Spleen (I)
Pluviôse, irrité contre la ville entière,
De son urne à grands flots verse un froid ténébreux
Aux pâles habitants du voisin cimetière
Et la mortalité sur les faubourgs brumeux.
Mon chat sur le carreau cherchant une litière
Agite sans repos son corps maigre et galeux;
L'âme d'un vieux poète erre dans la gouttière
Avec la triste voix d'un fantôme frileux.
Le bourdon se lamente, et la bûche enfumée
Accompagne en fausset la pendule enrhumée
Cependant qu'en un jeu plein de sales parfums,
Héritage fatal d'une vieille hydropique,
Le beau valet de coeur et la dame de pique
Causent sinistrement de leurs amours défunts.
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Spleen
January, irritated with the whole city,
Pours from his urn great waves of gloomy cold
On the pale occupants of the nearby graveyard
And death upon the foggy slums.
My cat seeking a bed on the tiled floor
Shakes his thin, mangy body ceaselessly;
The soul of an old poet wanders in the rain-pipe
With the sad voice of a shivering ghost.
The great bell whines, the smoking log
Accompanies in falsetto the snuffling clock,
While in a deck of cards reeking of filthy scents,
My mortal heritage from some dropsical old woman,
The handsome knave of hearts and the queen of spades
Converse sinisterly of their dead love affair.
— Translated by William Aggeler
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Spleen
The Month of Rains, incensed at life, outpours
Out of her urn, a dark chill, like a penance,
Over the graveyards and their wan, grey tenants
And folk in foggy suburbs out of doors.
My cat seeks out a litter on the ground
Twitching her scrawny body flecked with mange.
The soul of some old poet seems to range
The gutter, with a chill phantasmal sound.
The big bell tolls: damp hearth-logs seem to mock,
Whistling, the sniffle-snuffle of the clock,
While in the play of odours stale with must,
Reminders of a dropsical old crone,
The knave of hearts and queen of spades alone
Darkly discuss a passion turned to dust.
— Translated by Roy Campbell
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Late January
Pluviose, hating all that lives, and loathing me,
Distills his cold and gloomy rain and slops it down
Upon the pallid lodgers in the cemetery
Next door, and on the people shopping in the town.
My cat, for sheer discomfort, waves a sparsely-furred
And shabby tail incessantly on the tiled floor;
And, wandering sadly in the rain-spout, can be heard
The voice of some dead poet who had these rooms before.
The log is wet, and smokes; its hissing high lament
Mounts to the bronchial clock on the cracked mantel there;
While (heaven knows whose they were — some dropsical old maid's)
In a soiled pack of cards that reeks of dirty scent,
The handsome jack of hearts and the worn queen of spades
Talk in suggestive tones of their old love-affair.
— Translated by Edna St. Vincent Millay
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Spleen
November, vexed with all the capital,
whelms in a death-chill from her gloomy urn
the cold pale dead beneath the graveyard wall,
the death-doomed who in dripping houses yearn.
Grimalkin prowls, a gaunt and scurvy ghoul,
seeking a softer lair for her sojourn;
along the eaves an ancient poet's soul
shivers and wails, a ghost no eyes discern.
the whining church-bell and the log a-sputter
repeat the rheumy clock's falsetto mutter;
while in a pack of cards, scent-filled and vile,
grim relic of a dropsical old maid,
the queen of spades and knave of hearts parade
their dead amours, with many an evil smile.
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Related quotes
From A Blue Cloud
From a blue cloud at the two o’clock
And out of the rain,
With a long step and a swift nod
The master came.
Swinging behind him a painted box
In an old and tattered bag,
He watched my eye on the mystery box
And sat on a damson rag.
Under the pleat of his purple cloak
Was the Queen of petty spades,
‘We’re off to the end of the rainbow, Jack
To the long, black end of days.’
Ducking the light of the morning star
We hid in a tulip bed,
But caught the beam in a bottle-jar
To light the way ahead.
The master took some tinsel foil
To shake on the fairy phlox,
He said: ‘You can have the Queen of Spades
Or the painted mystery box.’
I chose the Queen, who dredged a pit
To place the box within,
He tipped his hat with a weary nod,
‘I’m on my way again.’
Now often I notice the Queen of Spades
Look long and long at me,
With a sad smile, she whispers on:
‘Oh what, and what might we? ’
While I still watch for the blue cloud
And the two o’clock bus,
In hopes that he and the mystery box….
He never does!
12 September 1983
poem by David Lewis Paget
Submitted by Poetry Lover
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La Cloche fêlée (The Cracked Bell)
II est amer et doux, pendant les nuits d'hiver,
D'écouter, près du feu qui palpite et qui fume,
Les souvenirs lointains lentement s'élever
Au bruit des carillons qui chantent dans la brume.
Bienheureuse la cloche au gosier vigoureux
Qui, malgré sa vieillesse, alerte et bien portante,
Jette fidèlement son cri religieux,
Ainsi qu'un vieux soldat qui veille sous la tente!
