The Angel In The House. Book I. Canto VIII.
Preludes.
I Life of Life
What's that, which, ere I spake, was gone:
So joyful and intense a spark
That, whilst o'erhead the wonder shone,
The day, before but dull, grew dark?
I do not know; but this I know,
That, had the splendour lived a year,
The truth that I some heavenly show
Did see, could not be now more clear.
This know I too: might mortal breath
Express the passion then inspired,
Evil would die a natural death,
And nothing transient be desired;
And error from the soul would pass,
And leave the senses pure and strong
As sunbeams. But the best, alas,
Has neither memory nor tongue.
II The Revelation
An idle poet, here and there,
Looks round him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling's jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme
And most forget; but, either way,
That and the Child's unheeded dream
Is all the light of all their day.
III The Spirit's Epochs
Not in the crises of events,
Of compass'd hopes, or fears fulfill'd,
Or acts of gravest consequence,
Are life's delight and depth reveal'd.
The day of days was not the day;
That went before, or was postponed;
The night Death took our lamp away
Was not the night on which we groan'd.
I drew my bride, beneath the moon,
Across my threshold; happy hour!
But, ah, the walk that afternoon
We saw the water-flags in flower!
IV The Prototype
Lo, there, whence love, life, light are pour'd,
Veil'd with impenetrable rays,
Amidst the presence of the Lord
Co-equal Wisdom laughs and plays.
Female and male God made the man;
His image is the whole, not half;
And in our love we dimly scan
The love which is between Himself.
V The Praise of Love
Spirit of Knowledge, grant me this:
A simple heart and subtle wit
To praise the thing whose praise it is
That all which can be praised is it.
Sarum Plain.
I
Breakfast enjoy'd, 'mid hush of boughs
And perfumes thro' the windows blown;
Brief worship done, which still endows
The day with beauty not its own;
With intervening pause, that paints
Each act with honour, life with calm
(As old processions of the Saints
At every step have wands of palm),
We rose; the ladies went to dress,
And soon return'd with smiles; and then,
Plans fix'd, to which the Dean said ‘Yes,’
Once more we drove to Salisbury Plain.
We past my house (observed with praise
By Mildred, Mary acquiesced),
And left the old and lazy grays
Below the hill, and walk'd the rest.
II
The moods of love are like the wind,
And none knows whence or why they rise:
I ne'er before felt heart and mind
So much affected through mine eyes.
How cognate with the flatter'd air,
How form'd for earth's familiar zone,
She moved; how feeling and how fair
For others' pleasure and her own!
And, ah, the heaven of her face!
How, when she laugh'd, I seem'd to see
The gladness of the primal grace,
And how, when grave, its dignity!
Of all she was, the least not less
Delighted the devoted eye;
No fold or fashion of her dress
Her fairness did not sanctify.
I could not else than grieve. What cause?
Was I not blest? Was she not there?
Likely my own? Ah, that it was:
How like seem'd ‘likely’ to despair!
III
And yet to see her so benign,
So honourable and womanly,
In every maiden kindness mine,
And full of gayest courtesy,
Was pleasure so without alloy,
Such unreproved, sufficient bliss,
I almost wish'd, the while, that joy
Might never further go than this.
So much it was as now to walk,
And humbly by her gentle side
Observe her smile and hear her talk,
Could it be more to call her Bride?
I feign'd her won; the mind finite,
Puzzled and fagg'd by stress and strain
To comprehend the whole delight,
Made bliss more hard to bear than pain.
All good, save heart to hold, so summ'd
And grasp'd, the thought smote, like a knife,
How laps'd mortality had numb'd
The feelings to the feast of life;
How passing good breathes sweetest breath;
And love itself at highest reveals
More black than bright, commending death
By teaching how much life conceals.
IV
But happier passions these subdued,
When from the close and sultry lane,
With eyes made bright by what they view'd,
We emerged upon the mounded Plain.
As to the breeze a flag unfurls,
My spirit expanded, sweetly embraced
By those same gusts that shook her curls
And vex'd the ribbon at her waist.
To the future cast I future cares;
Breathed with a heart unfreighted, free,
And laugh'd at the presumptuous airs
That with her muslins folded me;
Till, one vague rack along my sky,
The thought that she might ne'er be mine
Lay half forgotten by the eye
So feasted with the sun's warm shine.
V
By the great stones we chose our ground
For shade; and there, in converse sweet,
Took luncheon. On a little mound
Sat the three ladies; at their feet
I sat; and smelt the heathy smell,
Pluck'd harebells, turn'd the telescope
To the country round. My life went well,
For once, without the wheels of hope;
And I despised the Druid rocks
That scowl'd their chill gloom from above,
Like churls whose stolid wisdom mocks
The lightness of immortal love.
And, as we talk'd, my spirit quaff'd
The sparkling winds; the candid skies
At our untruthful strangeness laugh'd;
I kiss'd with mine her smiling eyes;
And sweet familiarness and awe
Prevail'd that hour on either part,
And in the eternal light I saw
That she was mine; though yet my heart
Could not conceive, nor would confess
Such contentation; and there grew
More form and more fair stateliness
Than heretofore between us two.
poem by Coventry Patmore
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The Spirit's Depths
Not in the crisis of events
Of compass'd hopes, or fears fulfill'd,
Or acts of gravest consequence,
Are life's delight and depth reveal'd.
The day of days was not the day;
That went before, or was postponed;
The night Death took our lamp away
Was not the night on which we groan'd.
I drew my bride, beneath the moon,
Across my threshold; happy hour!
But, ah, the walk that afternoon
We saw the water-flags in flower!
poem by Coventry Patmore
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The Revelation
An idle poet, here and there,
Looks around him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling's jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme
And most forget; but, either way,
That and the Child's unheeded dream
Is all the light of all their day.
poem by Coventry Patmore
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The Soul Of The Anzac
THE form that was mine was brown and hard,
And thewed and muscled, and tall and straight;
And often it rode from the station yard,
And often it passed through the stockyard gate;
And often it paused on the grey skyline
'Twixt mulga and mallee or gum and pine.
There was never a task that it would not do;
There was never a labour it left undone;
But ever and always it battled through,
And took the rest that its toil had won,
And slept the sleep of the weary-limbed
Till the stars grew pale and the planets dimmed.
The form that was mine is mine no more,
For low it lies in a soldier's grave
By an alien sea on an alien shore;
And over its sleep no wattles wave,
And stars unseen on their journey creep;
But it wakes no more from its dreamless sleep.
