Remords Posthume (Posthumous Remorse)
Lorsque tu dormiras, ma belle ténébreuse,
Au fond d'un monument construit en marbre noir,
Et lorsque tu n'auras pour alcôve et manoir
Qu'un caveau pluvieux et qu'une fosse creuse;
Quand la pierre, opprimant ta poitrine peureuse
Et tes flancs qu'assouplit un charmant nonchaloir,
Empêchera ton coeur de battre et de vouloir,
Et tes pieds de courir leur course aventureuse,
Le tombeau, confident de mon rêve infini
(Car le tombeau toujours comprendra le poète),
Durant ces grandes nuits d'où le somme est banni,
Te dira: «Que vous sert, courtisane imparfaite,
De n'avoir pas connu ce que pleurent les morts?»
— Et le vers rongera ta peau comme un remords.
Posthumous Remorse
When you will sleep, O dusky beauty mine,
Beneath a monument fashioned of black marble,
When you will have for bedroom and mansion
Only a rain-swept vault and a hollow grave,
When the slab of stone, oppressing your frightened breast
And your flanks now supple with charming nonchalance,
Will keep your heart from beating, from wishing,
And your feet from running their adventurous course,
The tomb, confidant of my infinite dreams
(For the tomb will always understand the poet)
Through those long nights from which all sleep is banned, will say:
'What does it profit you, imperfect courtesan,
Not to have known why the dead weep?'
— And like remorse the worm will gnaw your skin.
— Translated by William Aggeler
Posthumous Remorse
When you're asleep, dear shadow-coloured wench,
Within a coal-black, marble monument:
When, for your room and mansion, you are pent
In a wet cellar and a hollow trench:
When the stone, pressing on your startled breast
And flanks in fluent suppleness competing,
Prevents your heart from wishing or from beating,
Your feet from racing on their reckless quest.
The tomb that shares my deathless recollection
(For poets best are understood by tombs)
On those long nights, when never sleep presumes,
Will say, 'What boots, frail vase of imperfection,
Not to have known what pains with death begin?' —
And, like remorse, the worm will gnaw your skin.
— Translated by Roy Campbell
Posthumous Remorse
When, O sweet dusky beauty, you shall rest
Deep under a bleak marble monument,
When for last manor yours the tenement
Of rainswept vault or hollow ditch at best,
When the long stone weighs down your frightened breast
And flanks — so supple now and indolent —
Choking your heart's beat and your feet's intent
To race again on their adventurous quest,
The tomb, confidant of my endless dreams, shall keep
Vigil through those long nights that know not sleep,
(Poet and tomb were friends since Time began)
Saying: 'What use, imperfect courtesan,
Not to make known what dead men mourn perforce?'
While the worm gnaws you sharply as remorse.
— Translated by Jacques LeClercq
Remorse Too Late
My dark and lovely thing, when you at length lie dead,
And sleep beneath a slab of marble black as pitch;
And have, for perfumed alcove and seductive bed,
Only a rainy cavern and a hollow ditch;
When the oppressive stone upon your frightened breast
Lets settle all its weight, and on your supple thighs;
Restrains your heart from beating, flattens it to rest;
Bends down and binds your feet, so roving, so unwise;
The tomb, that knows me well and reads my dream aright,
(What poet but confides his secret to the tomb?)
Will say to you some day during that endless night,
'They fare but ill, vain courtesan, in this cold room,
Who bring here no warm memories of true love to keep!'
— And like remorse the worm will gnaw you in your sleep.
— Translated by Edna St. Vincent Millay
Remords posthume
when thou wilt sleep, dark girl of shadowy gaze,
down in the cold black marble of a tomb,
a dripping vault thine only tiring-room,
thine only bed a grave where all decays,
when rock shall press thy paling breast and graze
thy limbs now languorous-lovely in the gloom
— shall crush thy faltering heart, thy will consume
and halt thy feet in their adventurous ways,
the Grave, that knows what infinite dreams I keep,
(o Grave, the poet's friend forever, thou!)
all through the night bereft of exiled sleep,
shall ask: 'art sorry, wretched wanton, now,
not to have learned why dead men weep, perforce?'
— and worms shall gnaw thy breast like sharp remorse.
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Related quotes
Lethe
Come to my heart, cruel, insensible one,
Adored tiger, monster with the indolent air;
I would for a long time plunge my trembling fingers
Into the heavy tresses of your hair;
And in your garments that exhale your perfume
I would bury my aching head,
And breathe, like a withered flower,
The sweet, stale reek of my love that is dead.
I want to sleep! sleep rather than live!
And in a slumber, dubious as the tomb's,
I would lavish my kisses without remorse
Upon the burnished copper of your limbs.
To swallow my abated sobs
Nothing equals your bed's abyss;
Forgetfulness dwells in your mouth,
And Lethe flows from your kiss.
