The Pastoral, The Elegy, The Ode, And The Epigram
As A fair nymph, when rising from her bed,
With sparkling diamonds dresses not her head,
But without gold, or pearl, or costly scents,
Gathers from neighboring fields her ornaments:
Such, lovely in its dress, but plain withal,
Ought to appear a perfect Pastoral.
Its humble method nothing has of fierce,
But hates the rattling of a lofty verse;
There native beauty pleases and excites,
And never with harsh sounds the ear affrights.
But in this style a poet, often spent
In rage, throws by his rural instrument,
And vainly, when disordered thoughts abound,
Amidst the eclogue makes the trumpet sound;
Pan flies alarmed into the neighboring woods,
And frighted nymphs dive down into the floods.
Opposed to this, another, low in style,
Makes shepherds speak a language low and vile;
His writings, flat and heavy, without sound,
Kissing the earth and creeping on the ground;
You'd swear that Randal, in his rustic strains,
Again was quavering to the country swains,
And changing, without care of sound or dress,
Strephon and Phyllis into Tom and Bess.
'Twixt these extremes 'tis hard to keep the right:
For guides take Virgil and read Theocrite;
Be their just writings, by the gods inspired,
Your constant pattern, practiced and admired.
By them alone you'll easy comprehend
How poets without shame may condescend
To sing of gardens, fields, of flowers and fruit,
To stir up shepherds and to tune the flute;
Of love's rewards to tell the happy hour,
Daphne a tree, Narcissus make a flower,
And by what means the eclogue yet has power
To make the woods worthy a conqueror;
This of their writings is the grace and flight;
Their risings lofty, yet not out of sight.
The Elegy, that loves a mournful style,
With unbound hair weeps at a funeral pile;
It paints the lover's torments and delights,
A mistress flatters, threatens, and invites;
But well these raptures if you'll make us see,
You must know love as well as poetry.
I hate those lukewarm authors, whose forced fire
In a cold style describes a hot desire;
That sigh by rule, and raging in cold blood,
Their sluggish muse whip to an amorous mood.
Their transports feigned appear but flat and vain;
They always sigh, and always hug their chain,
Adore their prisons and their sufferings bless,
Make sense and reason quarrel as they please.
'Twas not of old in this affected tone
That smooth Tibullus made his amorous moan;
Nor Ovid, when, instructed from above,
By nature's rule he taught the art of love.
The heart in elegies forms the discourse.
The Ode is bolder and has greater force;
Mounting to heaven in her ambitious flight,
Amongst the gods and heroes takes delight;
Of Pisa's wrestlers tells the sinewy force,
And sings the lusty conqueror's glorious course;
To Simois's streams does fierce Achilles bring,
And makes the Ganges bow to Britain's king.
Sometimes she flies like an industrious bee,
And robs the flowers by nature's chemistry;
Describes the shepherd's dances, feasts, and bliss,
And boasts from Phyllis to surprise a kiss,
When gently she resists with feigned remorse,
That what she grants may seem to be by force.
Her generous style at random oft will part,
And by a brave disorder shows her art.
Unlike those fearful poets whose cold rime
In all their raptures keeps exactest time;
That sing the illustrious hero's mighty praise--
Lean writers!--by the terms of weeks and days,
And dare not from least circumstances part,
But take all towns by strictest rules of art.
Apollo drives those fops from his abode;
And some have said that once the humorous god,
Resolving all such scribblers to confound,
For the short Sonnet ordered this strict bound,
Set rules for the just measure and the time,
The easy-running and alternate rime;
But above all, those licenses denied
Which in these writings the lame sense supplied,
Forbade a useless line should find a place,
Or a repeated word appear with grace.
A faultless sonnet, finished thus, would be
Worth tedious volumes of loose poetry.
A hundred scribbling authors, without ground,
Believe they have this only phoenix found,
When yet the exactest scarce have two or three,
Among whole tomes, from faults and censure free;
The rest, but little read, regarded less,
Are shoveled to the pastry from the press.
Closing the sense within the measured time,
'Tis hard to fit the reason to the rime.
The Epigram, with little art composed,
Is one good sentence in a distich closed.
These points, that by Italians first were prized,
Our ancient authors knew not, or despised;
The vulgar, dazzled with their glaring light,
To their false pleasures quickly they invite;
But public favor so increased their pride,
They overwhelmed Parnassus with their tide.
