Imitations of Horace: The First Epistle of the Second Book
Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,
The Gaul subdu'd, or property secur'd,
Ambition humbled, mighty cities storm'd,
Or laws establish'd, and the world reform'd;
Clos'd their long glories with a sigh, to find
Th' unwilling gratitude of base mankind!
All human virtue, to its latest breath
Finds envy never conquer'd, but by death.
The great Alcides, ev'ry labour past,
Had still this monster to subdue at last.
Sure fate of all, beneath whose rising ray
Each star of meaner merit fades away!
Oppress'd we feel the beam directly beat,
Those suns of glory please not till they set.
To thee the world its present homage pays,
The harvest early, but mature the praise:
Great friend of liberty! in kings a name
Above all Greek, above all Roman fame:
Whose word is truth, as sacred and rever'd,
As Heav'n's own oracles from altars heard.
Wonder of kings! like whom, to mortal eyes
None e'er has risen, and none e'er shall rise.
Just in one instance, be it yet confest
Your people, Sir, are partial in the rest:
Foes to all living worth except your own,
And advocates for folly dead and gone.
Authors, like coins, grow dear as they grow old;
It is the rust we value, not the gold.
Chaucer's worst ribaldry is learn'd by rote,
And beastly Skelton heads of houses quote:
One likes no language but the Faery Queen ;
A Scot will fight for Christ's Kirk o' the Green:
And each true Briton is to Ben so civil,
He swears the Muses met him at the Devil.
Though justly Greece her eldest sons admires,
Why should not we be wiser than our sires?
In ev'ry public virtue we excel:
We build, we paint, we sing, we dance as well,
And learned Athens to our art must stoop,
Could she behold us tumbling through a hoop.
If time improve our wit as well as wine,
Say at what age a poet grows divine?
Shall we, or shall we not, account him so,
Who died, perhaps, an hundred years ago?
End all dispute; and fix the year precise
When British bards begin t'immortalize?
"Who lasts a century can have no flaw,
I hold that wit a classic, good in law."
Suppose he wants a year, will you compound?
And shall we deem him ancient, right and sound,
Or damn to all eternity at once,
At ninety-nine, a modern and a dunce?
"We shall not quarrel for a year or two;
By courtesy of England, he may do."
Then by the rule that made the horsetail bare,
I pluck out year by year, as hair by hair,
And melt down ancients like a heap of snow:
While you, to measure merits, look in Stowe,
And estimating authors by the year,
Bestow a garland only on a bier.
Shakespeare (whom you and ev'ry playhouse bill
Style the divine, the matchless, what you will)
For gain, not glory, wing'd his roving flight,
And grew immortal in his own despite.
Ben, old and poor, as little seem'd to heed
The life to come, in ev'ry poet's creed.
Who now reads Cowley? if he pleases yet,
His moral pleases, not his pointed wit;
Forgot his epic, nay Pindaric art,
But still I love the language of his heart.
"Yet surely, surely, these were famous men!
What boy but hears the sayings of old Ben?
In all debates where critics bear a part,
Not one but nods, and talks of Jonson's art,
Of Shakespeare's nature, and of Cowley's wit;
How Beaumont's judgment check'd what Fletcher writ;
How Shadwell hasty, Wycherley was slow;
But, for the passions, Southerne sure and Rowe.
These, only these, support the crowded stage,
From eldest Heywood down to Cibber's age."
All this may be; the people's voice is odd,
It is, and it is not, the voice of God.
To Gammer Gurton if it give the bays,
And yet deny the Careless Husband praise,
Or say our fathers never broke a rule;
Why then, I say, the public is a fool.
But let them own, that greater faults than we
They had, and greater virtues, I'll agree.
Spenser himself affects the obsolete,
And Sidney's verse halts ill on Roman feet:
Milton's strong pinion now not Heav'n can bound,
Now serpent-like, in prose he sweeps the ground,
In quibbles, angel and archangel join,
And God the Father turns a school divine.
Not that I'd lop the beauties from his book,
Like slashing Bentley with his desp'rate hook,
Or damn all Shakespeare, like th' affected fool
At court, who hates whate'er he read at school.
But for the wits of either Charles's days,
The mob of gentlemen who wrote with ease;
Sprat, Carew, Sedley, and a hundred more,
(Like twinkling stars the Miscellanies o'er)
One simile, that solitary shines
In the dry desert of a thousand lines,
Or lengthen'd thought that gleams through many a page,
Has sanctified whole poems for an age.
I lose my patience, and I own it too,
When works are censur'd, not as bad, but new;
While if our elders break all reason's laws,
These fools demand not pardon, but applause.
On Avon's bank, where flow'rs eternal blow,
If I but ask if any weed can grow?
One tragic sentence if I dare deride,
Which Betterton's grave action dignified,
Or well-mouth'd Booth with emphasis proclaims
(Though but, perhaps, a muster-roll of names)
How will our fathers rise up in a rage,
And swear, all shame is lost in George's age!
You'd think no fools disgrac'd the former reign,
Did not some grave examples yet remain,
Who scorn a lad should teach his father skill,
And, having once been wrong, will be so still.
He, who to seem more deep than you or I,
Extols old bards, or Merlin's Prophecy,
Mistake him not; he envies, not admires,
And to debase the sons, exalts the sires.
Had ancient times conspir'd to disallow
What then was new, what had been ancient now?
Or what remain'd, so worthy to be read
By learned critics, of the mighty dead?
In days of ease, when now the weary sword
Was sheath'd, and luxury with Charles restor'd;
In ev'ry taste of foreign courts improv'd,
"All, by the King's example, liv'd and lov'd."
Then peers grew proud in horsemanship t'excel,
Newmarket's glory rose, as Britain's fell;
The soldier breath'd the gallantries of France,
And ev'ry flow'ry courtier writ romance.
Then marble, soften'd into life, grew warm,
And yielding metal flow'd to human form:
Lely on animated canvas stole
The sleepy eye, that spoke the melting soul.
No wonder then, when all was love and sport,
The willing Muses were debauch'd at court:
On each enervate string they taught the note
To pant or tremble through an eunuch's throat.
But Britain, changeful as a child at play,
Now calls in princes, and now turns away:
Now Whig, now Tory, what we lov'd we hate;
Now all for pleasure, now for Church and state;
Now for prerogative, and now for laws;
Effects unhappy! from a noble cause.
Time was, a sober Englishman would knock
His servants up, and rise by five o'clock,
Instruct his family in ev'ry rule,
And send his wife to church, his son to school.
To worship like his fathers was his care;
To teach their frugal virtues to his heir;
To prove that luxury could never hold,
And place, on good security, his gold.
Now times are chang'd, and one poetic itch
Has seiz'd the court and city, poor and rich:
Sons, sires, and grandsires, all will wear the bays,
Our wives read Milton, and our daughters plays,
To theatres, and to rehearsals throng,
And all our grace at table is a song.
I, who so oft renounce the Muses, lie,
Not {-}{-}{-}{-}{-}'s self e'er tells more fibs than I;
When sick of Muse, our follies we deplore,
And promise our best friends to rhyme no more;
We wake next morning in a raging fit,
And call for pen and ink to show our wit.
He serv'd a 'prenticeship who sets up shop;
Ward tried on puppies and the poor, his drop;
Ev'n Radcliffe's doctors travel first to France,
Nor dare to practise till they've learn'd to dance.
Who builds a bridge that never drove a pile?
(Should Ripley venture, all the world would smile)
But those who cannot write, and those who can,
All rhyme, and scrawl, and scribble, to a man.
Yet, Sir, reflect, the mischief is not great;
These madmen never hurt the Church or state:
Sometimes the folly benefits mankind;
And rarely av'rice taints the tuneful mind.
Allow him but his plaything of a pen,
He ne'er rebels, or plots, like other men:
Flight of cashiers, or mobs, he'll never mind;
And knows no losses while the Muse is kind.
To cheat a friend, or ward, he leaves to Peter;
The good man heaps up nothing but mere metre,
Enjoys his garden and his book in quiet;
And then--a perfect hermit in his diet.
Of little use the man you may suppose,
Who says in verse what others say in prose:
Yet let me show, a poet's of some weight,
And (though no soldier) useful to the state.
What will a child learn sooner than a song?
What better teach a foreigner the tongue?
What's long or short, each accent where to place,
And speak in public with some sort of grace.
I scarce can think him such a worthless thing,
Unless he praise some monster of a king;
Or virtue or religion turn to sport,
To please a lewd, or unbelieving court.
Unhappy Dryden!--In all Charles's days,
Roscommon only boasts unspotted bays;
And in our own (excuse some courtly stains)
No whiter page than Addison remains.
He, from the taste obscene reclaims our youth,
And sets the passions on the side of truth,
Forms the soft bosom with the gentlest art,
And pours each human virtue in the heart.
Let Ireland tell, how wit upheld her cause,
Her trade supported, and supplied her laws;
And leave on Swift this grateful verse engrav'd,
"The rights a court attack'd, a poet sav'd."
