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Canto the Fourteenth

I
If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss --
But then 't would spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

II
But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

III
For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

IV
A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

V
'T is round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it -- when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns -- you can't gaze a minute
Without an awful wish to plunge within it.

VI
'T is true, you don't -- but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self-confession,
The lurking bias, be it truth or error,
To the unknown; a secret prepossession,
To plunge with all your fear -- but where? You know not,
And that's the reason why you'd -- or do not.

VII
But what's this to the purpose? you will say.
Gent. reader, nothing; a mere speculation,
For which my sole excuse is -- 't is my way;
Sometimes with and sometimes without occasion
I write what's uppermost, without delay:
This narrative is not meant for narration,
But a mere airy and fantastic basis,
To build up common things with common places.

VIII
You know, or don't know, that great Bacon saith,
"Fling up a straw, 't will show the way the wind blows;"
And such a straw, borne on by human breath,
Is poesy, according as the mind glows;
A paper kite which flies 'twixt life and death,
A shadow which the onward soul behind throws:
And mine's a bubble, not blown up for praise,
But just to play with, as an infant plays.

IX
The world is all before me -- or behind;
For I have seen a portion of that same,
And quite enough for me to keep in mind; --
Of passions, too, I have proved enough to blame,
To the great pleasure of our friends, mankind,
Who like to mix some slight alloy with fame;
For I was rather famous in my time,
Until I fairly knock'd it up with rhyme.

X
I have brought this world about my ears, and eke
The other; that's to say, the clergy, who
Upon my head have bid their thunders break
In pious libels by no means a few.
And yet I can't help scribbling once a week,
Tiring old readers, nor discovering new.
In youth I wrote because my mind was full,
And now because I feel it growing dull.

XI
But "why then publish?" -- There are no rewards
Of fame or profit when the world grows weary.
I ask in turn -- Why do you play at cards?
Why drink? Why read -- To make some hour less dreary.
It occupies me to turn back regards
On what I've seen or ponder'd, sad or cheery;
And what I write I cast upon the stream,
To swim or sink -- I have had at least my dream.

XII
I think that were I certain of success,
I hardly could compose another line:
So long I've battled either more or less,
That no defeat can drive me from the Nine.
This feeling 't is not easy to express,
And yet 't is not affected, I opine.
In play, there are two pleasures for your choosing --
The one is winning, and the other losing.

XIII
Besides, my Muse by no means deals in fiction:
She gathers a repertory of facts,
Of course with some reserve and slight restriction,
But mostly sings of human things and acts --
And that's one cause she meets with contradiction;
For too much truth, at first sight, ne'er attracts;
And were her object only what's call'd glory,
With more ease too she'd tell a different story.

XIV
Love, war, a tempest -- surely there's variety;
Also a seasoning slight of lucubration;
A bird's-eye view, too, of that wild, Society;
A slight glance thrown on men of every station.
If you have nought else, here's at least satiety
Both in performance and in preparation;
And though these lines should only line portmanteaus,
Trade will be all the better for these Cantos.

XV
The portion of this world which I at present
Have taken up to fill the following sermon,
Is one of which there's no description recent.
The reason why is easy to determine:
Although it seems both prominent and pleasant,
There is a sameness in its gems and ermine,
A dull and family likeness through all ages,
Of no great promise for poetic pages.

XVI
With much to excite, there's little to exalt;
Nothing that speaks to all men and all times;
A sort of varnish over every fault;
A kind of common-place, even in their crimes;
Factitious passions, wit without much salt,
A want of that true nature which sublimes
Whate'er it shows with truth; a smooth monotony
Of character, in those at least who have got any.

XVII
Sometimes, indeed, like soldiers off parade,
They break their ranks and gladly leave the drill;
But then the roll-call draws them back afraid,
And they must be or seem what they were: still
Doubtless it is a brilliant masquerade;
But when of the first sight you have had your fill,
It palls -- at least it did so upon me,
This paradise of pleasure and ennui.

XVIII
When we have made our love, and gamed our gaming,
Drest, voted, shone, and, may be, something more;
With dandies dined; heard senators declaiming;
Seen beauties brought to market by the score,
Sad rakes to sadder husbands chastely taming;
There's little left but to be bored or bore.
Witness those ci-devant jeunes hommes who stem
The stream, nor leave the world which leaveth them.

XIX
'T is said -- indeed a general complaint --
That no one has succeeded in describing
The monde, exactly as they ought to paint:
Some say, that authors only snatch, by bribing
The porter, some slight scandals strange and quaint,
To furnish matter for their moral gibing;
And that their books have but one style in common --
My lady's prattle, filter'd through her woman.

XX
But this can't well be true, just now; for writers
Are grown of the beau monde a part potential:
I've seen them balance even the scale with fighters,
Especially when young, for that's essential.
Why do their sketches fail them as inditers
Of what they deem themselves most consequential,
The real portrait of the highest tribe?
'T is that, in fact, there's little to describe.

XXI
"Haud ignara loquor;" these are Nugae, "quarum
Pars parva fui," but still art and part.
Now I could much more easily sketch a harem,
A battle, wreck, or history of the heart,
Than these things; and besides, I wish to spare 'em,
For reasons which I choose to keep apart.
"Vetabo Cereris sacrum qui vulgarit --"
Which means that vulgar people must not share it.

XXII
And therefore what I throw off is ideal --
Lower'd, leaven'd, like a history of freemasons;
Which bears the same relation to the real,
As Captain Parry's voyage may do to Jason's.
The grand arcanum's not for men to see all;
My music has some mystic diapasons;
And there is much which could not be appreciated
In any manner by the uninitiated.

XXIII
Alas! worlds fall -- and woman, since she fell'd
The world (as, since that history less polite
Than true, hath been a creed so strictly held)
Has not yet given up the practice quite.
Poor thing of usages! coerced, compell'd,
Victim when wrong, and martyr oft when right,
Condemn'd to child-bed, as men for their sins
Have shaving too entail'd upon their chins, --

XXIV
A daily plague, which in the aggregate
May average on the whole with parturition.
But as to women, who can penetrate
The real sufferings of their she condition?
Man's very sympathy with their estate
Has much of selfishness, and more suspicion.
Their love, their virtue, beauty, education,
But form good housekeepers, to breed a nation.

XXV
All this were very well, and can't be better;
But even this is difficult, Heaven knows,
So many troubles from her birth beset her,
Such small distinction between friends and foes,
The gilding wears so soon from off her fetter,
That -- but ask any woman if she'd choose
(Take her at thirty, that is) to have been
Female or male? a schoolboy or a queen?

XXVI
"Petticoat influence" is a great reproach,
Which even those who obey would fain be thought
To fly from, as from hungry pikes a roach;
But since beneath it upon earth we are brought,
By various joltings of life's hackney coach,
I for one venerate a petticoat --
A garment of a mystical sublimity,
No matter whether russet, silk, or dimity.

XXVII
Much I respect, and much I have adored,
In my young days, that chaste and goodly veil,
Which holds a treasure, like a miser's hoard,
And more attracts by all it doth conceal --
A golden scabbard on a Damasque sword,
A loving letter with a mystic seal,
A cure for grief -- for what can ever rankle
Before a petticoat and peeping ankle?

XXVIII
And when upon a silent, sullen day,
With a sirocco, for example, blowing,
When even the sea looks dim with all its spray,
And sulkily the river's ripple's flowing,
And the sky shows that very ancient gray,
The sober, sad antithesis to glowing, --
'T is pleasant, if then any thing is pleasant,
To catch a glimpse even of a pretty peasant.

XXIX
We left our heroes and our heroines
In that fair clime which don't depend on climate,
Quite independent of the Zodiac's signs,
Though certainly more difficult to rhyme at,
Because the sun, and stars, and aught that shines,
Mountains, and all we can be most sublime at,
Are there oft dull and dreary as a dun --
Whether a sky's or tradesman's is all one.

XXX
An in-door life is less poetical;
And out of door hath showers, and mists, and sleet,
With which I could not brew a pastoral.
But be it as it may, a bard must meet
All difficulties, whether great or small,
To spoil his undertaking or complete,
And work away like spirit upon matter,
Embarrass'd somewhat both with fire and water.

XXXI
Juan -- in this respect, at least, like saints --
Was all things unto people of all sorts,
And lived contentedly, without complaints,
In camps, in ships, in cottages, or courts --
Born with that happy soul which seldom faints,
And mingling modestly in toils or sports.
He likewise could be most things to all women,
Without the coxcombry of certain she men.

XXXII
A fox-hunt to a foreigner is strange;
'T is also subject to the double danger
Of tumbling first, and having in exchange
Some pleasant jesting at the awkward stranger:
But Juan had been early taught to range
The wilds, as doth an Arab turn'd avenger,
So that his horse, or charger, hunter, hack,
Knew that he had a rider on his back.

XXXIII
And now in this new field, with some applause,
He clear'd hedge, ditch, and double post, and rail,
And never craned, and made but few "faux pas,"
And only fretted when the scent 'gan fail.
He broke, 't is true, some statutes of the laws
Of hunting -- for the sagest youth is frail;
Rode o'er the hounds, it may be, now and then,
And once o'er several country gentlemen.

XXXIV
But on the whole, to general admiration
He acquitted both himself and horse: the squires
Marvell'd at merit of another nation;
The boors cried "Dang it? who'd have thought it?" -- Sires,
The Nestors of the sporting generation,
Swore praises, and recall'd their former fires;
The huntsman's self relented to a grin,
And rated him almost a whipper-in.

XXXV
Such were his trophies -- not of spear and shield,
But leaps, and bursts, and sometimes foxes' brushes;
Yet I must own -- although in this I yield
To patriot sympathy a Briton's blushes, --
He thought at heart like courtly Chesterfield,
Who, after a long chase o'er hills, dales, bushes,
And what not, though he rode beyond all price,
Ask'd next day, "If men ever hunted twice?"

XXXVI
He also had a quality uncommon
To early risers after a long chase,
Who wake in winter ere the cock can summon
December's drowsy day to his dull race, --
A quality agreeable to woman,
When her soft, liquid words run on apace,
Who likes a listener, whether saint or sinner, --
He did not fall asleep just after dinner;

XXXVII
But, light and airy, stood on the alert,
And shone in the best part of dialogue,
By humouring always what they might assert,
And listening to the topics most in vogue;
Now grave, now gay, but never dull or pert;
And smiling but in secret -- cunning rogue!
He ne'er presumed to make an error clearer; --
In short, there never was a better hearer.

XXXVIII
And then he danced -- all foreigners excel
The serious Angles in the eloquence
Of pantomime -- he danced, I say, right well,
With emphasis, and also with good sense --
A thing in footing indispensable;
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.

XXXIX
Chaste were his steps, each kept within due bound,
And elegance was sprinkled o'er his figure;
Like swift Camilla, he scarce skimm'd the ground,
And rather held in than put forth his vigour;
And then he had an ear for music's sound,
Which might defy a crotchet critic's rigour.
Such classic pas -- sans flaw -- set off our hero,
He glanced like a personified Bolero;

XL
Or, like a flying Hour before Aurora,
In Guido's famous fresco which alone
Is worth a tour to Rome, although no more a
Remnant were there of the old world's sole throne.
The tout ensemble of his movements wore a
Grace of the soft ideal, seldom shown,
And ne'er to be described; for to the dolour
Of bards and prosers, words are void of colour.

XLI
No marvel then he was a favourite;
A full-grown Cupid, very much admired;
A little spoilt, but by no means so quite;
At least he kept his vanity retired.
Such was his tact, he could alike delight
The chaste, and those who are not so much inspired.
The Duchess of Fitz-Fulke, who loved tracasserie,
Began to treat him with some small agacerie.

XLII
She was a fine and somewhat full-blown blonde,
Desirable, distinguish'd, celebrated
For several winters in the grand, grand monde.
I'd rather not say what might be related
Of her exploits, for this were ticklish ground;
Besides there might be falsehood in what's stated:
Her late performance had been a dead set
At Lord Augustus Fitz-Plantagenet.

XLIII
This noble personage began to look
A little black upon this new flirtation;
But such small licences must lovers brook,
Mere freedoms of the female corporation.
Woe to the man who ventures a rebuke!
'T will but precipitate a situation
Extremely disagreeable, but common
To calculators when they count on woman.

XLIV
The circle smiled, then whisper'd, and then sneer'd;
The Misses bridled, and the matrons frown'd;
Some hoped things might not turn out as they fear'd;
Some would not deem such women could be found;
Some ne'er believed one half of what they heard;
Some look'd perplex'd, and others look'd profound;
And several pitied with sincere regret
Poor Lord Augustus Fitz-Plantagenet.

XLV
But what is odd, none ever named the duke,
Who, one might think, was something in the affair;
True, he was absent, and, 't was rumour'd, took
But small concern about the when, or where,
Or what his consort did: if he could brook
Her gaieties, none had a right to stare:
Theirs was that best of unions, past all doubt,
Which never meets, and therefore can't fall out.

XLVI
But, oh! that I should ever pen so sad a line!
Fired with an abstract love of virtue, she,
My Dian of the Ephesians, Lady Adeline,
Began to think the duchess' conduct free;
Regretting much that she had chosen so bad a line,
And waxing chiller in her courtesy,
Look'd grave and pale to see her friend's fragility,
For which most friends reserve their sensibility.

XLVII
There's nought in this bad world like sympathy:
'T is so becoming to the soul and face,
Sets to soft music the harmonious sigh,
And robes sweet friendship in a Brussels lace.
Without a friend, what were humanity,
To hunt our errors up with a good grace?
Consoling us with -- "Would you had thought twice!
Ah, if you had but follow'd my advice!"

XLVIII
O Job! you had two friends: one's quite enough,
Especially when we are ill at ease;
They are but bad pilots when the weather's rough,
Doctors less famous for their cures than fees.
Let no man grumble when his friends fall off,
As they will do like leaves at the first breeze:
When your affairs come round, one way or t' other,
Go to the coffee-house, and take another.

XLIX
But this is not my maxim: had it been,
Some heart-aches had been spared me: yet I care not --
I would not be a tortoise in his screen
Of stubborn shell, which waves and weather wear not.
'T is better on the whole to have felt and seen
That which humanity may bear, or bear not:
'T will teach discernment to the sensitive,
And not to pour their ocean in a sieve.

L
Of all the horrid, hideous notes of woe,
Sadder than owl-songs or the midnight blast,
Is that portentous phrase, "I told you so,"
Utter'd by friends, those prophets of the past,
Who, 'stead of saying what you now should do,
Own they foresaw that you would fall at last,
And solace your slight lapse 'gainst bonos mores,
With a long memorandum of old stories.

LI
The Lady Adeline's serene severity
Was not confined to feeling for her friend,
Whose fame she rather doubted with posterity,
Unless her habits should begin to mend:
But Juan also shared in her austerity,
But mix'd with pity, pure as e'er was penn'd:
His inexperience moved her gentle ruth,
And (as her junior by six weeks) his youth.

LII
These forty days' advantage of her years --
And hers were those which can face calculation,
Boldly referring to the list of peers
And noble births, nor dread the enumeration --
Gave her a right to have maternal fears
For a young gentleman's fit education,
Though she was far from that leap year, whose leap,
In female dates, strikes Time all of a heap.

LIII
This may be fix'd at somewhere before thirty --
Say seven-and-twenty; for I never knew
The strictest in chronology and virtue
Advance beyond, while they could pass for new.
O Time! why dost not pause? Thy scythe, so dirty
With rust, should surely cease to hack and hew.
Reset it; shave more smoothly, also slower,
If but to keep thy credit as a mower.

LIV
But Adeline was far from that ripe age,
Whose ripeness is but bitter at the best:
'T was rather her experience made her sage,
For she had seen the world and stood its test,
As I have said in -- I forget what page;
My Muse despises reference, as you have guess'd
By this time -- but strike six from seven-and-twenty,
And you will find her sum of years in plenty.

LV
At sixteen she came out; presented, vaunted,
She put all coronets into commotion:
At seventeen, too, the world was still enchanted
With the new Venus of their brilliant ocean:
At eighteen, though below her feet still panted
A hecatomb of suitors with devotion,
She had consented to create again
That Adam, call'd "The happiest of men."

LVI
Since then she had sparkled through three glowing winters,
Admired, adored; but also so correct,
That she had puzzled all the acutest hinters,
Without the apparel of being circumspect:
They could not even glean the slightest splinters
From off the marble, which had no defect.
She had also snatch'd a moment since her marriage
To bear a son and heir -- and one miscarriage.

LVII
Fondly the wheeling fire-flies flew around her,
Those little glitterers of the London night;
But none of these possess'd a sting to wound her --
She was a pitch beyond a coxcomb's flight.
Perhaps she wish'd an aspirant profounder;
But whatsoe'er she wish'd, she acted right;
And whether coldness, pride, or virtue dignify
A woman, so she's good, what does it signify?

LVIII
I hate a motive, like a lingering bottle
Which with the landlord makes too long a stand,
Leaving all-claretless the unmoisten'd throttle,
Especially with politics on hand;
I hate it, as I hate a drove of cattle,
Who whirl the dust as simooms whirl the sand;
I hate it, as I hate an argument,
A laureate's ode, or servile peer's "content."

LIX
'T is sad to hack into the roots of things,
They are so much intertwisted with the earth;
So that the branch a goodly verdure flings,
I reck not if an acorn gave it birth.
To trace all actions to their secret springs
Would make indeed some melancholy mirth;
But this is not at present my concern,
And I refer you to wise Oxenstiern.

LX
With the kind view of saving an éclat,
Both to the duchess and diplomatist,
The Lady Adeline, as soon's she saw
That Juan was unlikely to resist
(For foreigners don't know that a faux pas
In England ranks quite on a different list
From those of other lands unblest with juries,
Whose verdict for such sin a certain cure is); --

LXI
The Lady Adeline resolved to take
Such measures as she thought might best impede
The farther progress of this sad mistake.
She thought with some simplicity indeed;
But innocence is bold even at the stake,
And simple in the world, and doth not need
Nor use those palisades by dames erected,
Whose virtue lies in never being detected.

LXII
It was not that she fear'd the very worst:
His Grace was an enduring, married man,
And was not likely all at once to burst
Into a scene, and swell the clients' clan
Of Doctors' Commons: but she dreaded first
The magic of her Grace's talisman,
And next a quarrel (as he seem'd to fret)
With Lord Augustus Fitz-Plantagenet.

LXIII
Her Grace, too, pass'd for being an intrigante,
And somewhat méchante in her amorous sphere;
One of those pretty, precious plagues, which haunt
A lover with caprices soft and dear,
That like to make a quarrel, when they can't
Find one, each day of the delightful year;
Bewitching, torturing, as they freeze or glow,
And -- what is worst of all -- won't let you go:

LXIV
The sort of thing to turn a young man's head,
Or make a Werter of him in the end.
No wonder then a purer soul should dread
This sort of chaste liaison for a friend;
It were much better to be wed or dead,
Than wear a heart a woman loves to rend.
'T is best to pause, and think, ere you rush on,
If that a bonne fortune be really bonne.

LXV
And first, in the o'erflowing of her heart,
Which really knew or thought it knew no guile,
She call'd her husband now and then apart,
And bade him counsel Juan. With a smile
Lord Henry heard her plans of artless art
To wean Don Juan from the siren's wile;
And answer'd, like a statesman or a prophet,
In such guise that she could make nothing of it.

LXVI
Firstly, he said, "he never interfered
In any body's business but the king's:"
Next, that "he never judged from what appear'd,
Without strong reason, of those sort of things:"
Thirdly, that "Juan had more brain than beard,
And was not to be held in leading strings;"
And fourthly, what need hardly be said twice,
"That good but rarely came from good advice."

LXVII
And, therefore, doubtless to approve the truth
Of the last axiom, he advised his spouse
To leave the parties to themselves, forsooth --
At least as far as bienséance allows:
That time would temper Juan's faults of youth;
That young men rarely made monastic vows;
That opposition only more attaches --
But here a messenger brought in despatches:

LXVIII
And being of the council call'd "the Privy,"
Lord Henry walk'd into his cabinet,
To furnish matter for some future Livy
To tell how he reduced the nation's debt;
And if their full contents I do not give ye,
It is because I do not know them yet;
But I shall add them in a brief appendix,
To come between mine epic and its index.

LXIX
But ere he went, he added a slight hint,
Another gentle common-place or two,
Such as are coin'd in conversation's mint,
And pass, for want of better, though not new:
Then broke his packet, to see what was in 't,
And having casually glanced it through,
Retired; and, as went out, calmly kiss'd her,
Less like a young wife than an agéd sister.

LXX
He was a cold, good, honourable man,
Proud of his birth, and proud of every thing;
A goodly spirit for a state divan,
A figure fit to walk before a king;
Tall, stately, form'd to lead the courtly van
On birthdays, glorious with a star and string;
The very model of a chamberlain --
And such I mean to make him when I reign.

LXXI
But there was something wanting on the whole --
I don't know what, and therefore cannot tell --
Which pretty women -- the sweet souls -- call soul.
Certes it was not body; he was well
Proportion'd, as a poplar or a pole,
A handsome man, that human miracle;
And in each circumstance of love or war
Had still preserved his perpendicular.

LXXII
Still there was something wanting, as I 've said --
That undefinable "Je ne sçais quoi,"
Which, for what I know, may of yore have led
To Homer's Iliad, since it drew to Troy
The Greek Eve, Helen, from the Spartan's bed;
Though on the whole, no doubt, the Dardan boy
Was much inferior to King Menelaüs: --
But thus it is some women will betray us.

LXXIII
There is an awkward thing which much perplexes,
Unless like wise Tiresias we had proved
By turns the difference of the several sexes;
Neither can show quite how they would be loved.
The sensual for a short time but connects us,
The sentimental boasts to be unmoved;
But both together form a kind of centaur,
Upon whose back 't is better not to venture.

LXXIV
A something all-sufficient for the heart
Is that for which the sex are always seeking:
But how to fill up that same vacant part?
There lies the rub -- and this they are but weak in.
Frail mariners afloat without a chart,
They run before the wind through high seas breaking;
And when they have made the shore through every shock,
'T is odd, or odds, it may turn out a rock.

LXXV
There is a flower call'd "Love in Idleness,"
For which see Shakspeare's everblooming garden; --
I will not make his great description less,
And beg his British godship's humble pardon,
If in my extremity of rhyme's distress,
I touch a single leaf where he is warden; --
But though the flower is different, with the French
Or Swiss Rousseau, cry "Voilà la Pervenche!"

LXXVI
Eureka! I have found it! What I mean
To say is, not that love is idleness,
But that in love such idleness has been
An accessory, as I have cause to guess.
Hard labour's an indifferent go-between;
Your men of business are not apt to express
Much passion, since the merchant-ship, the Argo,
Convey'd Medea as her supercargo.

LXXVII
"Beatus ille procul!" from "negotiis,"
Saith Horace; the great little poet's wrong;
His other maxim, "Noscitur a sociis,"
Is much more to the purpose of his song;
Though even that were sometimes too ferocious,
Unless good company be kept too long;
But, in his teeth, whate'er their state or station,
Thrice happy they who have an occupation!

LXXVIII
Adam exchanged his Paradise for ploughing,
Eve made up millinery with fig leaves --
The earliest knowledge from the tree so knowing,
As far as I know, that the church receives:
And since that time it need not cost much showing,
That many of the ills o'er which man grieves,
And still more women, spring from not employing
Some hours to make the remnant worth enjoying.

LXXIX
And hence high life is oft a dreary void,
A rack of pleasures, where we must invent
A something wherewithal to be annoy'd.
Bards may sing what they please about Content;
Contented, when translated, means but cloy'd;
And hence arise the woes of sentiment,
Blue devils, and blue-stockings, and romances
Reduced to practice, and perform'd like dances.

LXXX
I do declare, upon an affidavit,
Romances I ne'er read like those I have seen;
Nor, if unto the world I ever gave it,
Would some believe that such a tale had been:
But such intent I never had, nor have it;
Some truths are better kept behind a screen,
Especially when they would look like lies;
I therefore deal in generalities.

LXXXI
"An oyster may be cross'd in love" -- and why?
Because he mopeth idly in his shell,
And heaves a lonely subterraqueous sigh,
Much as a monk may do within his cell:
And à-propos of monks, their piety
With sloth hath found it difficult to dwell;
Those vegetables of the Catholic creed
Are apt exceedingly to run to seed.

LXXXII
O Wilberforce! thou man of black renown,
Whose merit none enough can sing or say,
Thou hast struck one immense Colossus down,
Thou moral Washington of Africa!
But there's another little thing, I own,
Which you should perpetrate some summer's day,
And set the other half of earth to rights;
You have freed the blacks -- now pray shut up the whites.

LXXXIII
Shut up the bald-coot bully Alexander!
Ship off the Holy Three to Senegal;
Teach them that "sauce for goose is sauce for gander,"
And ask them how they like to be in thrall?
Shut up each high heroic salamander,
Who eats fire gratis (since the pay's but small);
Shut up -- no, not the King, but the Pavilion,
Or else 't will cost us all another million.

LXXXIV
Shut up the world at large, let Bedlam out;
And you will be perhaps surprised to find
All things pursue exactly the same route,
As now with those of soi-disant sound mind.
This I could prove beyond a single doubt,
Were there a jot of sense among mankind;
But till that point d'appui is found, alas!
Like Archimedes, I leave earth as 't was.

LXXXV
Our gentle Adeline had one defect --
Her heart was vacant, though a splendid mansion;
Her conduct had been perfectly correct,
As she had seen nought claiming its expansion.
A wavering spirit may be easier wreck'd,
Because 't is frailer, doubtless, than a stanch one;
But when the latter works its own undoing,
Its inner crash is like an earthquake's ruin.

LXXXVI
She loved her lord, or thought so; but that love
Cost her an effort, which is a sad toil,
The stone of Sisyphus, if once we move
Our feelings 'gainst the nature of the soil.
She had nothing to complain of, or reprove,
No bickerings, no connubial turmoil:
Their union was a model to behold,
Serene and noble -- conjugal, but cold.