Moi, mon âme est fêlée, et lorsqu'en ses ennuis
Elle veut de ses chants peupler l'air froid des nuits,
II arrive souvent que sa voix affaiblie
Semble le râle épais d'un blessé qu'on oublie
Au bord d'un lac de sang, sous un grand tas de morts
Et qui meurt, sans bouger, dans d'immenses efforts.
The Flawed Bell
It is bitter and sweet on winter nights
To listen by the fire that smokes and palpitates,
To distant souvenirs that rise up slowly
At the sound of the chimes that sing in the fog.
Happy is the bell which in spite of age
Is vigilant and healthy, and with lusty throat
Faithfully sounds its religious call,
Like an old soldier watching from his tent!
I, my soul is flawed, and when, a prey to ennui,
She wishes to fill the cold night air with her songs,
It often happens that her weakened voice
Resembles the death rattle of a wounded man,
Forgotten beneath a heap of dead, by a lake of blood,
Who dies without moving, striving desperately.
— Translated by William Aggeler
The Cracked Bell
It's sweet and bitter, of a winter night,
To hear, beside the crackling, smoking log,
Far memories prepare themselves for flight
To carillons that sound amid the fog.
Happy's the bell whose vigorous throat on high,
in spite of time, is sound and still unspent,
To hurl his faithful and religious cry
Like an old soldier watching in his tent.
My soul is cracked, and when amidst its care
It tries with song to fill the frosty air,
Sometimes, its voice seems like the feeble croak
A wounded soldier makes, lost in the smoke,
Beneath a pile of dead, in bloody mire,
Trying, with fearful efforts, to expire.
— Translated by Roy Campbell
The Cracked Bell
Bitter and sweet it is on these long winter nights
To sit before the fire and watch the smoking log
Beat like a heart; and hear our lost, our mute delights
Call with the carillons that ring out in the fog.
What certitude, what health, sounds from that brazen throat,
In spite of age and rust, alert! O happy bell,
Sending into the dark your clear religious note,
Like an old soldier crying through the night, 'All's well!'
I am not thus; my soul is cracked across by care;
Its voice, that once could clang upon this icy air,
Has lost the power, it seems, — comes faintly forth, instead,
As from the rattling throat of a hurt man who lies
Beside a lake of blood, under a heap of dead,
And cannot stir, and in prodigious struggling dies.
— Translated by Edna St. Vincent Millay
La Cloche fêlée
'tis bitter joy, as winter evenings wear
before a smoking hearth which flames aghast,
to hear slow memories mounting from the past,
while church-bells pierce the pall of misty air.
blessèd the flawless bell, of metal rare,
the full-toned bourdon, void of rift and rust,
which like a guardsman faithful to his trust
hurls forth unfailingly its call to prayer!
my soul's a riven bell, that timidly
would fill the frozen night with melody,
but oft it falters, whisperingly weak
as, echoing over lakes of blood, a shriek
muffled by mounds of dead, from one who lies
moveless as they, though struggling till he dies.
— Translated by Lewis Piaget Shanks
The Cracked Bell
It is bitter and sweet, during winter nights,
To listen, beside the throbbing, smoking fife,
To distant memories slowly ascending
In the sound of the chimes chanting through the fog.
Blessed the bell with the vigorous gullet
Which, despite old age, watchful and healthy,
Throws out faithfully its pious tones,
Like an old soldier in vigil under his tent!
Ah, my soul is cracked, and when in sorrows
It wishes to people the cold air of the night with its songs,
Often it happens that its feeble voice
Seems like the thick death-rattle of one wounded, forgotten
By the side of a lake of blood, under a great weight of dead,
Who dies, without moving, amongst enormous efforts.
— Translated by Geoffrey Wagner
poem by Charles Baudelaire
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Playing with cards
The Joker was wild,
uninhibited and out of control.
He hit the deck, out did the Queen of Hearts
and all her tribe
confusing her husband the King
and kicked the Ace into touch.
The King of Spades saw him coming,
rounded up the troops, the Jack and
all the men from 2 to 10,
leaving the Ace until last
in case of something.
The Joker just smiled,
hitched up with the Queen of Clubs,
went along for the ride
to find the Diamonds and then,
threw all the cards on the table,
leading the whole pack awry
until the last man was trumped.
poem by Ruth Walters
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The Joker and the Queen of Hearts
The Queen of Hearts is dead and gone
By her hand she was slain
The Prince stands like a statue
Quietly crying in the rain
Work calls to the ruler
Like the lyres to the bards
As the King takes on the task
Of informing the other cards
Two looks on in horror
Of the bloodshed that was wrought
Three sreams out to heaven
'Everything's for naught'
Four sits in a corner
And sadly hangs his head
Five now wishes with all his heart
That he was also dead
Six can barely hang on
He will really miss the Queen
Seven sees her spirit
As he can see more than is seen
Eight runs to the forest
And cries beneath a tree
Nine stares out forlornly
But he knows the Queen is free
Ten retreats to darkness
And will not show his face
That leaves one last card...
