La Ricordanza
MAGGIOR dolore è ben la Ricordanza,
O nell' amaro inferno amena stanza?
poem by Dante Gabriel Rossetti

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Related quotes
La Mia Lente
Per chi la solitudine
a volte un'amica
come un cerotto
su una ferita,
per chi non si rialzer pi
perch il dolore schiaccia
il dolore butta gi
E per chi crede che no
sopportarsi a vivere
insieme non si pu
e non vuole provarci pi
Ed per questo
che anche se il finale
non ce l'ho
comunque il nostro libro
lo scriver...
E Perch tu sei, la mia
lente con cui
guardo nel futuro
per capire dove andrei
E perch tu sei,
il soggetto su cui
questo libro scriverei
o meglio scriveremo io e te
Per chi ha dimenticato che
ci ha creduto s
comunque in fondo
ancora ci crede un po'
Per chi non si scoprir pi
perch il dolore schiaccia
il dolore butta gi
E per chi non crede
che si pu
perch un uomo non
solo ci che stato
ma anche ci
che potrebbe essere
Ed per questo che
anche se il finale non ce l'ho
comunque questo libro
lo scriver ..
E Perch tu sei, la mia
lente con cui...
song performed by by Eiffel 65

Submitted by Lucian Velea
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The Devoutly Thankful Lover
So Nell was married yesterday! -
Let's fill a bumper mellow,
And drain it to old Hymen's sway -
And to the lucky fellow.
Time was when 1 was 'gone' on her:
When each day I'd discover
Fresh charms to make my pulses stir,
And-fool-like-act the lover.
Her eyes were bright as stars at night,
Her lips were like to coral,
And Nell was, in her lover's sight,
As beautiful as moral.
But now with joy we drink his health,
Whom Nell did most prefer,
And wish him lots of luck and wealth
Who's lately married her.
I loved - for Nell was fair and tall,
And sweet as fragrant clover -
But now I love her most of all
Because - she threw me over.
poem by Harry 'Breaker' Harbord Morant

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You ask me to leave (Pantoum poetry)
The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)
And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one
Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.
I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace
You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind
poem by Marieta Maglas

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To The One Who Says She Is Reading My Poem
let us have a compromise,
after reading the first stanza
from my magic lines
i will give you
youth, and on the second stanza
i will hand you
beauty
on the third stanza i will promise
you fortune
on the fourth perhaps
intelligence
and on the fifth perhaps
fame,
i have this magic wand
given by fairy godmother
the one used
for Cinderilla and Snow white
and Rapunzel
and Shrek, and so on and so forth,
tonight then you must read my poem,
but don't you be disappointed,
it has only one word.
Fool.
poem by Ric S. Bastasa

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Io E La Mia Stanza
Ed ora stacco tutto
resto solo io
e quella melodia
Stasera solo mia
non voglio compagnia
L fuori c' il diluvio
che allaga la citt
E' meglio non uscire
fuori mi potrei bagnare
Non pu piovere per sempre
Il mondo in questa stanza
muri di fantasia
Solo io e la mia stanza
e questa melodia...
Ripenso a ci che ho fatto
un sorriso ed un rimpianto
Il caos nella mia mente
il tutto insieme a niente
un'oasi finalmente
ma la sera torner
Il buio illuminer
me e i miei pensieri
insieme a tutti i desideri
i diritti e i doveri
Il mondo in questa stanza
muri di fantasia
solo io e la mia stanza
e questa melodia
Vivo in questa stanza,
muri di fantasia
Solo io e la mia stanza
e un mondo in armonia...
song performed by by Eiffel 65

