Carpet Crawlers
He returns from his mixed-up memories to the passage he was previously
stuck in. This time he discovers a long carpeted corridor.
There is lambswool under my naked feet.
The wool is soft and warm,
- gives off some kind of heat.
A salamander scurries into flame to be destroyed.
Imaginary creatures are trapped in birth on celluloid.
The fleas cling to the golden fleece,
Hoping they'll find peace.
Each thought and gesture are caught in celluloid.
There's no hiding in my memory.
There's no room to avoid.
The walls are painted in red ochre and are marked by strange insignia,
some looking like a bulls-eye, others of birds and boats. Further down
the corridor, he can see some people; all kneeling. With broken sighs
and murmurs they struggle, in their slow motion to move towards a
wooden door at the end. Having seen only the inanimate bodies in the
Grand Parade of Lifeless Packaging, Rael rushes to talk to them.
The crawlers cover the floor in the red ochre corridor.
For my second sight of people, they've more lifeblood than before.
They're moving in time to a heavy wooden door,
Where the needle's eye is winking, closing in on the poor.
The carpet crawlers heed their callers:
"We've got to get in to get out
We've got to get in to get out
We've got to get in to get out."
"What's going on?" he cries to a muttering monk, who conceals a yawn and
replies "It's a long time yet before the dawn." A sphinx-like crawler
calls his name saying "Don't ask him, the monk is drunk. Each one of us
is trying to reach the top of the stairs, a way out will await us there."
Not asking how he can move freely, our hero goes boldly through the door.
Behind a table loaded with foo
song performed by by Genesis
Submitted by Lucian Velea
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Related quotes
The Carpet Crawlers
He returns from his mixed-up memories to the passage he was previously stuck in. this time he discovers a long carpeted corridor.
There is lambswool under my naked feet.
The wool is soft and warm,
- gives off some kind of heat.
A salamander scurries into flame to be destroyed.
Imaginary creatures are trapped in birth on celluloid.
The fleas cling to the golden fleece,
Hoping theyll find peace.
Each thought and gesture are caught in celluloid.
Theres no hiding in my memory.
Theres no room to avoid.
The walls are painted in red ochre and are marked by strange insignia, some looking like a bulls-eye, others of birds and boats. further down the corridor, he can see some people; all kneeling.
Broken sighs and murmurs they struggle, in their slow motion to move towards a wooden door at the end. having seen only the inanimate bodies in the grand parade of lifeless packaging, rael rushe
Talk to them.
The crawlers cover the floor in the red ochre corridor.
For my second sight of people, theyve more lifeblood than before.
Theyre moving in time to a heavy wooden door,
Where the needles eye is winking, closing in on the poor.
The carpet crawlers heed their callers:
Weve got to get in to get out
Weve got to get in to get out
Weve got to get in to get out.
Whats going on? he cries to a muttering monk, who conceals a yawn and replies its a long time yet before the dawn. a sphinx-like crawler calls his name saying don
K him, the monk is drunk. each one of us is trying to reach the top of the stairs, a way out will await us there. not asking how he can move freely, our hero goes boldly through the door.
D a table loaded with food, is a spiral staircase going up into the ceiling.
Theres only one direction in the faces that I see;
Its upward to the ceiling, where the chambers said to be.
Like the forest fight for sunlight, that takes root in every tree.
They are pulled up by the magnet, believing theyre free.
The carpet crawlers heed their callers:
Weve got to get in to get out
Weve got to get in to get out
Weve got to get in to get out.
Mild mannered supermen are held in kryptonite,
And the wise and foolish virgins giggle with their bodies glowing
Bright.
Through a door a harvest feast is lit by candlelight;
Its the bottom of a staircase that spirals out of sight.
The carpet crawlers heed their callers:
Weve got to get in to get out
Weve got to get in to get out
Weve got to get in to get out.
The porcelain mannikin with shattered skin fears attack.
The eager pack lift up their pitchers - they carry all they lack.
The liquid has congealed, which has seeped out through the crack,
And the tickler takes his stickleback.