The little lonely Ace
Ace will know the story
He will search and seek and find
Nothing will deter him
Or ever change his mind
The story that he found out
It can be told like this
It involves a handsome lover
And our stunning Queen of bliss
There was a man of high degree
Funny, smart, and quite a looker
And though it was degrading
His mother named him Joker
The Queen, though she was married,
Fell into his arms
The Joker was a mischievous man
And only planned her harms
The Queen had truly loved him
And she would not let go
The Joker tore her heart to bits
And all the rest you know
She ended her life in her depression
To end her throbbing pain
And as I have said before
Prince Jack stands in the rain
The cards all stand in silence
As she descends into the ground
And her lover and her killer
Is locked up, chained and bound
But these are not your average chains
He's bound by things above
Cause now he knows with all his heart
He's killed his one true love
The Joker did not think
He could love someone
He broke the hearts of many
And thought it all good fun
But this time it was differnt
Maybe he changed with age
Because now that his Queen is gone
He's locked up in this cage
He wishes he could turn back time
Repeat and start again
But Nature will not have it
It's not part of the plan
And so the Joker takes his life
To join his missing Heart
And now that they're together
They shall never part
poem by Anonymous Ghurl
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Le Mauvais Moine (The Bad Monk)
Les cloîtres anciens sur leurs grandes murailles
Etalaient en tableaux la sainte Vérité,
Dont l'effet réchauffant les pieuses entrailles,
Tempérait la froideur de leur austérité.
En ces temps où du Christ florissaient les semailles,
Plus d'un illustre moine, aujourd'hui peu cité,
Prenant pour atelier le champ des funérailles,
Glorifiait la Mort avec simplicité.
— Mon âme est un tombeau que, mauvais cénobite,
Depuis l'éternité je parcours et j'habite;
Rien n'embellit les murs de ce cloître odieux.
Ô moine fainéant! quand saurai-je donc faire
Du spectacle vivant de ma triste misère
Le travail de mes mains et l'amour de mes yeux?
The Bad Monk
Cloisters in former times portrayed on their high walls
The truths of Holy Writ with fitting pictures
Which gladdened pious hearts and lessened the coldness,
The austere appearance, of those monasteries.
In those days the sowing of Christ's Gospel flourished,
And more than one famed monk, seldom quoted today,
Taking his inspiration from the graveyard,
Glorified Death with naive simplicity.
— My soul is a tomb where, bad cenobite,
I wander and dwell eternally;
Nothing adorns the walls of that loathsome cloister.
O lazy monk! When shall I learn to make
Of the living spectacle of my bleak misery
The labor of my hands and the love of my eyes?
— Translated by William Aggeler
The Evil Monk
The walls of cloisters on their frescoed lath
Displayed, in pictures, sacred truths of old,
Whose sight would warm the entrails of one's faith
To temper their austerity and cold.
In times when every sowing flowered for Christ
Lived famous monks, now out of memory's reach;
The graveyard for their library sufficed,
And Death was glorified in simple speech.
My soul's a grave, where, evil cenobite,
To all eternity I have been banned.
Nothing adorns this cloister fall of spite.
O idle monk! Say, to what end were planned
The living spectacle of my sad plight,
Love of my eye, or labour of my hand?
— Translated by Roy Campbell
Le Mauvais Moine
the wide cold walls of cloisters, long ago
set forth God's Holy Truth for all to see,
and gazing friars there, with hearts aglow,
rejoiced despite their chill austerity.
then, when the seed of Christ would always grow,
illustrious monks, now lost to memory,
would choose the burial-plot for studio
to chant Death's glory, unaffectedly.
my soul's a tomb, which — wretched friar! — I
have paced since Time began, and occupy;
bare-walled and hateful still my cloister stands.
o slothful monk! when shall I learn to find
in the stark drama of this living mind
joy for mine eyes and work to fit my hands?
— Translated by Lewis Piaget Shanks
The Bad Monk
On the great walls of ancient cloisters were nailed
Murals displaying Truth the saint,
Whose effect, reheating the pious entrails
Brought to an austere chill a warming paint.
In the times when Christ was seeded around,
More than one illustrious monk, today unknown
Took for a studio the funeral grounds
And glorified Death as the one way shown.
—My soul is a tomb, an empty confine
Since eternity I scour and I reside;
Nothing hangs on the walls of this hideous sty.
O lazy monk! When will I see
The living spectacle of my misery,
The work of my hands and the love of my eyes?
Translated by William A. Sigler
poem by Charles Baudelaire
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The Knave of Hearts
The Queen of Hearts she made some tarts all on a summer's day;
The Knave of Hearts he stole the tarts and took them clean away.
