The Praise of Pindar in Imitation of Horace His Second Ode, Book 4
Pindarum quisquis studet oemulari, &c.
I.
Pindar is imitable by none;
The phoenix Pindar is a vast species alone.
Whoe'er but Daedalus with waxen wings could fly
And neither sink too low nor soar too high?
What could he who followed claim
But of vain boldness the unhappy fame,
And by his fall a sea to name?
Pindar's unnavigable song,
Like a swollen flood from some steep mountain, pours along;
The ocean meets with such a voice
From his enlarged mouth as drowns the ocean's noise.
II.
So Pindar does new words and figures roll
Down his impetuous dithyrambic tide,
Which in no channel deigns to abide,
Which neither banks nor dikes control.
Whether the immortal gods he sings
In a no less immortal strain,
Or the great acts of god-descended kings,
Who in his numbers still survive and reign,
Each rich embroidered line,
Which their triumphant brows around
By his sacred hand is bound,
Does all their starry diadems outshine.
III.
Whether at Pisa's race he please
To carve in polished verse the conquerors' images,
Whether the swift, the skillful, or the strong
Be crowned in his nimble, artful, vigorous song,
Whether some brave young man's untimely fate
In words worth dying for he celebrate,
Such mournful and such pleasing words
As joy to his mother's and his mistress' grief affords,
He bids him live and grow in fame;
Among the stars he sticks his name;
The grave can but the dross of him devour,
So small is death's, so great the poet's power.
Lo, how the obsequious wind and swelling air
The Theban swan does upwards bear
Into the walks of clouds, where he does play,
And with extended wings opens his liquid way,
Whilst, alas, my timorous Muse
Unambitious tracks pursues;
Does, with weak, unballast wings,
About the mossy brooks and springs,
About the trees' new-blossomed heads,
About the gardens' painted beds,
About the fields and flowery meads,
And all inferior beauteous things,
Like the laborious bee,
For little drops of honey flee,
And there with humble sweets contents her industry.
poem by Abraham Cowley
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Glory
Pindar, poet of the victories, fitted names
And legends into verses for the chorus to sing:
Names recalled now only in the poems of Pindar:
O nearly unpronounceable immortals,
In the dash, Oionos was champion:
Oionos, Likmynios's son, who came from Midea.
In wrestling, Echemos won—the name
Of his home city, Tegea, proclaimed to the crowds.
Doryklos of Tiryns won the prize in boxing,
And the record for a four-horse team was set
By Samos from Mantinea, Halirothios's son.
And Pindar, poet of the Olympian and Isthmian
And Pythian games, wrote also of the boundless
And forgetful savannas of time. What is someone?
The chorus sing in a victory ode—What is a nobody?
Creatures of a day, they chant in answer, Creatures
Of a day. So where is the godgiven glory Pindar says
Settles on mortals?—Bright as gold among the substances,
Say the chorus, paramount as water among the elements.
Not in the victory itself, petty or great,
Of rich young Greeks contending in games.
Not in the poetry itself, with its forgotten dances
And Pindar spinning among tiresome or stirring
Myths and genealogies, the chanted names
Of cities and invoked gods and dignitaries—
Striving, O nearly unpronounceable athletes,
To animate the air with dancing feet raising
A golden pollen of dust: a pervasive blur
Of seedlets in the sunlight, whirling—beyond mere
Victory or applause or performance,
As victory is beyond defeat.
The one who threw the javelin furthest
Sang the chorus, chanting Pindar's incantation
Against envy and oblivion, was Phrastor.
And when Nikeus grunting whirled the stone
Into the air and it flew past the marks
Of all the competitors, Nikeus's countrymen
Shouted his name after it, Nikeus,
Nikeus, and the syllables so say the lines Pindar
Composed for the sweating chorus to chant—radiated
For a spell like the silvery mirror of the moon.
poem by Robert Pinsky
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On Ink
I am jet black, as you may see,
The son of pitch and gloomy night:
Yet all that know me will agree,
I'm dead except I live in light.