Submitted by Lucian Velea
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Impossiblity (Irenga)
Glorious sunset,
the western sky ablaze with shades of red.
Nature’s artistry
beyond a mans ability
to emulate or imitate.
Nature’s artistry
beyond any mans ability
to emulate or imitate.
Although they still try.
Perfection beyond their grasp.
Natures artistry
beyond any mans ability
to emulate or imitate.
But driven by some inner need
they are convinced they can succeed.
First stanza
5 syllables
10 syllables
5 syllables
8syllables.
8syllables
Second stanza
repeat last three lines of first stanza
then
5 syllables
8 syllables.
Third stanza
Repeat
Last three lines of first stanza
Then
8 syllables
syllables
Japanese style poetry
no obligation to rhyme.
(22/07/2007)
poem by Ivor Or Ivor.e Hogg

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The Bird of Paradise
Here comes Kate Summers, who, for gold,
Takes any man to bed:
"You knew my friend, Nell Barnes," she said;
"You knew Nell Barnes -- she's dead.
"Nell Barnes was bad on all you men,
Unclean, a thief as well;
Yet all my life I have not found
A better friend than Nell.
"So I sat at her side at last,
For hours, till she was dead;
And yet she had no sense at all
Of any word I said.
"For all her cry but came to this --
'Not for the world! Take care:
Don't touch that bird of paradise,
Perched on the bed-post there!'
"I asked her would she like some grapes,
Som damsons ripe and sweet;
A custard made with new-laid eggs,
Or tender fowl to eat.
"I promised I would follow her,
To see her in her grave;
And buy a wreath with borrowed pence,
If nothing I could save.
"Yet still her cry but came to this --
'Not for the world! Take care:
Don't touch that bird of paradise,
Perched on the bed-post there!' "
poem by William Henry Davies

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Nell and John
When Nell, given o'er by the doctor, was dying,
And John at the chimney stood decently crying,
'Tis in vain said the woman to make such ado,
For to our long home we must all of us go.
True, Nell, replied John; but what yet is the worst
For us that remain, the best always go first;
Remember, dear wife, that I said so last year,
When you lost your white heifer, and I my brown mare.
poem by Matthew Prior

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A-Shelling Peas
Now, all the world is green and bright
Outside the latticed pane;
The fields are decked with gold and white,
And Spring has come again.
But though the world be fair without,
With flow'rs and waving trees,
'Tis pleasanter to be about
Where Nell's a-shelling peas.
Her eyes are blue as cloudless skies,
And dimples deck her cheeks;
Whilst soft lights loiter in her eyes
Whene'er she smiles or speaks.
So all the sunlit morning-tide
I dally at mine ease,
To loaf at slender Nelly's side
When Nell's a-shelling peas.
This bard, who sits a-watching Nell,
With fingers white and slim,
Owns up that, as she breaks each shell,
She also "breaks up" him;
And could devoutly drop upon
Submissive, bended knees
To worship Nell with apron on -
A saint a-shelling peas.
The tucked-up muslin sleeves disclose
Her round arms white and bare -
'Tis only "shelling peas" that shows
Those dainty dimples there.
Old earth owns many sights to see
That captivate and please; -
The most bewitching sight for me
Is Nell a-shelling peas.
poem by Harry 'Breaker' Harbord Morant

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Squashing force (Diminished hexaverse poetry)
(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)
Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face
Depredated
Walls closing in
Screams of anguish
Desperate howls
Squashing force
Frozen tears
Twisting thoughts
Nightmares
Bleeding
Death
poem by Marieta Maglas