Behold the hand that wrought a nation's cure,
Stretch'd to relieve the idiot and the poor,
Proud vice to brand, or injur'd worth adorn,
And stretch the ray to ages yet unborn.
Not but there are, who merit other palms;
Hopkins and Sternhold glad the heart with psalms:
The boys and girls whom charity maintains,
Implore your help in these pathetic strains:
How could devotion touch the country pews,
Unless the gods bestow'd a proper Muse?
Verse cheers their leisure, verse assists their work,
Verse prays for peace, or sings down Pope and Turk.
The silenc'd preacher yields to potent strain,
And feels that grace his pray'r besought in vain;
The blessing thrills through all the lab'ring throng,
And Heav'n is won by violence of song.
Our rural ancestors, with little blest,
Patient of labour when the end was rest,
Indulg'd the day that hous'd their annual grain,
With feasts, and off'rings, and a thankful strain:
The joy their wives, their sons, and servants share,
Ease of their toil, and part'ners of their care:
The laugh, the jest, attendants on the bowl,
Smooth'd ev'ry brow, and open'd ev'ry soul:
With growing years the pleasing licence grew,
And taunts alternate innocently flew.
But times corrupt, and nature, ill-inclin'd,
Produc'd the point that left a sting behind;
Till friend with friend, and families at strife,
Triumphant malice rag'd through private life.
Who felt the wrong, or fear'd it, took th' alarm,
Appeal'd to law, and justice lent her arm.
At length, by wholesome dread of statutes bound,
The poets learn'd to please, and not to wound:
Most warp'd to flatt'ry's side; but some, more nice,
Preserv'd the freedom, and forbore the vice.
Hence satire rose, that just the medium hit,
And heals with morals what it hurts with wit.
We conquer'd France, but felt our captive's charms;
Her arts victorious triumph'd o'er our arms;
Britain to soft refinements less a foe,
Wit grew polite, and numbers learn'd to flow.
Waller was smooth; but Dryden taught to join
The varying verse, the full-resounding line,
The long majestic march, and energy divine.
Though still some traces of our rustic vein
And splayfoot verse remain'd, and will remain.
Late, very late, correctness grew our care,
When the tir'd nation breath'd from civil war.
Exact Racine, and Corneille's noble fire
Show'd us that France had something to admire.
Not but the tragic spirit was our own,
And full in Shakespeare, fair in Otway shone:
But Otway fail'd to polish or refine,
And fluent Shakespeare scarce effac'd a line.
Ev'n copious Dryden wanted, or forgot,
The last and greatest art, the art to blot.
Some doubt, if equal pains, or equal fire
The humbler Muse of comedy require.
But in known images of life, I guess
The labour greater, as th' indulgence less.
Observe how seldom ev'n the best succeed:
Tell me if Congreve's fools are fools indeed?
What pert, low dialogue has Farqu'ar writ!
How Van wants grace, who never wanted wit!
The stage how loosely does Astr{ae}ea tread,
Who fairly puts all characters to bed!
And idle Cibber, how he breaks the laws,
To make poor Pinky eat with vast applause!
But fill their purse, our poet's work is done,
Alike to them, by pathos or by pun.
O you! whom vanity's light bark conveys
On fame's mad voyage by the wind of praise,
With what a shifting gale your course you ply,
For ever sunk too low, or borne too high!
Who pants for glory finds but short repose,
A breath revives him, or a breath o'erthrows.
Farewell the stage! if just as thrives the play,
The silly bard grows fat, or falls away.
There still remains, to mortify a wit,
The many-headed monster of the pit:
A senseless, worthless, and unhonour'd crowd;
Who, to disturb their betters mighty proud,
Clatt'ring their sticks before ten lines are spoke,
Call for the farce, the bear, or the black-joke.
What dear delight to Britons farce affords!
Farce once the taste of mobs, but now of lords;
(For taste, eternal wanderer, now flies
From heads to ears, and now from ears to eyes.)
The play stands still; damn action and discourse,
Back fly the scenes, and enter foot and horse;
Pageants on pageants, in long order drawn,
Peers, heralds, bishops, ermine, gold, and lawn;
The champion too! and, to complete the jest,
Old Edward's armour beams on Cibber's breast.
With laughter sure Democritus had died,
Had he beheld an audience gape so wide.
Let bear or elephant be e'er so white,
The people, sure, the people are the sight!
Ah luckless poet! stretch thy lungs and roar,
That bear or elephant shall heed thee more;
While all its throats the gallery extends,
And all the thunder of the pit ascends!
Loud as the wolves on Orcas' stormy steep,
Howl to the roarings of the Northern deep.
Such is the shout, the long-applauding note,
At Quin's high plume, or Oldfield's petticoat,
Or when from Court a birthday suit bestow'd
Sinks the lost actor in the tawdry load.
Booth enters--hark! the universal peal!
"But has he spoken?" Not a syllable.
"What shook the stage, and made the people stare?"
Cato's long wig, flow'r'd gown, and lacquer'd chair.
Yet lest you think I rally more than teach,
Or praise malignly arts I cannot reach,
Let me for once presume t'instruct the times,
To know the poet from the man of rhymes:
'Tis he, who gives my breast a thousand pains,
Can make me feel each passion that he feigns;
Enrage, compose, with more than magic art,
With pity and with terror tear my heart;
And snatch me o'er the earth or thro' the air,
To Thebes, to Athens, when he will, and where.
But not this part of the poetic state
Alone, deserves the favour of the great:
Think of those authors, Sir, who would rely
More on a reader's sense, than gazer's eye.
Or who shall wander where the Muses sing?
Who climb their mountain, or who taste their spring?
How shall we fill a library with wit,
When Merlin's Cave is half unfurnish'd yet?
My Liege! why writers little claim your thought,
I guess: and, with their leave, will tell the fault:
We poets are (upon a poet's word)
Of all mankind, the creatures most absurd:
The season, when to come, and when to go,
To sing, or cease to sing, we never know;
And if we will recite nine hours in ten,
You lose your patience, just like other men.
Then too we hurt ourselves, when to defend
A single verse, we quarrel with a friend;
Repeat unask'd; lament, the wit's too fine
For vulgar eyes, and point out ev'ry line.
But most, when straining with too weak a wing,
We needs will write epistles to the king;
And from the moment we oblige the town,
Expect a place, or pension from the Crown;
Or dubb'd historians by express command,
T'enroll your triumphs o'er the seas and land,
Be call'd to court to plan some work divine,
As once for Louis, Boileau and Racine.
Yet think, great Sir! (so many virtues shown)
Ah think, what poet best may make them known?
Or choose at least some minister of grace,
Fit to bestow the laureate's weighty place.
Charles, to late times to be transmitted fair,
Assign'd his figure to Bernini's care;
And great Nassau to Kneller's hand decreed
To fix him graceful on the bounding steed;
So well in paint and stone they judg'd of merit:
But kings in wit may want discerning spirit.
The hero William, and the martyr Charles,
One knighted Blackmore, and one pension'd Quarles;
Which made old Ben, and surly Dennis swear,
"No Lord's anointed, but a Russian bear."
Not with such majesty, such bold relief,
The forms august, of king, or conqu'ring chief,
E'er swell'd on marble; as in verse have shin'd
(In polish'd verse) the manners and the mind.
Oh! could I mount on the M{ae}onian wing,
Your arms, your actions, your repose to sing!
What seas you travers'd! and what fields you fought!
Your country's peace, how oft, how dearly bought!
How barb'rous rage subsided at your word,
And nations wonder'd while they dropp'd the sword!
How, when you nodded, o'er the land and deep,
Peace stole her wing, and wrapp'd the world in sleep;
Till earth's extremes your mediation own,
And Asia's tyrants tremble at your throne--
But verse, alas! your Majesty disdains;
And I'm not us'd to panegyric strains:
The zeal of fools offends at any time,
But most of all, the zeal of fools in rhyme,
Besides, a fate attends on all I write,
That when I aim at praise, they say I bite.
A vile encomium doubly ridicules:
There's nothing blackens like the ink of fools;
If true, a woeful likeness; and if lies,
"Praise undeserv'd is scandal in disguise."
Well may he blush, who gives it, or receives;
And when I flatter, let my dirty leaves
(Like journals, odes, and such forgotten things
As Eusden, Philips, Settle, writ of kings)
Clothe spice, line trunks, or flutt'ring in a row,
Befringe the rails of Bedlam and Soho.
poem by Alexander Pope
Submitted by Poetry Lover
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Related quotes
Monday, Roxana, or the Drawing-Room
Roxana from the court retiring late,
Sigh'd her soft sorrows at St. JAMES's gate:
Such heavy thoughts lay brooding in her breast,
Not her own chairmen wth more weight opprest;
They groan the cruel load they're doom'd to bear;
She in these gentler sounds express'd her care.
"Was it for this, that I these Roses wear,
"For this new-set my Jewels for my hair?
"Ah ! Princess ! with what zeal have I pursu'd!
"Almost forgot the duty of a Prude.
"Thinking I never cou'd attend too soon,
"I've miss'd my prayers, to get me dress'd by noon.