LXXXVII
There was no great disparity of years,
Though much in temper; but they never clash'd:
They moved like stars united in their spheres,
Or like the Rhone by Leman's waters wash'd,
Where mingled and yet separate appears
The river from the lake, all bluely dash'd
Through the serene and placid glassy deep,
Which fain would lull its river-child to sleep.

LXXXVIII
Now when she once had ta'en an interest
In any thing, however she might flatter
Herself that her intentions were the best,
Intense intentions are a dangerous matter:
Impressions were much stronger than she guess'd,
And gather'd as they run like growing water
Upon her mind; the more so, as her breast
Was not at first too readily impress'd.

LXXXIX
But when it was, she had that lurking demon
Of double nature, and thus doubly named --
Firmness yclept in heroes, kings, and seamen,
That is, when they succeed; but greatly blamed
As obstinacy, both in men and women,
Whene'er their triumph pales, or star is tamed: --
And 't will perplex the casuist in morality
To fix the due bounds of this dangerous quality.

XC
Had Buonaparte won at Waterloo,
It had been firmness; now 't is pertinacity:
Must the event decide between the two?
I leave it to your people of sagacity
To draw the line between the false and true,
If such can e'er be drawn by man's capacity:
My business is with Lady Adeline,
Who in her way too was a heroine.

XCI
She knew not her own heart; then how should I?
I think not she was then in love with Juan:
If so, she would have had the strength to fly
The wild sensation, unto her a new one:
She merely felt a common sympathy
(I will not say it was a false or true one)
In him, because she thought he was in danger, --
Her husband's friend, her own, young, and a stranger,

XCII
She was, or thought she was, his friend -- and this
Without the farce of friendship, or romance
Of Platonism, which leads so oft amiss
Ladies who have studied friendship but in France,
Or Germany, where people purely kiss.
To thus much Adeline would not advance;
But of such friendship as man's may to man be
She was as capable as woman can be.

XCIII
No doubt the secret influence of the sex
Will there, as also in the ties of blood,
An innocent predominance annex,
And tune the concord to a finer mood.
If free from passion, which all friendship checks,
And your true feelings fully understood,
No friend like to a woman earth discovers,
So that you have not been nor will be lovers.

XCIV
Love bears within its breast the very germ
Of change; and how should this be otherwise?
That violent things more quickly find a term
Is shown through nature's whole analogies;
And how should the most fierce of all be firm?
Would you have endless lightning in the skies?
Methinks Love's very title says enough:
How should "the tender passion" e'er be tough?

XCV
Alas! by all experience, seldom yet
(I merely quote what I have heard from many)
Had lovers not some reason to regret
The passion which made Solomon a zany.
I've also seen some wives (not to forget
The marriage state, the best or worst of any)
Who were the very paragons of wives,
Yet made the misery of at least two lives.

XCVI
I've also seen some female friends ('t is odd,
But true -- as, if expedient, I could prove)
That faithful were through thick and thin, abroad,
At home, far more than ever yet was Love --
Who did not quit me when Oppression trod
Upon me; whom no scandal could remove;
Who fought, and fight, in absence, too, my battles,
Despite the snake Society's loud rattles.

XCVII
Whether Don Juan and chaste Adeline
Grew friends in this or any other sense,
Will be discuss'd hereafter, I opine:
At present I am glad of a pretence
To leave them hovering, as the effect is fine,
And keeps the atrocious reader in suspense;
The surest way for ladies and for books
To bait their tender, or their tenter, hooks.

XCVIII
Whether they rode, or walk'd, or studied Spanish
To read Don Quixote in the original,
A pleasure before which all others vanish;
Whether their talk was of the kind call'd "small,"
Or serious, are the topics I must banish
To the next Canto; where perhaps I shall
Say something to the purpose, and display
Considerable talent in my way.

XCIX
Above all, I beg all men to forbear
Anticipating aught about the matter:
They'll only make mistakes about the fair,
And Juan too, especially the latter.
And I shall take a much more serious air
Than I have yet done, in this epic satire.
It is not clear that Adeline and Juan
Will fall; but if they do, 't will be their ruin.

C
But great things spring from little -- Would you think,
That in our youth, as dangerous a passion
As e'er brought man and woman to the brink
Of ruin, rose from such a slight occasion,
As few would ever dream could form the link
Of such a sentimental situation?
You'll never guess, I'll bet you millions, milliards --
It all sprung from a harmless game at billiards.

CI
'T is strange -- but true; for truth is always strange;
Stranger than fiction; if it could be told,
How much would novels gain by the exchange!
How differently the world would men behold!
How oft would vice and virtue places change!
The new world would be nothing to the old,
If some Columbus of the moral seas
Would show mankind their souls' antipodes.

CII
What "antres vast and deserts idle" then
Would be discover'd in the human soul!
What icebergs in the hearts of mighty men,
With self-love in the centre as their pole!
What Anthropophagi are nine of ten
Of those who hold the kingdoms in control
Were things but only call'd by their right name,
Cæsar himself would be ashamed of fame.

poem by Byron from Don Juan (1824)
Submitted by Veronica Serbanoiu
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Don Juan: Canto The Fourteenth

If from great nature's or our own abyss
Of thought we could but snatch a certainty,
Perhaps mankind might find the path they miss--
But then 'twould spoil much good philosophy.
One system eats another up, and this
Much as old Saturn ate his progeny;
For when his pious consort gave him stones
In lieu of sons, of these he made no bones.

But System doth reverse the Titan's breakfast,
And eats her parents, albeit the digestion
Is difficult. Pray tell me, can you make fast,
After due search, your faith to any question?
Look back o'er ages, ere unto the stake fast
You bind yourself, and call some mode the best one.
Nothing more true than not to trust your senses;
And yet what are your other evidences?

For me, I know nought; nothing I deny,
Admit, reject, contemn; and what know you,
Except perhaps that you were born to die?
And both may after all turn out untrue.
An age may come, Font of Eternity,
When nothing shall be either old or new.
Death, so call'd, is a thing which makes men weep,
And yet a third of life is pass'd in sleep.

A sleep without dreams, after a rough day
Of toil, is what we covet most; and yet
How clay shrinks back from more quiescent clay!
The very Suicide that pays his debt
At once without instalments (an old way
Of paying debts, which creditors regret)
Lets out impatiently his rushing breath,
Less from disgust of life than dread of death.

'Tis round him, near him, here, there, every where;
And there's a courage which grows out of fear,
Perhaps of all most desperate, which will dare
The worst to know it:--when the mountains rear
Their peaks beneath your human foot, and there
You look down o'er the precipice, and drear
The gulf of rock yawns,--you can't gaze a minute
Without an awful wish to plunge within it.

'Tis true, you don't - but, pale and struck with terror,
Retire: but look into your past impression!
And you will find, though shuddering at the mirror
Of your own thoughts, in all their self--confession,
The lurking bias, be it truth or error,
To the unknown; a secret prepossession,
To plunge with all your fears - but where? You know not,
And that's the reason why you do - or do not.

But what's this to the purpose? you will say.
Gent. reader, nothing; a mere speculation,
For which my sole excuse is - 'tis my way;
Sometimes with and sometimes without occasion
I write what's uppermost, without delay:
This narrative is not meant for narration,
But a mere airy and fantastic basis,
To build up common things with common places.

You know, or don't know, that great Bacon saith,
'Fling up a straw, 'twill show the way the wind blows;'
And such a straw, borne on by human breath,
Is poesy, according as the mind glows;
A paper kite which flies 'twixt life and death,
A shadow which the onward soul behind throws:
And mine's a bubble, not blown up for praise,
But just to play with, as an infant plays.

The world is all before me - or behind;
For I have seen a portion of that same,
And quite enough for me to keep in mind;--
Of passions, too, I have proved enough to blame,
To the great pleasure of our friends, mankind,
Who like to mix some slight alloy with fame;
For I was rather famous in my time,
Until I fairly knock'd it up with rhyme.

I have brought this world about my ears, and eke
The other; that's to say, the clergy, who
Upon my head have bid their thunders break
In pious libels by no means a few.
And yet I can't help scribbling once a week,
Tiring old readers, nor discovering new.
In youth I wrote because my mind was full,
And now because I feel it growing dull.

But 'why then publish?'- There are no rewards
Of fame or profit when the world grows weary.
I ask in turn,--Why do you play at cards?
Why drink? Why read?- To make some hour less dreary.
It occupies me to turn back regards
On what I've seen or ponder'd, sad or cheery;
And what I write I cast upon the stream,
To swim or sink - I have had at least my dream.

I think that were I certain of success,
I hardly could compose another line:
So long I've battled either more or less,
That no defeat can drive me from the Nine.
This feeling 'tis not easy to express,
And yet 'tis not affected, I opine.
In play, there are two pleasures for your choosing -
The one is winning, and the other losing.

Besides, my Muse by no means deals in fiction:
She gathers a repertory of facts,
Of course with some reserve and slight restriction,
But mostly sings of human things and acts -
And that's one cause she meets with contradiction;
For too much truth, at first sight, ne'er attracts;
And were her object only what's call'd glory,
With more ease too she 'd tell a different story.

Love, war, a tempest - surely there 's variety;
Also a seasoning slight of lucubration;
A bird's-eye view, too, of that wild, Society;
A slight glance thrown on men of every station.
If you have nought else, here 's at least satiety
Both in performance and in preparation;
And though these lines should only line portmanteaus,
Trade will be all the better for these Cantos.

The portion of this world which I at present
Have taken up to fill the following sermon,
Is one of which there's no description recent.
The reason why is easy to determine:
Although it seems both prominent and pleasant,
There is a sameness in its gems and ermine,
A dull and family likeness through all ages,
Of no great promise for poetic pages.

With much to excite, there's little to exalt;
Nothing that speaks to all men and all times;
A sort of varnish over every fault;
A kind of common-place, even in their crimes;
Factitious passions, wit without much salt,
A want of that true nature which sublimes
Whate'er it shows with truth; a smooth monotony
Of character, in those at least who have got any.

Sometimes, indeed, like soldiers off parade,
They break their ranks and gladly leave the drill;
But then the roll-call draws them back afraid,
And they must be or seem what they were: still
Doubtless it is a brilliant masquerade;
But when of the first sight you have had your fill,
It palls - at least it did so upon me,
This paradise of pleasure and ennui.

When we have made our love, and gamed our gaming,
Drest, voted, shone, and, may be, something more;
With dandies dined; heard senators declaiming;
Seen beauties brought to market by the score,
Sad rakes to sadder husbands chastely taming;
There's little left but to be bored or bore.
Witness those 'ci-devant jeunes hommes' who stem
The stream, nor leave the world which leaveth them.

'Tis said - indeed a general complaint -
That no one has succeeded in describing
The monde, exactly as they ought to paint:
Some say, that authors only snatch, by bribing
The porter, some slight scandals strange and quaint,
To furnish matter for their moral gibing;
And that their books have but one style in common -
My lady's prattle, filter'd through her woman.

But this can't well be true, just now; for writers
Are grown of the beau monde a part potential:
I've seen them balance even the scale with fighters,
Especially when young, for that's essential.
Why do their sketches fail them as inditers
Of what they deem themselves most consequential,
The real portrait of the highest tribe?
'Tis that, in fact, there's little to describe.

'Haud ignara loquor;' these are Nugae, 'quarum
Pars parva fui,' but still art and part.
Now I could much more easily sketch a harem,
A battle, wreck, or history of the heart,
Than these things; and besides, I wish to spare 'em,
For reasons which I choose to keep apart.
'Vetabo Cereris sacrum qui vulgarit-'
Which means that vulgar people must not share it.

And therefore what I throw off is ideal -
Lower'd, leaven'd, like a history of freemasons;
Which bears the same relation to the real,
As Captain Parry's voyage may do to Jason's.
The grand arcanum's not for men to see all;
My music has some mystic diapasons;
And there is much which could not be appreciated
In any manner by the uninitiated.

Alas! worlds fall - and woman, since she fell'd
The world (as, since that history less polite
Than true, hath been a creed so strictly held)
Has not yet given up the practice quite.
Poor thing of usages! coerced, compell'd,
Victim when wrong, and martyr oft when right,
Condemn'd to child-bed, as men for their sins
Have shaving too entail'd upon their chins,--

A daily plague, which in the aggregate
May average on the whole with parturition.
But as to women, who can penetrate
The real sufferings of their she condition?
Man's very sympathy with their estate
Has much of selfishness, and more suspicion.
Their love, their virtue, beauty, education,
But form good housekeepers, to breed a nation.

All this were very well, and can't be better;
But even this is difficult, Heaven knows,
So many troubles from her birth beset her,
Such small distinction between friends and foes,
The gilding wears so soon from off her fetter,
That - but ask any woman if she'd choose
(Take her at thirty, that is) to have been
Female or male? a schoolboy or a queen?

'Petticoat influence' is a great reproach,
Which even those who obey would fain be thought
To fly from, as from hungry pikes a roach;
But since beneath it upon earth we are brought,
By various joltings of life's hackney coach,
I for one venerate a petticoat-
A garment of a mystical sublimity,
No matter whether russet, silk, or dimity.

Much I respect, and much I have adored,
In my young days, that chaste and goodly veil,
Which holds a treasure, like a miser's hoard,
And more attracts by all it doth conceal-
A golden scabbard on a Damasque sword,
A loving letter with a mystic seal,
A cure for grief - for what can ever rankle
Before a petticoat and peeping ankle?

And when upon a silent, sullen day,
With a sirocco, for example, blowing,
When even the sea looks dim with all its spray,
And sulkily the river's ripple's flowing,
And the sky shows that very ancient gray,
The sober, sad antithesis to glowing,--
'Tis pleasant, if then any thing is pleasant,
To catch a glimpse even of a pretty peasant.

We left our heroes and our heroines
In that fair clime which don't depend on climate,
Quite independent of the Zodiac's signs,
Though certainly more difficult to rhyme at,
Because the sun, and stars, and aught that shines,
Mountains, and all we can be most sublime at,
Are there oft dull and dreary as a dun -
Whether a sky's or tradesman's is all one.

An in-door life is less poetical;
And out of door hath showers, and mists, and sleet,
With which I could not brew a pastoral.
But be it as it may, a bard must meet
All difficulties, whether great or small,
To spoil his undertaking or complete,
And work away like spirit upon matter,
Embarrass'd somewhat both with fire and water.

Juan - in this respect, at least, like saints -
Was all things unto people of all sorts,
And lived contentedly, without complaints,
In camps, in ships, in cottages, or courts -
Born with that happy soul which seldom faints,
And mingling modestly in toils or sports.
He likewise could be most things to all women,
Without the coxcombry of certain she men.

A fox -hunt to a foreigner is strange;
'T is also subject to the double danger
Of tumbling first, and having in exchange
Some pleasant jesting at the awkward stranger:
But Juan had been early taught to range
The wilds, as doth an Arab turn'd avenger,
So that his horse, or charger, hunter, hack,
Knew that he had a rider on his back.

And now in this new field, with some applause,
He clear'd hedge, ditch, and double post, and rail,
And never craned, and made but few 'faux pas,'
And only fretted when the scent 'gan fail.
He broke, 'tis true, some statutes of the laws
Of hunting - for the sagest youth is frail;
Rode o'er the hounds, it may be, now and then,
And once o'er several country gentlemen.

But on the whole, to general admiration
He acquitted both himself and horse: the squires
Marvell'd at merit of another nation;
The boors cried 'Dang it? who'd have thought it?'--Sires,
The Nestors of the sporting generation,
Swore praises, and recall'd their former fires;
The huntsman's self relented to a grin,
And rated him almost a whipper-in.

Such were his trophies--not of spear and shield,
But leaps, and bursts, and sometimes foxes' brushes;
Yet I must own,--although in this I yield
To patriot sympathy a Briton's blushes,--
He thought at heart like courtly Chesterfield,
Who, after a long chase o'er hills, dales, bushes,
And what not, though he rode beyond all price,
Ask'd next day, 'If men ever hunted twice?'

He also had a quality uncommon
To early risers after a long chase,
Who wake in winter ere the cock can summon
December's drowsy day to his dull race,--
A quality agreeable to woman,
When her soft, liquid words run on apace,
Who likes a listener, whether saint or sinner,--
He did not fall asleep just after dinner;

But, light and airy, stood on the alert,
And shone in the best part of dialogue,
By humouring always what they might assert,
And listening to the topics most in vogue;
Now grave, now gay, but never dull or pert;
And smiling but in secret--cunning rogue!
He ne'er presumed to make an error clearer;-
In short, there never was a better hearer.

And then he danced;- all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say, right well,
With emphasis, and also with good sense--
A thing in footing indispensable;
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.

Chaste were his steps, each kept within due bound,
And elegance was sprinkled o'er his figure;
Like swift Camilla, he scarce skimm'd the ground,
And rather held in than put forth his vigour;
And then he had an ear for music's sound,
Which might defy a crotchet critic's rigour.
Such classic pas--sans flaws--set off our hero,
He glanced like a personified Bolero;

Or, like a flying Hour before Aurora,
In Guido's famous fresco which alone
Is worth a tour to Rome, although no more a
Remnant were there of the old world's sole throne.
The 'tout ensemble' of his movements wore a
Grace of the soft ideal, seldom shown,
And ne'er to be described; for to the dolour
Of bards and prosers, words are void of colour.

No marvel then he was a favourite;
A full -grown Cupid, very much admired;
A little spoilt, but by no means so quite;
At least he kept his vanity retired.
Such was his tact, he could alike delight
The chaste, and those who are not so much inspired.
The Duchess of Fitz-Fulke, who loved 'tracasserie,'
Began to treat him with some small 'agacerie.'

She was a fine and somewhat full-blown blonde,
Desirable, distinguish'd, celebrated
For several winters in the grand, grand monde.
I'd rather not say what might be related
Of her exploits, for this were ticklish ground;
Besides there might be falsehood in what's stated:
Her late performance had been a dead set
At Lord Augustus Fitz-Plantagenet.

This noble personage began to look
A little black upon this new flirtation;
But such small licences must lovers brook,
Mere freedoms of the female corporation.
Woe to the man who ventures a rebuke!
'Twill but precipitate a situation
Extremely disagreeable, but common
To calculators when they count on woman.

The circle smiled, then whisper'd, and then sneer'd;
The Misses bridled, and the matrons frown'd;
Some hoped things might not turn out as they fear'd;
Some would not deem such women could be found;
Some ne'er believed one half of what they heard;
Some look'd perplex'd, and others look'd profound;
And several pitied with sincere regret
Poor Lord Augustus Fitz-Plantagenet.

But what is odd, none ever named the duke,
Who, one might think, was something in the affair;
True, he was absent, and, 'twas rumour'd, took
But small concern about the when, or where,
Or what his consort did: if he could brook
Her gaieties, none had a right to stare:
Theirs was that best of unions, past all doubt,
Which never meets, and therefore can't fall out.

But, oh! that I should ever pen so sad a line!
Fired with an abstract love of virtue, she,
My Dian of the Ephesians, Lady Adeline,
Began to think the duchess' conduct free;
Regretting much that she had chosen so bad a line,
And waxing chiller in her courtesy,
Look'd grave and pale to see her friend's fragility,
For which most friends reserve their sensibility.

There's nought in this bad world like sympathy:
'Tis so becoming to the soul and face,
Sets to soft music the harmonious sigh,
And robes sweet friendship in a Brussels lace.
Without a friend, what were humanity,
To hunt our errors up with a good grace?
Consoling us with - 'Would you had thought twice!
Ah, if you had but follow'd my advice!'

O job! you had two friends: one's quite enough,
Especially when we are ill at ease;
They are but bad pilots when the weather's rough,
Doctors less famous for their cures than fees.
Let no man grumble when his friends fall off,
As they will do like leaves at the first breeze:
When your affairs come round, one way or t'other,
Go to the coffee-house, and take another.

But this is not my maxim: had it been,
Some heart-aches had been spared me: yet I care not--
I would not be a tortoise in his screen
Of stubborn shell, which waves and weather wear not.
'Tis better on the whole to have felt and seen
That which humanity may bear, or bear not:
'Twill teach discernment to the sensitive,
And not to pour their ocean in a sieve.

Of all the horrid, hideous notes of woe,
Sadder than owl-songs or the midnight blast,
Is that portentous phrase, 'I told you so,'
Utter'd by friends, those prophets of the past,
Who, 'stead of saying what you now should do,
Own they foresaw that you would fall at last,
And solace your slight lapse 'gainst 'bonos mores,'
With a long memorandum of old stories.

The Lady Adeline's serene severity
Was not confined to feeling for her friend,
Whose fame she rather doubted with posterity,
Unless her habits should begin to mend:
But Juan also shared in her austerity,
But mix'd with pity, pure as e'er was penn'd:
His inexperience moved her gentle ruth,
And (as her junior by six weeks) his youth.

These forty days' advantage of her years--
And hers were those which can face calculation,
Boldly referring to the list of peers
And noble births, nor dread the enumeration--
Gave her a right to have maternal fears
For a young gentleman's fit education,
Though she was far from that leap year, whose leap,
In female dates, strikes Time all of a heap.

This may be fix'd at somewhere before thirty--
Say seven-and-twenty; for I never knew
The strictest in chronology and virtue
Advance beyond, while they could pass for new.
O Time! why dost not pause? Thy scythe, so dirty
With rust, should surely cease to hack and hew.
Reset it; shave more smoothly, also slower,
If but to keep thy credit as a mower.

But Adeline was far from that ripe age,
Whose ripeness is but bitter at the best:
'Twas rather her experience made her sage,
For she had seen the world and stood its test,
As I have said in--I forget what page;
My Muse despises reference, as you have guess'd
By this time;--but strike six from seven -and -twenty,
And you will find her sum of years in plenty.

At sixteen she came out; presented, vaunted,
She put all coronets into commotion:
At seventeen, too, the world was still enchanted
With the new Venus of their brilliant ocean:
At eighteen, though below her feet still panted
A hecatomb of suitors with devotion,
She had consented to create again
That Adam, call'd 'The happiest of men.'

Since then she had sparkled through three glowing winters,
Admired, adored; but also so correct,
That she had puzzled all the acutest hinters,
Without the apparel of being circumspect:
They could not even glean the slightest splinters
From off the marble, which had no defect.
She had also snatch'd a moment since her marriage
To bear a son and heir - and one miscarriage.

Fondly the wheeling fire-flies flew around her,
Those little glitterers of the London night;
But none of these possess'd a sting to wound her -
She was a pitch beyond a coxcomb's flight.
Perhaps she wish'd an aspirant profounder;
But whatsoe'er she wish'd, she acted right;
And whether coldness, pride, or virtue dignify
A woman, so she's good, what does it signify?

I hate a motive, like a lingering bottle
Which with the landlord makes too long a stand,
Leaving all-claretless the unmoisten'd throttle,
Especially with politics on hand;
I hate it, as I hate a drove of cattle,
Who whirl the dust as simooms whirl the sand;
I hate it, as I hate an argument,
A laureate's ode, or servile peer's 'content.'

'Tis sad to hack into the roots of things,
They are so much intertwisted with the earth;
So that the branch a goodly verdure flings,
I reck not if an acorn gave it birth.
To trace all actions to their secret springs
Would make indeed some melancholy mirth;
But this is not at present my concern,
And I refer you to wise Oxenstiern.

With the kind view of saving an eclat,
Both to the duchess and diplomatist,
The Lady Adeline, as soon's she saw
That Juan was unlikely to resist
(For foreigners don't know that a faux pas
In England ranks quite on a different list
From those of other lands unblest with juries,
Whose verdict for such sin a certain cure is);-

The Lady Adeline resolved to take
Such measures as she thought might best impede
The farther progress of this sad mistake.
She thought with some simplicity indeed;
But innocence is bold even at the stake,
And simple in the world, and doth not need
Nor use those palisades by dames erected,
Whose virtue lies in never being detected.

It was not that she fear'd the very worst:
His Grace was an enduring, married man,
And was not likely all at once to burst
Into a scene, and swell the clients' clan
Of Doctors' Commons: but she dreaded first
The magic of her Grace's talisman,
And next a quarrel (as he seem'd to fret)
With Lord Augustus Fitz-Plantagenet.

Her Grace, too, pass'd for being an intrigante,
And somewhat mechante in her amorous sphere;
One of those pretty, precious plagues, which haunt
A lover with caprices soft and dear,
That like to make a quarrel, when they can't
Find one, each day of the delightful year;
Bewitching, torturing, as they freeze or glow,
And - what is worst of all - won't let you go:

The sort of thing to turn a young man's head,
Or make a Werter of him in the end.
No wonder then a purer soul should dread
This sort of chaste liaison for a friend;
It were much better to be wed or dead,
Than wear a heart a woman loves to rend.
'T is best to pause, and think, ere you rush on,
If that a 'bonne fortune' be really 'bonne.'

And first, in the o'erflowing of her heart,
Which really knew or thought it knew no guile,
She call'd her husband now and then apart,
And bade him counsel Juan. With a smile
Lord Henry heard her plans of artless art
To wean Don Juan from the siren's wile;
And answer'd, like a statesman or a prophet,
In such guise that she could make nothing of it.

Firstly, he said, 'he never interfered
In any body's business but the king's:'
Next, that 'he never judged from what appear'd,
Without strong reason, of those sort of things:'
Thirdly, that 'Juan had more brain than beard,
And was not to be held in leading strings;'
And fourthly, what need hardly be said twice,
'That good but rarely came from good advice.'

And, therefore, doubtless to approve the truth
Of the last axiom, he advised his spouse
To leave the parties to themselves, forsooth -
At least as far as bienseance allows:
That time would temper Juan's faults of youth;
That young men rarely made monastic vows;
That opposition only more attaches -
But here a messenger brought in despatches:

And being of the council call'd 'the Privy,'
Lord Henry walk'd into his cabinet,
To furnish matter for some future Livy
To tell how he reduced the nation's debt;
And if their full contents I do not give ye,
It is because I do not know them yet;
But I shall add them in a brief appendix,
To come between mine epic and its index.

