A Minor Poet
"What should such fellows as I do,
Crawling between earth and heaven?"
Here is the phial; here I turn the key
Sharp in the lock. Click!--there's no doubt it turned.
This is the third time; there is luck in threes--
Queen Luck, that rules the world, befriend me now
And freely I'll forgive you many wrongs!
Just as the draught began to work, first time,
Tom Leigh, my friend (as friends go in the world),
Burst in, and drew the phial from my hand,
(Ah, Tom! ah, Tom! that was a sorry turn!)
And lectured me a lecture, all compact
Of neatest, newest phrases, freshly culled
From works of newest culture: "common good ;"
"The world's great harmonies;""must be content
With knowing God works all things for the best,
And Nature never stumbles." Then again,
"The common good," and still, "the common, good;"
And what a small thing was our joy or grief
When weigh'd with that of thousands. Gentle Tom,
But you might wag your philosophic tongue
From morn till eve, and still the thing's the same:
I am myself, as each man is himself--
Feels his own pain, joys his own joy, and loves
With his own love, no other's. Friend, the world
Is but one man; one man is but the world.
And I am I, and you are Tom, that bleeds
When needles prick your flesh (mark, yours, not mine).
I must confess it; I can feel the pulse
A-beating at my heart, yet never knew
The throb of cosmic pulses. I lament
The death of youth's ideal in my heart;
And, to be honest, never yet rejoiced
In the world's progress--scarce, indeed, discerned;
(For still it seems that God's a Sisyphus
With the world for stone).
You shake your head. I'm base,
Ignoble? Who is noble--you or I?
I was not once thus? Ah, my friend, we are
As the Fates make us.
This time is the third;
The second time the flask fell from my hand,
Its drowsy juices spilt upon the board;
And there my face fell flat, and all the life
Crept from my limbs, and hand and foot were bound
With mighty chains, subtle, intangible;
While still the mind held to its wonted use,
Or rather grew intense and keen with dread,
An awful dread--I thought I was in Hell.
In Hell, in Hell ! Was ever Hell conceived
By mortal brain, by brain Divine devised,
Darker, more fraught with torment, than the world
For such as I? A creature maimed and marr'd
From very birth. A blot, a blur, a note
All out of tune in this world's instrument.
A base thing, yet not knowing to fulfil
Base functions. A high thing, yet all unmeet
For work that's high. A dweller on the earth,
Yet not content to dig with other men
Because of certain sudden sights and sounds
(Bars of broke music; furtive, fleeting glimpse
Of angel faces 'thwart the grating seen)
Perceived in Heaven. Yet when I approach
To catch the sound's completeness, to absorb
The faces' full perfection, Heaven's gate,
Which then had stood ajar, sudden falls to,
And I, a-shiver in the dark and cold,
Scarce hear afar the mocking tones of men:
"He would not dig, forsooth ; but he must strive
For higher fruits than what our tillage yields;
Behold what comes, my brothers, of vain pride!"
Why play with figures? trifle prettily
With this my grief which very simply's said,
"There is no place for me in all the world"?
The world's a rock, and I will beat no more
A breast of flesh and blood against a rock. . .
A stride across the planks for old time's sake.
Ah, bare, small room that I have sorrowed in;
Ay, and on sunny days, haply, rejoiced;
We know some things together, you and I!
Hold there, you rangèd row of books ! In vain
You beckon from your shelf. You've stood my friends
Where all things else were foes; yet now I'll turn
My back upon you, even as the world
Turns it on me. And yet--farewell, farewell!
You, lofty Shakespere, with the tattered leaves
And fathomless great heart, your binding's bruised
Yet did I love you less? Goethe, farewell;
Farewell, triumphant smile and tragic eyes,
And pitiless world-wisdom!
For all men
These two. And 'tis farewell with you, my friends,
More dear because more near: Theokritus;
Heine that stings and smiles; Prometheus' bard;
(I've grown too coarse for Shelley latterly:)
And one wild singer of to-day, whose song
Is all aflame with passionate bard's blood
Lash'd into foam by pain and the world's wrong.
At least, he has a voice to cry his pain;
For him, no silent writhing in the dark,
No muttering of mute lips, no straining out
Of a weak throat a-choke with pent-up sound,
A-throb with pent-up passion. . .
Ah, my sun!