"For Thee, ah ! what for Thee did I resign?
"My Pleasures, Passions, all that e'er was mine.
"I sacrific'd both Modesty and Ease,
"Left Operas, and went to filthy Plays;
"Double entendres shock'd my tender ear,
"Yet even this for Thee I chose to bear.
"In glowing youth, when nature bids be gay,
"And ev'ry joy of life before me lay,
"By honour prompted, and by pride restrain'd,
"The pleasures of the young my soul disdain'd:
"Sermons I sought, and with a mien severe
"Censur'd my neighbours, and said daily pray'r.
"Alas ! how chang'd! -- with the same sermon mien
"That once I pray'd, the What-d'ye call't I've seen.
"Ah ! cruel Princess, for thy sake I've lost
"That reputation which so dear had cost:
"I, who avoided ev'ry publick place,
"When bloom, and beauty bid me show my face;
"Now near Thee constant ev'ry night abide
"With never-failing duty by thy side,
"Myself and daughters standing on a row,
"To all the foreigners a goodly show!
"Oft had your drawing-room been sadly thin,
"And merchants wives close by the chair had been seen;
"Had not I amply fill'd the empty space,
"And sav'd your Highness from the dire disgrace.
"Yet COQUETILLA's artifice prevails,
"When all my merit and my duty fails:
"That COQUETILLA, whose deluding airs
"Corrupts our virgins, and our youth ensnares;
"So sunk her character, so lost her fame,
"Scarce visited before your Highness came;
"Yet for the Bed-chamber 'tis Her you chuse,
"When Zeal and Fame and Virtue you refuse.
"Ah ! worthy choice ! not one of all your train
"Whom censure blasts not, and dishonours stain.
"Let the nice hind now suckle dirty pigs,
"And the proud pea-hen snatch the cuckoo's eggs!
"Let IRIS leave her paint, and own her age,
"And grave SUFFOLKIA wed a giddy page !
"A greater miracle is daily view'd,
"A virtuous Princess with a court so lewd.
"I know thee, Court ! with all thy treach'rous wiles,
"Thy false caresses and undoing smiles !
"Ah ! Princess, learn'd in all the courtly arts
"To cheat our hopes, and yet to gain our hearts.
"Large lovely bribes are the great statesman's aim;
"And the neglected patriot follows fame.
"The Prince is ogled ; some the King pursue;
"But your ROXANA only follows YOU.
"Despis'd ROXANA, cease, and try to find
"Some other, since the Princess proves unkind:
"Perhaps it is not hard to find at court
"If not a greater, a more firm support."
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Town Eclogues: Monday; Roxana or the Drawing-Room
ROXANA from the court retiring late,
Sigh'd her soft sorrows at St. JAMES's gate:
Such heavy thoughts lay brooding in her breast,
Not her own chairmen |w^th^| more weight opprest;
They groan the cruel load they're doom'd to bear ;
She in these gentler sounds express'd her care.
" Was it for this, that I these Roses wear,
" For this new-set my Jewels for my hair ?
" Ah ! Princess ! with what zeal have I pursu'd !
" Almost forgot the duty of a Prude.
" Thinking I never cou'd attend too soon,
" I've miss'd my prayers, to get me dress'd by noon.
" For Thee, ah ! what for Thee did I resign ?
" My Pleasures, Passions, all that e'er was mine.
" I sacrific'd both Modesty and Ease,
" Left Operas, and went to filthy Plays ;
" Double entendres shock'd my tender ear,
" Yet even this for Thee I chose to bear.
" In glowing youth, when nature bids be gay,
" And ev'ry joy of life before me lay,
" By honour prompted, and by pride restrain'd,
" The pleasures of the young my soul disdain'd :
" Sermons I sought, and with a mien severe
" Censur'd my neighbours, and said daily pray'r.
" Alas ! how chang'd! -- with the same sermon mien
" That once I pray'd, the What-d'ye call't I've seen.
" Ah ! cruel Princess, for thy sake I've lost
" That reputation which so dear had cost :
" I, who avoided ev'ry publick place,
" When bloom, and beauty bid me show my face ;
" Now near Thee constant ev'ry night abide
" With never-failing duty by thy side,
" Myself and daughters standing on a row,
" To all the foreigners a goodly show !
" Oft had your drawing-room been sadly thin,
" And merchants wives close by the chair had been seen ;
" Had not I amply fill'd the empty space,
" And sav'd your Highness from the dire disgrace.
" Yet COQUETILLA's artifice prevails,
" When all my merit and my duty fails :
" That COQUETILLA, whose deluding airs
" Corrupts our virgins, and our youth ensnares ;
" So sunk her character, so lost her fame,
" Scarce visited before your Highness came ;
" Yet for the Bed-chamber 'tis Her you chuse,
" When Zeal and Fame and Virtue you refuse.
" Ah ! worthy choice ! not one of all your train
" Whom censure blasts not, and dishonours stain.
" Let the nice hind now suckle dirty pigs,
" And the proud pea-hen snatch the cuckoo's eggs !
" Let IRIS leave her paint, and own her age,
" And grave SUFFOLKIA wed a giddy page !
" A greater miracle is daily view'd,
" A virtuous Princess with a court so lewd.
" I know thee, Court ! with all thy treach'rous wiles,
" Thy false caresses and undoing smiles !
" Ah ! Princess, learn'd in all the courtly arts
" To cheat our hopes, and yet to gain our hearts.
" Large lovely bribes are the great statesman's aim ;
" And the neglected patriot follows fame.
" The Prince is ogled ; some the King pursue ;
" But your ROXANA only follows YOU.
" Despis'd ROXANA, cease, and try to find
" Some other, since the Princess proves unkind :
" Perhaps it is not hard to find at court
" If not a greater, a more firm support.
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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Upon The Death Of, Mr. Addison; Inscrib'd To The Earl Of Warwick
If yet, my Lord, your Sorrows find relief,
And a short Pause succeeds your weighty Grief;
With Candour this unwelcome Verse peruse,
The last kind Office of a grateful Muse:
Nor needs the grateful Muse to court thy Ear,
Which sheds for Addison a pious Tear;
And jointly sorrows, with pathetick Rage,
The greatest Genius of the greatest Age;
Whom Rival--wits with Veneration name,
And the foul Lips of Party durst not blame.
What secret Curse attends the Poet--line?
How have the Muses urg'd the Wrath divine?
Say, holy Sires, is Poetry a Crime?
Or whence these Judgments on the Sons of Rhime?
Why are the noblest Spirits snatch'd away
In their full Blaze of intellectual Day?
While Crowds of worthless Drones are left behind,
Grown white with Years, the Lumber of Mankind,
That loll, fat Canons, in some lazy Stall,
Or thoughtless sleep within a College Wall?
To its full Length they stretch the mortal Span,
Nor lose a Moment of the Age of Man;
But dully dreaming out their vital Store,
Drop ripe into their Graves, and are no more.
Scarce have our tender Sorrows ceas'd to flow
For courtly Garth, and soft--complaining Rowe;
Like Ovid witty one; in one conspire
Otway's prevailing Art, and Lucan's Fire:
Both these together drain'd our lavish Eyes;
Will not two Poets in a Year suffice?
Shall twelve short Months an Age's Woes ingross,
And Addison compleat the Nation's Loss.
Who then in manly Numbers shall record
The future, glorious Deeds of Brunswick's Sword?
Who now correct the Follies of the Age,
Or give new Lustre to the British Stage?
With Foreign Stores enrich his native Land,
Or deign to youthful Bards his willing Hand?
Great as he was, the Monarch of the Bays,
Plac'd far above the reach of mortal Praise;
In every Thought tho' Wit Divine appear,
Yet aw'd by modest dread and cautions Fear,
Seldom (too seldom!) did he put it forth,
Still most ambitious to conceal his Worth;
Stunn'd with applauding Crowds, he check'd his Flight,
And, wearied with Admirers, fear'd to write;
In his own Praise he felt a painful Shame,
And blush'd at the Abundance of his Fame.
So the fair Virgin with Confusion hears
Her Charms extol'd, and shuts her tortur'd Ears;
From the Encomiums of the Youth she flies,
And strives to hide the Lustre of her Eyes.
From this great Master of poetick Art,
Ye num'rous Bards that swarm in ev'ry Part,
And with laborious Nonsense load the Press,
Learn to contemplate more, and scribble less:
Learn, from this great Example, to command
Your Thirst of Fame, and stop an itching Hand:
Think not that Wit in bulky Volumes lies,
(Alas what witless Volumes daily rise.)
Oft is it wanting in a thousand Lines,
And often in a single Couplet shines.
While others on a part of Learning dwell,
Proud in one single Science to excel;
And as the scatter'd Stars adorn the Sky,
In diff'rent Arts their diff'rent Talents try;
Nor aim at more; great Addison alone
No Branch of human Knowledge left unknown;
But like the Sun inimitably bright,
Shone with collected Rays, the source of Light;
In Verse or Prose, with more than mortal Art,
He struck the Passions, and he warm'd the Heart:
Various, but still unrival'd, was his Song,
Now soft like Ovid, now like Virgil strong:
For ev'ry Theme his Genius was the same,
And each new Piece still added to his Fame.