The carpet crawlers heed their callers:
Weve got to get in to get out
Weve got to get in to get out
Weve got to get in to get out.
song performed by by Genesis
Submitted by Lucian Velea
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The Grand Parade Of Lifeless Packaging
When all this revolution is over, he sits down on a highly polished floor while his dizziness fades away. it is an empty modern hallway and the dreamdoll saleslady sits at the reception desk. wi
Prompting she goes into her rap: this is the grand parade of lifeless packaging, those you are about to see are all in for servicing, except for a small quantity of our new product, in th
Ond gallery. it is all the stock required to cover the existing arrangements of the enterprise. different batches are distributed to area operators, and there are plenty of opportunities for the
E investor. they stretch from the costly care-conditioned to the most reasonable mal-nutritioned. we find here that everyones looks become them. except for the low market mal-nutritioned, each
Ovided with a guarantee for a successful birth and trouble free infancy. there is however only a small amount of variable choice potential - not too far from the mean differential. you see, the
Has predetermined the limits of ac
Tion of any group of packages, but individuals may move off the path if their diversions are counter-balanced by others.
Its the last great adventure left to mankind
- screams a drooping lady
Offering her dreamdolls at less than extortionate prices,
And as the notes and coins are taken out
Im taken in, to the factory floor.
For the grand parade of lifeless packaging
- all ready to use
The grand parade of lifeless packaging
- I just need a fuse.
Got people stocked in every shade,
Must be doing well with trade.
Stamped, addressed, in odd fatality.
That evens out their personality.
With profit potential marked by a sign,
I can recognise some of the production line,
No bite at all in labour bondage,
Just wrinkled wrappers or human bandage.
Grand parade of lifeless packaging
- all ready to use
Its the grand parade of lifeless packaging
- I just need a fuse.
As he wanders along the line of packages, rael notices a familiarity in some of their faces. he finally comes upon some of the members of his old gang and worries about his own safety. running o
Rough the factory floor, he catches sight of his brother john with a number 9 stamped on his forehead.
The hall runs like clockwork
Their hands mark out the time;
Empty in their fullness
Like a frozen pantomime.
Everyones a sales representative
Wearing slogans in their shrine.
Dishing out failsafe superlative,
Brother john is no. 9.
Its the grand parade of lifeless packaging
- all ready to use
Its the grand parade of lifeless packaging
- I just need a fuse.
The decor on the ceiling
Has planned out their future day
I see no sign of free will,
So I guess I have to pay,
Pay my way,
For the grand parade...
Its the grand parade of lifeless packaging
- all ready to use
Its the grand parade of lifeless packaging
- I just need a fuse.
song performed by by Genesis
Submitted by Lucian Velea
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The Jasmine Corridor
In all my lives, I never knew anyone like you before.
Woke up one day, swore I heard the sound of heaven knocking on my door.
And after all these years long passing,
Time to reflect, no time for wasting.
Walking down the jasmine corridor.
Reflecting echoes of quiet laughter.
In all my life, I was never better served than I was served by you.
And in my way, hope you agree I tried to serve you too.
Out on the headland I stepped once unsteady.
You there to catch me , I breathe more freely.
Hand in mine down the jasmine corridor.
Through all my life, I chased flitting illusions at a faster pace.
Never stopped to think: the moment was for seizing, had myself to face.
You made my bed to lie in, stately.
Mad cats, grandchildren, here more often lately.
The final view from the jasmine corridor.
song performed by by Jethro Tull
Submitted by Lucian Velea
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Revenge
Pushed me off the dirty floor
You watched as my head hit the floor
You watched as I rolled round and round
You watched as I came tumbling down
You watched as I rolled down the stairs
You never wished me - fare thee well!
You watched as I got on my feet
I ran towards her and she started to plead, no!
Aint got time for what you feel
You did it again
You did it again
You did it again and again and again, ho, ho!
Far below original sin
Far below the state Im in
Far below malicious crimes
Far below her for the time
Far below
Far below
Far below is the place youll go, ho!