The Madrigal at first was overcome,
And the proud Sonnet fell by the same doom;
With these grave Tragedy adorned her flights,
And mournful Elegy her funeral rites,
A hero never failed them on the stage:
Without his point a lover durst not rage;
The amorous shepherds took more care to prove
True to his point, than faithful to their love.
Each word, like Janus, had a double face,
And prose, as well as verse, allowed it place;
The lawyer with conceits adorned his speech,
The parson without quibbling could not preach.
At last affronted reason looked about,
And from all serious matters shut them out;
Declared that none should use them without shame,
Except a scattering, in the epigram--
Provided that by art, and in due time,
They turned upon the thought, and not the rime.
Thus in all parts disorders did abate;
Yet quibblers in the court had leave to prate,
Insipid jesters and unpleasant fools,
A corporation of dull, punning drolls.
'Tis not but that sometimes a dextrous muse
May with advantage a turned sense abuse,
And on a word may trifle with address;
But above all, avoid the fond excess,
And think not, when your verse and sense are lame,
With a dull point to tag your epigram.
poem by Nicholas Boileau-Despreaux
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Related quotes
A matter of form for friend leslie
Consistency and symmetry
combined with meter seem to be
Ingredients of good poetry.
Though modernists will disagree.
They take a different point of view.
Convinced that anything will do
That writers need not follow rules
and those who do they see as fools
Consider rhyming is a crime
and meter just a waste of time.
But can this kind of writing last?
like that of poets from the past.
I don’t dispute they have the right
to choose the way in which they write.
Poetic prose can be divine
but not if it lacks discipline.
Your writing must be coherent.
A well established precedent
If what you write does not make sense.
What can be said in its defence?
If readers cannot comprehend
the message which you try to send
Because your meaning is not plain.
Perhaps its time to think again.
And realise there must be rules.
A craftsman has to know his tools.
If he does not then he will fail
his efforts all to no avail.
Some readers will choose poetry
and others prose preferably
It is your reader’s right to choose
to read your writings or refuse.
If you don’t cater to their needs
don’t be surprised if no one reads.
If how you write is too obscure.
Then change your style. The only cure.
30/06/2009
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg
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Indefinable?
I can’t define with certainty
what is or is not poetry
There are so many schools of thought
but I recall what I was taught.
When I was young and still at school.
That there was but one basic rule.
Most everything you write is prose
but poetry you must compose.
You choose your words selectively
so that they say efficiently
exactly what you want to say
but in a smooth and flowing way.
In common with all forms of art
sheer inborn talent plays its part.
All artists need to learn the rules
provided by the different schools
of thought which proliferate.
Study past masters of your art
so you learn to appreciate
artists who are worlds apart.
All poets write in their own way.
Free verse, free style or formally.
Some styles will last some fade away.
Why do you write primarily?
What is it that you wish to do?
What is it that you wish to share?
Your feelings or your point of view.
Are you afraid or do you dare.
admit that you don’t know it all.
That other folks know more than you
Pride always goes before fall
I think you’ll find that this is true
You can of course choose to refuse
all helpful offers of advice
and disregard all other peoples views.
Though in the end you pay the price.
I can’t define with certainty
what is or is not poetry.
Though I can say with confidence
that poetry should make good sense.
3-Sep-07
poem by Ivor Or Ivor.e Hogg
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Fourteen Lines
Old poets, torturing their thoughts to rhyme,
their lovely English verse to end-words tied,
oft found just cause to moan of 'envious Time',
and seek immortal fame in 'Time defied';
for rhymesters, it is ever June, when moon
shines on their corn; for moralists, base love
may find in Plato reason to attune
and lift their Muse to world on world above -
and then, there's Shakespeare: from whose boundless art
flows liquid gold; whose words bring heaven to earth,
to sing love's beauty; melt the frozen heart,
make men to cry with joy; gods, weep with mirth:
a sonnet's span can bring one to oneself;
in fourteen lines, bequeath us heaven's wealth.
poem by Michael Shepherd
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After All Hymn
After all I am human
And I get mad sometimes
Sometimes it is hard for me to think of something else in
Order to get rid of my anger
But I think I have to replace it with poetry
Poetry is my life
And I live writing poetry
Is poetry just a scribbling that doesn't make sense?