O Mother of mine, what is is best!
And our graves are dug at the hour of birth;
And the form that slept on your shielding breast
Sleeps soundly here in the mothering earth.
And dust to dust! When our part is played,
Does it matter much where the change is made?
O Heart that was mine, you were brave and strong —
How strong, how brave, let another tell!
You loved the lilt of the bushman's song,
And loved the land that he loved so well,
And loved — ah, well! — as well she knew,
The sweet, white girl who was all to you.
O Heart of mine, though your love was great,
Yet a greater than Love is lord of man;
The rose-path wound to the garden gate,
And there the track to The Peaks began;
And though storm threatened and skies grew black,
You dared the menace and took the track.
O Heart, when the cliffs were hard to climb,
How sweet was home, and her eyes how sweet!
How sweet the moments when Love kept time,
And you and her heart gave beat for beat,
And the waters sang, and the sun-rays glanced,
And the flowers laughed out, and the saplings danced.
Yet better, O Heart, to do as you did
Than to lie on her breast, as your love-gift lies;
For how can Love prosper when Honour lies hid,
Ashamed to look Love fair and square in the eyes?
Though grave-mould be round you, grey grasses above,
You live, and shall live, evermore in her love!
O Man that I was, you were foe to Death;
For Life was fair to you — wonderful, rare;
You had your being and drew your breath
In ample spaces of earth and air;
While ever and always, by night and day,
Bright Promise pointed the Golden Way.
And yet 'twas your choice to be this thing —
A young man dead on an alien shore,
Where the immemorial surges sing
As once they sang in the days of yore,
When Greek and Trojan matched their might
And Troy shone down upon the fight.
O Man that I was, well done! Well done!
You chose the nobler, the better part;
Though a mother weep for her soldier son,
And a fair, sweet girl be sad at heart,
Yet the soul of your country glows with pride
At the deed you did and the death you died.
poem by Roderic Quinn
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In Memory of a Happy Day in February
Blessed be Thou for all the joy
My soul has felt today!
O let its memory stay with me
And never pass away!
I was alone, for those I loved
Were far away from me,
The sun shone on the withered grass,
The wind blew fresh and free.
Was it the smile of early spring
That made my bosom glow?
'Twas sweet, but neither sun nor wind
Could raise my spirit so.
Was it some feeling of delight,
All vague and undefined?
No, 'twas a rapture deep and strong,
Expanding in the mind!
Was it a sanguine view of life
And all its transient bliss
A hope of bright prosperity?
O no, it was not this!
It was a glimpse of truth divine
Unto my spirit given
Illumined by a ray of light
That shone direct from heaven!
I felt there was a God on high
By whom all things were made.
I saw His wisdom and his power
In all his works displayed.
But most throughout the moral world
I saw his glory shine;
I saw His wisdom infinite,
His mercy all divine.
Deep secrets of his providence
In darkness long concealed
Were brought to my delighted eyes
And graciously revealed.
But while I wondered and adored
His wisdom so divine,
I did not tremble at his power,
I felt that God was mine.
I knew that my Redeemer lived,
I did not fear to die;
Full sure that I should rise again
To immortality.
I longed to view that bliss divine
Which eye hath never seen,
To see the glories of his face
Without the veil between.
poem by Anne Brontë from Poems by Currer, Ellis, and Acton Bell (1846)
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A Child My Choice
Let folly praise that fancy loves, I praise and love that Child
Whose heart no thought, whose tongue no word, whose hand no deed defiled.
I praise Him most, I love Him best, all praise and love is His;
While Him I love, in Him I live, and cannot live amiss.
Love's sweetest mark, laud's highest theme, man's most desired light,
To love Him life, to leave Him death, to live in Him delight.
He mine by gift, I His by debt, thus each to other due;
First friend He was, best friend He is, all times will try Him true.
Though young, yet wise; though small, yet strong; though man, yet God He is:
As wise, He knows; as strong, He can; as God, He loves to bless.
His knowledge rules, His strength defends, His love doth cherish all;
His birth our joy, His life our light, His death our end of thrall.
Alas! He weeps, He sighs, He pants, yet do His angels sing;
Out of His tears, His sighs and throbs, doth bud a joyful spring.
Almighty Babe, whose tender arms can force all foes to fly,
Correct my faults, protect my life, direct me when I die!
poem by Robert Southwell
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Stanzas
If thou be in a lonely place,
If one hour's calm be thine,
As Evening bends her placid face
O'er this sweet day's decline;
If all the earth and all the heaven
Now look serene to thee,
As o'er them shuts the summer even,
One moment--think of me!
Pause, in the lane, returning home;
'Tis dusk, it will be still:
Pause near the elm, a sacred gloom
Its breezeless boughs will fill.
Look at that soft and golden light,
High in the unclouded sky;
Watch the last bird's belated flight,
As it flits silent by.
Hark! for a sound upon the wind,
A step, a voice, a sigh;
If all be still, then yield thy mind,
Unchecked, to memory.
If thy love were like mine, how blest
That twilight hour would seem,
When, back from the regretted Past,
Returned our early dream!
If thy love were like mine, how wild
Thy longings, even to pain,
For sunset soft, and moonlight mild,
To bring that hour again!
But oft, when in thine arms I lay,
I've seen thy dark eyes shine,
And deeply felt their changeful ray
Spoke other love than mine.
My love is almost anguish now,
It beats so strong and true;
'Twere rapture, could I deem that thou
Such anguish ever knew.
I have been but thy transient flower,
Thou wert my god divine;
Till checked by death's congealing power,
This heart must throb for thine.
And well my dying hour were blest,
If life's expiring breath
Should pass, as thy lips gently prest
My forehead cold in death;
And sound my sleep would be, and sweet,
Beneath the churchyard tree,
If sometimes in thy heart should beat
One pulse, still true to me.
poem by Charlotte Brontë from Poems by Currer, Ellis, and Acton Bell (1846)
Submitted by Veronica Serbanoiu
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The Lost One
COME to the grave--the silent grave! and dream
Of a light, happy voice--so full of joy,
That those who heard her laugh, would laugh again,
Echoing the mirth of such an innocent spirit;
And pause in their own converse, to look round,
Won by the witchery of that gleesome tone.
Come to the grave--the lone dark grave! and dream
Of eyes whose brilliancy was of the soul,
Eyes which, with one bright flash from their dark lids,
Seemed at a glance to read the thoughts of others;
Or, with a full entire tenderness,
The pure expression of all-perfect love,
(Of woman's love, which is for you alone,
While your's is for yourself)--gave in that look
The promise of a life of meek affection.