That's you, then, at the window, looking in
To beam farewell on one who's loved you long
And very truly. Up, you creaking thing,
You squinting, cobwebbed casement!
So, at last,
I can drink in the sunlight. How it falls.
Across that endless sea of London roofs,
Weaving such golden wonders on the grey,
That almost, for the moment, we forget
The world of woe beneath them.
Underneath,
For all the sunset glory, Pain is king.
Yet, the sun's there, and very sweet withal;
And I'll not grumble that it's only sun,
But open wide my lips--thus--drink it in;
Turn up my face to the sweet evening sky
(What royal wealth of scarlet on the blue
So tender toned, you'd almost think it green)
And stretch my hands out--so--to grasp it tight.
Ha, ha! 'tis sweet awhile to cheat the Fates,
And be as happy as another man.
The sun works in my veins like wine, like wine!
'Tis a fair world: if dark, indeed, with woe,
Yet having hope and hint of such a joy,
That a man, winning, well might turn aside,
Careless of Heaven . . .
O enough; I turn
From the sun's light, or haply I shall hope.
I have hoped enough; I would not hope again:
'Tis hope that is most cruel.
Tom, my friend,
You very sorry philosophic fool;
'Tis you, I think, that bid me be resign'd,
Trust, and be thankful.
Out on you! Resign'd?
I'm not resign'd, not patient, not school'd in
To take my starveling's portion and pretend
I'm grateful for it. I want all, all, all;
I've appetite for all. I want the best:
Love, beauty, sunlight, nameless joy of life.
There's too much patience in the world, I think.
We have grown base with crooking of the knee.
Mankind--say--God has bidden to a feast;
The board is spread, and groans with cates and drinks;
In troop the guests; each man with appetite
Keen-whetted with expectance.
In they troop,
Struggle for seats, jostle and push and seize.
What's this? what's this? There are not seats for all!
Some men must stand without the gates; and some
Must linger by the table, ill-supplied
With broken meats. One man gets meat for two,
The while another hungers. If I stand
Without the portals, seeing others eat
Where I had thought to satiate the pangs
Of mine own hunger; shall I then come forth
When all is done, and drink my Lord's good health
In my Lord's water? Shall I not rather turn
And curse him, curse him for a niggard host?
O, I have hungered, hungered, through the years,
Till appetite grows craving, then disease;
I am starved, wither'd, shrivelled.
Peace, O peace!
This rage is idle; what avails to curse
The nameless forces, the vast silences
That work in all things.
This time is the third,
I wrought before in heat, stung mad with pain,
Blind, scarcely understanding; now I know
What thing I do.
There was a woman once;
Deep eyes she had, white hands, a subtle smile,
Soft speaking tones: she did not break my heart,
Yet haply had her heart been otherwise
Mine had not now been broken. Yet, who knows?
My life was jarring discord from the first:
Tho' here and there brief hints of melody,
Of melody unutterable, clove the air.
From this bleak world, into the heart of night,
The dim, deep bosom of the universe,
I cast myself. I only crave for rest;
Too heavy is the load. I fling it down.
EPILOGUE.
We knocked and knocked; at last, burst in the door,
And found him as you know--the outstretched arms
Propping the hidden face. The sun had set,
And all the place was dim with lurking shade.
There was no written word to say farewell,
Or make more clear the deed.
I search'd and search'd;
The room held little: just a row of books
Much scrawl'd and noted; sketches on the wall,
Done rough in charcoal; the old instrument
(A violin, no Stradivarius)
He played so ill on; in the table drawer
Large schemes of undone work. Poems half-writ;
Wild drafts of symphonies; big plans of fugues;
Some scraps of writing in a woman's hand:
No more--the scattered pages of a tale,
A sorry tale that no man cared to read.
Alas, my friend, I lov'd him well, tho' he
Held me a cold and stagnant-blooded fool,
Because I am content to watch, and wait
With a calm mind the issue of all things.
Certain it is my blood's no turbid stream;
Yet, for all that, haply I understood
More than he ever deem'd; nor held so light
The poet in him. Nay, I sometimes doubt
If they have not, indeed, the better part--
These poets, who get drunk with sun, and weep
Because the night or a woman's face is fair.
Meantime there is much talk about my friend.
