Swinging In Her Tomorrow
It seems to be keeping things together:
The fox in the eyes of the girl who isn't even here:
In the playground before the sea:
The only thing that is hiding all of it from her is
The manmade dune that seems to
Say, "I will protect you." Well then the sun
Smiled—and the lights came out
That had previously been selling off of the
Ferris Wheels:
This was the most beautiful joy in the world
And it wasn't even his—
And as she swam in the shallow abysses—feeling
All of a brevity that wasn't even joy—
I remembered the echoes of another's knuckles
Rasping upon the thresh holds—
And whatever joy that may have once been—
Left as if it was a clouded airplane from
Her eyes—and set off for those parts
That were barren and without swing-sets:
And whatever joy there remained, swinging in her tomorrow—
Happened to listen without her,
And kept talking to itself—as if she was already home.
poem by Bret R. Crabrooke
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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What Else Ahead of Us Is Next?
I wasn't looking for love.
I wasn't looking for 'you'...
That's for sure!
But...
When our eyes met,
In the way that 'our' eyes met...
We both knew what that feeling was between us.
We both knew what that feeling meant.
What Else Ahead Of Us Is Next?
And for seconds we let it linger.
As if 'forever' came to not forget.
I was not looking for love.
Especially at that time of the day.
And under the circumstances.
We were at work and not at play.
It wasn't a setting for where love should be.
The humidity was high...
And we both were inside,
Sitting amongst others...
Preparing to eat,
Escaping from a Summer heat.
You with other obligations.
And me...
Determined to stay single.
For the rest of my life...
I expected to be.
We were all talking!
And suddenly our eyes...
From opposite ends of a table,
It then 'happened' as if secretly.
THERE.
Our eyes met each other,
And 'there' those feelings we both had...
Knew what it was instantly.
I wasn't looking for love.
I wasn't looking for 'you'...
That's for sure!
But...
When our eyes met,
I did not regret it.
But...
When our eyes met,
There was love understood.
And you and I both let it...
Be!
With a knowing we,
Fell in love magically.
And now...
What on Earth will we choose,
To do...
Next?
Meet discreetly,
To share our passion and sex?
What Else Ahead Of Us Is Next?
I wasn't looking for love.
I wasn't looking for 'you'...
That's for sure!
But...
When our eyes met,
In the way that 'our' eyes met...
What else ahead of us is next?
poem by Lawrence S. Pertillar
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A.d.d
She told me that she had A.D.D
I asked her what was one plus two, she said: "three"
I was so impressed that I asked her again
What was seven plus three, and she said: "ten"
I asked her more additions and she got them all correct
She was very intelligent by what I could detect
Then as I tried to talk to her more, but she got distracted
I then tried to get her attention then she overreacted
She then told me something that threw me for a shock
Her having A.D.D, wasn't what I had thought
She could add quickly and correctly which was true
But paying attention to others she could not do
She was easily distracted from the projects she was on
And also forgetful from the tasks she's undergone
She said she is sometimes forgetful from day to day
Then she looked at me and asked; "what did I say? "
I asked her some more questions and she never listened
So I spoke directly to her, and her eyes they glistened
She spoke to me, then she called me someone else's name
"And I don't like to follow instructions! " to me she did exclaim
"I won't finish my work or duties or chores and I never will"
"Only thing that helps me, if and when I take a small pill"
"I will avoid the things that will take a lot of mental strain"
"As this is who I am, and my thoughts and my brain"
Then I asked her what was one plus one and she said: "two"
She then looked at me and walked away, and said: "adieu."
