghost with a hammer, air,
Strike light, and bloody a loud room.
'If my bunched, monkey coming is cruel
Rage me back to the making house. My hand unravel
When you sew the deep door. The bed is a cross place.
Bend, if my journey ache, direction like an arc or make
A limp and riderless shape to leap nine thinning months.'
'No. Not for Christ's dazzling bed
Or a nacreous sleep among soft particles and charms
My dear would I change my tears or your iron head.
Thrust, my daughter or son, to escape, there is none, none, none,
Nor when all ponderous heaven's host of waters breaks.
'Now to awake husked of gestures and my joy like a cave
To the anguish and carrion, to the infant forever unfree,
O my lost love bounced from a good home;
The grain that hurries this way from the rim of the grave
Has a voice and a house, and there and here you must couch and cry.
'Rest beyond choice in the dust-appointed grain,
At the breast stored with seas. No return
Through the waves of the fat streets nor the skeleton's thin ways.
The grave and my calm body are shut to your coming as stone,
And the endless beginning of prodigies suffers open.'
poem by Dylan Thomas
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Wattle & Daub
She lived right next to the forest
In a cottage of wattle and daub,
A roof of bark and a floor of dirt
With a whisk of milk, absorbed,
Her man had died of a heart attack
For over a year, he'd gone,
Had left her to fend for herself out there
In the shade of a ghostly gum.
He lay right under a stringy bark,
She'd dug the grave herself,
Had made a cross with her loving hands
Deep planted at his head,
On lonely nights she would sit out there
And whisper him under the stars,
'Oh Jim, where now are your strong, brown hands,
Where now are your loving arms? '
She didn't cry, for she couldn't cry
For her heart had turned to stone,
Her love was buried and six feet down
With crumbling flesh and bone,
Her eyes were hard as the hardest flint,
Her lips a fine white line,
And when the stars came out at night
She would look for the slightest sign.
She looked for a heaven beyond the stars,
She looked for the eyes of God,
She knew that he watched her as she slept,
He watched where her steps had trod,
She prayed for her days to end in peace
And soon, for she was alone,
She carved a notch in the mantelpiece
Each day, since her love had flown.
She bucketed water from the creek
That trickled on past her door,
It once was a raging river bed
But that had been back, before...
Before a neighboring farmer dammed,
And quelled the flowing stream,
Had turned her husband's protests down
With a sneer, and words obscene.
Her Jim had worked then twice as hard
To irrigate his feed,
The cattle had died in the summer months
On the parched ground of their need,
He worked from the time the sun came up
To the time that the stars came out,
And in the end, collapsed and died
From the toil of a man-made drought.
The farmer up by the dam had said
That he'd take her land for free,
She'd never be able to stay out there
Alone, she would turn and flee,
Then he would double his pasture
And would open the dam to flood,
And let his cattle to roam abroad
By the cottage of wattle and daub.
Now during the long drawn evenings
And deep in the forest's shade,
She could hear strange noises, threatening,
As they howled across the glade,
She loaded the shotgun Jim had left,
And kept it inside the door,
She'd not be driven from off the land
Where her husband lay, forlorn.
One night a shadowy figure came
Strode out of the darkening wood,
Crossed the creek in the evening mist
In a cape with a long black hood,
It howled and jittered like one possessed
She opened the cottage door,
Then blanched as she saw it light a torch
And the flames begin to roar.
She went to reach for the shotgun then
But a hand caught fast her wrist,
Lifted the gun and pointed it,
She stood with her hand on her breast,
Her heart was pounding, her legs were weak
As she watched the phantom stand,
He shrieked in fear as he saw the gun
In a strong, brown pair of hands.
The blast took one of his legs clean off,
The phantom fell with a scream,
The shotgun dropped to the earthen porch
She thought it a crazy dream,
She turned to look for the strong brown hands
That she knew as well as her own,
But the porch was clear, and she felt no fear
For her husband had come home.