My destiny, henceforth my pleasure,
I shall obey, predestined instrument,
Docile martyr, condemned innocent,
Whose fervour but augments his torment.
I shall suck, to drown my rancour,
Nepenthe, hemlock, an opiate,
At the charming tips of this pointed breast
That has never imprisoned a heart.
poem by Charles Baudelaire
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Le Mort Joyeux (The Joyful Corpse)
Dans une terre grasse et pleine d'escargots
Je veux creuser moi-même une fosse profonde,
Où je puisse à loisir étaler mes vieux os
Et dormir dans l'oubli comme un requin dans l'onde.
Je hais les testaments et je hais les tombeaux;
Plutôt que d'implorer une larme du monde,
Vivant, j'aimerais mieux inviter les corbeaux
À saigner tous les bouts de ma carcasse immonde.
Ô vers! noirs compagnons sans oreille et sans yeux,
Voyez venir à vous un mort libre et joyeux;
Philosophes viveurs, fils de la pourriture,
À travers ma ruine allez donc sans remords,
Et dites-moi s'il est encor quelque torture
Pour ce vieux corps sans âme et mort parmi les morts!
The Joyful Corpse
In a rich, heavy soil, infested with snails,
I wish to dig my own grave, wide and deep,
Where I can at leisure stretch out my old bones
And sleep in oblivion like a shark in the wave.
I have a hatred for testaments and for tombs;
Rather than implore a tear of the world,
I'd sooner, while alive, invite the crows
To drain the blood from my filthy carcass.
O worms! black companions with neither eyes nor ears,
See a dead man, joyous and free, approaching you;
Wanton philosophers, children of putrescence,
Go through my ruin then, without remorse,
And tell me if there still remains any torture
For this old soulless body, dead among the dead!
— Translated by William Aggeler
The Joyous Dead
In a fat, greasy soil, that's full of snails,
I'll dig a grave deep down, where I may sleep
Spreading my bones at ease, to drowse in deep
Oblivion, as a shark within the wave.
I hate all tombs, and testaments, and wills:
I want no human tears; I'd like it more,
That ravens could attack me with their bills,
To broach my carcase of its living gore.
O worms! black friends, who cannot hear or see,
A free and joyous corpse behold in me!
You philosophic souls, corruption-bred,
Plough through my ruins! eat your merry way!
And if there are yet further torments, say,
For this old soulless corpse among the dead.
— Translated by Roy Campbell
The Happy Dead Man
Slowly, luxuriously, I will hollow a deep grave,
With my own hands, in rich black snail-frequented soil,
And lay me down, forspent with that voluptuous toil,
And go to sleep, as happy as a shark in the wave.
No funeral for me, no sepulcher, no hymns;
Rather than beg for pity when alive, God knows,
I have lain sick and shelterless, and let the crows
Stab to their hearts' content at my lean festering limbs.
O worms! my small black comrades without ears or eyes,
Taste now for once a mortal who lies down in bliss.
O blithe materialists! O vermin of my last bed!
Come, march remorselessly through me. Come, and devise
Some curious new torment, if you can, for this
Old body without soul and deader than the dead.
— Translated by George Dillon
Joyful Corpse
In a rich fertile loam where snails recess,
I wish to dig my own deep roomy grave,
There to stretch out my old bones, motionless,
Snug in death's sleep as sharks are in the wave.
Men's testaments and tombs spell queasiness,
The world's laments are not a boon I crave,
Sooner, while yet I live, let the crows press
My carrion blood from out my skull and nave.
O worms, black comrades without eyes or ears,
Behold, a dead man, glad and free, appears!
Lecher philosophers, spawn of decay,
Rummage remorseless through my crumbling head
To tell what torture may remain today
For this my soulless body which is dead.
— Translated by Jacques LeClercq
poem by Charles Baudelaire
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Le Revenant (The Ghost)
Comme les anges à l'oeil fauve,
Je reviendrai dans ton alcôve
Et vers toi glisserai sans bruit
Avec les ombres de la nuit;
Et je te donnerai, ma brune,
Des baisers froids comme la lune
Et des caresses de serpent
Autour d'une fosse rampant.
Quand viendra le matin livide,
Tu trouveras ma place vide,
Où jusqu'au soir il fera froid.
Comme d'autres par la tendresse,
Sur ta vie et sur ta jeunesse,
Moi, je veux régner par l'effroi.
The Ghost
Like angels with wild beast's eyes
I shall return to your bedroom
And silently glide toward you
With the shadows of the night;
And, dark beauty, I shall give you
Kisses cold as the moon
And the caresses of a snake
That crawls around a grave.
When the livid morning comes,
You'll find my place empty,
And it will be cold there till night.
I wish to hold sway over
Your life and youth by fear,
As others do by tenderness.
— Translated by William Aggeler
The Ghost
Like angels fierce and tawny-eyed,
Back to your chamber I will glide,
And noiselessly into your sight
Steal with the shadows of the night.