No
Poetry are feelings that are wrtten on a piece of paper or in the computer Scream
Poetry makes sense because every word I carefully select
And there are other words that might pop out of my mind
That I connect with the words in my heart
Do I use strong words in my poetry?
Yes I use strong words
Do I offend my readers with the words I pick?
That Is something that I try not to do
AAafter all
I am human and I do make mistakes
But after I make mistakes I try to move to the next step so I never get Stuck with my mistake
Yes poetry is my voice that is a message that I am trying hard to give to My readers
There are so many different styles of poetry
Haiku, rhiming, and free style
But I always stick with the free style of poetry
I find that it is the style that sooths me just fine
After all
I try very hard to live a modest life that is very plain and simple
From the one I lived 16 years ago
What is wrong to live a life of luxury to me?
First I need to have the money to live a luxurious life
The second part is that I don't want anything to do with a luxurious life
Because I am happy living my simple life
And I hope to live that simple life forever
I want to have dreams only and I don't wish them to turn into reality in My Life
Because I know that my dreams will be dreams
No I can't sell my dreams
Because my dreams are only fantasies that I face every night when I sleep In my bed
And after all I will always be human
poem by Aldo Kraas
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Astrophel's Song Of Phyllida And Corydon
Fair in a morn (O fairest morn!),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature!)
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift!)
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,
And Corydon doth hear her sing,
Though Phyllida be she that taught her:
Poor Corydon doth keep the fields
Though Phyllida be she that owes them,
And Phyllida doth walk the meads,
Though Corydon be he that mows them:
The little lambs are Phyllis' love,
Though Corydon is he that feeds them,
The gardens fair are Phyllis' ground,
Though Corydon is he that weeds them.
Since then that Phyllis only is
The only shepherd's only queen;
And Corydon the only swain
That only hath her shepherd been,--
Though Phyllis keep her bower of state,
Shall Corydon consume away?
No, shepherd, no, work out the week,
And Sunday shall be holiday.
poem by Nicholas Breton
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Jordan (I)
Who says that fictions only and false hair
Become a verse? Is there no truth in beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?
Is it no verse, except enchanted groves
And sudden arbors shadow coarse-spun lines?
Must purling streams refresh a lover's loves?
Must all be veiled, while he that reads, divines,
Catching the sense at two removes?
Shepherds are honest people; let them sing:
Riddle who list, for me, and pull for Prime:
I envy no man's nightingale or spring;
Nor let them punish me with loss of rime,
Who plainly say, My God, My King.
poem by George Herbert
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0005 Totally Boring Poem
I’m totally bored by:
poems that sound like other poems
poems that try to sound unlike any other poems
poets who never take risks
poets who think that taking risks
makes them good poets
poems with 'meaning'
poems with no meaning
poets who slag off other poets
as if that achieves something
poets that tell you that rhyme
is not for an age but for all time
poets that tell you that rhyme is outmoded and boring
poets who think that the poetry of 'the past'
is greater than that of 'the present'
poets who think that the poetry of 'the present'
is greater than that of 'the past'
poems that tell you the poet's the first to discover sex
poets that tell you they’re the best sex you’ll ever have
although you’ll never meet them to find out
poets that tell you they’ve been dumped
poets who've never known love and being dumped
poets who are ambitious
poets who are unambitious
poets who tell you all about higher things
poets who reject higher things
poets who think life’s just a joke
poets who think life’s no joke
poets who sit on the fence
poets who have no sense of balance
poets who despise 'the middle ground'
poets who talk about technique
poets with no technique
poets who just throw down their thoughts
poets who 'work up' their poems to a self-satisfied polish
poets who list what they like (who cares?)
poets who list what don’t like (who cares?)
poets who write about extreme states
poets who think they’re immune to extreme states
poets who tell you why they’re bored
poets who have opinions
poets who seem to have no opinions at all
poets who have boring opinions to air - why choose poetry?
poets who comment on others' poems
as if it's the last word
poets who never bother to comment
on others' poems
poets who don't love poetry passionately
poets who tell you they 'love poetry passionately'
poets who – oh I’m too bored to go on reading this,
how about you?
