Love, The Soul Of Poetry
WHen first Alexis did in Verse delight,
His Muse in Low, but Graceful Numbers walk't,
And now and then a little Proudly stalk't;
But never aim'd at any noble Flight:
The Herds, the Groves, the gentle purling Streams,
Adorn'd his Song, and were his highest Theams.
But Love these Thoughts, like Mists, did soon disperse,
Enlarg'd his Fancy, and set free his Muse,
Biding him more Illustrious Subjects choose;
The Acts of Gods, and God-like Men reherse.
From thence new Raptures did his Breast inspire,
His scarce Warm-Heart converted was to Fire.
Th' exalted Poet rais'd by this new Flame,
With Vigor flys, where late he crept along,
And Acts Divine, in a Diviner Song,
Commits to the eternal Trompe of Fame.
And thus Alexis does prove Love to be,
As the Worlds Soul, the Soul of Poetry.
poem by Anne Killigrew

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A Pastoral Dialogue
Dorinda. Sabæan Perfumes fragrant Roses bring,
With all the Flowers that Paint the gaudy Spring:
Scatter them all in young Alexis's way,
With all that's sweet and (like himself) that's Gay.
Alexis. Immortal Laurels and as lasting Praise,
Crown the Divine Dorinda's matchless Laies:
May all Hearts stoop, where mine would gladly yield,
Had not Lycoris prepossest the Field.
Dor. Would my Alexis meet my noble Flame,
In all Ausonia neither Youth nor Dame,
Should so renown'd in Deathless Numbers shine,
As thy exalted Name should do in mine.
Alex. He'll need no Trophie nor ambitious Hearse,
Who shall be honour'd by Dorinda's Verse;
But where it is inscrib'd, That here doth lie
Lycoris's Love. That Fame can never die.
Dor. On Tyber's Bank I Thyrsis did espie,
And by his side did bright Lycoris lie;
She Crown'd his Head, and Kist his amorous Brow,
Ah Poor Alexis! Ah then where wer't thou?
Alex. When thou saw'st that, I ne'r had seen my Fair,
And what pass'd then ought not to be my Care;
I liv'd not then, but first began to be,
When I Lycoris Lov'd, and she Lov'd me.
Dor. Ah choose a Faith, a Faith that's like thine own,
A Virgin Love, a Love that's newly blown:
'Tis not enough a Maidens Heart is chast,
It must be Single, and not once mis-plac't.
Alex. Thus do our Priests of Heavenly Pastures tell,
Eternal Groves, all Earthly, that excel:
And think to wean us from our Loves below,
By dazling Objects which we cannot know.
poem by Anne Killigrew

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My Muse Is Free
I swim in the glimmers on the rivers muse
There I muse of love and love muse of me
In muse is ecstasy
my muse is free.
I lay by the brook, the muse's brook
And thirsty, I get up, to get a little drink
When I look, I see, I think
A beautiful Muse and my heart is shook
I dwell in a soul, a soulful muse
And to its harmony my soul withdrew
To the trumpets of muse the song of blue
My soul a muse, I always knew
I smell the odor, of muse's incense
In its torpor my body sleeps in my soul
And I smoke the smoke of muse intense
I laugh at myself amusingly droll
With my muse's nymphs we love in Hellas
Naked and free in the republic
Of beauty and art of love's Bellas
We love to we're entirely love sick.
My muse is free from the Devil's temptation
My Muse is free from God's judgment
My Muse is my only wordly nation
My Muse is a dream, I live, I lament
poem by Kevin Michael Murphy

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You're a Poem
Much like a poem are you to me, my love.
Your breath's rhythm I feel and am in awe of,
For it's like a breeze that takes me sky high
Releases me, then catches me that I'll not cry...
You are the trill that gives life to my soul.
You are the pulse that makes my heart whole.
You touch me with words and make me warm
and with the same, of your best you do perform.
Your voice cadences until it becomes a song.
Your smile's a simile that you and I belong.
You take me places that in myself I'd never see.
You mean any and EVERYTHING to me.
Copyright © 2011 Leslie Alexis
poem by Leslie Alexis

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To S. M. A Young African Painter, On Seeing His Works
TO show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown'd with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless'd,
May peace with balmy wings your soul invest!
But when these shades of time are chas'd away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav'nly murmurs flow,
And there my muse with heav'nly transport glow:
No more to tell of Damon's tender sighs,
Or rising radiance of Aurora's eyes,
For nobler themes demand a nobler strain,
And purer language on th' ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.
poem by Phillis Wheatley