The dam was breached in a minute or so,
The torrent then flooded down,
Washed the remains of the farmer to
The lowlands, where he drowned,
She went out back and buried the gun
With a smile in her eyes, like stars
Looked up to the skies, and saw God's eyes
And round her, two loving arms!
4 June 2009
poem by David Lewis Paget
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The Lost One
COME to the grave--the silent grave! and dream
Of a light, happy voice--so full of joy,
That those who heard her laugh, would laugh again,
Echoing the mirth of such an innocent spirit;
And pause in their own converse, to look round,
Won by the witchery of that gleesome tone.
Come to the grave--the lone dark grave! and dream
Of eyes whose brilliancy was of the soul,
Eyes which, with one bright flash from their dark lids,
Seemed at a glance to read the thoughts of others;
Or, with a full entire tenderness,
The pure expression of all-perfect love,
(Of woman's love, which is for you alone,
While your's is for yourself)--gave in that look
The promise of a life of meek affection.
Come to the grave--the mouldering grave! and dream
Of a fair form that glided over earth
One of its happiest creatures:--to her cheek
The lightest word might bring the blushing blood
In pure carnation;--down her graceful neck,
The long rich curls of jet hung carelessly,
Untortured by the cunning hand of art:
And on her brow, bright purity and joy,
Twin sisters, sate,--as on a holy throne.
Come yet unto the grave--the still, damp grave!
And dream of a young heart that beat with life,
And all life's best affections; of a heart
Where sorrow never came, nor fear, nor sin--
Nor aught save innocence, and perfect love:
And, having dreamed of such a lovely being--
So gay, so bright, so pure, so fond, so meek--
Having thus conjured up a form of love
In thine own pausing and regretful mind;--
A vision will be present to thy soul,
A faint, but faithful portraiture, of one
Most dearly loved, and now for ever lost!
poem by Caroline Elizabeth Sarah Norton
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The Vain Spell
THE house sleeps dark and the moon wakes white,
The fields are alight with dew;
'Oh, will you not come to me, Love, to-night?
I have waited the whole night through,
For I knew,
O Heart of my heart, I knew by my heart,
That the night of all nights is this,
When elm shall crack and lead shall part,
When moulds shall sunder and shot bolts start
To let you through to my kiss.'
So spake she alone in the lonely house.
She had wrapped her round with the spell,
She called the call, she vowed the vow,
And the heart she had pledged knew well
That this was the night, the only night,
When the moulds might be wrenched apart,
When the living and dead, in the dead of the night,
Might clasp once more, in the grave's despite,
For the price of a living heart.
But out in the grave the corpse lay white
And the grave clothes were wet with dew;
'Oh, will you not come to me, Love, to-night,
I have waited the whole night through,
For I knew
That I dared not leave my grave for an hour
Since the hour of all hours is near,
When you shall come to the hollow bower,
In a cast of the wind, in a waft of the Power,
To the heart that to-night beats here!'
The moon grows pale and the house sleeps still
Ah, God! do the dead forget?
The grave is white and the bed is chill,
But a guest may be coming yet.
But the hour has come and the hour has gone
That never will come again;
Love's only chance is over and done,
And the quick and the dead are twain, not one,
And the price has been paid in vain.
poem by Edith Nesbit
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The Dead Singer
'SHE is dead!' they say; 'she is robed for the grave; O there are lilies upon her breast;
Her mother has kissed her clay-cold lips, and folded her hands to rest;
Her blue eyes show through the waxen lids: they have hidden her hair's gold crown;
Her grave is dug, and its heap of earth is waiting to press her down.'
'She is dead!' they say to the people, her people, for whom she sung;
Whose hearts she touched with sorrow and love, like a harp with life-chords strung.
And the people hear—but behind their tear they smile as though they heard
Another voice, like a mystery, proclaim another word.
'She is not dead.' it says to their hearts; 'true Singers can never die;
Their life is a voice of higher things, unseen to the common eye;
The truths and the beauties are clear to them, God's right and the human wrong,
The heroes who die unknown, and the weak who are chained and scourged by the strong.'