Sometimes in panegyric high,
Like lofty Pindar, I can soar;
And raise a virgin to the sky,
Or sink her to a pocky whore.
My blood this day is very sweet,
To-morrow of a bitter juice;
Like milk, 'tis cried about the street,
And so applied to different use.
Most wondrous is my magic power:
For with one colour I can paint;
I'll make the devil a saint this hour,
Next make a devil of a saint.
Through distant regions I can fly,
Provide me but with paper wings;
And fairly show a reason why
There should be quarrels among kings:
And, after all, you'll think it odd,
When learned doctors will dispute,
That I should point the word of God,
And show where they can best confute.
Let lawyers bawl and strain their throats:
'Tis I that must the lands convey,
And strip their clients to their coats;
Nay, give their very souls away.
poem by Jonathan Swift
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Every gift which is given, even though is be small, is in reality great, if it is given with affection.
An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.
Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.
But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.
But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.
Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.
But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.
I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.
I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.
poem by Joseph Addison
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The Splendour And The Curse Of Song
Methought the unknown God we seek in vain
Grew weary of the evil He had wrought—
The piteous litanies of human pain—
Till here and there some lonely souls He sought
To bear the message of Immortal Thought,
And sent them forth to wander ’midst the throng
Crowned with the splendour and the curse of Song.
But that which still was kindred to the stars
Fought with the flesh and moaned within its cell,
And beat its wings against its prison bars.
Thus, soaring oft to heights sublime, they fell,
Dragged by the flesh into the gulfs of hell;
Till all their days were as a tumult long
Between the splendour and the curse of Song.
Yet often ’mid the fever of distress
Some singer’s lips would chant so sweet a strain
That storm-tossed souls forgot their weariness,
And comfort crept about the bed of pain,
And men took heart and dreamt of heaven again;
And to the weak came hope and courage strong
Born of the beauty and the balm of Song.
But Life was bitter to the lips that sung;
And heavier on those souls the curse did grow
Who strove to speak to men an unknown tongue,
And mournfully their hearts did weigh and know
The measure of the whole world’s cruel woe,
And wearily they fared Time’s path along
Vexed by the splendour and the curse of Song.
Theirs was the homeless hunger of the heart—
Immortal thought within a mortal breast,
Listless they wandered through the crowded mart,
Who to a careless world had given their best;
And when Death lulled them with his wings to rest
What reeked they where they slumbered calm and strong
Crowned with the splendour of Immortal Song?
poem by George Essex Evans
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Things of great worth shall come to pass...
Things of great worth shall come to pass
By true foreknowledge and in fact,—
Names worthier than mine in fame
And words which earned me men's esteem.
Here breakers roar across the bay;
Wave follows wave unchangeably,
Their tracks, like letters traced in sand,
Erased by ebbing lines of foam.
So yet you're here at this resort.
I should have found you in this hall
At five, instead of vain small talk
I shared and wagging of my tongue.
I would have warned you, one so fair,
Mature, a woman brave and calm,
About the death in life-and bounds
No higher than the ant's low life.
Great poets, through experience,
Find words so simple and restrained
That in the end they can't do more
Than wait in silence and in awe.
In faith and kinship with real life
And with the future knit as one,
We're bound to find immortal words
Of unbelievable simplicity.
Yet keep them holy in your hearts
Or we shall not be spared at all.
Men quickly grasp the complex schemes
When simplicity's their greater need.
poem by Boris Pasternak
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Angel Band
(traditional/emmylou harris)
My latest sun is sinking fast, my race is nearly run
My strongest trials now are past, my triumph has begun
Oh, come angel band come and around me stand
Oh bear me away on your snow white wings to my immortal home
Oh bear me away on your snow white wings to my immortal home
Oh bear my longing heart to him who bled and died for me
Whose blood now cleanses from all sin and gives me victory
Oh, come angel band come and around me stand
Oh bear me away on your snow white wings to my immortal home
Oh bear me away on your snow white wings to my immortal home
Oh bear me away on your snow white wings to my immortal home
song performed by by Emmylou Harris
Submitted by Lucian Velea
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Song
WHEN the warrior returns, from the battle afar,
To the home and the country he nobly defended,
O! warm be the welcome to gladden his ear,
And loud be the joy that his perils are ended:
In the full tide of song let his fame roll along,
To the feast-flowing board let us gratefully throng,
Where, mixed with the olive, the laurel shall wave,
And form a bright wreath for the brows of the brave.
