Christopher Found

I.

At last; so this is you, my dear!
How should I guess to find you here?
So long, so long, I sought in vain
In many cities, many lands,
With straining eyes and groping hands;
The people marvelled at my pain.
They said: "But sure, the woman's mad;
What ails her, we should like to know,
That she should be so wan and sad,
And silent through the revels go?"
They clacked with such a sorry stir!
Was I to tell? were they to know
That I had lost you, Christopher?
Will you forgive me for one thing?
Whiles, when a stranger came my way,
My heart would beat and I would say :
" Here's Christopher!" --then lingering
With longer gaze, would turn away
Cold, sick at heart. My dear, I know
You will forgive me for this thing.
It is so very long ago
Since I have seen your face--till now;
Now that I see it--lip and brow,
Eyes, nostril, chin, alive and clear;
Last time was long ago; I know
This thing you will forgive me, dear.


II.

There is no Heaven--This is the best;
O hold me closer to your breast;
Let your face lean upon my face,
That there no longer shall be space
Between our lips, between our eyes.
I feel your bosom's fall and rise.
O hold me near and yet more near;
Ah sweet ; I wonder do you know
How lone and cold, how sad and drear,
Was I a little while ago;
Sick of the stress, the strife, the stir;
But I have found you, Christopher.


III.

If only you had come before!
(This is the thing I most deplore)
A seemlier woman you had found,
More calm, by courtesies more bound,
Less quick to greet you, more subdued
Of appetite; of slower mood.
But ah! you come so late, so late!
This time of day I can't pretend
With slight, sweet things to satiate
The hunger-cravings. Nay, my friend,
I cannot blush and turn and tremble,
Wax loth as younger maidens do.
Ah, Christopher, with you, with you,
You would not wish me to dissemble?


IV.

So long have all the days been meagre,
With empty platter, empty cup,
No meats nor sweets to do me pleasure,
That if I crave--is it over-eager,
The deepest draught, the fullest measure,
The beaker to the brim poured up?


V.

Shelley, that sprite from the spheres above,
Says, and would make the matter clear,
That love divided is larger love;--
We'll leave those things to the bards, my dear.
For you never wrote a verse, you see;
And I--my verse is not fair nor new.
Till the world be dead, you shall love but me,
Till the stars have ceased, I shall love but you.


EPILOGUE.

Thus ran the words; or rather, thus did run
Their purport. Idly seeking in the chest
(You see it yonder), I had found them there:
Some blotted sheets of paper in a case,
With a woman's name writ on it: "Adelaide."
Twice on the writing there was scored the date
Of ten years back; and where the words had end
Was left a space, a dash, a half-writ word,
As tho' the writer minded, presently
The matter to pursue.
I questioned her,
That worthy, worthy soul, my châtelaine,
Who, nothing loth, made answer.
There had been
Another lodger ere I had the rooms,
Three months gone by--a woman.
"Young, sir ? No.
Must have seen forty if she'd seen a day!
A lonesome woman; hadn't many friends;
Wrote books, I think, and things for newspapers.
Short in her temper--eyes would flash and flame
At times, till I was frightened. Paid her rent
Most regular, like a lady.
Ten years back,
They say (at least Ann Brown says), ten years back
The lady had a lover. Even then
She must have been no chicken.
Three months since
She died. Well, well, the Lord is kind and just.
I did my best to tend her, yet indeed
It's bad for trade to have a lodger die.
Her brother came, a week before she died:
Buried her, took her things, threw in the fire
The littered heaps of paper.
Yes, the sheets,
They must have been forgotten in the chest;--
I never knew her name was Adelaide."

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At play

Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.

Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!

Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Henry Van Dyke

Hide and Seek

All the trees are sleeping, all the winds are still,
All the flocks of fleecy clouds have wandered past the hill;
Through the noonday silence, down the woods of June,
Hark, a little hunter's voice comes running with a tune.
"Hide and seek!
"When I speak,
"You must answer me:
"Call again,
"Merry men,
"Coo-ee, coo-ee, coo-ee!"

Now I hear his footsteps, rustling through the grass:
Hidden in my leafy nook, shall I let him pass?
Just a low, soft whistle,--quick the hunter turns,
Leaps upon me laughing, rolls me in the ferns.
"Hold him fast,
"Caught at last!
"Now you're it, you see.
"Hide your eye,
"Till I cry,
"Coo-ee, coo-ee, coo-ee!"