But whither is this Boast of Britain fled?
Lies the great Author of our Glory dead?
Shall we, tormenting Thought! expect in vain,
A second Cato or a new Campain?
Why did not gracious Heav'n prolong his Date,
And shield him from the Rage of envious Fate?
Why did th' Almighty trust this common Good,
To the frail Elements of Flesh and Blood;
Expos'd to Ills, and subject to Decay,
The feeble, short--liv'd Creature of a Day?
Why was his Life not boundless as his Mind,
To bless the future Ages of Man kind?
But Heav'n to punish our repeated Crimes,
Call'd him from Earth to breathe in happier Climes:
For now in the gay mansions of the Skies
(If there the promis'd Land of Glory lies)
With kindred Bards that liv'd in earliest Days,
The rev'rend Fathers of harmonious Lays,
He joyns his tuneful Voice, his Lyre he strings,
And Maro listens whilst his Rival sings;
Great Somers fixes on his well known Face,
And Cato greets him with a stern Embrace.
poem by Nicholas Amhurst
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Sketch of Lord Byron's Life
"Lord Byron" was an Englishman
A poet I believe,
His first works in old England
Was poorly received.
Perhaps it was "Lord Byron's" fault
And perhaps it was not.
His life was full of misfortunes,
Ah, strange was his lot.
The character of "Lord Byron"
Was of a low degree,
Caused by his reckless conduct,
And bad company.
He sprung from an ancient house,
Noble, but poor, indeed.
His career on earth, was marred
By his own misdeeds.
Generous and tender hearted,
Affectionate by extreme,
In temper he was wayward,
A poor "Lord" without means;
Ah, he was a handsome fellow
With great poetic skill,
His great intellectual powers
He could use at his will.
He was a sad child of nature,
Of fortune and of fame;
Also sad child to society,
For nothing did he gain
But slander and ridicule,
Throughout his native land.
Thus the "poet of the passions,"
Lived, unappreciated, man.
Yet at the age of 24,
"Lord Byron" then had gained
The highest, highest, pinacle
Of literary fame.
Ah, he had such violent passions
They was beyond his control,
Yet the public with its justice,
Sometimes would him extol.
Sometimes again "Lord Byron"
Was censured by the press,
Such obloquy, he could not endure,
So he done what was the best.
He left his native country,
This great unhappy man;
The only wish he had, "'tis said,"
He might die, sword in hand.
He had joined the Grecian Army;
This man of delicate frame;
And there he died in a distant land,
And left on earth his fame.
"Lord Byron's" age was 36 years,
Then closed the sad career,
Of the most celebrated "Englishman"
Of the nineteenth century.
poem by Julia A Moore
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To A Clergyman On The Death Of His Lady
WHERE contemplation finds her sacred spring,
Where heav'nly music makes the arches ring,
Where virtue reigns unsully'd and divine,
Where wisdom thron'd, and all the graces shine,
There sits thy spouse amidst the radiant throng,
While praise eternal warbles from her tongue;
There choirs angelic shout her welcome round,
With perfect bliss, and peerless glory crown'd.
While thy dear mate, to flesh no more confin'd,
Exults a blest, an heav n-ascended mind,
Say in thy breast shall floods of sorrow rise?
Say shall its torrents overwhelm thine eyes?
Amid the seats of heav'n a place is free,
And angels open their bright ranks for thee;
For thee they wait, and with expectant eye
Thy spouse leans downward from th' empyreal sky:
"O come away," her longing spirit cries,
"And share with me the raptures of the skies.
"Our bliss divine to mortals is unknown;
"Immortal life and glory are our own.
"There too may the dear pledges of our love
"Arrive, and taste with us the joys above;
"Attune the harp to more than mortal lays,
"And join with us the tribute of their praise
"To him, who dy'd stern justice to stone,
"And make eternal glory all our own.
"He in his death slew ours, and, as he rose,
"He crush'd the dire dominion of our foes;
"Vain were their hopes to put the God to flight,
"Chain us to hell, and bar the gates of light."
She spoke, and turn'd from mortal scenes her eyes,
Which beam'd celestial radiance o'er the skies.
Then thou dear man, no more with grief retire,
Let grief no longer damp devotion's fire,
But rise sublime, to equal bliss aspire,
Thy sighs no more be wafted by the wind,
No more complain, but be to heav'n resign'd
'Twas thine t' unfold the oracles divine,
To sooth our woes the task was also thine;
Now sorrow is incumbent on thy heart,
Permit the muse a cordial to impart;
Who can to thee their tend'rest aid refuse?
To dry thy tears how longs the heav'nly muse!
poem by Phillis Wheatley
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An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.
Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.
But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.
But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.
Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.
But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.
I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.
poem by Joseph Addison
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To a Vers Librist
"Oh bard," I said, "your verse is free;
The shackles that encumber me,
The fetters that are my obsession,
Are never gyves to your expression.
"The fear of falsities in rhyme,
In metre, quantity, or time,
Is never yours; you sing along
Your unpremeditated song."
"Correct," the young vers librist said.
"Whatever pops into my head
I write, and have but one small fetter:
I start each line with a capital letter.
"But rhyme and metre--Ishkebibble!--
Are actually negligible.
I go ahead, like all my school,
Without a single silly rule."
Of rhyme I am so reverential
He made me feel quite inconsequential.
I shed some strongly saline tears
For bards I loved in younger years.
"If Keats had fallen for your fluff,"
I said, "he might have done good stuff.
If Burns had thrown his rhymes away,
His songs might still be sung to-day."
O bards of rhyme and metre free,
My gratitude goes out to ye
For all your deathless lines--ahem!
Let's see, now . . . What is one of them?
poem by Franklin P. Adams
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On the Death of the Rev. Dr. Sewell, 1769
Ere yet the morn its lovely blushes spread,
See Sewell number'd with the happy dead.
Hail, holy man, arriv'd th' immortal shore,
Though we shall hear thy warning voice no more.
Come, let us all behold with wishful eyes
The saint ascending to his native skies;
From hence the prophet wing'd his rapt'rous way
To the blest mansions in eternal day.
Then begging for the Spirit of our God,
And panting eager for the same abode,
Come, let us all with the same vigour rise,
And take a prospect of the blissful skies;
While on our minds Christ's image is imprest,
And the dear Saviour glows in ev'ry breast.
Thrice happy faint! to find thy heav'n at last,
What compensation for the evils past!
Great God, incomprehensible, unknown
By sense, we bow at thine exalted throne.
O, while we beg thine excellence to feel,
Thy sacred Spirit to our hearts reveal,
And give us of that mercy to partake,
Which thou hast promis'd for the Saviour's sake!
"Sewell is dead." Swift-pinion'd Fame thus cry'd.
"Is Sewell dead," my trembling tongue reply'd,
O what a blessing in his flight deny'd!
How oft for us the holy prophet pray'd!
How oft to us the Word of Life convey'd!
By duty urg'd my mournful verse to close,
I for his tomb this epitaph compose.
"Lo, here a man, redeem'd by Jesus's blood,
"A sinner once, but now a saint with God;
"Behold ye rich, ye poor, ye fools, ye wise,
"Not let his monument your heart surprise;
"Twill tell you what this holy man has done,
"Which gives him brighter lustre than the sun.
"Listen, ye happy, from your seats above.
"I speak sincerely, while I speak and love,
"He sought the paths of piety and truth,
"By these made happy from his early youth;
"In blooming years that grace divine he felt,
"Which rescues sinners from the chains of guilt.
"Mourn him, ye indigent, whom he has fed,
"And henceforth seek, like him, for living bread;
"Ev'n Christ, the bread descending from above,
"And ask an int'rest in his saving love.
"Mourn him, ye youth, to whom he oft has told
"God's gracious wonders from the times of old.
"I too have cause this mighty loss to mourn,
"For he my monitor will not return.
"O when shall we to his blest state arrive?
"When the same graces in our bosoms thrive."
poem by Phillis Wheatley
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English Bards and Scotch Reviewers (excerpt)
Time was, ere yet in these degenerate days
Ignoble themes obtain'd mistaken praise,
When sense and wit with poesy allied,
No fabl'd graces, flourish'd side by side;
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew.
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him great Dryden pour'd the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then Congreve's scenes could cheer, or Otway's melt--
For nature then an English audience felt.
But why these names, or greater still, retrace,
When all to feebler bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let satire's self allow,
No dearth of bards can be complain'd of now.
The loaded press beneath her labour groans,
And printers' devils shake their weary bones;
While Southey's epics cram the creaking shelves,
And Little's lyrics shine in hot-press'd twelves.
Thus saith the Preacher: "Nought beneath the sun
Is new"; yet still from change to change we run:
What varied wonders tempt us as they pass!