But ere he went, he added a slight hint,
Another gentle common-place or two,
Such as are coin'd in conversation's mint,
And pass, for want of better, though not new:
Then broke his packet, to see what was in 't,
And having casually glanced it through,
Retired; and, as went out, calmly kiss'd her,
Less like a young wife than an aged sister.

He was a cold, good, honourable man,
Proud of his birth, and proud of every thing;
A goodly spirit for a state divan,
A figure fit to walk before a king;
Tall, stately, form'd to lead the courtly van
On birthdays, glorious with a star and string;
The very model of a chamberlain--
And such I mean to make him when I reign.

But there was something wanting on the whole--
I don't know what, and therefore cannot tell--
Which pretty women--the sweet souls!--call soul.
Certes it was not body; he was well
Proportion'd, as a poplar or a pole,
A handsome man, that human miracle;
And in each circumstance of love or war
Had still preserved his perpendicular.

Still there was something wanting, as I've said -
That undefinable 'Je ne scais quoi,'
Which, for what I know, may of yore have led
To Homer's Iliad, since it drew to Troy
The Greek Eve, Helen, from the Spartan's bed;
Though on the whole, no doubt, the Dardan boy
Was much inferior to King Menelaus:-
But thus it is some women will betray us.

There is an awkward thing which much perplexes,
Unless like wise Tiresias we had proved
By turns the difference of the several sexes;
Neither can show quite how they would be loved.
The sensual for a short time but connects us,
The sentimental boasts to be unmoved;
But both together form a kind of centaur,
Upon whose back 'tis better not to venture.

A something all-sufficient for the heart
Is that for which the sex are always seeking:
But how to fill up that same vacant part?
There lies the rub--and this they are but weak in.
Frail mariners afloat without a chart,
They run before the wind through high seas breaking;
And when they have made the shore through every shock,
'Tis odd, or odds, it may turn out a rock.

There is a flower call'd 'Love in Idleness,'
For which see Shakspeare's everblooming garden;-
I will not make his great description less,
And beg his British godship's humble pardon,
If in my extremity of rhyme's distress,
I touch a single leaf where he is warden;-
But though the flower is different, with the French
Or Swiss Rousseau, cry 'Voila la Pervenche!'

Eureka! I have found it! What I mean
To say is, not that love is idleness,
But that in love such idleness has been
An accessory, as I have cause to guess.
Hard labour's an indifferent go-between;
Your men of business are not apt to express
Much passion, since the merchant-ship, the Argo,
Convey'd Medea as her supercargo.

'Beatus ille procul!' from 'negotiis,'
Saith Horace; the great little poet's wrong;
His other maxim, 'Noscitur a sociis,'
Is much more to the purpose of his song;
Though even that were sometimes too ferocious,
Unless good company be kept too long;
But, in his teeth, whate'er their state or station,
Thrice happy they who have an occupation!

Adam exchanged his Paradise for ploughing,
Eve made up millinery with fig leaves -
The earliest knowledge from the tree so knowing,
As far as I know, that the church receives:
And since that time it need not cost much showing,
That many of the ills o'er which man grieves,
And still more women, spring from not employing
Some hours to make the remnant worth enjoying.

And hence high life is oft a dreary void,
A rack of pleasures, where we must invent
A something wherewithal to be annoy'd.
Bards may sing what they please about Content;
Contented, when translated, means but cloy'd;
And hence arise the woes of sentiment,
Blue devils, and blue -stockings, and romances
Reduced to practice, and perform'd like dances.

I do declare, upon an affidavit,
Romances I ne'er read like those I have seen;
Nor, if unto the world I ever gave it,
Would some believe that such a tale had been:
But such intent I never had, nor have it;
Some truths are better kept behind a screen,
Especially when they would look like lies;
I therefore deal in generalities.

'An oyster may be cross'd in love,'--and why?
Because he mopeth idly in his shell,
And heaves a lonely subterraqueous sigh,
Much as a monk may do within his cell:
And a-propos of monks, their piety
With sloth hath found it difficult to dwell;
Those vegetables of the Catholic creed
Are apt exceedingly to run to seed.

O Wilberforce! thou man of black renown,
Whose merit none enough can sing or say,
Thou hast struck one immense Colossus down,
Thou moral Washington of Africa!
But there's another little thing, I own,
Which you should perpetrate some summer's day,
And set the other halt of earth to rights;
You have freed the blacks - now pray shut up the whites.

Shut up the bald-coot bully Alexander!
Ship off the Holy Three to Senegal;
Teach them that 'sauce for goose is sauce for gander,'
And ask them how they like to be in thrall?
Shut up each high heroic salamander,
Who eats fire gratis (since the pay's but small);
Shut up - no, not the King, but the Pavilion,
Or else 'twill cost us all another million.

Shut up the world at large, let Bedlam out;
And you will be perhaps surprised to find
All things pursue exactly the same route,
As now with those of soi -disant sound mind.
This I could prove beyond a single doubt,
Were there a jot of sense among mankind;
But till that point d'appui is found, alas!
Like Archimedes, I leave earth as 'twas.

Our gentle Adeline had one defect--
Her heart was vacant, though a splendid mansion;
Her conduct had been perfectly correct,
As she had seen nought claiming its expansion.
A wavering spirit may be easier wreck'd,
Because 'tis frailer, doubtless, than a stanch one;
But when the latter works its own undoing,
Its inner crash is like an earthquake's ruin.

She loved her lord, or thought so; but that love
Cost her an effort, which is a sad toil,
The stone of Sisyphus, if once we move
Our feelings 'gainst the nature of the soil.
She had nothing to complain of, or reprove,
No bickerings, no connubial turmoil:
Their union was a model to behold,
Serene and noble,--conjugal, but cold.

There was no great disparity of years,
Though much in temper; but they never clash'd:
They moved like stars united in their spheres,
Or like the Rhone by Leman's waters wash'd,
Where mingled and yet separate appears
The river from the lake, all bluely dash'd
Through the serene and placid glassy deep,
Which fain would lull its river-child to sleep.

Now when she once had ta'en an interest
In any thing, however she might flatter
Herself that her intentions were the best,
Intense intentions are a dangerous matter:
Impressions were much stronger than she guess'd,
And gather'd as they run like growing water
Upon her mind; the more so, as her breast
Was not at first too readily impress'd.

But when it was, she had that lurking demon
Of double nature, and thus doubly named -
Firmness yclept in heroes, kings, and seamen,
That is, when they succeed; but greatly blamed
As obstinacy, both in men and women,
Whene'er their triumph pales, or star is tamed:-
And 'twill perplex the casuist in morality
To fix the due bounds of this dangerous quality.

Had Buonaparte won at Waterloo,
It had been firmness; now 'tis pertinacity:
Must the event decide between the two?
I leave it to your people of sagacity
To draw the line between the false and true,
If such can e'er be drawn by man's capacity:
My business is with Lady Adeline,
Who in her way too was a heroine.

She knew not her own heart; then how should I?
I think not she was then in love with Juan:
If so, she would have had the strength to fly
The wild sensation, unto her a new one:
She merely felt a common sympathy
(I will not say it was a false or true one)
In him, because she thought he was in danger,-
Her husband's friend, her own, young, and a stranger,

She was, or thought she was, his friend - and this
Without the farce of friendship, or romance
Of Platonism, which leads so oft amiss
Ladies who have studied friendship but in France,
Or Germany, where people purely kiss.
To thus much Adeline would not advance;
But of such friendship as man's may to man be
She was as capable as woman can be.

No doubt the secret influence of the sex
Will there, as also in the ties of blood,
An innocent predominance annex,
And tune the concord to a finer mood.
If free from passion, which all friendship checks,
And your true feelings fully understood,
No friend like to a woman earth discovers,
So that you have not been nor will be lovers.

Love bears within its breast the very germ
Of change; and how should this be otherwise?
That violent things more quickly find a term
Is shown through nature's whole analogies;
And how should the most fierce of all be firm?
Would you have endless lightning in the skies?
Methinks Love's very title says enough:
How should 'the tender passion' e'er be tough?

Alas! by all experience, seldom yet
(I merely quote what I have heard from many)
Had lovers not some reason to regret
The passion which made Solomon a zany.
I've also seen some wives (not to forget
The marriage state, the best or worst of any)
Who were the very paragons of wives,
Yet made the misery of at least two lives.

I've also seen some female friends ('tis odd,
But true--as, if expedient, I could prove)
That faithful were through thick and thin, abroad,
At home, far more than ever yet was Love--
Who did not quit me when Oppression trod
Upon me; whom no scandal could remove;
Who fought, and fight, in absence, too, my battles,
Despite the snake Society's loud rattles.

Whether Don Juan and chaste Adeline
Grew friends in this or any other sense,
Will be discuss'd hereafter, I opine:
At present I am glad of a pretence
To leave them hovering, as the effect is fine,
And keeps the atrocious reader in suspense;
The surest way for ladies and for books
To bait their tender, or their tenter, hooks.

Whether they rode, or walk'd, or studied Spanish
To read Don Quixote in the original,
A pleasure before which all others vanish;
Whether their talk was of the kind call'd 'small,'
Or serious, are the topics I must banish
To the next Canto; where perhaps I shall
Say something to the purpose, and display
Considerable talent in my way.

Above all, I beg all men to forbear
Anticipating aught about the matter:
They'll only make mistakes about the fair,
And Juan too, especially the latter.
And I shall take a much more serious air
Than I have yet done, in this epic satire.
It is not clear that Adeline and Juan
Will fall; but if they do, 'twill be their ruin.

But great things spring from little:- Would you think,
That in our youth, as dangerous a passion
As e'er brought man and woman to the brink
Of ruin, rose from such a slight occasion,
As few would ever dream could form the link
Of such a sentimental situation?
You'll never guess, I 'll bet you millions, milliards--
It all sprung from a harmless game at billiards.

'Tis strange,--but true; for truth is always strange;
Stranger than fiction; if it could be told,
How much would novels gain by the exchange!
How differently the world would men behold!
How oft would vice and virtue places change!
The new world would be nothing to the old,
If some Columbus of the moral seas
Would show mankind their souls' antipodes.

What 'antres vast and deserts idle' then
Would be discover'd in the human soul!
What icebergs in the hearts of mighty men,
With self-love in the centre as their pole!
What Anthropophagi are nine of ten
Of those who hold the kingdoms in control
Were things but only call'd by their right name,
Caesar himself would be ashamed of fame.

poem by Byron
Submitted by Poetry Lover
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A Dead Friend

I.

Gone, O gentle heart and true,
Friend of hopes foregone,
Hopes and hopeful days with you
Gone?

Days of old that shone
Saw what none shall see anew,
When we gazed thereon.

Soul as clear as sunlit dew,
Why so soon pass on,
Forth from all we loved and knew
Gone?

II.

Friend of many a season fled,
What may sorrow send
Toward thee now from lips that said
'Friend'?

Sighs and songs to blend
Praise with pain uncomforted
Though the praise ascend?

Darkness hides no dearer head:
Why should darkness end
Day so soon, O dear and dead
Friend?

III.

Dear in death, thou hast thy part
Yet in life, to cheer
Hearts that held thy gentle heart
Dear.

Time and chance may sear
Hope with grief, and death may part
Hand from hand's clasp here:

Memory, blind with tears that start,
Sees through every tear
All that made thee, as thou art,
Dear.

IV.

True and tender, single-souled,
What should memory do
Weeping o'er the trust we hold
True?

Known and loved of few,
But of these, though small their fold,
Loved how well were you!

Change, that makes of new things old,
Leaves one old thing new;
Love which promised truth, and told
True.

V.

Kind as heaven, while earth's control
Still had leave to bind
Thee, thy heart was toward man's whole
Kind.

Thee no shadows blind
Now: the change of hours that roll
Leaves thy sleep behind.

Love, that hears thy death-bell toll
Yet, may call to mind
Scarce a soul as thy sweet soul
Kind.

VI.

How should life, O friend, forget
Death, whose guest art thou?
Faith responds to love's regret,
How?

Still, for us that bow
Sorrowing, still, though life be set,
Shines thy bright mild brow.

Yea, though death and thou be met,
Love may find thee now
Still, albeit we know not yet
How.

VII.

Past as music fades, that shone
While its life might last;
As a song-bird's shadow flown
Past!

Death's reverberate blast
Now for music's lord has blown
Whom thy love held fast.

Dead thy king, and void his throne:
Yet for grief at last
Love makes music of his own
Past.

poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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The Complaint of Lisa

There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.

Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead,
Let me live out my flower-time in the sun,
Though my leaves shut before the sunflower.

O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him, shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.

For underground there is no sleepless bed.
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore, if anywhere be any death,
I fain would find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labor is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.

Ah! but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me, too, such a thing were done!

But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth, God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed,
I may look up and see my sunflower
As he the sun, in some divine strange way.

O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king;" and seeing him, somewhat stopped my breath;
And if the girl spake more, I heard her not,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.

Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.

That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.

O sunflower make drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.

Ay, all day long he has no eye for me;
With golden eye following the golden sun
From rose-colored to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way,
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod under foot if any pass by her,
Pale, without color of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.

But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.

Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath
Ere day be done, to seek the sunflower.

poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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A Man’s Wooing

YOU said, last night, you did not think
In all the world of men
Was one true lover--true alike
In deed and word and pen;--

One knightly lover, constant as
The old knights, who sleep sound:
Some women, said you, there might be--
Not one man faithful found:

Not one man, resolute to win,
Or, winning, firm to hold
The woman, among women--sought
With steadfast love and bold.

Not one whose noble life and pure
Had power so to control
To tender hublest loyalty
Her free, but reverent soul,

That she beside him gladly moved
As sovereign and slave;
In faith unfettered, homage true,
Each claiming what each gave.

And then you dropped your eyelids white,
And stood in maiden bloom
Proud, calm:--unloving and unloved
Descending to the tomb.

I let you speak and ne'er replied;
I watched you for a space,
Until that passionate glow, like youth,
Had faded from your face.

No anger showed I--nor complaint:
My heart's beats shook no breath,
Although I knew that I had found
Her, who brings life or death;

The woman, true as life or death;
The love, strong as these twain,
Against which seas of mortal fate
Beat harmlessly in vain.

'Not one true man': I hear it still,
Your voice's clear cold sound,
Upholding all your constant swains
And good knights underground.

'Not one true lover':--Woman, turn;
I love you. Words are small;
'T is life speaks plain: In twenty years
Perhaps you may know all.

I seek you. You alone I seek:
All other women, fair,
Or wise, or good, may go their way,
Without my thought or care.

But you I follow day by day,
And night by night I keep
My heart's chaste mansion lighted, where
Your image lies asleep.

Asleep! If e'er to wake, He knows
Who Eve to Adam brought,
As you to me: the embodiment
Of boyhood's dear sweet thought,

And youth's fond dream, and manhood's hope,
That still half hopeless shone;
Till every rootless vain ideal
Commingled into one,--

You; who are so diverse from me,
And yet as much my own
As this my soul, which, formed apart,
Dwells in its bodily throne;--

Or rather for that perishes,
As these our two lives are
So strangely, marvellously drawn
Together from afar;

Till week by week and month by month
We closer seem to grow,
As two hill streams, flushed with rich rain,
Each into the other flow.

I swear no oaths, I tell no lies,
Nor boast I never knew
A love-dream--we all dream in youth--
But waking, I found you,

The real woman, whose first touch
Aroused to highest life
My real manhood. Crown it then,
Good angel, friend, love, wife!

Imperfect as I am, and you,
Perchance, not all you seem,
We two together shall bind up
Our past's bright, broken dream.

We two together shall dare look
Upon the years to come,
As travellers, met in far countrie,
Together look towards home.

Come home! The old tales were not false,
Yet the new faith is true;
Those saintly souls who made men knights
Were women such as you.

For the great love that teaches love
Deceived not, ne'er deceives:
And she who most believes in man
Makes him what she believes.

Come! If you come not, I can wait;
My faith, like life, is long;
My will--not little; my hope much:
The patient are the strong.

Yet come, ah come! The years run fast,
And hearths grow swiftly cold--
Hearts too: but while blood beats in mine
It holds you and will hold.

And so before you it lies bare,--
Take it or let it lie,
It is an honest heart; and yours
To all eternity.

poem by Dinah Maria Mulock Craik
Submitted by Poetry Lover
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Canto the Fifteenth

I
Ah! -- What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An "Oh!" or "Ah!" of joy or misery,
Or a "Ha! ha!" or "Bah!" -- a yawn, or "Pooh!"
Of which perhaps the latter is most true.

II
But, more or less, the whole's a syncopé
Or a singultus -- emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean, --
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

III
But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

IV
Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

V
And as for love -- O love! -- We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

VI
The Lady Adeline, right honourable;
And honour'd, ran a risk of growing less so;
For few of the soft sex are very stable
In their resolves -- alas! that I should say so!
They differ as wine differs from its label,
When once decanted; -- I presume to guess so,
But will not swear: yet both upon occasion,
Till old, may undergo adulteration.

VII
But Adeline was of the purest vintage,
The unmingled essence of the grape; and yet
Bright as a new napoleon from its mintage,
Or glorious as a diamond richly set;
A page where Time should hesitate to print age,
And for which Nature might forego her debt --
Sole creditor whose process doth involve in 't
The luck of finding every body solvent.

VIII
O Death! thou dunnest of all duns! thou daily
Knockest at doors, at first with modest tap,
Like a meek tradesman when, approaching palely,
Some splendid debtor he would take by sap:
But oft denied, as patience 'gins to fail, he
Advances with exasperated rap,
And (if let in) insists, in terms unhandsome,
On ready money, or "a draft on Ransom."

IX
Whate'er thou takest, spare a while poor Beauty!
She is so rare, and thou hast so much prey.
What though she now and then may slip from duty,
The more's the reason why you ought to stay.
Gaunt Gourmand! with whole nations for your booty,
You should be civil in a modest way:
Suppress, then, some slight feminine diseases,
And take as many heroes as Heaven pleases.

X
Fair Adeline, the more ingenuous
Where she was interested (as was said),
Because she was not apt, like some of us,
To like too readily, or too high bred
To show it (points we need not now discuss) --
Would give up artlessly both heart and head
Unto such feelings as seem'd innocent,
For objects worthy of the sentiment.

XI
Some parts of Juan's history, which Rumour,
That live gazette, had scatter'd to disfigure,
She had heard; but women hear with more good humour
Such aberrations than we men of rigour:
Besides, his conduct, since in England, grew more
Strict, and his mind assumed a manlier vigour;
Because he had, like Alcibiades,
The art of living in all climes with ease.

XII
His manner was perhaps the more seductive,
Because he ne'er seem'd anxious to seduce;
Nothing affected, studied, or constructive
Of coxcombry or conquest: no abuse
Of his attractions marr'd the fair perspective,
To indicate a Cupidon broke loose,
And seem to say, "Resist us if you can" --
Which makes a dandy while it spoils a man.

XIII
They are wrong -- that's not the way to set about it;
As, if they told the truth, could well be shown.
But, right or wrong, Don Juan was without it;
In fact, his manner was his own alone;
Sincere he was -- at least you could not doubt it,
In listening merely to his voice's tone.
The devil hath not in all his quiver's choice
An arrow for the heart like a sweet voice.

XIV
By nature soft, his whole address held off
Suspicion: though not timid, his regard
Was such as rather seem'd to keep aloof,
To shield himself than put you on your guard:
Perhaps 't was hardly quite assured enough,
But modesty's at times its own reward,
Like virtue; and the absence of pretension
Will go much farther than there's need to mention.

XV
Serene, accomplish'd, cheerful but not loud;
Insinuating without insinuation;
Observant of the foibles of the crowd,
Yet ne'er betraying this in conversation;
Proud with the proud, yet courteously proud,
So as to make them feel he knew his station
And theirs: -- without a struggle for priority,
He neither brook'd nor claim'd superiority.

XVI
That is, with men: with women he was what
They pleased to make or take him for; and their
Imagination's quite enough for that:
So that the outline's tolerably fair,
They fill the canvas up -- and "verbum sat."
If once their phantasies be brought to bear
Upon an object, whether sad or playful,
They can transfigure brighter than a Raphael.

XVII
Adeline, no deep judge of character,
Was apt to add a colouring from her own:
'T is thus the good will amiably err,
And eke the wise, as has been often shown.
Experience is the chief philosopher,
But saddest when his science is well known:
And persecuted sages teach the schools
Their folly in forgetting there are fools.

XVIII
Was it not so, great Locke? and greater Bacon?
Great Socrates? And thou, Diviner still,
Whose lot it is by man to be mistaken,
And thy pure creed made sanction of all ill?
Redeeming worlds to be by bigots shaken,
How was thy toil rewarded? We might fill
Volumes with similar sad illustrations,
But leave them to the conscience of the nations.

XIX
I perch upon an humbler promontory,
Amidst life's infinite variety:
With no great care for what is nicknamed glory,
But speculating as I cast mine eye
On what may suit or may not suit my story,
And never straining hard to versify,
I rattle on exactly as I'd talk
With any body in a ride or walk.

XX
I don't know that there may be much ability
Shown in this sort of desultory rhyme;
But there's a conversational facility,
Which may round off an hour upon a time.
Of this I'm sure at least, there's no servility
In mine irregularity of chime,
Which rings what's uppermost of new or hoary,
Just as I feel the Improvvisatore.

XXI
"Omnia vult belle Matho dicere -- dic aliquando
Et bene, dic neutrum, dic aliquando male."
The first is rather more than mortal can do;
The second may be sadly done or gaily;
The third is still more difficult to stand to;
The fourth we hear, and see, and say too, daily.
The whole together is what I could wish
To serve in this conundrum of a dish.

XXII
A modest hope -- but modesty's my forte,
And pride my feeble: -- let us ramble on.
I meant to make this poem very short,
But now I can't tell where it may not run.
No doubt, if I had wished to pay my court
To critics, or to hail the setting sun
Of tyranny of all kinds, my concision
Were more; -- but I was born for opposition.

XXIII
But then 't is mostly on the weaker side;
So that I verily believe if they
Who now are basking in their full-blown pride
Were shaken down, and "dogs had had their day,"
Though at the first I might perchance deride
Their tumble, I should turn the other way,
And wax an ultra-royalist in loyalty,
Because I hate even democratic royalty.

XXIV
I think I should have made a decent spouse,
If I had never proved the soft condition;
I think I should have made monastic vows,
But for my own peculiar superstition:
'Gainst rhyme I never should have knock'd my brows,
Nor broken my own head, nor that of Priscian,
Nor worn the motley mantle of a poet,
If some one had not told me to forego it.

XXV
But laissez aller -- knights and dames I sing,
Such as the times may furnish. 'T is a flight
Which seems at first to need no lofty wing,
Plumed by Longinus or the Stagyrite:
The difficultly lies in colouring
(Keeping the due proportions still in sight)
With nature manners which are artificial,
And rend'ring general that which is especial.

XXVI
The difference is, that in the days of old
Men made the manners; manners now make men --
Pinn'd like a flock, and fleeced too in their fold,
At least nine, and a ninth beside of ten.
Now this at all events must render cold
Your writers, who must either draw again
Days better drawn before, or else assume
The present, with their common-place costume.

XXVII
We'll do our best to make the best on 't: -- March!
March, my Muse! If you cannot fly, yet flutter;
And when you may not be sublime, be arch,
Or starch, as are the edicts statesmen utter.
We surely may find something worth research:
Columbus found a new world in a cutter,
Or brigantine, or pink, of no great tonnage,
While yet America was in her non-age.

XXVIII
When Adeline, in all her growing sense
Of Juan's merits and his situation,
Felt on the whole an interest intense, --
Partly perhaps because a fresh sensation,
Or that he had an air of innocence,
Which is for innocence a sad temptation, --
As women hate half measures, on the whole,
She 'gan to ponder how to save his soul.

XXIX
She had a good opinion of advice,
Like all who give and eke receive it gratis,
For which small thanks are still the market price,
Even where the article at highest rate is:
She thought upon the subject twice or thrice,
And morally decided, the best state is
For morals, marriage; and this question carried,
She seriously advised him to get married.

XXX
Juan replied, with all becoming deference,
He had a predilection for that tie;
But that, at present, with immediate reference
To his own circumstances, there might lie
Some difficulties, as in his own preference,
Or that of her to whom he might apply:
That still he'd wed with such or such a lady,
If that they were not married all already.

XXXI
Next to the making matches for herself,
And daughters, brothers, sisters, kith or kin,
Arranging them like books on the same shelf,
There's nothing women love to dabble in
More (like a stock-holder in growing pelf)
Than match-making in general: 't is no sin
Certes, but a preventative, and therefore
That is, no doubt, the only reason wherefore.

XXXII
But never yet (except of course a miss
Unwed, or mistress never to be wed,
Or wed already, who object to this)
Was there chaste dame who had not in her head
Some drama of the marriage unities,
Observed as strictly both at board and bed
As those of Aristotle, though sometimes
They turn out melodrames or pantomimes.

XXXIII
They generally have some only son,
Some heir to a large property, some friend
Of an old family, some gay Sir John,
Or grave Lord George, with whom perhaps might end
A line, and leave posterity undone,
Unless a marriage was applied to mend
The prospect and their morals: and besides,
They have at hand a blooming glut of brides.

XXXIV
From these they will be careful to select,
For this an heiress, and for that a beauty;
For one a songstress who hath no defect,
For t' other one who promises much duty;
For this a lady no one can reject,
Whose sole accomplishments were quite a booty;
A second for her excellent connections;
A third, because there can be no objections.

XXXV
When Rapp the Harmonist embargo'd marriage
In his harmonious settlement (which flourishes
Strangely enough as yet without miscarriage,
Because it breeds no more mouths than it nourishes,
Without those sad expenses which disparage
What Nature naturally most encourages) --
Why call'd he "Harmony" a state sans wedlock?
Now here I've got the preacher at a dead lock,

XXXVI
Because he either meant to sneer at harmony
Or marriage, by divorcing them thus oddly.
But whether reverend Rapp learn'd this in Germany
Or no, 't is said his sect is rich and godly,
Pious and pure, beyond what I can term any
Of ours, although they propagate more broadly.
My objection's to his title, not his ritual,
Although I wonder how it grew habitual.

