
Ill-Starred
To bear a weight that cannot be borne,
Sisyphus, even you aren't that strong,
Although your heart cannot be torn
Time is short and Art is long.
Far from celebrated sepulchers
Toward a solitary graveyard
My heart, like a drum muffled hard
Beats a funeral march for the ill-starred.
—Many jewels are buried or shrouded
In darkness and oblivion's clouds,
Far from any pick or drill bit,
Many a flower unburdens with regret
Its perfume sweet like a secret;
In profoundly empty solitude to sit.
Translated by William A. Sigler
Submitted by Ryan McGuire
poem by Charles Baudelaire

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Le Guignon (Ill-Starred)
Pour soulever un poids si lourd,
Sisyphe, il faudrait ton courage!
Bien qu'on ait du coeur à l'ouvrage,
L'Art est long et le Temps est court.
Loin des sépultures célèbres,
Vers un cimetière isolé,
Mon coeur, comme un tambour voilé,
Va battant des marches funèbres.
— Maint joyau dort enseveli
Dans les ténèbres et l'oubli,
Bien loin des pioches et des sondes;
Mainte fleur épanche à regret
Son parfum doux comme un secret
Dans les solitudes profondes.
Evil Fate
To lift a weight so heavy,
Would take your courage, Sisyphus!
Although one's heart is in the work,
Art is long and Time is short.
Far from famous sepulchers
Toward a lonely cemetery
My heart, like muffled drums,
Goes beating funeral marches.
Many a jewel lies buried
In darkness and oblivion,
Far, far away from picks and drills;
Many a flower regretfully
Exhales perfume soft as secrets
In a profound solitude.
— Translated by William Aggeler
Ill Luck
So huge a burden to support
Your courage, Sisyphus, would ask;
Well though my heart attacks its task,
Yet Art is long and Time is short.
Far from the famed memorial arch
Towards a lonely grave I come.
My heart in its funereal march
Goes beating like a muffled drum.
— Yet many a gem lies hidden still
Of whom no pick-axe, spade, or drill
The lonely secrecy invades;
And many a flower, to heal regret,
Pours forth its fragrant secret yet
Amidst the solitary shades.
— Translated by Roy Campbell
Ill-Starred
A man would needs be brave and strong
As Sisyphus, for such a task!
It is not greater zeal I ask —
But life is brief, and art is long.
To a forsaken mound of clay
Where no admirers ever come,
My heart, like an invisible drum,
Goes beating a dead march all day.
Many a jewel of untold worth
Lies slumbering at the core of earth,
In darkness and oblivion drowned;
Many a flower has bloomed and spent
The secret of its passionate scent
Upon the wilderness profound.
— Translated by George Dillon
Ill-Starred
To bear a weight that cannot be borne,
Sisyphus, even you aren't that strong,
Although your heart cannot be torn
Time is short and Art is long.
Far from celebrated sepulchers
Toward a solitary graveyard
My heart, like a drum muffled hard
Beats a funeral march for the ill-starred.
—Many jewels are buried or shrouded
In darkness and oblivion's clouds,
Far from any pick or drill bit,
Many a flower unburdens with regret
Its perfume sweet like a secret;
In profoundly empty solitude to sit.
Translated by William A. Sigler
poem by Charles Baudelaire

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The Enemy
My youth was nothing but a black storm
Crossed now and then by brilliant suns.
The thunder and the rain so ravage the shores
Nothing's left of the fruit my garden held once.
I should employ the rake and the plow,
Having reached the autumn of ideas,
To restore this inundated ground
Where the deep grooves of water form tombs in the lees.
And who knows if the new flowers you dreamed
Will find in a soil stripped and cleaned
The mystic nourishment that fortifies?
—O Sorrow—O Sorrow—Time consumes Life,
And the obscure enemy that gnaws at my heart
Uses the blood that I lose to play my part.
Translated by William A. Sigler
Submitted by Ryan McGuire
poem by Charles Baudelaire

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The Bad Monk
On the great walls of ancient cloisters were nailed
Murals displaying Truth the saint,
Whose effect, reheating the pious entrails
Brought to an austere chill a warming paint.
In the times when Christ was seeded around,
More than one illustrious monk, today unknown
Took for a studio the funeral grounds
And glorified Death as the one way shown.
—My soul is a tomb, an empty confine
Since eternity I scour and I reside;
Nothing hangs on the walls of this hideous sty.
O lazy monk! When will I see
The living spectacle of my misery,
The work of my hands and the love of my eyes?
Translated by William A. Sigler
Submitted by Ryan McGuire
poem by Charles Baudelaire