II

Long ago he left me, long and long ago:
Now I wander through the world and seek him high and low;
Hidden safe and happy, in some pleasant place,--
Ah, if I could hear his voice, I soon should find his face.
Far away,
Many a day,
Where can Barney be?
Answer, dear,
Don't you hear?
Coo-ee, coo-ee, coo-ee!

Birds that in the spring-time thrilled his heart with joy,
Flowers he loved to pick for me, mind me of my boy.
Surely he is waiting till my steps come nigh;
Love may hide itself awhile, but love can never die.
Heart, be glad,
The little lad
Will call some day to thee:
"Father dear,
"Heaven is here,
"Coo-ee, coo-ee, coo-ee!"

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Robert Frost

Not to Keep

They sent him back to her. The letter came
Saying... And she could have him. And before
She could be sure there was no hidden ill
Under the formal writing, he was in her sight,
Living. They gave him back to her alive
How else? They are not known to send the dead
And not disfigured visibly. His face?
His hands? She had to look, and ask,
"What was it, dear?" And she had given all
And still she had all they had they the lucky!
Wasn’t she glad now? Everything seemed won,
And all the rest for them permissible ease.
She had to ask, "What was it, dear?"

"Enough,"
Yet not enough. A bullet through and through,
High in the breast. Nothing but what good care
And medicine and rest, and you a week,
Can cure me of to go again." The same
Grim giving to do over for them both.
She dared no more than ask him with her eyes
How was it with him for a second trial.
And with his eyes he asked her not to ask.
They had given him back to her, but not to keep.

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Greedy Richard

"I think I want some pies this morning,"
Said Dick, stretching himself and yawning;
So down he threw his slate and books,
And saunter'd to the pastry-cook's.

And there he cast his greedy eyes
Round on the jellies and the pies,
So to select, with anxious care,
The very nicest that was there.

At last the point was thus decided:
As his opinion was divided
'Twixt pie and jelly, being loth
Either to leave, he took them both.

Now Richard never could be pleased
To stop when hunger was appeased,
But would go on to eat still more
When he had had an ample store.

"No, not another now," said Dick;
"Dear me, I feel extremely sick:
I cannot even eat this bit;
I wish I had not tasted it. "

Then slowing rising from his seat,
He threw his cheesecake in the street,
And left the tempting pastry-cook's
With very discontented looks.

Just then a man with wooden leg
Met Dick, and held his hat to beg;
And while he told his mournful case,
Look'd at him with imploring face.

Dick, wishing to relieve his pain,
His pockets search'd, but search'd in vain;
And so at last he did declare,
He had not left a farthing there.

The beggar turn'd with face of grief,
And look of patient unbelief,
While Richard now his folly blamed,
And felt both sorry and ashamed.

"I wish," said he (but wishing's vain),
"I had my money back again,
And had not spent my last, to pay
For what I only threw away.

"Another time, I'll take advice,
And not buy things because they're nice;
But rather save my little store,
To give to those who want it more."

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Faithless Sally Brown

Young Ben he was a nice young man,
A carpenter by trade;
And he fell in love with Sally Brown,
That was a lady's maid.

But as they fetch'd a walk one day,
They met a press-gang crew;
And Sally she did faint away,
Whilst Ben he was brought to.

The Boatswain swore with wicked words,
Enough to shock a saint,
That though she did seem in a fit,
'Twas nothing but a feint.

"Come, girl," said he, "hold up your head,
He'll be as good as me;
For when your swain is in our boat,
A boatswain he will be."

So when they'd made their game of her,
And taken off her elf,
She roused, and found she only was
A coming to herself.

"And is he gone, and is he gone?"
She cried, and wept outright:
"Then I will to the water side,
And see him out of sight."

A waterman came up to her,--
"Now, young woman," said he,
"If you weep on so, you will make
Eye-water in the sea."

"Alas! they've taken my beau Ben
To sail with old Benbow;"
And her woe began to run afresh,
As if she'd said Gee woe!

Says he, "They've only taken him
To the Tender ship, you see";
"The Tender-ship," cried Sally Brown
"What a hard-ship that must be!"

"O! would I were a mermaid now,
For then I'd follow him;
But Oh!--I'm not a fish-woman,
And so I cannot swim.