XXXVII
But Rapp is the reverse of zealous matrons,
Who favour, malgré Malthus, generation --
Professors of that genial art, and patrons
Of all the modest part of propagation;
Which after all at such a desperate rate runs,
That half its produce tends to emigration,
That sad result of passions and potatoes --
Two weeds which pose our economic Catos.

XXXVIII
Had Adeline read Malthus? I can't tell;
I wish she had: his book's the eleventh commandment,
Which says, "Thou shalt not marry," unless well:
This he (as far as I can understand) meant.
'T is not my purpose on his views to dwell
Nor canvass what so "eminent a hand" meant;
But certes it conducts to lives ascetic,
Or turning marriage into arithmetic.

XXXIX
But Adeline, who probably presumed
That Juan had enough of maintenance,
Or separate maintenance, in case 't was doom'd --
As on the whole it is an even chance
That bridegrooms, after they are fairly groom'd,
May retrograde a little in the dance
Of marriage (which might form a painter's fame,
Like Holbein's "Dance of Death" -- but 't is the same); --

XL
But Adeline determined Juan's wedding
In her own mind, and that's enough for woman:
But then, with whom? There was the sage Miss Reading,
Miss Raw, Miss Flaw, Miss Showman, and Miss Knowman.
And the two fair co-heiresses Giltbedding.
She deem'd his merits something more than common:
All these were unobjectionable matches,
And might go on, if well wound up, like watches.

XLI
There was Miss Millpond, smooth as summer's sea,
That usual paragon, an only daughter,
Who seem'd the cream of equanimity
Till skimm'd -- and then there was some milk and water,
With a slight shade of blue too, it might be,
Beneath the surface; but what did it matter?
Love's riotous, but marriage should have quiet,
And being consumptive, live on a milk diet.

XLII
And then there was the Miss Audacia Shoestring,
A dashing demoiselle of good estate,
Whose heart was fix'd upon a star or blue string;
But whether English dukes grew rare of late,
Or that she had not harp'd upon the true string,
By which such sirens can attract our great,
She took up with some foreign younger brother,
A Russ or Turk -- the one's as good as t' other.

XLIII
And then there was -- but why should I go on,
Unless the ladies should go off? -- there was
Indeed a certain fair and fairy one,
Of the best class, and better than her class, --
Aurora Raby, a young star who shone
O'er life, too sweet an image for such glass,
A lovely being, scarcely form'd or moulded,
A rose with all its sweetest leaves yet folded;

XLIV
Rich, noble, but an orphan; left an only
Child to the care of guardians good and kind;
But still her aspect had an air so lonely!
Blood is not water; and where shall we find
Feelings of youth like those which overthrown lie
By death, when we are left, alas! behind,
To feel, in friendless palaces, a home
Is wanting, and our best ties in the tomb?

XLV
Early in years, and yet more infantine
In figure, she had something of sublime
In eyes which sadly shone, as seraphs' shine.
All youth -- but with an aspect beyond time;
Radiant and grave -- as pitying man's decline;
Mournful -- but mournful of another's crime,
She look'd as if she sat by Eden's door.
And grieved for those who could return no more.

XLVI
She was a Catholic, too, sincere, austere,
As far as her own gentle heart allow'd,
And deem'd that fallen worship far more dear
Perhaps because 't was fallen: her sires were proud
Of deeds and days when they had fill'd the ear
Of nations, and had never bent or bow'd
To novel power; and as she was the last,
She held their old faith and old feelings fast.

XLVII
She gazed upon a world she scarcely knew,
As seeking not to know it; silent, lone,
As grows a flower, thus quietly she grew,
And kept her heart serene within its zone.
There was awe in the homage which she drew;
Her spirit seem'd as seated on a throne
Apart from the surrounding world, and strong
In its own strength -- most strange in one so young!

XLVIII
Now it so happen'd, in the catalogue
Of Adeline, Aurora was omitted,
Although her birth and wealth had given her vogue
Beyond the charmers we have already cited;
Her beauty also seem'd to form no clog
Against her being mention'd as well fitted,
By many virtues, to be worth the trouble
Of single gentlemen who would be double.

XLIX
And this omission, like that of the bust
Of Brutus at the pageant of Tiberius,
Made Juan wonder, as no doubt he must.
This he express'd half smiling and half serious;
When Adeline replied with some disgust,
And with an air, to say the least, imperious,
She marvell'd "what he saw in such a baby
As that prim, silent, cold Aurora Raby?"

L
Juan rejoin'd -- "She was a Catholic,
And therefore fittest, as of his persuasion;
Since he was sure his mother would fall sick,
And the Pope thunder excommunication,
If-" But here Adeline, who seem'd to pique
Herself extremely on the inoculation
Of others with her own opinions, stated --
As usual -- the same reason which she late did.

LI
And wherefore not? A reasonable reason,
If good, is none the worse for repetition;
If bad, the best way's certainly to tease on,
And amplify: you lose much by concision,
Whereas insisting in or out of season
Convinces all men, even a politician;
Or -- what is just the same -- it wearies out.
So the end's gain'd, what signifies the route?

LII
Why Adeline had this slight prejudice --
For prejudice it was -- against a creature
As pure as sanctity itself from vice,
With all the added charm of form and feature,
For me appears a question far too nice,
Since Adeline was liberal by nature;
But nature's nature, and has more caprices
Than I have time, or will, to take to pieces.

LIII
Perhaps she did not like the quiet way
With which Aurora on those baubles look'd,
Which charm most people in their earlier day:
For there are few things by mankind less brook'd,
And womankind too, if we so may say,
Than finding thus their genius stand rebuked,
Like "Anthony's by Cæsar," by the few
Who look upon them as they ought to do.

LIV
It was not envy -- Adeline had none;
Her place was far beyond it, and her mind.
It was not scorn -- which could not light on one
Whose greatest fault was leaving few to find.
It was not jealousy, I think: but shun
Following the ignes fatui of mankind.
It was not -- but 't is easier far, alas!
To say what it was not than what it was.

LV
Little Aurora deem'd she was the theme
Of such discussion. She was there a guest;
A beauteous ripple of the brilliant stream
Of rank and youth, though purer than the rest,
Which flow'd on for a moment in the beam
Time sheds a moment o'er each sparkling crest.
Had she known this, she would have calmly smiled --
She had so much, or little, of the child.

LVI
The dashing and proud air of Adeline
Imposed not upon her: she saw her blaze
Much as she would have seen a glow-worm shine,
Then turn'd unto the stars for loftier rays.
Juan was something she could not divine,
Being no sibyl in the new world's ways;
Yet she was nothing dazzled by the meteor,
Because she did not pin her faith on feature.

LVII
His fame too, -- for he had that kind of fame
Which sometimes plays the deuce with womankind,
A heterogeneous mass of glorious blame,
Half virtues and whole vices being combined;
Faults which attract because they are not tame;
Follies trick'd out so brightly that they blind: --
These seals upon her wax made no impression,
Such was her coldness or her self-possession.

LVIII
Juan knew nought of such a character --
High, yet resembling not his lost Haidée;
Yet each was radiant in her proper sphere:
The island girl, bred up by the lone sea,
More warm, as lovely, and not less sincere,
Was Nature's all: Aurora could not be,
Nor would be thus: -- the difference in them
Was such as lies between a flower and gem.

LIX
Having wound up with this sublime comparison,
Methinks we may proceed upon our narrative,
And, as my friend Scott says, "I sound my warison;"
Scott, the superlative of my comparative --
Scott, who can paint your Christian knight or Saracen,
Serf, lord, man, with such skill as none would share it, if
There had not been one Shakspeare and Voltaire,
Of one or both of whom he seems the heir.

LX
I say, in my slight way I may proceed
To play upon the surface of humanity.
I write the world, nor care if the world read,
At least for this I cannot spare its vanity.
My Muse hath bred, and still perhaps may breed
More foes by this same scroll: when I began it, I
Thought that it might turn out so -- now I know it,
But still I am, or was, a pretty poet.

LXI
The conference or congress (for it ended
As congresses of late do) of the Lady
Adeline and Don Juan rather blended
Some acids with the sweets -- for she was heady;
But, ere the matter could be marr'd or mended,
The silvery bell rang, not for "dinner ready,"
But for that hour, call'd half-hour, given to dress,
Though ladies' robes seem scant enough for less.

LXII
Great things were now to be achieved at table,
With massy plate for armour, knives and forks
For weapons; but what Muse since Homer's able
(His feasts are not the worst part of his works)
To draw up in array a single day-bill
Of modern dinners? where more mystery lurks,
In soups or sauces, or a sole ragoût,
Than witches, b---ches, or physicians, brew.

LXIII
There was a goodly "soupe à la bonne femme,"
Though God knows whence it came from; there was, too,
A turbot for relief of those who cram,
Relieved with "dindon à la Périgeux;"
There also was -- the sinner that I am!
How shall I get this gourmand stanza through? --
"Soupe à la Beauveau," whose relief was dory,
Relieved itself by pork, for greater glory.

LXIV
But I must crowd all into one grand mess
Or mass; for should I stretch into detail,
My Muse would run much more into excess,
Than when some squeamish people deem her frail.
But though a bonne vivante, I must confess
Her stomach's not her peccant part; this tale
However doth require some slight refection,
Just to relieve her spirits from dejection.

LXV
Fowls "à la Condé," slices eke of salmon,
With "sauces Génevoises," and haunch of venison;
Wines too, which might again have slain young Ammon --
A man like whom I hope we shan't see many soon;
They also set a glazed Westphalian ham on,
Whereon Apicius would bestow his benison;
And then there was champagne with foaming whirls,
As white as Cleopatra's melted pearls.

LXVI
Then there was God knows what "à l'Allemande,"
"À l'Espagnole," "timballe," and "salpicon" --
With things I can't withstand or understand,
Though swallow'd with much zest upon the whole;
And "entremets" to piddle with at hand,
Gently to lull down the subsiding soul;
While great Lucullus' Robe triumphal muffles
(There's fame) -- young partridge fillets, deck'd with truffles.

LXVII
What are the fillets on the victor's brow
To these? They are rags or dust. Where is the arch
Which nodded to the nation's spoils below?
Where the triumphal chariots' haughty march?
Gone to where victories must like dinners go.
Farther I shall not follow the research:
But oh! ye modern heroes with your cartridges,
When will your names lend lustre e'en to partridges?

LXVIII
Those truffles too are no bad accessaries,
Follow'd by "petits puits d'amour" -- a dish
Of which perhaps the cookery rather varies,
So every one may dress it to his wish,
According to the best of dictionaries,
Which encyclopedize both flesh and fish;
But even sans confitures, it no less true is,
There's pretty picking in those petits puits.

LXIX
The mind is lost in mighty contemplation
Of intellect expanded on two courses;
And indigestion's grand multiplication
Requires arithmetic beyond my forces.
Who would suppose, from Adam's simple ration,
That cookery could have call'd forth such resources,
As form a science and a nomenclature
From out the commonest demands of nature?

LXX
The glasses jingled, and the palates tingled;
The diners of celebrity dined well;
The ladies with more moderation mingled
In the feast, pecking less than I can tell;
Also the younger men too: for a springald
Can't, like ripe age, in gourmandise excel,
But thinks less of good eating than the whisper
(When seated next him) of some pretty lisper.

LXXI
Alas! I must leave undescribed the gibier,
The salmi, the consommé, the purée,
All which I use to make my rhymes run glibber
Than could roast beef in our rough John Bull way:
I must not introduce even a spare rib here,
"Bubble and squeak" would spoil my liquid lay:
But I have dined, and must forego, Alas!
The chaste description even of a "bécasse;"

LXXII
And fruits, and ice, and all that art refines
From nature for the service of the goût --
Taste or the gout, -- pronounce it as inclines
Your stomach! Ere you dine, the French will do;
But after, there are sometimes certain signs
Which prove plain English truer of the two.
Hast ever had the gout? I have not had it --
But I may have, and you too, reader, dread it.

LXXIII
The simple olives, best allies of wine,
Must I pass over in my bill of fare?
I must, although a favourite plat of mine
In Spain, and Lucca, Athens, every where:
On them and bread 't was oft my luck to dine,
The grass my table-cloth, in open-air,
On Sunium or Hymettus, like Diogenes,
Of whom half my philosophy the progeny is.

LXXIV
Amidst this tumult of fish, flesh, and fowl,
And vegetables, all in masquerade,
The guests were placed according to their roll,
But various as the various meats display'd:
Don Juan sat next "à l'Espagnole" --
No damsel, but a dish, as hath been said;
But so far like a lady, that 't was drest
Superbly, and contain'd a world of zest.

LXXV
By some odd chance too, he was placed between
Aurora and the Lady Adeline --
A situation difficult, I ween,
For man therein, with eyes and heart, to dine.
Also the conference which we have seen
Was not such as to encourage him to shine;
For Adeline, addressing few words to him,
With two transcendent eyes seem'd to look through him.

LXXVI
I sometimes almost think that eyes have ears:
This much is sure, that, out of earshot, things
Are somehow echoed to the pretty dears,
Of which I can't tell whence their knowledge springs.
Like that same mystic music of the spheres,
Which no one bears, so loudly though it rings,
'T is wonderful how oft the sex have heard
Long dialogues -- which pass'd without a word!

LXXVII
Aurora sat with that indifference
Which piques a preux chevalier -- as it ought:
Of all offences that's the worst offence,
Which seems to hint you are not worth a thought.
Now Juan, though no coxcomb in pretence,
Was not exactly pleased to be so caught;
Like a good ship entangled among ice,
And after so much excellent advice.

LXXVIII
To his gay nothings, nothing was replied,
Or something which was nothing, as urbanity
Required. Aurora scarcely look'd aside,
Nor even smiled enough for any vanity.
The devil was in the girl! Could it be pride?
Or modesty, or absence, or inanity?
Heaven knows? But Adeline's malicious eyes
Sparkled with her successful prophecies,

LXXIX
And look'd as much as if to say, "I said it;"
A kind of triumph I'll not recommend,
Because it sometimes, as I have seen or read it,
Both in the case of lover and of friend,
Will pique a gentleman, for his own credit,
To bring what was a jest to a serious end:
For all men prophesy what is or was,
And hate those who won't let them come to pass.

LXXX
Juan was drawn thus into some attentions,
Slight but select, and just enough to express,
To females of perspicuous comprehensions,
That he would rather make them more than less.
Aurora at the last (so history mentions,
Though probably much less a fact than guess)
So far relax'd her thoughts from their sweet prison,
As once or twice to smile, if not to listen.

LXXXI
From answering she began to question; this
With her was rare: and Adeline, who as yet
Thought her predictions went not much amiss,
Began to dread she'd thaw to a coquette --
So very difficult, they say, it is
To keep extremes from meeting, when once set
In motion; but she here too much refined --
Aurora's spirit was not of that kind.

LXXXII
But Juan had a sort of winning way,
A proud humility, if such there be,
Which show'd such deference to what females say,
As if each charming word were a decree.
His tact, too, temper'd him from grave to gay,
And taught him when to be reserved or free:
He had the art of drawing people out,
Without their seeing what he was about.

LXXXIII
Aurora, who in her indifference
Confounded him in common with the crowd
Of flatterers, though she deem'd he had more sense
Than whispering foplings, or than witlings loud --
Commenced (from such slight things will great commence)
To feel that flattery which attracts the proud
Rather by deference than compliment,
And wins even by a delicate dissent.

LXXXIV
And then he had good looks; -- that point was carried
Nem. con. amongst the women, which I grieve
To say leads oft to crim. con. with the married --
A case which to the juries we may leave,
Since with digressions we too long have tarried.
Now though we know of old that looks deceive,
And always have done, somehow these good looks
Make more impression than the best of books.

LXXXV
Aurora, who look'd more on books than faces,
Was very young, although so very sage,
Admiring more Minerva than the Graces,
Especially upon a printed page.
But Virtue's self, with all her tightest laces,
Has not the natural stays of strict old age;
And Socrates, that model of all duty,
Own'd to a penchant, though discreet, for beauty.

LXXXVI
And girls of sixteen are thus far Socratic,
But innocently so, as Socrates;
And really, if the sage sublime and Attic
At seventy years had phantasies like these,
Which Plato in his dialogues dramatic
Has shown, I know not why they should displease
In virgins -- always in a modest way,
Observe; for that with me's a "sine quâ."

LXXXVII
Also observe, that, like the great Lord Coke
(See Littleton), whene'er I have express'd
Opinions two, which at first sight may look
Twin opposites, the second is the best.
Perhaps I have a third, too, in a nook,
Or none at all -- which seems a sorry jest:
But if a writer should be quite consistent,
How could he possibly show things existent?

LXXXVIII
If people contradict themselves, can I
Help contradicting them, and every body,
Even my veracious self? -- But that's a lie:
I never did so, never will -- how should I?
He who doubts all things nothing can deny:
Truth's fountains may be clear -- her streams are muddy,
And cut through such canals of contradiction,
That she must often navigate o'er fiction.

LXXXIX
Apologue, fable, poesy, and parable,
Are false, but may be render'd also true,
By those who sow them in a land that's arable.
'T is wonderful what fable will not do!
'T is said it makes reality more bearable:
But what's reality? Who has its clue?
Philosophy? No: she too much rejects.
Religion? Yes; but which of all her sects?

XC
Some millions must be wrong, that's pretty clear;
Perhaps it may turn out that all were right.
God help us! Since we have need on our career
To keep our holy beacons always bright,
'T is time that some new prophet should appear,
Or old indulge man with a second sight.
Opinions wear out in some thousand years,
Without a small refreshment from the spheres.

XCI
But here again, why will I thus entangle
Myself with metaphysics? None can hate
So much as I do any kind of wrangle;
And yet, such is my folly, or my fate,
I always knock my head against some angle
About the present, past, or future state.
Yet I wish well to Trojan and to Tyrian,
For I was bred a moderate Presbyterian.

XCII
But though I am a temperate theologian,
And also meek as a metaphysician,
Impartial between Tyrian and Trojan,
As Eldon on a lunatic commission --
In politics my duty is to show John
Bull something of the lower world's condition.
It makes my blood boil like the springs of Hecla,
To see men let these scoundrel sovereigns break law.

XCIII
But politics, and policy, and piety,
Are topics which I sometimes introduce,
Not only for the sake of their variety,
But as subservient to a moral use;
Because my business is to dress society,
And stuff with sage that very verdant goose.
And now, that we may furnish with some matter all
Tastes, we are going to try the supernatural.

XCIV
And now I will give up all argument;
And positively henceforth no temptation
Shall "fool me to the top up of my bent:" --
Yes, I'll begin a thorough reformation.
Indeed, I never knew what people meant
By deeming that my Muse's conversation
Was dangerous; -- I think she is as harmless
As some who labour more and yet may charm less.

XCV
Grim reader! did you ever see a ghost?
No; but you have heard -- I understand -- be dumb!
And don't regret the time you may have lost,
For you have got that pleasure still to come:
And do not think I mean to sneer at most
Of these things, or by ridicule benumb
That source of the sublime and the mysterious: --
For certain reasons my belief is serious.

XCVI
Serious? You laugh; -- you may: that will I not;
My smiles must be sincere or not at all.
I say I do believe a haunted spot
Exists -- and where? That shall I not recall,
Because I'd rather it should be forgot,
"Shadows the soul of Richard" may appal.
In short, upon that subject I've some qualms very
Like those of the philosopher of Malmsbury.

XCVII
The night (I sing by night -- sometimes an owl,
And now and then a nightingale) is dim,
And the loud shriek of sage Minerva's fowl
Rattles around me her discordant hymn:
Old portraits from old walls upon me scowl --
I wish to heaven they would not look so grim;
The dying embers dwindle in the grate --
I think too that I have sate up too late:

XCVIII
And therefore, though 't is by no means my way
To rhyme at noon -- when I have other things
To think of, if I ever think -- I say
I feel some chilly midnight shudderings,
And prudently postpone, until mid-day,
Treating a topic which, alas! but brings
Shadows; -- but you must be in my condition
Before you learn to call this superstition.

XCIX
Between two worlds life hovers like a star,
'Twixt night and morn, upon the horizon's verge.
How little do we know that which we are!
How less what we may be! The eternal surge
Of time and tide rolls on, and bears afar
Our bubbles; as the old burst, new emerge,
Lash'd from the foam of ages; while the graves
Of empires heave but like some passing waves.

poem by Byron from Don Juan (1824)
Submitted by Veronica Serbanoiu
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Don Juan: Canto The Fifteenth

Ah!--What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An 'Oh!' or 'Ah!' of joy or misery,
Or a 'Ha! ha!' or 'Bah!'-- a yawn, or 'Pooh!'
Of which perhaps the latter is most true.

But, more or less, the whole's a syncope
Or a singultus - emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean,--
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

And as for love--O love!--We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

The Lady Adeline, right honourable;
And honour'd, ran a risk of growing less so;
For few of the soft sex are very stable
In their resolves--alas! that I should say so!
They differ as wine differs from its label,
When once decanted;--I presume to guess so,
But will not swear: yet both upon occasion,
Till old, may undergo adulteration.

But Adeline was of the purest vintage,
The unmingled essence of the grape; and yet
Bright as a new Napoleon from its mintage,
Or glorious as a diamond richly set;
A page where Time should hesitate to print age,
And for which Nature might forego her debt--
Sole creditor whose process doth involve in 't
The luck of finding every body solvent.

O Death! thou dunnest of all duns! thou daily
Knockest at doors, at first with modest tap,
Like a meek tradesman when, approaching palely,
Some splendid debtor he would take by sap:
But oft denied, as patience 'gins to fail, he
Advances with exasperated rap,
And (if let in) insists, in terms unhandsome,
On ready money, or 'a draft on Ransom.'

Whate'er thou takest, spare a while poor Beauty!
She is so rare, and thou hast so much prey.
What though she now and then may slip from duty,
The more's the reason why you ought to stay.
Gaunt Gourmand! with whole nations for your booty,
You should be civil in a modest way:
Suppress, then, some slight feminine diseases,
And take as many heroes as Heaven pleases.

Fair Adeline, the more ingenuous
Where she was interested (as was said),
Because she was not apt, like some of us,
To like too readily, or too high bred
To show it (points we need not now discuss)--
Would give up artlessly both heart and head
Unto such feelings as seem'd innocent,
For objects worthy of the sentiment.

Some parts of Juan's history, which Rumour,
That live gazette, had scatter'd to disfigure,
She had heard; but women hear with more good humour
Such aberrations than we men of rigour:
Besides, his conduct, since in England, grew more
Strict, and his mind assumed a manlier vigour;
Because he had, like Alcibiades,
The art of living in all climes with ease.

His manner was perhaps the more seductive,
Because he ne'er seem'd anxious to seduce;
Nothing affected, studied, or constructive
Of coxcombry or conquest: no abuse
Of his attractions marr'd the fair perspective,
To indicate a Cupidon broke loose,
And seem to say, 'Resist us if you can'--
Which makes a dandy while it spoils a man.

They are wrong--that's not the way to set about it;
As, if they told the truth, could well be shown.
But, right or wrong, Don Juan was without it;
In fact, his manner was his own alone;
Sincere he was--at least you could not doubt it,
In listening merely to his voice's tone.
The devil hath not in all his quiver's choice
An arrow for the heart like a sweet voice.

By nature soft, his whole address held off
Suspicion: though not timid, his regard
Was such as rather seem'd to keep aloof,
To shield himself than put you on your guard:
Perhaps 'twas hardly quite assured enough,
But modesty's at times its own reward,
Like virtue; and the absence of pretension
Will go much farther than there's need to mention.

Serene, accomplish'd, cheerful but not loud;
Insinuating without insinuation;
Observant of the foibles of the crowd,
Yet ne'er betraying this in conversation;
Proud with the proud, yet courteously proud,
So as to make them feel he knew his station
And theirs:--without a struggle for priority,
He neither brook'd nor claim'd superiority.

That is, with men: with women he was what
They pleased to make or take him for; and their
Imagination's quite enough for that:
So that the outline's tolerably fair,
They fill the canvas up - and 'verbum sat.'
If once their phantasies be brought to bear
Upon an object, whether sad or playful,
They can transfigure brighter than a Raphael.

Adeline, no deep judge of character,
Was apt to add a colouring from her own:
'Tis thus the good will amiably err,
And eke the wise, as has been often shown.
Experience is the chief philosopher,
But saddest when his science is well known:
And persecuted sages teach the schools
Their folly in forgetting there are fools.

Was it not so, great Locke? and greater Bacon?
Great Socrates? And thou, Diviner still,
Whose lot it is by man to be mistaken,
And thy pure creed made sanction of all ill?
Redeeming worlds to be by bigots shaken,
How was thy toil rewarded? We might fill
Volumes with similar sad illustrations,
But leave them to the conscience of the nations.

I perch upon an humbler promontory,
Amidst life's infinite variety:
With no great care for what is nicknamed glory,
But speculating as I cast mine eye
On what may suit or may not suit my story,
And never straining hard to versify,
I rattle on exactly as I'd talk
With any body in a ride or walk.

I don't know that there may be much ability
Shown in this sort of desultory rhyme;
But there's a conversational facility,
Which may round off an hour upon a time.
Of this I'm sure at least, there's no servility
In mine irregularity of chime,
Which rings what's uppermost of new or hoary,
Just as I feel the 'Improvvisatore.'

'Omnia vult belle Matho dicere - dic aliquando
Et bene, dic neutrum, dic aliquando male.'
The first is rather more than mortal can do;
The second may be sadly done or gaily;
The third is still more difficult to stand to;
The fourth we hear, and see, and say too, daily.
The whole together is what I could wish
To serve in this conundrum of a dish.

A modest hope--but modesty 's my forte,
And pride my feeble:--let us ramble on.
I meant to make this poem very short,
But now I can't tell where it may not run.
No doubt, if I had wish' to pay my court
To critics, or to hail the setting sun
Of tyranny of all kinds, my concision
Were more;--but I was born for opposition.

But then 'tis mostly on the weaker side;
So that I verily believe if they
Who now are basking in their full-blown pride
Were shaken down, and 'dogs had had their day,'
Though at the first I might perchance deride
Their tumble, I should turn the other way,
And wax an ultra-royalist in loyalty,
Because I hate even democratic royalty.