And I will bring you, brown delight,
Kisses as cold as lunar night
And the caresses of a snake
Revolving in a grave. At break
Of morning in its livid hue,
You'd find I had bequeathed to you
An empty place as cold as stone.
Others by tenderness and ruth
Would reign over your life and youth,
But I would rule by fear alone.
— Translated by Roy Campbell
The Revenant
Like angels with bright savage eyes
I will come treading phantom-wise
Hither where thou art wont to sleep,
Amid the shadows hollow and deep.
And I will give thee, my dark one,
Kisses as icy as the moon,
Caresses as of snakes that crawl
In circles round a cistern's wall.
When morning shows its livid face
There will be no-one in my place,
And a strange cold will settle here
Others, not knowing what thou art,
May think to reign upon thy heart
With tenderness; I trust to fear.
— Translated by George Dillon
The Ghost
Like angels that have monster eyes,
Over your bedside I shall rise,
Gliding towards you silently
Across night's black immensity.
O darksome beauty, you shall swoon
At kisses colder than the moon
And fondlings like a snake's who coils Sinuous round the grave he soils.
When livid morning breaks apace,
You shall find but an empty place,
Cold until night, and bleak, and drear:
As others do by tenderness,
So would I rule your youthfulness
By harsh immensities of fear.
— Translated by Jacques LeClercq
poem by Charles Baudelaire
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The Irreparable
Can we stifle the old, long-lived Remorse,
that lives, writhes, heaves,
feeds on us, like a worm on a corpse,
like oak-gall on the oak-trees?
Can we stifle the old, long-lived Remorse?
In what potion, in what wine, in what brew,
shall we drown this old enemy.
greedy, destructive as a prostitute,
ant-like always filled with tenacity?
In what potion? – In what wine? – In what brew?
Tell us, lovely witch, oh, tell us, if you know,
tell the spirit filled with anguish
as if dying crushed by the wounded, oh,
crumpled beneath the horses,
tell us, lovely witch, oh, tell us, if you know,
tell the one in agony the wolf’s already scented
whom the raven now surveys,
tell the shattered soldier! Say, if he’s intended
to despair of cross and grave:
poor soul in agony the wolf’s already scented!
Can we illuminate a black and muddied sky?
can we pierce the shadowy evening,
denser than pitch, with neither day or night,
star-less, with no funereal lightning?
Can we illuminate a black and muddied sky?
The Hope that shone in the Tavern window
is quenched, is dead forever!
How to find without sunlight, without moon-glow,
for the foul road’s martyrs, ah, shelter!
The Devil’s quenched all in the Tavern window!
Adorable witch, do you love the damned?
Say, do you know the unforgivable?
Do you understand Remorse, its poisoned hand,
for which our heart serves as target?
Adorable witch, do you love the damned?
The Irreparable, with its accursed tooth bites
at our soul, this pitiful monument,
and often gnaws away like a termite,
below the foundations of the battlement.
The Irreparable, with its accursed tooth, bites!
- Sometimes on the boards of a cheap stage
lit up by the sonorous orchestra,
I’ve seen a fairy kindling miraculous day,
in the infernal sky above her:
sometimes on the boards of a cheap stage,
a being, who is nothing but light, gold, gauze,
flooring the enormous Satan:
but my heart, that no ecstasy ever saw,
is a stage where ever and again
one awaits in vain the Being with wings of gauze!
poem by Charles Baudelaire
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Desire Blooming On Air-Creeper Of Sleeplessness
Let me sleep
Centuries old deep
And long sleep
Devoid of any dream.
Let me sleep
That girl's sleep
Who has forgotten her eyes
Into mine.
Let me sleep
The sleep of those
In whose eyes
Float clouds and birds
Rivers flow
Yet they remain parched.
Let me sleep
O, deserts surrounding my four sides!
There is an ocean in my heart
Let me sink all my dreams in it
Let me soak my thirsty lips
Let me weep!
Let me sleep!
(Translated by Samina Amjad)
poem by Naseer Ahmed Nasir
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Sweet Love Is Dead
Sweet Love is dead:
Where shall we bury him?
In a green bed,
With no stone at his head,
And no tears nor prayers to worry him.
Do you think he will sleep,
Dreamless and quiet?
Yes, if we keep
Silence, nor weep
O'er the grave where the ground-worms riot.
By his tomb let us part.
But hush! he is waking!
He hath winged a dart,
And the mock-cold heart
With the woe of want is aching.
Feign we no more
Sweet Love lies breathless.
All we forswore
Be as before;
Death may die, but Love is deathless.
poem by Alfred Austin
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Lullaby
My little one, sleep softly
Among the toys and flowers.
Sleep softly, O my first-born son,
Through all the long dark hours.
And if you waken far away
I shall be wandering too.
If far away you run and play
My heart must follow you.
