Related quotes
The ass well knows in whose house he brays.
Donkey, Dog and Master – a very gentle fable
Come, listen all -
listen to a very gentle fable
Of Donkey, Dog and Man
and the friendship
amongst these three
1
Donkey and Dog are loyal servants;
they’ve served the same master
all their lives
It’s night now and
Donkey and Dog sleep
in the courtyard
while Master
snores in the house
A thief sneaks in
through the gate
and donkey whispers
as gently as he can:
Hey, dog…There’s an intruder;
Why don’t you bark and let master know?
And the old Dog growls as
quietly as he can:
Why don’t you bray aloud
and raise the alarm?
Hey, but you’re the dog
and you’re man’s best friend,
Donkey whispers in the dark
Man’s best friend, eh?
says Dog.
But is man the dog’s best friend?
I’ve served the master for ages
and now that I’m old he neglects me
and is talking about taking another dog.
I bet he’ll have you skinned alive
when you’re dead!
To the dogs with him!
You bray if you like.
2
Oh I’ve never seen
a more ungrateful being,
Donkey says.
Master is the best
and though he treats
us harsh
it’s all for our own good.
But your ingratitude offends me
and for the sake of decency and justice
and for all the values I hold dear
I shall have to do
a watchdog’s duty instead.
And with that
the donkey brays aloud
and the cacophony is heard
in all the village
and the thief runs away as quickly as he can;
and the master comes running out with a huge stick
and seeing the donkey braying madly
with no cause but its own stupidity
the master beats the donkey well and proper
till all his own hands ache
and he goes back to bed
And now Dog and Donkey
lie down again together
in the courtyard
and Dog says to the quiet Donkey:
Looks like you just found out
how it feels to be man’s best friend!
poem by Raj Arumugam
Submitted by Poetry Lover
Vote! | Copy!
Ch 04 On The Advantages Of Silence Story 12
A preacher imagined his miserable voice to be pleasing and raised useless shouts, thou wouldst have said that the crow of separation had become the tune of his song; and the verse- for the most detestable of voices is surely the voice of asses- appears to have been applicable to him. This distich also concerns him:
When the preacher Abu-l-Fares brays
At his voice Istakhar-Fares quakes.
On account of the position he occupied the inhabitants of the locality submitted to the hardship and did not think proper to molest him. In course of time, however, another preacher of that region, who bore secret enmity towards him, arrived on a visit and said to him: ‘I have dreamt about thee, may it end well!’ ‘What hast thou dreamt?’ ‘I dreamt that thy voice had become pleasant and that the people were comfortable during thy sermons.’ The preacher meditated a while on these words and then said: ‘Thou hast dreamt a blessed dream because thou hast made me aware of my defect. It has become known to me that I have a disagreeable voice and that the people are displeased with my loud reading. Accordingly I have determined henceforth not to address them except in a subdued voice’:
I am displeased with the company of friends
To whom my bad qualities appear to be good.
They fancy my faults are virtues and perfection.
My thorns they believe to be rose and jessamine.
Say. Where is the bold and quick enemy
To make me aware of my defects?
He whose faults are not told him
Ignorantly thinks his defects are virtues.
Foundations Of The State
Observe, dear Lord, what lively pranks
Are played by sentimental cranks!
First this one mounts his hinder hoofs
And brays the chimneys off the roofs;
Then that one, with exalted voice,
Expounds the thesis of his choice,
Our understandings to bombard,
Till all the window panes are starred!
A third augments the vocal shock
Till steeples to their bases rock,
Confessing, as they humbly nod,
They hear and mark the will of God.
A fourth in oral thunder vents
His awful penury of sense
Till dogs with sympathetic howls,
And lowing cows, and cackling fowls,
Hens, geese, and all domestic birds,
Attest the wisdom of his words.
Cranks thus their intellects deflate
Of theories about the State.
This one avers 'tis built on Truth,
And that on Temperance. This youth
Declares that Science bears the pile;
That graybeard, with a holy smile,
Says Faith is the supporting stone;
While women swear that Love alone
Could so unflinchingly endure
The heavy load. And some are sure
The solemn vow of Christian Wedlock
Is the indubitable bedrock.
Physicians once about the bed
Of one whose life was nearly sped
Blew up a disputatious breeze
About the cause of his disease:
This, that and t' other thing they blamed.
'Tut, tut!' the dying man exclaimed,
'What made me ill I do not care;
You've not an ounce of it, I'll swear.
And if you had the skill to make it
I'd see you hanged before I'd take it!'
poem by Ambrose Bierce
Submitted by Poetry Lover
Vote! | Copy!
After the Funeral (In memory of Ann Jones)
After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave's foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout'
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,
I stand, for this memorial's sake, alone
In the snivelling hours with dead, humped Ann
Whose hodded, fountain heart once fell in puddles
Round the parched worlds of Wales and drowned each sun
(Though this for her is a monstrous image blindly
Magnified out of praise; her death was a still drop;
She would not have me sinking in the holy
Flood of her heart's fame; she would lie dumb and deep
And need no druid of her broken body).
But I, Ann's bard on a raised hearth, call all
The seas to service that her wood-tongud virtue
Babble like a bellbuoy over the hymning heads,
Bow down the walls of the ferned and foxy woods
That her love sing and swing through a brown chapel,
Blees her bent spirit with four, crossing birds.
Her flesh was meek as milk, but this skyward statue
With the wild breast and blessed and giant skull
Is carved from her in a room with a wet window
In a fiercely mourning house in a crooked year.
I know her scrubbed and sour humble hands
Lie with religion in their cramp, her threadbare
Whisper in a damp word, her wits drilled hollow,
Her fist of a face died clenched on a round pain;
And sculptured Ann is seventy years of stone.
These cloud-sopped, marble hands, this monumental
Argument of the hewn voice, gesture and psalm
Storm me forever over her grave until
The stuffed lung of the fox twitch and cry Love
And the strutting fern lay seeds on the black sill.
poem by Dylan Thomas
Submitted by Poetry Lover
Vote! | Copy!
Pilot Cove
'Young friend,' 'e sez . . . Young friend! Well, spare me days!
Yeh'd think I wus 'is own white 'eaded boy
The queer ole finger, wiv 'is gentle ways.
'Young friend,' 'e sez, 'I wish't yeh bofe great joy.'
The langwidge that them parson blokes imploy
Fair tickles me. The way 'e bleats an' brays!
'Young friend,' 'e sez.
'Young friend,' 'e sez . . . Yes, my Doreen an' me
We're gettin' hitched, all straight an' on the square.
Fer when I torks about the registry
O 'oly wars! yeh should 'a' seen 'er stare;
'The registry?' she sez, 'I wouldn't dare!
I know a clergyman we'll go an' see . . .
'Young friend,' 'e sez.
'Young friend,' 'e sez. An' then 'e chats me straight;
An' spouts o' death, an' 'ell, an' mortal sins.
'You reckernize this step you contemplate
Is grave?' 'e sez. An' I jist stan's an' grins;
Fer when I chips, Doreen she kicks me shins.
'Yes, very 'oly is the married state,
Young friend,' 'e sez.
'Young friend,' 'e sez. An' then 'e mags a lot
Of jooty an' the spitichuil life,
To which I didn't tumble worth a jot.
'I'm sure,' 'e sez, 'as you will 'ave a wife
'Oo'll 'ave a noble infl'ince on yer life.
'Oo is 'er gardjin?' I sez, ''Er ole pot'
'Young friend!' 'e sez.
'Young friend,' 'e sez. 'Oh fix yet thorts on 'igh!
Orl marridges is registered up there!
An' you must cleave unto 'er till yeh die,
An' cherish 'er wiv love an' tender care.
E'en in the days when she's no longer fair
She's still yet wife,' 'e sez. 'Ribuck,' sez I.
'Young friend!' 'e sez.
'Young friend,' 'e sez - I sez, 'Now, listen 'ere:
This isn't one o' them impetchus leaps.
There ain't no tart a 'undreth part so dear
As 'er. She 'as me 'eart and' soul fer keeps!'
An' then Doreen, she turns away an' weeps;
But 'e jist smiles. 'Yer deep in love, 'tis clear
Young friend,' 'e sez.
'Young friend,' 'e sez - an tears wus in 'is eyes
'Strive 'ard. Fer many, many years I've lived.
An' I kin but recall wiv tears an' sighs
The lives of some I've seen in marridge gived.'
'My Gawd!' I sez. 'I'll strive as no bloke strivved!
Fer don't I know I've copped a bonzer prize?'
'Young friend,' 'e sez.
'Young friend,' 'e sez. An' in 'is gentle way,
'E pats the shoulder of my dear Doreen.
'I've solem'ized grand weddin's in me day,
But 'ere's the sweetest little maid I've seen.
She's fit fer any man, to be 'is queen;
An' you're more forchinit than you kin say,
Young friend,' 'e sez.
'Young friend,' 'e sez . . . A queer ole pilot bloke,
Wiv silver 'air. The gentle way 'e dealt
Wiv 'er, the soft an' kindly way 'e spoke
To my Doreen, 'ud make a starcher melt.
I tell yer, square an' all, I sorter felt
A kiddish kind o' feelin' like I'd choke . . .
'Young friend,' 'e sez.
'Young friend,' 'e sez, 'you two on Choosday week,
Is to be joined in very 'oly bonds.
To break them vows I 'opes yeh'll never seek;
Fer I could curse them 'usbands 'oo absconds!'
