Love in Twilight
There is darkness behind the light -- and the pale light drips
Cold on vague shapes and figures, that, half-seen loom
Like the carven prows of proud, far-triumphing ships --
And the firelight wavers and changes about the room,
As the three logs crackle and burn with a small still sound;
Half-blotting with dark the deeper dark of her hair,
Where she lies, head pillowed on arm, and one hand curved round
To shield the white face and neck from the faint thin glare.
Gently she breathes -- and the long limbs lie at ease,
And the rise and fall of the young, slim, virginal breast
Is as certain-sweet as the march of slow wind through trees,
Or the great soft passage of clouds in a sky at rest.
I kneel, and our arms enlace, and we kiss long, long.
I am drowned in her as in sleep. There is no more pain.
Only the rustle of flames like a broken song
That rings half-heard through the dusty halls of the brain.
One shaking and fragile moment of ecstasy,
While the grey gloom flutters and beats like an owl above.
And I would not move or speak for the sea or the sky
Or the flame-bright wings of the miraculous Dove!
poem by Stephen Vincent Benet
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London To Folkestone (Half-Past One To Half-Past Five)
A constant keeping-past of shaken trees,
And a bewildered glitter of loose road;
Banks of bright growth, with single blades atop
Against white sky; and wires—a constant chain—
That seem to draw the clouds along with them
(Things which one stoops against the light to see
Through the low window; shaking by at rest,
Or fierce like water as the swiftness grows);
And, seen through fences or a bridge far off,
Trees that in moving keep their intervals
Still one 'twixt bar and bar; and then at times
Long reaches of green level, where one cow,
Feeding among her fellows that feed on,
Lifts her slow neck, and gazes for the sound.
There are six of us: I that write away;
Hunt reads Dumas, hard-lipped, with heavy jowl
And brows hung low, and the long ends of hair
Standing out limp. A grazier at one end
(Thank luck not my end!) has blocked out the air,
And sits in heavy consciousness of guilt.
The poor young muff who's face to face with me
Is pitiful in loose collar and black tie,
His latchet-button shaking as we go.
There are flowers by me, half upon my knees,
Owned by a dame who's fair in soul, no doubt:
The wind that beats among us carries off
Their scent, but still I have them for my eye.
Fields mown in ridges; and close garden-crops
Of the earth's increase; and a constant sky
Still with clear trees that let you see the wind;
And snatches of the engine-smoke, by fits
Tossed to the wind against the landscape, where
Rooks stooping heave their wings upon the day.
Brick walls we pass between, passed so at once
That for the suddenness I cannot know
Or what, or where begun, or where at end.
Sometimes a Station in grey quiet; whence,
With a short gathered champing of pent sound,
We are let out upon the air again.
Now nearly darkness; knees and arms and sides
Feel the least touch, and close about the face
A wind of noise that is along like God.
Pauses of water soon, at intervals,
That has the sky in it;—the reflexes
O' the trees move towards the bank as we go by,
Leaving the water's surface plain. I now
Lie back and close my eyes a space; for they
Smart from the open forwardness of thought
Fronting the wind——
——I did not scribble more,
Be certain, after this; but yawned, and read,
And nearly dozed a little, I believe;
Till, stretching up against the carriage-back,
I was roused altogether, and looked out
To where, upon the desolate verge of light,
Yearned, pale and vast, the iron-coloured sea.
poem by Dante Gabriel Rossetti
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Home
I came back late and tired last night
Into my little room,
To the long chair and the firelight
And comfortable gloom.
But as I entered softly in
I saw a woman there,
The line of neck and cheek and chin,
The darkness of her hair,
The form of one I did not know
Sitting in my chair.
I stood a moment fierce and still,
Watching her neck and hair.
I made a step to her; and saw
That there was no one there.
It was some trick of the firelight
That made me see her there.
It was a chance of shade and light
And the cushion in the chair.
Oh, all you happy over the earth,
That night, how could I sleep?
I lay and watched the lonely gloom;
And watched the moonlight creep
From wall to basin, round the room,
All night I could not sleep.
poem by Rupert Brooke (1913)
Submitted by Veronica Serbanoiu
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West Wind, The
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread--
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;--
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.
poem by William Cullen Bryant
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The West Wind
Beneath the forest's skirts I rest,
Whose branching pines rise dark and high,
And hear the breezes of the West
Among the threaded foliage sigh.
Sweet Zephyr! why that sound of wo?
Is not thy home among the flowers?
Do not the bright June roses blow,
To meet thy kiss at morning hours?
And lo! thy glorious realm outspread
Yon stretching valleys, green and gay,
And yon free hilltops, o'er whose head
The loose white clouds are borne away.
And there the full broad river runs,
And many a fount wells fresh and sweet,
To cool thee when the mid-day suns
Have made thee faint beneath their heat.