Columbians! a band of your brothers behold,
Who claim the reward of your hearts' warm emotion,
When your cause, when your honor, urged onward the bold,
In vain frowned the desert, in vain raged the ocean:
To a far distant shore, to the battle's wild roar,
They rushed, your fair fame and your rights to secure:
Then, mixed with the olive, the laurel shall wave,
And form a bright wreath for the brows of the brave.
In the conflict resistless, each toil they endured,
'Till their foes fled dismayed from the war's desolation:
And pale beamed the Crescent, its splendor obscured
By the light of the Star Spangled flag of our nation.
Where each radiant star gleamed a meteor of war,
And the turbaned heads bowed to its terrible glare,
Now, mixed with the olive, the laurel shall wave,
And form a bright wreath for the brows of the brave.
Our fathers, who stand on the summit of fame,
Shall exultingly hear of their sons the proud story:
How their young bosoms glow'd with the patriot flame,
How they fought, how they fell, in the blaze of their glory.
How triumphant they rode o'er the wondering flood,
And stained the blue waters with infidel blood;
How, mixed with the olive, the laurel did wave,
And formed a bright wreath for the brows of the brave.
Then welcome the warrior returned from afar
To the home and the country he nobly defended:
Let the thanks due to valor now gladden his ear,
And loud be the joy that his perils are ended.
In the full tide of song let his fame roll along,
To the feast-flowing board let us gratefully throng,
Where, mixed with the olive, the laurel shall wave,
And form a bright wreath for the brows of the brave.
poem by Francis Scott Key
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Thoughts of you
My words will carry swift upon the wind
and speed across the stormy ocean waves.
No hurricane will stunt their flying wings
or find them left outcast amongst the brave.
For though you think I am so faint of heart
and prone to acts that lack a mindful way,
In truth not one does play the smallest part
of knowing what my head would wish to say.
But words alone cannot express the true
profoundness, held within my thoughts of you.
poem by Diana Rosser
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Starting To Fly
I know the answers from the words of
The prophet
I've seen the light through the fingers
Made of magic
I've seen an image of the future,
It's a vision and I know who you are
(Chorus)
Go away can't you see you're not real
Open your eye some place far away
I've seen the ocean and I've seen the sky
I've got my wings and I'm starting to fly
I met a poet tonight behind the masses
I sang a song about my many true
Addictions
I saw myself in a hole, down below
And I know who you are
(Chorus)
I'm alright though it's hard to feel
Open your eye some place far away
I've seen the ocean and I've seen the sky
I've got my wings and I'm starting to fly
oh yeah, oh yeah
Open your eyes
Look to the sky
Grab your wings
And then, start to fly
2x
(Chorus)
I've seen the ocean and I've seen the sky
I've got my wings and I'm starting to fly
2x
song performed by by Linkin Park
Submitted by Lucian Velea
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The Nature Poet
Out there in the great ocean the wild waves toss and roll
The music of saltwater is in the poet's soul
She sits upon the high cliff that overlooks the sea
The beauty in words she captures keeps on eluding me.
She does not write for love of money nor she does not write for fame
She lives a quiet existence and her's is not a well known name
She writes of the four Seasons that ever come and go
A woman who loves Nature and of Nature's ways she know.
Some of those who think they know her say she is rather strange
Her moods are like the Seasons her moods are prone to change
But she is close to Nature and how could they understand
Her anger at human damage to the ocean and the land.
