Charles Baudelaire

The Bad Monk

On the great walls of ancient cloisters were nailed
Murals displaying Truth the saint,
Whose effect, reheating the pious entrails
Brought to an austere chill a warming paint.

In the times when Christ was seeded around,
More than one illustrious monk, today unknown
Took for a studio the funeral grounds
And glorified Death as the one way shown.

—My soul is a tomb, an empty confine
Since eternity I scour and I reside;
Nothing hangs on the walls of this hideous sty.

O lazy monk! When will I see
The living spectacle of my misery,
The work of my hands and the love of my eyes?


Translated by William A. Sigler


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Charles Baudelaire

Le Mauvais Moine (The Bad Monk)

Les cloîtres anciens sur leurs grandes murailles
Etalaient en tableaux la sainte Vérité,
Dont l'effet réchauffant les pieuses entrailles,
Tempérait la froideur de leur austérité.


En ces temps où du Christ florissaient les semailles,
Plus d'un illustre moine, aujourd'hui peu cité,
Prenant pour atelier le champ des funérailles,
Glorifiait la Mort avec simplicité.

— Mon âme est un tombeau que, mauvais cénobite,
Depuis l'éternité je parcours et j'habite;
Rien n'embellit les murs de ce cloître odieux.

Ô moine fainéant! quand saurai-je donc faire
Du spectacle vivant de ma triste misère
Le travail de mes mains et l'amour de mes yeux?

The Bad Monk

Cloisters in former times portrayed on their high walls
The truths of Holy Writ with fitting pictures
Which gladdened pious hearts and lessened the coldness,
The austere appearance, of those monasteries.

In those days the sowing of Christ's Gospel flourished,
And more than one famed monk, seldom quoted today,
Taking his inspiration from the graveyard,
Glorified Death with naive simplicity.

— My soul is a tomb where, bad cenobite,
I wander and dwell eternally;
Nothing adorns the walls of that loathsome cloister.

O lazy monk! When shall I learn to make
Of the living spectacle of my bleak misery
The labor of my hands and the love of my eyes?


— Translated by William Aggeler

The Evil Monk

The walls of cloisters on their frescoed lath
Displayed, in pictures, sacred truths of old,
Whose sight would warm the entrails of one's faith
To temper their austerity and cold.

In times when every sowing flowered for Christ
Lived famous monks, now out of memory's reach;
The graveyard for their library sufficed,
And Death was glorified in simple speech.

My soul's a grave, where, evil cenobite,
To all eternity I have been banned.
Nothing adorns this cloister fall of spite.

O idle monk! Say, to what end were planned
The living spectacle of my sad plight,
Love of my eye, or labour of my hand?


— Translated by Roy Campbell

Le Mauvais Moine

the wide cold walls of cloisters, long ago
set forth God's Holy Truth for all to see,
and gazing friars there, with hearts aglow,
rejoiced despite their chill austerity.

then, when the seed of Christ would always grow,
illustrious monks, now lost to memory,
would choose the burial-plot for studio
to chant Death's glory, unaffectedly.

my soul's a tomb, which — wretched friar! — I
have paced since Time began, and occupy;
bare-walled and hateful still my cloister stands.

o slothful monk! when shall I learn to find
in the stark drama of this living mind
joy for mine eyes and work to fit my hands?


— Translated by Lewis Piaget Shanks

The Bad Monk

On the great walls of ancient cloisters were nailed
Murals displaying Truth the saint,
Whose effect, reheating the pious entrails
Brought to an austere chill a warming paint.

In the times when Christ was seeded around,
More than one illustrious monk, today unknown
Took for a studio the funeral grounds
And glorified Death as the one way shown.

—My soul is a tomb, an empty confine
Since eternity I scour and I reside;
Nothing hangs on the walls of this hideous sty.

O lazy monk! When will I see
The living spectacle of my misery,
The work of my hands and the love of my eyes?


Translated by William A. Sigler

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Charles Baudelaire

Ill-Starred

To bear a weight that cannot be borne,
Sisyphus, even you aren't that strong,
Although your heart cannot be torn
Time is short and Art is long.
Far from celebrated sepulchers
Toward a solitary graveyard
My heart, like a drum muffled hard
Beats a funeral march for the ill-starred.

—Many jewels are buried or shrouded
In darkness and oblivion's clouds,
Far from any pick or drill bit,

Many a flower unburdens with regret
Its perfume sweet like a secret;
In profoundly empty solitude to sit.