Come to the grave--the mouldering grave! and dream
Of a fair form that glided over earth
One of its happiest creatures:--to her cheek
The lightest word might bring the blushing blood
In pure carnation;--down her graceful neck,
The long rich curls of jet hung carelessly,
Untortured by the cunning hand of art:
And on her brow, bright purity and joy,
Twin sisters, sate,--as on a holy throne.
Come yet unto the grave--the still, damp grave!
And dream of a young heart that beat with life,
And all life's best affections; of a heart
Where sorrow never came, nor fear, nor sin--
Nor aught save innocence, and perfect love:
And, having dreamed of such a lovely being--
So gay, so bright, so pure, so fond, so meek--
Having thus conjured up a form of love
In thine own pausing and regretful mind;--
A vision will be present to thy soul,
A faint, but faithful portraiture, of one
Most dearly loved, and now for ever lost!
poem by Caroline Elizabeth Sarah Norton
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The Angel In The House. Book I. Canto I.
Preludes.
I The Impossibility
Lo, Love's obey'd by all. 'Tis right
That all should know what they obey,
Lest erring conscience damp delight,
And folly laugh our joys away.
Thou Primal Love, who grantest wings
And voices to the woodland birds,
Grant me the power of saying things
Too simple and too sweet for words!
II Love's Reality
I walk, I trust, with open eyes;
I've travell'd half my worldly course;
And in the way behind me lies
Much vanity and some remorse;
I've lived to feel how pride may part
Spirits, tho' match'd like hand and glove;
I've blush'd for love's abode, the heart;
But have not disbelieved in love;
Nor unto love, sole mortal thing
Of worth immortal, done the wrong
To count it, with the rest that sing,
Unworthy of a serious song;
And love is my reward; for now,
When most of dead'ning time complain,
The myrtle blooms upon my brow,
Its odour quickens all my brain.
III The Poet's Confidence
The richest realm of all the earth
Is counted still a heathen land:
Lo, I, like Joshua, now go forth
To give it into Israel's hand.
I will not hearken blame or praise;
For so should I dishonour do
To that sweet Power by which these Lays
Alone are lovely, good, and true;
Nor credence to the world's cries give,
Which ever preach and still prevent
Pure passion's high prerogative
To make, not follow, precedent.
From love's abysmal ether rare
If I to men have here made known
New truths, they, like new stars, were there
Before, though not yet written down.
Moving but as the feelings move,
I run, or loiter with delight,
Or pause to mark where gentle Love
Persuades the soul from height to height,
Yet, know ye, though my words are gay
As David's dance, which Michal scorn'd,
If kindly you receive the Lay,
You shall be sweetly help'd and warn'd.
The Cathedral Close.
I
Once more I came to Sarum Close,
With joy half memory, half desire,
And breathed the sunny wind that rose
And blew the shadows o'er the Spire,
And toss'd the lilac's scented plumes,
And sway'd the chestnut's thousand cones,
And fill'd my nostrils with perfumes,
And shaped the clouds in waifs and zones,
And wafted down the serious strain
Of Sarum bells, when, true to time,
I reach'd the Dean's, with heart and brain
That trembled to the trembling chime.
II
'Twas half my home, six years ago.
The six years had not alter'd it:
Red-brick and ashlar, long and low,
With dormers and with oriels lit.
Geranium, lychnis, rose array'd
The windows, all wide open thrown;
And some one in the Study play'd
The Wedding-March of Mendelssohn.
And there it was I last took leave:
'Twas Christmas: I remember'd now
The cruel girls, who feign'd to grieve,
Took down the evergreens; and how
The holly into blazes woke
The fire, lighting the large, low room
A dim, rich lustre of old oak
And crimson velvet's glowing gloom.
III
No change had touch'd Dean Churchill: kind,
By widowhood more than winters bent,
And settled in a cheerful mind,
As still forecasting heaven's content.
Well might his thoughts be fix'd on high,
Now she was there! Within her face
Humility and dignity
Were met in a most sweet embrace.
She seem'd expressly sent below
To teach our erring minds to see
The rhythmic change of time's swift flow
As part of still eternity.
Her life, all honour, observed, with awe
Which cross experience could not mar,
The fiction of the Christian law
That all men honourable are;
And so her smile at once conferr'd
High flattery and benign reproof;
And I, a rude boy, strangely stirr'd,
Grew courtly in my own behoof.
The years, so far from doing her wrong,
Anointed her with gracious balm,
And made her brows more and more young
With wreaths of amaranth and palm.
IV
Was this her eldest, Honor; prude,
Who would not let me pull the swing;
Who, kiss'd at Christmas, call'd me rude,
And, sobbing low, refused to sing?
How changed! In shape no slender Grace,
But Venus; milder than the dove;
Her mother's air; her Norman face;
Her large sweet eyes, clear lakes of love.
Mary I knew. In former time
Ailing and pale, she thought that bliss
Was only for a better clime,
And, heavenly overmuch, scorn'd this.
I, rash with theories of the right,
Which stretch'd the tether of my Creed,
But did not break it, held delight
Half discipline. We disagreed.
She told the Dean I wanted grace.
Now she was kindest of the three,
And soft wild roses deck'd her face.
And, what, was this my Mildred, she
To herself and all a sweet surprise?
My Pet, who romp'd and roll'd a hoop?
I wonder'd where those daisy eyes
Had found their touching curve and droop.
V
Unmannerly times! But now we sat
Stranger than strangers; till I caught
And answer'd Mildred's smile; and that
Spread to the rest, and freedom brought.
The Dean talk'd little, looking on,
Of three such daughters justly vain.
What letters they had had from Bonn,
Said Mildred, and what plums from Spain!
By Honor I was kindly task'd
To excuse my never coming down
From Cambridge; Mary smiled and ask'd
Were Kant and Goethe yet outgrown?
And, pleased, we talk'd the old days o'er;
And, parting, I for pleasure sigh'd.
To be there as a friend, (since more),
Seem'd then, seems still, excuse for pride;
For something that abode endued
With temple-like repose, an air
Of life's kind purposes pursued
With order'd freedom sweet and fair.
A tent pitch'd in a world not right
It seem'd, whose inmates, every one,
On tranquil faces bore the light
Of duties beautifully done,
And humbly, though they had few peers,
Kept their own laws, which seem'd to be
The fair sum of six thousand years'
Traditions of civility.
poem by Coventry Patmore
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Sinfonia Eroica
(To Sylvia.)