With folded wings into the mighty ocean from the sky the gannets dive
And her wonderment at the ways of Nature's creatures it once more comes alive
And she writes about the gannets as she sits on the cliff above the shore
And her beautiful words inspired by Nature's beauty will live on forever more.
poem by Francis Duggan
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Angel Band
My latest sun is sinking fast
My race is nearly run
My strongest trials now have past
My triumph is begin
Oh, come, angel band
Come and around me, stand
Oh, bear me away on your snow white wings
To my immortal home
Oh, bear me away on your snow white wings
To my immortal home
Oh, bear my longing heart to him
Who bled and died for me
Whose blood now cleanses from all sin
And brings me victory
Oh, come, angel band
Come and around me, stand
Oh, bear me away on your snow white wings
To my immortal home
Oh, bear me away on your snow white wings
To my immortal home
Oh, come, angel band
Come and around me, stand
Oh, bear me away on your snow white wings
To my immortal home
song performed by by Monkees
Submitted by Lucian Velea
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Phoenix Reborn
From the Great Fire’s ash, a new Phoenix shall rise
It’s glory is born from another’s demise
It’s mighty wings spread, as the Fire Bird sings
It’s voice heals the world, as it spreads it’s great wings
It rises above, a new King of the Skies
To the ends of the Earth the great Phoenix flies
Reborn from ashes, the Great Flame of the Sky
But in a burst of flame, this Phoenix shall die
Reduced to but ash, 'til the fire is stoked anew
This is the fate of the Phoenix, King of Skies Blue
From the ashes of death, shall a great flame be born
From the Great Fire’s ash, mighty Phoenix reborn
poem by Tim Vallie
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Poem XIII
I have gone marking the atlas of your body
with crosses of fire.
My mouth went across: a spider, trying to hide.
In you, behind you, timid, driven by thirst.
Stories to tell you on the shore of evening,
sad and gentle doll, so that you should not be sad.
A swan, a tree, something far away and happy.
The season of grapes, the ripe and fruitful season.
I who lived in a harbor from which I loved you.
The solitude crossed with dream and with silence.
Penned up between the sea and sadness.
Soundless, delirious, between two motionless gondoliers.
Between the lips and the voice something goes dying.
Something with the wings of a bird, something of anguish and oblivion.
The way nets cannot hold water.
My toy doll, only a few drops are left trembling.
Even so, something sings in these fugitive words.
Something sings, something climbs to my ravenous mouth.
Oh to be able to celebrate you with all the words of joy.
Sing, burn, flee, like a belfry at the hands of a madman.
My sad tenderness, what comes over you all at once?
When I have reached the most awesome and the coldest summit
my heart closes like a nocturnal flower.
poem by Pablo Neruda
Submitted by Dan Costinaş
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Ode XVIII: To The Right Honourable Francis Earl Of Huntington
I. 1.
The wise and great of every clime,
Through all the spacious walks of Time,
Where'er the Muse her power display'd,
With joy have listen'd and obey'd.
For taught of heaven, the sacred Nine
Persuasive numbers, forms divine,
To mortal sense impart:
They best the soul with glory fire;
They noblest counsels, boldest deeds inspire;
And high o'er Fortune's rage inthrone the fixed heart.
I. 2.
Nor less prevailing is their charm
The vengeful bosom to disarm;
To melt the proud with human woe,
And prompt unwilling tears to flow.
Can wealth a power like this afford?
Can Cromwell's arts, or Marlborough's sword,
An equal empire claim?
No, Hastings. Thou my words wilt own:
Thy breast the gifts of every Muse hath known;
Nor shall the giver's love disgrace thy noble name.
I. 3.
The Muse's awful art,
And the blest function of the poet's tongue,
Ne'er shalt thou blush to honour; to assert
From all that scorned vice or slavish fear hath sung.