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An act of poetry
Ruin is what we need –
Despair is what we feed
Upon in poetry
A shock resets the nerves –
Helps remould the curves
Of written art
Catharsis helps portray –
Acting out a play
On expurgation
Tears or hidden fears
Release the bottled years
To ink a page:
The pen be our salvation.
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter

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Illustrious acts high raptures do infuse, And every conqueror creates a muse.
quote by Edmund Waller

Submitted by Lucian Velea
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An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.
Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.
But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.
But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.
Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.
But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.
I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.
poem by Joseph Addison

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A Parody Of Donec Gratus Eram In A dialogue Between M--- & His Wife
He. When first my Biddy love profest
My rapture ran so high
Not Gentle S---s fondly prest
To beautious G---s panting breast
Was half so blest as I
She. When first my bard you taught my name
To sound in Song divine
Not S---s exalted fame
Tho S---s a P--- aim
I wishd instead of mine
He. But now the Muse thy late delight
You See thy rival prove
For night & day & day & night
To write & read & read & write
Is all ye life I love
She Forlorn yet senceless of ye pain
I to the Mirrour fly
Survey my self am Justly vain
And but I know my self again
For that dear face coud dy
He. But shoud thy Bard no longer pore
Wilt thou forsake thy glass
If I admire my works no more
Wilt thou to court thy shade give o're
And all be as it was
She Since none but we our rivals are
And none the lovers too
Be fond or void of am'rous care
I fond or vain of being fair
Yet both are ever true.
poem by Thomas Parnell

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To Maecenas
MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
*He was an African by birth.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.
poem by Phillis Wheatley

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A Letter To The Same Person
Sure of Success, to You I boldly write,
Whilst Love do's ev'ry tender Line endite;
Love, who is justly President of Verse,
Which all his Servants write, or else rehearse.
Phoebus (howe'er mistaken Poets dream)
Ne'er us'd a Verse, till Love became his Theme.
To his stray'd Son, still as his Passion rose,
He rais'd his hasty Voice in clam'rous Prose:
But when in Daphne he wou'd Love inspire,
He woo'd in Verse, set to his silver Lyre.
The Trojan Prince did pow'rful Numbers join
To sing of War; but Love was the Design:
And sleeping Troy again in Flames was drest,
To light the Fires in pitying Dido's Breast.
Love without Poetry's refining Aid
Is a dull Bargain, and but coarsely made;
Nor e'er cou'd Poetry successful prove,
Or touch the Soul, but when the Sense was Love.
Oh! cou'd they both in Absence now impart
Skill to my Hand, but to describe my Heart;
Then shou'd you see impatient of your Stay
Soft Hopes contend with Fears of sad Delay;
Love in a thousand fond Endearments there,
And lively Images of You appear.
But since the Thoughts of a Poetick Mind
Will never be to Syllables confin'd;
And whilst to fix what is conceiv'd, we try,
The purer Parts evaporate and dye:
You must perform what they want force to do,
And think what your ARDELIA thinks of you.
poem by Anne Kingsmill Finch

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Sonnet 100: Where art thou, Muse, that thou forget'st so long
Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem,
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey
If time have any wrinkle graven there;
If any, be a satire to decay,
And make time's spoils despisèd everywhere.
Give my love fame faster than Time wastes life;
So thou prevent'st his scythe and crooked knife.
poem by William Shakespeare

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Ode X: To The Muse
I.
Queen of my songs, harmonious maid,
Ah why hast thou withdrawn thy aid?
Ah why forsaken thus my breast
With inauspicious damps oppress'd?
Where is the dread prophetic heat,
With which my bosom wont to beat?
Where all the bright mysterious dreams
Of haunted groves and tuneful streams,
That woo'd my genius to divinest themes?
II.
Say, goddess, can the festal board,
Or young Olympia's form ador'd;
Say, can the pomp of promis'd fame
Relume thy faint, thy dying flame?
Or have melodious airs the power
To give one free, poetic hour?
Or, from amid the Elysian train,
The soul of Milton shall i gain,
To win thee back with some celestial strain?
III.
O powerful strain! o sacred soul!
His numbers every sense controul:
And now again my bosom burns;
The Muse, the Muse herself returns.
Such on the banks of Tyne, confess'd,
I hail'd the fair immortal guest,
When first she seal'd me for her own,
Made all her blissful treasures known,
And bade me swear to follow Her alone.
poem by Mark Akenside