'I'll love 'er till I snuff it,' I responds.
'Ah, that's the way I likes to 'ear yeh speak,
Young friend,' 'e sez.
'Young friend,' 'e sez - and then me 'and 'e grips
'I wish't yeh luck, you an' yer lady fair.
Sweet maid.' An' sof'ly wiv 'is finger-tips,
'E takes and' strokes me cliner's shinin' 'air.
An' when I seen 'er standin' blushin' there,
I turns an' kisses 'er, fair on the lips.
'Young friend!' 'e sez.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
Vote! | Copy!
The Call Of Stoush
Wot price ole Ginger Mick? 'E's done a break -
Gone to the flamin' war to stoush the foe.
Wus it fer glory, or a woman's sake?
Ar, arst me somethin' easy! I dunno.
'Is Kharki clobber set 'im off a treat,
That's all I know; 'is motive's got me beat.
Ole Mick 'e's trainin' up in Cairo now;
An' all the cops in Spadger's Lane is sad.
They miss 'is music in the midnight row
Wot time the pushes mix it good an' glad.
Fer 'e wus one o' them, you understand,
Wot 'soils the soshul life uv this fair land.'
A peb wus Mick; a leery bloke wus 'e,
Low down, an' given to the brinnin' cup;
The sort o' chap that coves like you an' me
Don't mix wiv, 'cos of our strick bringin's-up.
An' 'e wus sich becos unseein' Fate
Lobbed 'im in life a 'undred years too late.
'E wus a man uv vierlence, wus Mick,
Coarse wiv 'is speech an' in 'is manner low,
Slick wiv 'is 'ands, an' 'andy wiv a brick
When bricks wus needful to defeat a foe.
An' now 'e's gone an' mizzled to the war,
An' some blokes 'as the nerve to arst 'Wot for? '
Wot for? gawstruth! 'E wus no patriot
That sits an' brays advice in days uv strife;
'E never flapped no flags nor sich like rot;
'E never sung 'Gawsave' in all 'is life.
'E wus dispised be them that make sicg noise:
But now - O strike! - 'e's 'one uv our brave boys.'
'E's one uv our brave boys, all right, all right.
'Is early trainin' down in Spadgers Lane
Done 'im no 'arm fer this 'ere orl-in fight:
'Is loss o' culcher is 'is country's gain.
'Im wiv 'is carst-ir'n chiv an' leery ways -
An' swell tarts 'eavin' 'im sweet words o' praise.
Why did 'e go? 'E 'ad a decent job,
'Is tart an' 'im they could 'a' made it right.
Why does a wild bull fight to guard the mob?
Why does a bloomin' bull-ant look fer fight?
Why does a rooster scrap an' flap an' crow?
'E went becos 'e dam well 'ad to go.
'E never spouted no 'igh-soundin' stuff
About stern jooty an' 'is country's call;
But, in 'is way, 'e 'eard it right enough
A-callin' like the shout uv 'On the Ball! '
Wot time the footer brings the clicks great joy,
An' Saints or Carlton roughs it up wiv 'Roy.
The call wot came to cave-men in the days
When rocks wus stylish in the scrappin' line;
The call wot knights 'eard in the minstrel's lays,
That sent 'em in tin soots to Palerstine;
The call wot draws all fighters to the fray
It come to Mick, an' Mick 'e must obey.
The Call uv Stoush! ... It's older than the 'ills.
Lovin' an' fightin' - there's no more to tell
Concernin' men. an' when that feelin' thrills
The blood uv them 'oo's fathers mixed it well,
They 'ave to 'eed it - bein' 'ow they're built -
As traders 'ave to 'eed the clink uv gilt.
An' them whose gilt 'as stuffed 'em stiff wiv pride
An' 'aughty scorn uv blokes like Ginger Mick -
I sez to them, put sich crook thorts aside,
An' don't lay on the patronage too think.
Orl men is brothers when it comes to lash
An' 'aughty scorn an' Culcher does their lash.
War ain't no giddy garden feete - it's war:
A game that calls up love an' 'atred both.
An' them that shudders at the sight o' gore,
An' shrinks to 'ear a drunken soljer's oath,
Must 'ide be'ind the man wot 'eaves the bricks,
An' thank their Gawd for all their Ginger Micks.
Becos 'e never 'ad the chance to find
The glory o' the world by land an' sea,
Becos the beauty 'idin' in 'is mind
Wus not writ plain fer blokes like you an' me,
They calls 'im crook; but in 'im I 'ave found
Wot makes a man a man the world around.
Be'ind that dile uv 'is, as 'ard as sin,
Wus strange, soft thorts that never yet showed out;
An' down in Spadger's Lane, in dirt an' din,
'E dreamed sich dreams as poits sing about.
'E's 'ad 'is visions uv the Bonzer Tart;
An' stoushed some coot to ease 'is swellin' 'eart.
Lovin' an' fightin'... when the tale is told,
That's all there is to it; an' in their way
Them brave an' noble 'ero blokes uv old
Wus Ginger Micks - the crook 'uns uv their day.
Jist let the Call uv Stoush give 'im 'is chance
An' Ginger Mick's the 'ero of Romance.
So Ginger Mick 'e's mizzled to the war;
Joy in 'is 'eart, an' wild dreams in 'is brain;
Gawd 'elp the foe that 'e goes gunnin' for
If tales is true they tell in Spadger's Lane -
Tales that ud fairly freeze the gentle 'earts
Uv them 'oo knits 'is socks - the Culchered Tarts.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
Vote! | Copy!
Manuelzinho
[Brazil. A friend of the writer is speaking.]
Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens
ravish my eyes. You edge
the beds of silver cabbages
with red carnations, and lettuces
mix with alyssum. And then
umbrella ants arrive,
or it rains for a solid week
and the whole thing's ruined again
and I buy you more pounds of seeds,
imported, guaranteed,
and eventually you bring me
a mystic thee-legged carrot,
or a pumpkin "bigger than the baby."
I watch you through the rain,
trotting, light, on bare feet,
up the steep paths you have made—
or your father and grandfather made—
all over my property,
with your head and back inside
a sodden burlap bag,
and feel I can't endure it
another minute; then,
indoors, beside the stove,
keep on reading a book.
You steal my telephone wires,
or someone does. You starve
your horse and yourself
and your dogs and family.
among endless variety,
you eat boiled cabbage stalks.
And once I yelled at you
so loud to hurry up
and fetch me those potatoes
your holey hat flew off,
you jumped out of your clogs,
leaving three objects arranged
in a triangle at my feet,
as if you'd been a gardener
in a fairy tale all this time
and at the word "potatoes"
had vanished to take up your work
of fairy prince somewhere.
The strangest things happen to you.
Your cows eats a "poison grass"
and drops dead on the spot.
Nobody else's does.
And then your father dies,
a superior old man
with a black plush hat, and a moustache
like a white spread-eagled sea gull.
The family gathers, but you,
no, you "don't think he's dead!
I look at him. He's cold.
They're burying him today.
But you know, I don't think he's dead."
I give you money for the funeral
and you go and hire a bus
for the delighted mourners,
so I have to hand over some more
and then have to hear you tell me
you pray for me every night!
And then you come again,
sniffing and shivering,
hat in hand, with that wistful
face, like a child's fistful
of bluets or white violets,
improvident as the dawn,
and once more I provide
for a shot of penicillin
down at the pharmacy, or
one more bottle of
Electrical Baby Syrup.
Or, briskly, you come to settle
what we call our "accounts,"
with two old copybooks,
one with flowers on the cover,
the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger,
honeycombed with zeros.
You whisper conspiratorially;
the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together
how the meek shall inherit the earth—
or several acres of mine.
With blue sugar bags on their heads,
carrying your lunch,
your children scuttle by me
like little moles aboveground,
or even crouch behind bushes
as if I were out to shoot them!
—Impossible to make friends,
though each will grab at once
for an orange or a piece of candy.
Twined in wisps of fog,
I see you all up there
along with Formoso, the donkey,
who brays like a pump gone dry,
then suddenly stops.
—All just standing, staring
off into fog and space.
Or coming down at night,
in silence, except for hoofs,
in dim moonlight, the horse
or Formoso stumbling after.
Between us float a few
big, soft, pale-blue,
sluggish fireflies,
the jellyfish of the air...
Patch upon patch upon patch,
your wife keeps all of you covered.
She has gone over and over
(forearmed is forewarned)
your pair of bright-blue pants
with white thread, and these days
your limbs are draped in blueprints.
You paint—heaven knows why—
the outside of the crown
and brim of your straw hat.
Perhaps to reflect the sun?
Or perhaps when you were small,
your mother said, "Manuelzinho,
one thing; be sure you always
paint your straw hat."
One was gold for a while,
but the gold wore off, like plate.
One was bright green. Unkindly,
I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man,
I love you all I can,
I think. Or I do?
I take off my hat, unpainted
and figurative, to you.
Again I promise to try.
poem by Elizabeth Bishop
Submitted by Poetry Lover
Vote! | Copy!
I Make This In A Warring Absence
I make this in a warring absence when
Each ancient, stone-necked minute of love's season
Harbours my anchored tongue, slips the quaystone,
When, praise is blessed, her pride in mast and fountain
Sailed and set dazzling by the handshaped ocean,
In that proud sailing tree with branches driven
Through the last vault and vegetable groyne,
And this weak house to marrow-columned heaven,
Is corner-cast, breath's rag, scrawled weed, a vain
And opium head, crow stalk, puffed, cut, and blown,
Or like the tide-looped breastknot reefed again
Or rent ancestrally the roped sea-hymen,
And, pride is last, is like a child alone
By magnet winds to her blind mother drawn,
Bread and milk mansion in a toothless town.