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Elevation
Above the ponds, beyond the valleys,
The woods, the mountains, the clouds, the seas,
Farther than the sun, the distant breeze,
The spheres that wilt to infinity
My spirit, you move with agility
And, like a good swimmer who swoons in the wave
You groove the depths immensity gave,
The inexpressible and male ecstasy.
>From this miasma of waste,
You will be purified in superior air
And drink a pure and divine liqueur,
A clear fire to replace the limpid space
Behind this boredom and fatigue, this vast chagrin
Whose weight moves the mists of existence,
Happy is he who vigorously fans the senses
Toward serene and luminous fields—wincing!
The one whose thoughts are like skylarks taken wing
Across the heavens mornings in full flight
—Who hovers over life, understanding without effort
The language of flowers and mute things.
Translated by William A. Sigler
Submitted by Ryan McGuire
poem by Charles Baudelaire

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Travelling Bohemians
The prophetic tribe of the ardent eyes
Yesterday they took the road, holding their babies
On their backs, delivering to fierce appetites
The always ready treasure of pendulous breasts.
The men stick their feet out, waving their guns
Alongside the caravan where they tremble together,
Scanning the sky their eyes are weighted down
In mourning for absent chimeras.
At the bottom of his sandy retreat, a cricket
Watched passing, redoubles his song,
Cybele, who loves, adds more flower,
Makes fountains out of rock and blossoms from desert
Opening up before these travelers in a yawn—
A familiar empire, the inscrutable future.
Translated by William A. Sigler
Submitted by Ryan McGuire
poem by Charles Baudelaire

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My Earlier Life
I've been home a long time among the vast porticos,
Which the mariner sun has tinged with a million fires,
Whose grandest pillars, upright, majestic and cold
Render them the same, this evening, as caves with basalt spires.
The swells' overwhelming accords of rich music,
Heaving images of heaven to the skies,
Mingle in a way solemn and mystic
With the colors of the horizon reflected by my eyes.
It was here I was true to the voluptuous calm,
The milieu of azure, the waves, the splendors,
And the nude slaves, all impregnated with odors,
Who refreshed my brow with waving palms
My only care to bring to meaning from anguish
The sad secret in which I languish.
Translated by William A. Sigler
Submitted by Ryan McGuire
poem by Charles Baudelaire

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The Sick Muse
My impoverished muse, alas! What have you for me this morning?
Your empty eyes are stocked with nocturnal visions,
In your cheek's cold and taciturn reflection,
I see insanity and horror forming.
The green succubus and the red urchin,
Have they poured you fear and love from their urns?
The nightmare of a mutinous fist that despotically turns,
Does it drown you at the bottom of a loch beyond searching?
I wish that your breast exhaled the scent of sanity,
That your womb of thought was not a tomb more frequently
And that your Christian blood flowed around a buoy that was rhythmical,
Like the numberless sounds of antique syllables,
Where reigns in turn the father of songs,
Phoebus, and the great Pan, the harvest sovereign.
Translated by William A. Sigler
Submitted by Ryan McGuire
poem by Charles Baudelaire

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The Red Drum
The red drum beats
when every other drum stops beating
every soul dance to the rhythm of life
from the pulsating ethos of the red drum
the red drum not only beats
when you listen, the red drum is talking
every stony heart has a sheath for a knife
from a gush on the tempo of the red drum
the red drum by nature is sexy
when your heart flutter and in frenzy
every stolen glance from your heartthrob
from the blushes irrigated by the red drum
the red drum is jealous and vindictive
when retrospect’s stab is aggressive
every soft spot, love and pardon flee
from dirges the red drum goes on spree
the red drum you should know is the heart
when in our short lives destiny plays its part
every promise given not to stray our drumsticks
from where we are identified as God’s handpicks
poem by Dela Bobobee

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Unit, like Death, for Whom?
408
Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
Just two—the Bearer—
And the Borne—
And seat—just One—
The Living—tell—
The Dying—but a Syllable—
The Coy Dead—None—
No Chatter—here—no tea—
So Babbler, and Bohea—stay there—
But Gravity—and Expectation—and Fear—
A tremor just, that All's not sure.
poem by Emily Dickinson

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I think just how my shape will rise
237
I think just how my shape will rise—
When I shall be "forgiven"—
Till Hair—and Eyes—and timid Head—
Are out of sight—in Heaven—
I think just how my lips will weigh—
With shapeless—quivering—prayer—
That you—so late—"Consider" me—
The "Sparrow" of your Care—
I mind me that of Anguish—sent—
Some drifts were moved away—
Before my simple bosom—broke—
And why not this—if they?
And so I con that thing—"forgiven"—
Until& mdash;delirious—borne—
By my long bright—and longer—trust—
I drop my Heart—unshriven!
poem by Emily Dickinson