"Alas! I was not born beneath
The virgin and the scales,
So I must curse my cruel stars,
And walk about in Wales."

Now Ben had sail'd to many a place
That's underneath the world;
But in two years the ship came home,
And all her sails were furl'd.

But when he call'd on Sally Brown,
To see how she went on,
He found she'd got another Ben,
Whose Christian-name was John.

"O Sally Brown, O Sally Brown,
How could you serve me so?
I've met with many a breeze before,
But never such a blow":

Then reading on his 'bacco box
He heaved a bitter sigh,
And then began to eye his pipe,
And then to pipe his eye.

And then he tried to sing "All's Well,"
But could not though he tried;
His head was turn'd, and so he chew'd
His pigtail till he died.

His death, which happen'd in his berth,
At forty-odd befell:
They went and told the sexton, and
The sexton toll'd the bell.

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Emily Dickinson

I think just how my shape will rise

237

I think just how my shape will rise—
When I shall be "forgiven"—
Till Hair—and Eyes—and timid Head—
Are out of sight—in Heaven—

I think just how my lips will weigh—
With shapeless—quivering—prayer—
That you—so late—"Consider" me—
The "Sparrow" of your Care—

I mind me that of Anguish—sent—
Some drifts were moved away—
Before my simple bosom—broke—
And why not this—if they?

And so I con that thing—"forgiven"—
Until& mdash;delirious—borne—
By my long bright—and longer—trust—
I drop my Heart—unshriven!

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Katherine Mansfield

Sea

The Sea called--I lay on the rocks and said:
"I am come."
She mocked and showed her teeth,
Stretching out her long green arms.
"Go away!" she thundered.
"Then tell me what I am to do," I begged.
"If I leave you, you will not be silent,
But cry my name in the cities
And wistfully entreat me in the plains and forests;
All else I forsake to come to you--what must I do?"
"Never have I uttered your name," snarled the Sea.
"There is no more of me in your body
Than the little salt tears you are frightened of shedding.
What can you know of my love on your brown rock
pillow....
Come closer."

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A Poet's Wooing

I woo'd a woman once,
But she was sharper than an eastern wind.
Tennyson

"What may I do to make you glad,
To make you glad and free,
Till your light smiles glance
And your bright eyes dance
Like sunbeams on the sea?
Read some rhyme that is blithe and gay
Of a bright May morn and a marriage day?"
And she sighed in a listless way she had,--
"Do not read--it will make me sad!"

"What shall I do to make you glad--
To make you glad and gay,
Till your eyes gleam bright
As the stars at night
When as light as the light of day
Sing some song as I twang the strings
Of my sweet guitar through its wanderings?"
And she sighed in the weary way she had,--
"Do not sing--it will make me sad!"

"What can I do to make you glad--
As glad as glad can be,
Till your clear eyes seem
Like the rays that gleam
And glint through a dew-decked tree?--
Will it please you, dear, that I now begin
A grand old air on my violin?"
And she spoke again in the following way,--
"Yes, oh yes, it would please me, sir;
I would be so glad you'd play
Some grand old march--in character,--
And then as you march away
I will no longer thus be sad,
But oh, so glad--so glad--so glad!"

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Erica Jong

Dear Colette

Dear Colette,
I want to write to you
about being a woman
for that is what you write to me.

I want to tell you how your face
enduring after thirty, forty, fifty. . .
hangs above my desk
like my own muse.

I want to tell you how your hands
reach out from your books
& seize my heart.

I want to tell you how your hair
electrifies my thoughts
like my own halo.

I want to tell you how your eyes
penetrate my fear
& make it melt.

I want to tell you
simply that I love you--
though you are "dead"
& I am still "alive."

Suicides & spinsters--
all our kind!

Even decorous Jane Austen
never marrying,
& Sappho leaping,
& Sylvia in the oven,
& Anna Wickham, Tsvetaeva, Sara Teasdale,
& pale Virginia floating like Ophelia,
& Emily alone, alone, alone. . . .

But you endure & marry,
go on writing,
lose a husband, gain a husband,
go on writing,
sing & tap dance
& you go on writing,
have a child & still
you go on writing,
love a woman, love a man
& go on writing.
You endure your writing
& your life.

Dear Colette,
I only want to thank you:

for your eyes ringed
with bluest paint like bruises,
for your hair gathering sparks
like brush fire,
for your hands which never willingly
let go,
for your years, your child, your lovers,
all your books. . . .