Randy L. McClave
poem by Randy McClave
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The impact of a hammer on your thumb
despite the sign
"No peddlers here"
a woman rang at my door
"I only want to ask you just one simple question"
normally I would say
'No"
'I don't socialize with interviewers'
I am never the reason
they will have a rise
of completed inquiries
usually I tell them polite
the right thing to do
from my kind of view
'Go''
however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"No
YOU should go for this"
I have a survey called
"the impact of a hammer however not on a brad …"
and she waited briefly
while I was thinking
"is this happening"
"this is really weird"
asking a question that dumb
then
she finished her line
" but on your thumb"
after listening
and realizing
what she said
intuitively I thought
"No way"
I wanted to decline
my cooperation to this survey
however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"Let me continue,
'You know I am not mad'
"Let me please surprise YOU"
I asked her
"What is this all about? "
"Later"
she said completing her sentence
"for the sake of this survey
I have to ask you first"
"Would you please describe to me
the feeling
just after your thumb
has been beaten
by a hammer? "
Now I knew
for sure
no more questions I would answer
not even a few
this woman
with her sparkling eyes
is really crazy.
how do I get rid of this her.
she was persistent
she explained
what the survey was really about
and I found out she wasn't
telling a "trained" story
"a hammer can hit you
or someone else
and it might look the same
it is not the hitting
causing the difference
it is that feeling of yours
which is
of course the reason
for feeling and dealing
your way with your pain"
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
" Now you know
all the how's and why's
you are obliged to yourself
to finds ways
to recover from your pain
your life will never be the same
again'
she was a wise woman
telling me
what a fool I was
for a short
but allowed
amount of time
Or not?
I was wise enough
to answer the door
and find out more….
©Ellie Daphne van Stralen 2012.
poem by Ellie Daphne van Stralen
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Michael
"There's something in your face, Michael, I've seen it all the day;
There's something quare that wasn't there when first ye wint away. . . ."
"It's just the Army life, mother, the drill, the left and right,
That puts the stiffinin' in yer spine and locks yer jaw up tight. . . ."
"There's something in your eyes, Michael, an' how they stare and stare --
You're lookin' at me now, me boy, as if I wasn't there. . . ."
"It's just the things I've seen, mother, the sights that come and come,
A bit o' broken, bloody pulp that used to be a chum. . . ."
"There's something on your heart, Michael, that makes ye wake at night,
And often when I hear ye moan, I trimble in me fright. . . ."
"It's just a man I killed, mother, a mother's son like me;
It seems he's always hauntin' me, he'll never let me be. . . ."
"But maybe he was bad, Michael, maybe it was right
To kill the inimy you hate in fair and honest fight. . . ."
"I did not hate at all, mother; he never did me harm;
I think he was a lad like me, who worked upon a farm. . . ."
"And what's it all about, Michael; why did you have to go,
A quiet, peaceful lad like you, and we were happy so? . . ."
"It's thim that's up above, mother, it's thim that sits an' rules;
We've got to fight the wars they make, it's us as are the fools. . . ."
"And what will be the end, Michael, and what's the use, I say,
Of fightin' if whoever wins it's us that's got to pay? . . ."
"Oh, it will be the end, mother, when lads like him and me,
That sweat to feed the ones above, decide that we'll be free. . . ."
"And when will that day come, Michael, and when will fightin' cease,
And simple folks may till their soil and live and love in peace? . . ."
"It's coming soon and soon, mother, it's nearer every day,
When only men who work and sweat will have a word to say;
When all who earn their honest bread in every land and soil
Will claim the Brotherhood of Man, the Comradeship of Toil;
When we, the Workers, all demand: `What are we fighting for?' . . .
Then, then we'll end that stupid crime, that devil's madness -- War."
poem by Robert William Service
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There was one I met upon the road
There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.
poem by Stephen Crane
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A hall of mirrors...
She said—she'd love me forever.
And that she always would.
That our two hearts—thoughts
"Could bond; the stars for good".
It wasn't harmony: From
The outset—that is true!
For her my sweetheart, I'
"Watch's as infants, do".
Out of the sash-window
Or that—skylight in the soul,
In reflections, light...
"Entwined—we're made whole".
Halves of the locket...
Combined, clasped.
Is what we now—became!
"In each other's grasp".
But soon these mirrors
Broke like shards of glass...