Thou wind of joy, and youth, and love;
Spirit of the new wakened year!
The sun in his blue realm above
Smooths a bright path when thou art here.
In lawns the murmuring bee is heard,
The wooing ring-dove in the shade;
On thy soft breath, the new-fledged bird
Takes wing, half happy, half afraid.
Ah! thou art like our wayward race;
When not a shade of pain or ill
Dims the bright smile of Nature's face,
Thou lov'st to sigh and murmur still.
poem by William Cullen Bryant
Submitted by Veronica Serbanoiu
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The Window
All night long, by a distant bell,
The passing hours were notched
On the dark, while her breathing rose and fell,
And the spark of life I watched
In her face was glowing or fading, -- who could tell? --
And the open window of the room,
With a flare of yellow light,
Was peering out into the gloom,
Like an eye that searched the night.
Oh, what do you see in the dark, little window, and why do you fear?
"I see that the garden is crowded with creeping forms of fear:
Little white ghosts in the locust-tree, that wave in the night-wind's breath,
And low in the leafy laurels the larking shadow of death."
Sweet, clear notes of a waking bird
Told of the passing away
Of the dark, -- and my darling may have heard;
For she smiled in her sleep, while the ray
Of the rising dawn spoke joy without a word,
Till the splendor born in the east outburned
The yellow lamplight, pale and thin,
And the open window slowly turned
To the eye of the morning, looking in.
Oh, what do you see in the room, little window, that makes you so bright?
"I see that a child is asleep on her pillow, soft and white,
With the rose of life on her tips, and the breath of life in her breast,
And the arms of God around her as she quietly takes her rest."
poem by Henry Van Dyke
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A Woman's Mood
I THINK to-night I could bear it all,
Even the arrow that cleft the core,—
Could I wait again for your swift footfall,
And your sunny face coming in at the door.
With the old frank look and the gay young smile,
And the ring of the words you used to say;
I could almost deem the pain worth while,
To greet you again in the olden way!
But you stand without in the dark and cold,
And I may not open the long closed door,
Nor call thro’ the night, with the love of old,—
“Come into the warmth, as in nights of yore!”
I kneel alone in the red fire-glow,
And hear the wings of the wind sweep by;
You are out afar in the night, I know,
And the sough of the wind is like a cry.
You are out afar—and I wait within,
A grave-eyed woman whose pulse is slow;
The flames round the red coals softly spin,
And the lonely room’s in a rosy glow.
The firelight falls on your vacant chair,
And the soft brown rug where you used to stand;
Dear, never again shall I see you there,
Nor lift my head for your seeking hand.
Yet sometimes still, and in spite of all,
I wistful look at the fastened door,
And wait again for the swift footfall,
And the gay young voice as in hours of yore.
It still seems strange to be here alone,
With the rising sob of the wind without;
The sound takes a deep, insisting tone,
Where the trees are swinging their arms about.
Its moaning reaches the sheltered room,
And thrills my heart with a sense of pain;
I walk to the window, and pierce the gloom,
With a yearning look that is all in vain.
You are out in a night of depths that hold
No promise of dawning for you and me,
And only a ghost from the life of old
Has come from the world of memory!
You are out evermore! God wills it so!
But ah! my spirit is yearning yet!
As I kneel alone by the red fire-glow,
My eyes grow dim with the old regret.
O when shall the aching throb grow still,
The warm love-life turn cold at the core!
Must I be watching, against my will,
For your banished face in the opening door?
It may be, dear, when the sequel’s told
Of the story, read to its bitter close;
When the inner meanings of life unfold,
And the under-side of our being shows—
It may be then, in that truer light,
When all our knowledge has larger grown,
I may understand why you stray to-night,
And I am left, with the past, alone.
poem by Jenning Carmichael
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The New Wife and the Old
Dark the halls, and cold the feast,
Gone the bridemaids, gone the priest.
All is over, all is done,
Twain of yesterday are one!
Blooming girl and manhood gray,
Autumn in the arms of May!
Hushed within and hushed without,
Dancing feet and wrestlers' shout;
Dies the bonfire on the hill;
All is dark and all is still,
Save the starlight, save the breeze
Moaning through the graveyard trees,
And the great sea-waves below,
Pulse of the midnight beating slow.
From the brief dream of a bride
She hath wakened, at his side.
With half-uttered shriek and start,-
Feels she not his beating heart?
And the pressure of his arm,
And his breathing near and warm?
Lightly from the bridal bed
Springs that fair dishevelled head,
And a feeling, new, intense,
Half of shame, half innocence,
Maiden fear and wonder speaks
Through her lips and changing cheeks.