Translated by William A. Sigler


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Charles Baudelaire

The Sick Muse

My impoverished muse, alas! What have you for me this morning?
Your empty eyes are stocked with nocturnal visions,
In your cheek's cold and taciturn reflection,
I see insanity and horror forming.
The green succubus and the red urchin,
Have they poured you fear and love from their urns?
The nightmare of a mutinous fist that despotically turns,
Does it drown you at the bottom of a loch beyond searching?

I wish that your breast exhaled the scent of sanity,
That your womb of thought was not a tomb more frequently
And that your Christian blood flowed around a buoy that was rhythmical,

Like the numberless sounds of antique syllables,
Where reigns in turn the father of songs,
Phoebus, and the great Pan, the harvest sovereign.


Translated by William A. Sigler


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Charles Baudelaire

The Enemy

My youth was nothing but a black storm
Crossed now and then by brilliant suns.
The thunder and the rain so ravage the shores
Nothing's left of the fruit my garden held once.

I should employ the rake and the plow,
Having reached the autumn of ideas,
To restore this inundated ground
Where the deep grooves of water form tombs in the lees.

And who knows if the new flowers you dreamed
Will find in a soil stripped and cleaned
The mystic nourishment that fortifies?

—O Sorrow—O Sorrow—Time consumes Life,
And the obscure enemy that gnaws at my heart
Uses the blood that I lose to play my part.


Translated by William A. Sigler


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Charles Baudelaire

Travelling Bohemians

The prophetic tribe of the ardent eyes
Yesterday they took the road, holding their babies
On their backs, delivering to fierce appetites
The always ready treasure of pendulous breasts.

The men stick their feet out, waving their guns
Alongside the caravan where they tremble together,
Scanning the sky their eyes are weighted down
In mourning for absent chimeras.

At the bottom of his sandy retreat, a cricket
Watched passing, redoubles his song,
Cybele, who loves, adds more flower,

Makes fountains out of rock and blossoms from desert
Opening up before these travelers in a yawn—
A familiar empire, the inscrutable future.


Translated by William A. Sigler


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Charles Baudelaire

Elevation

Above the ponds, beyond the valleys,
The woods, the mountains, the clouds, the seas,
Farther than the sun, the distant breeze,
The spheres that wilt to infinity

My spirit, you move with agility
And, like a good swimmer who swoons in the wave
You groove the depths immensity gave,
The inexpressible and male ecstasy.

>From this miasma of waste,
You will be purified in superior air
And drink a pure and divine liqueur,
A clear fire to replace the limpid space

Behind this boredom and fatigue, this vast chagrin
Whose weight moves the mists of existence,
Happy is he who vigorously fans the senses
Toward serene and luminous fields—wincing!

The one whose thoughts are like skylarks taken wing
Across the heavens mornings in full flight
—Who hovers over life, understanding without effort
The language of flowers and mute things.


Translated by William A. Sigler


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The Tomb Is Empty

Face it friend, the tomb is empty; death couldn’t hold Christ, you see,
Although He died for you and me, He’s now on the Throne of Eternity.
The stone, covering where Christ lay, by God’s hand, was rolled away.
In that tomb where Christ was laid, only Christ’s grave clothes stayed,
There He stood, in a body Glorified, Jesus Christ, who bled and died.

Mary was the first one to that tomb, bearing a heart filled with gloom,
She assumed the body was taken, but she would be gladly mistaken,
For, with her heavy heart that day, she would soon hear an angel say,
You will not find Christ Jesus dead, for He rose just like He had said.
She left to tell others not to grieve, for The Lord, they too would see.

Now Mary filled with a joyful heart, from an empty tomb would depart,
Filled with wonder she ran to those, other disciples, to say Christ rose.
Peter began running fast ahead; as they had thought Christ was dead,
Now he ran with much anticipation, enthused by a brand new situation,
Looking inside he just saw clothes, for from the grave Christ had rose.

But all hearts stayed, like the tomb, until Christ entered into that room,
Showing them His hands and side, proving He was The One who died.
Christ would stay for forty days, filling their hearts with joy and praise,
Filing them with His Hope and victory, that will last through all eternity,
Where they shall remain forevermore, with their Savior, Christ our Lord.

(Copyright ©04/2007)

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Charles Baudelaire

My Earlier Life

I've been home a long time among the vast porticos,
Which the mariner sun has tinged with a million fires,
Whose grandest pillars, upright, majestic and cold
Render them the same, this evening, as caves with basalt spires.