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0102 This is a disposable poem
This is a disposable poem.
Under each stanza
is a perforated line
- - - - - - - - - - - - - - - - - - - - -
you may read it stanza by stanza
and throw away each as you read
or having it read it through,
shorten it stanza by stanza
- - - - - - - - - - - - - - - - - -
since many poems on this site
benefit from curtailing
because amateur poets
tend to be uncertain
about their work
- - - - - - - - - - - - - - - - -
and as a result either repeat
the essence of their poem at the end
or comment on it which takes
the power out of it
- - - - - - - - - - - - - - - - - -
you might want to save that
previous stanza but as for
the other stanzas, here’s
a suggestion
- - - - - - - - - - - - - - - -
enjoy being a critic and
dispose of them with a flourish
in one of these ways
certainly not both for reasons
which will become apparent
- - - - - - - - - - - - - - - - -
one method is to place
a waste-paper basket so called
at an optimum distance
far enough away to enjoy throwing
the ball of scrunch-up
- - - - - - - - - - - - - - - - -
but near enough not to miss;
do it with a flourish,
feel good, feel judgmental,
feel superior, feel right
- - - - - - - - - - - - - - - - - - - -
or alternatively take this disposable poem
into the smallest room to read
for as long as it takes, this varies,
then put it behind you so to speak
- - - - - - - - - - - - - - - - - - - - - -
again with a decisive gesture
though of course due care and
you may wish to accompany this
with some rather biblical utterance
- - - - - - - - - - - - - - - - - - - - - - - - - -
such as, I shit in judgment upon
the works of the ungodly
and as for the works of the infidel
I put them behind me
- - - - - - - - - - - - - - - - - - - - - -
and they shall be carried away
by the waters of righteousness yea
as though they had never been
- - - - - - - - - - - - - - - - - - - - - -
aaah that felt good
poem by Michael Shepherd

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When You Least Expect It
Knock-kneed Nell had stories to tell
About all the sights she'd seen.
That sexy sway began her day....
Thinking how things could have been.
'I'll not condone a herringbone
For the price you want to pay!
Be off down the alley, old fool!
But, one man decided to stay.
Nell clawed like a cat, hissed, and spat.
The man stood his ground, and laughed.
'We'll take this to the marriage vows!
Clean my house, and cook my food!
In the marriage bed you can sass! '
poem by Elysabeth Faslund

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It's a remake of a film called Inferno Affairs. It's a Hong Kong film, and if we come anywhere close to what they did in the original, we're going to have a hot property on our hands, because Inferno Affairs is a great piece.
quote by Anthony Anderson

Submitted by Lucian Velea
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Maude Clare
Out of the church she followed them
With a lofty step and mien:
His bride was like a village maid,
Maude Clare was like a queen.
“Son Thomas, ” his lady mother said,
With smiles, almost with tears:
“May Nell and you but live as true
As we have done for years;
“Your father thirty years ago
Had just your tale to tell;
But he was not so pale as you,
Nor I so pale as Nell.”
My lord was pale with inward strife,
And Nell was pale with pride;
My lord gazed long on pale Maude Clare
Or ever he kissed the bride.
“Lo, I have brought my gift, my lord,
Have brought my gift, ” she said:
To bless the hearth, to bless the board,
To bless the marriage-bed.
“Here’s my half of the golden chain
You wore about your neck,
That day we waded ankle-deep
For lilies in the beck:
“Here’s my half of the faded leaves
We plucked from the budding bough,
With feet amongst the lily leaves, -
The lilies are budding now.”
He strove to match her scorn with scorn,
He faltered in his place:
“Lady, ” he said, - “Maude Clare, ” he said, -
“Maude Clare, ” – and hid his face.
She turn’d to Nell: “My Lady Nell,
I have a gift for you;
Though, were it fruit, the blooms were gone,
Or, were it flowers, the dew.
“Take my share of a fickle heart,
Mine of a paltry love:
Take it or leave it as you will,
I wash my hands thereof.”
“And what you leave, ” said Nell, “I’ll take,
And what you spurn, I’ll wear;
For he’s my lord for better and worse,
And him I love Maude Clare.
“Yea, though you’re taller by the head,
More wise and much more fair:
I’ll love him till he loves me best,
Me best of all Maude Clare.
poem by Christina Georgina Rossetti

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Disco Inferno
(l. green/ r. kersey)
Producers: chris lord-alge, tina turner and roger davies
Album: whats love got to do with it (93)
To my surprise one hundred storeys high
People getting loose now, getting down on the roof
Folks screaming, out of control
It was so entertaining when the boogie started to explode
I heard somebody say
(burn baby burn) disco inferno
(burn baby burn) burn that mother down
(burn baby burn) disco inferno
(burn baby burn) burn that mother down
Satisfaction came in a chain reaction
I couldnt get enough, so I had to self-destruct
The heat was on, rising to the top
Everybody is going strong, and that is when my spark got hot
I heard somebody say
(burn baby burn) disco inferno
(burn baby burn) burn that mother down
(burn baby burn) disco inferno
(burn baby burn) burn that mother down
Up above my head
I hear music in the air
That makes me know
Theres a party somewhere
(just cant stop) when my spark gets hot
(just cant stop) when my spark gets hot
song performed by by Tina Turner