The cow-pox, tractors, galvanism and gas,
In turns appear, to make the vulgar stare,
Till the swoln bubble bursts--and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O'er taste awhile these pseudo-bards prevail;
Each country book-club bows the knee to Baal,
And, hurling lawful genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf--but whom it matters not,
From soaring Southey down to grovelling Stott.
Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And rhyme and blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And tales of terror jostle on the road;
Immeasurable measures move along;
For simpering folly loves a varied song,
To strange mysterious dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels--may they be the last!--
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner's brood,
Decoy young border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding knights to read who cannot spell,
Despatch a courier to a wizard's grave,
And fight with honest men to shield a knave.
Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a felon, yet but half a knight,
The gibbet or the field prepar'd to grace;
A mighty mixture of the great and base.
And think'st thou, Scott! by vain conceit perchance,
On public taste to foist thy stale romance,
Though Murray with his Miller may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade.
Let such forego the poet's sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted muse and hireling bard!
For this we spurn Apollo's venal son,
And bid a long "good night to Marmion."
These are the themes that claim our plaudits now;
These are the bards to whom the muse must bow;
While Milton, Dryden, Pope, alike forgot,
Resign their hallow'd bays to Walter Scott.
The time has been, when yet the muse was young,
When Homer swept the lyre, and Maro sung,
An epic scarce ten centuries could claim,
While awe-struck nations hail'd the magic name;
The work of each immortal bard appears
The single wonder of a thousand years.
Empires have moulder'd from the face of earth,
Tongues have expir'd with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor bards, content
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the ballad-monger Southey rise!
To him let Camoëns, Milton, Tasso yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked Bedford for a witch,
Behold her statue plac'd in glory's niche;
Her fetters burst, and just releas'd from prison,
A virgin phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia's monstrous, wild and wondrous son:
Domdaniel's dread destroyer, who o'erthrew
More mad magicians than the world e'er knew.
Immortal hero! all thy foes o'ercome,
For ever reign--the rival of Tom Thumb!
Since startled metre fled before thy face,
Well wert thou doom'd the last of all thy race!
Well might triumphant genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville's, and not so true.
Oh Southey! Southey! cease thy varied song!
A bard may chant too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkley ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
"God help thee," Southey, and thy readers too.
Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple Wordsworth, framer of a lay
As soft as evening in his favourite May,
Who warns his friend "to shake off toil and trouble,
And quit his books, for fear of growing double";
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortur'd into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of "an idiot boy";
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day;
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the "idiot in his glory"
Conceive the bard the hero of the story.
Shall gentle Coleridge pass unnotic'd here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still obscurity's a welcome guest.
If Inspiration should her aid refuse
To him who takes a pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ass.
So well the subject suits his noble mind,
He brays the laureat of the long-ear'd kind.
Two Schools
I put my heart to school
In the world, where men grow wise,
"Go out," I said, "and learn the rule;
Come back when you win a prize."
My heart came back again:
"Now where is the prize?" I cried. ----
"The rule was false, and the prize was pain,
And the teacher's name was Pride."
I put my heart to school
In the woods, where veeries sing,
And brooks run cool and clear;
In the fields, where wild flowers spring,
And the blue of heaven bends near.
"Go out," I said: "you are half a fool,
But perhaps they can teach you here."
"And why do you stay so long,
My heart, and where do you roam?"
The answer came with a laugh and a song, ---
"I find this school is home."
poem by Henry Van Dyke
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The Subalterns
I
"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."
II
--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."
III
--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."
IV
--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"
V
We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.
poem by Thomas Hardy
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
Submitted by Poetry Lover
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The Court of Dulness
Her palace plac'd beneath a muddy road,
And such the influence of the dull abode,
The carrier's horse above can scarcely drag his load.
Here chose the goddess her belov'd retreat,
Which Phoebus tries in vain to penetrate;
Adorn'd within with shells of small expense,
(Emblems of tinsel rhyme and trifling sense),
Perpetual fogs enclose the sacred cave,
The neighbouring sinks their fragrant odours gave;
In contemplation here she pass'd her hours,
Closely attended by subservient powers:
Bold Profanation with a brazen brow, --
Much to this great ally does Dulness owe:
But still more near the goddess you attend,
Naked Obscenity! her darling friend.
To thee for shelter all the dull still fly,
Pert double meanings e'en at school we try.
What numerous writers owe their praise to thee,
No sex -- no age -- is from thy influence free;
By thee how bright appears the senseless song,
By thee the book is sold, the lines are strong.
The heaviest poet, by thy pow'rful aid,
Warms the brisk youth and charms the sprightly maid;
Where breathes the mortal who's not prov'd thy force
In well-bred pun, or waiting-room discourse?
Such were the chiefs who form'd her gloomy court,
Her pride, her ornaments, and her support:
Behind attended such a numerous crowd
Of quibbles strain'd old rhymes, and laughter loud,
Throngs that might even make a goddess proud.
Yet pensive thoughts lay brooding in her breast,
And fear, the mate of pow'r, her mind oppress'd.
Oft she revolv'd -- for oh, too well she knew
What Merlin sung, and part long since prov'd true,
"When Harry's brows the diadem adorn
From Reformation Learning shall be born;
Slowly in strength the infant shall improve,
The parents' glory and its country's love:
Free from the thraldom of monastic rhymes,
In bright progression bless succeeding times;
Milton free poetry from the monkish chain,
And Addison that Milton shall explain;
Point out the beauties of each living page;
Reform the taste of a degen'rate age;
Show that true wit disdains all little art,
And can at once engage and mend the heart;
Knows even popular applause to gain,
Yet not malicious, wanton, or profane."
This prophecy perplex'd her anxious head;
And, yawning thrice, thus to her sons she said:
"When such an author honour'd shall appear,
'Tis plain, the hour of our destruction's near!
And public rumour now aloud proclaims
At universal monarchy he aims.
What to this hero, whom shall we oppose?
A strong confederacy of stupid foes --
Such brave allies as are by nature fit
To check the progress of o'erflowing wit;
Where envy and where impudence are join'd
To contradict the voice of humankind,
At Dacier's ignorance shall gravely smile,
And blame the coarseness of Spectator's style;
Shall swear that Tickell understands not Greek,
That Addison can't write, nor Walpole speak."
Fir'd by this project Profanation rose --
"One leader, Goddess, let me here propose;
In a near realm, which owns thy gentle sway,
My darling son now chants his pleasing lay,
Trampling on order, decency, and laws,
And vaunts himself the champion of my cause.
Him will I bring to teach the callow youth
To scorn dry morals -- laugh at sacred truth.
All fears of future reckonings he shall quench,
And bid them bravely drink and freely wench.
By his example much, by precept more,
There learn 'tis wit to swear, and safe to whore.
* * * * * *
Mocks Newton's schemes, and Tillotson's discourse,
And imitates the virtues of a horse.
With this design to add to his renown,
He wears the rev'rend dress of band and gown."
The Goddess, pleas'd, bestow'd a gracious grin,
When thus does fair Obscenity begin:
"My humbler subjects are not plac'd so high,
They joke in kitchens, and in cellars ply;
Yet one I have, bred in those worthy schools,
Admir'd by shoals of male and female fools;
In ballads what I dictate he shall sing,
And troops of converts to my banners bring.
Bold in my cause, and most profoundly dull,
With smooth unmeaning rhymes the town shall lull;
Shall sing of worms in great Arbuthnot's strain,
In lewd burlesque the sacred Psalms profane;
To maids of honour songs obscene address,
Nor need we doubt his wonderful success.
Long have I watch'd this genius yet unknown,
Inspir'd his rhyme, and mark'd him for my own;
His early youth in superstition bred,
And monkish legends all the books he read.
Tinctur'd by these, proceeds his love of rhyme,
Milton he scorns, but Crambo thinks divine.
And oh! 'tis sure (our foes confess this truth)
The old Cambronians yield to this stupendous youth.
But present want obscures the poet's name,
Be it my charge to talk him into fame.
My Lansdowne (whose love-songs so smoothly run,
My darling author, and my fav'rite son)
He shall protect the man whom I inspire,
And Windsor Forest openly admire;
And Bolingbroke with flattery shall bribe,
'Till the charm'd lord most nobly shall subscribe;
And hostile Addison too late shall find,
'Tis easier to corrupt than mend mankind.
The town, which now revolts, once more obey,
And the whole island own my pristine sway!"
She said, and slowly leaves the realm of night,
While the curs'd phantoms praise her droning flight.
poem by Lady Mary Wortley Montagu
Submitted by Poetry Lover
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An Ode to the Queen on Her Jubilee Year
Sound drums and trumpets, far and near!
And Let all Queen Victoria's subjects loudly cheer!
And show by their actions that they revere,
Because she's served them faithfully fifty long year!
All hail to the Empress of India and Great Britain's Queen!
Long may she live happy and serene!
And as this is now her Jubilee year,
I hope her subjects will show their loyalty without fear.
Therefore let all her subjects rejoice and sing,
Until they make the welkin ring;
And let young and old on this her Jubilee be glad,
And cry, "Long Live our Queen!" and don't be sad.