And the people smile at the death-word, for the mystic voice is clear:
'THE SINGER WHO LIVED IS ALWAYS ALIVE: WE HEARKEN AND ALWAYS HEAR!'
And they raise her body with tender hands, and bear her down to the main,
They lay her in state on the mourning ship, like the lily-maid Elaine;
And they sail to her isle across the sea, where the people wait on the shore
To lift her in silence with heads all bare to her home forevermore,
Her home in the heart of her country; oh, a grave among our own
Is warmer and dearer than living on in the stranger lands alone.
No need of a tomb for the Singer! Her fair hair's pillow now
Is the sacred clay of her country, and the sky above her brow
Is the same that smiled and wept on her youth, and the grass around is deep
With the clinging leaves of the shamrock that cover her peaceful sleep.
Undreaming there she will rest and wait, in the tomb her people make,
Till she hears men's hearts, like the seeds in Spring, all stirring to be awake,
Till she feels the moving of souls that strain till the bands around them break;
And then, I think, her dead lips will smile and her eyes be oped to see,
When the cry goes out to the Nations that the Singer's land is free!
poem by John Boyle O'Reilly
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The Death King
I hired a carpenter
to build my coffin
and last night I lay in it,
braced by a pillow,
sniffing the wood,
letting the old king
breathe on me,
thinking of my poor murdered body,
murdered by time,
waiting to turn stiff as a field marshal,
letting the silence dishonor me,
remembering that I'll never cough again.
Death will be the end of fear
and the fear of dying,
fear like a dog stuffed in my mouth,
feal like dung stuffed up my nose,
fear where water turns into steel,
fear as my breast flies into the Disposall,
fear as flies tremble in my ear,
fear as the sun ignites in my lap,
fear as night can't be shut off,
and the dawn, my habitual dawn,
is locked up forever.
Fear and a coffin to lie in
like a dead potato.
Even then I will dance in my dire clothes,
a crematory flight,
blinding my hair and my fingers,
wounding God with his blue face,
his tyranny, his absolute kingdom,
with my aphrodisiac.
poem by Anne Sexton
Submitted by Poetry Lover
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about Lady Luck
last night
when the hours begin to bore all of us
in our heads
like worms i told my students about
Lady Luck, oh
she is beautiful and scented and
soft skinned and
black haired with eyes as clear as
a pond and
hands as comforting as the voice
of mother
that when she comes she enters the door
of your house
without knocking and proceeds to your
room to bring you
the big news of your life and she hands you
success and money and fame
even honor and
a good name
and they were all amazed
their mouths wide gaping and asking for more
about her
Lady Luck
and they all love her and all the boring hours went away
like hot water seeping on
the dusty carpet of the room
what they do not know is this:
i never like her and she never like me too
and that i once told her
go away i do not need you
and i cannot love you
my heart is heavy of course
paddling my way towards an island
a castle separated by a moat
using my own hands
my own
faith.
poem by Ric S. Bastasa
Submitted by Poetry Lover
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At Thurgarton Church
To the memory of my father
At Thurgarton Church the sun
burns the winter clouds over
the gaunt Danish stone
and thatched reeds that cover
the barest chapel I know.
I could compare it with
the Norse longboats that bore
burning the body forth
in honour from the shore
of great fjords long ago.
The sky is red and cold
overhead, and three small
sturdy trees keep a hold
on the world and the stone wall
that encloses the dead below.
I enter and find I stand
in a great barn, bleak and bare.
Like ice the winter ghosts and
the white walls gleam and flare
and flame as the sun drops low.
And I see, then, that slowly
the December day has gone.
I stand in the silence, not wholly
believing I am alone.
Somehow I cannot go.
Then a small wind rose, and the trees
began to crackle and stir
and I watched the moon by degrees
ascend in the window till her
light cut a wing in the shadow.
I thought: the House of the Dead.