Submitted by Lucian Velea
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I'm no longer blind (Quatern poetry)
(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)
Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.
Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.
Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.
Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.
poem by Marieta Maglas

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Reborn
Sub-aqua marine blue
accosts my [limpet] eyes
my retinae shrink
childhood parties, balloons nestling against
my [naked] knees
The depths of the [saline] sea
seen from the Arahura,
Acrid, acid the salty, sandy seawater
Sprays up and I inhale
all that
is [suffuse] sea
blue
the
Blue green dark wine water
embracing me now
with the warm comfort
of a long lost
yet now sought womb.
Title And Insertions: Terence George Craddock
Stanza One: Anonyms
Stanza Two: Katie Tamanus Thomas
Stanza Three: Terence George Craddock
poem by Terence George Craddock

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Inferno
Inferno
By: Adam M. Snow
The inferno of the pale moon once burns with despair,
hiding in the darkened noon with death in the air.
All children are comatose, the creatures are putrid,
the gallows now ramose with the end of all hatred.
Stars fall from the sky to the earth like all foreboding,
humanity fails to cry with fears of the soon ending.
All is now silent in the vespertine stillness,
no thoughts are violent, earth's now in darkness.
The vastness of one's dreams now gone and forsaken,
yet frozen like the moonlit beams soon to reawaken.
The earth caught fire with all greatness and bleak,
no hope for a last desire as all life grows weak.
Newborn dies, all now look towards defeat,
all's been despised now suffering with inferno heat.
An ominous bank of dark clouds for all to see,
covers all life and now left upon lethe.
poem by Adam M. Snow

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Disco Inferno
To my surprise, one hundred storeys high
People getting loose now, getting down on the roof
I tell ya, the folks were screaming, there was a, there was a out of control, yeah...
It was so entertaining when the boogie started to explode
I heard somebody say
(burn baby burn) disco inferno, yeah
(burn baby burn) burn that mother down, yeah
(burn baby burn) disco inferno, yeah
(burn baby burn) burn that mother down
Satisfaction, it came in a chain reaction
I couldnt get enough, so I had to self-destruct
I tell ya, I tell ya now, now...
The heat was on, it was a rising to the top
Well now, everybodys going strong, yeah thats when my spark got hot
I heard somebody say
(burn baby burn) disco inferno, yeah
(burn baby burn) burn that mother down, yeah
(burn baby burn) disco inferno, yeah
(burn baby burn) burn that mother down
Up above my head
I hear music in the air (I hear music in the air)
That makes me know
Theres a party somewhere...
Satisfaction, it came in a chain reaction
I couldnt get enough, so I had to self-destruct
I tell ya, I tell ya now, now...
The heat was on, it was a rising to the top
Well now, everybodys going strong, yeah thats when my spark got hot
I heard somebody say
(burn baby burn) disco inferno, yeah
(burn baby burn) burn that mother down, yeah
(burn baby burn) disco inferno, yeah
(burn baby burn) burn that mother down
(burn baby burn) down
(burn baby burn) burn that mother down, yeah
(burn baby burn) down...
(burn baby burn)
Just cant stop...
When my spark gets hot
I just cant stop
When my spark gets hot...
Youll rescue me
Let my spirit run free
Youll rescue me
Let my spirit run free...
song performed by by Cyndi Lauper

Submitted by Lucian Velea
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Alankar(Decor) -76
Bhaji-(Chain Verse)
Chain Verse is composed in one of three ways:
1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.
2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.
3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----
2
Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)
I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day
Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis
Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used
Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash
Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated
Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I
poem by Indira Renganathan

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