Sleep softly, O my baby,
And smile down in your sleep.
Here are red rose-buds for your bed—
Smile, and I will not weep.
We made our pledge—you had no fear;
What then to fear have I?
Though long you sleep, I shall be near;
So hush—we must not cry.
Sleep softly, dear one, softly—
They cannot part us now;
Forever rest here on my breast,
My kiss upon your brow.
What though they hide a little grave
With dream-flowers false or true?
What difference? We will just be brave
Together—I and you.
poem by Harriet Monroe
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Shall I use sword to solve Gordian Knot
when I opened my eyes to the world,
Not only my mouth opened to
breast of my mother,
Much before that my ears were open,
And skin that sensed touch of men or woman,
Known or unknown,
Expressing that by laugh or weep,
Then slowly opened eyes to see that world,
And light entered in eyes earlier,
Now reached brain!
Then started the questions and mystery Train,
And I became as what my elders trained!
But some years later I learnt life is from womb to tomb,
That made me to sit on tomb, into which I
saw someone sleeping,
As bone and skeleton,
With that hollow skull,
Then I learnt where one day I have to Go!
I disliked to sleep there with that hollow skull
I reached there without hollow skull,
But with brainful of painful thoughts!
If tomb is my destination,
Why came from womb,
If I can't assimilate, why should I eat,
If I can't solve the puzzle, why should bother it,
If everything is fate, how best life that I can rate?
I came to home straight and
Slept in a wooden box to feel my tomb with soulful brain!
I started learning to
Go where I should go,
Go and sleep in that wooden tomb and slept well there
and became familiar with that!
Then came my mother where I
am,
When she learnt that I am in my
own tomb,
Called father to show where I
am, Both lifted me
And laughed, Kissed me and said,
'You naughty, hiding there? '
Someday I have to throw this old used scrap in the waste box called my tomb,
If life Gordian knot,
Shall I use that sword to cut the rope,
The sword of self knowledge,
which is ultimate and impatient action,
I need not go and win the world,
Only I want win myself,
Self that in me have that thrill
And the joy of solving puzzle,
Within fairness of the game?
It kills the spirit in me,
And the spirit of puzzle
If I cut the rope,
And that game is over to me!
Let me play a while,
my mother is always ready,
She takes my into her lap
I will sleep in that love that is divine,
Than sleeping here in this tomb,
Once I throw that baggage aside
That was useful always in this journey,
All fate goes to that bag and not it can come unto me,
I am that son of God,
And God has to guide me as he is always my elder,
And He is my Fate, and I am destined to play and sleep with him!
poem by Ramdas Bhandarkar
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(Murder Poem) Shades Of Black
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
I was abandon as a child.
I'm alone as a man.
The goodness of the damned.
Oh how I wish I had a plan.
Something set in stone.
With many regrets I walk this life feeling like a reject.
A failure all on my own.
I don't need no help from you never did.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
Their is poison in the water.
Their is treachery afoot.
Oh Oh just come look.
The blood has been spilt and they have no clue I did it you.
I don't even care if they did.
I'll take as many I can.
When everything has gone so wrong.
Sitting staring out the window with a revolver in you in hand.
What choices are left?
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
A nightmare of solutions unfold.
Each bloody as the next.
How can you ever truly live with it.
Settling for only second best.
The black knight ego's of arrogance.
Tunnel vision fills his eyes.
All he's after is the prize.
I doesn't matter who gets hurt on his way to it.
With deliverance I give you pain.
A message from someone who truly insane.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
And it is time for my greatest attack.
As if anyone should be proud of such a thing.
The sweat pours off my brow as I become the butcher of butchers.
A dissection of a living to dead body.
Someone help this man, oh please anybody.
The urges to kill won't stop.
They are all hes got.
Taking out all his sexual frustrations.
These escalation will only continue.
They will not just die.
Or move on to a paradise behind the next dawn.
No matter how hard I try.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
I feel nothing no more.
I don't know why.
I wish I could fix myself tonight.
I wish I could embrace love once again.
But wishes are nothing but useless thoughts.
The futility of the evil creature I am.
Hated by everyone.
So foul have I become.
A disease that can never be done.
Just kill me now.
To save so many.
Promise me, make your vow.
Cause I won't go down quietly.
I fight it for as long I can.
No empathy, no remorse, no recourse in my actions.
All I see is things in shades of black.
No empathy, no remorse, no recourse in my actions.
poem by Ace Of Black Hearts
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Semper Eadem (Ever The Same)
«D'où vous vient, disiez-vous, cette tristesse étrange,
Montant comme la mer sur le roc noir et nu?»
— Quand notre coeur a fait une fois sa vendange
Vivre est un mal. C'est un secret de tous connu,
Une douleur très simple et non mystérieuse
Et, comme votre joie, éclatante pour tous.
Cessez donc de chercher, ô belle curieuse!