She makes for me a nettle's innocence
And a silk pigeon's guilt in her proud absence,
In the molested rocks the shell of virgins,
The frank, closed pearl, the sea-girls' lineaments
Glint in the staved and siren-printed caverns,
Is maiden in the shameful oak, omens
Whalebed and bulldance, the gold bush of lions,
Proud as a sucked stone and huge as sandgrains.
These are her contraries: the beast who follows
With priest's grave foot and hand of five assassins
Her molten flight up cinder-nesting columns,
Calls the starved fire herd, is cast in ice,
Lost in a limp-treed and uneating silence,
Who scales a hailing hill in her cold flintsteps
Falls on a ring of summers and locked noons.
I make a weapon of an ass's skeleton
And walk the warring sands by the dead town.
Cudgel great air, wreck east, and topple sundown,
Storm her sped heart, hang with beheaded veins
Its wringing shell, and let her eyelids fasten.
Destruction, picked by birds, brays through the jaw-bone,
And, for that murder's sake, dark with contagion
Like an approaching wave I sprawl to ruin.
Ruin, the room of errors, one rood dropped
Down the stacked sea and water-pillared shade,
Weighed in rock shroud, is my proud pyramid;
Where, wound in emerald linen and sharp wind,
The hero's head lies scraped of every legend,
Comes love's anatomist with sun-gloved hand
Who picks the live heart on a diamond.
'His mother's womb had a tongue that lapped up mud,'
Cried the topless, inchtaped lips from hank and hood
In that bright anchorground where I lay linened,
'A lizard darting with black venom's thread
Doubled, to fork him back, through the lockjaw bed
And the breath-white, curtained mouth of seed.'
'See,' drummed the taut masks, 'how the dead ascend:
In the groin's endless coil a man is tangled.'
These once-blind eyes have breathed a wind of visions,
The cauldron's root through this once-rindless hand
Fumed like a tree, and tossed a burning bird;
With loud, torn tooth and tail and cobweb drum
The crumpled packs fled past this ghost in bloom,
And, mild as pardon from a cloud of pride,
The terrible world my brother bares his skin.
Now in the cloud's big breast lie quiet countries,
Delivered seas my love from her proud place
Walks with no wound, nor lightning in her face,
A calm wind blows that raised the trees like hair
Once where the soft snow's blood was turned to ice.
And though my love pulls the pale, nippled air,
Prides of to-morrow suckling in her eyes,
Yet this I make in a forgiving presence.
poem by Dylan Thomas
Submitted by Poetry Lover
Vote! | Copy!
The Patriot Engineer
'Sirs! may I shake your hands?
My countrymen, I see!
I've lived in foreign lands
Till England's Heaven to me.
A hearty shake will do me good,
And freshen up my sluggish blood.'
Into his hard right hand we struck,
Gave the shake, and wish'd him luck.
'-From Austria I come,
An English wife to win,
And find an English home,
And live and die therein.
Great Lord! how many a year I've pined
To drink old ale and speak my mind!'
Loud rang our laughter, and the shout
Hills round the Meuse-boat echoed about.
'-Ay, no offence: laugh on,
Young gentlemen: I'll join.
Had you to exile gone,
Where free speech is base coin,
You'd sigh to see the jolly nose
Where Freedom's native liquor flows!'
He this time the laughter led,
Dabbling his oily bullet head.
'-Give me, to suit my moods,
An ale-house on a heath,
I'll hand the crags and woods
To B'elzebub beneath.
A fig for scenery! what scene
Can beat a Jackass on a green?'
Gravely he seem'd, with gaze intense,
Putting the question to common sense.
'-Why, there's the ale-house bench:
The furze-flower shining round:
And there's my waiting-wench,
As lissome as a hound.
With 'hail Britannia!' ere I drink,
I'll kiss her with an artful wink.'
Fair flash'd the foreign landscape while
We breath'd again our native Isle.
'-The geese may swim hard-by;
They gabble, and you talk:
You're sure there's not a spy
To mark your name with chalk.
My heart's an oak, and it won't grow
In flower-pots, foreigners must know.'
Pensive he stood: then shook his head
Sadly; held out his fist, and said:
'-You've heard that Hungary's floor'd?
They've got her on the ground.
A traitor broke her sword:
Two despots held her bound.
I've seen her gasping her last hope:
I've seen her sons strung up b' the rope.
'Nine gallant gentlemen
In Arad they strung up!
I work'd in peace till then:-
That poison'd all my cup.
A smell of corpses haunted me:
My nostril sniff'd like life for sea.
'Take money for my hire
From butchers?-not the man!
I've got some natural fire,
And don't flash in the pan; -
A few ideas I reveal'd:-
'Twas well old England stood my shield!
'Said I, 'The Lord of Hosts
Have mercy on your land!
I see those dangling ghosts, -
And you may keep command,
And hang, and shoot, and have your day:
They hold your bill, and you must pay.
''You've sent them where they're strong,
You carrion Double-Head!
I hear them sound a gong
In Heaven above!'-I said.
'My God, what feathers won't you moult
For this!' says I: and then I bolt.
'The Bird's a beastly Bird,
And what is more, a fool.
I shake hands with the herd
That flock beneath his rule.
They're kindly; and their land is fine.
I thought it rarer once than mine.
'And rare would be its lot,
But that he baulks its powers:
It's just an earthen pot
For hearts of oak like ours.
Think! Think!-four days from those frontiers,
And I'm a-head full fifty years.
'It tingles to your scalps,
To think of it, my boys!
Confusion on their Alps,
And all their baby toys!
The mountains Britain boasts are men:
And scale you them, my brethren!'
Cluck, went his tongue; his fingers, snap.
Britons were proved all heights to cap.
And we who worshipp'd crags,
Where purple splendours burn'd,
Our idol saw in rags,
And right about were turn'd.
Horizons rich with trembling spires
On violet twilights lost their fires.
And heights where morning wakes
With one cheek over snow; -
And iron-walled lakes
Where sits the white moon low; -
For us on youthful travel bent,
The robing picturesque was rent.
Wherever Beauty show'd
The wonders of her face,
This man his Jackass rode,
High despot of the place.
Fair dreams of our enchanted life
Fled fast from his shrill island fife.
And yet we liked him well;
We laugh'd with honest hearts:-
He shock'd some inner spell,
And rous'd discordant parts.
We echoed what we half abjured:
And hating, smilingly endured.
Moreover, could we be
To our dear land disloyal?
And were not also we
Of History's blood-Royal?
We glow'd to think how donkeys graze
In England, thrilling at their brays.
For there a man may view
An aspect more sublime
Than Alps against the blue:-
The morning eyes of Time!
The very Ass participates
The glory Freedom radiates!
poem by George Meredith
Submitted by Poetry Lover
Vote! | Copy!
A Song For Soldiers
WHAT song is best for the soldiers?
Take no heed of the words, nor choose yon the style of the story;
Let it burst out from the heart like a spring from the womb of a mountain,
Natural, clear, resistless, leaping its way to the levels;
Whether of love or hate or war or the pathos and pain of affliction;
Whether of manly pluck in the perilous hour, or that which is higher,
And highest of all, the slowly bleeding sacrifice,
The giving of life and its joys for the sake of men and freedom;—
Any song for the soldier that will harmonize with the life-throbs;
For he has laved in the mystical sea by which men are one;
His pulse has thrilled into blinding tune with the vaster anthems
Which God plays on the battle-fields when he sweeps the strings of nations,
And the song of the earth-planet bursts on the silent spheres.
Shot through like the cloud of Etna with flames of heroic devotion,
And shaded with quivering lines from the mourning of women and children!
Here is a song for the soldiers—a song of the Cheyenne Indians,
Of men with soldierly hearts who walked with Death as a comrade.
Hush! Let the present fade; let the distance die; let the last year stand:
We are far to the West, in Montana, on the desolate plains of Montana;
We ride with the cavalry troopers on the bloody trail of the Cheyennes,
Forty braves of the tribe who have leaped from the reservation
Down on the mining camps in their desecrated valleys,
Down to their fathers' graves and the hunting-ground of their people.
Chilled with the doom of Death they gaze on the white men's changes:
Ruthless the brutal force that has crushed their homes and their manhood,
And ruthless the hearts of the Cheyenne braves as they swoop on the camps of the miners!
Back to the hills they dash, with reeking trophies around them:
But swift on their trail the cavalry ride, and their trumpets
Break on the ears of the braves with a threat of oncoming vengeance.
At last they are bayed and barred—corraled in a straightwalled valley,—
The Indians back to the cliffs with the shattered rocks as a breastwork,
The soldiers in lined stockades across the mouth of the valley.
Hungrily hiss the bullets, not wasted in random firing,
But every shot for a mark,—thrice their number of soldiers
Raking the Cheyenne rocks with a pitiless rain of missiles,
One to three in the firing, but every Cheyenne bullet
Tumbled a reckless trooper behind his fence in the stockade.
'God! they are brave!' cried the captain. 'Seven hours we've held them,
Three, ay, five to one, if you count their dead and their wounded:
Damn them! why don't they yield for the sake of their lives and their wounded?'