The King of Hearts called for the tarts and beat the Knave full sore
The Knave of Hearts brought back the tarts and
vowed he'd steal no more.
poem by Anonymous Olde English
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When the bell tolls
At times when I hear
a church bell that tolls,
I know that there
is more to life
than just living.
On a Sunday
the bell tolls almost endlessly,
(like a alarm clock)
before the service begins.
At times when I hear
a church bell that tolls,
it rings for a funeral
and I am glad
that I’m alive.
At a wedding
the bell sings a joyful song
and everyone smiles at each other
and wait for the bride to appear.
In the dead of night
the bell tolls lonely
no one cares about
the time that it keeps,
as sleep creeps deeper
into everybody’s soul.
poem by Gert Strydom
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Shape Of My Heart
He deals the cards as a meditation
And those he plays never suspect
He doesnt play for the money he wins
He doesnt play for the respect
He deals the cards to find the answer
The sacred geometry of chance
The hidden law of probable outcome
The numbers lead a dance
I know that the spades are the swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But thats not the shape of my heart
He may play the jack of diamonds
He may lay the queen of spades
He may conceal a king in his hand
While the memory of it fades
I know that the spades are the swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But thats not the shape of my heart
Thats not the shape, the shape of my heart
And if I told you that I loved you
Youd maybe think theres something wrong
Im not a man of too many faces
The mask I wear is one
Those who speak know nothing
And find out to their cost
Like those who curse their luck in too many places
And those who smile are lost
I know that the spades are the swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But thats not the shape of my heart
Thats not the shape of my heart
song performed by by Sting
Submitted by Lucian Velea
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Shape Of My Heart
He deals the cards as a meditation
And those he plays never suspect
He doesn't play for the money he wins
He doesn't play for respect
He deals the cards to find the answer
The sacred geometry of chance
The hidden law of a probable outcome
The numbers lead a dance
I know that the spades are swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But that's not the shape of my heart
He may play the jack of diamonds
He may lay the queen of spades
He may conceal a king in his hand
While the memory of it fades
I know that the spades are swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But that's not the shape of my heart
And if I told you that I loved you
You'd maybe think there's something wrong
I'm not a man of too many faces
The mask I wear is one
Those who speak know nothing
And find out to their cost
Like those who curse their luck in too many places
And those who fear are lost
I know that the spades are swords of a soldier
I know that the clubs are weapons of war
I know that diamonds mean money for this art
But that's not the shape of my heart
song performed by by Police
Submitted by Lucian Velea
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A Gamble
Queen of the Hearts eloped
With the Jack of Spades
O poor widow jackass
Plays solitary,
On & off invalid old Kings galloping
But never takes her to the card pack?
poem by Nimal Dunuhinga
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Queen Of Spades
Written by james young/dennis deyoung
Lead vocals by dennis deyoung
Day into night shes with me
How sweet is her warm embrace
Safe in the scent of jasmine
So safe in her gold and lace
Mornings I find, shes left me
So cold so alone, but aware
I try to escape, she finds me
Oh run though I may, shes there, there, there, there, there...
Luck is a lady whose smile is as cold as a stone
Shell bring you things, many things you might never have known
But when your die is cast shell have the final laugh at you
Shell lock you in a duel, where you come out the fool
Beware of the queen of spades
Her black widows curse might find you yet
Beware of a love that you will regret
Her love means only your death
Day into night shes with me
Turn of a card, shes there
The first time is free, you know
But from now on, pay me, me, me, me, me...
Beware of the queen of spades
Her black widows curse might find you yet
Beware of a love that you will regret
Her love means only your death
song performed by by Styx
Submitted by Lucian Velea
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Nothing But Death
There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.
And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.
Sometimes I see alone
coffins under sail,
embarking with the pale dead, with women that have dead hair,
with bakers who are as white as angels,
and pensive young girls married to notary publics,
caskets sailing up the vertical river of the dead,
the river of dark purple,
moving upstream with sails filled out by the sound of death,
filled by the sound of death which is silence.
Death arrives among all that sound
like a shoe with no foot in it, like a suit with no man in it,
comes and knocks, using a ring with no stone in it, with no
finger in it,
comes and shouts with no mouth, with no tongue, with no
throat.
Nevertheless its steps can be heard
and its clothing makes a hushed sound, like a tree.
I'm not sure, I understand only a little, I can hardly see,
but it seems to me that its singing has the color of damp violets,
of violets that are at home in the earth,
because the face of death is green,
and the look death gives is green,
with the penetrating dampness of a violet leaf
and the somber color of embittered winter.
But death also goes through the world dressed as a broom,
lapping the floor, looking for dead bodies,
death is inside the broom,
the broom is the tongue of death looking for corpses,
it is the needle of death looking for thread.
Death is inside the folding cots:
it spends its life sleeping on the slow mattresses,
in the black blankets, and suddenly breathes out:
it blows out a mournful sound that swells the sheets,
and the beds go sailing toward a port
where death is waiting, dressed like an admiral.