My Love, my Love, it was a day in June,
A mellow, drowsy, golden afternoon;
And all the eager people thronging came
To that great hall, drawn by the magic name
Of one, a high magician, who can raise
The spirits of the past and future days,
And draw the dreams from out the secret breast,
Giving them life and shape.
I, with the rest,
Sat there athirst, atremble for the sound;
And as my aimless glances wandered round,
Far off, across the hush'd, expectant throng,
I saw your face that fac'd mine.
Clear and strong
Rush'd forth the sound, a mighty mountain stream;
Across the clust'ring heads mine eyes did seem
By subtle forces drawn, your eyes to meet.
Then you, the melody, the summer heat,
Mingled in all my blood and made it wine.
Straight I forgot the world's great woe and mine;
My spirit's murky lead grew molten fire;
Despair itself was rapture.
Ever higher,
Stronger and clearer rose the mighty strain;
Then sudden fell; then all was still again,
And I sank back, quivering as one in pain.
Brief was the pause; then, 'mid a hush profound,
Slow on the waiting air swell'd forth a sound
So wondrous sweet that each man held his breath;
A measur'd, mystic melody of death.
Then back you lean'd your head, and I could note
The upward outline of your perfect throat;
And ever, as the music smote the air,
Mine eyes from far held fast your body fair.
And in that wondrous moment seem'd to fade
My life's great woe, and grow an empty shade
Which had not been, nor was not.
And I knew
Not which was sound, and which, O Love, was you.
Communion
In the silence of my heart,
I will spend an hour with thee,
When my love shall rend apart
All the veil of mystery:
All that dim and misty veil
That shut in between our souls
When Death cried, 'Ho, maiden, hail!'
And your barque sped on the shoals.
On the shoals? Nay, wrongly said.
On the breeze of Death that sweeps
Far from life, thy soul has sped
Out into unsounded deeps.
I shall take an hour and come
Sailing, darling, to thy side.
Wind nor sea may keep me from
Soft communings with my bride.
I shall rest my head on thee
As I did long days of yore,
When a calm, untroubled sea
Rocked thy vessel at the shore.
I shall take thy hand in mine,
And live o'er the olden days
When thy smile to me was wine,--
Golden wine thy word of praise,
For the carols I had wrought
In my soul's simplicity;
For the petty beads of thought
Which thine eyes alone could see.
Ah, those eyes, love-blind, but keen
For my welfare and my weal!
Tho' the grave-door shut between,
Still their love-lights o'er me steal.
I can see thee thro' my tears,
As thro' rain we see the sun.
What tho' cold and cooling years
Shall their bitter courses run,--
I shall see thee still and be
Thy true lover evermore,
And thy face shall be to me
Dear and helpful as before.
Death may vaunt and Death may boast,
But we laugh his pow'r to scorn;
He is but a slave at most,--
Night that heralds coming morn.
I shall spend an hour with thee
Day by day, my little bride.
True love laughs at mystery,
Crying, 'Doors of Death, fly wide.'
poem by Paul Laurence Dunbar
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The Angel In The House. Book I. Canto II.
Preludes.
I The Paragon
When I behold the skies aloft
Passing the pageantry of dreams,
The cloud whose bosom, cygnet-soft,
A couch for nuptial Juno seems,
The ocean broad, the mountains bright,
The shadowy vales with feeding herds,
I from my lyre the music smite,
Nor want for justly matching words.
All forces of the sea and air,
All interests of hill and plain,
I so can sing, in seasons fair,
That who hath felt may feel again.
Elated oft by such free songs,
I think with utterance free to raise
That hymn for which the whole world longs,
A worthy hymn in woman's praise;
A hymn bright-noted like a bird's,
Arousing these song-sleepy times
With rhapsodies of perfect words,
Ruled by returning kiss of rhymes.
But when I look on her and hope
To tell with joy what I admire,
My thoughts lie cramp'd in narrow scope,
Or in the feeble birth expire;
No mystery of well-woven speech,
No simplest phrase of tenderest fall,
No liken'd excellence can reach
Her, the most excellent of all,
The best half of creation's best,
Its heart to feel, its eye to see,
The crown and complex of the rest,
Its aim and its epitome.
Nay, might I utter my conceit,
'Twere after all a vulgar song,
For she's so simply, subtly sweet,
My deepest rapture does her wrong.
Yet is it now my chosen task
To sing her worth as Maid and Wife;
Nor happier post than this I ask,
To live her laureate all my life.
On wings of love uplifted free,
And by her gentleness made great,
I'll teach how noble man should be
To match with such a lovely mate;
And then in her may move the more
The woman's wish to be desired,
(By praise increased), till both shall soar,
With blissful emulations fired.
And, as geranium, pink, or rose
Is thrice itself through power of art,
So may my happy skill disclose
New fairness even in her fair heart;
Until that churl shall nowhere be
Who bends not, awed, before the throne
Of her affecting majesty,
So meek, so far unlike our own;
Until (for who may hope too much
From her who wields the powers of love?)
Our lifted lives at last shall touch
That happy goal to which they move;
Until we find, as darkness rolls
Away, and evil mists dissolve,
The nuptial contrasts are the poles
On which the heavenly spheres revolve.
II Love at Large
Whene'er I come where ladies are,
How sad soever I was before,
Though like a ship frost-bound and far
Withheld in ice from the ocean's roar,
Third-winter'd in that dreadful dock,
With stiffen'd cordage, sails decay'd,
And crew that care for calm and shock
Alike, too dull to be dismay'd,
Yet, if I come where ladies are,
How sad soever I was before,
Then is my sadness banish'd far,
And I am like that ship no more;
Or like that ship if the ice-field splits,
Burst by the sudden polar Spring,
And all thank God with their warming wits,
And kiss each other and dance and sing,
And hoist fresh sails, that make the breeze
Blow them along the liquid sea,
Out of the North, where life did freeze,
Into the haven where they would be.
III Love and Duty
Anne lived so truly from above,
She was so gentle and so good,
That duty bade me fall in love,
And ‘but for that,’ thought I, ‘I should!’
I worshipp'd Kate with all my will.
In idle moods you seem to see
A noble spirit in a hill,
A human touch about a tree.
IV A Distinction
The lack of lovely pride, in her
Who strives to please, my pleasure numbs,
And still the maid I most prefer
Whose care to please with pleasing comes.
Mary And Mildred.