The women say, of course, he died for love;
The men, for lack of gold, or cavilling
Of carping critics. I, Tom Leigh, his friend
I have no word at all to say of this.
Nay, I had deem'd him more philosopher;
For did he think by this one paltry deed
To cut the knot of circumstance, and snap
The chain which binds all being?
Related quotes
The Three Enemies
THE FLESH
"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."
"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."
"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."
"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."
THE WORLD
"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."
"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."
"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."
"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."
THE DEVIL
"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"
"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."
"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."
"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."
poem by Christina Georgina Rossetti
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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Two Schools
I put my heart to school
In the world, where men grow wise,
"Go out," I said, "and learn the rule;
Come back when you win a prize."
My heart came back again:
"Now where is the prize?" I cried. ----
"The rule was false, and the prize was pain,
And the teacher's name was Pride."
I put my heart to school
In the woods, where veeries sing,
And brooks run cool and clear;
In the fields, where wild flowers spring,
And the blue of heaven bends near.
"Go out," I said: "you are half a fool,
But perhaps they can teach you here."
"And why do you stay so long,
My heart, and where do you roam?"
The answer came with a laugh and a song, ---
"I find this school is home."
poem by Henry Van Dyke
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The Woman And The Angel
An angel was tired of heaven, as he lounged in the golden street;
His halo was tilted sideways, and his harp lay mute at his feet;
So the Master stooped in His pity, and gave him a pass to go,
For the space of a moon, to the earth-world, to mix with the men below.
He doffed his celestial garments, scarce waiting to lay them straight;
He bade good by to Peter, who stood by the golden gate;
The sexless singers of heaven chanted a fond farewell,
And the imps looked up as they pattered on the red-hot flags of hell.
Never was seen such an angel -- eyes of heavenly blue,
Features that shamed Apollo, hair of a golden hue;
The women simply adored him; his lips were like Cupid's bow;
But he never ventured to use them -- and so they voted him slow.
Till at last there came One Woman, a marvel of loveliness,
And she whispered to him: "Do you love me?" And he answered that woman, "Yes."
And she said: "Put your arms around me, and kiss me, and hold me -- so --"
But fiercely he drew back, saying: "This thing is wrong, and I know."
Then sweetly she mocked his scruples, and softly she him beguiled:
"You, who are verily man among men, speak with the tongue of a child.
We have outlived the old standards; we have burst, like an over-tight thong,
The ancient, outworn, Puritanic traditions of Right and Wrong."
Then the Master feared for His angel, and called him again to His side,
For oh, the woman was wondrous, and oh, the angel was tried!
And deep in his hell sang the Devil, and this was the strain of his song:
"The ancient, outworn, Puritanic traditions of Right and Wrong."
poem by Robert William Service
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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A Domestic Tragedy
Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"
"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"
She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."
poem by Robert William Service
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At play
Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.
Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!
Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!
poem by Eugene Field
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The Gardener XXVI: What Comes From Your Willing Hands
"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
poem by Rabindranath Tagore
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How Deep Is Your Love?
Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."
poem by Ryan Lee Morris
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The Australian Slanguage
"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.
And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."
And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".
A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".
If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".
Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".
And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!
poem by William Thomas Goodge
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Christopher Found
I.
At last; so this is you, my dear!
How should I guess to find you here?
So long, so long, I sought in vain
In many cities, many lands,
With straining eyes and groping hands;
The people marvelled at my pain.
They said: "But sure, the woman's mad;
What ails her, we should like to know,
That she should be so wan and sad,
And silent through the revels go?"
They clacked with such a sorry stir!
Was I to tell? were they to know
That I had lost you, Christopher?
Will you forgive me for one thing?
Whiles, when a stranger came my way,
My heart would beat and I would say :
" Here's Christopher!" --then lingering
With longer gaze, would turn away
Cold, sick at heart. My dear, I know
You will forgive me for this thing.
It is so very long ago
Since I have seen your face--till now;
Now that I see it--lip and brow,
Eyes, nostril, chin, alive and clear;
Last time was long ago; I know
This thing you will forgive me, dear.
II.
There is no Heaven--This is the best;
O hold me closer to your breast;
Let your face lean upon my face,
That there no longer shall be space
Between our lips, between our eyes.
I feel your bosom's fall and rise.