Translated by Robert Bly
poem by Pablo Neruda
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The Funeral Bell
The funeral bell is ringing a reminder of our mortality
Farewelling a deceased soul one day 'twill ring for me
Ringing in the stillness of this cool Autumn day
Across the rural city in the morning damp and gray.
The funeral bell is pealing for one a last farewell
And few sounds sadder than the slow peals of the loud funeral bell
Above the streets and houses it echoes to the sky
For one bound for her or his last resting place the cemetery nearby.
The peewees in the town park distinctive in their call
And the magpie on a wattle pipe on this cool morning in the Fall
And for one who will not breathe again the eulogy is read
And the funeral bell is tolling in memory of the dead.
The funeral bell is ringing for one a last goodbye
And on the clock of our mortality the hours just seem to fly
Respect to the departed is all that we can pay
And for each and everyone of us a final night and day.
poem by Francis Duggan
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Semper Eadem (Ever The Same)
«D'où vous vient, disiez-vous, cette tristesse étrange,
Montant comme la mer sur le roc noir et nu?»
— Quand notre coeur a fait une fois sa vendange
Vivre est un mal. C'est un secret de tous connu,
Une douleur très simple et non mystérieuse
Et, comme votre joie, éclatante pour tous.
Cessez donc de chercher, ô belle curieuse!
Et, bien que votre voix soit douce, taisez-vous!
Taisez-vous, ignorante! âme toujours ravie!
Bouche au rire enfantin! Plus encor que la Vie,
La Mort nous tient souvent par des liens subtils.
Laissez, laissez mon coeur s'enivrer d'un mensonge,
Plonger dans vos beaux yeux comme dans un beau songe
Et sommeiller longtemps à l'ombre de vos cils!
Ever the Same
-'Whence comes to you, you asked, this singular sadness
That rises like the sea on the naked, black rock?'
— Once our heart has gathered the grapes from its vineyard,
Living is an evil. That's a secret known to all,
A simple pain, with no mystery,
As obvious to all men as your gaiety.
So abandon your search, inquisitive beauty;
And though your voice is sweet, be still!
Be silent, ignorant! ever enraptured soul!
Mouth with the child-like laugh! Still more than Life,
Death holds us frequently with subtle bonds.
Let, let my heart become drunk with a lie; let it
Plunge into your fair eyes as into a fair dream
And slumber long in the shadow of your lashes.
— Translated by William Aggeler
Semper Eadem
'Whence,' ask you, 'does this strange new sadness flow
Like rising tides on rocks, black, bare, and vast?'
For human hearts, when vintage-time is past,
To live is bad. That secret all men know —
An obvious sorrow, with no mystery, shown,
Clear as your joy, to everyone around.
O curious one, seek nothing more profound,
And speak not, though your voice be sweet in tone.
Hush, ignorant! Hush, soul that's still enraptured,
And mouth of childish laughter! Neatly captured,
Death pulls us, more than life, with subtle wile.
Oh let my thought get drunk upon a lie,
And plunge, as in a dream, in either eye,
And in their lashes' shadow sleep awhile!
— Translated by Roy Campbell
Semper Eadem
'What in the world,' you said, 'has brought on this black mood,
Climbing you as the sea climbs up a naked reef?'
— When once the heart has made its harvest (understood
By all men, this) why, just to be alive is grief:
A pain quite simple, nothing mysterious at all,
And like that joy of yours, patent to all we meet;
Stop asking questions, then, I beg of you, and fall
Silent a while, fair prober, though your voice be sweet.
Ah, yes, be silent, ignorant girl, always so gay,
Mouth with the childlike laughter! More than Life, I say,
Death has the power to hold us by most subtle ties.
My one fictitious comfort, kindly, let me keep:
To plunge as into dreams into your lovely eyes,
And in the shadow of your lashes fall asleep.
— Translated by Edna St. Vincent Millay
Semper eadam
you asked: 'what floods of gloom engulf you — strange
as creeping tides against a bare black wall?'
— when hearts once crush their grapes and close the grange,
life is an evil. secret known to all,
'tis but the common grief each man betrays
to all, as you your joy, in eyes or brow
so veil, my fair one, your inquiring gaze
and though your voice is low, be silent now!
be silent, simple soul! mouth always gay
with girlish laughter! more than Life, today,
Death binds our hearts with tenuous webs of doom;
let mine be drunken with the wine of lies,
o let me delve for dreams in those deep eyes
and slumber long beneath your eyebrows' gloom!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Beautiful Game
These shoulders
almost wide enough
to play the hand
fountain quill fanning
talon wingtip splayed
My God;
You The One So Beautiful
we the airborne glide drawing
cards laid
tenuous tempest
hearts and spades
hearts in spades laid
tessellate tightrope
clawing down-wind
downe betraying
light with shade splayed
copyright Randy Resh 2007
poem by Randy Resh
Submitted by Poetry Lover
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Spleen (II)
J'ai plus de souvenirs que si j'avais mille ans.