But never a sign but flame and the hiss of the leaden defiance
Comes from the Cheyenne braves, though their firing slackens in vigor
To grow in fatal precision—grim as the cliff above them
They fight their fight, and the valley is lined with death from their rifles.
Cried the captain, ''Men, we must charge!' and he grieves for his boys and their foemen;
'But show them a sign of quarter;' and he swings them a flag to tell them
That his side is willing to parley: the Indians riddle the ensign,
And the captain groans in his heart as he gives the order for charging.
Terrible getting ready of men who prepare for a death-fight:—
Scabbards are thrown aside and belts unstrapped for the striking,
Ominous outward signs of the deadlier inner preparing
When the soul flings danger aside and the human heart its mercy.
Out from the fatal earthworks, their eyes like fire in a
With naked blades the troopers, and nerves wire-strung for the onset,
When suddenly, up from the rocks, a sign at last from the Cheyennes!
Two tall braves on the rocks—'Re-form!' brays the cavalry trumpet,
And grimly the soldiers return, reluctantly leaving the conflict.
Still on the rocks two forms of bronze, as if prepared for the stormers,
Then down to the field, and behold, they dash toward the wondering troopers!
The soldiers stare at the charge, but no man laughs at the foemen,
Instead of a sneer a tremor at many a mouth in sorrow.
On they come to their death, and, standing at fifty paces,
They fire in the face of the squadron, and dash with their knives to the death-grip!
Fifty rifles give flame, and the breasts of the heroes are shattered;
But falling, they plunge toward the fight, and their knives sink deep in the meadow!
'On to the rocks!' and the soldiers have done with their feelings of mercy—
But never a foe to meet them nor a shot from the deadly barrier.
First on the rocks the captain, with a cheer that died as he gave it,—
A cheer that was half a groan and a cry of admiration.
Awed stood the troopers who followed, and lowered their swords with their leader,
Homage of brave to the brave, saluting with souls and weapons;
There at their feet lay the foemen—every man dead on his rifle—
The two who had charged the troops were the last alive of the Cheyennes!
poem by John Boyle O'Reilly
Submitted by Poetry Lover
Vote! | Copy!
Apology For Bad Dreams
I
In the purple light, heavy with redwood, the slopes drop seaward,
Headlong convexities of forest, drawn in together to the steep
ravine. Below, on the sea-cliff,
A lonely clearing; a little field of corn by the streamside; a roof
under spared trees. Then the ocean
Like a great stone someone has cut to a sharp edge and polished
to shining. Beyond it, the fountain
And furnace of incredible light flowing up from the sunk sun.
In the little clearing a woman
Is punishing a horse; she had tied the halter to a sapling at the
edge of the wood, but when the great whip
Clung to the flanks the creature kicked so hard she feared he
would snap the halter; she called from the house
The young man her son; who fetched a chain tie-rope, they
working together
Noosed the small rusty links round the horse's tongue
And tied him by the swollen tongue to the tree.
Seen from this height they are shrunk to insect size.
Out of all human relation. You cannot distinguish
The blood dripping from where the chain is fastened,
The beast shuddering; but the thrust neck and the legs
Far apart. You can see the whip fall on the flanks . . .
The gesture of the arm. You cannot see the face of the woman.
The enormous light beats up out of the west across the cloud-bars
of the trade-wind. The ocean
Darkens, the high clouds brighten, the hills darken together.
Unbridled and unbelievable beauty
Covers the evening world . . . not covers, grows apparent out
of it, as Venus down there grows out
From the lit sky. What said the prophet? 'I create good: and
I create evil: I am the Lord.'
II
This coast crying out for tragedy like all beautiful places,
(The quiet ones ask for quieter suffering: but here the granite cliff
the gaunt cypresses crown
Demands what victim? The dykes of red lava and black what
Titan? The hills like pointed flames
Beyond Soberanes, the terrible peaks of the bare hills under the
sun, what immolation? )
This coast crying out for tragedy like all beautiful places: and
like the passionate spirit of humanity
Pain for its bread: God's, many victims', the painful deaths, the
horrible transfigurements: I said in my heart,
'Better invent than suffer: imagine victims
Lest your own flesh be chosen the agonist, or you
Martyr some creature to the beauty of the place.' And I said,
'Burn sacrifices once a year to magic
Horror away from the house, this little house here
You have built over the ocean with your own hands
Beside the standing boulders: for what are we,
The beast that walks upright, with speaking lips
And little hair, to think we should always be fed,
Sheltered, intact, and self-controlled? We sooner more liable
Than the other animals. Pain and terror, the insanities of desire;
not accidents but essential,
And crowd up from the core:' I imagined victims for those
wolves, I made them phantoms to follow,
They have hunted the phantoms and missed the house. It is not
good to forget over what gulfs the spirit
Of the beauty of humanity, the petal of a lost flower blown
seaward by the night-wind, floats to its quietness.
III
Boulders blunted like an old bear's teeth break up from the
headland; below them
All the soil is thick with shells, the tide-rock feasts of a dead
people.
Here the granite flanks are scarred with ancient fire, the ghosts
of the tribe
Crouch in the nights beside the ghost of a fire, they try to remember
the sunlight,
Light has died out of their skies. These have paid something for
the future
Luck of the country, while we living keep old griefs in memory:
though God's
Envy is not a likely fountain of ruin, to forget evils calls down
Sudden reminders from the cloud: remembered deaths be our
redeemers;
Imagined victims our salvation: white as the half moon at midnight
Someone flamelike passed me, saying, 'I am Tamar Cauldwell,
I have my desire,'
Then the voice of the sea returned, when she had gone by, the
stars to their towers.
. . . Beautiful country burn again, Point Pinos down to the
Sur Rivers
Burn as before with bitter wonders, land and ocean and the
Carmel water.
IV
He brays humanity in a mortar to bring the savor
From the bruised root: a man having bad dreams, who invents
victims, is only the ape of that God.
He washes it out with tears and many waters, calcines it with
fire in the red crucible,
Deforms it, makes it horrible to itself: the spirit flies out and
stands naked, he sees the spirit,
He takes it in the naked ecstasy; it breaks in his hand, the atom
is broken, the power that massed it
Cries to the power that moves the stars, 'I have come home to
myself, behold me.
I bruised myself in the flint mortar and burnt me
In the red shell, I tortured myself, I flew forth,
Stood naked of myself and broke me in fragments,
And here am I moving the stars that are me.'
I have seen these ways of God: I know of no reason
For fire and change and torture and the old returnings.
He being sufficient might be still. I think they admit no reason;
they are the ways of my love.
Unmeasured power, incredible passion, enormous craft: no
thought apparent but burns darkly
Smothered with its own smoke in the human brain-vault: no
thought outside: a certain measure in phenomena:
The fountains of the boiling stars, the flowers on the foreland,
the ever-returning roses of dawn.
poem by Robinson Jeffers
Submitted by Poetry Lover
Vote! | Copy!
English Bards and Scotch Reviewers (excerpt)
Time was, ere yet in these degenerate days
Ignoble themes obtain'd mistaken praise,
When sense and wit with poesy allied,
No fabl'd graces, flourish'd side by side;
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew.
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him great Dryden pour'd the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then Congreve's scenes could cheer, or Otway's melt--
For nature then an English audience felt.
But why these names, or greater still, retrace,
When all to feebler bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let satire's self allow,
No dearth of bards can be complain'd of now.
The loaded press beneath her labour groans,
And printers' devils shake their weary bones;
While Southey's epics cram the creaking shelves,
And Little's lyrics shine in hot-press'd twelves.
Thus saith the Preacher: "Nought beneath the sun
Is new"; yet still from change to change we run:
What varied wonders tempt us as they pass!
The cow-pox, tractors, galvanism and gas,
In turns appear, to make the vulgar stare,
Till the swoln bubble bursts--and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O'er taste awhile these pseudo-bards prevail;
Each country book-club bows the knee to Baal,
And, hurling lawful genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf--but whom it matters not,
From soaring Southey down to grovelling Stott.
Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And rhyme and blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And tales of terror jostle on the road;
Immeasurable measures move along;
For simpering folly loves a varied song,
To strange mysterious dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels--may they be the last!--
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner's brood,
Decoy young border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding knights to read who cannot spell,
Despatch a courier to a wizard's grave,
And fight with honest men to shield a knave.
Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a felon, yet but half a knight,
The gibbet or the field prepar'd to grace;
A mighty mixture of the great and base.
And think'st thou, Scott! by vain conceit perchance,
On public taste to foist thy stale romance,
Though Murray with his Miller may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade.
Let such forego the poet's sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted muse and hireling bard!
For this we spurn Apollo's venal son,
And bid a long "good night to Marmion."
These are the themes that claim our plaudits now;
These are the bards to whom the muse must bow;
While Milton, Dryden, Pope, alike forgot,
Resign their hallow'd bays to Walter Scott.
The time has been, when yet the muse was young,
When Homer swept the lyre, and Maro sung,
An epic scarce ten centuries could claim,
While awe-struck nations hail'd the magic name;
The work of each immortal bard appears
The single wonder of a thousand years.
Empires have moulder'd from the face of earth,
Tongues have expir'd with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor bards, content
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the ballad-monger Southey rise!
To him let Camoëns, Milton, Tasso yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked Bedford for a witch,
Behold her statue plac'd in glory's niche;
Her fetters burst, and just releas'd from prison,
A virgin phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia's monstrous, wild and wondrous son:
Domdaniel's dread destroyer, who o'erthrew
More mad magicians than the world e'er knew.