Dear Colette,
you hold me
to this life.

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The impact of a hammer on your thumb

despite the sign
"No peddlers here"
a woman rang at my door
"I only want to ask you just one simple question"

normally I would say
'No"
'I don't socialize with interviewers'
I am never the reason
they will have a rise
of completed inquiries
usually I tell them polite
the right thing to do
from my kind of view
'Go''

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"No
YOU should go for this"

I have a survey called
"the impact of a hammer however not on a brad …"
and she waited briefly
while I was thinking
"is this happening"
"this is really weird"
asking a question that dumb

then
she finished her line
" but on your thumb"

after listening
and realizing
what she said
intuitively I thought
"No way"
I wanted to decline
my cooperation to this survey

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"Let me continue,
'You know I am not mad'

"Let me please surprise YOU"

I asked her
"What is this all about? "

"Later"
she said completing her sentence
"for the sake of this survey
I have to ask you first"

"Would you please describe to me
the feeling
just after your thumb
has been beaten
by a hammer? "

Now I knew
for sure
no more questions I would answer
not even a few
this woman
with her sparkling eyes
is really crazy.
how do I get rid of this her.

she was persistent
she explained
what the survey was really about
and I found out she wasn't
telling a "trained" story

"a hammer can hit you
or someone else
and it might look the same
it is not the hitting
causing the difference
it is that feeling of yours
which is
of course the reason
for feeling and dealing
your way with your pain"

somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes

" Now you know
all the how's and why's
you are obliged to yourself
to finds ways
to recover from your pain
your life will never be the same
again'

she was a wise woman
telling me
what a fool I was
for a short
but allowed
amount of time

Or not?
I was wise enough
to answer the door
and find out more….

©Ellie Daphne van Stralen 2012.

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William Cowper

The Heart Healed and Changed by Mercy

Sin enslaved me many years,
And led me bound and blind;
Till at length a thousand fears
Came swarming o'er my mind.
"Where," said I, in deep distress,
"Will these sinful pleasures end?
How shall I secure my peace
And make the Lord my friend?"

Friends and ministers said much
The gospel to enforce;
But my blindness still was such,
I chose a legal course:
Much I fasted, watch'd, and strove,
Scarce would shew my face abroad,
Fear'd almost to speak or move,
A stranger still to God.

Thus afraid to trust His grace,
Long time did I rebel;
Till despairing of my case,
Down at His feet I fell:
Then my stubborn heart He broke,
And subdued me to His sway;
By a simple word He spoke,
"Thy sins are done away."

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Lewis Carroll

A Strange Wild Song

He thought he saw an Elephant
That practised on a fife:
He looked again, and found it was
A letter from his wife.
"At length I realize," he said,
"The bitterness of life!"

He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
"Unless you leave this house," he said,
"I'll send for the police!"

he thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
"The one thing I regret," he said,
"Is that it cannot speak!"

He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus.
"If this should stay to dine," he said,
"There won't be much for us!"

He thought he saw a Kangaroo
That worked a Coffee-mill:
He looked again, and found it was
A Vegetable-Pill.
"Were I to swallow this," he said,
"I should be very ill!"

He thought he saw a Coach-and-Four
That stood beside his bed:
He looked again, and found it was
A Bear without a Head.
"Poor thing," he said, "poor silly thing!
It's waiting to be fed!"

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The Australian Slanguage

"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.

And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."

And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".

A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".

If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".

Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".

And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!

poem by William Thomas GoodgeReport problemRelated quotes
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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Henry Van Dyke

Two Schools

I put my heart to school
In the world, where men grow wise,
"Go out," I said, "and learn the rule;
Come back when you win a prize."

My heart came back again:
"Now where is the prize?" I cried. ----
"The rule was false, and the prize was pain,
And the teacher's name was Pride."

I put my heart to school
In the woods, where veeries sing,
And brooks run cool and clear;
In the fields, where wild flowers spring,
And the blue of heaven bends near.
"Go out," I said: "you are half a fool,
But perhaps they can teach you here."

"And why do you stay so long,
My heart, and where do you roam?"
The answer came with a laugh and a song, ---
"I find this school is home."

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Goodbye Mine M.j.

A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?

Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?

"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."

May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.


In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.

poem by Lightcheerful BriggsReport problemRelated quotes
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