She has been a good Queen, which no one dare gainsay,
And I hope God will protect her for many a day;
May He enable her a few more years to reign,
And let all her lieges say - Amen!
Let all hatred towards her be thrown aside
All o'er dominions broad and wide;
And let all her subjects bear in mind,
By God kings and queens are put in trust o'er mankind.
Therefore rejoice and be glad on her Jubilee day,
And try and make the heart of our Queen feel gay;
Oh! try and make her happy in country and town,
And not with Shakespeare say, "uneasy lies the head that wears a crown."
And as this is her first Jubilee year,
And will be her last, I rather fear:
Therefore, sound drums and trumpets cheerfully,
Until the echoes are heard o'er land and sea.
And let the innocent voices of the children at home or abroad
Ascend with cheerful shouts to the throne of God;
And sing aloud, "God Save our Gracious Queen!"
Because a good and charitable Sovereign she has been.
Therefore, ye sons of great Britain, come join with me,
And welcome in our noble Queen's Jubilee;
Because she has been a faithful Queen, ye must confess,
There hasn't been her equal since the days of Queen Bess.
Therefore let all her lieges shout and cheer,
"God Save our Gracious Queen!" for many a year;
let such be the cry in the peasant's cot, the hall,
With stentorian voices, as loud as they can bawl.
And let bonfires be kindled on every hill
And let her subjects dance around them at their freewill;
And try to drive dull care away
By singing and rejoicing on the Queen's Jubilee day.
May God protect her for many a day,
At home or abroad when she's far away;
Long may she be spared o'er her subjects to reign,
And let each and all with one voice say - Amen!
Victoria is a good Queen, which all he subjects know,
And for that may God protect her from every foe;
May He be as a hedge around her, as He's been all along.
And let her live and die in peace - is the end of my song.
poem by William Topaz McGonagall
Submitted by Poetry Lover
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Epistles to Several Persons: Epistle to Dr. Arbuthnot
Neque sermonibus vulgi dederis te, nec in præmiis spem posueris rerum tuarum; suiste oportet illecebris ipsa virtus trahat ad verum decus. Quid de te alii loquantur, ipsi videant,sed loquentur tamen.
(Cicero, De Re Publica VI.23)["... you will not any longer attend to the vulgar mob's gossip nor put your trust in human rewards for your deeds; virtue, through her own charms, should lead you to true glory. Let what others say about you be their concern; whatever it is, they will say it anyway."
Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.
What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide;
By land, by water, they renew the charge;
They stop the chariot, and they board the barge.
No place is sacred, not the church is free;
Ev'n Sunday shines no Sabbath-day to me:
Then from the Mint walks forth the man of rhyme,
Happy! to catch me just at dinner-time.
Is there a parson, much bemus'd in beer,
A maudlin poetess, a rhyming peer,
A clerk, foredoom'd his father's soul to cross,
Who pens a stanza, when he should engross?
Is there, who, lock'd from ink and paper, scrawls
With desp'rate charcoal round his darken'd walls?
All fly to Twit'nam, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damn'd works the cause:
Poor Cornus sees his frantic wife elope,
And curses wit, and poetry, and Pope.
Friend to my life! (which did not you prolong,
The world had wanted many an idle song)
What drop or nostrum can this plague remove?
Or which must end me, a fool's wrath or love?
A dire dilemma! either way I'm sped,
If foes, they write, if friends, they read me dead.
Seiz'd and tied down to judge, how wretched I!
Who can't be silent, and who will not lie;
To laugh, were want of goodness and of grace,
And to be grave, exceeds all pow'r of face.
I sit with sad civility, I read
With honest anguish, and an aching head;
And drop at last, but in unwilling ears,
This saving counsel, "Keep your piece nine years."
"Nine years!" cries he, who high in Drury-lane
Lull'd by soft zephyrs through the broken pane,
Rhymes ere he wakes, and prints before Term ends,
Oblig'd by hunger, and request of friends:
"The piece, you think, is incorrect: why, take it,
I'm all submission, what you'd have it, make it."
Three things another's modest wishes bound,
My friendship, and a prologue, and ten pound.
Pitholeon sends to me: "You know his Grace,
I want a patron; ask him for a place."
Pitholeon libell'd me--"but here's a letter
Informs you, sir, 'twas when he knew no better.
Dare you refuse him? Curll invites to dine,
He'll write a Journal, or he'll turn Divine."
Bless me! a packet--"'Tis a stranger sues,
A virgin tragedy, an orphan muse."
If I dislike it, "Furies, death and rage!"
If I approve, "Commend it to the stage."
There (thank my stars) my whole commission ends,
The play'rs and I are, luckily, no friends.
Fir'd that the house reject him, "'Sdeath I'll print it,
And shame the fools--your int'rest, sir, with Lintot!"
"Lintot, dull rogue! will think your price too much."
"Not, sir, if you revise it, and retouch."
All my demurs but double his attacks;
At last he whispers, "Do; and we go snacks."
Glad of a quarrel, straight I clap the door,
"Sir, let me see your works and you no more."
'Tis sung, when Midas' ears began to spring,
(Midas, a sacred person and a king)
His very minister who spied them first,
(Some say his queen) was forc'd to speak, or burst.
And is not mine, my friend, a sorer case,
When ev'ry coxcomb perks them in my face?
"Good friend, forbear! you deal in dang'rous things.
I'd never name queens, ministers, or kings;
Keep close to ears, and those let asses prick;
'Tis nothing"--Nothing? if they bite and kick?
Out with it, Dunciad! let the secret pass,
That secret to each fool, that he's an ass:
The truth once told (and wherefore should we lie?)
The queen of Midas slept, and so may I.
You think this cruel? take it for a rule,
No creature smarts so little as a fool.
Let peals of laughter, Codrus! round thee break,
Thou unconcern'd canst hear the mighty crack:
Pit, box, and gall'ry in convulsions hurl'd,
Thou stand'st unshook amidst a bursting world.
Who shames a scribbler? break one cobweb through,
He spins the slight, self-pleasing thread anew;
Destroy his fib or sophistry, in vain,
The creature's at his dirty work again;
Thron'd in the centre of his thin designs;
Proud of a vast extent of flimsy lines!
Whom have I hurt? has poet yet, or peer,
Lost the arch'd eye-brow, or Parnassian sneer?
And has not Colley still his lord, and whore?
His butchers Henley, his Free-masons Moore?
Does not one table Bavius still admit?
Still to one bishop Philips seem a wit?
Still Sappho-- "Hold! for God-sake--you'll offend:
No names!--be calm!--learn prudence of a friend!
I too could write, and I am twice as tall;
But foes like these!" One flatt'rer's worse than all.
Of all mad creatures, if the learn'd are right,
It is the slaver kills, and not the bite.
A fool quite angry is quite innocent;
Alas! 'tis ten times worse when they repent.
One dedicates in high heroic prose,
And ridicules beyond a hundred foes;
One from all Grub Street will my fame defend,
And, more abusive, calls himself my friend.
This prints my Letters, that expects a bribe,
And others roar aloud, "Subscribe, subscribe."
There are, who to my person pay their court:
I cough like Horace, and, though lean, am short,
Ammon's great son one shoulder had too high,
Such Ovid's nose, and "Sir! you have an eye"--
Go on, obliging creatures, make me see
All that disgrac'd my betters, met in me:
Say for my comfort, languishing in bed,
"Just so immortal Maro held his head:"
And when I die, be sure you let me know
Great Homer died three thousand years ago.
Why did I write? what sin to me unknown
Dipp'd me in ink, my parents', or my own?
As yet a child, nor yet a fool to fame,
I lisp'd in numbers, for the numbers came.
I left no calling for this idle trade,
No duty broke, no father disobey'd.
The Muse but serv'd to ease some friend, not wife,
To help me through this long disease, my life,
To second, Arbuthnot! thy art and care,
And teach the being you preserv'd, to bear.
But why then publish? Granville the polite,
And knowing Walsh, would tell me I could write;
Well-natur'd Garth inflamed with early praise,
And Congreve lov'd, and Swift endur'd my lays;
The courtly Talbot, Somers, Sheffield read,
Ev'n mitred Rochester would nod the head,
And St. John's self (great Dryden's friends before)
With open arms receiv'd one poet more.
Happy my studies, when by these approv'd!
Happier their author, when by these belov'd!
From these the world will judge of men and books,
Not from the Burnets, Oldmixons, and Cookes.
Soft were my numbers; who could take offence,
While pure description held the place of sense?
Like gentle Fanny's was my flow'ry theme,
A painted mistress, or a purling stream.
Yet then did Gildon draw his venal quill;
I wish'd the man a dinner, and sat still.
Yet then did Dennis rave in furious fret;
I never answer'd, I was not in debt.
If want provok'd, or madness made them print,
I wag'd no war with Bedlam or the Mint.
Did some more sober critic come abroad?
If wrong, I smil'd; if right, I kiss'd the rod.
Pains, reading, study, are their just pretence,
And all they want is spirit, taste, and sense.
Commas and points they set exactly right,
And 'twere a sin to rob them of their mite.