Immortal hero! all thy foes o'ercome,
For ever reign--the rival of Tom Thumb!
Since startled metre fled before thy face,
Well wert thou doom'd the last of all thy race!
Well might triumphant genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville's, and not so true.
Oh Southey! Southey! cease thy varied song!
A bard may chant too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkley ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
"God help thee," Southey, and thy readers too.
Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple Wordsworth, framer of a lay
As soft as evening in his favourite May,
Who warns his friend "to shake off toil and trouble,
And quit his books, for fear of growing double";
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortur'd into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of "an idiot boy";
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day;
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the "idiot in his glory"
Conceive the bard the hero of the story.
Shall gentle Coleridge pass unnotic'd here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still obscurity's a welcome guest.
If Inspiration should her aid refuse
To him who takes a pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ass.
So well the subject suits his noble mind,
He brays the laureat of the long-ear'd kind.
The Widening Spell of the Leaves
--The Carpathian Frontier, October, 1968
--for my brother
Once, in a foreign country, I was suddenly ill.
I was driving south toward a large city famous
For so little it had a replica, in concrete,
In two-thirds scale, of the Arc de Triomphe stuck
In the midst of traffic, & obstructing it.
But the city was hours away, beyond the hills
Shaped like the bodies of sleeping women.
Often I had to slow down for herds of goats
Or cattle milling on those narrow roads, & for
The narrower, lost, stone streets of villages
I passed through. The pains in my stomach had grown
Gradually sharper & more frequent as the day
Wore on, & now a fever had set up house.
In the villages there wasn't much point in asking
Anyone for help. In those places, where tanks
Were bivouacked in shade on their way back
From some routine exercise along
The Danube, even food was scarce that year.
And the languages shifted for no clear reason
From two hard quarries of Slavic into German,
Then to a shred of Latin spliced with oohs
And hisses. Even when I tried the simplest phrases,
The peasants passing over those uneven stones
Paused just long enough to look up once,
Uncomprehendingly. Then they turned
Quickly away, vanishing quietly into that
Moment, like bark chips whirled downriver.
It was autumn. Beyond each village the wind
Threw gusts of yellowing leaves across the road.
The goats I passed were thin, gray; their hind legs,
Caked with dried shit, seesawed along--
Not even mild contempt in their expressionless,
Pale eyes, & their brays like the scraping of metal.
Except for one village that had a kind
Of museum where I stopped to rest, & saw
A dead Scythian soldier under glass,
Turning to dust while holding a small sword
At attention forever, there wasn't much to look at.
Wind, leaves, goats, the higher passes
Locked in stone, the peasants with their fate
Embroidering a stillness into them,
And a spell over all things in that landscape,
Like . . .
That was the trouble; it couldn't be
Compared to anything else, not even the sleep
Of some asylum at a wood's edge with the sound
Of a pond's spillway beside it. But as each cramp
Grew worse & lasted longer than the one before,
It was hard to keep myself aloof from the threadbare
World walking on that road. After all,
Even as they moved, the peasants, the herds of goats
And cattle, the spiralling leaves, at least were part
Of that spell, that stillness.
After a while,
The villages grew even poorer, then thinned out,
Then vanished entirely. An hour later,
There were no longer even the goats, only wind,
Then more & more leaves blown over the road, sometimes
Covering it completely for a second.
And yet, except for a random oak or some brush
Writhing out of the ravine I drove beside,
The trees had thinned into rock, into large,
Tough blonde rosettes of fading pasture grass.
Then that gave out in a bare plateau. . . . And then,
Easing the Dacia down a winding grade
In second gear, rounding a long, funneled curve--
In a complete stillness of yellow leaves filling
A wide field--like something thoughtlessly,
Mistakenly erased, the road simply ended.
I stopped the car. There was no wind now.
I expected that, & though I was sick & lost,
I wasn't afraid. I should have been afraid.
To this day I don't know why I wasn't.
I could hear time cease, the field quietly widen.
I could feel the spreading stillness of the place
Moving like something I'd witnessed as a child,
Like the ancient, armored leisure of some reptile
Gliding, gray-yellow, into the slightly tepid,
Unidentical gray-brown stillness of the water--
Something blank & unresponsive in its tough,
Pimpled skin--seen only a moment, then unseen
As it submerged to rest on mud, or glided just
Beneath the lustreless, calm yellow leaves
That clustered along a log, or floated there
In broken ringlets, held by a gray froth
On the opaque, unbroken surface of the pond,
Which reflected nothing, no one.
And then I remembered.
When I was a child, our neighbors would disappear.
And there wasn't a pond of crocodiles at all.
And they hadn't moved. They couldn't move. They
Lived in the small, fenced-off backwater
Of a canal. I'd never seen them alive. They
Were in still photographs taken on the Ivory Coast.
I saw them only once in a studio when
I was a child in a city I once loved.
I was afraid until our neighbor, a photographer,
Explained it all to me, explained how far
Away they were, how harmless; how they were praised
In rituals as "powers." But they had no "powers,"
He said. The next week he vanished. I thought
Someone had cast a spell & that the crocodiles
Swam out of the pictures on the wall & grew
Silently & multiplied & then turned into
Shadows resting on the banks of lakes & streams
Or took the shapes of fallen logs in campgrounds
In the mountains. They ate our neighbor, Mr. Hirata.
They ate his whole family. That is what I believed,
Then. . .that someone had cast a spell. I did not
Know childhood was a spell, or that then there
Had been another spell, too quiet to hear,
Entering my city, entering the dust we ate. . . .
No one knew it then. No one could see it,
Though it spread through lawnless miles of housing tracts,
And the new, bare, treeless streets; it slipped
Into the vacant rows of warehouses & picked
The padlocked doors of working-class bars
And union halls & shuttered, empty diners.
And how it clung! (forever, if one had noticed)
To the brothel with the pastel tassels on the shade
Of an unlit table lamp. Farther in, it feasted
On the decaying light of failing shopping centers;
It spilled into the older, tree-lined neighborhoods,
Into warm houses, sealing itself into books
Of bedtime stories read each night by fathers--
The books lying open to the flat, neglected
Light of dawn; & it settled like dust on windowsills
Downtown, filling the smug cafés, schools,
Banks, offices, taverns, gymnasiums, hotels,
Newsstands, courtrooms, opium parlors, Basque
Restaurants, Armenian steam baths,
French bakeries, & two of the florists' shops--
Their plate glass windows smashed forever.
Finally it tried to infiltrate the exact
Center of my city, a small square bordered
With palm trees, olives, cypresses, a square
Where no one gathered, not even thieves or lovers.
It was a place which no longer had any purpose,
But held itself aloof, I thought, the way
A deaf aunt might, from opinions, styles, gossip.
I liked it there. It was completely lifeless,
Sad & clear in what seemed always a perfect,
Windless noon. I saw it first as a child,
Looking down at it from that as yet
Unvandalized, makeshift studio.
I remember leaning my right cheek against
A striped beach ball so that Mr. Hirata--
Who was Japanese, who would be sent the next week
To a place called Manzanar, a detention camp
Hidden in stunted pines almost above
The Sierra timberline--could take my picture.
I remember the way he lovingly relished
Each camera angle, the unwobbling tripod,
The way he checked each aperture against
The light meter, in love with all things
That were not accidental, & I remember
The care he took when focusing; how
He tried two different lens filters before
He found the one appropriate for that
Sensual, late, slow blush of afternoon
Falling through the one broad bay window.
I remember holding still & looking down
Into the square because he asked me to;
Because my mother & father had asked me please
To obey & be patient & allow the man--
Whose business was failing anyway by then--
To work as long as he wished to without any
Irritations or annoyances before
He would have to spend these years, my father said,
Far away, in snow, & without his cameras.
But Mr. Hirata did not work. He played.
His toys gleamed there. That much was clear to me . . . .
That was the day I decided I would never work.
It felt like a conversion. Play was sacred.
My father waited behind us on a sofa made
From car seats. One spring kept nosing through.
I remember the camera opening into the light . . . .
And I remember the dark after, the studio closed,
The cameras stolen, slivers of glass from the smashed
Bay window littering the unsanded floors,
And the square below it bathed in sunlight . . . . All this
Before Mr. Hirata died, months later,
From complications following pneumonia.
His death, a letter from a camp official said,
Was purely accidental. I didn't believe it.
Diseases were wise. Diseases, like the polio
My sister had endured, floating paralyzed
And strapped into her wheelchair all through
That war, seemed too precise. Like photographs . . .
Except disease left nothing. Disease was like
And equation that drank up light & never ended,
Not even in summer. Before my fever broke,
And the pains lessened, I could actually see
Myself, in the exact center of that square.
How still it had become in my absence, & how
Immaculate, windless, sunlit. I could see
The outline of every leaf on the nearest tree,
See it more clearly than ever, more clearly than
I had seen anything before in my whole life:
Against the modest, dark gray, solemn trunk,
The leaves were becoming only what they had to be--
Calm, yellow, things in themselves & nothing
More--& frankly they were nothing in themselves,
Nothing except their little reassurance
Of persisting for a few more days, or returning
The year after, & the year after that, & every
Year following--estranged from us by now--& clear,
So clear not one in a thousand trembled; hushed
And always coming back--steadfast, orderly,
Taciturn, oblivious--until the end of Time.
poem by Larry Levis
Submitted by Poetry Lover
Vote! | Copy!