I suppose you have boring opinions too?
another time perhaps
and oh yes I'm most of all bored by
those who waste their precious time on this earth
being bored
well I feel better for that.
how about you?
poem by Michael Shepherd
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An Ode : While Blooming Youth And Gay Delight
While blooming youth and gay delight
Sit on thy rosy cheeks confess'd,
Thou hast, my dear, undoubted right
To triumph o'er this destined breast.
My reason bends to what thy eyes ordain;
For I was born to love, and thou to reign.
But would you meanly thus rely
On power you know I must obey?
Exert a legal tyranny,
And do an ill because you may?
Still must I thee, as Atheists Heaven, adore;
Not see thy mercy, and yet dread thy power?
Take heed, my dear: youth flies apace;
As well as Cupid, Time is blind:
Soon must those glories of thy face
The fate of vulgar beauty find:
The thousand Loves, that arm thy potent eye,
Must drop their quivers, flag their wings, and die.
Then wilt thou sigh, when in each frown
A hateful wrinkle more appears:
And putting peevish humours on,
Seems but the sad effect of years:
Kindness itself too weak a charm will prove
To raise the feeble fires of aged love.
Forced compliments, and formal bows,
Will show thee just above neglect;
The heat with which thy lover glows,
Will settle into cold respect:
A talking dull Platonic I shall turn;
Learn to be civil, when I cease to burn.
Then, shun the ill, and know, my dear,
Kindness and constancy will prove
The only pillars, fit to bear
So vast a weight as that of love.
If thou canst wish to make my flames endure,
Thine must be very fierce, and very pure.
Haste, Celia, haste, while youth invites,
Obey kind Cupid's present voice;
Fill every sense with soft delights,
And give thy soul a loose to joys:
Let millions of repeated blisses prove
That thou all kindness art, and I all love.
Be mine, and only mine; take care
Thy looks, thy thoughts, thy dreams, to guide
To me alone; nor come so far,
As liking any youth beside:
What men e'er court thee, fly them, and believe
They're serpents all, and thou the tempted Eve.
So shall I court thy dearest truth,
When beauty ceases to engage;
So, thinking on thy charming youth,
I'll love it o'er again in age;
So time itself our raptures shall improve,
While still we wake to joy, and live to love.
poem by Matthew Prior
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Satyr I. A Letter To A Friend. On Poets.
Poets are bound by ye severest rules,
the great ones must be mad, ye little all are fools,
thus wn. I rime 'tis at my own expence,
to please my friend, I drop my claim to sence.
but now ye greater sway wch custome bears,
to forfeit souls in oaths, or sence in verse?
the using of an ill has so much power,
stamp it a fashion, & its ill no more.
since then ye humour so extremely reigns,
that ye gay folly every brest unbends,
let me beneath ye common shadow hide
the fault's not mine thats all ye worlds beside.
say then if passion, discontent, or ease
sho'd e're your friend wth poetry possess,
for these, and want, ye muses setters seeme,
to draw in cullies to their loosing game,
how may I know yepath I ought to tread,
for 'tis in all mens natures to succeed
some one way more than any else beside.
fancy the reigning planet of yer. mind
guides poets, & like her they're unconfin'd;
a bounded genius will attempt to prove,
the stings of satyr, & ye flames of love,
Jear folly, virtue by example praise,
& move our passions & or. language raise
happy one way but one he'l scorn to chuse
so much or. wilder hopes our parts abuse.
Durfy more luckily employs his quill
weak as he is he knows his talent still.
Wn C---r taught how plays debaucht ye age
he left to V---ke to defend the stage,
in rufull ballad humbly pleas'd to rage.
how great & undisturb'd by censuring foes
might eithers fame beneath thier wreaths repose
had B---l nere written verse nor C---ve prose.
B---r in Epicks may be still inspir'd,
by men of sence approv'd by all ye rest admir'd
let him of Williams thickned lawrells sing
while for himself from every page they spring
& that shall crowne ye poet wch adorns ye King
but nere to tread in scandalls rougher ways
again depart ye peacefull realms of praise.
we read his satyr & his wit allow,
we read & own the blended malice too.
but oft his muse shows an unpointed tooth
Wn. a just turn of verse don't raise ye illnaturd truth
low puns for wit his lines do often fill
& oft he rambles in too loose a stile;
the biting satyr fights in closer file.
laborious T---te has many methods try'd,
to know wt. happy way he may succeed,
A play or two employ'd his hopes at first,
far from ye best, a little from ye worst,
then bits of foreign poets to or. tongue,
more happily he brought, more sweetly sung,
flush'd with success, he rises up from hence,
to rescue David at his own expence.
so have I known some painters wn. a face
in spight of all their touches wants to please
turn up its eys & alter all its dress
the auction piece a flowing glory wears,
& where the syren fail'd; ye saint appears.