Et, bien que votre voix soit douce, taisez-vous!
Taisez-vous, ignorante! âme toujours ravie!
Bouche au rire enfantin! Plus encor que la Vie,
La Mort nous tient souvent par des liens subtils.
Laissez, laissez mon coeur s'enivrer d'un mensonge,
Plonger dans vos beaux yeux comme dans un beau songe
Et sommeiller longtemps à l'ombre de vos cils!
Ever the Same
-'Whence comes to you, you asked, this singular sadness
That rises like the sea on the naked, black rock?'
— Once our heart has gathered the grapes from its vineyard,
Living is an evil. That's a secret known to all,
A simple pain, with no mystery,
As obvious to all men as your gaiety.
So abandon your search, inquisitive beauty;
And though your voice is sweet, be still!
Be silent, ignorant! ever enraptured soul!
Mouth with the child-like laugh! Still more than Life,
Death holds us frequently with subtle bonds.
Let, let my heart become drunk with a lie; let it
Plunge into your fair eyes as into a fair dream
And slumber long in the shadow of your lashes.
— Translated by William Aggeler
Semper Eadem
'Whence,' ask you, 'does this strange new sadness flow
Like rising tides on rocks, black, bare, and vast?'
For human hearts, when vintage-time is past,
To live is bad. That secret all men know —
An obvious sorrow, with no mystery, shown,
Clear as your joy, to everyone around.
O curious one, seek nothing more profound,
And speak not, though your voice be sweet in tone.
Hush, ignorant! Hush, soul that's still enraptured,
And mouth of childish laughter! Neatly captured,
Death pulls us, more than life, with subtle wile.
Oh let my thought get drunk upon a lie,
And plunge, as in a dream, in either eye,
And in their lashes' shadow sleep awhile!
— Translated by Roy Campbell
Semper Eadem
'What in the world,' you said, 'has brought on this black mood,
Climbing you as the sea climbs up a naked reef?'
— When once the heart has made its harvest (understood
By all men, this) why, just to be alive is grief:
A pain quite simple, nothing mysterious at all,
And like that joy of yours, patent to all we meet;
Stop asking questions, then, I beg of you, and fall
Silent a while, fair prober, though your voice be sweet.
Ah, yes, be silent, ignorant girl, always so gay,
Mouth with the childlike laughter! More than Life, I say,
Death has the power to hold us by most subtle ties.
My one fictitious comfort, kindly, let me keep:
To plunge as into dreams into your lovely eyes,
And in the shadow of your lashes fall asleep.
— Translated by Edna St. Vincent Millay
Semper eadam
you asked: 'what floods of gloom engulf you — strange
as creeping tides against a bare black wall?'
— when hearts once crush their grapes and close the grange,
life is an evil. secret known to all,
'tis but the common grief each man betrays
to all, as you your joy, in eyes or brow
so veil, my fair one, your inquiring gaze
and though your voice is low, be silent now!
be silent, simple soul! mouth always gay
with girlish laughter! more than Life, today,
Death binds our hearts with tenuous webs of doom;
let mine be drunken with the wine of lies,
o let me delve for dreams in those deep eyes
and slumber long beneath your eyebrows' gloom!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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On the death of a friend
There was no bell to peal thy funeral dirge,
No nodding plumes to wave above thy bier,
No shroud to wrap thee but the foaming surge,
No kindly voices thy dark way to cheer,
No eye to give the tribute of a tear.
Alone, "unknell'd, uncoffin'd," thou hast died,
Without one gentle mourner lingering near;
Down the deep waters thou unseen didst glide,
With Ocean's countless dead to slumber side by side.
Thou sleep'st not with thy fathers. O'er thy bed,
The flowers that deck their tombs may never wave;
To plead remembrance for thee o'er thy head
No sculptur'd marble shall arise. Thy grave
Is the dark boundless deep, whose waters lave
The shores of empires. When thou sought'st thy rest
Within their silent depths, they only gave
A circling ripple, then with foaming crest
The booming waves roll'd over their unconscious guest.
'Tis said that far beneath the wild waves rushing,
Where sea-flowers bloom and fabled Peris dwell,
That there the restless waters cease their gushing,
And leave their dead within some sparkling cell,
Where gems are gleaming, and the lone sea shell
Is breathing its sweet music. And 'tis said
That Time, who weaveth over Earth a spell
Of blight and ruin, o'er the Ocean's dead
He passeth lightly on, with trackless, silent tread.
Then, though no marble e'er shall rise for thee,
No monument to mark thy last long home,
Thine ocean grave unhonored shall not be, --
The coral insect there shall rear a tomb
That age shall ne'er destroy; and there shall bloom
The fadeless ocean flowers. And though the glare
Of the bright sunbeams ne'er shall light its gloom,
Yet glancing eyes and forms unearthly fair
Shall throng around thy couch, and hymn a requiem there.