Un gros meuble à tiroirs encombré de bilans,
De vers, de billets doux, de procès, de romances,
Avec de lourds cheveux roulés dans des quittances,
Cache moins de secrets que mon triste cerveau.
C'est une pyramide, un immense caveau,
Qui contient plus de morts que la fosse commune.
— Je suis un cimetière abhorré de la lune,
Où comme des remords se traînent de longs vers
Qui s'acharnent toujours sur mes morts les plus chers.
Je suis un vieux boudoir plein de roses fanées,
Où gît tout un fouillis de modes surannées,
Où les pastels plaintifs et les pâles Boucher
Seuls, respirent l'odeur d'un flacon débouché.
Rien n'égale en longueur les boiteuses journées,
Quand sous les lourds flocons des neigeuses années
L'ennui, fruit de la morne incuriosité,
Prend les proportions de l'immortalité.
— Désormais tu n'es plus, ô matière vivante!
Qu'un granit entouré d'une vague épouvante,
Assoupi dans le fond d'un Sahara brumeux;
Un vieux sphinx ignoré du monde insoucieux,
Oublié sur la carte, et dont l'humeur farouche
Ne chante qu'aux rayons du soleil qui se couche.
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Spleen
I have more memories than if I'd lived a thousand years.
A heavy chest of drawers cluttered with balance-sheets,
Processes, love-letters, verses, ballads,
And heavy locks of hair enveloped in receipts,
Hides fewer secrets than my gloomy brain.
It is a pyramid, a vast burial vault
Which contains more corpses than potter's field.
— I am a cemetery abhorred by the moon,
In which long worms crawl like remorse
And constantly harass my dearest dead.
I am an old boudoir full of withered roses,
Where lies a whole litter of old-fashioned dresses,
Where the plaintive pastels and the pale Bouchers,
Alone, breathe in the fragrance from an opened phial.
Nothing is so long as those limping days,
When under the heavy flakes of snowy years
Ennui, the fruit of dismal apathy,
Becomes as large as immortality.
— Henceforth you are no more, O living matter!
Than a block of granite surrounded by vague terrors,
Dozing in the depths of a hazy Sahara
An old sphinx ignored by a heedless world,
Omitted from the map, whose savage nature
Sings only in the rays of a setting sun.
— Translated by William Aggeler
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Spleen
I have more memories than had I seen
Ten centuries. A huge chest that has been
Stuffed full of writs, bills, verses, balance-sheets
With golden curls wrapt up in old receipts
And love-letters — hides less than my sad brain,
A pyramid, a vault that must contain
More corpses than the public charnel stores.
I am a cemetery the moon abhors,
Where, like remorses, the long worms that trail
Always the dearest of my dead assail.
I am a boudoir full of faded roses
Where many an old outmoded dress reposes
And faded pastels and pale Bouchers only
Breathe a scent-flask, long-opened and left lonely...
Nothing can match those limping days for length
Where under snows of years, grown vast in strength,
Boredom (of listlessness the pale abortion)
Of immortality takes the proportion!
— From henceforth, living matter, you are nought
But stone surrounded by a dreadful thought:
Lost in some dim Sahara, an old Sphinx,
Of whom the world we live in never thinks.
Lost on the map, it is its surly way
Only to sing in sunset's fading ray.
— Translated by Roy Campbell
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Spleen
Were I ten centuries old, could I remember more?
A weighty chest of drawers, crammed with a random store
Of poems, billets-doux, writs, songs, balance sheets,
And heavy skeins of hair rolled up in old receipts,
Hides fewer secrets, surely, than my sorry brain,
A pyramid and vault, whose corridors contain
More corpses than the potter's field, or late or soon.
A graveyard, I, abominated by the moon,
Where, like a viscous worm, remorse thrusts out his head
To strike forever at my most beloved dead.
I am an ancient boudoir filled with faded roses
In which a ruck of long-outmoded gowns reposes,
Where pastels all too sad and Bouchers all too pale
Alone breathe in the scents that uncorked flasks exhale.
Nothing can be so long as days, limping and drear,
Under the heavy flakes of year on snowy year,
When ennui, fruit of dismal incuriosity,
Assumes the fearful scope of immortality.
— Henceforth you are no more, O mind, O living matter!
Than a cold granite block which unknown terrors spatter,
Dozing deep in the wastes of a Saharan daze,
An ancient Sphinx unknown of our indifferent days,
Omitted from all maps, a lonely savage one
Who can sing only at the setting of the sun.
— Translated by Jacques LeClercq
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The Sphinx
I swear to you that if I lived a thousand years
I could not be more crammed with dubious souvenirs.
There's no old chest of drawers bulging with deeds and bills,
Love-letters, locks of hair, novels, bad verses, wills,
That hides so many secrets as my wretched head; —
It's like a mausoleum, like a pyramid,
Holding more heaped unpleasant bones than Potter's Field;
I am a graveyard hated by the moon; revealed
Never by her blue light are those long worms that force
Into my dearest dead their blunt snouts of remorse.