Aint got time for what you feel
You did it again
You did it again
You did it again and again and again, ho, ho!
Oh went through the window, quiet as a mouse
No sound was stirring throughout the house
Id heard a noise that made me startle
But I kept on walking down the corridor
Yes the corridor
Yes the corridor
And there you were with a man once more, no!
Aint got time for what you feel
You did it again
You did it again
You did it again and again and again
You did it again
You did it again
You did it again and again and again, ho, ho!
song performed by by Ministry
Submitted by Lucian Velea
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Past a house
We yesterday
drove past a house
near a shopping centre
and at the front wall
the plaster was broken,
the garden that was something
at a time
was treaded to pieces
and left uncared.
The front door hanged decaying
and when my eyes
walked down the corridor
some of the ceiling was missing,
and the wooden floor
was being used for firewood
It seemed as if the house
was now really becoming a ruin
and a naked black toddler
were crawling outside
and a very thin dog
looked as if it never got food
and my darling said:
“We stayed here at a time
and once this house
belonged to us
and it was a beautiful place
and just see how it looks now.”
poem by Gert Strydom
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Night Crawlers
Night Crawlers wiggling in my hand,
They are the best bait in all the land.
Night Crawlers, six and a half inch long,
From the heart of Texas, you can't go wrong.
Night Crawlers a sure fire guarantee,
You'll catch your limit under that tree.
Night Crawlers they are just so fine,
Just hook them up on your fishing line.
Night Crawlers for catfish, are just the best,
Head and shoulders above the rest.
Night Crawlers, number one you must rate,
A whole lot better, than that ole stink bait.
Night Crawlers, a good and slimey treat,
Whatever you use, they got it beat.
Night Crawlers on the job, and you can't miss,
I think I'll give mine, a big wet kiss.
6/15/10 29 palms ca.
poem by Juan Olivarez
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Smokey Hued
My doors smoky open
ethereal;
right and left corridor
compartmented.
I see patterns
and rooms
to the right and left.
Here my Room of Tears,
weeping walls that caterwaul.
All my sorrows hang here
and Deep Regrets lie on the floor.
All My Loves
are in this room
in hues rosette
most past;
their glow
shimmers
even outside
in the corridor.
My eyes lid as I pass
my rooms of Cardinal Sins;
faces there
I'd wronged or mislead,
I was relieved to see Repentments Rooms next
where Atonements array the walls
and below on tables are
Just Due Parchments properly signed
for deliverance to Justice Hall.
I did make some things right there.
Upstairs are my Best Regards
in alcoves 'round my Heart
very soft
healing arts applied with care there.
I'm now down to Secret Sins,
its door ajar with Gambolments,
Inexcusables-Mindless Hurts-
all Unspeakables.
Oh, each time I make this trip
my energy's spent;
and I vow
next time
to make of it
a more pleasant trip
through this
my Soul's House.
poem by Lonnie Hicks
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Monkey in Hospital
Now buildings have automatic sliding gates,
Sense creatures to automatically operate;
A monkey opened Delhi hospital gate to enter
Used to take meals and went out same manner.
One day while stealing meal he was caught,
In hurry to run away, way to gate he forgot;
He jumped ward to ward, corridor to corridor,
But could not locate the passage to out door
Then he was chased by the kitchen crew
Before he could be set free, hurt a few;
With great difficulty the things normalised,
The injured staff members got hospitalised.
An ape entered my home, found door unbolted
Took eatables from fridge, children got jolted;
Municipality, unable to control animals on tree
They can jump here and there and easily flee.
Need to think designing a device or facility-
In the world there are also naughty monkeys.
- S. D.Tiwari
poem by S.D. Tiwari
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Red And Orange
Ther's a red house,
Inside there's an orange door.
Beside that there's a red carpet,
On top of an orange floor.
There's a red table,
Below an orange ceiling.
Upstairs there's a red bed,
Inside an orange room.
There's a couple of red people sleeping soundly,
Next door two orange ones too.
Outside there's a red truck,
No one knows what to do.