The dead moon inherits it.
And I seem in a sense to have died
as I rise from where I sit
and out into darkness go.
I know as I leave I shall pass
where Thurgarton’s dead lie
at those old stones in the grass
under the cold moon’s eye.
I see the old bones glow.
No, they do not sleep here
in the long holy night of
the serene soul, but keep here
a dark tenancy and the right of
rising up to go.
Here the owl and soul shriek with
the voice of the dead as they turn
on the polar spit and burn
without hope and seek with
out hope the holy home below.
Yet to them the mole and
mouse bring a wreath and a breath
of the flowering leaves of the soul, and
it is from the Tree of Death
the leaves of life grow.
The rain, the sometime summer
rain on a memory of roses
will fall lightly and come a-
mong them as it erases
summers so long ago.
And the voices of those
once so much loved will flitter
over the nettled rows
of graves, and the holly tree twitter
like friends they used to know.
And not far away the
icy and paralysed stream
has found it also, that day the
flesh became glass and a dream
with no where to go.
Haunting the December
fields their bitter lives
entreat us to remember
the lost spirit that grieves
over these fields like a scarecrow.
That grieves over all it ever
did and all, all not
done, that grieves over
its crosspurposed lot:
to know and not to know.
The masterless dog sits
outside the church door
with dereliction haunting its
heart that hankers for
the hand that loved it so.
Not in a small grave
outside the stone wall
will the love that it gave
ever be returned, not for all
time or tracks in the snow.
More mourned the death of the dog
than our bones ever shall
receive from the hand of god
this bone again, or all
that high hand could bestow.
As I stand by the porch
I believe that no one has heard
here in Thurgarton Church
a single veritable word
save the unspoken No.
The godfathered negative
that responds to our mistaken
incredulous and heartbroken
desire above all to live
as though things were not so.
Desire to live as though the
two-footed clay stood up
proud never to know the
tempests that rage in the cup
under a rainbow.
Desire above all to live
as though the soul was stone,
believing we cannot give
or love since we are alone
and always will be so.
That heartbroken desire
to live as though no light
ever set the seas on fire
and no sun burned at night
or Mercy walked to and fro.
The proud flesh cries: I am not
caught up in the great cloud
of my unknowing. But that
proud flesh had endowed
us with the cloud we know.
To this the unspoken No
of the dead god responds
and then the whirlwinds blow
over all the things and beyond
and the dead mop and mow.
And there in the livid dust
and bones of death we search
until we find as we must
outside Thurgarton Church
only wild grasses blow.
I hear the old bone in me cry
and the dying spirit call:
I have forfeited all
and once and for all must die
and this is all that I know.
For now in a wild way we
know that justice is served
and that we die in the clay we
dread, desired, and deserved,
awaiting no Judgement Day.
poem by George Barker
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Some Kind Of Monster
These are the eyes that can't see me
These are the hands that drop your trust
These are the boots that kick you around
This is the tongue that speaks on ths inside
These are the ears that ring with hate
This is the face that'll never change
This is the fist that grinds you down
This is the voice of silence no more
These are the legs in circles run
This is the beating you'll never know
These are the lips that taste no freedom
This is the feel that's not so safe
This is the face that you'll never change
This is the god that ain't so pure
This is the god that is not pure
This is the voice of silence no more
We the people
Are we the people?
Some kind of monster
This monster lives
This is the face that stones you cold
This is the moment that needs to breathe
These are the claws that scratch these wounds
This is the pain that never leaves
This is the tongue that whips you down
This is the burden of every man
These are the screams that pierce your skin
This is the voice of silence no more
This is the test of flesh and soul
This is the trap that smells so good
This is the flood that drains these eyes
These are the looks that chill to the bone
These are the fears that swing over head
These are the weights that hold you down
This is the end that will never end
This is the voice of silence no more
We the people
Are we the people?