Yet ne'er one sprig of laurel grac'd these ribalds,
From slashing Bentley down to pidling Tibbalds.
Each wight who reads not, and but scans and spells,
Each word-catcher that lives on syllables,
Ev'n such small critics some regard may claim,
Preserv'd in Milton's or in Shakespeare's name.
Pretty! in amber to observe the forms
Of hairs, or straws, or dirt, or grubs, or worms;
The things, we know, are neither rich nor rare,
But wonder how the devil they got there?
Were others angry? I excus'd them too;
Well might they rage; I gave them but their due.
A man's true merit 'tis not hard to find,
But each man's secret standard in his mind,
That casting weight pride adds to emptiness,
This, who can gratify? for who can guess?
The bard whom pilfer'd pastorals renown,
Who turns a Persian tale for half a crown,
Just writes to make his barrenness appear,
And strains, from hard-bound brains, eight lines a year:
He, who still wanting, though he lives on theft,
Steals much, spends little, yet has nothing left:
And he, who now to sense, now nonsense leaning,
Means not, but blunders round about a meaning:
And he, whose fustian's so sublimely bad,
It is not poetry, but prose run mad:
All these, my modest satire bade translate,
And own'd, that nine such poets made a Tate.
How did they fume, and stamp, and roar, and chafe?
And swear, not Addison himself was safe.
Peace to all such! but were there one whose fires
True genius kindles, and fair fame inspires,
Blest with each talent and each art to please,
And born to write, converse, and live with ease:
Should such a man, too fond to rule alone,
Bear, like the Turk, no brother near the throne,
View him with scornful, yet with jealous eyes,
And hate for arts that caus'd himself to rise;
Damn with faint praise, assent with civil leer,
And without sneering, teach the rest to sneer;
Willing to wound, and yet afraid to strike,
Just hint a fault, and hesitate dislike;
Alike reserv'd to blame, or to commend,
A tim'rous foe, and a suspicious friend;
Dreading ev'n fools, by flatterers besieg'd,
And so obliging, that he ne'er oblig'd;
Like Cato, give his little senate laws,
And sit attentive to his own applause;
While wits and templars ev'ry sentence raise,
And wonder with a foolish face of praise.
Who but must laugh, if such a man there be?
Who would not weep, if Atticus were he?
What though my name stood rubric on the walls,
Or plaister'd posts, with claps, in capitals?
Or smoking forth, a hundred hawkers' load,
On wings of winds came flying all abroad?
I sought no homage from the race that write;
I kept, like Asian monarchs, from their sight:
Poems I heeded (now berhym'd so long)
No more than thou, great George! a birthday song.
I ne'er with wits or witlings pass'd my days,
To spread about the itch of verse and praise;
Nor like a puppy, daggled through the town,
To fetch and carry sing-song up and down;
Nor at rehearsals sweat, and mouth'd, and cried,
With handkerchief and orange at my side;
But sick of fops, and poetry, and prate,
To Bufo left the whole Castalian state.
Proud as Apollo on his forked hill,
Sat full-blown Bufo, puff'd by every quill;
Fed with soft dedication all day long,
Horace and he went hand in hand in song.
His library (where busts of poets dead
And a true Pindar stood without a head,)
Receiv'd of wits an undistinguish'd race,
Who first his judgment ask'd, and then a place:
Much they extoll'd his pictures, much his seat,
And flatter'd ev'ry day, and some days eat:
Till grown more frugal in his riper days,
He paid some bards with port, and some with praise,
To some a dry rehearsal was assign'd,
And others (harder still) he paid in kind.
Dryden alone (what wonder?) came not nigh,
Dryden alone escap'd this judging eye:
But still the great have kindness in reserve,
He help'd to bury whom he help'd to starve.
May some choice patron bless each grey goose quill!
May ev'ry Bavius have his Bufo still!
So, when a statesman wants a day's defence,
Or envy holds a whole week's war with sense,
Or simple pride for flatt'ry makes demands,
May dunce by dunce be whistled off my hands!
Blest be the great! for those they take away,
And those they left me--for they left me Gay;
Left me to see neglected genius bloom,
Neglected die! and tell it on his tomb;
Of all thy blameless life the sole return
My verse, and Queensb'ry weeping o'er thy urn!
Oh let me live my own! and die so too!
("To live and die is all I have to do:")
Maintain a poet's dignity and ease,
And see what friends, and read what books I please.
Above a patron, though I condescend
Sometimes to call a minister my friend:
I was not born for courts or great affairs;
I pay my debts, believe, and say my pray'rs;
Can sleep without a poem in my head,
Nor know, if Dennis be alive or dead.
Why am I ask'd what next shall see the light?
Heav'ns! was I born for nothing but to write?
Has life no joys for me? or (to be grave)
Have I no friend to serve, no soul to save?
"I found him close with Swift"--"Indeed? no doubt",
(Cries prating Balbus) "something will come out".
'Tis all in vain, deny it as I will.
"No, such a genius never can lie still,"
And then for mine obligingly mistakes
The first lampoon Sir Will. or Bubo makes.
Poor guiltless I! and can I choose but smile,
When ev'ry coxcomb knows me by my style?
Curs'd be the verse, how well soe'er it flow,
That tends to make one worthy man my foe,
Give virtue scandal, innocence a fear,
Or from the soft-ey'd virgin steal a tear!
But he, who hurts a harmless neighbour's peace,
Insults fall'n worth, or beauty in distress,
Who loves a lie, lame slander helps about,
Who writes a libel, or who copies out:
That fop, whose pride affects a patron's name,
Yet absent, wounds an author's honest fame;
Who can your merit selfishly approve,
And show the sense of it without the love;
Who has the vanity to call you friend,
Yet wants the honour, injur'd, to defend;
Who tells what'er you think, whate'er you say,
And, if he lie not, must at least betray:
Who to the Dean, and silver bell can swear,
And sees at Cannons what was never there;
Who reads, but with a lust to misapply,
Make satire a lampoon, and fiction, lie.
A lash like mine no honest man shall dread,
But all such babbling blockheads in his stead.
Let Sporus tremble--"What? that thing of silk,
Sporus, that mere white curd of ass's milk?
Satire or sense, alas! can Sporus feel?
Who breaks a butterfly upon a wheel?"
Yet let me flap this bug with gilded wings,
This painted child of dirt that stinks and stings;
Whose buzz the witty and the fair annoys,
Yet wit ne'er tastes, and beauty ne'r enjoys,
So well-bred spaniels civilly delight
In mumbling of the game they dare not bite.
Eternal smiles his emptiness betray,
As shallow streams run dimpling all the way.
Whether in florid impotence he speaks,
And, as the prompter breathes, the puppet squeaks;
Or at the ear of Eve, familiar toad,
Half froth, half venom, spits himself abroad,
In puns, or politics, or tales, or lies,
Or spite, or smut, or rhymes, or blasphemies.
His wit all see-saw, between that and this ,
Now high, now low, now Master up, now Miss,
And he himself one vile antithesis.
Amphibious thing! that acting either part,
The trifling head, or the corrupted heart,
Fop at the toilet, flatt'rer at the board,
Now trips a lady, and now struts a lord.
Eve's tempter thus the rabbins have express'd,
A cherub's face, a reptile all the rest;
Beauty that shocks you, parts that none will trust,
Wit that can creep, and pride that licks the dust.
Not fortune's worshipper, nor fashion's fool,
Not lucre's madman, nor ambition's tool,
Not proud, nor servile, be one poet's praise,
That, if he pleas'd, he pleas'd by manly ways;
That flatt'ry, even to kings, he held a shame,
And thought a lie in verse or prose the same:
That not in fancy's maze he wander'd long,
But stoop'd to truth, and moraliz'd his song:
That not for fame, but virtue's better end,
He stood the furious foe, the timid friend,
The damning critic, half-approving wit,
The coxcomb hit, or fearing to be hit;
Laugh'd at the loss of friends he never had,
The dull, the proud, the wicked, and the mad;
The distant threats of vengeance on his head,
The blow unfelt, the tear he never shed;
The tale reviv'd, the lie so oft o'erthrown;
Th' imputed trash, and dulness not his own;
The morals blacken'd when the writings 'scape;
The libell'd person, and the pictur'd shape;
Abuse, on all he lov'd, or lov'd him, spread,
A friend in exile, or a father, dead;
The whisper, that to greatness still too near,
Perhaps, yet vibrates on his sovereign's ear:--
Welcome for thee, fair Virtue! all the past:
For thee, fair Virtue! welcome ev'n the last!
"But why insult the poor? affront the great?"
A knave's a knave, to me, in ev'ry state:
Alike my scorn, if he succeed or fail,
Sporus at court, or Japhet in a jail,
A hireling scribbler, or a hireling peer,
Knight of the post corrupt, or of the shire;
If on a pillory, or near a throne,
He gain his prince's ear, or lose his own.
Yet soft by nature, more a dupe than wit,
Sappho can tell you how this man was bit:
This dreaded sat'rist Dennis will confess
Foe to his pride, but friend to his distress:
So humble, he has knock'd at Tibbald's door,
Has drunk with Cibber, nay, has rhym'd for Moore.