From the oaken mantel glowing,
Faintest light the lamp is throwing
On the mirror's antique mould,
High-backed chair, and wainscot old,
And, through faded curtains stealing,
His dark sleeping face revealing.
Listless lies the strong man there,
Silver-streaked his careless hair;
Lips of love have left no trace
On that hard and haughty face;
And that forehead's knitted thought
Love's soft hand hath not unwrought.
'Yet,' she sighs, 'he loves me well,
More than these calm lips will tell.
Stooping to my lowly state,
He hath made me rich and great,
And I bless him, though he be
Hard and stern to all save me!'
While she speaketh, falls the light
O'er her fingers small and white;
Gold and gem, and costly ring
Back the timid lustre fling,-
Love's selectest gifts, and rare,
His proud hand had fastened there.
Gratefully she marks the glow
From those tapering lines of snow;
Fondly o'er the sleeper bending
His black hair with golden blending,
In her soft and light caress,
Cheek and lip together press.
Ha!-that start of horror! why
That wild stare and wilder cry,
Full of terror, full of pain?
Is there madness in her brain?
Hark! that gasping, hoarse and low,
'Spare me,-spare me,-let me go!'
God have mercy!-icy cold
Spectral hands her own enfold,
Drawing silently from them
Love's fair gifts of gold and gem.
'Waken! save me!' still as death
At her side he slumbereth.
Ring and bracelet all are gone,
And that ice-cold hand withdrawn;
But she hears a murmur low,
Full of sweetness, full of woe,
Half a sigh and half a moan
'Fear not! give the dead her own!'
Ah!-the dead wife's voice she knows!
That cold hand whose pressure froze,
Once in warmest life had borne
Gem and band her own hath worn.
'Wake thee! wake thee!' Lo, his eyes
Open with a dull surprise.
In his arms the strong man folds her,
Closer to his breast he holds her;
Trembling limbs his own are meeting,
And he feels her heart's quick beating
'Nay, my dearest, why this fear?'
'Hush!' she saith, 'the dead is here!'
'Nay, a dream,-an idle dream.'
But before the lamp's pale gleam
Tremblingly her hand she raises.
There no more the diamond blazes,
Clasp of pearl, or ring of gold,-
'Ah!' she sighs, 'her hand was cold!'
Broken words of cheer he saith,
But his dark lip quivereth,
And as o'er the past he thinketh,
From his young wife's arms he shrinketh;
Can those soft arms round him lie,
Underneath his dead wife's eye?
She her fair young head can rest
Soothed and childlike on his breast,
And in trustful innocence
Draw new strength and courage thence;
He, the proud man, feels within
But the cowardice of sin!
She can murmur in her thought
Simple prayers her mother taught,
And His blessed angels call,
Whose great love is over all;
He, alone, in prayerless pride,
Meets the dark Past at her side!
One, who living shrank with dread
From his look, or word, or tread,
Unto whom her early grave
Was as freedom to the slave,
Moves him at this midnight hour,
With the dead's unconscious power!
Ah, the dead, the unforgot!
From their solemn homes of thought,
Where the cypress shadows blend
Darkly over foe and friend,
Or in love or sad rebuke,
Back upon the living look.
And the tenderest ones and weakest,
Who their wrongs have borne the meekest,
Lifting from those dark, still places,
Sweet and sad-remembered faces,
O'er the guilty hearts behind
An unwitting triumph find.
poem by John Greenleaf Whittier
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Troth with the Dead
The moon is broken in twain, and half a moon
Before me lies on the still, pale floor of the sky;
The other half of the broken coin of troth
Is buried away in the dark, where the still dead lie.
They buried her half in the grave when they laid her away;
I had pushed it gently in among the thick of her hair
Where it gathered towards the plait, on that very last day;
And like a moon in secret it is shining there.
My half shines in the sky, for a general sign
Of the troth with the dead I pledged myself to keep;
Turning its broken edge to the dark, it shines indeed
Like the sign of a lover who turns to the dark of sleep.
Against my heart the inviolate sleep breaks still
In darkened waves whose breaking echoes o’er
The wondering world of my wakeful day, till I’m lost
In the midst of the places I knew so well before.
poem by David Herbert Lawrence
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A Drowsy Day
THE air is dark, the sky is gray,
The misty shadows come and go,
And here within my dusky room
Each chair looks ghostly in the gloom.
Outside the rain falls cold and slow —
Half-stinging drops, half-blinding spray.
Each slightest sound is magnified,
For drowsy quiet holds her reign;
The burnt stick in the fireplace breaks,
The nodding cat with start awakes,
And then to sleep drops off again,
Unheeding Towser at her side.
I look far out across the lawn,
Where huddled stand the silly sheep;
My work lies idle at my hands,
My thoughts fly out like scattered strands
Of thread, and on the verge of sleep—
Still half awake — I dream and yawn.