The Missionary - Canto Seventh
The watchman on the tower his bugle blew,
And swelling to the morn the streamers flew;
The rampart-guns a dread alarum gave,
Smoke rolled, and thunder echoed o'er the wave;
When, starting from his couch, Valdivia cried,
What tidings? Of the tribes! a scout replied;
Ev'n now, prepared thy bulwarks to assail,
Their gathering numbers darken all the vale!
Valdivia called to the attendant youth,
Philip, he cried, belike thy words have truth;
The formidable host, by holy James,
Might well appal our priests and city dames!
Dost thou not fear? Nay--dost thou not reply?
Now by the rood, and all the saints on high,
I hold it sin that thou shouldst lift thy hand
Against thy brothers in thy native land!
But, as thou saidst, those mighty enemies
Me and my feeble legions would despise.
Yes, by our holy lady, thou shalt ride,
Spectator of their prowess, by my side!
Come life, come death, our battle shall display
Its ensigns to the earliest beam of day!
With louder summons ring the rampart-bell,
And haste the shriving father from his cell;
A soldier's heart rejoices in alarms:
And let the trump at midnight sound to arms!
And now, obedient to the chief's commands,
The gray-haired priest before the soldier stands.
Father, Valdivia cried, fierce are our foes,--
The last event of war GOD only knows;--
Let mass be sung; father, this very night
I would attend the high and holy rite.
Yet deem not that I doubt of victory,
Or place defeat or death before mine eye;
It blenches not! But, whatsoe'er befall,
Good father, I would part in peace with all.
So, tell Lautaro--his ingenuous mind
Perhaps may grieve, if late I seemed unkind:--
Hear my heart speak, though far from virtue's way
Ambition's lure hath led my steps astray,
No wanton exercise of barbarous power
Harrows my shrinking conscience at this hour.
If hasty passions oft my spirit fire,
They flash a moment and the next expire;
Lautaro knows it. There is somewhat more:
I would not, here--here, on this distant shore
(Should they, the Indian multitudes, prevail,
And this good sword and these firm sinews fail)
Amid my deadly enemies be found,
'Unhouseled, ananealed,' upon the ground,
A dying man;--thy look, thy reverend age,
Might save my poor remains from barb'rous rage;
And thou may'st pay the last sad obsequies,
O'er the heaped earth where a brave soldier lies:--
So GOD be with thee!
By the torches' light,
The slow procession moves; the solemn rite
Is chanted: through the aisles and arches dim,
At intervals, is heard the imploring hymn.
Now all is still, that only you might hear--
(The tall and slender tapers burning clear,
Whose light Anselmo's palid brow illumes,
Now glances on the mailed soldier's plumes)
Hear, sounding far, only the iron tread,
That echoed through the cloisters of the dead.
Dark clouds are wandering o'er the heaven's wide way;
Now from the camp, at times, a horse's neigh
Breaks on the ear; and on the rampart height
The sentinel proclaims the middle watch of night.
By the dim taper's solitary ray,
Tired, in his tent, the sovereign soldier lay.
Meantime, as shadowy dreams arise, he roams
'Mid bright pavilions and imperial domes,
Where terraces, and battlements, and towers,
Glisten in air o'er rich romantic bowers.
Sudden the visionary pomp is past;
The vacant court sounds to the moaning blast;
A dismal vault appears, where, with swoll'n eyes,
As starting from their orbs, a dead man lies.
It is Almagro's corse!--roll on, ye drums,
Lo! where the great, the proud Pizarro comes!
Her gold, her richest gems, let Fortune strew
Before the mighty conqueror of Peru!
Ah, turn, and see a dagger in his hand--
With ghastly look--see the assassin stand!
Pizarro falls;--he welters in his gore!
Lord of the western world, art thou no more!
Valdivia, hark!--it was another groan!
Another shadow comes, it is thy own!
Ah, bind not thus his arms!--give, give him breath!
Wipe from his bleeding brow those damps of death!
Valdivia, starting, woke. He is alone:
The taper in his tent yet dimly shone.
Lautaro, haste! he cried; Lautaro, save
Thy dying master! Ah! is this the brave,
The haughty victor? Hush, the dream is past!
The early trumpets ring the second blast!
Arm, arm! Ev'n now, the impatient charger neighs!
Again, from tent to tent the trumpet brays!
By torch-light, then, Valdivia gave command,
Haste, let Del Oro take a chosen band,
With watchful caution, on his fleetest steed,
A troop observant on the heights to lead.
Now beautiful, beneath the heaven's gray arch,
Appeared the main battalion's moving march;
The banner of the cross was borne before,
And next, with aspect sad, and tresses hoar,
The holy man went thoughtfully and pressed
A crucifix, in silence, to his breast.
Valdivia, all in burnished steel arrayed,
Upon whose crest the morn's effulgence played,
Majestic reined his steed, and seemed alone,
Worthy the southern world's imperial throne.
His features through the barred casque that glow,
His pole-axe pendent from the saddle-bow;
His dazzling armour, and the glitter bright
Of his drawn sabre, in the orient light,
Speak him not, now, for knightly tournament
Arrayed, but on emprise of prowess bent,
And deeds of deadly strife. In blooming pride,
The attendant youth rode, pensive, by his side.
Their pennoned lances, waving in the wind,
Two hundred clanking horsemen tramped behind,
In iron harness clad. The bugles blew,
And high in air the sanguine ensigns flew.
The arbalasters next, with cross-bows slung,
Marched, whilst the plumed Moors their cymbals swung.
Auxiliar-Indians here, a various train.
With spears and bows, darkened the distant plain;
Drums rolled, and fifes re-echoed shrill and clear,
At intervals, as near and yet more near,
While flags and intermingled halberds shine,
The long battalion drew its passing line.
Last rolled the heavy guns, a sable tier,
By Indians drawn, with matchmen in the rear;
And many a straggling mule and sumpter-train
Closed the embattled order on the plain,
Till nought beneath the azure sky appears
But the projecting points of scarce-discovered spears,
Slow up the hill, with floating vapours hoar,
Or by the blue lake's long retiring shore,
Now seen distinct, through the disparting haze,
The glittering file its bannered length displays;
Now winding from the woods, again appears
The moving line of matchlocks and of spears.
Part seen, part lost; the long illustrious march
Circling the swamp, now draws its various arch;
And seems, as on it moves, meandering slow,
A radiant segment of a living bow.
Five days the Spaniards, trooping in array,
O'er plains and headlands, held their eastern way.
On the sixth early dawn, with shuddering awe
And horror, in the last defile they saw
Ten pendent heads, from which the gore still run,
All gashed, and grim, and blackening in the sun.
These were the gallant troop that passed before,
The Indians' vast encampment to explore,
Led by Del Oro, now with many a wound
Pierced, and a headless trunk upon the ground.
The horses startled, as they tramped in blood;
The troops a moment half-recoiling stood.
But boots not now to pause, or to retire;
Valdivia's eye flashed with indignant fire:
Follow! he cried, brave comrades, to the hill!
And instant shouts the pealing valley fill.
And now, up to the hill's ascending crest,
With animated look and beating breast,
He urged his steed; when, wide beneath his eye,
He saw, in long expanse, Arauco's valley lie.
Far as the labouring sight could stretch its glance,
One undulating mass of club and lance,
One animated surface seemed to fill
The many-stirring scene from hill to hill:
To the deep mass he pointed with his sword,
Banner, advance! give out 'Castile!' the word.
Instant the files advance, the trumpets bray,
And now the host in terrible array,
Ranged on the heights that overlook the plain,
Has halted!
But the task were long and vain
To tell what nations, from the seas that roar
Round Patagonia's melancholy shore;
From forests, brown with everlasting shades;
From rocks of sunshine, white with prone cascades;
From snowy summits, where the Llama roams,
Oft bending o'er the cataract as it foams;
From streams whose bridges tremble from the steep;
From lakes, in summer's sweetest light asleep;
Indians, of sullen brow and giant limb,
With clubs terrific, and with aspects grim,
Flocked fearless.
When they saw the Spanish line
Arrayed, and front to front, descending shine,
Burst, instant burst, the universal cry,
(Ten thousand spears uplifted to the sky)--
Tyrants, we come to conquer or to die!
Grim Mariantu led the Indian force
A-left; and, rushing to the foremost horse,
Hurled with unerring aim the involving thong,
Then fearless sprang amidst the mailed throng.
Valdivia saw the horse, entangled, reel,
And shouting, as he rode, Castile! Castile!
Led on the charge: like a descending flood,
It swept, till every spur was black with blood.
His force a-right, where Harratomac led,
A thousand spears went hissing overhead,
And feathered arrows, of each varying hue,
In glancing arch, beneath the sunbeams flew.
Dire was the strife, when ardent Teucapel
Advancing in the front of carnage fell.
At once, Ongolmo, Elicura, rushed,
And swaying their huge clubs together, crushed
Horseman and horse; then bathed their hands in gore,
And limb from limb the panting carcase tore.
Caupolican, where the main battle bleeds,
Hosts and succeeding hosts undaunted leads,
Till, torn and shattered by the ceaseless fire,
Thousands, with gnashing teeth, and clenched spears, expire.
Pierced by a hundred wounds, Ongolmo lies,
And grasps his club terrific as he dies.