O hold me near and yet more near;
Ah sweet ; I wonder do you know
How lone and cold, how sad and drear,
Was I a little while ago;
Sick of the stress, the strife, the stir;
But I have found you, Christopher.
III.
If only you had come before!
(This is the thing I most deplore)
A seemlier woman you had found,
More calm, by courtesies more bound,
Less quick to greet you, more subdued
Of appetite; of slower mood.
But ah! you come so late, so late!
This time of day I can't pretend
With slight, sweet things to satiate
The hunger-cravings. Nay, my friend,
I cannot blush and turn and tremble,
Wax loth as younger maidens do.
Ah, Christopher, with you, with you,
You would not wish me to dissemble?
IV.
So long have all the days been meagre,
With empty platter, empty cup,
No meats nor sweets to do me pleasure,
That if I crave--is it over-eager,
The deepest draught, the fullest measure,
The beaker to the brim poured up?
V.
Shelley, that sprite from the spheres above,
Says, and would make the matter clear,
That love divided is larger love;--
We'll leave those things to the bards, my dear.
For you never wrote a verse, you see;
And I--my verse is not fair nor new.
Till the world be dead, you shall love but me,
Till the stars have ceased, I shall love but you.
EPILOGUE.
Thus ran the words; or rather, thus did run
Their purport. Idly seeking in the chest
(You see it yonder), I had found them there:
Some blotted sheets of paper in a case,
With a woman's name writ on it: "Adelaide."
Twice on the writing there was scored the date
Of ten years back; and where the words had end
Was left a space, a dash, a half-writ word,
As tho' the writer minded, presently
The matter to pursue.
I questioned her,
That worthy, worthy soul, my châtelaine,
Who, nothing loth, made answer.
There had been
Another lodger ere I had the rooms,
Three months gone by--a woman.
"Young, sir ? No.
Must have seen forty if she'd seen a day!
A lonesome woman; hadn't many friends;
Wrote books, I think, and things for newspapers.
Short in her temper--eyes would flash and flame
At times, till I was frightened. Paid her rent
Most regular, like a lady.
Ten years back,
They say (at least Ann Brown says), ten years back
The lady had a lover. Even then
She must have been no chicken.
Three months since
She died. Well, well, the Lord is kind and just.
I did my best to tend her, yet indeed
It's bad for trade to have a lodger die.
Her brother came, a week before she died:
Buried her, took her things, threw in the fire
The littered heaps of paper.
Yes, the sheets,
They must have been forgotten in the chest;--
I never knew her name was Adelaide."
The Contented Man
"How good God is to me," he said;
"For have I not a mansion tall,
With trees and lawns of velvet tread,
And happy helpers at my call?
With beauty is my life abrim,
With tranquil hours and dreams apart;
You wonder that I yield to Him
That best of prayers, a grateful heart?"
"How good God is to me," he said;
"For look! though gone is all my wealth,
How sweet it is to earn one's bread
With brawny arms and brimming health.
Oh, now I know the joy of strife!
To sleep so sound, to wake so fit.
Ah yes, how glorious is life!
I thank Him for each day of it."
"How good God is to me," he said;
"Though health and wealth are gone, it's true;
Things might be worse, I might be dead,
And here I'm living, laughing too.
Serene beneath the evening sky
I wait, and every man's my friend;
God's most contented man am I . . .
He keeps me smiling to the End."
poem by Robert William Service
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Magdalen
All things I can endure, save one.
The bare, blank room where is no sun;
The parcelled hours; the pallet hard;
The dreary faces here within;
The outer women's cold regard;
The Pastor's iterated "sin";--
These things could I endure, and count
No overstrain'd, unjust amount;
No undue payment for such bliss--
Yea, all things bear, save only this:
That you, who knew what thing would be,
Have wrought this evil unto me.
It is so strange to think on still--
That you, that you should do me ill!
Not as one ignorant or blind,
But seeing clearly in your mind
How this must be which now has been,
Nothing aghast at what was seen.
Now that the tale is told and done,
It is so strange to think upon.
You were so tender with me, too!
One summer's night a cold blast blew,
Closer about my throat you drew
That half-slipt shawl of dusky blue.
And once my hand, on summer's morn,
I stretched to pluck a rose; a thorn
Struck through the flesh and made it bleed
(A little drop of blood indeed!)