I don't see the proble,
Why don't you leave us all alone.
But now I see the red more clearly,
And I know what's done is done.
And I'll float away with the cloudy smoke,
Before the inevertable happens and I start to choke.
Good bye red house,
So long orange door.
I'm going for a long sleep noe,
Six feet under the floor.
Move It On Over
Came in last night at half past ten
That baby of mine wouldnt let me in
So move it on over (move it on over)
Move it on over (move it on over)
Move over little dog cause the big dogs moving in
Shes changed the lock on my front door
My door key dont fit no more
So get it on over (move it on over)
Scoot it on over (move it on over)
Move over skinny dog cause the fat dogs moving in
This dog house here is mighty small
But its better than no house at all
So ease it on over (move it on over)
Drag it on over (move it on over)
Move over old dog cause a new dogs moving in
She told me not to play around
But I done let the deal go down
So pack it on over (move it on over)
Tote it on over (move it on over)
Move over nice dog cause a mad dogs moving in
She warned me once, she warned me twice
But I dont take no ones advice
So scratch it on over (move it on over)
Shake it on over (move it on over)
Move over short dog cause the tall dogs moving in
Shell crawl back to me on her knees
Ill be busy scratching fleas
So slide it on over (move it on over)
Sneak it on over (move it on over)
Move over good dog cause a mad dogs moving in
Remember pup, before you whine
That sides yours and this sides mine
So shove it on over (move it on over)
Sweep it on over (move it on over)
Move over cold dog cause a hot dogs moving in
song performed by by Hank Williams
Submitted by Lucian Velea
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The Ottoman
At the foot of my parents bed was an ottoman,
it was old fashioned, but solid and sound.
My father said it had been locked for a reason,
to stop children from nosing around.
This unusual ottoman kind of haunted me
and I was curious to look inside.
One morning I found a key in the green house
and it looked like the ottoman’s size
Within minutes I was face to face with the ottoman,
the key turned the lock, so I took a peek.
A burning light shone at the bottom of a stairway;
so this was the secret my father wished to keep.
My burning curiosity had got the better of me,
so I lifted the lid wider and got inside.
Down the steps I ventured with caution,
my ears twitching, and eyes open wide.
The steps led down a narrow spiral staircase,
which met a corridor, with a door at the end.
Behind the creaky door was another corridor
and a wooden stairway which I did ascend.
This led me back up to the ottoman,
which was strange, but had to accept.
I decided to mull this over in my bedroom,
but someone was sleeping, so out there I crept.
I couldn’t believe it when I saw myself sleeping,
but then my father called me down for tea.
He and mum smiled, and dad ruffled my hair,
it was then that I came face to face with me.
I ran from the kitchen, up to my parent’s bedroom;
into the ottoman, and returned the way I came.
Everyone was sitting down for tea when I joined them
and dad knew, that I wouldn’t be disobeying him again.
poem by Orlando Belo
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We Live So Fast
Please dont ask me to stay
Im leaving this town
Dont worry now
Believe me as I believe that
Luck is on my side
The future is mine
If I can find
A way through these strange days of my life
We live so fast
Motion, motion
No time to waste
Use it, use it
We live so fast
Motion, motion
Make the first step and reach out for tomorrow
We live so fast
Motion, motion
We cant stand still
Move it, move it
We live so fast
Motion, motion
Move out of my way its time to make it happen
The streets deserted and cold
Theyre not paved with gold
But I dont care
For those who think young will still survive
Making their move
Hoping to prove
That they can face
This big city, small world, big time
We live so fast
Motion, motion
No time to waste
Use it, use it
We live so fast
Motion, motion
Make the first step and reach out for tomorrow
We live so fast
Motion, motion
We cant stand still
Move it, move it
We live so fast
Motion, motion
Move out of my way its time to make it happen
But now I know their ways
I found my place
Saw their true face
Theres nothing to stay for so Ill go
Ill pick up the phone
Still searching for home
We life so fast
Alone but not lonely I move on
We live so fast
Motion, motion
No time to waste
Use it, use it
We live so fast
Motion, motion
Make the first step and reach out for tomorrow
We live so fast
Motion, motion
We cant stand still
Move it, move it
We live so fast
Motion, motion
Move out of my way its time to make it happen
song performed by by Heaven 17
Submitted by Lucian Velea
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Used to be Hero
Patricia,
Do you know? Do you remember? Things from long ago? Do you know that you used to be my hero? The person I thought I could always talk to? Do you remember when I called you mom?