Some kind of monster
This monster lives
This is the cloud that swallows trust
This is the black that uncolors us
This is the face that you hide from
This is the mask that comes undone
Ominous
I'm in us
song performed by by Metallica
Submitted by Lucian Velea
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The Fall of Usher
An elegy on Edgar Allan Poe
"Thou wert the Morning Star among the living,
Ere thy fair light had fled;
But, having died, thou art like Hesperus giving
New splendor to the dead." - Plato's Aster.
"Thou art gone to the grave!" but thy spirit is shining,
And singing afar in the Realms of the Blest ;
While the living are left by thy cold grave reclining,
And mourning for thee while they long for thy rest---
Left mourning for thee while they long for thy rest!
"Thou art gone to the grave!" thou art gone where thy slumber
No more shall be broken by sorrow or pain---
Soon to rise with that host which no mortal can number,
To lie down no more in that Valley again!
No more to lie down in that Valley again!
"Thou art gone to the grave!" there is none can restore thee,
Or bring thee again from that Silent Abode !
But the Conqueror of Death went to dwell there before thee,
And He has prepared thee the way to thy God!
Prepared thee the way to thy Beautiful God !
"Thou art gone to the grave!" thou art silently sleeping
A sleep which no sorrow shall ever molest;
And, in longing for which, my poor heart now is keeping
This silent lament in its grave in my breast!
Like Shelley for Keats, in its grave in my breast!
"Thou art gone to the grave!" let the dark Weeping Willow
Bend over thy grave where thy beauty was laid!
While thy form, thus reclined on the earth for its pillow,
Shall live in the Spring-flowers which bloom at thy head---
To feed the young Butterflies born at thy head.
"Thou art gone to the grave!" where the Violets are springing,
And feeding upon thee above the damp sod,
Now thy Pandemos mourns, while thy spirit is singing,
And drinking delight from the Fountains of God ---
With thine Ullalume lost from the Fountains of God.
poem by Thomas Holley Chivers
Submitted by Veronica Serbanoiu
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Round Room
My room is round when I lay down, when I wake up it's square
When I go outside it's on a spiral set of stairs
The people that surround me are waiting out there
In a round room they can't find me anywhere
Right angle rooms drive me crazier each day
Put me in a box I know I'm never going to play
Put me in a square room and I won't know what to say
I want a round room at the end of the day
I had an apartment, four corners on the walls
Couldn't eat, couldn't sleep there at all
I want a curve to the place where I stay
I want a round room at the end of the day
If I pass out take me to the round church
Where echoes resound
And my spirit is found
And when I float high
Take my arm and I'll fly you by
The outskirts of town, to a garden that's round
I went to the lighthouse and I liked the view
I looked out the window and I could see you
Put me in a square house and I won't have a clue
I want a round room just to be with you
song performed by by Phish
Submitted by Lucian Velea
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The Fury Of Beautiful Bones
Sing me a thrush, bone.
Sing me a nest of cup and pestle.
Sing me a sweetbread fr an old grandfather.
Sing me a foot and a doorknob, for you are my love.
Oh sing, bone bag man, sing.
Your head is what I remember that August
you were in love with another woman but
that didn't matter. I was the guy of your
bones, your fingers long and nubby, your
forehead a beacon, bare as marble and I worried
you like an odor because you had not quite forgotten,
bone bag man, garlic in the North End,
the book you dedicated, naked as a fish,
naked as someone drowning into his own mouth.
I wonder, Mr. Bone man, what you're thinking
of your fury now, gone sour as a sinking whale,
crawling up the alphabet on her own bones.
Am I in your ear still singing songs in the rain,
me of the death rattle, me of the magnolias,
me of the sawdust tavern at the city's edge.
Women have lovely bones, arms, neck, thigh
and I admire them also, but your bones
supersede loveliness. They are the tough
ones that get broken and reset. I just can't
answer for you, only for your bones,
round rulers, round nudgers, round poles,
numb nubkins, the sword of sugar.
I feel the skull, Mr. Skeleton, living its
own life in its own skin.
poem by Anne Sexton
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