Now fare thee well! I will not weep that thou
Didst pass so soon away; for though thou wert
Still in thy boyhood's prime, and thy fair brow
Undimmed by age; yet sad was thy young heart,
For thou hadst seen the light of life depart,
And Love had thrown his wild and burning spell
Around thee, and with deep, insidious art
Had maddened thee. Then sounded loud the knell
Of all thy bright young dreams. My earliest friend, farewell!
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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Tristesses de la lune (Sorrows Of The Moon)
Ce soir, la lune rêve avec plus de paresse;
Ainsi qu'une beauté, sur de nombreux coussins,
Qui d'une main distraite et légère caresse
Avant de s'endormir le contour de ses seins,
Sur le dos satiné des molles avalanches,
Mourante, elle se livre aux longues pâmoisons,
Et promène ses yeux sur les visions blanches
Qui montent dans l'azur comme des floraisons.
Quand parfois sur ce globe, en sa langueur oisive,
Elle laisse filer une larme furtive,
Un poète pieux, ennemi du sommeil,
Dans le creux de sa main prend cette larme pâle,
Aux reflets irisés comme un fragment d'opale,
Et la met dans son coeur loin des yeux du soleil.
Sadness of the Moon
Tonight the moon dreams with more indolence,
Like a lovely woman on a bed of cushions
Who fondles with a light and listless hand
The contour of her breasts before falling asleep;
On the satiny back of the billowing clouds,
Languishing, she lets herself fall into long swoons
And casts her eyes over the white phantoms
That rise in the azure like blossoming flowers.
When, in her lazy listlessness,
She sometimes sheds a furtive tear upon this globe,
A pious poet, enemy of sleep,
In the hollow of his hand catches this pale tear,
With the iridescent reflections of opal,
And hides it in his heart afar from the sun's eyes.
— Translated by William Aggeler
Sorrow of the Moon
More drowsy dreams the moon tonight. She rests
Like a proud beauty on heaped cushions pressing,
With light and absent-minded touch caressing,
Before she sleeps, the contour of her breasts.
On satin-shimmering, downy avalanches
She dies from swoon to swoon in languid change,
And lets her eyes on snowy visions range
That in the azure rise like flowering branches.
When sometimes to this earth her languor calm
Lets streak a stealthy tear, a pious poet,
The enemy of sleep, in his cupped palm,
Takes this pale tear, of liquid opal spun
With rainbow lights, deep in his heart to stow it
Far from the staring eyeballs of the Sun.
— Translated by Roy Campbell
The Sadness of the Moon
Tonight the moon, by languorous memories obsessed,
Lies pensive and awake: a sleepless beauty amid
The tossed and multitudinous cushions of her bed,
Caressing with an abstracted hand the curve of her breast.
Surrendered to her deep sadness as to a lover, for hours
She lolls in the bright luxurious disarray of the sky —
Haggard, entranced — and watches the small clouds float by
Uncurling indolently in the blue air like flowers.
When now and then upon this planet she lets fall,
Out of her idleness and sorrow, a secret tear,
Some poet — an enemy of slumber, musing apart —
Catches in his cupped hands the unearthly tribute, all
Fiery and iridescent like an opal's sphere,
And hides it from the sun for ever in his heart.
— Translated by George Dillon
Tristesses de la lune
the moon tonight, more indolently dreaming,
as on a pillowed bed, a woman seems,
caressing with a hand distraught and gleaming,
her soft curved bosom, ere she sinks in dreams.
against a snowy satin avalanche
she lies entranced and drowned in swooning hours,
her gaze upon the visions born to blanch
those far blue depths with ever-blossoming flowers.
and when in some soft languorous interval,
earthward, she lets a stealthy tear-drop fall,
a poet, foe to slumber, toiling on,
with reverent hollow hand receives the pearl,
where shimmering opalescences unfurl,
and shields it in his heart, far from the sun.
— Translated by Lewis Piaget Shanks
Sorrows of the Moon
Tonight the moon dreams in a deeper languidness,
And, like a beauty on her cushions, lies at rest;
While drifting off to sleep, a tentative caress
Seeks, with a gentle hand, the contour of her breast;
As on a crest above her silken avalanche,
Dying, she yields herself to an unending swoon,
And sees a pallid vision everywhere she’d glance,
In the azure sky where blossoms have been strewn.
When sometime, in her weariness, upon her sphere
She might permit herself to sheda furtive tear,
A poet of great piety, a foe of sleep,
Catches in the hollow of his hand that tear,
An opal fragment, iridescent as a star;
Within his heart, far from the sun, it’s buried deep.