Nor shall the blandishment of Tuscan strings
Warbling at will in pleasure's myrtle bower;
Nor shall the servile notes to Celtic kings
By flattering minstrels paid in evil hour,
Move thee to spurn the heavenly Muse's reign.
A different strain,
And other themes
From her prophetic shades and hallow'd streams
(Thou well can'st witness) meet the purged ear:
Such, as when Greece to her immortal shell
Rejoicing listen'd, godlike sounds to hear;
To hear the sweet instructress tell
(While men and heroes throng'd around)
How life its noblest use may find,
How well for freedom be resign'd;
And how, by glory, virtue shall be crown'd.
II. 1.
Such was the Chian father's strain
To many a kind domestic train,
Whose pious hearth and genial bowl
Had chear'd the reverend pilgrim's soul:
When, every hospitable rite
With equal bounty to requite,
He struck his magic strings;
And pour'd spontaneous numbers forth,
And seiz'd their ears with tales of ancient worth,
And fill'd their musing hearts with vast heroic things.
II. 2.
Now oft, where happy spirits dwell,
Where yet he tunes his charming shell,
Oft near him, with applauding hands,
The genius of his country stands.
To listening gods he makes him known,
That man divine, by whom were sown
The seeds of Grecian fame:
Who first the race with freedom fir'd;
From whom Lycurgus Sparta's sons inspir'd;
From whom Platæan palms and Cyprian trophies came.
II. 3.
O noblest, happiest age!
When Aristides rul'd, and Cimon fought;
When all the generous fruits of Homer's page
Exulting Pindar saw to full perfection bought.
O Pindar, oft shalt thou be hail'd of me:
Not that Apollo fed thee from his shrine;
Not that thy lips drank sweetness from the bee;
Nor yet that, studious of thy notes divine,
Pan danc'd their measure with the sylvan throng:
But that thy song
Was proud to unfold
What thy base rulers trembled to behold;
Amid corrupted Thebes was proud to tell
The deeds of Athens and the Persian shame:
Hence on thy head their impious vengeance fell.
But thou, o faithful to thy fame,
The Muse's law did'st rightly know;
That who would animate his lays,
And other minds to virtue raise,
Must feel his own with all her spirit glow.
III. 1.
Are there, approv'd of later times,
Whose verse adorn'd a tyrant's crimes?
Who saw majestic Rome betray'd,
And lent the imperial ruffian aid?
Alas! not one polluted bard,
No, not the strains that Mincius heard,
Or Tibur's hills reply'd,
Dare to the Muse's ear aspire;
Save that, instructed by the Grecian lyre,
With freedom's ancient notes their shameful task they hide.
III. 2.
Mark, how the dread Pantheon stands,
Amid the domes of modern hands:
Amid the toys of idle state,
How simply, how severely great!
Then turn, and, while each western clime
Presents her tuneful sons to Time,
So mark thou Milton's name;
And add, “Thus differs from the throng
'The spirit which inform'd thy awful song,
Which bade thy potent voice protect thy country's fame.'
III. 3.
Yet hence barbaric zeal
His memory with unholy rage pursues;
While from these arduous cares of public weal
She bids each bard begone, and rest him with his Muse.
O fool! to think the man, whose ample mind
Must grasp at all that yonder stars survey;
Must join the noblest forms of every kind,
The world's most perfect image to display,
Can e'er his country's majesty behold,
Unmov'd or cold!
O fool! to deem
That he, whose thought must visit every theme,
Whose heart must every strong emotion know
Inspir'd by nature, or by fortune taught;
That he, if haply some presumptuous foe,
With false ignoble science fraught,
Shall spurn at freedom's faithful band;
That he their dear defence will shun,
Or hide their glories from the sun,
Or deal their vengeance with a woman's hand!
IV. 1.
I care not that in Arno's plain,
Or on the sportive banks of Seine,
From public themes the Muse's quire
Content with polish'd ease retire.
Where priests the studious head command,
Where tyrants bow the warlike hand
To vile ambition's aim,
Say, what can public themes afford,
Save venal honors to an hateful lord,
Reserv'd for angry heaven and scorn'd of honest fame?