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Upon The Saying That My Verses Were Made By Another
Next Heaven my Vows to thee (O Sacred Muse!)
I offer'd up, nor didst thou them refuse.
O Queen of Verse, said I, if thou'lt inspire,
And warm my Soul with thy Poetique Fire,
No Love of Gold shall share with thee my Heart,
Or yet Ambition in my Brest have Part,
More Rich, more Noble I will ever hold
The Muses Laurel, than a Crown of Gold.
An Undivided Sacrifice I'le lay
Upon thine Altar, Soul and Body pay;
Thou shalt my Pleasure, my Employment be,
My All I'le make a Holocaust to thee.
The Deity that ever does attend
Prayers so sincere, to mine did condescend.
I writ, and the Judicious prais'd my Pen:
Could any doubt Insuing Glory then?
What pleasing Raptures fill'd my Ravisht Sense?
How strong, how Sweet, Fame, was thy Influence?
And thine, False Hope, that to my flatter'd sight
Didst Glories represent so Near, and Bright?
By thee deceiv'd, methought, each Verdant Tree,
Apollos transform'd Daphne seem'd to be;
And ev'ry fresher Branch, and ev'ry Bow
Appear'd as Garlands to empale my Brow.
The Learn'd in Love say, Thus the Winged Boy
Does first approach, drest up in welcome Joy;
At first he to the Cheated Lovers sight
Nought represents, but Rapture and Delight,
Alluring Hopes, Soft Fears, which stronger bind
Their Hearts, than when they more assurance find.
Embolden'd thus, to Fame I did commit,
(By some few hands) my most Unlucky Wit.
But, ah, the sad effects that from it came!
What ought t'have brought me Honour, brought me shame!
Like Esops Painted Jay I seem'd to all,
Adorn'd in Plumes, I not my own could call:
Rifl'd like her, each one my Feathers tore,
And, as they thought, unto the Owner bore.
My Laurels thus an Others Brow adorn'd,
My Numbers they Admir'd, but Me they scorn'd:
An others Brow, that had so rich a store
Of Sacred Wreaths, that circled it before;
Where mine quite lost, (like a small stream that ran
Into a Vast and Boundless Ocean)
Was swallow'd up, with what it joyn'd and drown'd,
And that Abiss yet no Accession found.
Orinda, (Albions and her Sexes Grace)
Ow'd not her Glory to a Beauteous Face,
It was her Radiant Soul that shon With-in,
Which struck a Lustre through her Outward Skin;
That did her Lips and Cheeks with Roses dy,
Advanc't her Height, and Sparkled in her Eye.
Nor did her Sex at all obstruct her Fame,
But higher 'mong the Stars it fixt her Name;
What she did write, not only all allow'd,
But ev'ry Laurel, to her Laurel, bow'd!
Th' Envious Age, only to Me alone,
Will not allow, what I do write, my Own,
But let 'em Rage, and 'gainst a Maide Conspire,
So Deathless Numbers from my Tuneful Lyre
Do ever flow; so Phebus I by thee
Divinely Inspired and possest may be;
I willingly accept Cassandras Fate,
To speak the Truth, although believ'd too late.
poem by Anne Killigrew

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Alexis II
This message is to every Tom, Dick and Harry!
And like your sweet muse being exposed for the first time;
However, believe in yourself always.
The magical words,
The magical works,
The magical moves,
And like Alexis my lover;
But, how can i go away when i am still in love with Alexis?
poem by Edward Kofi Louis

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Pleadings From a Dead Poet
Oh Muse, release the locks that dam the flow
Of verse and song from my distended heart.
Find passion for my soul that I have lost poetic speech.
Let flow the streams of ardency to seek their source
Within the infinite, harmonious, consistency of words.
Embrace me Muse,
Allow the fountains of my mind to fill the empty pools
Of solitude with thoughts and sounds of dreamy visions
Worthily expressed.
Awaken to my reverence,
Breathe forth that harmony to which my soul was filled.
I stand in this anhydrous waste, in dread
My ever-present being shall be made invisble to life.
And she replied:
'Be silent fool, and listen
For the still, soft whispers of your inner Self.
Harken to the Counsel of your bosom,
Through which Creation passes.
Then, you write.'
(Blank Verse)
poem by Lynn W. Petty