Translated by Anonymous
poem by Charles Baudelaire
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neath A Cold Gray Tomb Of Stone
Passing by a lonesome graveyard
Everything I love is gone
Weeping as they lay my darling
Neath a cold gray tomb of stone
In this world i'm left to wander
With no one to call my own
While my precious darling's sleeping
Neath a cold gray tomb of stone
Out there in that lonesome graveyard
She is sleeping all alone
And I burried my heart with her
Neath a cold gray tomb of stone
Skies above are dark and stormy
All the sunshine,all is gone
For the while my love is sleeping
Neath a cold gray tomb of stone
My heart is dead and yet i'm living
Traveling through this world alone
I wish that I was with my darling
Neath a cold gray tomb of stone
song performed by by Hank Williams
Submitted by Lucian Velea
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In A Swedish Graveyard
After wearisome toil and much sorrow,
How quietly sleep they at last,
Neither dreading and fearing the morrow,
Nor vainly bemoaning the past!
Shall we give them our envy or pity?
Shall we shun or yearn after such rest,
So calm near the turbulent city,
With their heart stilled at length in their breast?
They all sleep with their heads lying westward,
Where all suns and all days have gone down.
Do they long for the dawn, looking eastward?
Do they dream of the strife and the crown?
Each one held a lit taper when dying:
Where hath vanished the fugitive flame?
With his love, and his joy, and his sighing,
Alas! and his youth and his name.
The living stands o'er him and dreameth,
And wonders what dreams came to him.
While the tender, brief twilight still gleameth,
With a light strangely mournful and dim.
And he wonders what lights and what shadows
Passed over these dead long ago,
When their feet now at rest trod these meadows,
And their hearts throbbed to pleasure or woe
What dreams came to them in their living?
The self-same that come now to thee.
If thou findest those dreams are deceiving,
Then these lives thou wilt know and wilt see:
The same visions of love and of glory,
The same vain regret for the past;
All the same poor and pitiful story,
Till the taper's extinguished at last.
All the treasures on earth that they cherished,
Now they care not to clasp nor to save;
And the poor little lights, how they perished,
Slowly dying alone in the grave!
With a flickering faint on the features
Of age, or of youth in its bloom:
Lighting up for grim Death his weak creatures,
In the darkness and night of the tomb,—
With a radiance ghostly and mournful,
On the good, on the just and unjust;
For a space, till the monarch, so scornful,
Turned the light and the lighted to dust.
No taper of earth he desired
In his halls where they quietly rest;
For all those who have toiled and are tired,
Utter darkness and sleep may be best.
poem by Emma Lazarus
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Cradle Song
Sleep, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.
Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.
As thy softest limbs I feel
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart doth rest.
O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.
poem by William Blake
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The Tomb Is Empty
Face it friend, the tomb is empty; death couldn’t hold Christ, you see,
Although He died for you and me, He’s now on the Throne of Eternity.
The stone, covering where Christ lay, by God’s hand, was rolled away.
In that tomb where Christ was laid, only Christ’s grave clothes stayed,
There He stood, in a body Glorified, Jesus Christ, who bled and died.
Mary was the first one to that tomb, bearing a heart filled with gloom,
She assumed the body was taken, but she would be gladly mistaken,
For, with her heavy heart that day, she would soon hear an angel say,
You will not find Christ Jesus dead, for He rose just like He had said.
She left to tell others not to grieve, for The Lord, they too would see.
Now Mary filled with a joyful heart, from an empty tomb would depart,
Filled with wonder she ran to those, other disciples, to say Christ rose.
Peter began running fast ahead; as they had thought Christ was dead,
Now he ran with much anticipation, enthused by a brand new situation,
Looking inside he just saw clothes, for from the grave Christ had rose.
But all hearts stayed, like the tomb, until Christ entered into that room,
Showing them His hands and side, proving He was The One who died.
Christ would stay for forty days, filling their hearts with joy and praise,
Filing them with His Hope and victory, that will last through all eternity,
Where they shall remain forevermore, with their Savior, Christ our Lord.
(Copyright ©04/2007)
A Word To The Unwise
Charles Main, of Main & Winchester, attend
With friendly ear the chit-chat of a friend
Who knows you not, yet knows that you and he
Travel two roads that have a common end.
We journey forward through the time allowed,
I humbly bending, you erect and proud.
Our heads alike will stable soon the worm
The one that's lifted, and the one that's bowed.
You in your mausoleum shall repose,
I where it pleases Him who sleep bestows;
What matter whether one so little worth
Shall stain the marble or shall feed the rose?
Charles Main, I had a friend who died one day.
A metal casket held his honored clay.
Of cyclopean architecture stood
The splendid vault where he was laid away.
A dozen years, and lo! the roots of grass
Had burst asunder all the joints; the brass,
The gilded ornaments, the carven stones
Lay tumbled all together in a mass.
A dozen years! That taxes your belief.
Make it a thousand if the time's too brief.
'Twill be the same to you; when you are dead
You cannot even count your days of grief.
Suppose a pompous monument you raise
Till on its peak the solar splendor blaze
While yet about its base the night is black;
But will it give your glory length of days?