I think I should have made a decent spouse,
If I had never proved the soft condition;
I think I should have made monastic vows,
But for my own peculiar superstition:
'Gainst rhyme I never should have knock'd my brows,
Nor broken my own head, nor that of Priscian,
Nor worn the motley mantle of a poet,
If some one had not told me to forego it.

But 'laissez aller'--knights and dames I sing,
Such as the times may furnish. 'T is a flight
Which seems at first to need no lofty wing,
Plumed by Longinus or the Stagyrite:
The difficultly lies in colouring
(Keeping the due proportions still in sight)
With nature manners which are artificial,
And rend'ring general that which is especial.

The difference is, that in the days of old
Men made the manners; manners now make men--
Pinn'd like a flock, and fleeced too in their fold,
At least nine, and a ninth beside of ten.
Now this at all events must render cold
Your writers, who must either draw again
Days better drawn before, or else assume
The present, with their common-place costume.

We'll do our best to make the best on't:--March!
March, my Muse! If you cannot fly, yet flutter;
And when you may not be sublime, be arch,
Or starch, as are the edicts statesmen utter.
We surely may find something worth research:
Columbus found a new world in a cutter,
Or brigantine, or pink, of no great tonnage,
While yet America was in her non-age.

When Adeline, in all her growing sense
Of Juan's merits and his situation,
Felt on the whole an interest intense,--
Partly perhaps because a fresh sensation,
Or that he had an air of innocence,
Which is for innocence a sad temptation,--
As women hate half measures, on the whole,
She 'gan to ponder how to save his soul.

She had a good opinion of advice,
Like all who give and eke receive it gratis,
For which small thanks are still the market price,
Even where the article at highest rate is:
She thought upon the subject twice or thrice,
And morally decided, the best state is
For morals, marriage; and this question carried,
She seriously advised him to get married.

Juan replied, with all becoming deference,
He had a predilection for that tie;
But that, at present, with immediate reference
To his own circumstances, there might lie
Some difficulties, as in his own preference,
Or that of her to whom he might apply:
That still he'd wed with such or such a lady,
If that they were not married all already.

Next to the making matches for herself,
And daughters, brothers, sisters, kith or kin,
Arranging them like books on the same shelf,
There 's nothing women love to dabble in
More (like a stock-holder in growing pelf)
Than match-making in general: 'tis no sin
Certes, but a preventative, and therefore
That is, no doubt, the only reason wherefore.

But never yet (except of course a miss
Unwed, or mistress never to be wed,
Or wed already, who object to this)
Was there chaste dame who had not in her head
Some drama of the marriage unities,
Observed as strictly both at board and bed
As those of Aristotle, though sometimes
They turn out melodrames or pantomimes.

They generally have some only son,
Some heir to a large property, some friend
Of an old family, some gay Sir john,
Or grave Lord George, with whom perhaps might end
A line, and leave posterity undone,
Unless a marriage was applied to mend
The prospect and their morals: and besides,
They have at hand a blooming glut of brides.

From these they will be careful to select,
For this an heiress, and for that a beauty;
For one a songstress who hath no defect,
For t'other one who promises much duty;
For this a lady no one can reject,
Whose sole accomplishments were quite a booty;
A second for her excellent connections;
A third, because there can be no objections.

When Rapp the Harmonist embargo'd marriage
In his harmonious settlement (which flourishes
Strangely enough as yet without miscarriage,
Because it breeds no more mouths than it nourishes,
Without those sad expenses which disparage
What Nature naturally most encourages)--
Why call'd he 'Harmony' a state sans wedlock?
Now here I've got the preacher at a dead lock.

Because he either meant to sneer at harmony
Or marriage, by divorcing them thus oddly.
But whether reverend Rapp learn'd this in Germany
Or no, 'tis said his sect is rich and godly,
Pious and pure, beyond what I can term any
Of ours, although they propagate more broadly.
My objection's to his title, not his ritual,
Although I wonder how it grew habitual.

But Rapp is the reverse of zealous matrons,
Who favour, malgre Malthus, generation -
Professors of that genial art, and patrons
Of all the modest part of propagation;
Which after all at such a desperate rate runs,
That half its produce tends to emigration,
That sad result of passions and potatoes -
Two weeds which pose our economic Catos.

Had Adeline read Malthus? I can't tell;
I wish she had: his book 's the eleventh commandment,
Which says, 'Thou shalt not marry,' unless well:
This he (as far as I can understand) meant.
'Tis not my purpose on his views to dwell
Nor canvass what so 'eminent a hand' meant;
But certes it conducts to lives ascetic,
Or turning marriage into arithmetic.

But Adeline, who probably presumed
That Juan had enough of maintenance,
Or separate maintenance, in case 'twas doom'd--
As on the whole it is an even chance
That bridegrooms, after they are fairly groom'd,
May retrograde a little in the dance
Of marriage (which might form a painter's fame,
Like Holbein's 'Dance of Death'--but 'tis the same);--

But Adeline determined Juan's wedding
In her own mind, and that 's enough for woman:
But then, with whom? There was the sage Miss Reading,
Miss Raw, Miss Flaw, Miss Showman, and Miss Knowman.
And the two fair co-heiresses Giltbedding.
She deem'd his merits something more than common:
All these were unobjectionable matches,
And might go on, if well wound up, like watches.

There was Miss Millpond, smooth as summer's sea,
That usual paragon, an only daughter,
Who seem'd the cream of equanimity
Till skimm'd - and then there was some milk and water,
With a slight shade of blue too, it might be,
Beneath the surface; but what did it matter?
Love's riotous, but marriage should have quiet,
And being consumptive, live on a milk diet.

And then there was the Miss Audacia Shoestring,
A dashing demoiselle of good estate,
Whose heart was fix'd upon a star or blue string;
But whether English dukes grew rare of late,
Or that she had not harp'd upon the true string,
By which such sirens can attract our great,
She took up with some foreign younger brother,
A Russ or Turk - the one's as good as t'other.

And then there was - but why should I go on,
Unless the ladies should go off?- there was
Indeed a certain fair and fairy one,
Of the best class, and better than her class,--
Aurora Raby, a young star who shone
O'er life, too sweet an image for such glass,
A lovely being, scarcely form'd or moulded,
A rose with all its sweetest leaves yet folded;

Rich, noble, but an orphan; left an only
Child to the care of guardians good and kind;
But still her aspect had an air so lonely!
Blood is not water; and where shall we find
Feelings of youth like those which overthrown lie
By death, when we are left, alas! behind,
To feel, in friendless palaces, a home
Is wanting, and our best ties in the tomb?

Early in years, and yet more infantine
In figure, she had something of sublime
In eyes which sadly shone, as seraphs' shine.
All youth - but with an aspect beyond time;
Radiant and grave - as pitying man's decline;
Mournful - but mournful of another's crime,
She look'd as if she sat by Eden's door.
And grieved for those who could return no more.

She was a Catholic, too, sincere, austere,
As far as her own gentle heart allow'd,
And deem'd that fallen worship far more dear
Perhaps because 'twas fallen: her sires were proud
Of deeds and days when they had fill'd the ear
Of nations, and had never bent or bow'd
To novel power; and as she was the last,
She held their old faith and old feelings fast.

She gazed upon a world she scarcely knew,
As seeking not to know it; silent, lone,
As grows a flower, thus quietly she grew,
And kept her heart serene within its zone.
There was awe in the homage which she drew;
Her spirit seem'd as seated on a throne
Apart from the surrounding world, and strong
In its own strength - most strange in one so young!

Now it so happen'd, in the catalogue
Of Adeline, Aurora was omitted,
Although her birth and wealth had given her vogue
Beyond the charmers we have already cited;
Her beauty also seem'd to form no clog
Against her being mention'd as well fitted,
By many virtues, to be worth the trouble
Of single gentlemen who would be double.

And this omission, like that of the bust
Of Brutus at the pageant of Tiberius,
Made Juan wonder, as no doubt he must.
This he express'd half smiling and half serious;
When Adeline replied with some disgust,
And with an air, to say the least, imperious,
She marvell'd 'what he saw in such a baby
As that prim, silent, cold Aurora Raby?'

Juan rejoin'd - 'She was a Catholic,
And therefore fittest, as of his persuasion;
Since he was sure his mother would fall sick,
And the Pope thunder excommunication,
If--' But here Adeline, who seem'd to pique
Herself extremely on the inoculation
Of others with her own opinions, stated--
As usual--the same reason which she late did.

And wherefore not? A reasonable reason,
If good, is none the worse for repetition;
If bad, the best way's certainly to tease on,
And amplify: you lose much by concision,
Whereas insisting in or out of season
Convinces all men, even a politician;
Or - what is just the same - it wearies out.
So the end's gain'd, what signifies the route?

Why Adeline had this slight prejudice -
For prejudice it was - against a creature
As pure as sanctity itself from vice,
With all the added charm of form and feature,
For me appears a question far too nice,
Since Adeline was liberal by nature;
But nature's nature, and has more caprices
Than I have time, or will, to take to pieces.

Perhaps she did not like the quiet way
With which Aurora on those baubles look'd,
Which charm most people in their earlier day:
For there are few things by mankind less brook'd,
And womankind too, if we so may say,
Than finding thus their genius stand rebuked,
Like 'Anthony's by Caesar,' by the few
Who look upon them as they ought to do.

It was not envy - Adeline had none;
Her place was far beyond it, and her mind.
It was not scorn - which could not light on one
Whose greatest fault was leaving few to find.
It was not jealousy, I think: but shun
Following the 'ignes fatui' of mankind.
It was not - but 'tis easier far, alas!
To say what it was not than what it was.

Little Aurora deem'd she was the theme
Of such discussion. She was there a guest;
A beauteous ripple of the brilliant stream
Of rank and youth, though purer than the rest,
Which flow'd on for a moment in the beam
Time sheds a moment o'er each sparkling crest.
Had she known this, she would have calmly smiled--
She had so much, or little, of the child.

The dashing and proud air of Adeline
Imposed not upon her: she saw her blaze
Much as she would have seen a glow -worm shine,
Then turn'd unto the stars for loftier rays.
Juan was something she could not divine,
Being no sibyl in the new world's ways;
Yet she was nothing dazzled by the meteor,
Because she did not pin her faith on feature.

His fame too,--for he had that kind of fame
Which sometimes plays the deuce with womankind,
A heterogeneous mass of glorious blame,
Half virtues and whole vices being combined;
Faults which attract because they are not tame;
Follies trick'd out so brightly that they blind:--
These seals upon her wax made no impression,
Such was her coldness or her self-possession.

Juan knew nought of such a character--
High, yet resembling not his lost Haidee;
Yet each was radiant in her proper sphere:
The island girl, bred up by the lone sea,
More warm, as lovely, and not less sincere,
Was Nature's all: Aurora could not be,
Nor would be thus:--the difference in them
Was such as lies between a flower and gem.

Having wound up with this sublime comparison,
Methinks we may proceed upon our narrative,
And, as my friend Scott says, 'I sound my warison;'
Scott, the superlative of my comparative--
Scott, who can paint your Christian knight or Saracen,
Serf, lord, man, with such skill as none would share it, if
There had not been one Shakspeare and Voltaire,
Of one or both of whom he seems the heir.

I say, in my slight way I may proceed
To play upon the surface of humanity.
I write the world, nor care if the world read,
At least for this I cannot spare its vanity.
My Muse hath bred, and still perhaps may breed
More foes by this same scroll: when I began it, I
Thought that it might turn out so - now I know it,
But still I am, or was, a pretty poet.

The conference or congress (for it ended
As congresses of late do) of the Lady
Adeline and Don Juan rather blended
Some acids with the sweets - for she was heady;
But, ere the matter could be marr'd or mended,
The silvery bell rang, not for 'dinner ready,
But for that hour, call'd half-hour, given to dress,
Though ladies' robes seem scant enough for less.

Great things were now to be achieved at table,
With massy plate for armour, knives and forks
For weapons; but what Muse since Homer 's able
(His feasts are not the worst part of his works)
To draw up in array a single day-bill
Of modern dinners? where more mystery lurks,
In soups or sauces, or a sole ragout,

There was a goodly 'soupe a la bonne femme,'
Though God knows whence it came from; there was, too,
A turbot for relief of those who cram,
Relieved with 'dindon a la Parigeux;'
How shall I get this gourmand stanza through?--
'Soupe a la Beauveau,' whose relief was dory,
Relieved itself by pork, for greater glory.

But I must crowd all into one grand mess
Or mass; for should I stretch into detail,
My Muse would run much more into excess,
Than when some squeamish people deem her frail.
But though a 'bonne vivante,' I must confess
Her stomach's not her peccant part; this tale
However doth require some slight refection,
Just to relieve her spirits from dejection.

Fowls 'a la Conde,' slices eke of salmon,
With 'sauces Genevoises,' and haunch of venison;
Wines too, which might again have slain young Ammon--
A man like whom I hope we shan't see many soon;
They also set a glazed Westphalian ham on,
Whereon Apicius would bestow his benison;
And then there was champagne with foaming whirls,
As white as Cleopatra's melted pearls.

Then there was God knows what 'a l'Allemande,'
'A l'Espagnole,' 'timballe,' and 'salpicon'--
With things I can't withstand or understand,
Though swallow'd with much zest upon the whole;
And 'entremets' to piddle with at hand,
Gently to lull down the subsiding soul;
While great Lucullus' Robe triumphal muffles
(There's fame) young partridge fillets, deck'd with truffles.

What are the fillets on the victor's brow
To these? They are rags or dust. Where is the arch
Which nodded to the nation's spoils below?
Where the triumphal chariots' haughty march?
Gone to where victories must like dinners go.
Farther I shall not follow the research:
But oh! ye modern heroes with your cartridges,
When will your names lend lustre e'en to partridges?

Those truffles too are no bad accessaries,
Follow'd by 'petits puits d'amour'--a dish
Of which perhaps the cookery rather varies,
So every one may dress it to his wish,
According to the best of dictionaries,
Which encyclopedize both flesh and fish;
But even sans 'confitures,' it no less true is,
There's pretty picking in those 'petits puits.'

The mind is lost in mighty contemplation
Of intellect expanded on two courses;
And indigestion's grand multiplication
Requires arithmetic beyond my forces.
Who would suppose, from Adam's simple ration,
That cookery could have call'd forth such resources,
As form a science and a nomenclature
From out the commonest demands of nature?

The glasses jingled, and the palates tingled;
The diners of celebrity dined well;
The ladies with more moderation mingled
In the feast, pecking less than I can tell;
Also the younger men too: for a springald
Can't, like ripe age, in gormandize excel,
But thinks less of good eating than the whisper
(When seated next him) of some pretty lisper.

Alas! I must leave undescribed the gibier,
The salmi, the consomme, the puree,
All which I use to make my rhymes run glibber
Than could roast beef in our rough John Bull way:
I must not introduce even a spare rib here,
'Bubble and squeak' would spoil my liquid lay:
But I have dined, and must forego, Alas!
The chaste description even of a 'becasse;'

And fruits, and ice, and all that art refines
From nature for the service of the gout--
Taste or the gout,--pronounce it as inclines
Your stomach! Ere you dine, the French will do;
But after, there are sometimes certain signs
Which prove plain English truer of the two.
Hast ever had the gout? I have not had it--
But I may have, and you too, reader, dread it.

The simple olives, best allies of wine,
Must I pass over in my bill of fare?
I must, although a favourite 'plat' of mine
In Spain, and Lucca, Athens, every where:
On them and bread 'twas oft my luck to dine,
The grass my table-cloth, in open-air,
On Sunium or Hymettus, like Diogenes,
Of whom half my philosophy the progeny is.

Amidst this tumult of fish, flesh, and 'fowl,
And vegetables, all in masquerade,
The guests were placed according to their roll,
But various as the various meats display'd:
Don Juan sat next 'an l'Espagnole'--
No damsel, but a dish, as hath been said;
But so far like a lady, that 'twas drest
Superbly, and contain'd a world of zest.

By some odd chance too, he was placed between
Aurora and the Lady Adeline--
A situation difficult, I ween,
For man therein, with eyes and heart, to dine.
Also the conference which we have seen
Was not such as to encourage him to shine;
For Adeline, addressing few words to him,
With two transcendent eyes seem'd to look through him.

I sometimes almost think that eyes have ears:
This much is sure, that, out of earshot, things
Are somehow echoed to the pretty dears,
Of which I can't tell whence their knowledge springs.
Like that same mystic music of the spheres,
Which no one bears, so loudly though it rings,
'T is wonderful how oft the sex have heard
Long dialogues - which pass'd without a word!

Aurora sat with that indifference
Which piques a preux chevalier - as it ought:
Of all offences that's the worst offence,
Which seems to hint you are not worth a thought.
Now Juan, though no coxcomb in pretence,
Was not exactly pleased to be so caught;
Like a good ship entangled among ice,
And after so much excellent advice.

To his gay nothings, nothing was replied,
Or something which was nothing, as urbanity
Required. Aurora scarcely look'd aside,
Nor even smiled enough for any vanity.
The devil was in the girl! Could it be pride?
Or modesty, or absence, or inanity?
Heaven knows? But Adeline's malicious eyes
Sparkled with her successful prophecies,

And look'd as much as if to say, 'I said it;'
A kind of triumph I'll not recommend,
Because it sometimes, as I have seen or read it,
Both in the case of lover and of friend,
Will pique a gentleman, for his own credit,
To bring what was a jest to a serious end:
For all men prophesy what is or was,
And hate those who won't let them come to pass.

Juan was drawn thus into some attentions,
Slight but select, and just enough to express,
To females of perspicuous comprehensions,
That he would rather make them more than less.
Aurora at the last (so history mentions,
Though probably much less a fact than guess)
So far relax'd her thoughts from their sweet prison,
As once or twice to smile, if not to listen.

From answering she began to question; this
With her was rare: and Adeline, who as yet
Thought her predictions went not much amiss,
Began to dread she'd thaw to a coquette--
So very difficult, they say, it is
To keep extremes from meeting, when once set
In motion; but she here too much refined--
Aurora's spirit was not of that kind.

But Juan had a sort of winning way,
A proud humility, if such there be,
Which show'd such deference to what females say,
As if each charming word were a decree.
His tact, too, temper'd him from grave to gay,
And taught him when to be reserved or free:
He had the art of drawing people out,
Without their seeing what he was about.

Aurora, who in her indifference
Confounded him in common with the crowd
Of flatterers, though she deem'd he had more sense
Than whispering foplings, or than witlings loud--
Commenced (from such slight things will great commence)
To feel that flattery which attracts the proud
Rather by deference than compliment,
And wins even by a delicate dissent.

And then he had good looks;--that point was carried
Nem. con. amongst the women, which I grieve
To say leads oft to crim. con. with the married -
A case which to the juries we may leave,
Since with digressions we too long have tarried.
Now though we know of old that looks deceive,
And always have done, somehow these good looks
Make more impression than the best of books.

Aurora, who look'd more on books than faces,
Was very young, although so very sage,
Admiring more Minerva than the Graces,
Especially upon a printed page.
But Virtue's self, with all her tightest laces,
Has not the natural stays of strict old age;
And Socrates, that model of all duty,
Own'd to a penchant, though discreet, for beauty.

And girls of sixteen are thus far Socratic,
But innocently so, as Socrates;
And really, if the sage sublime and Attic
At seventy years had phantasies like these,
Which Plato in his dialogues dramatic
Has shown, I know not why they should displease
In virgins - always in a modest way,
Observe; for that with me's a 'sine qua.'

Also observe, that, like the great Lord Coke
(See Littleton), whene'er I have express'd
Opinions two, which at first sight may look
Twin opposites, the second is the best.
Perhaps I have a third, too, in a nook,
Or none at all - which seems a sorry jest:
But if a writer should be quite consistent,
How could he possibly show things existent?

If people contradict themselves, can
Help contradicting them, and every body,
Even my veracious self?- But that's a lie:
I never did so, never will--how should I?
He who doubts all things nothing can deny:
Truth's fountains may be clear--her streams are muddy,
And cut through such canals of contradiction,
That she must often navigate o'er fiction.

Apologue, fable, poesy, and parable,
Are false, but may he render'd also true,
By those who sow them in a land that's arable.
'Tis wonderful what fable will not do!
'Tis said it makes reality more bearable:
But what's reality? Who has its clue?
Philosophy? No: she too much rejects.
Religion? Yes; but which of all her sects?

Some millions must be wrong, that 's pretty dear;
Perhaps it may turn out that all were right.
God help us! Since we have need on our career
To keep our holy beacons always bright,
'Tis time that some new prophet should appear,
Or old indulge man with a second sight.
Opinions wear out in some thousand years,
Without a small refreshment from the spheres.

But here again, why will I thus entangle
Myself with metaphysics? None can hate
So much as I do any kind of wrangle;
And yet, such is my folly, or my fate,
I always knock my head against some angle
About the present, past, or future state.
Yet I wish well to Trojan and to Tyrian,
For I was bred a moderate Presbyterian.

But though I am a temperate theologian,
And also meek as a metaphysician,
Impartial between Tyrian and Trojan,
As Eldon on a lunatic commission--
In politics my duty is to show John
Bull something of the lower world's condition.
It makes my blood boil like the springs of Hecla,
To see men let these scoundrel sovereigns break law.

But politics, and policy, and piety,
Are topics which I sometimes introduce,
Not only for the sake of their variety,
But as subservient to a moral use;
Because my business is to dress society,
And stuff with sage that very verdant goose.
And now, that we may furnish with some matter all
Tastes, we are going to try the supernatural.

And now I will give up all argument;
And positively henceforth no temptation
Shall 'fool me to the top up of my bent:'--
Yes, I'll begin a thorough reformation.
Indeed, I never knew what people meant
By deeming that my Muse's conversation
Was dangerous;--I think she is as harmless
As some who labour more and yet may charm less.

Grim reader! did you ever see a ghost?
No; but you have heard--I understand--be dumb!
And don't regret the time you may have lost,
For you have got that pleasure still to come:
And do not think I mean to sneer at most
Of these things, or by ridicule benumb
That source of the sublime and the mysterious:-
For certain reasons my belief is serious.

Serious? You laugh;--you may: that will I not;
My smiles must be sincere or not at all.
I say I do believe a haunted spot
Exists--and where? That shall I not recall,
Because I 'd rather it should be forgot,
'Shadows the soul of Richard' may appal.
In short, upon that subject I've some qualms very
Like those of the philosopher of Malmsbury.

The night (I sing by night - sometimes an owl,
And now and then a nightingale) is dim,
And the loud shriek of sage Minerva's fowl
Rattles around me her discordant hymn:
Old portraits from old walls upon me scowl -
I wish to heaven they would not look so grim;
The dying embers dwindle in the grate -
I think too that I have sate up too late:

And therefore, though 'tis by no means my way
To rhyme at noon - when I have other things
To think of, if I ever think - I say
I feel some chilly midnight shudderings,
And prudently postpone, until mid-day,
Treating a topic which, alas! but brings
Shadows;--but you must be in my condition
Before you learn to call this superstition.

poem by Byron
Submitted by Poetry Lover
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Any Wife to Any Husband

I

My love, this is the bitterest, that thou
Who art all truth, and who dost love me now
As thine eyes say, as thy voice breaks to say—
Shouldst love so truly, and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay.

II

I have but to be by thee, and thy hand
Will never let mine go, nor heart withstand
The beating of my heart to reach its place.
When shall I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.

III

Oh, I should fade—'tis willed so! Might I save,
Gladly I would, whatever beauty gave
Joy to thy sense, for that was precious too.
It is not to be granted. But the soul
Whence the love comes, all ravage leaves that whole;
Vainly the flesh fades; soul makes all things new.

IV

It would not be because my eye grew dim
Thou couldst not find the love there, thanks to Him
Who never is dishonoured in the spark
He gave us from his fire of fires, and bade
Remember whence it sprang, nor be afraid
While that burns on, though all the rest grow dark.

V

So, how thou wouldst be perfect, white and clean
Outside as inside, soul and soul's demesne
Alike, this body given to show it by!
Oh, three-parts through the worst of life's abyss,
What plaudits from the next world after this,
Couldst thou repeat a stroke and gain the sky!

VI

And is it not the bitterer to think
That, disengage our hands and thou wilt sink
Although thy love was love in very deed?
I know that nature! Pass a festive day,
Thou dost not throw its relic-flower away
Nor bid its music's loitering echo speed.

VII

Thou let'st the stranger's glove lie where it fell;
If old things remain old things all is well,
For thou art grateful as becomes man best:
And hadst thou only heard me play one tune,
Or viewed me from a window, not so soon
With thee would such things fade as with the rest.

VIII

I seem to see! We meet and part; 'tis brief;
The book I opened keeps a folded leaf,
The very chair I sat on, breaks the rank;
That is a portrait of me on the wall—
Three lines, my face comes at so slight a call:
And for all this, one little hour to thank!

IX

But now, because the hour through years was fixed,
Because our inmost beings met and mixed,
Because thou once hast loved me—wilt thou dare
Say to thy soul and Who may list beside,
"Therefore she is immortally my bride;
"Chance cannot change my love, nor time impair.

X

"So, what if in the dusk of life that's left,
"I, a tired traveller of my sun bereft,
"Look from my path when, mimicking the same,
"The fire-fly glimpses past me, come and gone?
"—Where was it till the sunset? where anon
"It will be at the sunrise! What's to blame?"

XI

Is it so helpful to thee? Canst thou take
The mimic up, nor, for the true thing's sake,
Put gently by such efforts at a beam?
Is the remainder of the way so long,
Thou need'st the little solace, thou the strong?
Watch out thy watch, let weak ones doze and dream!

XII

—Ah, but the fresher faces! "Is it true,"
Thou'lt ask, "some eyes are beautiful and new?
"Some hair,—how can one choose but grasp such wealth?
"And if a man would press his lips to lips
"Fresh as the wilding hedge-rose-cup there slips
"The dew-drop out of, must it be by stealth?