I wish this letter was addressed to her; the woman I called mom; my hero. I used to think about asking dad where did you go; then I realized he was never there. So instead I realized the appropriate question for him is 'where have you been'. It was my hero who left me. It is you I must ask 'where did you go'. You used to be my hero.
Once upon a time,
You lived in Newell; Dad lived in Nisland. Matt and I we were at your house for the night. Mattie slept in our bunk in the back room. I slept on the floor in the livingroom. To raised voices I awoke. Daddy was drunk and you were fighting. You told him to leave and he grabbed Mattie. He took him out to his truck and you locked him out. To the door I ran screaming for Mattie, scared for my little brother. Not caring for my safety. You locked the door and pulled me back. Daddy soon was at the door screaming and pounding at the door for you to let him get his stuff. You ignored his rants and raves and called the police. I watched from the door as they arrived and Daddy, he put up a fight. The cops asked once, they asked twice, soon he was on the ground and put in vice. On his wrists they slapped the cuffs and dear little mattie was brought back to us. In the back of the police car Daddy went.
The End
That night you were my hero. You kept Mattie and me safe from Daddy when he was drunk. I only have one question for you now. Where did that Mommy go? My hero.....the person who was supposed to teach me everything in life. Your life seemed to fall apart in front of my eyes, but I did not see your pain. Only the pain inflicted on Mattie and me. I wish you could still be my hero, but that was lost a long time ago.
.
poem by Cathy VanDorn
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One Way Out
Ain't but one way out baby, lord i just can't go out the door.
Ain't but one way out baby, and lord i just can't go out the door.
Cause there's a man down there, might be your man i don't know.
Lord you got me trapped woman, up on the second floor;
If i get by this time i won't be trapped no more.
So raise our window baby, i can ease out soft and slow.
And lord, your neighbors, no they won't be
Talking that stuff that they don't know.
Lord, i'm foolish to be here in the first place,
I know some man gonna walk in and take my place.
Ain't no way in the world, i'm going out that front door
Cause there's a man down there, might be your man i don't know.
Cause there's a man down there, might be your man i don't know.
Cause there's a man down there,
Freely
Lord, it just might happen to be your man...
Lord, it just a might be your man,
Oh baby, i just don't know...
song performed by by Styx
Submitted by Lucian Velea
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The Soft Parade
When I was back there in seminary school, there was a person there
Who put forth the proposition, that you can petition the lord with prayer
Petition the lord with prayer, petition the lord with prayer
You cannot petition the lord with prayer!
Can you give me sanctuary, I must find a place to hide, a place for me to hide
Can you find me soft asylum, I cant make it anymore, the man is at the door
Peppermint, miniskirts, chocolate candy, champion sax and a girl named sandy
Theres only four ways to get unraveled, one is to sleep and the other is travel, da da
One is a bandit up in the hills, one is to love your neighbor till
His wife gets home
Catacombs, nursery bones, winter women, growing stones
Carrying babies, to the river
Streets and shoes, avenues, leather riders
Selling news, the monk bought lunch
Ha ha, he bought a little, yes, he did, woo!
This is the best part of the trip, this is the trip, the best part
I really like, whatd he say? , yeah!, yeah, right!