I
One morning, after Church, I walk'd
Alone with Mary on the lawn,
And felt myself, howe'er we talk'd,
To grave themes delicately drawn.
When she delighted, found I knew
More of her peace than she supposed,
Our confidences heavenwards grew,
Like fox-glove buds, in pairs disclosed.
Our former faults did we confess,
Our ancient feud was more than heal'd.
And, with the woman's eagerness
For amity full-sign'd and seal'd,
She, offering up for sacrifice
Her heart's reserve, brought out to show
Some verses, made when she was ice
To all but Heaven, six years ago;
Since happier grown! I took and read
The neat-writ lines. She, void of guile,
Too late repenting, blush'd, and said,
I must not think about the style.
II
‘Day after day, until to-day,
‘Imaged the others gone before,
‘The same dull task, the weary way,
‘The weakness pardon'd o'er and o'er,
‘The thwarted thirst, too faintly felt,
‘For joy's well-nigh forgotten life,
‘The restless heart, which, when I knelt,
‘Made of my worship barren strife.
‘Ah, whence to-day's so sweet release,
‘This clearance light of all my care,
‘This conscience free, this fertile peace,
‘These softly folded wings of prayer,
‘This calm and more than conquering love,
‘With which nought evil dares to cope,
‘This joy that lifts no glance above,
‘For faith too sure, too sweet for hope?
‘O, happy time, too happy change,
‘It will not live, though fondly nurst!
‘Full soon the sun will seem as strange
‘As now the cloud which seems dispersed.’
III
She from a rose-tree shook the blight;
And well she knew that I knew well
Her grace with silence to requite;
And, answering now the luncheon-bell,
I laugh'd at Mildred's laugh, which made
All melancholy wrong, its mood
Such sweet self-confidence display'd,
So glad a sense of present good.
IV
I laugh'd and sigh'd; for I confess
I never went to Ball, or Fête,
Or Show, but in pursuit express
Of my predestinated mate;
And thus to me, who had in sight
The happy chance upon the cards,
Each beauty blossom'd in the light
Of tender personal regards;
And, in the records of my breast,
Red-letter'd, eminently fair,
Stood sixteen, who, beyond the rest,
By turns till then had been my care:
At Berlin three, one at St. Cloud,
At Chatteris, near Cambridge, one,
At Ely four, in London two,
Two at Bowness, in Paris none,
And, last and best, in Sarum three;
But dearest of the whole fair troop,
In judgment of the moment, she
Whose daisy eyes had learn'd to droop
Her very faults my fancy fired;
My loving will, so thwarted, grew;
And, bent on worship, I admired
Whate'er she was, with partial view.
And yet when, as to-day, her smile
Was prettiest, I could not but note
Honoria, less admired the while,
Was lovelier, though from love remote.
poem by Coventry Patmore
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The Year of the Rose
From the depths of the green garden-closes
Where the summer in darkness dozes
Till autumn pluck from his hand
An hour-glass that holds not a sand;
From the maze that a flower-belt encloses
To the stones and sea-grass on the strand
How red was the reign of the roses
Over the rose-crowned land!
The year of the rose is brief;
From the first blade blown to the sheaf,
From the thin green leaf to the gold,
It has time to be sweet and grow old,
To triumph and leave not a leaf
For witness in winter's sight
How lovers once in the light
Would mix their breath with its breath,
And its spirit was quenched not of night,
As love is subdued not of death.
In the red-rose land not a mile
Of the meadows from stile to stile,
Of the valleys from stream to stream,
But the air was a long sweet dream
And the earth was a sweet wide smile
Red-mouthed of a goddess, returned
From the sea which had borne her and burned,
That with one swift smile of her mouth
Looked full on the north as it yearned,
And the north was more than the south.
For the north, when winter was long,
In his heart had made him a song,
And clothed it with wings of desire,
And shod it with shoon as of fire,
To carry the tale of his wrong
To the south-west wind by the sea,
That none might bear it but he
To the ear of the goddess unknown
Who waits till her time shall be
To take the world for a throne.
In the earth beneath, and above
In the heaven where her name is love,
She warms with light from her eyes
The seasons of life as they rise,
And her eyes are as eyes of a dove,
But the wings that lift her and bear
As an eagle's, and all her hair
As fire by the wind's breath curled,
And her passage is song through the air,
And her presence is spring through the world.
So turned she northward and came,
And the white-thorn land was aflame
With the fires that were shed from her feet,
That the north, by her love made sweet,
Should be called by a rose-red name;
And a murmur was heard as of doves,
And a music beginning of loves
In the light that the roses made,
Such light as the music loves,
The music of man with maid.
But the days drop one upon one,
And a chill soft wind is begun
In the heart of the rose-red maze
That weeps for the roseleaf days
And the reign of the rose undone
That ruled so long in the light,
And by spirit, and not by sight,
Through the darkness thrilled with its breath,
Still ruled in the viewless night,
As love might rule over death.
The time of lovers is brief;
From the fair first joy to the grief
That tells when love is grown old,
From the warm wild kiss to the cold,
From the red to the white-rose leaf,
They have but a season to seem
As rose-leaves lost on a stream
That part not and pass not apart
As a spirit from dream to dream,
As a sorrow from heart to heart.
From the bloom and the gloom that encloses
The death-bed of Love where he dozes
Till a relic be left not of sand
To the hour-glass that breaks in his hand;
From the change in the grey garden-closes
To the last stray grass of the strand,
A rain and ruin of roses
Over the red-rose land.
poem by Algernon Charles Swinburne
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The First Canzone Of The Convito
From The Italian Of Dante
I.
Ye who intelligent the Third Heaven move,
Hear the discourse which is within my heart,
Which cannot be declared, it seems so new.
The Heaven whose course follows your power and art,
Oh, gentle creatures that ye are! me drew,
And therefore may I dare to speak to you,
Even of the life which now I live--and yet
I pray that ye will hear me when I cry,
And tell of mine own heart this novelty;
How the lamenting Spirit moans in it, 10
And how a voice there murmurs against her
Who came on the refulgence of your sphere.
II.
A sweet Thought, which was once the life within
This heavy heart, man a time and oft
Went up before our Father’s feet, and there
It saw a glorious Lady throned aloft;
And its sweet talk of her my soul did win,
So that I said, ‘Thither I too will fare.’
That Thought is fled, and one doth now appear
Which tyrannizes me with such fierce stress,
That my heart trembles--ye may see it leap--
And on another Lady bids me keep
Mine eyes, and says--Who would have blessedness
Let him but look upon that Lady’s eyes,
Let him not fear the agony of sighs.