XIII

"It cannot change the love still kept for Her,
"More than if such a picture I prefer
"Passing a day with, to a room's bare side:
"The painted form takes nothing she possessed,
"Yet, while the Titian's Venus lies at rest,
"A man looks. Once more, what is there to chide?"

XIV

So must I see, from where I sit and watch,
My own self sell myself, my hand attach
Its warrant to the very thefts from me—
Thy singleness of soul that made me proud,
Thy purity of heart I loved aloud,
Thy man's-truth I was bold to bid God see!

XV

Love so, then, if thou wilt! Give all thou canst
Away to the new faces—disentranced,
(Say it and think it) obdurate no more:
Re-issue looks and words from the old mint,
Pass them afresh, no matter whose the print
Image and superscription once they bore

XVI

Re-coin thyself and give it them to spend,—
It all comes to the same thing at the end,
Since mine thou wast, mine art and mine shalt be,
Faithful or faithless, sealing up the sum
Or lavish of my treasure, thou must come
Back to the heart's place here I keep for thee!

XVII

Only, why should it be with stain at all?
Why must I, 'twixt the leaves of coronal,
Put any kiss of pardon on thy brow?
Why need the other women know so much,
And talk together, "Such the look and such
"The smile he used to love with, then as now!"

XVIII

Might I die last and show thee! Should I find
Such hardship in the few years left behind,
If free to take and light my lamp, and go
Into thy tomb, and shut the door and sit,
Seeing thy face on those four sides of it
The better that they are so blank, I know!

XIX

Why, time was what I wanted, to turn o'er
Within my mind each look, get more and more
By heart each word, too much to learn at first;
And join thee all the fitter for the pause
'Neath the low doorway's lintel. That were cause
For lingering, though thou calledst, if I durst!

XX

And yet thou art the nobler of us two:
What dare I dream of, that thou canst not do,
Outstripping my ten small steps with one stride?
I'll say then, here's a trial and a task—
Is it to bear?—if easy, I'll not ask:
Though love fail, I can trust on in thy pride.

XXI

Pride?—when those eyes forestall the life behind
The death I have to go through!—when I find,
Now that I want thy help most, all of thee!
What did I fear? Thy love shall hold me fast
Until the little minute's sleep is past
And I wake saved.—And yet it will not be!

poem by Robert Browning from Men and Women (1855)
Submitted by Veronica Serbanoiu
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Canto the Twelfth

I
Of all the barbarous middle ages, that
Which is most barbarous is the middle age
Of man; it is -- I really scarce know what;
But when we hover between fool and sage,
And don't know justly what we would be at --
A period something like a printed page,
Black letter upon foolscap, while our hair
Grows grizzled, and we are not what we were; --

II
Too old for youth, -- too young, at thirty-five,
To herd with boys, or hoard with good threescore, --
I wonder people should be left alive;
But since they are, that epoch is a bore:
Love lingers still, although 't were late to wive;
And as for other love, the illusion's o'er;
And money, that most pure imagination,
Gleams only through the dawn of its creation.

III
O Gold! Why call we misers miserable?
Theirs is the pleasure that can never pall;
Theirs is the best bower anchor, the chain cable
Which holds fast other pleasures great and small.
Ye who but see the saving man at table,
And scorn his temperate board, as none at all,
And wonder how the wealthy can be sparing,
Know not what visions spring from each cheese-paring.

IV
Love or lust makes man sick, and wine much sicker;
Ambition rends, and gaming gains a loss;
But making money, slowly first, then quicker,
And adding still a little through each cross
(Which will come over things), beats love or liquor,
The gamester's counter, or the statesman's dross.
O Gold! I still prefer thee unto paper,
Which makes bank credit like a bank of vapour.

V
Who hold the balance of the world? Who reign
O'er congress, whether royalist or liberal?
Who rouse the shirtless patriots of Spain? [*]
(That make old Europe's journals squeak and gibber all.)
Who keep the world, both old and new, in pain
Or pleasure? Who make politics run glibber all?
The shade of Buonaparte's noble daring? --
Jew Rothschild, and his fellow-Christian, Baring.

VI
Those, and the truly liberal Lafitte,
Are the true lords of Europe. Every loan
Is not a merely speculative hit,
But seats a nation or upsets a throne.
Republics also get involved a bit;
Columbia's stock hath holders not unknown
On 'Change; and even thy silver soil, Peru,
Must get itself discounted by a Jew.

VII
Why call the miser miserable? as
I said before: the frugal life is his,
Which in a saint or cynic ever was
The theme of praise: a hermit would not miss
Canonization for the self-same cause,
And wherefore blame gaunt wealth's austerities?
Because, you'll say, nought calls for such a trial; --
Then there's more merit in his self-denial.

VIII
He is your only poet; -- passion, pure
And sparkling on from heap to heap, displays,
Possess'd, the ore, of which mere hopes allure
Nations athwart the deep: the golden rays
Flash up in ingots from the mine obscure;
On him the diamond pours its brilliant blaze,
While the mild emerald's beam shades down the dies
Of other stones, to soothe the miser's eyes.

IX
The lands on either side are his; the ship
From Ceylon, Inde, or far Cathay, unloads
For him the fragrant produce of each trip;
Beneath his cars of Ceres groan the roads,
And the vine blushes like Aurora's lip;
His very cellars might be kings' abodes;
While he, despising every sensual call,
Commands -- the intellectual lord of all.

X
Perhaps he hath great projects in his mind,
To build a college, or to found a race,
A hospital, a church, -- and leave behind
Some dome surmounted by his meagre face:
Perhaps he fain would liberate mankind
Even with the very ore which makes them base;
Perhaps he would be wealthiest of his nation,
Or revel in the joys of calculation.

XI
But whether all, or each, or none of these
May be the hoarder's principle of action,
The fool will call such mania a disease: --
What is his own? Go -- look at each transaction,
Wars, revels, loves -- do these bring men more ease
Than the mere plodding through each "vulgar fraction"?
Or do they benefit mankind? Lean miser!
Let spendthrifts' heirs enquire of yours -- who's wiser?

XII
How beauteous are rouleaus! how charming chests
Containing ingots, bags of dollars, coins
(Not of old victors, all whose heads and crests
Weigh not the thin ore where their visage shines,
But) of fine unclipt gold, where dully rests
Some likeness, which the glittering cirque confines,
Of modern, reigning, sterling, stupid stamp: --
Yes! ready money is Aladdin's lamp.

XIII
"Love rules the camp, the court, the grove," -- "for love
Is heaven, and heaven is love:" -- so sings the bard;
Which it were rather difficult to prove
(A thing with poetry in general hard).
Perhaps there may be something in "the grove,"
At least it rhymes to "love;" but I'm prepared
To doubt (no less than landlords of their rental)
If "courts" and "camps" be quite so sentimental.

XIV
But if Love don't, Cash does, and Cash alone:
Cash rules the grove, and fells it too besides;
Without cash, camps were thin, and courts were none;
Without cash, Malthus tells you -- "take no brides."
So Cash rules Love the ruler, on his own
High ground, as virgin Cynthia sways the tides:
And as for Heaven "Heaven being Love," why not say honey
Is wax? Heaven is not Love, 't is Matrimony.

XV
Is not all love prohibited whatever,
Excepting marriage? which is love, no doubt,
After a sort; but somehow people never
With the same thought the two words have help'd out:
Love may exist with marriage, and should ever,
And marriage also may exist without;
But love sans bans is both a sin and shame,
And ought to go by quite another name.

XVI
Now if the "court," and "camp," and "grove," be not
Recruited all with constant married men,
Who never coveted their neighbour's lot,
I say that line's a lapsus of the pen; --
Strange too in my "buon camerado" Scott,
So celebrated for his morals, when
My Jeffrey held him up as an example
To me; -- of whom these morals are a sample.

XVII
Well, if I don't succeed, I have succeeded,
And that's enough; succeeded in my youth,
The only time when much success is needed:
And my success produced what I, in sooth,
Cared most about; it need not now be pleaded --
Whate'er it was, 't was mine; I've paid, in truth,
Of late the penalty of such success,
But have not learn'd to wish it any less.

XVIII
That suit in Chancery, -- which some persons plead
In an appeal to the unborn, whom they,
In the faith of their procreative creed,
Baptize posterity, or future clay, --
To me seems but a dubious kind of reed
To lean on for support in any way;
Since odds are that posterity will know
No more of them, than they of her, I trow.

XIX
Why, I'm posterity -- and so are you;
And whom do we remember? Not a hundred.
Were every memory written down all true,
The tenth or twentieth name would be but blunder'd;
Even Plutarch's Lives have but pick'd out a few,
And 'gainst those few your annalists have thunder'd;
And Mitford in the nineteenth century [*]
Gives, with Greek truth, the good old Greek the lie.

XX
Good people all, of every degree,
Ye gentle readers and ungentle writers,
In this twelfth Canto 't is my wish to be
As serious as if I had for inditers
Malthus and Wilberforce: -- the last set free
The Negroes and is worth a million fighters;
While Wellington has but enslaved the Whites,
And Malthus does the thing 'gainst which he writes.

XXI
I'm serious -- so are all men upon paper;
And why should I not form my speculation,
And hold up to the sun my little taper?
Mankind just now seem wrapt in mediation
On constitutions and steam-boats of vapour;
While sages write against all procreation,
Unless a man can calculate his means
Of feeding brats the moment his wife weans.

XXII
That's noble! That's romantic! For my part,
I think that "Philo-genitiveness" is
(Now here's a word quite after my own heart,
Though there's a shorter a good deal than this,
If that politeness set it not apart;
But I'm resolved to say nought that's amiss) --
I say, methinks that "Philo-genitiveness"
Might meet from men a little more forgiveness.

XXIII
And now to business. -- O my gentle Juan,
Thou art in London -- in that pleasant place,
Where every kind of mischief's daily brewing,
Which can await warm youth in its wild race.
'T is true, that thy career is not a new one;
Thou art no novice in the headlong chase
Of early life; but this is a new land,
Which foreigners can never understand.

XXIV
What with a small diversity of climate,
Of hot or cold, mercurial or sedate,
I could send forth my mandate like a primate
Upon the rest of Europe's social state;
But thou art the most difficult to rhyme at,
Great Britain, which the Muse may penetrate.
All countries have their "Lions," but in thee
There is but one superb menagerie.

XXV
But I am sick of politics. Begin,
"Paulo Majora." Juan, undecided
Amongst the paths of being "taken in,"
Above the ice had like a skater glided:
When tired of play, he flirted without sin
With some of those fair creatures who have prided
Themselves on innocent tantalisation,
And hate all vice except its reputation.

XXVI
But these are few, and in the end they make
Some devilish escapade or stir, which shows
That even the purest people may mistake
Their way through virtue's primrose paths of snows;
And then men stare, as if a new ass spake
To Balaam, and from tongue to ear o'erflows
Quicksilver small talk, ending (if you note it)
With the kind world's amen -- "Who would have thought it?"

XXVII
The little Leila, with her orient eyes,
And taciturn Asiatic disposition
(Which saw all western things with small surprise,
To the surprise of people of condition,
Who think that novelties are butterflies
To be pursued as food for inanition),
Her charming figure and romantic history
Became a kind of fashionable mystery.

XXVIII
The women much divided -- as is usual
Amongst the sex in little things or great.
Think not, fair creatures, that I mean to abuse you all --
I have always liked you better than I state:
Since I've grown moral, still I must accuse you all
Of being apt to talk at a great rate;
And now there was a general sensation
Amongst you, about Leila's education.

XXIX
In one point only were you settled -- and
You had reason; 't was that a young child of grace,
As beautiful as her own native land,
And far away, the last bud of her race,
Howe'er our friend Don Juan might command
Himself for five, four, three, or two years' space,
Would be much better taught beneath the eye
Of peeresses whose follies had run dry.

XXX
So first there was a generous emulation,
And then there was a general competition,
To undertake the orphan's education.
As Juan was a person of condition,
It had been an affront on this occasion
To talk of a subscription or petition;
But sixteen dowagers, ten unwed she sages,
Whose tale belongs to "Hallam's Middle Ages,"

XXXI
And one or two sad, separate wives, without
A fruit to bloom upon their withering bough --
Begg'd to bring up the little girl and "out," --
For that's the phrase that settles all things now,
Meaning a virgin's first blush at a rout,
And all her points as thorough-bred to show:
And I assure you, that like virgin honey
Tastes their first season (mostly if they have money).

XXXII
How all the needy honourable misters,
Each out-at-elbow peer, or desperate dandy,
The watchful mothers, and the careful sisters
(Who, by the by, when clever, are more handy
At making matches, where "'t is gold that glisters,"
Than their he relatives), like flies o'er candy
Buzz round "the Fortune" with their busy battery,
To turn her head with waltzing and with flattery!

XXXIII
Each aunt, each cousin, hath her speculation;
Nay, married dames will now and then discover
Such pure disinterestedness of passion,
I've known them court an heiress for their lover.
"Tantæne!" Such the virtues of high station,
Even in the hopeful Isle, whose outlet 's "Dover!"
While the poor rich wretch, object of these cares,
Has cause to wish her sire had had male heirs.

XXXIV
Some are soon bagg"d, and some reject three dozen.
'T is fine to see them scattering refusals
And wild dismay o'er every angry cousin
(Friends of the party), who begin accusals,
Such as -- "Unless Miss (Blank) meant to have chosen
Poor Frederick, why did she accord perusals
To his billets? Why waltz with him? Why, I pray,
Look yes last night, and yet say no to-day?

XXXV
"Why? -- Why? -- Besides, Fred really was attach'd;
'T was not her fortune -- he has enough without:
The time will come she'll wish that she had snatch'd
So good an opportunity, no doubt: --
But the old marchioness some plan had hatch'd,
As I'll tell Aurea at to-morrow's rout:
And after all poor Frederick may do better --
Pray did you see her answer to his letter?"

XXXVI
Smart uniforms and sparkling coronets
Are spurn'd in turn, until her turn arrives,
After male loss of time, and hearts, and bets
Upon the sweepstakes for substantial wives;
And when at last the pretty creature gets
Some gentleman, who fights, or writes, or drives,
It soothes the awkward squad of the rejected
To find how very badly she selected.

XXXVII
For sometimes they accept some long pursuer,
Worn out with importunity; or fall
(But here perhaps the instances are fewer)
To the lot of him who scarce pursued at all.
A hazy widower turn'd of forty's sure [*]
(If 't is not vain examples to recall)
To draw a high prize: now, howe'er he got her, I
See nought more strange in this than t' other lottery.

XXXVIII
I, for my part (one "modern instance" more,
"True, 't is a pity -- pity 't is, 't is true"),
Was chosen from out an amatory score,
Albeit my years were less discreet than few;
But though I also had reform'd before
Those became one who soon were to be two,
I'll not gainsay the generous public's voice,
That the young lady made a monstrous choice.

XXXIX
Oh, pardon my digression -- or at least
Peruse! 'T is always with a moral end
That I dissert, like grace before a feast:
For like an aged aunt, or tiresome friend,
A rigid guardian, or a zealous priest,
My Muse by exhortation means to mend
All people, at all times, and in most places,
Which puts my Pegasus to these grave paces.

XL
But now I'm going to be immoral; now
I mean to show things really as they are,
Not as they ought to be: for I avow,
That till we see what's what in fact, we're far
From much improvement with that virtuous plough
Which skims the surface, leaving scarce a scar
Upon the black loam long manured by Vice,
Only to keep its corn at the old price.

XLI
But first of little Leila we'll dispose;
For like a day-dawn she was young and pure,
Or like the old comparison of snows,
Which are more pure than pleasant to be sure.
Like many people everybody knows,
Don Juan was delighted to secure
A goodly guardian for his infant charge,
Who might not profit much by being at large.

XLII
Besides, he had found out he was no tutor
(I wish that others would find out the same);
And rather wish'd in such things to stand neuter,
For silly wards will bring their guardians blame:
So when he saw each ancient dame a suitor
To make his little wild Asiatic tame,
Consulting "the Society for Vice
Suppression," Lady Pinchbeck was his choice.

XLIII
Olden she was -- but had been very young;
Virtuous she was -- and had been, I believe;
Although the world has such an evil tongue
That -- but my chaster ear will not receive
An echo of a syllable that's wrong:
In fact, there's nothing makes me so much grieve,
As that abominable tittle-tattle,
Which is the cud eschew'd by human cattle.

XLIV
Moreover I've remark'd (and I was once
A slight observer in a modest way),
And so may every one except a dunce,
That ladies in their youth a little gay,
Besides their knowledge of the world, and sense
Of the sad consequence of going astray,
Are wiser in their warnings 'gainst the woe
Which the mere passionless can never know.

XLV
While the harsh prude indemnifies her virtue
By railing at the unknown and envied passion,
Seeking far less to save you than to hurt you,
Or, what's still worse, to put you out of fashion, --
The kinder veteran with calm words will court you,
Entreating you to pause before you dash on;
Expounding and illustrating the riddle
Of epic Love's beginning, end, and middle.

XLVI
Now whether it be thus, or that they are stricter,
As better knowing why they should be so,
I think you'll find from many a family picture,
That daughters of such mothers as may know
The world by experience rather than by lecture,
Turn out much better for the Smithfield Show
Of vestals brought into the marriage mart,
Than those bred up by prudes without a heart.

XLVII
I said that Lady Pinchbeck had been talk'd about --
As who has not, if female, young, and pretty?
But now no more the ghost of Scandal stalk'd about;
She merely was deem'd amiable and witty,
And several of her best bons-mots were hawk'd about:
Then she was given to charity and pity,
And pass'd (at least the latter years of life)
For being a most exemplary wife.

XLVIII
High in high circles, gentle in her own,
She was the mild reprover of the young,
Whenever -- which means every day -- they'd shown
An awkward inclination to go wrong.
The quantity of good she did's unknown,
Or at the least would lengthen out my song:
In brief, the little orphan of the East
Had raised an interest in her, which increased.

XLIX
Juan, too, was a sort of favourite with her,
Because she thought him a good heart at bottom,
A little spoil'd, but not so altogether;
Which was a wonder, if you think who got him,
And how he had been toss'd, he scarce knew whither:
Though this might ruin others, it did not him,
At least entirely -- for he had seen too many
Changes in youth, to be surprised at any.

L
And these vicissitudes tell best in youth;
For when they happen at a riper age,
People are apt to blame the Fates, forsooth,
And wonder Providence is not more sage.
Adversity is the first path to truth:
He who hath proved war, storm, or woman's rage,
Whether his winters be eighteen or eighty,
Hath won the experience which is deem'd so weighty.

LI
How far it profits is another matter. --
Our hero gladly saw his little charge
Safe with a lady, whose last grown-up daughter
Being long married, and thus set at large,
Had left all the accomplishments she taught her
To be transmitted, like the Lord Mayor's barge,
To the next comer; or -- as it will tell
More Muse-like -- like to Cytherea's shell.

LII
I call such things transmission; for there is
A floating balance of accomplishment
Which forms a pedigree from Miss to Miss,
According as their minds or backs are bent.
Some waltz; some draw; some fathom the abyss
Of metaphysics; others are content
With music; the most moderate shine as wits;
While others have a genius turn'd for fits.

LIII
But whether fits, or wits, or harpsichords,
Theology, fine arts, or finer stays,
May be the baits for gentlemen or lords
With regular descent, in these our days,
The last year to the new transfers its hoards;
New vestals claim men's eyes with the same praise
Of "elegant" et cætera, in fresh batches --
All matchless creatures, and yet bent on matches.

LIV
But now I will begin my poem. 'T is
Perhaps a little strange, if not quite new,
That from the first of Cantos up to this
I've not begun what we have to go through.
These first twelve books are merely flourishes,
Preludios, trying just a string or two
Upon my lyre, or making the pegs sure;
And when so, you shall have the overture.

LV
My Muses do not care a pinch of rosin
About what's call'd success, or not succeeding:
Such thoughts are quite below the strain they have chosen;
'T is a "great moral lesson" they are reading.
I thought, at setting off, about two dozen
Cantos would do; but at Apollo's pleading,
If that my Pegasus should not be founder'd,
I think to canter gently through a hundred.

LVI
Don Juan saw that microcosm on stilts,
Yclept the Great World; for it is the least,
Although the highest: but as swords have hilts
By which their power of mischief is increased,
When man in battle or in quarrel tilts,
Thus the low world, north, south, or west, or east,
Must still obey the high -- which is their handle,
Their moon, their sun, their gas, their farthing candle.

LVII
He had many friends who had many wives, and was
Well look'd upon by both, to that extent
Of friendship which you may accept or pass,
It does nor good nor harm being merely meant
To keep the wheels going of the higher class,
And draw them nightly when a ticket's sent:
And what with masquerades, and fetes, and balls,
For the first season such a life scarce palls.

LVIII
A young unmarried man, with a good name
And fortune, has an awkward part to play;
For good society is but a game,
"The royal game of Goose," as I may say,
Where every body has some separate aim,
An end to answer, or a plan to lay --
The single ladies wishing to be double,
The married ones to save the virgins trouble.

LIX
I don't mean this as general, but particular
Examples may be found of such pursuits:
Though several also keep their perpendicular
Like poplars, with good principles for roots;
Yet many have a method more reticular --
"Fishers for men," like sirens with soft lutes:
For talk six times with the same single lady,
And you may get the wedding dresses ready.

LX
Perhaps you'll have a letter from the mother,
To say her daughter's feelings are trepann'd;
Perhaps you'll have a visit from the brother,
All strut, and stays, and whiskers, to demand
What "your intentions are?" -- One way or other
It seems the virgin's heart expects your hand:
And between pity for her case and yours,
You'll add to Matrimony's list of cures.

LXI
I've known a dozen weddings made even thus,
And some of them high names: I have also known
Young men who -- though they hated to discuss
Pretensions which they never dream'd to have shown --
Yet neither frighten'd by a female fuss,
Nor by mustachios moved, were let alone,
And lived, as did the broken-hearted fair,
In happier plight than if they form'd a pair.

LXII
There's also nightly, to the uninitiated,
A peril -- not indeed like love or marriage,
But not the less for this to be depreciated:
It is -- I meant and mean not to disparage
The show of virtue even in the vitiated --
It adds an outward grace unto their carriage --
But to denounce the amphibious sort of harlot,
"Couleur de rose," who's neither white nor scarlet.

LXIII
Such is your cold coquette, who can't say "No,"
And won't say "Yes," and keeps you on and off-ing
On a lee-shore, till it begins to blow --
Then sees your heart wreck'd, with an inward scoffing.
This works a world of sentimental woe,
And sends new Werters yearly to their coffin;
But yet is merely innocent flirtation,
Not quite adultery, but adulteration.

LXIV
"Ye gods, I grow a talker!" Let us prate.
The next of perils, though I place it sternest,
Is when, without regard to "church or state,"
A wife makes or takes love in upright earnest.
Abroad, such things decide few women's fate --
(Such, early traveller! is the truth thou learnest) --
But in old England, when a young bride errs,
Poor thing! Eve's was a trifling case to hers.

LXV
For 't is a low, newspaper, humdrum, lawsuit
Country, where a young couple of the same ages
Can't form a friendship, but the world o'erawes it.
Then there's the vulgar trick of those damned damages!
A verdict -- grievous foe to those who cause it! --
Forms a sad climax to romantic homages;
Besides those soothing speeches of the pleaders,
And evidences which regale all readers.

LXVI
But they who blunder thus are raw beginners;
A little genial sprinkling of hypocrisy
Has saved the fame of thousand splendid sinners,
The loveliest oligarchs of our gynocracy;
You may see such at all the balls and dinners,
Among the proudest of our aristocracy,
So gentle, charming, charitable, chaste --
And all by having tact as well as taste.

LXVII
Juan, who did not stand in the predicament
Of a mere novice, had one safeguard more;
For he was sick -- no, 't was not the word sick I meant --
But he had seen so much love before,
That he was not in heart so very weak; -- I meant
But thus much, and no sneer against the shore
Of white cliffs, white necks, blue eyes, bluer stockings,
Tithes, taxes, duns, and doors with double knockings.

LXVIII
But coming young from lands and scenes romantic,
Where lives, not lawsuits, must be risk'd for Passion,
And Passion's self must have a spice of frantic,
Into a country where 't is half a fashion,
Seem'd to him half commercial, half pedantic,
Howe'er he might esteem this moral nation:
Besides (alas! his taste -- forgive and pity!)
At first he did not think the women pretty.

LXIX
I say at first -- for he found out at last,
But by degrees, that they were fairer far
Than the more glowing dames whose lot is cast
Beneath the influence of the eastern star.
A further proof we should not judge in haste;
Yet inexperience could not be his bar
To taste: -- the truth is, if men would confess,
That novelties please less than they impress.

LXX
Though travell'd, I have never had the luck to
Trace up those shuffling negroes, Nile or Niger,
To that impracticable place, Timbuctoo,
Where Geography finds no one to oblige her
With such a chart as may be safely stuck to --
For Europe ploughs in Afric like "bos piger:"
But if I had been at Timbuctoo, there
No doubt I should be told that black is fair.

LXXI
It is. I will not swear that black is white;
But I suspect in fact that white is black,
And the whole matter rests upon eyesight.
Ask a blind man, the best judge. You'll attack
Perhaps this new position -- but I'm right;
Or if I'm wrong, I'll not be ta'en aback: --
He hath no morn nor night, but all is dark
Within; and what seest thou? A dubious spark.

LXXII
But I'm relapsing into metaphysics,
That labyrinth, whose clue is of the same
Construction as your cures for hectic phthisics,
Those bright moths fluttering round a dying flame;
And this reflection brings me to plain physics,
And to the beauties of a foreign dame,
Compared with those of our pure pearls of price,
Those polar summers, all sun, and some ice.

LXXIII
Or say they are like virtuous mermaids, whose
Beginnings are fair faces, ends mere fishes; --
Not that there's not a quantity of those
Who have a due respect for their own wishes.
Like Russians rushing from hot baths to snows [*]
Are they, at bottom virtuous even when vicious:
They warm into a scrape, but keep of course,
As a reserve, a plunge into remorse.