Pale grew your cheek you stoopt and bound
Your handkerchief about the wound;
Your voice came with a broken sound;
With the deep breath your breast was riven;
I wonder, did God laugh in Heaven?
How strange, that you should work my woe!
How strange! I wonder, do you know
How gladly, gladly I had died
(And life was very sweet that tide)
To save you from the least, light ill?
How gladly I had borne your pain.
With one great pulse we seem'd to thrill,--
Nay, but we thrill'd with pulses twain.
Even if one had told me this,
"A poison lurks within your kiss,
Gall that shall turn to night his day:"
Thereon I straight had turned away--
Ay, tho' my heart had crack'd with pain--
And never kiss'd your lips again.
At night, or when the daylight nears,
I hear the other women weep;
My own heart's anguish lies too deep
For the soft rain and pain of tears.
I think my heart has turn'd to stone,
A dull, dead weight that hurts my breast;
Here, on my pallet-bed alone,
I keep apart from all the rest.
Wide-eyed I lie upon my bed,
I often cannot sleep all night;
The future and the past are dead,
There is no thought can bring delight.
All night I lie and think and think;
If my heart were not made of stone,
But flesh and blood, it needs must shrink
Before such thoughts. Was ever known
A woman with a heart of stone?
The doctor says that I shall die.
It may be so, yet what care I?
Endless reposing from the strife?
Death do I trust no more than life.
For one thing is like one arrayed,
And there is neither false nor true;
But in a hideous masquerade
All things dance on, the ages through.
And good is evil, evil good;
Nothing is known or understood
Save only Pain. I have no faith
In God, or Devil, Life or Death.
The doctor says that I shall die.
You, that I knew in days gone by,
I fain would see your face once more,
Con well its features o'er and o'er;
And touch your hand and feel your kiss,
Look in your eyes and tell you this:
That all is done, that I am free;
That you, through all eternity,
Have neither part nor lot in me.
Expostulation and Reply
"Why, William, on that old grey stone,
Thus for the length of half a day,
Why, William, sit you thus alone,
And dream your time away?
"Where are your books?--that light bequeathed
To Beings else forlorn and blind!
Up! up! and drink the spirit breathed
From dead men to their kind.
"You look round on your Mother Earth,
As if she for no purpose bore you;
As if you were her first-born birth,
And none had lived before you!"
One morning thus, by Esthwaite lake,
When life was sweet, I knew not why,
To me my good friend Matthew spake,
And thus I made reply:
"The eye--it cannot choose but see;
We cannot bid the ear be still;
Our bodies feel, where'er they be,
Against or with our will.
"Nor less I deem that there are Powers
Which of themselves our minds impress;
That we can feed this mind of ours
In a wise passiveness.
"Think you, 'mid all this mighty sum
Of things for ever speaking,
That nothing of itself will come,
But we must still be seeking?
"--Then ask not wherefore, here, alone,
Conversing as I may,
I sit upon this old grey stone,
And dream my time away,"
poem by William Wordsworth
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Another Imitation Of Anacreon
PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."
poem by La Fontaine
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Villanelle: The Psychological Hour
I had over prepared the event,
that much was ominous.
With middle-ageing care
I had laid out just the right books.
I had almost turned down the pages.
Beauty is so rare a thing.
So few drink of my fountain.
So much barren regret,
So many hours wasted!
And now I watch, from the window,
the rain, the wandering busses.
"Their little cosmos is shaken" -
the air is alive with that fact.
In their parts of the city
they are played on by diverse forces.
How do I know?
Oh, I know well enough.
For them there is something afoot.
As for me;
I had over-prepared the event -
Beauty is so rare a thing.
So few drink of my fountain.
Two friends: a breath of the forest. . .
Friends? Are people less friends
because one has just, at last, found them?
Twice they promised to come.
"Between the night and the morning?"
Beauty would drink of my mind.
Youth would awhile forget
my youth is gone from me.
(Speak up! You have danced so stiffly?
Someone admired your works,
And said so frankly.
"Did you talk like a fool,
The first night?
The second evening?"
"But they promised again:
'To-morrow at tea-time'.")
Now the third day is here -
no word from either;
No word from her nor him,
Only another man's note:
"Dear Pound, I am leaving England."
poem by Ezra Pound
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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The Temporary The All
CHANGE and chancefulness in my flowering youthtime,
Set me sun by sun near to one unchosen;
Wrought us fellowly, and despite divergence,
Friends interblent us.