The swells' overwhelming accords of rich music,
Heaving images of heaven to the skies,
Mingle in a way solemn and mystic
With the colors of the horizon reflected by my eyes.

It was here I was true to the voluptuous calm,
The milieu of azure, the waves, the splendors,
And the nude slaves, all impregnated with odors,

Who refreshed my brow with waving palms
My only care to bring to meaning from anguish
The sad secret in which I languish.


Translated by William A. Sigler


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Emily Dickinson

Unit, like Death, for Whom?

408

Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
Just two—the Bearer—
And the Borne—
And seat—just One—
The Living—tell—
The Dying—but a Syllable—
The Coy Dead—None—
No Chatter—here—no tea—
So Babbler, and Bohea—stay there—
But Gravity—and Expectation—and Fear—
A tremor just, that All's not sure.

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John Keats

To Fanny

I cry your mercy—pity—love!—aye, love!
Merciful love that tantalizes not,
One-thoughted, never-wandering, guileless love,
Unmasked, and being seen—without a blot!
O! let me have thee whole,—all—all—be mine!
That shape, that fairness, that sweet minor zest
Of love, your kiss,—those hands, those eyes divine,
That warm, white, lucent, million-pleasured breast,—
Yourself—your soul—in pity give me all,
Withhold no atom's atom or I die,
Or living on, perhaps, your wretched thrall,
Forget, in the mist of idle misery,
Life's purposes,—the palate of my mind
Losing its gust, and my ambition blind!

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Emily Dickinson

I tried to think a lonelier Thing

532

I tried to think a lonelier Thing
Than any I had seen—
Some Polar Expiation—An Omen in the Bone
Of Death's tremendous nearness—

I probed Retrieverless things
My Duplicate—to borrow—
A Haggard Comfort springs

From the belief that Somewhere—
Within the Clutch of Thought—
There dwells one other Creature
Of Heavenly Love—forgot—

I plucked at our Partition
As One should pry the Walls—
Between Himself—and Horror's Twin—
Within Opposing Cells—

I almost strove to clasp his Hand,
Such Luxury—it grew—
That as Myself—could pity Him—
Perhaps he—pitied me—

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A Crying Monk

Once there was a monk
with peaceful mind without junk.

At funeral, he usually preached,
pacifying the people with grief,
saying one would leave,
when one's life ceased,
crying and weeping was no need,
Buddha's teaching one must heed,
One's karma would lead
to either heaven or hell indeed.

One day, the monk's mother died sudden death.
He cried violently without catching the breath.
The funeral attendents consoled him,
to stop wailing and tear flowing.
He said it couldn't help,
he now experienced sorrow and grief by himself.

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Its Ok

Its ok
Love is only meant for some
Im the rock
The shoulder you can cry on
I keep the walls from falling down
I keep the walls from falling down
I keep the walls from falling down
Ill play it straight
While you laugh and drink and party all night long
Ill designate myself
To be the driver who takes you home
I keep the walls from falling down
I keep the walls from falling down
You can be pretty and tragic
Ill try to keep the walls from falling down
You can be beautiful and fabulous
Ill try to keep the walls from falling down
I cant reach the pain you feel
But Ill try to keep the walls from falling down
If you can hold on
Lose your fear
Ill try to keep the walls from falling down
Falling down
Falling down
Where is your saint
To let you know youre not alone
To bring you peace
Help me be your friend your confidante
And keep the walls from falling down
Keep the walls from falling down
Keep the walls from falling down

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Emily Dickinson

A single Screw of Flesh

263


Is all that pins the Soul
That stands for Deity, to Mine,
Upon my side the Veil—

Once witnessed of the Gauze—
Its name is put away
As far from mine, as if no plight
Had printed yesterday,

In tender—solemn Alphabet,
My eyes just turned to see,
When it was smuggled by my sight
Into Eternity—

More Hands—to hold—These are but Two—
One more new-mailed Nerve
Just granted, for the Peril's sake—
Some striding—Giant—Love—

So greater than the Gods can show,
They slink before the Clay,
That not for all their Heaven can boast
Will let its Keepsake—go

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Emily Dickinson

I know some lonely Houses off the Road

289

I know some lonely Houses off the Road
A Robber'd like the look of—
Wooden barred,
And Windows hanging low,
Inviting to—
A Portico,
Where two could creep—
One—hand the Tools—
The other peep—
To make sure All's Asleep—
Old fashioned eyes—
Not easy to surprise!