Full ten years slander'd, did he once reply?
Three thousand suns went down on Welsted's lie.
To please a mistress one aspers'd his life;
He lash'd him not, but let her be his wife.
Let Budgell charge low Grub Street on his quill,
And write whate'er he pleas'd, except his will;
Let the two Curlls of town and court, abuse
His father, mother, body, soul, and muse.
Yet why? that father held it for a rule,
It was a sin to call our neighbour fool:
That harmless mother thought no wife a whore,--
Hear this! and spare his family, James Moore!
Unspotted names! and memorable long,
If there be force in virtue, or in song.
Of gentle blood (part shed in honour's cause,
While yet in Britain honour had applause)
Each parent sprung--"What fortune, pray?"--Their own,
And better got, than Bestia's from the throne.
Born to no pride, inheriting no strife,
Nor marrying discord in a noble wife,
Stranger to civil and religious rage,
The good man walk'd innoxious through his age.
No courts he saw, no suits would ever try,
Nor dar'd an oath, nor hazarded a lie:
Un-learn'd, he knew no schoolman's subtle art,
No language, but the language of the heart.
By nature honest, by experience wise,
Healthy by temp'rance and by exercise;
His life, though long, to sickness past unknown;
His death was instant, and without a groan.
O grant me, thus to live, and thus to die!
Who sprung from kings shall know less joy than I.
O friend! may each domestic bliss be thine!
Be no unpleasing melancholy mine:
Me, let the tender office long engage
To rock the cradle of reposing age,
With lenient arts extend a mother's breath,
Make langour smile, and smooth the bed of death,
Explore the thought, explain the asking eye,
And keep a while one parent from the sky!
On cares like these if length of days attend,
May Heav'n, to bless those days, preserve my friend,
Preserve him social, cheerful, and serene,
And just as rich as when he serv'd a queen.
Whether that blessing be denied or giv'n,
Thus far was right, the rest belongs to Heav'n.
poem by Alexander Pope
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Davideis: A Sacred Poem Of The Troubles Of David (excerpt)
BOOK I (excerpt)
I sing the man who Judah's sceptre bore
In that right hand which held the crook before;
Who from best poet, best of kings did grow;
The two chief gifts Heav'n could on man bestow.
Much danger first, much toil did he sustain,
Whilst Saul and Hell cross'd his strong fate in vain.
Nor did his crown less painful work afford;
Less exercise his patience, or his sword;
So long her conqueror fortunes spite pursued;
Till with unwearied virtue he subdued
All homebred malice, and all foreign boasts;
Their strength was armies, his the Lord of Hosts.
Thou, who didst David's royal stem adorn,
And gav'st him birth from whom thy self wast born;
Who didst in triumph at death's court appear,
And slew'st him with thy nails, thy cross and spear,
Whilst Hell's black tyrant trembled to behold,
The glorious light he forfeited of old;
Who Heav'ns glad burden now, and justest pride,
Sit'st high enthron'd next thy great Father's side,
(Where hallowed flames help to adorn that head
Which once the blushing thorns environed,
Till crimson drops of precious blood hung down
Like rubies to enrich thine humble crown.)
Even thou my breast with such blest rage inspire,
As mov'd the tuneful strings of David's lyre,
Guide my bold steps with thine old travelling flame,
In these untrodden paths to sacred fame;
Lo, with pure hands thy heav'enly fires to take,
My well-chang'd Muse I a chaste vestal make!
From earth's vain joys, and love's soft witchcraft free,
I consecrate my Magdalene to thee!
Lo, this great work, a temple to thy praise,
On polish'd pillars of strong verse I raise!
A temple, where if thou vouchsafe to dwell,
It Solomon's, and Herod's shall excel.
Too long the Muses-land have heathen bin;
Their gods too long were devils, and virtues sin;
But thou, Eternal Word, has call'd forth me
Th' apostle, to convert that world to thee;
T' unbind the charms that in slight fables lie,
And teach that truth is purest poesy.
...
poem by Abraham Cowley
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Sonnet LIX: As Love and I
As Love and I, late harbor'd in one inn,
With proverbs thus each other entertain:
"In Love there is no lack," thus I begin;
"Fair words make fools," replieth he again;
"Who spares to speak doth spare to speed," quoth I;
"As well," saith he, "too forward as too slow";
"Fortune assists the boldest," I reply;
"A hasty man," quoth he, "ne'er wanted woe";
"Labor is light where Love," quoth I, "doth pay";
Saith he, "Light burden's heavy, if far borne";
Quoth I, "The main lost, cast the bye away";
"You have spun a fair thread," he replies in scorn.
And having thus awhile each other thwarted,
Fools as we met, so fools again we parted.
poem by Michael Drayton
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Psalm 89 part 4
v.19ff
C. M.
Christ's mediatorial kingdom; or, His Divine and human nature
Hear what the Lord in vision said,
And made his mercy known:
"Sinners, behold your help is laid
On my Almighty Son.
"Behold the Man my wisdom chose
Among your mortal race:
His head my holy oil o'erflows,
The Spirit of my grace.
"High shall he reign on David's throne,
My people's better King;
My arm shall beat his rivals down,
And still new subjects bring.
"My truth shall guard him in his way,
With mercy by his side,
While in my name through earth and sea
He shall in triumph ride.
"Me for his Father and his God
He shall for ever own,
Call me his rock, his high abode,
And I'll support my Son.
"My first-born Son arrayed in grace
At my right hand shall sit;
Beneath him angels know their place,
And monarchs at his feet.
"My cov'nant stands for ever fast,
My promises are strong;
Firm as the heav'ns his throne shall last,
His seed endure as long."
poem by Isaac Watts
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My Future
"Let's make him a sailor," said Father,
"And he will adventure the sea."
"A soldier," said Mother, "is rather
What I would prefer him to be."
"A lawyer," said Father, "would please me,
For then he could draw up my will."
"A doctor," said Mother, "would ease me;
Maybe he could give me a pill."
Said Father: "Lt's make him a curate,
A Bishop in gaiters to be."
Said Mother: "I couldn't endure it
To have Willie preaching to me."
Said Father: ""Let him be a poet;
So often he's gathering wool."
Said Mother with temper: "Oh stow it!
You know it, a poet's a fool."
Said Farther: "Your son is a duffer,
A stupid and mischievous elf."
Said Mother, who's rather a huffer:
"That's right - he takes after yourself."
Controlling parental emotion
They turned to me, seeking a cue,
And sudden conceived the bright notion
To ask what I wanted to do.
Said I: "my ambition is modest:
A clown in a circus I'd be,
And turn somersaults in the sawdust
With audience laughing at me."
. . . Poor parents! they're dead and decaying,
But I am a clown as you see;
And though in no circus I'm playing,
How people are laughing at me!
poem by Robert William Service
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On The Death Of Rev. Mr. George Whitefield
HAIL, happy saint, on thine immortal throne,
Possest of glory, life, and bliss unknown;
We hear no more the music of thy tongue,
Thy wonted auditories cease to throng.
Thy sermons in unequall'd accents flow'd,
And ev'ry bosom with devotion glow'd;
Thou didst in strains of eloquence refin'd
Inflame the heart, and captivate the mind.
Unhappy we the setting sun deplore,
So glorious once, but ah! it shines no more.
Behold the prophet in his tow'ring flight!
He leaves the earth for heav'n's unmeasur'd height,
And worlds unknown receive him from our sight.
There Whitefield wings with rapid course his way,
And sails to Zion through vast seas of day.
Thy pray'rs, great saint, and thine incessant cries
Have pierc'd the bosom of thy native skies.
Thou moon hast seen, and all the stars of light,
How he has wrestled with his God by night.
He pray'd that grace in ev'ry heart might dwell,
He long'd to see America excell;
He charg'd its youth that ev'ry grace divine
Should with full lustre in their conduct shine;
That Saviour, which his soul did first receive,
The greatest gift that ev'n a God can give,
He freely offer'd to the num'rous throng,
That on his lips with list'ning pleasure hung.
"Take him, ye wretched, for your only good,
"Take him ye starving sinners, for your food;
"Ye thirsty, come to this life-giving stream,
"Ye preachers, take him for your joyful theme;
"Take him my dear Americans, he said,
"Be your complaints on his kind bosom laid:
"Take him, ye Africans, he longs for you,
"Impartial Saviour is his title due:
"Wash'd in the fountain of redeeming blood,
"You shall be sons, and kings, and priests to God."
Great Countess,* we Americans revere
Thy name, and mingle in thy grief sincere;
New England deeply feels, the Orphans mourn,
Their more than father will no more return.
But, though arrested by the hand of death,
Whitefield no more exerts his lab'ring breath,
Yet let us view him in th' eternal skies,
Let ev'ry heart to this bright vision rise;
While the tomb safe retains its sacred trust,
Till life divine re-animates his dust.
*The Countess of Huntingdon, to whom Mr. Whitefield was
Chaplain.
poem by Phillis Wheatley
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