A hall of mirrors...?
"With no-truths—Alas"...
The lights ebbing darkness...
Shone on, all their paths.
But; know all hearts—break!
"Drown in hollow—baths".
poem by Mark Heathcote
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The Chances
I mind as 'ow the night afore that show
Us five got talking, -- we was in the know,
"Over the top to-morrer; boys, we're for it,
First wave we are, first ruddy wave; that's tore it."
"Ah well," says Jimmy, -- an' 'e's seen some scrappin' --
"There ain't more nor five things as can 'appen;
Ye get knocked out; else wounded -- bad or cushy;
Scuppered; or nowt except yer feeling mushy."
One of us got the knock-out, blown to chops.
T'other was hurt, like, losin' both 'is props.
An' one, to use the word of 'ypocrites,
'Ad the misfortoon to be took by Fritz.
Now me, I wasn't scratched, praise God Almighty
(Though next time please I'll thank 'im for a blighty),
But poor young Jim, 'e's livin' an' 'e's not;
'E reckoned 'e'd five chances, an' 'e's 'ad;
'E's wounded, killed, and pris'ner, all the lot --
The ruddy lot all rolled in one. Jim's mad.
poem by Wilfred Owen
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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Sue In The Stew
In my "Stew" my "Stew of Goo" I will have control over you.
Yes, I will control you with my evil spell,
I will control this doll with named Mel.
I will say things that are not NICE,
you see I took your Power and I control the Dice!
Everything is "neat" in this "Game of Deceit"
This Game where I control everything.
Yes, I took your power that you willfully gave to me,
that was Deal, don't you see? ? ?
Don't tell me you want your Power intact,
You chose me as your mother! !
So I can talk behind your back! !
Now, now, you say "Why would I do that? "
You had to find yourself and get back on track...
See how would you ever know who you really are.
"Why, you think you came into this world complete like Sarah Star? ? ? "
You needed my "Evil" ways to make you strong,
you can thank ME when I am long gone...
Now, now you realize it wasn't about ME,
why it was all about YOU,
Yes you finding You—"YOU in the Stew"
Written By Suzae Chevalier in 2006 & 2010
poem by Christina Sunrise
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Not to Keep
They sent him back to her. The letter came
Saying... And she could have him. And before
She could be sure there was no hidden ill
Under the formal writing, he was in her sight,
Living. They gave him back to her alive
How else? They are not known to send the dead
And not disfigured visibly. His face?
His hands? She had to look, and ask,
"What was it, dear?" And she had given all
And still she had all they had they the lucky!
Wasn’t she glad now? Everything seemed won,
And all the rest for them permissible ease.
She had to ask, "What was it, dear?"
"Enough,"
Yet not enough. A bullet through and through,
High in the breast. Nothing but what good care
And medicine and rest, and you a week,
Can cure me of to go again." The same
Grim giving to do over for them both.
She dared no more than ask him with her eyes
How was it with him for a second trial.
And with his eyes he asked her not to ask.
They had given him back to her, but not to keep.
poem by Robert Frost
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Swing high and swing low
Swing high and swing low
While the breezes they blow -
It's off for a sailor thy father would go;
And it's here in the harbor, in sight of the sea,
He hath left his wee babe with my song and with me:
"Swing high and swing low
While the breezes they blow!"
Swing high and swing low
While the breezes they blow -
It's oh for the waiting as weary days go!
And it's oh for the heartache that smiteth me when
I sing my song over and over again:
"Swing high and swing low
While the breezes they blow!"
"Swing high and swing low " -
The sea singeth so,
And it waileth anon in its ebb and its flow;
And a sleeper sleeps on to that song of the sea
Nor recketh he ever of mine or of me!
"Swing high and swing low
While the breezes they blow -
'T was off for a sailor thy father would go!"
poem by Eugene Field
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My Friend, The Parking Lot Attendant
—he's a dandy
—small moustache
—usually sucking on a cigar
he tends to lean into cars as he
transacts business
first time I met him, he said,
"hey! ya gonna make a
killin'?"