How orderly the Kitchen'd look, by night,
With just a Clock—
But they could gag the Tick—
And Mice won't bark—
And so the Walls—don't tell—
None—will—

A pair of Spectacles ajar just stir—
An Almanac's aware—
Was it the Mat—winked,
Or a Nervous Star?
The Moon—slides down the stair,
To see who's there!

There's plunder—where—
Tankard, or Spoon—
Earring—or Stone—
A Watch—Some Ancient Brooch
To match the Grandmama—
Staid sleeping—there—

Day—ratt les—too
Stealth's—slow—
T he Sun has got as far
As the third Sycamore—
Screams Chanticleer
"Who's there"?

And Echoes—Trains away,
Sneer—"Where"!
While the old Couple, just astir,
Fancy the Sunrise—left the door ajar!

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Emily Dickinson

Before I got my eye put out

327

Before I got my eye put out
I liked as well to see—
As other Creatures, that have Eyes
And know no other way—

But were it told to me—Today—
That I might have the sky
For mine—I tell you that my Heart
Would split, for size of me—

The Meadows—mine—
The Mountains—mine—
All Forests—Stintless Stars—
As much of Noon as I could take
Between my finite eyes—

The Motions of the Dipping Birds—
The Morning's Amber Road—
For mine—to look at when I liked—
The News would strike me dead—

So safer—guess—with just my soul
Upon the Window pane—
Where other Creatures put their eyes—
Incautious—of the Sun—

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Do You Know The Truth?

Know the Truth, it will set you free, Christ is that Truth, and It is He.
To know the Truth is personally, do you know The God of Eternity?
The real truth is more than fact; it is Our Lord, who is coming back.
Today are you free in The Truth, or will you see His strong reproof?

This Truth that you come to know, goes with you wherever you go.
Will you have Truth by your side, the very day after you have died?
And this Truth that sets men free, also helps the blind men to see.
Did you receive the sight to see, the only Truth that rules Eternity?

When you see The Eternal Truth, you will be Christ’s living proof,
That God truly sets men free, as a changed man is what men see.
They’re freed from a darkened past, given a freedom that will last.
Freedom offered to both you and me, in Christ through all Eternity.

Christ is the only Truth you need, in this life to be set free indeed.
Do you have this freedom friend, that in Christ Jesus will not end?
His freedom always brings peace, even as other freedoms cease.
Will all your earthly freedom end, when you see our Savior friend?

God’s plans never fail my friend, as Satan learned way back when.
Are you still under Satan’s guise, or has Christ opened your eyes?
God sent the Savior Jesus Christ, as the freedom men need in life,
Will you embrace The Truth and be, free in Christ for all of Eternity?

(Copyright ©03/2006)

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Walls

Walls of stone and walls of brick,
Some walls thin and some walls thick,
Walls so high and walls so low,
Walls to hide and walls to show.

Walls quite short and walls quite tall,
Some walls, last well, some walls fall,
Walls for comfort, walls of hate,
Walls for security, walls ornate.

Some as a barricade, some to support,
Walls of wood and walls of iron wrought,
Walls as a barrier, walls to enclose,
Some are to sit on, some to lean and doze.

Walls we build ourselves, these aren't good,
Walls for privacy, walls that have stood,
So many years through weather foul or fine,
Walls, that are yours, walls that are mine.

Brick by brick they are built to last,
Whether built now or in the past,
They shelter us from so many things,
And shield us from whatever this life brings.

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Emily Dickinson

Behind Me—dips Eternity

721

Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—

'Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—

'Tis Miracle before Me—then—
'Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—

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Emily Dickinson

The Birds reported from the South

743

The Birds reported from the South—
A News express to Me—
A spicy Charge, My little Posts—
But I am deaf—Today—

The Flowers—appealed—a timid Throng—
I reinforced the Door—
Go blossom for the Bees—I said—
And trouble Me—no More—

The Summer Grace, for Notice strove—
Remote—Her best Array—
The Heart—to stimulate the Eye
Refused too utterly—

At length, a Mourner, like Myself,
She drew away austere—
Her frosts to ponder—then it was
I recollected Her—

She suffered Me, for I had mourned—
I offered Her no word—
My Witness—was the Crape I bore—
Her—Witness—was Her Dead—

Thenceforward—We—t ogether dwelt—
I never questioned Her—
Our Contract
A Wiser Sympathy

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