IV. 2.
But here, where freedom's equal throne
To all her valiant sons is known;
Where all are conscious of her cares,
And each the power, that rules him, shares;
Here let the bard, whose dastard tongue
Leaves public arguments unsung,
Bid public praise farewell:
Let him to fitter climes remove,
Far from the hero's and the patriot's love,
And lull mysterious monks to slumber in their cell.
IV. 3.
O Hastings, not to all
Can ruling heaven the same endowments lend:
Yet still doth nature to her offspring call,
That to one general weal their different powers they bend,
Unenvious. Thus alone, though strains divine
Inform the bosom of the Muse's son;
Though with new honors the patrician's line
Advance from age to age; yet thus alone
They win the suffrage of impartial fame.
The poet's name
He best shall prove,
Whose lays the soul with noblest passions move.
But thee, o progeny of heroes old,
Thee to severer toils thy fate requires:
The fate which form'd thee in a chosen mould,
The grateful country of thy sires,
Thee to sublimer paths demand;
Sublimer than thy sires could trace,
Or thy own Edward teach his race,
Though Gaul's proud genius sank beneath his hand.
V. 1.
From rich domains and subject farms,
They led the rustic youth to arms;
And kings their stern atchievements fear'd;
While private strife their banners rear'd.
But loftier scenes to thee are shown,
Where empire's wide-establish'd throne
No private master fills:
Where, long foretold, the People reigns:
Where each a vassal's humble heart disdains;
And judgeth what he sees; and, as he judgeth, wills.
V. 2.
Here be it thine to calm and guide
The swelling democratic tide;
To watch the state's uncertain frame,
And baffle faction's partial aim:
But chiefly, with determin'd zeal,
To quell that servile band, who kneel
To freedom's banish'd foes;
That monster, which is daily found
Expert and bold thy country's peace to wound;
Yet dreads to handle arms, nor manly counsel knows.
V. 3.
'Tis highest heaven's command,
That guilty aims should sordid paths pursue;
That what ensnares the heart should maim the hand,
And virtue's worthless foes be false to glory too.
But look on freedom. see, through every age,
What labours, perils, griefs, hath she disdain'd!
What arms, what regal pride, what priestly rage,
Have her dread offspring conquer'd or sustain'd!
For Albion well have conquer'd. Let the strains
Of happy swains,
Which now resound
Where Scarsdale's cliffs the swelling pastures bound,
Bear witness. there, oft let the farmer hail
The sacred orchard which imbowers his gate,
And shew to strangers passing down the vale,
Where Candish, Booth, and Osborne sate;
When bursting from their country's chain,
Even in the midst of deadly harms,
Of papal snares and lawless arms,
They plann'd for freedom this her noblest reign.
VI. 1.
This reign, these laws, this public care,
Which Nassau gave us all to share,
Had ne'er adorn'd the English name,
Could fear have silenc'd freedom's claim.
But fear in vain attempts to bind
Those lofty efforts of the mind
Which social good inspires;
Where men, for this, assault a throne,
Each adds the common welfare to his own;
And each unconquer'd heart the strength of all acquires.
VI. 2.
Say, was it thus, when late we view'd
Our fields in civil blood imbru'd?
When fortune crown'd the barbarous host,
And half the astonish'd isle was lost?
Did one of all that vaunting train,
Who dare affront a peaceful reign,
Durst one in arms appear?
Durst one in counsels pledge his life?
Stake his luxurious fortunes in the strife?
Or lend his boasted name his vagrant friends to chear?
VI. 3.
Yet, Hastings, these are they
Who challenge to themselves thy country's love;
The true; the constant: who alone can weigh,
What glory should demand, or liberty approve!
But let their works declare them. Thy free powers,
The generous powers of thy prevailing mind,
Not for the tasks of their confederate hours,
Lewd brawls and lurking slander, were design'd.