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Her sweet Weight on my Heart a Night
518
Her sweet Weight on my Heart a Night
Had scarcely deigned to lie—
When, stirring, for Belief's delight,
My Bride had slipped away—
If 'twas a Dream—made solid—just
The Heaven to confirm—
Or if Myself were dreamed of Her—
The power to presume—
With Him remain—who unto Me—
Gave—even as to All—
A Fiction superseding Faith—
By so much—as 'twas real—
poem by Emily Dickinson

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Sweet—You forgot—but I remembered
523
Sweet—You forgot—but I remembered
Every time—for Two—
So that the Sum be never hindered
Through Decay of You—
Say if I erred? Accuse my Farthings—
Blame the little Hand
Happy it be for You—a Beggar's—
Seeking More—to spend—
Just to be Rich—to waste my Guineas
On so Best a Heart—
Just to be Poor—for Barefoot Vision
You—Sweet—Shut me out—
poem by Emily Dickinson

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A poor—torn heart—a tattered heart
78
A poor—torn heart—a tattered heart—
That sat it down to rest—
Nor noticed that the Ebbing Day
Flowed silver to the West—
Nor noticed Night did soft descend—
Nor Constellation burn—
Intent upon the vision
Of latitudes unknown.
The angels—happening that way
This dusty heart espied—
Tenderly took it up from toil
And carried it to God—
There—sandals for the Barefoot—
There—gathered from the gales—
Do the blue havens by the hand
Lead the wandering Sails.
poem by Emily Dickinson

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Sweet—safe—Houses
457
Sweet—safe—Houses—Glad—gay—Houses—
Sealed so stately tight—
Lids of Steel—on Lids of Marble—
Locking Bare feet out—
Brooks of Plush—in Banks of Satin
Not so softly fall
As the laughter—and the whisper—
From their People Pearl—
No Bald Death—affront their Parlors—
No Bold Sickness come
To deface their Stately Treasures—
Anguish—and the Tomb—
Hum by—in Muffled Coaches—
Lest they—wonder Why—
Any—for the Press of Smiling—
Interrupt—to die—
poem by Emily Dickinson

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Graveyard
I drowned in the mud of past
Marsh that pushes me to the bottom slowly
To the life without new breath
Flower and stone, have you buried me well?
Soil and tears, just bring me something
I'm no longer chasing the sun I wait
And the rain long doesn't come
I'm lying in the white mass, green grass
Flower and stone, there is nothing to show
Soil and tears, blackeyes my funeral
Graveyard, graveyard
Give me tender, give me a kiss
Before it's too late, like miss
Graveyard, graveyard
My life's gone like a falling leaf
But at least I lived, for my belief
poem by Maria Sudibyo

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I should not dare to leave my friend
205
I should not dare to leave my friend,
Because—because if he should die
While I was gone—and I—too late—
Should reach the Heart that wanted me—
If I should disappoint the eyes
That hunted—hunted so—to see—
And could not bear to shut until
They "noticed" me—they noticed me—
If I should stab the patient faith
So sure I'd come—so sure I'd come—
It listening—listening—went to sleep—
Telling my tardy name—
My Heart would wish it broke before—
Since breaking then—since breaking then—
Were useless as next morning's sun—
Where midnight frosts—had lain!
poem by Emily Dickinson

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A Murmur in the Trees—to note
416
A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—
A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—
A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—
Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—
But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.
poem by Emily Dickinson

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Torn And Tattered Heart
my heart is torn and tattered
it seems like nothing else matters
i gave my heart, soul, and mind
and thought it would last for a long time.
you find someone which you grow to love and
it gets deeper and higher than the stars above.
you feel that this love will forever last
but it becomes part of the past.
when you see this person change their points of view
but! not to satisfy you.
just to satisfy their blown egos and their conceit
and your love they could never meet.
and now your heart is a divided road with
nowheres to go.
you pick up the pieces of your torn heart
and look for another place to start.
this torn and tattered heart knows it must
pick itself up again-and start the search all anew
in hopes that it'll find someone better than you.
someone who will appreciate all the love
that you have to give.
for in the long run they will win.
they'll win a heart which has gotten strong
and with you it will belong.
this is my heart which i give to you- which will
no longer be sad or blue.
poem by Louis Rams

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You know that Portrait in the Moon
504
You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?
The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—
When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—
And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—
poem by Emily Dickinson

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Trust in the Unexpected
555
Trust in the Unexpected—
By this—was William Kidd
Persuaded of the Buried Gold—
As One had testified—
Through this—the old Philosopher—
His Talismanic Stone
Discernéd—still withholden
To effort undivine—
'Twas this—allured Columbus—
When Genoa—withdrew
Before an Apparition
Baptized America—
The Same—afflicted Thomas—
When Deity assured
'Twas better—the perceiving not—
Provided it believed—
poem by Emily Dickinson

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