With breathless expectation, on the height,
Lautaro watched the long and dubious fight:
Pale and resigned the meek man stood, and pressed
More close the holy image to his breast.
Now nearer to the fight Lautaro drew,
When on the ground a warrior met his view,
Upon whose features memory seemed to trace
A faint resemblance of his father's face;
O'er him a horseman, with collected might,
Raised his uplifted sword, in act to smite,
When the youth springing on, without a word,
Snatched from a soldier's wearied grasp his sword,
And smote the horseman through the crest: a yell
Of triumph burst, as to the ground he fell.
Lautaro shouted, On! brave brothers, on!
Scatter them like the snow!--the day is won!
Lo, I! Lautaro,--Attacapac's son!
The Indians turn: again the battle bleeds,
Cleft are the helms and crushed the struggling steeds.
The bugle sounds, and faint with toil and heat,
Some straggling horsemen to the hills retreat.
Stand, brave companions! bold Valdivia cried,
And shook his sword, in recent carnage dyed;
Oh! droop not--droop not yet--all is not o'er--
Brave, faithful friends, one glorious sally more.
Where is Lautaro! leaps his willing sword
Now to avenge his long-indulgent lord!
He waited not for answer, but again
Spurred to the centre of the horrid plain.
Clubs, arrows, spears, the spot of death inclose,
And fainter now the Spanish shouts arose.
'Mid ghastly heaps of many a bleeding corse,
Lies the caparisoned and dying horse.
While still the rushing multitudes assail,
Vain is the fiery tube, the twisted mail!
The Spanish horsemen faint; long yells resound,
As the dragged ensign trails the gory ground:
Shout, for the chief is seized!--a thousand cries
Burst forth--Valdivia! for the sacrifice!
And lo, in silent dignity resigned,
The meek Anselmo, led in bonds, behind!
His hand upon his breast, young Zarinel
Amidst a group of mangled Indians fell;
The spear that to his heart a passage found
Left poor Olola's hair within the wound.
Now all is hushed, save where, at times, alone,
Deep midnight listens to a distant moan;
Save where the condors clamour, overhead,
And strike with sounding beaks the helmets of the dead.
poem by William Lisle Bowles
Submitted by Poetry Lover
Vote! | Copy!
The Apollyonists - Canto 1
I
Of men, nay beasts; worse, monsters; worst of all,
Incarnate fiends, English Italianate;
Of priests, O no! mass-priests, priests-cannibal,
Who make their Maker, chew, grind, feed, grow fat
With flesh divine; of that great city's fall,
Which born, nursed, grown with blood, the earth's empress sat,
Cleansed, spoused to Christ, yet back to whoredom fell,
None can enough, something I fain would tell.
How black are quenched lights! Fallen heaven's a double hell.
II.
Great Lord, who graspest all creatures in Thy hand,
Who in Thy lap layest down proud Thetis' head,
And bindest her white curled locks in cauls of sand,
Who gatherest in Thy fist and layest in bed
The sturdy winds, who groundest the floating land
On fleeting seas, and over all hast spread
Heaven's brooding wings to foster all below,
Who makest the sun without all fire to glow,
The spring of heat and light, the moon to ebb and flow,
III.
Thou world's sole Pilot, who in this poor isle
(So small a bottom) hast embarked Thy light,
And glorious Self and steerest it safe, the while
Hoarse drumming seas and winds' loud trumpets fight,
Who causest stormy heavens here only smile,
Steer me, poor ship-boy, steer my course aright;
Breathe, gracious Spirit, breathe gently on these lays;
Be Thou my compass, needle to my ways;
Thy glorious work's my freight; my haven is Thy praise.
IV.
Thou purple whore, mounted on scarlet beast,
Gorged with the flesh, drunk with the blood of saints,
Whose amorous golden cup and charmed feast
All earthly kings, all earthly men attaints,
See thy live pictures, see thine own, thy best,
Thy dearest sons, and cheer thy heart that faints.
Hark! thou saved island, hark! and never cease
To praise that hand which held thy head in peace;
Else hadst thou swum as deep in blood as now in seas.
V.
The cloudy night came whirling up the sky
And scatt'ring round the dews, which first she drew
From milky poppies, loads and drowsy eye.
The wat'ry moon, cold Vesper, and his crew
Light up their tapers; to the sun they fly
And at his blazing flame their sparks renew.
Oh, why should earthly lights then scorn to tine
Their lamps alone at the first Sun divine?
Hence as false as falling stars, as rotton wood, they shine.
VI.
Her sable mantle was embroidered gay
With silver beams, with spangles round beset;
Four steeds her chariot drew: the first was gray,
The second blue, third brown, fourth black as jet.
The hollowing owl, her post, prepares the way;
And winged dreams, as gnat swarms flutt'ring, let
Sad sleep, who fain his eyes in rest would steep.
Why then at death do weary mortals weep?
Sleep's but a shorter death; death's but a longer sleep.
VII.
And now the world, and dreams themselves were drowned
In deadly sleep; the laborer snorteth fast,
His brawny arms unbent, his limbs unbound,
As dead, forget all toil to come, or past;
Only sad guilt and troubled greatness, crowned
With heavy gold and care, no rest can taste.
Go then, vain man, go pill the live and dead,
Buy, sell, fawn, flatter, rise, then couch thy head
In proud, but dangerous gold, in silk, but restless bed.
VIII.
When lo! a sudden noise breaks the empty air:
A dreadful noise, which every creature daunts,
Frights home the blood, shoots up the limber hair;
For through the silent heaven hell's pursuivants,
Cutting their way, command foul spirits repair
With haste to Pluto, who their counsel wants.
Their hoarse bass-horns like fenny bitterns sound;
The earth shakes, dogs howl, and heaven itself, astound,
Shuts all his eyes; the stars in clouds their candles drowned.
IX.
Meantime, hell's iron gates by fiends beneath
Are open flung, which framed with wondrous art
To every guilty soul yields entrance eath;
But never wight but He could thence depart,
Who dying once, was death to endless death.
So where the liver's channel to the heart
Pays purple tribute, with their three-forked mace
Three Tritons stand and speed his flowing race,
But stop the ebbing stream if once it back would pace.
X.
The porter to the infernal gate is Sin,
A shapeless shape, a foul deformed thing,
Nor nothing, nor a substance, as those thin
And empty forms which through the air fling
Their wandering shapes, at length they're fastened in
The crystal sight. It serves, yet reigns as king;
It lives, yet's death; it pleases, full of pain;
Monster! ah, who, who can thy being feign?
Thou shapeless shape, live death, pain pleasing, servile reign!
XI.
Of that first woman and the old serpent bred,
By lust and custom nursed, whom when her mother
Saw so deformed, how fain would she have fled
Her birth, and self! But she her dam would smother,
And all her brood, had not He rescued
Who was His mother's sire, His children's brother:
Eternity, who yet was born and died;
His own creator, earth's scorn, heaven's pride,
Who the Deity infleshed, and man's flesh deified.
XII.
Her former parts her mother seems resemble,
Yet only seems to flesh and weaker sight,
For she with art and paint could fine dissemble
Her loathsome face. Her back parts, black as night,
Like to her horrid sire, would force to tremble
The boldest heart. To the eye that meets her right
She seems a lovely sweet, of beauty rare;
But at the parting, he that shall compare,
Hell will more lovely deem, the devil's self more fair.
XIII.
Her rosy cheek, quick eye, her naked breast,
And whatsoe'er loose fancy might entice,
She bare exposed to sight, all lovely dressed
In beauty's livery and quaint device.
Thus she bewitches many a boy unblest,
Who drenched in hell, dreams of all paradise:
Her breasts, his spheres; her arms, his circling sky;
Her pleasures, heaven; her love, eternity.
For her he longs to live; with her he longs to die.
XIV.
But He that gave a stone power to descry
'Twixt natures hid, and check that metal's pride
That dares aspire to gold's fair purity,
Hath left a touchstone erring eyes to guide,
Which clears their sight and strips hypocrisy.
They see, they loathe, they curse her painted hide;
Her as a crawling carrion they esteem;
Her worst of ills, and worse than that, they deem,
Yet know her worse than they can think, or she can seem.
XV.
Close by her sat Despair, sad ghastly sprite,
With staring looks, unmoved, fast nailed to Sin;
Her body all of earth, her soul of fright,
About her thousand deaths, but more within;
Pale, pined cheeks, black hair, torn, rudely dight,
Short breath, long nails, dull eyes, sharp-pointed chin;
Light, life, heaven, earth, herself, and all she fled.
Fain would she die, but could not; yet half dead,
A breathing corse she seemed, wrapped up in living lead.
XVI.
In the entrance Sickness and faint Languor dwelt,
Who with sad groans toll out their passing knell,
Late fear, fright, horror that already felt
The torturer's claws, preventing death and hell.
Within loud Grief and roaring Pangs that swelt
In sulphur flames, did weep and howl and yell.
A thousand souls in endless dolors lie,
Who burn, fry, hiss, and never cease to cry,
'Oh, that I ne'er had lived; oh, that I once could die!'
XVII.
And now the infernal powers through the air driving,
For speed their leather pinions broad display;
Now at eternal death's wide gate arriving,
Sin gives them passage; still they cut their way
Till to the bottom of hell's palace diving,
They enter Dis' deep conclave. There they stay,
Waiting the rest, and now they all are set,
The horrid court, big swoll'n with the hideous council sweat.
XVIII.