LXXIV
But this has nought to do with their outsides.
I said that Juan did not think them pretty
At the first blush; for a fair Briton hides
Half her attractions -- probably from pity --
And rather calmly into the heart glides,
Than storms it as a foe would take a city;
But once there (if you doubt this, prithee try)
She keeps it for you like a true ally.

LXXV
She cannot step as does an Arab barb,
Or Andalusian girl from mass returning,
Nor wear as gracefully as Gauls her garb,
Nor in her eye Ausonia's glance is burning;
Her voice, though sweet, is not so fit to warb-
le those bravuras (which I still am learning
To like, though I have been seven years in Italy,
And have, or had, an ear that served me prettily); --

LXXVI
She cannot do these things, nor one or two
Others, in that off-hand and dashing style
Which takes so much -- to give the devil his due;
Nor is she quite so ready with her smile,
Nor settles all things in one interview
(A thing approved as saving time and toil); --
But though the soil may give you time and trouble,
Well cultivated, it will render double.

LXXVII
And if in fact she takes to a "grande passion,"
It is a very serious thing indeed:
Nine times in ten 't is but caprice or fashion,
Coquetry, or a wish to take the lead,
The pride of a mere child with a new sash on,
Or wish to make a rival's bosom bleed:
But the tenth instance will be a tornado,
For there's no saying what they will or may do.

LXXVIII
The reason's obvious; if there's an éclat,
They lose their caste at once, as do the Parias;
And when the delicacies of the law
Have fill'd their papers with their comments various,
Society, that china without flaw
(The hypocrite!), will banish them like Marius,
To sit amidst the ruins of their guilt:
For Fame's a Carthage not so soon rebuilt.

LXXIX
Perhaps this is as it should be; -- it is
A comment on the Gospel's "Sin no more,
And be thy sins forgiven:" -- but upon this
I leave the saints to settle their own score.
Abroad, though doubtless they do much amiss,
An erring woman finds an opener door
For her return to Virtue -- as they call
That lady, who should be at home to all.

LXXX
For me, I leave the matter where I find it,
Knowing that such uneasy virtue leads
People some ten times less in fact to mind it,
And care but for discoveries and not deeds.
And as for chastity, you'll never bind it
By all the laws the strictest lawyer pleads,
But aggravate the crime you have not prevented,
By rendering desperate those who had else repented.

LXXXI
But Juan was no casuist, nor had ponder'd
Upon the moral lessons of mankind:
Besides, he had not seen of several hundred
A lady altogether to his mind.
A little "blasé" -- 't is not to be wonder'd
At, that his heart had got a tougher rind:
And though not vainer from his past success,
No doubt his sensibilities were less.

LXXXII
He also had been busy seeing sights --
The Parliament and all the other houses;
Had sat beneath the gallery at nights,
To hear debates whose thunder roused (not rouses)
The world to gaze upon those northern lights
Which flash'd as far as where the musk-bull browses; [*]
He had also stood at times behind the throne --
But Grey was not arrived, and Chatham gone.

LXXXIII
He saw, however, at the closing session,
That noble sight, when really free the nation,
A king in constitutional possession
Of such a throne as is the proudest station,
Though despots know it not -- till the progression
Of freedom shall complete their education.
'T is not mere splendour makes the show august
To eye or heart -- it is the people's trust.

LXXXIV
There, too, he saw (whate'er he may be now)
A Prince, the prince of princes at the time,
With fascination in his very bow,
And full of promise, as the spring of prime.
Though royalty was written on his brow,
He had then the grace, too, rare in every clime,
Of being, without alloy of fop or beau,
A finish'd gentleman from top to toe.

LXXXV
And Juan was received, as hath been said,
Into the best society: and there
Occurr'd what often happens, I'm afraid,
However disciplined and debonnaire: --
The talent and good humour he display'd,
Besides the mark'd distinction of his air,
Exposed him, as was natural, to temptation,
Even though himself avoided the occasion.

LXXXVI
But what, and where, with whom, and when, and why,
Is not to be put hastily together;
And as my object is morality
(Whatever people say), I don't know whether
I'll leave a single reader's eyelid dry,
But harrow up his feelings till they wither,
And hew out a huge monument of pathos,
As Philip's son proposed to do with Athos. [*]

LXXXVII
Here the twelfth Canto of our introduction
Ends. When the body of the book's begun,
You'll find it of a different construction
From what some people say 't will be when done:
The plan at present's simply in concoction,
I can't oblige you, reader, to read on;
That's your affair, not mine: a real spirit
Should neither court neglect, nor dread to bear it.

LXXXVIII
And if my thunderbolt not always rattles,
Remember, reader! you have had before
The worst of tempests and the best of battles
That e'er were brew'd from elements or gore,
Besides the most sublime of -- Heaven knows what else:
An usurer could scarce expect much more --
But my best canto, save one on astronomy,
Will turn upon "political economy."

LXXXIX
That is your present theme for popularity:
Now that the public hedge hath scarce a stake,
It grows an act of patriotic charity,
To show the people the best way to break.
My plan (but I, if but for singularity,
Reserve it) will be very sure to take.
Meantime, read all the national debt-sinkers,
And tell me what you think of your great thinkers.

poem by Byron from Don Juan (1824)
Submitted by Veronica Serbanoiu
Vote! | Copy!

The Pilgrims

Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden;
For hands she hath none, nor eyes, nor lips, nor golden
Treasure of hair, nor face nor form; but we
That love, we know her more fair than anything.
--Is she a queen, having great gifts to give?
--Yea, these; that whoso hath seen her shall not live
Except he serve her sorrowing, with strange pain,
Travail and bloodshedding and bitterer tears;
And when she bids die he shall surely die.
And he shall leave all things under the sky
And go forth naked under sun and rain
And work and wait and watch out all his years.

--Hath she on earth no place of habitation?
--Age to age calling, nation answering nation,
Cries out, Where is she? and there is none to say;
For if she be not in the spirit of men,
For if in the inward soul she hath no place,
In vain they cry unto her, seeking her face,
In vain their mouths make much of her; for they
Cry with vain tongues, till the heart lives again.

--O ye that follow, and have ye no repentance?
For on your brows is written a mortal sentence,
An hieroglyph of sorrow, a fiery sign,
That in your lives ye shall not pause or rest,
Nor have the sure sweet common love, nor keep
Friends and safe days, nor joy of life nor sleep.
--These have we not, who have one thing, the divine
Face and clear eyes of faith and fruitful breast.

--And ye shall die before your thrones be won.
--Yea, and the changed world and the liberal sun
Shall move and shine without us, and we lie
Dead; but if she too move on earth and live,
But if the old world with all the old irons rent
Laugh and give thanks, shall we be not content?
Nay, we shall rather live, we shall not die,
Life being so little and death so good to give.

--And these men shall forget you.--Yea, but we
Shall be a part of the earth and the ancient sea,
And heaven-high air august, and awful fire,
And all things good; and no man's heart shall beat
But somewhat in it of our blood once shed
Shall quiver and quicken, as now in us the dead
Blood of men slain and the old same life's desire
Plants in their fiery footprints our fresh feet.

--But ye that might be clothed with all things pleasant,
Ye are foolish that put off the fair soft present,
That clothe yourselves with the cold future air;
When mother and father and tender sister and brother
And the old live love that was shall be as ye,
Dust, and no fruit of loving life shall be.
--She shall be yet who is more than all these were,
Than sister or wife or father unto us or mother.

--Is this worth life, is this, to win for wages?
Lo, the dead mouths of the awful grey-grown ages,
The venerable, in the past that is their prison,
In the outer darkness, in the unopening grave,
Laugh, knowing how many as ye now say have said,
How many, and all are fallen, are fallen and dead:
Shall ye dead rise, and these dead have not risen?
--Not we but she, who is tender and swift to save.

--Are ye not weary and faint not by the way,
Seeing night by night devoured of day by day,
Seeing hour by hour consumed in sleepless fire?
Sleepless: and ye too, when shall ye too sleep?
--We are weary in heart and head, in hands and feet,
And surely more than all things sleep were sweet,
Than all things save the inexorable desire
Which whoso knoweth shall neither faint nor weep.

--Is this so sweet that one were fain to follow?
Is this so sure where all men's hopes are hollow.
Even this your dream, that by much tribulation
Ye shall make whole flawed hearts, and bowed necks straight?
--Nay, though our life were blind, our death were fruitless,
Not therefore were the whole world's high hope rootless;
But man to man, nation would turn to nation,
And the old life live, and the old great world be great.

--Pass on then and pass by us and let us be,
For what light think ye after life to see?
And if the world fare better will ye know?
And if man triumph who shall seek you and say?
--Enough of light is this for one life's span,
That all men born are mortal, but not man:
And we men bring death lives by night to sow,
That man may reap and eat and live by day.

poem by Algernon Charles Swinburne
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To J. S.

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.
And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade
Even with a verse your holy woe.
'Tis strange that those we lean on most,
Those in whose laps our limbs are nursed,
Fall into shadow, soonest lost:
Those we love first are taken first.

God gives us love. Something to love
He lends us; but, when love is grown
To ripeness, that on which it throve
Falls off, and love is left alone.

This is the curse of time. Alas!
In grief I am not all unlearn'd;
Once thro' mine own doors Death did pass;
One went, who never hath return'd.

He will not smile--not speak to me
Once more. Two years his chair is seen
Empty before us. That was he
Without whose life I had not been.

Your loss is rarer; for this star
Rose with you thro' a little arc
Of heaven, nor having wander'd far
Shot on the sudden into dark.

I knew your brother: his mute dust
I honour and his living worth:
A man more pure and bold and just
Was never born into the earth.

I have not look'd upon you nigh,
Since that dear soul hath fall'n asleep.
Great nature is more wise than I:
I will not tell you not to weep.

And tho' mine own eyes fill with dew,
Drawn from the spirit thro' the brain,
I will not even preach to you,
"Weep, weeping dulls the inward pain."

Let Grief be her own mistress still.
She loveth her own anguish deep
More than much pleasure. Let her will
Be done--to weep or not to weep.

I will not say "God's ordinance
Of death is blown in every wind;"
For that is not a common chance
That takes away a noble mind.

His memory long will live alone
In all our hearts, as mournful light
That broods above the fallen sun,
And dwells in heaven half the night.

Vain solace! Memory standing near
Cast down her eyes, and in her throat
Her voice seem'd distant, and a tear
Dropt on the letters as I wrote.

I wrote I know not what. In truth,
How should I soothe you anyway,
Who miss the brother of your youth?
Yet something I did wish to say:

For he too was a friend to me:
Both are my friends, and my true breast
Bleedeth for both: yet it may be
That only silence suiteth best.

Words weaker than your grief would make
Grief more. 'Twere better I should cease;
Although myself could almost take
The place of him that sleeps in peace.

Sleep sweetly, tender heart, in peace;
Sleep, holy spirit, blessed soul,
While the stars burn, the moons increase,
And the great ages onward roll.

Sleep till the end, true soul and sweet.
Nothing comes to thee new or strange,
Sleep full of rest from head to feet:
Lie still, dry dust, secure of change.

poem by Alfred Lord Tennyson
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An Introduction To The Ensuing Discourse.

These lines I at this time present
To all that will them heed,
Wherein I show to what intent
God saith, Convert[2] with speed.

For these four things come on apace,
Which we should know full well,
Both death and judgment, and, in place
Next to them, heaven and hell.

For doubtless man was never born
For this life and no more:
No, in the resurrection morn
They must have weal or woe.

Can any think that God should take
That pains, to form a man
So like himself, only to make
Him here a moment stand?

Or that he should make such ado,
By justice, and by grace;
By prophets and apostles too,
That men might see his face?

Or that the promise he hath made,
Also the threatenings great,
Should in a moment end and fade?
O! no, this is a cheat.

Besides, who is so mad, or worse,
To think that Christ should come
From glory, to be made a curse,
And that in sinners' room,

If nothing should by us be had
When we are gone from hence,
But vanities, while here? O mad
And foolish confidence.

Again, shall God, who is the truth,
Say there is heaven and hell
And shall men play that trick of youth
To say, But who can tell?

Shall he that keeps his promise sure
In things both low and small,
Yet break it like a man impure,
In matters great'st of all?

O, let all tremble at that thought,
That puts on God the lie,
That saith men shall turn unto nought
When they be sick and die.

Alas, death is but as the door
Through which all men do pass,
To that which they for evermore
Shall have by wrath or grace.

Let all therefore that read my lines,
Apply them to the heart:
Yea, let them read, and turn betimes,
And get the better part.

Mind therefore what I treat on here,
Yea, mind and weigh it well;
'Tis death and judgment, and a clear
Discourse of heaven and hell.

poem by John Bunyan
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Don Juan: Canto The Seventeenth

The world is full of orphans: firstly, those
Who are so in the strict sense of the phrase
(But many a lonely tree the loftier grows
Than others crowded in the forest's maze);
The next are such as are not doomed to lose
Their tender parents in their budding days,
But merely their parental tenderness,
Which leaves them orphans of the heart no less.

The next are 'only children', as they are styled,
Who grow up children only, since the old saw
Pronounces that an 'only' 's a spoilt child.
But not to go too far, I hold it law
That where their education, harsh or mild,
'Transgresses the great bounds of love or awe,
The sufferers, be't in heart or intellect,
Whate'er the cause are orphans in effect.

But to return unto the stricter rule
(As far as words make rules), our common notion
Of orphans paints at once a parish school,
A half-starved babe, a wreck upon life's ocean,
A human (what the Italians nickname) 'mule',
A theme for pity or some worse emotion;
Yet, if examined, it might be admitted
The wealthiest orphans are to be more pitied.

Too soon they are parents to themselves; for what
Are tutors, guardians, and so forth, compared
With Nature's genial genitors, so that
A child of Chancery, that Star Chamber ward
(I'll take the likeness I can first come at),
Is like a duckling by Dame Partlett reared
And frights, especially if 'tis a daughter,
The old hen by running headlong to the water.

There is a commonplace book argument,
Which glibly glides from every vulgar tongue
When any dare a new light to present:
'If you are right, then everybody's wrong.'
Suppose the converse of this precedent
So often urged, so loudly and so long:
'If you are wrong, then everybody's right.'
Was ever everybody yet so quite?

Therefore I would solicit free discussion
Upon all points, no matter what or whose,
Because as ages upon ages push on,
The last is apt the former to accuse
Of pillowing its head on a pincushion,
Heedless of pricks because it was obtuse.
What was a paradox becomes a truth or
A something like it, as bear witness Luther.

The sacraments have been reduced to two
And witches unto none, though somewhat late
Since burning aged women (save a few,
Not witches, only bitches, who create
Mischief in families, as some know or knew,
Should still be singed, but slightly let me state)
Has been declared an act of inurbanity,
Malgé Sir Matthew Hale's great humanity.

Great Galileo was debarred the sun,
Because he fixed it, and to stop his talking
How earth could round the solar orbit run,
Found his own legs embargoed from mere walking.
The man was well nigh dead, ere men begun
To think his skull had not some need of caulking,
But now it seems he's right, his notion just,
No doubt a consolation to his dust.

Pythagoras, Locke, Socrates - but pages
Might be filled up, as vainly as before,
With the sad usage of all sorts of sages,
Who in his lifetime each was deemed a bore.
The loftiest minds outrun their tardy ages;
This they must bear with and perhaps much more.
The wise man's sure when he no more can share it, he
Will have a firm post~obit on posterity.

If such doom waits each intellectual giant,
We little people in our lesser way
To life's small rubs should surely be more pliant,
And so for one will I, as well I may.
Would that I were less bilious - but oh fie on't!
Just as I make my mind up everyday
To be a totus teres stoic, sage,
The wind shifts and I fly into a rage.

Temperate I am, yet never had a temper;
Modest I am, yet with some slight assurance;
Changeable too, yet somehow idem semper;
Patient, but not enamoured of endurance;
Cheerful, but sometimes rather apt to whimper;
Mild, but at times a sort of Hercules furens;
So that I almost think that the same skin
For one without has two or three within.

Our hero was in canto the sixteenth
Left in a tender moonlight situation,
Such as enables man to show his strength
Moral or physical On this occasion
Whether his virtue triumphed, or at length
His vice - for he was of a kindling nation -
Is more than I shall venture to describe,
Unless some beauty with a kiss should bribe.

I leave the thing a problem, like all things.
The morning came, and breakfast, tea and toast,
Of which most men partake, but no one sings.
The company, whose birth, wealth, worth have cost
My trembling lyre already several strings,
Assembled with our hostess and mine host.
The guests dropped in, the last but one, Her Grace,
The latest, Juan with his virgin face.

Which best is to encounter, ghost or none,
'Twere difficult to say, but Juan looked
As if he had combated with more than one,
Being wan and worn, with eyes that hardly brooked
The light that through the Gothic windows shone.
Her Grace too had a sort of air rebuked,
Seemed pale and shivered, as if she had kept
A vigil or dreamt rather more than slept.

poem by Byron
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Dedication

To Churchill's Sermons.

The manuscript of this unfinished poem was found among the few papers
Churchill left behind him.

Health to great Glo'ster!--from a man unknown,
Who holds thy health as dearly as his own,
Accept this greeting--nor let modest fear
Call up one maiden blush--I mean not here
To wound with flattery; 'tis a villain's art,
And suits not with the frankness of my heart.
Truth best becomes an orthodox divine,
And, spite of Hell, that character is mine:
To speak e'en bitter truths I cannot fear;
But truth, my lord, is panegyric here.
Health to great Glo'ster!--nor, through love of ease,
Which all priests love, let this address displease.
I ask no favour, not one _note_ I crave,
And when this busy brain rests in the grave,
(For till that time it never can have rest)
I will not trouble you with one bequest.
Some humbler friend, my mortal journey done,
More near in blood, a nephew or a son,
In that dread hour executor I'll leave,
For I, alas! have many to receive;
To give, but little.--To great Glo'ster health!
Nor let thy true and proper love of wealth
Here take a false alarm--in purse though poor,
In spirit I'm right proud, nor can endure
The mention of a bribe--thy pocket's free:
I, though a dedicator, scorn a fee.
Let thy own offspring all thy fortunes share;
I would not Allen rob, nor Allen's heir.
Think not,--a thought unworthy thy great soul,
Which pomps of this world never could control,
Which never offer'd up at Power's vain shrine,--
Think not that pomp and power can work on mine.
'Tis not thy name, though that indeed is great,
'Tis not the tinsel trumpery of state,
'Tis not thy title, Doctor though thou art,
'Tis not thy mitre, which hath won my heart.
State is a farce; names are but empty things,
Degrees are bought, and, by mistaken kings,
Titles are oft misplaced; mitres, which shine
So bright in other eyes, are dull in mine,
Unless set off by virtue; who deceives
Under the sacred sanction of lawn sleeves
Enhances guilt, commits a double sin;
So fair without, and yet so foul within.
'Tis not thy outward form, thy easy mien,
Thy sweet complacency, thy brow serene,
Thy open front, thy love-commanding eye,
Where fifty Cupids, as in ambush, lie,
Which can from sixty to sixteen impart
The force of Love, and point his blunted dart;
'Tis not thy face, though that by Nature's made
An index to thy soul; though there display'd
We see thy mind at large, and through thy skin
Peeps out that courtesy which dwells within;
'Tis not thy birth, for that is low as mine,
Around our heads no lineal glories shine--
But what is birth,--when, to delight mankind,
Heralds can make those arms they cannot find,
When thou art to thyself, thy sire unknown,
A whole Welsh genealogy alone?
No; 'tis thy inward man, thy proper worth,
Thy right just estimation here on earth,
Thy life and doctrine uniformly join'd,
And flowing from that wholesome source, thy mind;
Thy known contempt of Persecution's rod,
Thy charity for man, thy love of God,
Thy faith in Christ, so well approved 'mongst men,
Which now give life and utterance to my pen.
Thy virtue, not thy rank, demands my lays;
'Tis not the Bishop, but the Saint, I praise:
Raised by that theme, I soar on wings more strong,
And burst forth into praise withheld too long.
Much did I wish, e'en whilst I kept those sheep
Which, for my curse, I was ordain'd to keep,--
Ordain'd, alas! to keep, through need, not choice,
Those sheep which never heard their shepherd's voice,
Which did not know, yet would not learn their way,
Which stray'd themselves, yet grieved that I should stray;
Those sheep which my good father (on his bier
Let filial duty drop the pious tear)
Kept well, yet starved himself, e'en at that time
Whilst I was pure and innocent of rhyme,
Whilst, sacred Dulness ever in my view,
Sleep at my bidding crept from pew to pew,--
Much did I wish, though little could I hope,
A friend in him who was the friend of Pope.
His hand, said I, my youthful steps shall guide,
And lead me safe where thousands fall beside;
His temper, his experience, shall control,
And hush to peace the tempest of my soul;
His judgment teach me, from the critic school,
How not to err, and how to err by rule;
Instruct me, mingle profit with delight,
Where Pope was wrong, where Shakspeare was not right;
Where they are justly praised, and where, through whim,
How little's due to them, how much to him.
Raised 'bove the slavery of common rules,
Of common-sense, of modern, ancient schools,
Those feelings banish'd which mislead us all,
Fools as we are, and which we Nature call,
He by his great example might impart
A better something, and baptize it Art;
He, all the feelings of my youth forgot,
Might show me what is taste by what is not;
By him supported, with a proper pride,
I might hold all mankind as fools beside;
He (should a world, perverse and peevish grown,
Explode his maxims and assert their own)
Might teach me, like himself, to be content,
And let their folly be their punishment;
Might, like himself, teach his adopted son,
'Gainst all the world, to quote a Warburton.
Fool that I was! could I so much deceive
My soul with lying hopes? could I believe
That he, the servant of his Maker sworn,
The servant of his Saviour, would be torn
From their embrace, and leave that dear employ,
The cure of souls, his duty and his joy,
For toys like mine, and waste his precious time,
On which so much depended, for a rhyme?
Should he forsake the task he undertook,
Desert his flock, and break his pastoral crook?
Should he (forbid it, Heaven!) so high in place,
So rich in knowledge, quit the work of grace,
And, idly wandering o'er the Muses' hill,
Let the salvation of mankind stand still?
Far, far be that from thee--yes, far from thee
Be such revolt from grace, and far from me
The will to think it--guilt is in the thought--
Not so, not so, hath Warburton been taught,
Not so learn'd Christ. Recall that day, well known,
When (to maintain God's honour, and his own)
He call'd blasphemers forth; methinks I now
See stern Rebuke enthroned on his brow,
And arm'd with tenfold terrors--from his tongue,
Where fiery zeal and Christian fury hung,
Methinks I hear the deep-toned thunders roll,
And chill with horror every sinner's soul,
In vain they strive to fly--flight cannot save.
And Potter trembles even in his grave--
With all the conscious pride of innocence,
Methinks I hear him, in his own defence,
Bear witness to himself, whilst all men knew,
By gospel rules his witness to be true.
O glorious man! thy zeal I must commend,
Though it deprived me of my dearest friend;
The real motives of thy anger known,
Wilkes must the justice of that anger own;
And, could thy bosom have been bared to view,
Pitied himself, in turn had pitied you.
Bred to the law, you wisely took the gown,
Which I, like Demas, foolishly laid down;
Hence double strength our Holy Mother drew,
Me she got rid of, and made prize of you.
I, like an idle truant fond of play,
Doting on toys, and throwing gems away,
Grasping at shadows, let the substance slip;
But you, my lord, renounced attorneyship
With better purpose, and more noble aim,
And wisely played a more substantial game:
Nor did Law mourn, bless'd in her younger son,
For Mansfield does what Glo'ster would have done.
Doctor! Dean! Bishop! Glo'ster! and My Lord!
If haply these high titles may accord
With thy meek spirit; if the barren sound
Of pride delights thee, to the topmost round
Of Fortune's ladder got, despise not one
For want of smooth hypocrisy undone,
Who, far below, turns up his wondering eye,
And, without envy, sees thee placed so high:
Let not thy brain (as brains less potent might)
Dizzy, confounded, giddy with the height,
Turn round, and lose distinction, lose her skill
And wonted powers of knowing good from ill,
Of sifting truth from falsehood, friends from foes;
Let Glo'ster well remember how he rose,
Nor turn his back on men who made him great;
Let him not, gorged with power, and drunk with state,
Forget what once he was, though now so high,
How low, how mean, and full as poor as I.

poem by Charles Churchill
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Character of the Happy Warrior

. Who is the happy Warrior? Who is he
That every man in arms should wish to be?
--It is the generous Spirit, who, when brought
Among the tasks of real life, hath wrought
Upon the plan that pleased his boyish thought:
Whose high endeavours are an inward light
That makes the path before him always bright;
Who, with a natural instinct to discern
What knowledge can perform, is diligent to learn;
Abides by this resolve, and stops not there,
But makes his moral being his prime care;
Who, doomed to go in company with Pain,
And Fear, and Bloodshed, miserable train!
Turns his necessity to glorious gain;
In face of these doth exercise a power
Which is our human nature's highest dower:
Controls them and subdues, transmutes, bereaves
Of their bad influence, and their good receives:
By objects, which might force the soul to abate
Her feeling, rendered more compassionate;
Is placable--because occasions rise
So often that demand such sacrifice;
More skilful in self-knowledge, even more pure,
As tempted more; more able to endure,
As more exposed to suffering and distress;
Thence, also, more alive to tenderness.
--'Tis he whose law is reason; who depends
Upon that law as on the best of friends;
Whence, in a state where men are tempted still
To evil for a guard against worse ill,
And what in quality or act is best
Doth seldom on a right foundation rest,
He labours good on good to fix, and owes
To virtue every triumph that he knows:
--Who, if he rise to station of command,
Rises by open means; and there will stand
On honourable terms, or else retire,
And in himself possess his own desire;
Who comprehends his trust, and to the same
Keeps faithful with a singleness of aim;
And therefore does not stoop, nor lie in wait
For wealth, or honours, or for worldly state;
Whom they must follow; on whose head must fall,
Like showers of manna, if they come at all:
Whose powers shed round him in the common strife,
Or mild concerns of ordinary life,
A constant influence, a peculiar grace;
But who, if he be called upon to face
Some awful moment to which Heaven has joined
Great issues, good or bad for human kind,
Is happy as a Lover; and attired
With sudden brightness, like a Man inspired;
And, through the heat of conflict, keeps the law
In calmness made, and sees what he foresaw;
Or if an unexpected call succeed,
Come when it will, is equal to the need:
--He who, though thus endued as with a sense
And faculty for storm and turbulence,
Is yet a Soul whose master-bias leans
To homefelt pleasures and to gentle scenes;
Sweet images! which, wheresoe'er he be,
Are at his heart; and such fidelity
It is his darling passion to approve;
More brave for this, that he hath much to love:--
'Tis, finally, the Man, who, lifted high,
Conspicuous object in a Nation's eye,
Or left unthought-of in obscurity,--
Who, with a toward or untoward lot,
Prosperous or adverse, to his wish or not--
Plays, in the many games of life, that one
Where what he most doth value must be won:
Whom neither shape or danger can dismay,
Nor thought of tender happiness betray;
Who, not content that former worth stand fast,
Looks forward, persevering to the last,
From well to better, daily self-surpast:
Who, whether praise of him must walk the earth
For ever, and to noble deeds give birth,
Or he must fall, to sleep without his fame,
And leave a dead unprofitable name--
Finds comfort in himself and in his cause;
And, while the mortal mist is gathering, draws
His breath in confidence of Heaven's applause:
This is the happy Warrior; this is he
That every man in arms should wish to be.

poem by William Wordsworth
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To A Youthful Friend

Few years have pass'd since thou and I
Were firmest friends, at least in name,
And childhood's gay sincerity
Preserved our feelings long the same.