Now I, who proudly authors thus arraign,
am, may be, envious thought, & may be vain,
but if my lines can gain one friends esteem,
or my diversion be, 'tis all my aim,
I never bid perhaps nere shall for fame.
Nay sho'd I find my censures too severe,
Ide in my changing prove my temper fair,
and see with joy an error disappear;
let Dennis rules for writing well lay downe,
believe wt he prescribes his play has done,
a preface write to shew he dos not faile,
Till Hypers to himself ye fop reveale.
poem by Thomas Parnell
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Satyr V. Verse
Thou soft Engager of my tender years
Divertive verse now come & ease my cares
The Rake has wine the aged knave ye view
Of what his death bed Charity will do
to lay his cares & mine are layd by you
You give my mind when I unbend relief
Raise ev'ry Joy & lessen ev'ry grief
Nor do I onely these thy comforts find
thy comforts are diffusive to mankind
The men of sense of buisness or of whims
half witts or lovers ev'ry one sometimes
Will toy away a vacant hour in rimes
& they give all but lovers troubles ease
the Muses fires the flames of love encrease
Yet the fond fooles write more yn all ye rest
as if they studyd to be more unblest
of Moving things they speak in moving strains
& moan & beg a cure of all their pains
till at the last theyre workd to a belief
that what they said has been their reall grief
As strong as fate they call the chains they wear
To starrs & Angells ev'ry nymph compare
Then think their chains as strong, their nymphs as fair
thus our loves more & more the womens pride
so the wounds deeper & the cure denyd
Long may you gentle souls your fetters wear
if still you write upon ye pangs you bear
Yet know that writing makes them more severe
If Celia or Aminta scornfull grow
On the great praises which your lines bestow
Long may you feel them since you make ym so
Verse is on other subjects less unkind
& with its transports brightens up ye mind
the Drunkards catch is half the rogues delight
Where noise & briskness do their charms unite
The drawers calld & ink & paper brought
& so extempore the work is wrought
While wine inspires they never stay for thought
the Jolly words are roard in tunefull sound
While the full bottles run the tables round
& Ecchoes from the Empty ones rebound
Raisd to the Joyes above the cares of kings
their singing makes ym drink their drinking sing
O happy men if twere not for the curse
of qualms repentance & an empty purse
but happy men at least for some few hours
Who force the Muse to nothing else but rime
& when your sense is drownd sing off yr time
Verse has another powr on other men
When the vexd thoughts by writing grow serene
full of the spleen & rage & scorn to see
the tide of vice & folly run so high
some from the world retire to poetry
& when their pens what grieves their bosoms speak
how honesty's a cully witt a rake
fair Virtue beggerd beauty grown a baud
Religion made a masque & gold a God
their breasts find ease by laying down their load
so Prophetts usd inspird of old to swell
& when they spoke their Oracles grew well
For me who never have a drinker been
Nor provd the witty forces of the spleen
for me who be it chance or carelessness
(forgive me half the world when I confess)
have never been in love in all my dayes
On other principles my pen I take
for meer disintrested diversions sake
I onely write as many lovers woo
but just when I have nothing else to do
& then to please my self as well as you
I seek no praise & keep me safe from shame
Not known to many & unknown to fame
I woud not blunty rail a folly down
Nor with undecent rage on vices run
Our master Horace wisely sung of old
that satyrs better if it Jear then scold
the Gall too much prevailing spoils the ink
Nor woul I frett mankind but make ym think
tis farr more human thus to show ye place
Where you ly open then throw in ye pass
poem by Thomas Parnell
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Song Of A Rhyming Man
I love the sound of rhyming words like Dan will rhyme with Ann
And I could never be a poet just call me rhyming man
This modern verse too much for me it's way above my head
Though modern poets are now the rage and Rhyme is with the dead.