The midst, but lowest (in hell's heraldry
The deepest is the highest room) in state
Sat lordly Lucifer; his fiery eye,
Much swoll'n with pride, but more with rage and hate,
As censor mustered all his company,
Who round about with awful silence sate.
This do, this let rebellious spirits gain,
Change God for Satan, heaven's for hell's sovereign:
O let him serve in hell, who scorns in heaven to reign!
XIX.
Ah, wretch! who with ambitious cares oppressed,
Longest still for future, feelest no present good;
Despising to be better, wouldst be best,
Good never; who wilt serve thy lusting mood,
Yet all command : not he who raised his crest,
But pulled it down, hath high and formly stood.
Fool! serve thy towering lusts, grow still, still, crave,
Rule, reign; this comfort from thy greatness have,
Now at thy top thou art a great commanding slave.
XX.
Thus fell this Prince of Darkness, once a bright
And glorious star; he willful turned away
His borrowed glove from that eternal light;
Himself he sought, so lost himself: his ray
Vanished to smoke, his morning sunk in night,
And never more shall see the springing day.
To be in heaven the second he disdains;
So now the first in hell and flames he reigns,
Crowned once with joy and light, crowned now with fire and pains.
XXI.
As where the warlike Dane the scepter sways,
They crown usurpers with a wreath of lead,
And with hot steel, while loud the traitor brays,
They melt and drop it down into his head,-
Crowned he would live, and crowned he ends his days;
All so in heaven's courts his traitor sped,
Who now, when he had overlooked his train,
Rising upon his throne, with bitter strain
Thus 'gan to whet their rage and chide their frustrate pain.
XXII.
'See, see, you Spirits (I know not whether more
Hated, or hating heaven) ah! see the earth
Smiling in quiet peace and plenteous store.
Men fearless live in ease, in love, and mirth;
Where arms did rage, the drum and cannon roar;
Where hate, strife, envy reigned, and meager dearth,
Now lutes and viols charm the ravished ear;
Men plow with swords; horse-heels their armors wear;
Ah! shortly scarce they'll know what war and armors were.
XXIII.
'Under their sprouting vines they sporting sit.
The old tell of evils past; youth laugh and play
And to their wanton heads sweet garlands fit,
Roses with lilies, myrtles weaved with bay.
The world's at rest; Erinny's, forced to quit
Her strongest holds, from earth is driven away.
Even Turks forget their empire to increase;
War's self is slain and whips of Furies cease.
We, we ourselves, I fear, will shortly live in peace.
XXIV.
'Meantime (I burn, I broil, I burst with spite)
In midst of peace that sharp two-edged sword
Cuts through our darkness, cleaves the misty night,
Discovers all our snares; that sacred word,
Locked up by Rome, breaks prison, spreads the light,
Speaks every tongue, paints, and points out the Lord,
His birth, life, death, and cross; our gilded stocks,
Our laymen's books, the boy and woman mocks;
They laugh, they fleer, and say, 'Blocks teach and worship blocks.'
XXV.
'Springtides of light divine the air surround
And bring down heaven to earth; deaf Ignorance,
Vexed with the day, her head in hell hath drowned;
Fond Superstition, frighted with the glance
Of sudden beams, in vain hath crossed her round;
Truth and Religion everywhere advance
Their conquering standards; Error's lost and fled;
Earth burns in love to Heaven; Heaven yields her bed
To earth, and common grown, smiles to be ravished.
XXVI.
'That little swimming isle above the rest,
Spite of our spite and all our plots, remains
And grows in happiness: but late our nest,
Where we and Rome, and blood, and all our trains,
Monks, nuns, dead and alive idols, safe did rest.
Now there, next the oath of God, that wrestler reigns,
Who fills the land and world with peace; his spear
Is but a pen, with which he down doth bear
Blind ignorance, false gods, and superstitious fear.
XXVII.
'There God hath framed another paradise,
Fat olives dropping peace, victorious palms;
Nor in the midst, but everywhere doth rise
That hated tree of life, whose precious balms
Cure every sinful wound, give light to the eyes,
Unlock the ear, recover fainting qualms.
There richly grows what makes a people blest,
A garden planted by Himself and dressed,
Where He Himself doth walk, where He Himself doth rest.
XXVIII.
'There every star sheds his sweet influence
And radiant beams; great, little, old, and new,
Their glittering rays and frequent confluence
The milky path to God's high palace strew;
The unwearied pastors with steeled confidence,
Conquered and conquering, fresh their fight renew.
Our strongest holds that thundering ordinance
Beats down and makes our proudest turrets dance,
Yoking men's iron necks in His sweet governance.
XXIX.
'Nor can the old world content ambitious light;
Virginia, our soil, our seat, and throne,
(To which so long possessions gives us right,
As long as hell's) Virginia's self is gone;
That stormy isle, which the Isle of Devils hight,
Peopled with faith, truth, grace religion.
What's next but hell? That now alone remains,
And that subdued, even here He rules and reigns,
And mortals 'gin to dream of long, but endless pains.
XXX.
'While we, good harmless creatures, sleep or play,
Forget our former loss and following pain,
Earth sweats for heaven, but hell keeps holiday.
Shall we repent, good souls, or shall we plain?
Shall we groan, sigh, weep, mourn, for mercy pray?
Lay down our spite, wash out our sinful stain?
Maybe He'll yield, forget, and use us well,
Forgive, join hands, restore us whence we fell;
Maybe He'll yield us heaven and fall Himself to hell.
XXXI.
'But me, O never let me, Spirits, forget
That glorious day when I your standard bore,
And scorning in the second place to sit,
With you assaulted heaven, His yoke forswore!
My dauntless heart yet longs to bleed and sweat
In such a fray; the more I burn, the more
I hate: should He yet offer grace and ease,
If subject we our arms and spite surcease,
Such offer should I hate, and scorn so base a peace.
XXXII.
'Where are those Spirits? Where that haughty rage
That durst with me invade eternal light?
What! Are our hearts fallen too? Droop we with age?
Can we yet fall from hell and hellish spite?
Can smart our wrath, can grief out hate assuage?
Dare we with heaven, and not with earth to fight?
Your arms, allies, yourselves as strong as ever;
Your foes, their weapons, numbers, weaker never.
For shame, tread down this earth! What wants but your endeavour?
XXXIII.
'Now by yourselves and thunder-daunted arms,
But never-daunted hate, I you implore,
Command, adjure, reinforce your fierce alarms;
Kindle, I pray, who never prayed before,
Kindle your darts, treble repay our harms.
Oh, our short time, too short, stands at the door!
Double your rage; if now we do not ply
We lone in hell, without due company,
And worse, without desert, without revenge shall lie.
XXXIV.
'He, Spirits, (ah, that, that's our main torment!) He
Can feel no wounds, laughs at the sword and dart,
Himself from grief, from suffering wholly free;
His simple nature cannot taste of smart,
Yet in His members we Him grieved see;
For, and in them, He suffers; where His heart
Lies bare and naked, there dart your fiery steel,
Cut, wound, burn, sear, if not the head, the heel.
Let him in every part some pain and torment feel.
XXXV.
'That light comes posting on, that cursed light,
When they as He, all glorious, all divine,
(Their flesh clothed with the sun, and much more bright,
Yet brighter spirits) shall in His image shine,
And see Him as He is; there no despite,
No force, no art their state can undermine:
Full of unmeasured bliss, yet still receiving,
Their souls still childing joy, yet still conceiving,
Delights beyond the wish, beyond quick thoughts perceiving.
XXXVI.
'But we fast pinioned with dark fiery chains,
Shall suffer every ill, but do no more;
The guilty spirit there feels extremest pains,
Yet fears worse than it feels; and finding store
Of present deaths, death's absense sore complains:
Oceans of ills without or ebb, or shore,
A life that ever dies, a death that lives,
And, worst of all, God's absent presence gives
A thousand living woes, a thousand dying griefs.
XXXVII.
'But when he sums his time and turns his eye
First to the past, then future pangs, past days
(And every day's an age of misery)
In torment spent, by thousands down he lays,
Future by millions, yet eternity
Grows nothing less, nor past to come allays.
Through every pang and grief he wild doth run,
And challenge coward death; doth nothing shun
That he may nothing be, does all to be undone.
XXXVIII.
'Oh, let our work equal our wages, let
Our Judge fall short, and when His plagues are spent,
Owe more than He hath paid, live in our debt;
Let heaven want vengeance, hell want punishment
To give our dues; when we with flames beset,
Still dying, live in endless languishment,
This be our comfort: we did get and win
The fires and tortures we are whelmed in;
We have kept pace, outrun His justice with our sin.
XXXIX.
'And now you States of Hell, give your advice,
And to these ruins lend your helping hand.'
This said and ceased; straight humming murmurs rise:
Some chafe, some fret, some sad and thoughtful stand,
Some chat, and some new stratagems devise;
And everyone heaven's stronger powers banned,
And tear for madness their uncombed snakes;
And everyone his fiery weapon shakes,
And everyone expects who first the answer makes.
L.
So when the falling sun hangs o'er the main,
Ready to drop into the western wave
By yellow Cam, where all the Muses reign,
And with their towers his reedy head embrave,
The warlike gnat their flutt'ring armies train;
All have sharp spears, and all shrill trumpets have;
Their files they double, loud their cornets sound,
Now march at length, their troops now gather round;
The banks, the broken noise, and turrets fair rebound.
poem by Phineas Fletcher
Submitted by Poetry Lover
Vote! | Copy!