What spirits rise before my eyes!
How various of kind and form!
Sweet memories of days long past,
The dreams of youth that could not last,
Each smiling calm, each raging storm,
That swept across my early skies.
Half seen, the bare, gaunt-fingered boughs
Before my window sweep and sway,
And chafe in tortures of unrest.
My chin sinks down upon my breast;
I cannot work on such a day,
But only sit and dream and drowse.
poem by Paul Laurence Dunbar
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Leves Amores
I
Your kisses, and the way you curl,
Delicious and distracting girl,
Into one's arms, and round about,
Luxuriously in and out
Twining inextricably, as twine
The clasping tangles of the vine;
Strong to embrace and long to kiss,
And strenuous for the sharper bliss,
Insatiably enamoured of
The ultimate ecstasy of love.
So loving to be loved, so gay
And greedy for our holiday;
And then how prettily you sleep!
You nestle close, and let me keep
My straying fingers in the nest
Of your warm comfortable breast;
And as I lie and dream awake,
Unsleeping for your sleeping sake,
I feel the very pulse and heat
Of your young life-blood beat, and beat
With mine; and you are mine, my sweet!
II
The little bedroom papered red,
The gas's faint malodorous light,
And one beside me in the bed,
Who chatters, chatters, half the night.
I drowse and listen, drowse again,
And still, although I would not hear,
Her stream of chatter, like the rain,
Is falling, falling on my ear.
The bed-clothes stifle me, I ache
With weariness, my eyelids prick;
I hate, until I long to break,
That clock for its tyrannic tick.
And still beside me, through the heat
Of this September night, I feel
Her body's warmth upon the sheet
Burn through my limbs from head to heel.
And still I see her profile lift
Its tiresome line above the hair,
That streams, a dark and tumbled drift,
Across the pillow that I share
poem by Arthur Symons
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Song
YOU are as gold
as the half-ripe grain
that merges to gold again,
as white as the white rain
that beats through
the half-opened flowers
of the great flower tufts
thick on the black limbs
of an Illyrian apple bough.
Can honey distill such fragrance
as your bright hair-
for your face is as fair as rain,
yet as rain that lies clear
on white honey-comb,
lends radiance to the white wax,
so your hair on your brow
casts light for a shadow.
poem by Hilda Doolittle
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The Canoe
My masters twain made me a bed
Of pine-boughs resinous, and cedar;
Of moss, a soft and gentle breeder
Of dreams of rest; and me they spread
With furry skins, and laughing said,
'Now she shall lay her polish'd sides,
As queens do rest, or dainty brides,
Our slender lady of the tides!'
My masters twain their camp-soul lit,
Streamed incense from the hissing cones,
Large, crimson flashes grew and whirl'd
Thin, golden nerves of sly light curl'd
Round the dun camp, and rose faint zones,
Half way about each grim bole knit,
Like a shy child that would bedeck
With its soft clasp a Brave's red neck;
Yet sees the rough shield on his breast,
The awful plumes shake on his crest,
And fearful drops his timid face,
Nor dares complete the sweet embrace.
Into the hollow hearts of brakes,
Yet warm from sides of does and stags,
Pass'd to the crisp dark river flags;
Sinuous, red as copper snakes,
Sharp-headed serpents, made of light,
Glided and hid themselves in night.
My masters twain, the slaughtered deer
Hung on fork'd boughs--with thongs of leather.
Bound were his stiff, slim feet together--
His eyes like dead stars cold and drear;
The wand'ring firelight drew near
And laid its wide palm, red and anxious,
On the sharp splendor of his branches;
On the white foam grown hard and sere
On flank and shoulder.
Death--hard as breast of granite boulder,
And under his lashes
Peer'd thro' his eyes at his life's grey ashes.
My masters twain sang songs that wove
(As they burnish'd hunting blade and rifle)
A golden thread with a cobweb trifle--
Loud of the chase, and low of love.
'O Love, art thou a silver fish?
Shy of the line and shy of gaffing,
Which we do follow, fierce, yet laughing,
Casting at thee the light-wing'd wish,
And at the last shall we bring thee up
From the crystal darkness under the cup
Of lily folden,
On broad leaves golden?
'O Love! art thou a silver deer,
Swift thy starr'd feet as wing of swallow,
While we with rushing arrows follow;
And at the last shall we draw near,
And over thy velvet neck cast thongs--
Woven of roses, of stars, of songs?
New chains all moulden
Of rare gems olden!'
They hung the slaughter'd fish like swords
On saplings slender--like scimitars
Bright, and ruddied from new-dead wars,
Blaz'd in the light--the scaly hordes.
They piled up boughs beneath the trees,
Of cedar-web and green fir tassel;
Low did the pointed pine tops rustle,
The camp fire blush'd to the tender breeze.