"Cherish him can I while the true one forthcome--
Come the rich fulfiller of my prevision;
Life is roomy yet, and the odds unbounded."
So self-communed I.
Thwart my wistful way did a damsel saunter,
Fair not fairest, good not best of her feather;
"Maiden meet," held I, "till arise my forefelt
Wonder of women."
Long a visioned hermitage deep desiring,
Tenements uncouth I was fain to house in;
"Let such lodging be for a breath-while," thought I,
"Soon a more seemly.
"Then, high handiwork will I make my life-deed,
Truth and Light outshow; but the ripe time pending,
Intermissive aim at the thing sufficeth."
Thus I ... But lo, me!
Mistress, friend, place, aims to be bettered straightway,
Bettered not has Fate or my hand's achieving;
Sole the showance those of my onward earth-track--
Never transcended!
poem by Thomas Hardy
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The King
"Farewell, Romance!" the Cave-men said;
"With bone well carved he went away,
Flint arms the ignoble arrowhead,
And jasper tips the spear to-day.
Changed are the Gods of Hunt and Dance,
And he with these. Farewell, Romance!"
"Farewell, Romance!" the Lake-folk sighed;
"We lift the weight of flatling years;
The caverns of the mountain-side
Hold him who scorns our hutted piers.
Lost hills whereby we dare not dwell,
Guard ye his rest. Romance, farewell!"
"Farewell, Romance!" the Soldier spoke;
"By sleight of sword we may not win,
But scuffle 'mid uncleanly smoke
Of arquebus and culverin.
Honour is lost, and none may tell
Who paid good blows. Romance, farewell!"
"Farewell, Romance!" the Traders cried;
Our keels ha' lain with every sea;
The dull-returning wind and tide
Heave up the wharf where we would be;
The known and noted breezes swell
Our trudging sail. Romance, farewell!"
"Good-bye, Romance!" the Skipper said;
"He vanished with the coal we burn;
Our dial marks full steam ahead,
Our speed is timed to half a turn.
Sure as the ferried barge we ply
'Twixt port and port. Romance, good-bye!"
"Romance!" the season-tickets mourn,
"~He~ never ran to catch his train,
But passed with coach and guard and horn --
And left the local -- late again!"
Confound Romance! . . . And all unseen
Romance brought up the nine-fifteen.
His hand was on the lever laid,
His oil-can soothed the worrying cranks,
His whistle waked the snowbound grade,
His fog-horn cut the reeking Banks;
By dock and deep and mine and mill
The Boy-god reckless laboured still!
Robed, crowned and throned, he wove his spell,
Where heart-blood beat or hearth-smoke curled,
With unconsidered miracle,
Hedged in a backward-gazing world;
Then taught his chosen bard to say:
"Our King was with us -- yesterday!"
poem by Rudyard Kipling
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Sweet Echo Dell
"Three there were that left my cot;
Two are here, and one is not;
Why does Willie linger? Say, can you tell?"
"He was weary by the way;
When we came he could but stay
In the shady grove at Sweet Echo Dell."
Echo Dell! (Echo Dell!) Echo Dell! (Echo Dell!)
It was there we softly said "Farewell!" ("Farewell!")
And the towering granite crest
Nobly guards his place rest,
Near the lovely lake of Sweet Echo Dell.
"Is he laden well with gold?
Does he bring me wealth untold?
Why then does he linger? Say can you tell?"
"All his treasures are above;
All he sent you was his love,
With a whispered prayer from Sweet Echo Dell."
Coming homeward, does he sing
Like a lark upon the wing?
Why then does he linger? Say, can you tell?"
Naught is heard but rippling waves,
Warbling birds, and shouting braves;
Silent is his voice in Sweet Echo Dell."
"Is he coming by-and-by?
May I bless him ere I die?
Why then does he linger? Say, can you tell?"
"Mirrored in that mountain lake,
Heaven is near, and he will wake
Never elsewhere than in Sweet Echo Dell."
"Would you crush my only joy?
Surely I shall meet my boy;
When then does he linger? Say, can you tell?"
"Never will his weary feet
Travel more, yet may soon meet
When your soul floats over Sweet Echo Dell."
poem by Henry Clay Work
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