Be thou thy own approver. Honest praise
Oft nobly sways
Ingenuous youth:
But, sought from cowards and the lying mouth,
Praise is reproach. Eternal God alone
For mortals fixeth that sublime award.
He, from the faithful records of his throne,
Bids the historian and the bard
Dispose of honor and of scorn;
Discern the patriot from the slave;
And write the good, the wise, the brave,
For lessons to the multitude unborn.
poem by Mark Akenside
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From Horace: Book II:Ode II
Renown'd for lyric and satiric lay,
A two-fold poet, I
Shall on strong wing be upward borne
Above the liquid sky;
No more shall earth my spirit bind-
To heav'n I'll soar, and envy leave behind.
No! my Maecenas, who wast ever just,
A witness to my worth,
By whom I'm counted as a friend,
Despite my humble birth;
I shall not lie forgotten in the grave,
Or pine encircled by the Stygian wave.
Rough grows my skin: anon, my upper half
Is changed into a swan;
Soft down and plumage sprout apace,
My arms and fingers on;
Than Daedalus more swift I soar,
And flap my wings o'er groaning Bosphorus' shore.
By Scythian stream and Colchian shore,
Where Rhine majestic flows,
Where dwell the Dacians wont to hide
Their fear of Roman foes,
O'er Afric's sand, and Hyperborean plain,
Shall sweep in cadence soft my touching strain.
For me I ask no funeral chant
When soaring out of sight;
Unfit the mourner's sighs and tears
To grace my glorious flight:
Let solemn silence rule the general mien,
And no vain pageant crown the closing scene.
poem by Peter John Allan
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Homer's Hymn To The Moon
Daughters of Jove, whose voice is melody,
Muses, who know and rule all minstrelsy
Sing the wide-winged Moon! Around the earth,
From her immortal head in Heaven shot forth,
Far light is scattered—boundless glory springs;
Where’er she spreads her many-beaming wings
The lampless air glows round her golden crown.
But when the Moon divine from Heaven is gone
Under the sea, her beams within abide,
Till, bathing her bright limbs in Ocean’s tide,
Clothing her form in garments glittering far,
And having yoked to her immortal car
The beam-invested steeds whose necks on high
Curve back, she drives to a remoter sky
A western Crescent, borne impetuously.
Then is made full the circle of her light,
And as she grows, her beams more bright and bright
Are poured from Heaven, where she is hovering then,
A wonder and a sign to mortal men.
The Son of Saturn with this glorious Power
Mingled in love and sleep--to whom she bore
Pandeia, a bright maid of beauty rare
Among the Gods, whose lives eternal are.
Hail Queen, great Moon, white-armed Divinity,
Fair-haired and favourable! thus with thee
My song beginning, by its music sweet
Shall make immortal many a glorious feat
Of demigods, with lovely lips, so well
Which minstrels, servants of the Muses, tell.
poem by Percy Bysshe Shelley
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The Death-Day Of Korner
A song for the death-day of the brave
A song of pride!
The youth went down to a hero's grave,
With the sword, his bride.
He went, with his noble heart unworn,
And pure, and high;
An eagle stooping from clouds of morn,
Only to die!
He went with the lyre, whose lofty tone
Beneath his hand
Had thrill'd to the name of his God alone,
And his Father-land.
And with all his glorious feelings yet
In their first glow,
Like a southern stream that no frost hath met
To chain its flow.
A song for the death-day of the brave
A song of pride!
For him that went to a hero's grave,
With the sword, his bride.
He hath left a voice in his trumpet-lays
To turn the flight,
And a guiding spirit for after days,
Like a watch-fire's light.
And a grief in his father's soul to rest,
Midst all high thought;
And a memory unto his mother's breast,
With healing fraught.
And a name and fame above the blight
Of earthly breath,
Beautiful beautiful and bright,
In life and death!
A song for the death-day of the brave
A song of pride!
For him that went to a hero's grave,
With the sword, his bride!
poem by Felicia Dorothea Hemans
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