Say, when beneath your rubbish has been thrown,
Some rogue to reputation all unknown
Men's backs being turned-should lift his thieving hand,
Efface your name and substitute his own.
Whose then would be the monument? To whom
Would be the fame? Forgotten in your gloom,
Your very name forgotten-ah, my friend,
The name is all that's rescued by the tomb.
For memory of worth and work we go
To other records than a stone can show.
These lacking, naught remains; with these
The stone is needless for the world will know.
Then build your mausoleum if you must,
And creep into it with a perfect trust;
But in the twinkling of an eye the plow
Shall pass without obstruction through your dust.
Another movement of the pendulum,
And, lo! the desert-haunting wolf shall come,
And, seated on the spot, shall howl by night
O'er rotting cities, desolate and dumb.
poem by Ambrose Bierce
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A Crocodile
Nay, Peter Robertson, 'tis not for you
To blubber o'er Max Taubles for he's dead.
By Heaven! my hearty, if you only knew
How better is a grave-worm in the head
Than brains like yours-how far more decent, too,
A tomb in far Corea than a bed
Where Peter lies with Peter, you would covet
His happier state and, dying, learn to love it.
In the recesses of the silent tomb
No Maunderings of yours disturb the peace.
Your mental bag-pipe, droning like the gloom
Of Hades audible, perforce must cease
From troubling further; and that crack o' doom,
Your mouth, shaped like a long bow, shall release
In vain such shafts of wit as it can utter
The ear of death can't even hear them flutter.
poem by Ambrose Bierce
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Answer to a Beautiful Poem
Montgomery! true, the common lot
Of mortals lies in Lethe’s wave;
Yet some shall never be forgot,
Some shall exist beyond the grave.
“Unknown the region of his birth,”
The hero rolls the tide of war;
Yet not unknown his martial worth,
Which glares a meteor from afar.
His joy or grief; his weal or woe,
Perchance may ’scape the page of fame;
Yet nations now unborn will know
The record of his deathless name.
The patriot’s and the poet’s frame
Must share the common tomb of all:
Their glory will not sleep the same;
That will arise, though empires fall.
The lustre of a Beauty’s eye
Assumes the ghastly stare of death;
The fair, the brave, the good must die,
And sink the yawning grave beneath.
Once more the speaking eye revive,
Still beaming through the lover’s strain;
For Petrarch’s Laura still survives:
She died, but ne’er will die again.
The rolling seasons pass away,
And Time, untiring, waves his wing;
Whilst honour’s laurel ne’er decay,
But bloom in fresh, unfading spring.
All, all must sleep in grim repose,
Collected in the silent tomb;
The old and young, with friends and foes,
Fest’ring alike in shrouds, consume.
The mouldering marble lasts its day,
Yet falls at length on useless fane;
To ruin’s ruthless fangs a prey,
The wrecks of pillar’d pride remain.
What, though the sculpture he destroy’d,
From dark oblivion meant to ward;
A bright renown shall be enjoy’d
By those whose virtues claim reward.
Then do not say the common lot
Of all lies deep in Lethe’s wave;
Some few who ne’er will be forgot
Shall burst the bondage of the grave.
poem by Byron (1807)
Submitted by Veronica Serbanoiu
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Answer To A Beautiful Poem, Entitled 'The Common Lot
MONTGOMERY! true, the common lot
Of mortals lies in Lethe's wave;
Yet some shall never be forgot,
Some shall exist beyond the grave.
'Unknown the region of his birth,'
The hero rolls the tide of war;
Yet not unknown his martial worth,
Which glares a meteor from afar.
His joy or grief; his weal or woe,
Perchance may 'scape the page of fame;
Yet nations now unborn will know
The record of his deathless name.
The patriot's and the poet's frame
Must share the common tomb of all:
Their glory will not sleep the same;
That will arise, though empires fail.
The lustre of a beauty's eye
Assumes the ghastly stare of death;
The fair, the brave, the good must die,
And sink the yawning grave beneath
Once more the speaking eye revive,
Still beaming through the lover's strain;
For Petrarch's Laura still survives:
She died, but ne'er will die again.
The rolling seasons pass away,
And Time, untiring, waves his wing;
Whilst honour's laurel ne'er decay,
But bloom in fresh, unfading spring.
All, all must sleep in grim repose,
Collected in the silent tomb;
The old and young, with friends and foes,
Fest'ring alike in shrouds, consume.
The mouldering marble lasts its day,
Yet falls at length an useless fane;
To ruin's ruthless fangs a prey,
The wrecks of pillar'd pride remain.
What, though the sculpture he destroy'd,
From dark oblivion meant to ward;
A bright renown shall he enjoy'd
By those whose virtues claim reward
Then do not say the common lot
Of all lies deep in Lethe's wave;
Some few who ne'er will be forgot
Shall burst the bondage of the grave.