III.
This lowly Thought, which once would talk with me
Of a bright seraph sitting crowned on high,
Found such a cruel foe it died, and so
My Spirit wept, the grief is hot even now--
And said, Alas for me! how swift could flee
That piteous Thought which did my life console!
And the afflicted one ... questioning
Mine eyes, if such a Lady saw they never,
And why they would...
I said: ‘Beneath those eyes might stand for ever
He whom ... regards must kill with...
To have known their power stood me in little stead,
Those eyes have looked on me, and I am dead.’
IV.
‘Thou art not dead, but thou hast wandered,
Thou Soul of ours, who thyself dost fret,’
A Spirit of gentle Love beside me said;
For that fair Lady, whom thou dost regret,
Hath so transformed the life which thou hast led,
Thou scornest it, so worthless art thou made.
And see how meek, how pitiful, how staid,
Yet courteous, in her majesty she is.
And still call thou her Woman in thy thought;
Her whom, if thou thyself deceivest not,
Thou wilt behold decked with such loveliness,
That thou wilt cry [Love] only Lord, lo! here
Thy handmaiden, do what thou wilt with her.
V.
My song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning
Of such hard matter dost thou entertain.
Whence, if by misadventure chance should bring
Thee to base company, as chance may do,
Quite unaware of what thou dost contain,
I prithee comfort thy sweet self again,
My last delight; tell them that they are dull,
And bid them own that thou art beautiful.
poem by Percy Bysshe Shelley
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April
WHEN the fields catch flower
And the underwood is green,
And from bower unto bower
The songs of the birds begin,
I sing with sighing between.
When I laugh and sing,
I am heavy at heart for my sin;
I am sad in the spring
For my love that I shall not win,
For a foolish thing.
This profit I have of my woe,
That I know, as I sing,
I know he will needs have it so
Who is master and king,
Who is lord of the spirit of spring.
I will serve her and will not spare
Till her pity awake
Who is good, who is pure, who is fair,
Even her for whose sake
Love hath ta’en me and slain unaware.
O my lord, O Love,
I have laid my life at thy feet;
Have thy will thereof,
Do as it please thee with it,
For what shall please thee is sweet.
I am come unto thee
To do thee service, O Love;
Yet cannot I see
Thou wilt take any pity thereof,
Any mercy on me.
But the grace I have long time sought
Comes never in sight,
If in her it abideth not,
Through thy mercy and might,
Whose heart is the world’s delight.
Thou hast sworn without fail I shall die,
For my heart is set
On what hurts me, I wot not why,
But cannot forget
What I love, what I sing for and sigh.
She is worthy of praise,
For this grief of her giving is worth
All the joy of my days
That lie between death’s day and birth,
All the lordship of things upon earth.
Nay, what have I said?
I would not be glad if I could;
My dream and my dread
Are of her, and for her sake I would
That my life were fled.
Lo, sweet, if I durst not pray to you,
Then were I dead;
If I sang not a little to say to you,
(Could it be said)
O my love, how my heart would be fed;
Ah sweet who hast hold of my heart,
For thy love’s sake I live,
Do but tell me, ere either depart,
What a lover may give
For a woman so fair as thou art.
The lovers that disbelieve,
False rumours shall grieve
And evil-speaking shall part.
poem by Algernon Charles Swinburne
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The Angel In The House. Book II. Canto III.
Preludes
I Love Ceremonious
Keep your undrest, familiar style
For strangers, but respect your friend,
Her most, whose matrimonial smile
Is and asks honour without end.
'Tis found, and needs it must so be,
That life from love's allegiance flags,
When love forgets his majesty
In sloth's unceremonious rags.
Let love make home a gracious Court;
There let the world's rude, hasty ways
Be fashion'd to a loftier port,
And learn to bow and stand at gaze;
And let the sweet respective sphere
Of personal worship there obtain
Circumference for moving clear,
None treading on another's train.
This makes that pleasures do not cloy,
And dignifies our mortal strife
With calmness and considerate joy,
Befitting our immortal life.
II The Rainbow
A stately rainbow came and stood,
When I was young, in High-Hurst Park;
Its bright feet lit the hill and wood
Beyond, and cloud and sward were dark;
And I, who thought the splendour ours
Because the place was, t'wards it flew,
And there, amidst the glittering showers,
Gazed vainly for the glorious view.
With whatsoever's lovely, know
It is not ours; stand off to see,
Or beauty's apparition so
Puts on invisibility.
III A Paradox
To tryst Love blindfold goes, for fear
He should not see, and eyeless night
He chooses still for breathing near
Beauty, that lives but in the sight.
The County Ball.
I
Well, Heaven be thank'd my first-love fail'd,
As, Heaven be thank'd, our first-loves do!
Thought I, when Fanny past me sail'd,
Loved once, for what I never knew,
Unless for colouring in her talk,
When cheeks and merry mouth would show
Three roses on a single stalk,
The middle wanting room to blow,
And forward ways, that charm'd the boy
Whose love-sick mind, misreading fate,
Scarce hoped that any Queen of Joy
Could ever stoop to be his mate.
II
But there danced she, who from the leaven
Of ill preserv'd my heart and wit
All unawares, for she was heaven,
Others at best but fit for it.
One of those lovely things she was
In whose least action there can be
Nothing so transient but it has
An air of immortality.
I mark'd her step, with peace elate,
Her brow more beautiful than morn,
Her sometime look of girlish state
Which sweetly waived its right to scorn;
The giddy crowd, she grave the while,
Although, as 'twere beyond her will,
Around her mouth the baby smile,
That she was born with, linger'd still.
Her ball-dress seem'd a breathing mist,
From the fair form exhaled and shed,
Raised in the dance with arm and wrist
All warmth and light, unbraceleted.
Her motion, feeling 'twas beloved,
The pensive soul of tune express'd,
And, oh, what perfume, as she moved,
Came from the flowers in her breast!
How sweet a tongue the music had!
‘Beautiful Girl,’ it seem'd to say,
‘Though all the world were vile and sad,
‘Dance on; let innocence be gay.’
Ah, none but I discern'd her looks,
When in the throng she pass'd me by,
For love is like a ghost, and brooks
Only the chosen seer's eye;
And who but she could e'er divine
The halo and the happy trance,
When her bright arm reposed on mine,
In all the pauses of the dance!