— am an old boudoir, where roses dried and brown
Have given their dusty odor to the faded gown,
To the ridiculous hat, doubtless in other days
So fine, among the wan pastels and pale Bouchers.
Time has gone lame, and limps; and under a thick pall
Of snow the endless years efface and muffle all;
Till boredom, fruit of the mind's inert, incurious tree,
Assumes the shape and size of immortality.
Henceforth, O living matter, you are nothing more
Than the fixed heart of chaos, soft horror's granite core,
Than a forgotten Sphinx that in some desert stands,
Drowsing beneath the heat, half-hidden by the sands,
Unmarked on any map, — whose rude and sullen frown
Lights up a moment only when the sun goes down.
— Translated by Edna St. Vincent Millay
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Spleen
I hold more memories than a thousand years.
a chest of drawers crammed full of souvenirs,
accounts and love-notes, warrants, verses — where
from bills of sale fall coiling locks of hair —
guards not more secrets than my heart of woe,
a burial-vault whose coffins lie arow,
a potters' field that death has filled too soon.
— I am a graveyard hated by the moon,
where creeping worms trail slowly as remorse,
fiercely destroyed each belovèd corpse.
I am a room where faded roses lie
and gowns of perished fashions multiply,
with none but ladies in pastel to share
the musk from some old jar forgotten there.
no days so lame as all the days I know
while, crushed by years of ever-falling snow,
boredom, dull fruitage of my apathy,
waxes as vast as immortality.
henceforth, o living cells, ye sleep, a womb
faint shudders pierce, a cold grey cliff of doom
lost in a misty desert far away,
— a drowsy sphynx, forgot by all today,
uncharted avatar, whose tameless heart
sounds only when the day's last fires depart.
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Spleen (III)
Je suis comme le roi d'un pays pluvieux,
Riche, mais impuissant, jeune et pourtant très vieux,
Qui, de ses précepteurs méprisant les courbettes,
S'ennuie avec ses chiens comme avec d'autres bêtes.
Rien ne peut l'égayer, ni gibier, ni faucon,
Ni son peuple mourant en face du balcon.
Du bouffon favori la grotesque ballade
Ne distrait plus le front de ce cruel malade;
Son lit fleurdelisé se transforme en tombeau,
Et les dames d'atour, pour qui tout prince est beau,
Ne savent plus trouver d'impudique toilette
Pour tirer un souris de ce jeune squelette.
Le savant qui lui fait de l'or n'a jamais pu
De son être extirper l'élément corrompu,
Et dans ces bains de sang qui des Romains nous viennent,
Et dont sur leurs vieux jours les puissants se souviennent,
II n'a su réchauffer ce cadavre hébété
Où coule au lieu de sang l'eau verte du Léthé
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Spleen
I am like the king of a rainy land,
Wealthy but powerless, both young and very old,
Who contemns the fawning manners of his tutors
And is bored with his dogs and other animals.
Nothing can cheer him, neither the chase nor falcons,
Nor his people dying before his balcony.
The ludicrous ballads of his favorite clown
No longer smooth the brow of this cruel invalid;
His bed, adorned with fleurs-de-lis, becomes a grave;
The lady's maids, to whom every prince is handsome,
No longer can find gowns shameless enough
To wring a smile from this young skeleton.
The alchemist who makes his gold was never able
To extract from him the tainted element,
And in those baths of blood come down from Roman times,
And which in their old age the powerful recall,
He failed to warm this dazed cadaver in whose veins
Flows the green water of Lethe in place of blood.
— Translated by William Aggeler
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Spleen
I'm like the King of some damp, rainy clime,
Grown impotent and old before my time,
Who scorns the bows and scrapings of his teachers
And bores himself with hounds and all such creatures.
Naught can amuse him, falcon, steed, or chase:
No, not the mortal plight of his whole race
Dying before his balcony. The tune,
Sung to this tyrant by his pet buffoon,
Irks him. His couch seems far more like a grave.
Even the girls, for whom all kings seem brave,
Can think no toilet up, nor shameless rig,
To draw a smirk from this funereal prig.
The sage who makes him gold, could never find
The baser element that rots his mind.
Even those blood-baths the old Romans knew
And later thugs have imitated too,
Can't warm this skeleton to deeds of slaughter,
Whose only blood is Lethe's cold, green water.
— Translated by Roy Campbell
--------------------------------- ------------------------------------------------- -
Spleen
I'm like the king of a rain-country, rich
but sterile, young but with an old wolf's itch,
one who escapes his tutor's monologues,
and kills the day in boredom with his dogs;
nothing cheers him, darts, tennis, falconry,
his people dying by the balcony;
the bawdry of the pet hermaphrodite
no longer gets him through a single night;
his bed of fleur-de-lys becomes a tomb;
even the ladies of the court, for whom
all kings are beautiful, cannot put on
shameful enough dresses for this skeleton;
the scholar who makes his gold cannot invent
washes to cleanse the poisoned element;
even in baths of blood, Rome's legacy,
our tyrants' solace in senility,
he cannot warm up his shot corpse, whose food
is syrup-green Lethean ooze, not blood.