I love the sound of rhyming words, I love the verse that rhyme
To blank or free or non rhyme verse prefer it every time
And there's many who will disagree and most will say I'm wrong
But give me ballad or rhyme verse or good old rhyming song.
You may say I am limited and with you most will agree
That I'm not into modern verse of twenty first century
But I've been an old style rhyming man since nineteen seventy three
And I am in my sixties now and there's no changing me.
I love the sound of rhyming words like Dan will rhyme with Ann
And I could never be a poet just call me rhyming man
And I am guilty of no sin and I can't see no crime
In liking sound of rhyming verse and loving words that rhyme
poem by Francis Duggan
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Of English Verse
Poets may boast, as safely vain,
Their works shall with the world remain;
Both, bound together, live or die,
The verses and the prophecy.
But who can hope his lines should long
Last in a daily changing tongue?
While they are new, envy prevails;
And as that dies, our language fails.
When architects have done their part,
The matter may betray their art;
Time, if we use ill-chosen stone,
Soon brings a well-built palace down.
Poets that lasting marble seek
Must carve in Latin or in Greek;
We write in sand, our language grows,
And, like the tide, our work o'erflows.
Chaucer his sense can only boast,
The glory of his numbers lost!
Years have defaced his matchless strain,
And yet he did not sing in vain.
The beauties which adorned that age,
The shining subjects of his rage,
Hoping they should immortal prove,
Rewarded with success his love.
This was the generous poet's scope,
And all an English pen can hope,
To make the fair approve his flame,
That can so far extend their fame.
Verse, thus designed, has no ill fate
If it arrive but at the date
Of fading beauty; if it prove
But as long-lived as present love.
poem by Edmund Waller
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My Masters
Of Poetry I've been accused,
But much more often I have not;
Oh, I have been so much amused
By those who've put me on the spot,
And measured me by rules above
Those I observe with equal love.
An artisan of verse am I,
Of simple sense and humble tone;
My Thesaurus is handy by,
A rhyming lexicon I own;
Without them I am ill at ease -
What bards would use such aids as these?
Bad poets make good verse, they say;
The Great have not distained to woo
The modest muse of every day;
Read Longfellow and Byron through,
The fabric test - much verse you'll see
Compared with what is poetry.
Small blame; one cannot always soar
To heights of hyaline sublime;
Melodious prose one must deplore,
And fetters of rebellious rhyme:
Keats, Browning - that's another tale,
But even Giants fail and fail.
I've worshipped Ryley, Harte and Field,
And though their minstrelsy I lack,
To them heart-homage here I yield,
And follow with my verseman's pack:
To them with gratitude I look,
For briefing me to make this book.
poem by Robert William Service
Submitted by Poetry Lover
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Happy Guy
He's just a man getting through life the best he can
He's a not a scientist, he programs a computer
Before that he sold cars to pay a student loan now he receives pity
From his family - his friends say how could he
Turn his back on on reason worshipping
A God finding truth through fear and mind control
He's just a man trying to explain how
He found the word of God could make his life seem less insane
So he shares what he's read, what he understands, it makes
sense to him, it makes perfect sense to him, in fact
He's never seen so clearly
Turned his back on free will - has he lost his mind?
He'd rather kneel down than take charge of his life
And he knows what people think, but it dosen't sway him
He can read the writings on the wall
'Cause he knows how people treat, how they treat each other
A sacrifice to benefit the all
Don't try to judge him, his theological ideas
His hopes may be false but his happiness is real
Don't try to judge him, he's just a man
song performed by by NOFX
Submitted by Lucian Velea
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Logic And Love
Logic And Love
(Feldman Chandler)
Love and logic just don't go together
Try to force it, you'll be trying forever
Why discuss it when you're missing the point
Girl
Forget the fakin' all I care is that you're
Chorus:
Making all the right moves
You're making all the moves that hit the spot
You're speaking only half-truths girl
Just tell me all the things I like a lot
Stop thinking you're much too intense
Don't even try to make love make sense
Don't even try to make love make sense
Don't even try to say we're just good friends
Logic and love clash in your head
You don't see reason you just see red
We could argue 'till you're blue in the face girl
The time you're taking is the time you could be
Repeat Chorus
I'm talking logic and love
I'm talking logic and love
Our scientific world demands that everything's
explained
You're an ultra-modern girl
But can't you see there's nothing to be gained
In analyzing love
You're making only false moves
But everything you do still hits the spot
And do you know what that proves girl
That love is far away the best we got, you know
The best of lovers don't have to be friends
Don't even try to make love make sense
Don't even try to make love make sense
Don't even try to say we're just good friends
Don't even try to make love make sense
Don't even try girl don't pretend
I'm talking logic and love
I'm talking logic and love
Logic and love
Logic and love
song performed by by Wang Chung
Submitted by Lucian Velea
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Prelude
(From _The Shepherd's Hunting_)
Seest thou not, in clearest days,
Oft thick fogs cloud Heaven's rays?