III
Whilst so her beauty fed my sight,
And whilst I lived in what she said,
Accordant airs, like all delight
Most sweet when noted least, were play'd;
And was it like the Pharisee
If I in secret bow'd my face
With joyful thanks that I should be,
Not as were many, but with grace,
And fortune of well-nurtured youth,
And days no sordid pains defile,
And thoughts accustom'd to the truth,
Made capable of her fair smile?
IV
Charles Barton follow'd down the stair,
To talk with me about the Ball,
And carp at all the people there.
The Churchills chiefly stirr'd his gall:
‘Such were the Kriemhilds and Isondes
‘You storm'd about at Trinity!
‘Nothing at heart but handsome Blondes!
‘Folk say that you and Fanny Fry—’
‘They err! Good-night! Here lies my course,
‘Through Wilton.’ Silence blest my ears,
And, weak at heart with vague remorse,
A passing poignancy of tears
Attack'd mine eyes. By pale and park
I rode, and ever seem'd to see,
In the transparent starry dark,
That splendid brow of chastity,
That soft and yet subduing light,
At which, as at the sudden moon,
I held my breath, and thought ‘how bright!’
That guileless beauty in its noon,
Compelling tribute of desires
Ardent as day when Sirius reigns,
Pure as the permeating fires
That smoulder in the opal's veins.
poem by Coventry Patmore
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To A Departed Spirit
From the bright stars, or from the viewless air,
Or from some world unreached by human thought,
Spirit, sweet spirit! if thy home be there,
And if thy visions with the past be fraught,
Answer me, answer me!
Have we not communed here of life and death?
Have we not said that love, such love as ours,
Was not to perish as a rose's breath,
To melt away, like song from festal bowers?
Answer me, answer me!
Thine eye's last light was mine - the soul thtat shone
Intensely, mournfully, through gathering haze -
Didst thou bear with thee to the shore unknown,
Nought of what lived in that long, earnest gaze!
Hear, hear, and answer me!
Thy voice - its low, soft, fervent, farewell tone
Thrilled through the tempest of the parting strife,
Like a faint breeze: - oh, from that music flown,
Send back
one
sound, if love's be quenchless life,
But once, oh! answer me!
In the still noontide, in the sunset's hush,
In the dead hour of night, when thought grows deep,
When the heart's phantoms from the darkness rush,
Fearfully beautiful, to strive with sleep -
Spirit! then answer me!
By the remembrance of our blended prayer;
By all our tears, whose mingling made them sweet
By our last hope, the victor o'er despair; -
Speak! if our souls in deathless yearnings meet;
Answer me, answer me!
The grave is silent: - and the far-off sky,
And the deep midnight - silent all, and lone!
Oh! if thy buried love make no reply,
What voice has earth! - Hear, pity, speak, mine own!
Answer me, answer me!
poem by Felicia Dorothea Hemans
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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The Angel In The House. Book I. Canto XI.
Preludes.
I The Daughter of Eve
The woman's gentle mood o'erstept
Withers my love, that lightly scans
The rest, and does in her accept
All her own faults, but none of man's.
As man I cannot judge her ill,
Or honour her fair station less,
Who, with a woman's errors, still
Preserves a woman's gentleness;
For thus I think, if one I see
Who disappoints my high desire,
‘How admirable would she be,
‘Could she but know how I admire!’
Or fail she, though from blemish clear,
To charm, I call it my defect;
And so my thought, with reverent fear
To err by doltish disrespect,
Imputes love's great regard, and says,
‘Though unapparent 'tis to me,
‘Be sure this Queen some other sways
‘With well-perceiv'd supremacy.’
Behold the worst! Light from above
On the blank ruin writes ‘Forbear!
‘Her first crime was unguarded love,
‘And all the rest, perhaps, despair.’
Discrown'd, dejected, but not lost,
O, sad one, with no more a name
Or place in all the honour'd host
Of maiden and of matron fame,
Grieve on; but, if thou grievest right,
'Tis not that these abhor thy state,
Nor would'st thou lower the least the height
Which makes thy casting down so great.
Good is thy lot in its degree;
For hearts that verily repent
Are burden'd with impunity
And comforted by chastisement.
Sweet patience sanctify thy woes!
And doubt not but our God is just,
Albeit unscathed thy traitor goes,
And thou art stricken to the dust.
That penalty's the best to bear
Which follows soonest on the sin;
And guilt's a game where losers fare
Better than those who seem to win.
II Aurea Dicta
'Tis truth (although this truth's a star
Too deep-enskied for all to see),
As poets of grammar, lovers are
The fountains of morality.
Child, would you shun the vulgar doom,
In love disgust, in death despair?
Know, death must come and love must come,
And so for each your soul prepare.
Who pleasure follows pleasure slays;
God's wrath upon himself he wreaks;
But all delights rejoice his days
Who takes with thanks, and never seeks.
The wrong is made and measured by
The right's inverted dignity.
Change love to shame, as love is high
So low in hell your bed shall be.
How easy to keep free from sin!
How hard that freedom to recall!
For dreadful truth it is that men
Forget the heavens from which they fall.
Lest sacred love your soul ensnare,
With pious fancy still infer
‘How loving and how lovely fair
‘Must He be who has fashion'd her!’
Become whatever good you see,
Nor sigh if, forthwith, fades from view
The grace of which you may not be
The subject and spectator too.
Love's perfect blossom only blows
Where noble manners veil defect.
Angels may be familiar; those
Who err each other must respect.
Love blabb'd of is a great decline;
A careless word unsanctions sense;
But he who casts Heaven's truth to swine
Consummates all incontinence.
Not to unveil before the gaze
Of an imperfect sympathy
In aught we are, is the sweet praise
And the main sum of modesty.
The Dance.
I
‘My memory of Heaven awakes!
‘She's not of the earth, although her light,
‘As lantern'd by her body, makes
‘A piece of it past bearing bright.
‘So innocently proud and fair
‘She is, that Wisdom sings for glee
‘And Folly dies, breathing one air
‘With such a bright-cheek'd chastity;
‘And though her charms are a strong law
‘Compelling all men to admire,
‘They go so clad with lovely awe
‘None but the noble dares desire.
‘He who would seek to make her his
‘Will comprehend that souls of grace
‘Own sweet repulsion, and that 'tis
‘The quality of their embrace
‘To be like the majestic reach
‘Of coupled suns, that, from afar,
‘Mingle their mutual spheres, while each
‘Circles the twin obsequious star;
‘And, in the warmth of hand to hand,
‘Of heart to heart, he'll vow to note
‘And reverently understand
‘How the two spirits shine remote;
‘And ne'er to numb fine honour's nerve,
‘Nor let sweet awe in passion melt,
‘Nor fail by courtesies to observe
‘The space which makes attraction felt;
‘Nor cease to guard like life the sense
‘Which tells him that the embrace of love
‘Is o'er a gulf of difference
‘Love cannot sound, nor death remove.’