— Translated by Robert Lowell
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The King of the Rainy Country
A rainy country this, that I am monarch of, —
A rich but powerless king, worn-out while yet a boy;
For whom in vain the falcon falls upon the dove;
Not even his starving people's groans can give him joy;
Scorning his tutors, loathing his spaniels, finding stale
His favorite jester's quips, yawning at the droll tale.
His bed, for all its fleurs de lis, looks like a tomb;
The ladies of the court, attending him, to whom
He, being a prince, is handsome, see him lying there
Cold as a corpse, and lift their shoulders in despair:
No garment they take off, no garter they leave on
Excites the gloomy eye of this young skeleton.
The royal alchemist, who makes him gold from lead,
The baser element from out the royal head
Cannot extract; nor can those Roman baths of blood,
For some so efficacious, cure the hebetude
Of him, along whose veins, where flows no blood at all,
For ever the slow waters of green Lethe crawl.
— Translated by Edna St. Vincent Millay
----------------------------------- ------------------------------------------------
Spleen
I'm like a king of rainy lands and cold
— wealthy, but impotent: still young, but old —
who, scornful of his tutors' bows, prefers
his hounds and boredom to such grovellers.
nor stag nor falcon rouse his apathy,
nor starving subjects 'neath his balcony.
his favourite jester's wildest ballads now
no longer clear his cruel, sickened brow;
his royal bed's a coffin drowned in care,
and court-ladies, to whom all kings are fair,
— seeking a smile from that young skeleton —
no longer find one shameless robe to don.
nor can the sage who makes him gold succeed
in purging him of Death's corruptive seed,
nor in the baths of blood the Romans knew,
wherein the agèd rich their strength renew,
learn how to warm that cold numb corpse, through whose
dull veins, for blood, green Lethe's waters ooze.
— Translated by Lewis Piaget Shanks
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Spleen
I am like the king of a rainy country,
Rich, and yet powerless, young and yet most old,
Who, distrustful of the bows his tutors make,
Sits bored among his dogs as with his other beasts.
Nothing can lift his spirits: neither hawk nor game;
The dying subjects gathered to his balcony;
The grotesque ballad of his best-loved fool
--No more distracts him in this sickness cruel.
His lilied bed is changed into a tomb;
The ladies of his court all lords might love,
And yet they can no longer find shameless attire
To draw a smile from their young, wasted sire.
The alchemist who made him gold could not
Purge from his soul this corrupt element,
And in a blood bath, as in ancient Rome,
Remembered by the mighty in their latter days,
Knew not to warm this dazzled corpse
Where flows not blood but Lethe's waters green.
Translated by Anonymous
poem by Charles Baudelaire
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Little Queen Of Spades
(Robert Johnson)
Now she is a little queen of spades, and the men will not let her be
Hoo, she's the little queen of spades, and the men will not let her be
Ev'ry time she makes a spread, hoo, fair brown, cold chills just run all over me
I'm gon' get me a gamblin' woman, if it's the last thing that I do
Hoo, gon' get me a gamblin' woman, if it's the last thing that I do
Well, a man don't need a woman, hoo fair brown, that he got to give all his money to
Everybody say she got a mojo, now she's been using that stuff
Mmmm, everybody say she got a mojo, cause she's been using that stuff
But she got a way of trimmin' down, hoo fair brown, and I mean it's most too tough
Now, little girl, since I am the king, baby, and you is a queen
Whoo hoo, since I am the king, baby, and you is a queen
Let's us put our heads together, hoo fair brown, then we make our money green
song performed by by Eric Clapton
Submitted by Lucian Velea
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Playfellow
He is not belongs to any of the cards composing a pack of four suits.
(Hearts, Diamonds, Clubs and Spades.)
Just a plaything and his name is Joker.
When used, it has special rights;
Thus, in Euchre it's the best trump.
* A joker lives in every politician.
poem by Nimal Dunuhinga
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The Four Muses
Then they came one by one
Into the mind, a soul they caught
The four queens of a love
As yet unclaimed by a hand
The joker remains not a king
The first captured the imagination
One so well suited and inspired
That a spark was well felt
Only for the love to be clubbed to death
The second a heart bar none
Kind and beautiful and ever so loving
Sadly unable to see or accept the love
That waited for long to be seen
The third a diamond so bright
And beautiful as all the rest
The poor love could not afford
To win such favour of a queen
And so onwards unto the unknown
Where the final queen awaits
To sow the seeds of romance in the earth
Or else to dig the solemn grave
We await the queen of spades
poem by Matthew Holloway
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