The hounds laid dew-laps on the ground,
With needles of pine sweet, soft and rusty--
Dream'd of the dead stag stout and lusty;
A bat by the red flames wove its round.
The darkness built its wigwam walls
Close round the camp, and at its curtain
Press'd shapes, thin woven and uncertain,
As white locks of tall waterfalls.
poem by Isabella Valancy Crawford
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A Woman's Mood
I think to-night I could bear it all,
Even the arrow that cleft the core, --
Could I wait again for your swift footfall,
And your sunny face coming in at the door.
With the old frank look and the gay young smile,
And the ring of the words you used to say;
I could almost deem the pain worth while,
To greet you again in the olden way!
But you stand without in the dark and cold,
And I may not open the long closed door,
Nor call thro' the night, with the love of old, --
"Come into the warmth, as in nights of yore!"
I kneel alone in the red fire-glow,
And hear the wings of the wind sweep by;
You are out afar in the night, I know,
And the sough of the wind is like a cry.
You are out afar -- and I wait within,
A grave-eyed woman whose pulse is slow;
The flames round the red coals softly spin,
And the lonely room's in a rosy glow.
The firelight falls on your vacant chair,
And the soft brown rug where you used to stand;
Dear, never again shall I see you there,
Nor lift my head for your seeking hand.
Yet sometimes still, and in spite of all,
I wistful look at the fastened door,
And wait again for the swift footfall,
And the gay young voice as in hours of yore.
It still seems strange to be here alone,
With the rising sob of the wind without;
The sound takes a deep, insisting tone,
Where the trees are swinging their arms about.
Its moaning reaches the sheltered room,
And thrills my heart with a sense of pain;
I walk to the window, and pierce the gloom,
With a yearning look that is all in vain.
You are out in a night of depths that hold
No promise of dawning for you and me,
And only a ghost from the life of old
Has come from the world of memory!
You are out evermore! God wills it so!
But ah! my spirit is yearning yet!
As I kneel alone by the red fire-glow,
My eyes grow dim with the old regret.
O when shall the aching throb grow still,
The warm love-life turn cold at the core!
Must I be watching, against my will,
For your banished face in the opening door?
It may be, dear, when the sequel's told
Of the story, read to its bitter close;
When the inner meanings of life unfold,
And the under-side of our being shows --
It may be then, in that truer light,
When all our knowledge has larger grown,
I may understand why you stray to-night,
And I am left, with the past, alone.
poem by Arthur Bayldon
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The House Of Dust: Part 03: 12: Witches' Sabbath
Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,
They rose in the cavern of his brain,
Like ghosts they died away again;
And hands upon his heart were laid,
And music upon his flesh was played,
Until, as he was bidden to do,
He walked the wood he so well knew.
Through the cold dew he moved his feet,
And heard far off, as under the earth,
Discordant music in shuddering tones,
Screams of laughter, horrible mirth,
Clapping of hands, and thudding of drums,
And the long-drawn wail of one in pain.
To-night, he thought, I shall die again,
We shall die again in the red-eyed fire
To meet on the edge of the wood beyond
With the placid gaze of fed desire . . .
He walked; and behind the whisper of trees,
In and out, one walked with him:
She parted the branches and peered at him,
Through lowered lids her two eyes burned,
He heard her breath, he saw her hand,
Wherever he turned his way, she turned:
Kept pace with him, now fast, now slow;
Moving her white knees as he moved . . .
This is the one I have always loved;
This is the one whose bat-soul comes
To dance with me, flesh to flesh,
In the starlight dance of horns and drums . . .
The walls and roofs, the scarlet towers,
Sank down behind a rushing sky.
He heard a sweet song just begun
Abruptly shatter in tones and die.
It whirled away. Cold silence fell.
And again came tollings of a bell.
* * * * *
This air is alive with witches: the white witch rides
Swifter than smoke on the starlit wind.
In the clear darkness, while the moon hides,
They come like dreams, like something remembered . .
Let us hurry! beloved; take my hand,
Forget these things that trouble your eyes,
Forget, forget! Our flesh is changed,
Lighter than smoke we wreathe and rise . . .
The cold air hisses between us . . . Beloved, beloved,
What was the word you said?
Something about clear music that sang through water . . .
I cannot remember. The storm-drops break on the leaves.
Something was lost in the darkness. Someone is dead.
Someone lies in the garden and grieves.
Look how the branches are tossed in this air,
Flinging their green to the earth!
Black clouds rush to devour the stars in the sky,
The moon stares down like a half-closed eye.
The leaves are scattered, the birds are blown,
Oaks crash down in the darkness,
We run from our windy shadows; we are running alone.