II
This learn'd I, watching where she danced,
Native to melody and light,
And now and then toward me glanced,
Pleased, as I hoped, to please my sight.
III
Ah, love to speak was impotent,
Till music did a tongue confer,
And I ne'er knew what music meant,
Until I danced to it with her.
Too proud of the sustaining power
Of my, till then, unblemish'd joy,
My passion, for reproof, that hour
Tasted mortality's alloy,
And bore me down an eddying gulf;
I wish'd the world might run to wreck,
So I but once might fling myself
Obliviously about her neck.
I press'd her hand, by will or chance
I know not, but I saw the rays
Withdrawn, which did till then enhance
Her fairness with its thanks for praise.
I knew my spirit's vague offence
Was patent to the dreaming eye
And heavenly tact of innocence,
And did for fear my fear defy,
And ask'd her for the next dance. ‘Yes.’
‘No,’ had not fall'n with half the force.
She was fulfill'd with gentleness,
And I with measureless remorse;
And, ere I slept, on bended knee
I own'd myself, with many a tear,
Unseasonable, disorderly,
And a deranger of love's sphere;
Gave thanks that, when we stumble and fall,
We hurt ourselves, and not the truth;
And, rising, found its brightness all
The brighter through the tears of ruth.
IV
Nor was my hope that night made less,
Though order'd, humbled, and reproved;
Her farewell did her heart express
As much, but not with anger, moved.
My trouble had my soul betray'd;
And, in the night of my despair,
My love, a flower of noon afraid,
Divulged its fulness unaware.
I saw she saw; and, O sweet Heaven,
Could my glad mind have credited
That influence had to me been given
To affect her so, I should have said
That, though she from herself conceal'd
Love's felt delight and fancied harm,
They made her face the jousting field
Of joy and beautiful alarm.
poem by Coventry Patmore
Submitted by Poetry Lover
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The Looks Of A Lover Enamoured
THOU, with thy looks, on whom I look full oft,
And find therein great cause of deep delight,
Thy face is fair, thy skin is smooth and soft,
Thy lips are sweet, thine eyes are clear and bright,
And every part seems pleasant in my sight;
Yet wote thou well, those looks have wrought my woe,
Because I love to look upon them so.
For first those looks allured mine eye to look,
And straight mine eye stirred up my heart to love;
And cruel love, with deep deceitful hook,
Choked up my mind, whom fancy cannot move,
Nor hope relieve, nor other help behoove
But still to look; and though I look too much,
Needs must I look because I see none such.
Thus in thy looks my love and life have hold;
And with such life my death draws on apace:
And for such death no med'cine can be told
But looking still upon thy lovely face,
Wherein are painted pity, peace, and grace.
Then though thy looks should cause me for to die,
Needs must I look, because I live thereby.
Since then thy looks my life have so in thrall
As I can like none other looks but thine,
Lo, here I yield my life, my love, and all
Into thy hands, and all things else resign
But liberty to gaze upon thine eyen:
Which when I do, then think it were thy part
To look again, and link with me in heart.
poem by George Gascoigne
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The Dying Hour
I.
OH! watch me; watch me still
Thro' the long night's dreary hours,
Uphold by thy firm will
Worn Nature's sinking powers!
II.
While yet thy face is there
(The loose locks round it flying),
So young, and fresh, and fair,
I feel not I am dying!
III.
Stoop down, and kiss my brow!
The shadows round me closing
Warn me that dark and low
I soon shall be reposing.
IV.
But while those pitying eyes
Are bending thus above me,
In vain the death-dews rise,--
Thou dost regret and love me!
V.
Then watch me thro' the night,
Thro' my broken, fitful slumber;
By the pale lamp's sickly light
My dying moments number!
VI.
Thy fond and patient smile
Shall soothe my painful waking;
Thy voice shall cheer me while
The slow grey dawn is breaking!
VII.
The battle-slain, whose thirst
No kindly hand assuages,
Whose low faint farewells burst
Unheard, while combat rages,--
VIII.
The exiled, near whose bed
Some vision'd form seems weeping,
Whose steps shall never tread
The land where he lies sleeping,--
IX.
The drown'd, whose parting breath
Is caught by wild winds only,--
Theirs is the bitter death,
Beloved, for they die lonely!
X.
But thus, tho' rack'd, to lie,
Thou near, tho' full of sadness,
Leaves still, e'en while I die,
A lingering gleam of gladness!
XI.
I feel not half my pain
When to mine thy fond lip presses,--
I warm to life again
Beneath thy soft caresses!
XII.
Once more, oh! yet once more
Fling, fling thy white arms round me,
As oft in days of yore
Their gentle clasp hath bound me;
XIII.
And hold me to that breast
Which heaves so full with sorrow--
Who knows where I may rest
In the dark and blank to-morrow?
XIV.
Ah! weep not--it shall be
An after-thought to cheer thee,
That while mine eyes could see,
And while mine ears could hear thee--
XV.
Thy voice and smile were still
The spells on which I doated,
And thou, through good and ill,
To me and mine devoted!
XVI.
And calmly by my tomb,
When the low bright day declineth,
And athwart the cypress gloom
The mellow sunset shineth,--
XVII.
Thou'lt sit and think of Him,
Who, of Heaven's immortal splendour,
Had a dream on earth, though dim,
In thy love so pure and tender,--
XVIII.
Who scarcely feels thy touch,--
Whom thy voice can rouse no longer,--
But whose love on earth was such,
That only death was stronger.
XIX.
Yes, sit, but not in tears!
Thine eyes in faith uplifting,
From thy lot of changeful years,
To the Heaven where naught is shifting.
XX.
From this world, where all who love
Are doomed alike to sever,
To the glorious realms above,
Where they dwell in peace for ever!
XXI.
And then such hope shall beam
From the grave where I lie sleeping,
This bitter hour shall seem
Too vague and far for weeping--
XXII.
And grief--ah! hold me now!
My fluttering pulse is failing,--
The death-dews chill my brow,--
The morning light is paling!
XXIII.
I seek thy gaze in vain,--
Earth reels and fades before me;
I die!--but feel no pain,--
Thy sweet face shining o'er me!
poem by Caroline Elizabeth Sarah Norton
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