Pretty good, huh, huh!, yeah, Im proud to be a part of this number
Successful hills are here to stay, everything must be this way
Gentle streets where people play, welcome to the soft parade
All our lives we sweat and save, building for a shallow grave
Must be something else we say, somehow to defend this place
Everything must be this way, everything must be this way, yeah
The soft parade has now begun, listen to the engines hum
People out to have some fun, a cobra on my left
Leopard on my right, yeah
The deer woman in a silk dress, girls with beads around their necks
Kiss the hunter of the green vest, who has wrestled before
With lions in the night
Out of sight!, the lights are getting brighter
The radio is moaning, calling to the dogs
There are still a few animals, left out in the yard
But its getting harder, to describe sailors, to the underfed
Tropic corridor, tropic treasure
What got us this far, to this mild equator?
We need someone or something new
Something else to get us through, yeah, cmon
Callin on the dogs, callin on the dogs
Oh, its gettin harder, callin on the dogs
Callin in the dogs, callin all the dogs, callin on the gods
You gotta meet me, too late, baby
Slay a few animals, at the crossroads, too late
All in the yard, but its gettin harder, by the crossroads
You gotta meet me, oh, were goin, were goin great
At the edge of town, tropic corridor, tropic treasure
Havin a good time, got to come along, what got us this far
To this mild equator? , outskirts of the city, you and i
We need someone new, somethin new, somethin else to get us through
Better bring your gun, better bring your gun
Tropic corridor, tropic treasure, were gonna ride and have some fun
When all else fails, we can whip the horses eyes
And make them sleep, and cry
song performed by by Doors
Submitted by Lucian Velea
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Another Learning
there is a door
between us as though
we are just
two adjacent rooms
to enter into your door
i need to have that key
you keep on telling me
the key was lost and you
do not know
where to find it anymore
there is another door
and you are allowing someone else to come in
at first i say 'This is unfair! ' and
I thought of forcing
that door open
on the other hand
i have my own door too
and the lock is broken
a long time ago i have
thrown out the key
for what use is a door with
a broken lock?
and for what use is your door
to my prayer?
i do not know what force is &
i already stopped begging
i change the frames of my window
i have some other plans in mind
there are nine planets in our
galaxy
there are many galaxies
in unlimited space
and like all those who still hope
they always know
that someone somewhere keeps
on waiting
in a world where doors welcome me
like arms in half-embrace
and so i go to places where
my feet are welcome
& i have learned the happiness
of forgetting.
poem by Ric S. Bastasa
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You walk through a series of arches, so to speak, and then, presently, at the end of a corridor, a door opens and you see backward through time, and you feel the flow of time, and realize you are only part of a great nameless procession.
quote by John Huston
Submitted by Lucian Velea
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Money
Make your mind up
Whos going to think for you?
When the time comes
Youll have to see it through
Use your instinct
And take a risk or two
Dont you worry
cause youll know what to do
You can give so
Much to me
But I dont want it
I will be free
For the last time
Im going out the door
You dont need me
To help you anymore
Eyes wide open
I see its different now
Keep your comfort
Ill get along somehow
You can have my money
I dont need it anymore
I dont need your invitation
Down that lonesome corridor
Breakdown
You can have my money
I dont need it anymore
I dont need your invitation
Down that lonesome corridor
Nothing good comes easily
Count the cost, I will be free
You can scream and disagree
I dont want it - I will be free
You can have my money
I dont need it anymore
I dont need your invitation
Down that lonesome corridor
Nothing good comes easily
Count the cost, I will be free
You can scream and disagree
I dont want it - I will be free
song performed by by Human League
Submitted by Lucian Velea
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The corridor is hardly ever found in small houses, apart from the verandah, which also serves as a corridor.
quote by Stephen Gardiner
Submitted by Lucian Velea
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A Poem Seeking Permission...
May I seek
Your permission
To build my castle
Of fantasies
That houses you?
The castle may
Crumble down
Let it be...
From the debris
Will I quickly build another
Binding every wall
With my precious tears
Copiously shed
In the silence of
Several vacant nights
I'll roam from room to room
From corridor to corridor
Its every length and breadth
Day and night
The walls resonating
With your name
My heart repeats
The castle recharges me
It's my life-line, you see...
Do permit me...
11Sep2011
07.20hrs
poem by Indira Babbellapati
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