* * * * *
The moon was darkened: across it flew
The swift grey tenebrous shape he knew,
Like a thing of smoke it crossed the sky,
The witch! he said. And he heard a cry,
And another came, and another came,
And one, grown duskily red with blood,
Floated an instant across the moon,
Hung like a dull fantastic flame . . .
The earth has veins: they throb to-night,
The earth swells warm beneath my feet,
The tips of the trees grow red and bright,
The leaves are swollen, I feel them beat,
They press together, they push and sigh,
They listen to hear the great bat cry,
The great red bat with the woman's face . . .
Hurry! he said. And pace for pace
That other, who trod the dark with him,
Crushed the live leaves, reached out white hands
And closed her eyes, the better to see
The priests with claws, the lovers with hooves,
The fire-lit rock, the sarabands.
I am here! she said. The bough he broke—
Was it the snapping bough that spoke?
I am here! she said. The white thigh gleamed
Cold in starlight among dark leaves,
The head thrown backward as he had dreamed,
The shadowy red deep jasper mouth;
And the lifted hands, and the virgin breasts,
Passed beside him, and vanished away.
I am here! she cried. He answered 'Stay!'
And laughter arose, and near and far
Answering laughter rose and died . . .
Who is there? in the dark? he cried.
He stood in terror, and heard a sound
Of terrible hooves on the hollow ground;
They rushed, were still; a silence fell;
And he heard deep tollings of a bell.
* * * * *
Look beloved! Why do you hide your face?
Look, in the centre there, above the fire,
They are bearing the boy who blasphemed love!
They are playing a piercing music upon him
With a bow of living wire! . . .
The virgin harlot sings,
She leans above the beautiful anguished body,
And draws slow music from those strings.
They dance around him, they fling red roses upon him,
They trample him with their naked feet,
His cries are lost in laughter,
Their feet grow dark with his blood, they beat and
beat,
They dance upon him, until he cries no more . . .
Have we not heard that cry before?
Somewhere, somewhere,
Beside a sea, in the green evening,
Beneath green clouds, in a copper sky . . .
Was it you? was it I?
They have quenched the fires, they dance in the darkness,
The satyrs have run among them to seize and tear,
Look! he has caught one by the hair,
She screams and falls, he bears her away with him,
And the night grows full of whistling wings.
Far off, one voice, serene and sweet,
Rises and sings . . .
'By the clear waters where once I died,
In the calm evening bright with stars. . . .'
Where have I heard these words? Was it you who sang them?
It was long ago.
Let us hurry, beloved! the hard hooves trample;
The treetops tremble and glow.
* * * * *
In the clear dark, on silent wings,
The red bat hovers beneath her moon;
She drops through the fragrant night, and clings
Fast in the shadow, with hands like claws,
With soft eyes closed and mouth that feeds,
To the young white flesh that warmly bleeds.
The maidens circle in dance, and raise
From lifting throats, a soft-sung praise;
Their knees and breasts are white and bare,
They have hung pale roses in their hair,
Each of them as she dances by
Peers at the blood with a narrowed eye.
See how the red wing wraps him round,
See how the white youth struggles in vain!
The weak arms writhe in a soundless pain;
He writhes in the soft red veiny wings,
But still she whispers upon him and clings. . . .
This is the secret feast of love,
Look well, look well, before it dies,
See how the red one trembles above,
See how quiet the white one lies! . . . .
Wind through the trees. . . .and a voice is heard
Singing far off. The dead leaves fall. . . .
'By the clear waters where once I died,
In the calm evening bright with stars,
One among numberless avatars,
I wedded a mortal, a mortal bride,
And lay on the stones and gave my flesh,
And entered the hunger of him I loved.
How shall I ever escape this mesh
Or be from my lover's body removed?'
Dead leaves stream through the hurrying air
And the maenads dance with flying hair.
* * * * *
The priests with hooves, the lovers with horns,
Rise in the starlight, one by one,
They draw their knives on the spurting throats,
They smear the column with blood of goats,
They dabble the blood on hair and lips
And wait like stones for the moon's eclipse.
They stand like stones and stare at the sky
Where the moon leers down like a half-closed eye. . .
In the green moonlight still they stand
While wind flows over the darkened sand
And brood on the soft forgotten things
That filled their shadowy yesterdays. . . .
Where are the breasts, the scarlet wings? . . . .
They gaze at each other with troubled gaze. . . .
And then, as the shadow closes the moon,
Shout, and strike with their hooves the ground,
And rush through the dark, and fill the night
With a slowly dying clamor of sound.
There, where the great walls crowd the stars,
There, by the black wind-riven walls,
In a grove of twisted leafless trees. . . .
Who are these pilgrims, who are these,
These three, the one of whom stands upright,
While one lies weeping and one of them crawls?