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A Poet's Song
~♥ ♥ ♥ ~
I have read
Works of great men and women
Simple poems and stories
I also have written
This is the song of a poet
The song of my soul
I love poetries
So too are stories
They are simple daisies
Filling my fantasies
This is the song of a poet
The song of my soul
It is my refuge
When in sorrow
My hopes and dreams
In my unknown tomorrow
This is the song of a poet
The song of my soul
I am a poetess
With the dream of sharing
And with my knowledge and skills
Tomorrow, my dreams I will be fulfilling
This is the song of a poet
The song of my soul
I and my works
May never be great
But I will never lose hope
In God, I place my faith
This is the song of a poet
The song of my soul
I will never surrender to failure
I shall never retire until I reach my goal
I will read and write literature
I will hear the cry of my hoping soul
This is the song of a poet
The song of my soul
~♥ ♥ ♥ ~
poem by Belleza Edella Marian SwanCullen

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Ode to Memory
O Memory! Celestial maid!
Who glean'st the flowerets cropt by time;
And, suffering not a leaf to fade,
Preserv'st the blossoms of our prime;
Bring, bring those moments to my mind
When life was new and Lesbia kind.
And bring that garland to my sight,
With which my favour'd crook she bound;
And bring that wreath of roses bright,
Which then my festive temples crown'd;
And to my raptured ear convey
The gentle things she deign'd to say
And sketch with care the Muse's bower,
Where Isis rolls her silver tide
Nor yet omit one reed or flower
That shines on Cherwell's verdant side;
If so thou mayst those hours prolong,
When polish'd Lycon join'd my song.
The song it 'vails not to recite-
But, sure, to soothe our youthful dreams,
Those banks and streams appear'd more bright
Than other banks, than other streams;
Or, by the softening pencil shown,
Assume they beauties not their own?
And paint that sweetly-vacant scene,
When, all beneath the poplar bough,
My spirits light, my soul serene,
I breathed in verse one cordial vow:
That nothing should my soul inspire
But friendship warm and love entire.
Dull to the sense of new delight,
On thee the drooping muse attends;
As some fond lover, robb'd of sight,
On thy expressive power depends,
Nor would exchange thy glowing lines,
To live the lord of all that shines.
But let me chase those vows away,
Which at Ambition's shrine I made;
Nor ever let thy skill display
Those anxious moments, ill repaid:
Oh! from my breast that season rase,
And bring my childhood in its place.
Bring me the bells, the rattle bring,
And bring the hobby I bestrode,
When pleased, in many a sportive ring,
Around the room I jovial rode;
Even let me bid my lyre adieu,
And bring the whistle that I blew.
Then will I muse, and, pensive, say,
Why did not these enjoyments last?
How sweetly wasted I the day,
While innocence allow'd to waste!
Ambition's toils alike are vain,
But ah! for pleasure yield us pain.
poem by William Shenstone

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A Fear Through Words
It is through fear I write this
Through fear I dare not speak these words
Or name the muse of who I pen them to
I hold a gentle and honest love to my heart
Such a love as yet untried and unknown
What good are my words when I cannot speak them
To my muse so beautiful so sweet, so divine
I fear I may lose them so completely
That I stay silent, bide my words so well
And watch with abject despair
My muse, object of my whole desire
Grow more distant with each passing day
And I fear I may lose all together
By speaking these words, these cursed words
I asked myself once, what I search for
Is it what I want or what I need in life
And there I saw my muse, a world of beauty
More than I could imagine or ask for
A gentle heart and loving nature
Those warm soothing eyes I look to
Do not see me as I would wish
I fear if they were to, see my innermost soul
My passion and my love for them
They would turn away and be lost completely
Which is why I write with fear
These words I dare not speak
poem by Matthew Holloway