And that vapours which do breathe
From the Earth's gross womb beneath,
Seem unto us with black steams
To pollute the Sun's bright beams,
And yet vanish into air,
Leaving it unblemished fair?
So, my Willy, shall it be
With Detraction's breath on thee:
It shall never rise so high
As to stain thy poesy.
As that sun doth oft exhale
Vapours from each rotten vale,
Poesy so sometime drains
Gross conceits from muddy brains;
Mists of envy, fogs of spite,
Twixt men's judgments and her light;
But so much her power may do,
That she can dissolve them too.
If thy verse do bravely tower,
As she makes wing she gets power;
Yet the higher she doth soar,
She's affronted still the more,
Till she to the highest hath past;
Then she rests with Fame at last.
Let nought, therefore, thee affright;
But make forward in thy flight.
For if I could match thy rhyme,
To the very stars I'd climb;
There begin again, and fly
Till I reached eternity.
But, alas, my Muse is slow,
For thy place she flags too low;
Yea, the more's her hapless fate,
Her short wings were clipt of late;
And poor I, her fortune ruing,
Am put up myself a mewing.
But if I my cage can rid,
I'll fly where I never did;
And though for her sake I'm crost,
Though my best hopes I have lost,
And knew she would make my trouble
Ten times more than ten times double,
I should love and keep her too,
Spite of all the world could do.
For though, banished from my flocks
And confined within these rocks,
Here I waste away the light
And consume the sullen night,
She doth for my comfort stay,
And keeps many cares away.
Though I miss the flowery fields,
With those sweets the spring-tide yields;
Though I may not see those groves,
Where the shepherds chaunt their loves,
And the lasses more excel
Than the sweet-voiced Philomel;
Though of all those pleasures past,
Nothing now remains at last
But Remembrance--poor relief!
That more makes than mends my grief:
She's my mind's companion still,
Maugre envy's evil will;
Whence she should be driven too,
Were't in mortal's power to do.
She doth tell me where to borrow
Comfort in the midst of sorrow,
Makes the desolatest place
To her presence be a grace,
And the blackest discontents
To be pleasing ornaments.
In my former days of bliss
Her divine skill taught me this,
That from everything I saw
I could some invention draw,
And raise pleasure to her height
Through the meanest object's sight;
By the murmur of a spring,
Or the least bough's rustling;
By a daisy, whose leaves spread,
Shut when Titan goes to bed;
Or a shady bush or tree;
She could more infuse in me,
Than all Nature's beauties can
In some other wiser man.
By her help I also now
Make this churlish place allow
Some things that may sweeten gladness
In the very gall of sadness:
The dull loneness, the black shade
That these hanging vaults have made;
The strange music of the waves
Beating on these hollow caves;
This black den which rocks emboss
Overgrown with eldest moss;
The rude portals that give light
More to terror than delight;
This my chamber of neglect,
Walled about with disrespect;
From all these, and this dull air,
A fit object for despair,
She hath taught me, by her might,
To draw comfort and delight.
Therefore, thou best earthly bliss,
I will cherish thee for this.
Poesy, thou sweet'st content
That e'er Heaven to mortals lent!
Though they as a trifle leave thee
Whose dull thoughts cannot conceive thee,
Though thou be to them a scorn
That to nought but earth are born
Let my life no longer be
Than I am in love with thee.
Though our wise ones call thee madness,
Let me never taste of gladness,
If I love not thy maddest fits
More than all their greatest wits.