The face that he turned was a wounded face,
I heard the dripping of blood on stones. . . .
Hooves had trampled and torn this place,
And the leaves were strewn with blood and bones.
Sometimes, I think, beneath my feet,
The warm earth stretches herself and sighs. . . .
Listen! I heard the slow heart beat. . . .
I will lie on this grass as a lover lies
And reach to the north and reach to the south
And seek in the darkness for her mouth.
* * * * *
Beloved, beloved, where the slow waves of the wind
Shatter pale foam among great trees,
Under the hurrying stars, under the heaving arches,
Like one whirled down under shadowy seas,
I run to find you, I run and cry,
Where are you? Where are you? It is I. It is I.
It is your eyes I seek, it is your windy hair,
Your starlight body that breathes in the darkness there.
Under the darkness I feel you stirring. . . .
Is this you? Is this you?
Bats in this air go whirring. . . .
And this soft mouth that darkly meets my mouth,
Is this the soft mouth I knew?
Darkness, and wind in the tortured trees;
And the patter of dew.
* * * * *
Dance! Dance! Dance! Dance!
Dance till the brain is red with speed!
Dance till you fall! Lift your torches!
Kiss your lovers until they bleed!
Backward I draw your anguished hair
Until your eyes are stretched with pain;
Backward I press you until you cry,
Your lips grow white, I kiss you again,
I will take a torch and set you afire,
I will break your body and fling it away. . . .
Look, you are trembling. . . .Lie still, beloved!
Lock your hands in my hair, and say
Darling! darling! darling! darling!
All night long till the break of day.
Is it your heart I hear beneath me. . . .
Or the far tolling of that tower?
The voices are still that cried around us. . . .
The woods grow still for the sacred hour.
Rise, white lover! the day draws near.
The grey trees lean to the east in fear.
'By the clear waters where once I died . . . .'
Beloved, whose voice was this that cried?
'By the clear waters that reach the sun
By the clear waves that starward run. . . .
I found love's body and lost his soul,
And crumbled in flame that should have annealed. . .
How shall I ever again be whole,
By what dark waters shall I be healed?'
Silence. . . .the red leaves, one by one,
Fall. Far off, the maenads run.
Silence. Beneath my naked feet
The veins of the red earth swell and beat.
The dead leaves sigh on the troubled air,
Far off the maenads bind their hair. . . .
Hurry, beloved! the day comes soon.
The fire is drawn from the heart of the moon.
* * * * *
The great bell cracks and falls at last.
The moon whirls out. The sky grows still.
Look, how the white cloud crosses the stars
And suddenly drops behind the hill!
Your eyes are placid, you smile at me,
We sit in the room by candle-light.
We peer in each other's veins and see
No sign of the things we saw this night.
Only, a song is in your ears,
A song you have heard, you think, in dream:
The song which only the demon hears,
In the dark forest where maenads scream . . .
'By the clear waters where once I died . . .
In the calm evening bright with stars . . . '
What do the strange words mean? you say,—
And touch my hand, and turn away.
poem by Conrad Potter Aiken
Submitted by Poetry Lover
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He Remembers Forgotten Beauty
When my arms wrap you round I press
My heart upon the loveliness
That has long faded from the world;
The jewelled crowns that kings have hurled
In shadowy pools, when armies fled;
The love-tales wrought with silken thread
By dreaming ladies upon cloth
That has made fat the murderous moth;
The roses that of old time were
Woven by ladies in their hair,
The dew-cold lilies ladies bore
Through many a sacred corridor
Where such grey clouds of incense rose
That only God's eyes did not close:
For that pale breast and lingering hand
Come from a more dream-heavy land,
A more dream-heavy hour than this;
And when you sigh from kiss to kiss
I hear white Beauty sighing, too,
For hours when all must fade like dew.
But flame on flame, and deep on deep,
Throne over throne where in half sleep,
Their swords upon their iron knees,
Brood her high lonely mysteries.
poem by William Butler Yeats
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Out of the waves of time [Din valurile vremii]
Out of the waves of time, come up, my love, and shine
With your white marble arms, with your hair, long and fine –
With your translucent face, which is like wax – soft, white,
Which suffers in the shade and cannot sleep at night!
You gently touch my eyes with your attractive smile,
You are a shining star, no woman has your style
And when you turn your head and watch your shoulder's skin
I look into your eyes and see the bliss within.
How can I take you out of this dark haze, my love,
To hold you to my chest, dear angel from above,
To lay my teary cheek on your exquisite face,
To choke you with my kiss and with my hot embrace,
To warm your chilly hand with the volcanic flame
Of my ecstatic heart that flutters at your name?
Alas! You're not alive, you don't seem to exist
Your shadow disappears into the cold, wet mist
And here I am again, so gloomy and so sad
Reluctantly recalling the nice dream that I had...