But now, like me, too well thou know'st
What trifles oft the heart recall;
And those who once have loved the most
Too soon forget they loved at all.

And such the change the heart displays,
So frail is early friendship's reign,
A month's brief lapse, perhaps a day's,
Will view thy mind estranged again.

If so, it never shall be mine
To mourn the loss of such a heart;
The fault was Nature's fault, not thine
Which made thee fickle as thou art.

As rolls the ocean's changing tide,
So human feelings ebb and flow;
And who would in a breast confide
Where stormy passions ever glow?

It boots not that, together bred,
Our childish days were days of joy:
My spring of life has quickly fled;
Thou, too, hast ceased to be a boy.

And when we bid adieu to youth,
Slaves to the specious world's control,
We sigh a long farewell to truth;
That world corrupts the noblest soul.

Ah, joyous season! when the mind
Dares all things boldly but to lie;
When thought ere spoke is unconfined,
And sparkles in the placid eye.

Not so in Man's maturer years,
When Man himself is but a tool;
When interest sways our hopes and fears,
And all must love and hate by rule.

With fools in kindred vice the same,
We learn at length our faults to blend;
And those, and those alone, may claim
The prostituted name of friend.

Such is the common lot of man:
Can we then 'scape from folly free?
Can we reverse the general plan,
Nor be what all in turn must be?

No; for myself, so dark my fate
Through every turn of life hath been;
Man and the world so much I hate,
I care not when I quit the scene.

But thou, with spirit frail and light,
Wilt shine awhile, and pass away;
As glow-worms sparkle through the night,
But dare not stand the test of day.

Alas! whenever folly calls
Where parasites and princes meet
(For cherish'd first in royal halls,
The welcome vices kindly greet),

Ev'n now thou'rt nightly seen to add
One insect to the fluttering crowd;
And still thy trifling heart is glad
To join the vain and court the proud.

There dost thou glide from fair to fair,
Still simpering on with eager haste,
As flies along the gay parterre
That taint the flowers they scarcely taste.

But say, what nymph will prize the flame
Which seems, as marshy vapours move,
To flit along from dame to dame,
An ignis‑fatuus gleam of love?

What friend for thee, howe'er inclined,
Will deign to own a kindred care?
Who will debase his manly mind,
For friendship every fool may share?

In time forbear; amidst the throng
No more so base a thing be seen;
No more so idly pass along;
Be something, anything, but--mean.

poem by Byron
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Love is.......

Love is something that I cannot explain.
Like the look of a dream, or the smell of rain.
Love is like a mountain, that is very hard to climb.
Nothing can describe love, not a song, or a poem's rhyme.
Love is never love, until you give it away.
I think true love is forever lasting, like good tooth that won't decay.
Love sometimes is heart breaking and it really is not fair.
But when yo find true love, hold on, because to find true love is rare.
Out of all the guys I have every met.
There is one that I will never forget.
God told me to choose this guy, from all of the rest.
Because God knew I would love him just the very best.
Everyone thinks I am lying, and that I can't fall in love at such a young age.
But every thought, every sweet thing he says, just makes me write another blessing down, and fill another page.
He loves me when I am pretty, and he loves me when my face is plain.
He loves me on the sunny days, or even when it's pouring rain.
And the day I met him, I started to see.
That the feeling of love exist in me.
Love brings out all my saved up wishes and tears.
Love helps me believe in myself, and fight my greatest fears.
Most people my age don't have much to say.
Because they have not experienced true love, I know there is no way.
I feel so lucky, yet so good to know he's by my side.
And now that the doors of forever are opened, my feelings I will not hide.
Because he is the one that stepped out of my fairytale dreams.
He is the only guy that shows me what true love really means.
This love we share is like sky diving, because when the parachute breaks,
It all becomes missing, and my heart trembles and shakes,
No other feeling in the world could ever compare,
To the relationship and love that he and I share.
From the way he looks at me, I see the future, present, and past,
And because of this feeling that almost makes me hurt, I know that this will last.
Sometimes I laugh when he's not even funny.
I always regret when I call him a dummy.
Just like Cinderella, and the great morals she was sending,
I know that this love is rich, and it will have a happy ending.
I asked God for a boyfriend, he gave me true love,
I asked God for a small red bird, and then he gave me a beautiful dove.
I asked God for a pond, and he gave me a lake.
I asked God for a cookie, and he gave me a whole whip cream cake.
I asked God for a flower, and he gave me that too.
But most importantly, I asked God to send an angel, and he sent me YOU!

poem by Heather Noble
Submitted by Poetry Lover
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Christopher Found

I.

At last; so this is you, my dear!
How should I guess to find you here?
So long, so long, I sought in vain
In many cities, many lands,
With straining eyes and groping hands;
The people marvelled at my pain.
They said: "But sure, the woman's mad;
What ails her, we should like to know,
That she should be so wan and sad,
And silent through the revels go?"
They clacked with such a sorry stir!
Was I to tell? were they to know
That I had lost you, Christopher?
Will you forgive me for one thing?
Whiles, when a stranger came my way,
My heart would beat and I would say :
" Here's Christopher!" --then lingering
With longer gaze, would turn away
Cold, sick at heart. My dear, I know
You will forgive me for this thing.
It is so very long ago
Since I have seen your face--till now;
Now that I see it--lip and brow,
Eyes, nostril, chin, alive and clear;
Last time was long ago; I know
This thing you will forgive me, dear.

II.

There is no Heaven--This is the best;
O hold me closer to your breast;
Let your face lean upon my face,
That there no longer shall be space
Between our lips, between our eyes.
I feel your bosom's fall and rise.
O hold me near and yet more near;
Ah sweet ; I wonder do you know
How lone and cold, how sad and drear,
Was I a little while ago;
Sick of the stress, the strife, the stir;
But I have found you, Christopher.

III.

If only you had come before!
(This is the thing I most deplore)
A seemlier woman you had found,
More calm, by courtesies more bound,
Less quick to greet you, more subdued
Of appetite; of slower mood.
But ah! you come so late, so late!
This time of day I can't pretend
With slight, sweet things to satiate
The hunger-cravings. Nay, my friend,
I cannot blush and turn and tremble,
Wax loth as younger maidens do.
Ah, Christopher, with you, with you,
You would not wish me to dissemble?

IV.

So long have all the days been meagre,
With empty platter, empty cup,
No meats nor sweets to do me pleasure,
That if I crave--is it over-eager,
The deepest draught, the fullest measure,
The beaker to the brim poured up?

V.

Shelley, that sprite from the spheres above,
Says, and would make the matter clear,
That love divided is larger love;--
We'll leave those things to the bards, my dear.
For you never wrote a verse, you see;
And I--my verse is not fair nor new.
Till the world be dead, you shall love but me,
Till the stars have ceased, I shall love but you.

EPILOGUE.

Thus ran the words; or rather, thus did run
Their purport. Idly seeking in the chest
(You see it yonder), I had found them there:
Some blotted sheets of paper in a case,
With a woman's name writ on it: "Adelaide."
Twice on the writing there was scored the date
Of ten years back; and where the words had end
Was left a space, a dash, a half-writ word,
As tho' the writer minded, presently
The matter to pursue.
I questioned her,
That worthy, worthy soul, my châtelaine,
Who, nothing loth, made answer.
There had been
Another lodger ere I had the rooms,
Three months gone by--a woman.
"Young, sir ? No.
Must have seen forty if she'd seen a day!
A lonesome woman; hadn't many friends;
Wrote books, I think, and things for newspapers.
Short in her temper--eyes would flash and flame
At times, till I was frightened. Paid her rent
Most regular, like a lady.
Ten years back,
They say (at least Ann Brown says), ten years back
The lady had a lover. Even then
She must have been no chicken.
Three months since
She died. Well, well, the Lord is kind and just.
I did my best to tend her, yet indeed
It's bad for trade to have a lodger die.
Her brother came, a week before she died:
Buried her, took her things, threw in the fire
The littered heaps of paper.
Yes, the sheets,
They must have been forgotten in the chest;--
I never knew her name was Adelaide."

poem by Amy Levy
Submitted by Poetry Lover
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Tale XVIII

THE WAGER.

Counter and Clubb were men in trade, whose pains,
Credit, and prudence, brought them constant gains;
Partners and punctual, every friend agreed
Counter and Clubb were men who must succeed.
When they had fix'd some little time in life,
Each thought of taking to himself a wife:
As men in trade alike, as men in love,
They seem'd with no according views to move;
As certain ores in outward view the same,
They show'd their difference when the magnet came.
Counter was vain: with spirit strong and high,
'Twas not in him like suppliant swain to sigh:
'His wife might o'er his men and maids preside,
And in her province be a judge and guide;
But what he thought, or did, or wish'd to do,
She must not know, or censure if she knew;
At home, abroad, by day, by night, if he
On aught determined, so it was to be:
How is a man,' he ask'd, 'for business fit,
Who to a female can his will submit?
Absent a while, let no inquiring eye
Or plainer speech presume to question why:
But all be silent; and, when seen again,
Let all be cheerful--shall a wife complain?
Friends I invite, and who shall dare t'object,
Or look on them with coolness or neglect?
No! I must ever of my house be head,
And, thus obey'd, I condescend to wed.'
Clubb heard the speech--'My friend is nice, said

he;
A wife with less respect will do for me:
How is he certain such a prize to gain?
What he approves, a lass may learn to feign,
And so affect t'obey till she begins to reign;
A while complying, she may vary then,
And be as wives of more unwary men;
Beside, to him who plays such lordly part,
How shall a tender creature yield her heart;
Should he the promised confidence refuse,
She may another more confiding choose;
May show her anger, yet her purpose hide,
And wake his jealousy, and wound his pride.
In one so humbled, who can trace the friend?
I on an equal, not a slave, depend;
If true, my confidence is wisely placed,
And being false, she only is disgraced.'
Clubb, with these notions, cast his eye around;
And one so easy soon a partner found.
The lady chosen was of good repute;
Meekness she had not, and was seldom mute;
Though quick to anger, still she loved to smile,
And would be calm if men would wait a while:
She knew her duty, and she loved her way,
More pleased in truth to govern than obey;
She heard her priest with reverence, and her spouse
As one who felt the pressure of her vows;
Useful and civil, all her friends confess'd -
Give her her way, and she would choose the best;
Though some indeed a sly remark would make -
Give it her not, and she would choose to take.
All this, when Clubb some cheerful months had

spent,
He saw, confess'd, and said he was content.
Counter meantime selected, doubted, weigh'd,
And then brought home a young complying maid;
A tender creature, full of fears as charms,
A beauteous nursling from its mother's arms;
A soft, sweet blossom, such as men must love,
But to preserve must keep it in the stove:
She had a mild, subdued, expiring look -
Raise but the voice, and this fair creature shook;
Leave her alone, she felt a thousand fears -
Chide, and she melted into floods of tears;
Fondly she pleaded, and would gently sigh,
For very pity, or she knew not why;
One whom to govern none could be afraid -
Hold up the finger, this meek thing obey'd;
Her happy husband had the easiest task -
Say but his will, no question would she ask;
She sought no reasons, no affairs she knew,
Of business spoke not, and had nought to do.
Oft he exclaim'd, 'How meek! how mild! how kind!
With her 'twere cruel but to seem unkind;
Though ever silent when I take my leave,
It pains my heart to think how hers will grieve;
'Tis heaven on earth with such a wife to dwell,
I am in raptures to have sped so well;
But let me not, my friend, your envy raise,
No! on my life, your patience has my praise.'
His Friend, though silent, felt the scorn

implied -
'What need of patience?' to himself he cried:
'Better a woman o'er her house to rule,
Than a poor child just hurried from her school;
Who has no care, yet never lives at ease;
Unfit to rule, and indisposed to please.
What if he govern, there his boast should end;
No husband's power can make a slave his friend.'
It was the custom of these Friends to meet
With a few neighbours in a neighbouring street;
Where Counter ofttimes would occasion seize
To move his silent Friend by words like these:
'A man,' said he, 'if govern'd by his wife,
Gives up his rank and dignity in life;
Now, better fate befalls my Friend and me.' -
He spoke, and look'd th' approving smile to see.
The quiet partner, when he chose to speak,
Desired his friend 'another theme to seek;
When thus they met, he judged that state-affairs
And such important subjects should be theirs:'
But still the partner, in his lighter vein,
Would cause in Clubb affliction or disdain;
It made him anxious to detect the cause
Of all that boasting: --'Wants my friend applause?
This plainly proves him not at perfect ease,
For, felt he pleasure, he would wish to please.
These triumphs here for some regrets atone -
Men who are bless'd let other men alone.'
Thus made suspicious, he observed and saw
His friend each night at early hour withdraw;
He sometimes mention'd Juliet's tender nerves,
And what attention such a wife deserves:
'In this,' thought Clubb, 'full sure some mystery

lies -
He laughs at me, yet he with much complies,
And all his vaunts of bliss are proud apologies.'
With such ideas treasured in his breast,
He grew composed, and let his anger rest;
Till Counter once (when wine so long went round,
That friendship and discretion both were drown'd)
Began, in teasing and triumphant mood,
His evening banter: --'Of all earthly good,
The best,' he said, 'was an obedient spouse,
Such as my friend's--that every one allows:
What if she wishes his designs to know?
It is because she would her praise bestow;
What if she wills that he remain at home?
She knows that mischief may from travel come.
I, who am free to venture where I please,
Have no such kind preventing checks as these;
But mine is double duty, first to guide
Myself aright, then rule a house beside;
While this our friend, more happy than the free,
Resigns all power, and laughs at liberty.'
'By heaven!' said Clubb, 'excuse me if I swear,
I'll bet a hundred guineas, if he dare,
That uncontroll'd I will such freedoms take
That he will fear to equal--there's my stake.'
'A match!' said Counter, much by wine inflamed;
'But we are friends--let smaller stake be named:
Wine for our future meeting, that will I
Take and no more--what peril shall we try?'
'Let's to Newmarket,' Clubb replied; 'or choose
Yourself the place, and what you like to lose:
And he who first returns, or fears to go,
Forfeits his cash.'--Said Counter, 'Be it so.'
The friends around them saw with much delight
The social war, and hail'd the pleasant night;
Nor would they further hear the cause discuss'd,
Afraid the recreant heart of Clubb to trust.
Now sober thoughts return'd as each withdrew,
And of the subject took a serious view:
''Twas wrong,' thought Counter, 'and will grieve my

love;'
''Twas wrong,' thought Clubb, 'my wife will not

approve:
But friends were present; I must try the thing,
Or with my folly half the town will ring.'
He sought his lady--'Madam, I'm to blame,
But was reproach'd, and could not bear the shame;
Here in my folly--for 'tis best to say
The very truth--I've sworn to have my way;
To that Newmarket--(though I hate the place,
And have no taste or talents for a race,
Yet so it is--well, now prepare to chide) -
I laid a wager that I dared to ride:
And I must go: by heaven, if you resist
I shall be scorn'd, and ridiculed, and hiss'd;
Let me with grace before my friends appear,
You know the truth, and must not be severe:
He too must go, but that he will of course:
Do you consent?--I never think of force.'
'You never need,' the worthy Dame replied;
'The husband's honour is the woman's pride:
If I in trifles be the wilful wife,
Still for your credit I would lose my life.
Go! and when fix'd the day of your return,
Stay longer yet, and let the blockheads learn
That though a wife may sometimes wish to rule,
She would not make th' indulgent man a fool;
I would at times advise--but idle they
Who think th' assenting husband must obey.'
The happy man, who thought his lady right
In other cases, was assured to-night;
Then for the day with proud delight prepared,
To show his doubting friends how much he dared.
Counter--who grieving sought his bed, his rest
Broken by pictures of his love distress'd -
With soft and winning speech the fair prepared:
'She all his councils, comforts, pleasures shared:
She was assured he loved her from his soul,
She never knew and need not fear control;
But so it happen'd--he was grieved at heart
It happen'd so, that they awhile must part
A little time--the distance was but short,
And business called him--he despised the sport;
But to Newmarket he engaged to ride
With his friend Clubb:' and there he stopp'd and

sigh'd.
Awhile the tender creature look'd dismay'd,
Then floods of tears the call of grief obeyed: -
'She an objection! No!' she sobb'd, 'not one:
Her work was finish'd, and her race was run;
For die she must--indeed she would not live
A week alone, for all the world could give;
He too must die in that same wicked place;
It always happen'd--was a common case;
Among those horrid horses, jockeys, crowds,
'Twas certain death--they might bespeak their

shrouds.
He would attempt a race, be sure to fall -
And she expire with terror--that was all;
With love like hers she was indeed unfit
To bear such horrors, but she must submit.'
'But for three days, my love! three days at most,'
'Enough for me; I then shall be a ghost.'
'My honour's pledged!'--'Oh! yes, my dearest life,
I know your honour must outweigh your wife;
But ere this absence have you sought a friend?
I shall be dead--on whom can you depend?
Let me one favour of your kindness crave,
Grant me the stone I mention'd for my grave.'
'Nay, love, attend--why, bless my soul! I say
I will return--there, weep no longer, nay!'
'Well! I obey, and to the last am true,
But spirits fail me; I must die; adieu!'
'What, Madam! must?--'tis wrong--I'm angry--

zounds
Can I remain and lose a thousand pounds?'
'Go then, my love! it is a monstrous sum,
Worth twenty wives--go, love! and I am dumb;
Nor be displeased--had I the power to live,
You might be angry, now you must forgive:
Alas! I faint--ah! cruel--there's no need
Of wounds or fevers--this has done the deed.'
The lady fainted, and the husband sent
For every aid--for every comfort went;
Strong terror seized him: 'Oh! she loved so well,
And who th' effect of tenderness could tell?'
She now recover'd, and again began
With accent querulous--'Ah! cruel man!'
Till the sad husband, conscience-struck, confess'd,
'Twas very wicked with his friend to jest;
For now he saw that those who were obey'd,
Could like the most subservient feel afraid:
And though a wife might not dispute the will
Of her liege lord, she could prevent it still.
The morning came, and Clubb prepared to ride
With a smart boy, his servant, and his guide;
When, ere he mounted on his ready steed,
Arrived a letter, and he stopped to read.
'My friend,' he read, 'our journey I decline,
A heart too tender for such strife is mine;
Yours is the triumph, be you so inclined;
But you are too considerate and kind:
In tender pity to my Juliet's fears
I thus relent, o'ercome by love and tears;
She knows your kindness; I have heard her say,
A man like you 'tis pleasure to obey:
Each faithful wife, like ours, must disapprove
Such dangerous trifling with connubial love;
What has the idle world, my friend, to do
With our affairs? they envy me and you:
What if I could my gentle spouse command -
Is that a cause I should her tears withstand?
And what if you, a friend of peace, submit
To one you love--is that a theme for wit?
'Twas wrong, and I shall henceforth judge it weak
Both of submission and control to speak:
Be it agreed that all contention cease,
And no such follies vex our future peace;
Let each keep guard against domestic strife,
And find nor slave nor tyrant in his wife.'
'Agreed,' said Clubb, 'with all my soul agreed;'

-
And to the boy, delighted, gave his steed.
'I think my friend has well his mind express'd,
And I assent; such things are not a jest.'
'True,' said the Wife, 'no longer he can hide
The truth that pains him by his wounded pride:
Your friend has found it not an easy thing,
Beneath his yoke this yielding soul to bring:
These weeping willows, though they seem inclined
By every breeze, yet not the strongest wind
Can from their bent divert this weak but stubborn

kind;
Drooping they seek your pity to excite,
But 'tis at once their nature and delight;
Such women feel not; while they sigh and weep,
'Tis but their habit--their affections sleep;
They are like ice that in the hand we hold,
So very melting, yet so very cold;
On such affection let not man rely,
The husbands suffer, and the ladies sigh:
But your friend's offer let us kindly take,
And spare his pride for his vexation's sake;
For he has found, and through his life will find,
'Tis easiest dealing with the firmest mind -
More just when it resists, and, when it yields,

more kind.'

poem by George Crabbe
Submitted by Poetry Lover
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Giacinta

Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.

But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.

And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''

And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.

``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''

They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.

poem by Wilfrid Scawen Blunt
Submitted by Poetry Lover
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An Elegy on the Death of the Virtuous Lady Elizabeth, Countess of Rutland

I may forget to drink, to eat, to sleep,
Remembering thee: but when I do, to weep
In well-weighed lines, that men shall at thy hearse
Envy the sorrow which brought forth my verse;
May my dull understanding have the might
Only to know her last was yesternight!
Rutland, the fair, is dead! and if to hear
The name of Sidney will more force a tear,
'Tis she that is so dead! and yet there be
Some more alive profess not poetry;
The statesmen and the lawyers of our time
Have business still, yet do it not in rhyme.
Can she be dead, and can there be of those
That are so dull to say their prayers in prose?
It is three days since she did feel Death's hand;
And yet this isle not feel the poet's land?
Hath this no new ones made? and are the old
At such a needful time as this grown cold?
They all say they would fain; but yet they plead
They cannot write, because their muse is dead.
Hear me then speak, which will take no excuse;
Sorrow can make a verse without a muse.
Why didst thou die so soon? O, pardon me,
I know it was the longest life to thee,
That e'er with modesty was called a span,
Since the Almighty left to strive with man;
Mankind is sent to sorrow; and thou hast
More of the business which thou cam'st for past,
Than all those aged women, which, yet quick,
Have quite outlived their own arithmetic.
As soon as thou couldst apprehend a grief,
There were enough to meet thee; and the chief
Blessing of women, marriage, was to thee
Nought but a sacrament of misery;
For whom thou hadst, if we may trust to fame,
Could nothing change about thee but thy name:
A name which who (that were again to do't)
Would change without a thousand joys to boot?
In all things else thou rather led'st a life
Like a betrothed virgin than a wife.
But yet I would have called thy fortune kind,
If it had only tried the settled mind
With present crosses: not the loathed thought
Of worse to come, or past, then might have wrough
Thy best remembrance to have cast an eye
Back with delight upon thine infancy.
But thou hadst, ere thou knew'st the use of tears,
Sorrow laid up against thou cam'st to years;
Ere thou wert able who thou wert to tell,
By a sad war thy noble father fell,
In a dull clime, which did not understand
What 'twas to venture him to save a land.
He left two children, who for virtue, wit,
Beauty, were loved of all; thee and his wit:
Two was too few; yet death hath from us took
Thee, a more faultless issue than his book,
Which now the only living thing we have
From him, we'll see, shall never find a grave
As thou hast done. Alas! 'would it might be
That books their sexes had, as well as we,
That we might see this married to the worth,
And many poems like itself bring forth!
But this vain wish divinity controuls;
For neither to the angels, nor to souls,
Nor anything he meant should ever live,
Did the wise God of nature sexes give.
Then with his everlasting work alone
We must content ourselves, since she is gone;
Gone, like the day thou diedst upon; and we
May call that back again as soon as thee.
Who should have looked to this? Where were you all,
That do yourselves the help of nature call,
Physicians? I acknowledce you were there
To sell such words as one in health would hear:
So died she. Curst be he who shall defend
Your art of hastening nature to its end!
In this you shewed that physic can but be
At best an art to cure your poverty.
Ye're many of you impostors, and do give
To sick men potions that yourselves may live.
He that hath surfeited, and cannot eat,
Must have a medicine to procure you meat;
And that's the deepest ground of all your skill,
Unless it be some knowledge how to kill.
Sorrow and madness make my verses flow
Cross to my understanding; for I know
You can do wonders: Every day I meet
The looser sort of people in the street
From desperate diseases freed; and why
Restore you them, and suffer her to die?
Why should the state allow you colleges,
Pensions for lectures, and anatomies,
If all your potions, vomits, letting blood,
Can only cure the bad, and not the good,
Which only they can do? and I will show
The hidden reason, why you did not know
The way to cure her: You believed her blood
Ran on such courses as you understood;
By lectures you believed her arteries
Grew as they do in your anatomies:
Forgetting that the state allows you none
But only whores and thieves to practise on
And every passage 'bout them I am sure
You understood, and only them can cure;
Which is the cause that both —
Are noted for enjoying so long lives.
But noble blood treads in too strange a path
For your ill-got experience, and hath
Another way of cure. If you had seen
Penelope dissected, or the Queen
Of Sheba; then you might have found a way
To have preserved her from that fatal day.
As 'tis, you have but made her sooner blest,
By sending her to Heaven, where let her rest.
I will not hurt the peace which she would have,
By longer looking in her quiet grave.

poem by Francis Beaumont
Submitted by Poetry Lover
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