And though some, too seeming holy,
Do account thy raptures folly,
Thou dost teach me to contemn
What makes knaves and fools of them.
poem by George Wither
Submitted by Poetry Lover
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The Happy Guy
Hes just a man getting through life the best he can
Hes a not a scientist, he programs a computer
Before that he sold cars to pay a student loan now he receives pity
From his family - his friends say how could he
Turn his back on on reason worshipping
A God finding truth through fear and mind control
Hes just a man trying to explain how
He found the word of God could make his life seem less insane
So he shares what hes read, what he understands, it makes
Sense to him, it makes perfect sense to him, in fact
Hes never seen so clearly
Turned his back on free will - has he lost his mind?
Hed rather kneel down than take charge of his life
And he knows what people think, but it dosent sway him
He can read the writings on the wall
cause he knows how people treat, how they treat eachother
A sacrifice to benefit the all
Dont try to judge him, his theological ideas
His hopes may be false but his happiness is real
Dont try to judge him, hes just a man
song performed by by NOFX
Submitted by Lucian Velea
Vote! | Copy!
To a Lady who (though Married) could not endure Love should be made to any but her Self.
Say, jealous
Phillida
, what Humor's this?
No Shepherd can bestow a Smile or Kiss
On any Nymph, but you must pout and vex:
Would you Monopolize the Masc'line Sex?
Is not the sprightly
Damon's
heart Your Prize,
Securely bound by
Hymen's
(1) Sacred ties?
Strephon
and
Colon
, your Adorers are,
And bashful
Cleon
does your Fetters wear:
Young
Coridon
did by your Beauty fall;
Insatiate Nymph! would you engross them All?
Who doth not smile, to see what Pains you take
To watch our private Meetings, and to make
Our Amours public? and if your list'ning Ear
By chance soft Amorous Discourses hear,
Then raging Mad: with Jealousy and Pride,
You curse the Shepherds, and the Nymphs you chide.
But why thus Angry? if we entertain
The Heart and Love of some poor humble Swain,
Who never his cheap Thoughts so high durst lift,
As to present you with so mean a Gift;
What wrong have you? why should you break your Rest,
If they to us present a
Linnet's
(2) Nest,
A Wreath of Flowers, or a Bunch of Grapes,
Filberts, or Strawberries, or the Roots of Rapes?(3)
When Lambs and Kids, are daily offered you
By the great Swains, that for your favor sue;
If any Shepherdess so bold dare be,
T'invade thy Right, or proudly Rival thee,
Th'had'st Reason for thy Anger; but while we
Content with what you slight and scorn can be,
Why should you Envy, or disturb our Joys?
Let us possess in Peace these little Toys.
The Wit and the Beau
Strephon, whose Person ev'ry Grace
Was careful to adorn;
Thought, by the Beauties of his Face,
In Silvia's Love to find a place,
And wonder'd at her Scorn.
With Bows, and Smiles he did his Part;
But Oh! 'twas all in vain:
A Youth less Fine, a Youth of Art
Had talk'd himself into her Heart,
And wou'd not out again.
Strephon with change of Habits press'd,
And urg'd her to admire;
His Love alone the Other dress'd,
As Verse, or Prose became it best,
And mov'd her soft Desire.
This found, his courtship Strephon ends,
Or makes it to his Glass;
There, in himself now seeks amends,
Convinc'd, that where a Wit pretends,
A Beau is but an Ass.
poem by Anne Kingsmill Finch
Submitted by Poetry Lover
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The Passionate Shepherd to his Love
Come live with me and be my love,
And we will all the pleasures prove
That valleys, groves, hills, and fields,
Woods, or steepy mountain yields.
And we will sit upon rocks,
Seeing the shepherds feed their flocks,
By shallow rivers to whose falls
Melodious birds sing madrigals.
And I will make thee beds of roses
And a thousand fragrant poises,
A cap of flowers, and a kirtle
Embroidered all with leaves of myrtle;
A gown made of the finest wool
Which from our pretty lambs we pull;
Fair lined slippers for the cold,
With buckles of the purest gold;
A belt of straw and ivy buds,
With coral clasps and amber studs;
And if these pleasures may thee move,
Come live with me, and be my love.
The shepherds's swains shall dance and sing
For thy delight each May morning:
If these delights thy mind may move,
Then live with me and be my love.
poem by Christopher Marlowe
Submitted by Poetry Lover
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