In vain I seek your face, in vain I want your charms
The waves of time roll by, you won't be in my arms.
poem by Mihai Eminescu, translated by Octavian Cocoş
Submitted by anonym
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Mary and Gabriel
Young Mary, loitering once her garden way,
Felt a warm splendour grow in the April day,
As wine that blushes water through. And soon,
Out of the gold air of the afternoon,
One knelt before her: hair he had, or fire,
Bound back above his ears with golden wire,
Baring the eager marble of his face.
Not man's nor woman's was the immortal grace
Rounding the limbs beneath that robe of white,
And lighting the proud eyes with changeless light,
Incurious. Calm as his wings, and fair,
That presence filled the garden.
She stood there,
Saying, 'What would you, Sir?'
He told his word,
'Blessed art thou of women!' Half she heard,
Hands folded and face bowed, half long had known,
The message of that clear and holy tone,
That fluttered hot sweet sobs about her heart;
Such serene tidings moved such human smart.
Her breath came quick as little flakes of snow.
Her hands crept up her breast. She did but know
It was not hers. She felt a trembling stir
Within her body, a will too strong for her
That held and filled and mastered all. With eyes
Closed, and a thousand soft short broken sighs,
She gave submission; fearful, meek, and glad. . . .
She wished to speak. Under her breasts she had
Such multitudinous burnings, to and fro,
And throbs not understood; she did not know
If they were hurt or joy for her; but only
That she was grown strange to herself, half lonely,
All wonderful, filled full of pains to come
And thoughts she dare not think, swift thoughts and dumb,
Human, and quaint, her own, yet very far,
Divine, dear, terrible, familiar . . .
Her heart was faint for telling; to relate
Her limbs' sweet treachery, her strange high estate,
Over and over, whispering, half revealing,
Weeping; and so find kindness to her healing.
'Twixt tears and laughter, panic hurrying her,
She raised her eyes to that fair messenger.
He knelt unmoved, immortal; with his eyes
Gazing beyond her, calm to the calm skies;
Radiant, untroubled in his wisdom, kind.
His sheaf of lilies stirred not in the wind.
How should she, pitiful with mortality,
Try the wide peace of that felicity
With ripples of her perplexed shaken heart,
And hints of human ecstasy, human smart,
And whispers of the lonely weight she bore,
And how her womb within was hers no more
And at length hers?
Being tired, she bowed her head;
And said, "So be it!"
The great wings were spread
Showering glory on the fields, and fire.
The whole air, singing, bore him up, and higher,
Unswerving, unreluctant. Soon he shone
A gold speck in the gold skies; then was gone.
The air was colder, and grey. She stood alone.
poem by Rupert Brooke (1912)
Submitted by Veronica Serbanoiu
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Baby Tortoise
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
poem by David Herbert Lawrence
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The End Of The Weekend
A dying firelight slides along the quirt
Of the cast iron cowboy where he leans
Against my father's books. The lariat
Whirls into darkness. My girl in skin tight jeans
Fingers a page of Captain Marriat
Inviting insolent shadows to her shirt.
We rise together to the second floor.
Outside, across the lake, an endless wind
Whips against the headstones of the dead and wails
In the trees for all who have and have not sinned.
She rubs against me and I feel her nails.
Although we are alone, I lock the door.
The eventual shapes of all our formless prayers:
This dark, this cabin of loose imaginings,
Wind, lip, lake, everything awaits
The slow unloosening of her underthings
And then the noise. Something is dropped. It grates
against the attic beams. I climb the stairs
Armed with a belt.
A long magnesium shaft
Of moonlight from the dormer cuts a path
Among the shattered skeletons of mice.
A great black presence beats its wings in wrath.
Above the boneyard burn its golden eyes.
Some small grey fur is pulsing in its grip.
poem by Anthony Evan Hecht
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Prelude
As evening falls,
And the yellow lights leap one by one
Along high walls
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep who lies and dreams
Of vague desires, vague memories, and half-forgotten pain
Along dark veins like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away
As evening falls,
A dream dissolves these insubstantial walls,
A myriad secretly gliding lights lie bare.
The lover rises, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair
The bank-defaulter leers at a chaos of figures
And runs among them and is beaten down ;
The sick man coughs, and hears the chisels ringing;
The tired clown
Sees the enormous crowd—a million faces
Motionless in their places,
Ready to laugh, and seize, and crush, and tear ....
The dancer smooths her hair,
Laces her golden slippers and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.
As darkness falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight, where shall we turn?
To what new light or darkness yearn ?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamp-lit flowered walls, long balustrades,
Through half-lit halls which reach no end.
poem by Conrad Potter Aiken
Submitted by Poetry Lover
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