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Monody to the Memory of Chatterton
Chill penury repress'd his noble rage,
And froze the genial current of his soul.
GRAY.
IF GRIEF can deprecate the wrath of Heaven,
Or human frailty hope to be forgiven !
Ere now thy sainted spirit bends its way
To the bland regions of celestial day;
Ere now, thy soul, immers'd in purest air
Smiles at the triumphs of supreme Despair;
Or bath'd in seas of endless bliss, disdains
The vengeful memory of mortal pains;
Yet shall the MUSE a fond memorial give
To shield thy name, and bid thy GENIUS live.
Too proud for pity, and too poor for praise,
No voice to cherish, and no hand to raise;
Torn, stung, and sated, with this "mortal coil,"
This weary, anxious scene of fruitless toil;
Not all the graces that to youth belong,
Nor all the energies of sacred song;
Nor all that FANCY, all that GENIUS gave,
Could snatch thy wounded spirit from the grave.
Hard was thy lot, from every comfort torn;
In POVERTY'S cold arms condemn'd to mourn;
To live by mental toil, e'en when the brain
Could scarce its trembling faculties sustain;
To mark the dreary minutes slowly creep:
Each day to labour, and each night to weep;
'Till the last murmur of thy frantic soul,
In proud concealment from its mansion stole,
While ENVY springing from her lurid cave,
Snatch'd the young LAURELS from thy rugged grave.
So the pale primrose, sweetest bud of May,
Scarce wakes to beauty, ere it feels decay;
While baleful weeds their hidden n poisons pour,
Choke the green sod, and wither every flow'r.
Immur'd in shades, from busy scenes remov'd;
No sound to solace,but the verse he lov'd:
No soothing numbers harmoniz'd his ear;
No feeling bosom gave his griefs a tear;
Obscurely bornno gen'rous friend he found
To lead his trembling steps o'er classic ground.
No patron fill'd his heart with flatt'ring hope,
No tutor'd lesson gave his genius scope;
Yet, while poetic ardour nerv'd each thought,
And REASON sanction'd what AMBITION taught;
He soar'd beyond the narrow spells that bind
The slow perceptions of the vulgar mind;
The fire once kindled by the breath of FAME,
Her restless pinions fann'd the glitt'ring flame;
Warm'd by its rays, he thought each vision just;
For conscious VIRTUE seldom feels DISTRUST.
Frail are the charms delusive FANCY shows,
And short the bliss her fickle smile bestows;
Yet the bright prospect pleas'd his dazzled view,
Each HOPE seem'd ripened, and each PHANTOM true;
Fill'd with delight, his unsuspecting mind
Weigh'd not the grov'ling treach'ries of mankind;
For while a niggard boon his Savants supply'd,
And NATURE'S claims subdued the voice of PRIDE:
His timid talents own'd a borrow'd name,
And gain'd by FICTION what was due to FAME.
With secret labour, and with taste refin'd,
This son of mis'ry form'd his infant mind !
When op'ning Reason's earliest scenes began,
The dawn of childhood mark'd the future man !
He scorn'd the puerile sports of vulgar boys,
His little heart aspir'd to nobler joys;
Creative Fancy wing'd his few short hours,
While soothing Hope adorn'd his path with flow'rs,
Yet FAME'S recording hand no trophy gave,
Save the sad TEARto decorate his grave.
Yet in this dark, mysterious scene of woe,
Conviction's flame shall shed a radiant glow;
His infant MUSE shall bind with nerves of fire
The sacrilegious hand that stabs its sire.
Methinks, I hear his wand'ring shade complain,
While mournful ECHO lingers on the strain;
Thro' the lone aisle his restless spirit calls,
His phantom glides along the minster's § walls;
Where many an hour his devious footsteps trod,
Ere Fate resign'd him TO HIS PITYING GOD.
Yet, shall the MUSE to gentlest sorrow prone
Adopt his cause, and make his griefs her own;
Ne'er shall her CHATTERTON's neglected name,
Fade in inglorious dreams of doubtful fame;
Shall he, whose pen immortal GENIUS gave,
Sleep unlamented in an unknown grave?
No, the fond MUSE shall spurn the base neglect,
The verse she cherish'd she shall still protect.
And if unpitied pangs the mind can move,
Or graceful numbers warm the heart to love;
If the fine raptures of poetic fire
Delight to vibrate on the trembling lyre;
If sorrow claims the kind embalming tear,
Or worth oppress'd, excites a pang sincere?
Some kindred soul shall pour the song divine,
And with the cypress bough the laurel twine,
Whose weeping leaves the wint'ry blast shall wave
In mournful murmurs o'er thy unbless'd grave.
And tho' no lofty VASE or sculptur'd BUST
Bends o'er the sod that hides thy sacred dust;
Tho' no long line of ancestry betrays
The PRIDE of RELATIVES, or POMP of PRAISE.
Tho' o'er thy name a blushing nation rears
OBLIVION'S wing to hide REFLECTION'S tears!
Still shall thy verse in dazzling lustre live,
And claim a brighter wreath THAN WEALTH CAN GIVE.
poem by Mary Darby Robinson

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No One Heard
A song was sung that no one heard.
The song was sung all through the town.
It played for days - from dust until dawn.
It greeted on the morning and midnight yawn.
A song was sung that no one heard.
The melody was sweet and words were strong.
The instruments were the piano and the gong.
No one heard, no they did not,
For to hear, you needed the purest heart.
The song was played in the land on man;
A song was sung that no one heard.
Copyright © 2010 Leslie Alexis
poem by Leslie Alexis

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