"maybe," I answered.
next meeting it was:
"hey, Ramrod! what's
happening?"
"very little," I told
him.
next time I had my girlfriend with me
and he just
grinned.
next time I was
alone.
"hey," he asked, "where's the young
chick?"
"I left her at home...."
"Bullshit! I'll bet she dumped
you!"
and the next time
he really leaned into the car:
"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"
"how'd you guess?" I
answered.
that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.
poem by Charles Bukowski
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The Ruined Maid
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"-
"O didn't you know I'd been ruined?" said she.
-"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"-
"Yes: that's how we dress when we're ruined," said she.
-"At home in the barton you said 'thee' and 'thou,'
And 'thik oon' and 'theäs oon' and 't'other'; but now
Your talking quite fits 'ee for high compan-ny!"-
"Some polish is gained with one's ruin," said she.
-"Your hands were like paws then, you face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"-
"We never do work when we're ruined," said she.
-"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"-
"True. One's pretty lively when ruined," said she.
-"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town"-
"My dear - raw country girl, such as you be,
Cannot quite expect that. You ain't ruined," said she.
poem by Thomas Hardy
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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Pressure
There was a kind of pressure, in the room,
I mean, it wasn't anything tangible but it was there
and he looked about him to try to spot the culprit.
A suspicious character was drinking brandy,
he could certainly be the one, but wait,
there she was, a tall red head with hawk like eyes.
They looked at each other and then she crooked her finger,
"yes… you" she mouthed! "Come here, talk to me"
He slowly walked towards her, settling at her side.
"It's cold for the time of year", he whispered.
"Not cold enough" was the coded reply.
Then she took out a yellow glove from her bag.
"When are you going to introduce me? " she asked
"That's right, " she said, "I'm from the ministry"
and I want you to act as though we're old friends.
"O.K." he replied, "slip me the key first and I'll
take you over. The stooge is that small,
rather portly man in the black bow tie."
"But can he lead us to Nightingales, " she asked
They've killed two of our spies already.
At that she dropped the yellow glove on the floor.
The lights went out and as they fumbled in the dark
the pressure grew……….do you feel it?
Nah, its just that dodgy guy sitting next to you.
************************************* ************
Footnote:
No spies were killed or yellow gloves
dropped during the making
of this episode.
However, some fumbling
did take place.
*********************************** ***************
Next episode:
Dazed and sore, Montague came round,
feeling pressure on his head
which seemed to be warm and comforting.
It was Marjorie's soft hand.
"Are you alright, my dear" she said,
looking concerned and worried.
Blood dripped down Montague's cheek,
he'd been hit on the head with a sharp object!
"Where is she? " he stammered, "She still has the key"
"Leave her to us" said the man in the black bow tie
"We've got it all under control,
Just tell us who sent you! "
Monty's eyes rolled back in his head.
The pressure was all too hard to take
and Marjorie's perfume had
triggered off his allergy.
Or was this a counter plot to extract the truth?
Did they know he was allergic to Channel no 5?
Too late! A sharp pain in Montague's chest
saw the end of him…….
poem by Ruth Walters
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The Gardener XXVI: What Comes From Your Willing Hands
"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
poem by Rabindranath Tagore
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How Deep Is Your Love?
Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."
poem by Ryan Lee Morris
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The Dream
Said Will: "I'll stay and till the land."
Said Jack: "I'll sail the sea."
So one went forth kit-bag in hand,
The other ploughed the lea.
They met again at Christmas-tide,
And wistful were the two.
Said Jack: "you're lucky here to bide."
Said Will: "I envy you."
"For in your eyes a light I see
Of tropic shores agleam."
Said Jack: "You need not envy me,
For still you have the Dream.
"The Dream that lured me out to sea;
'Twas bright as paradise;
Far fairer than the memory
You see within my eyes.
So if my foolish urge you share
In foreign lands to roam,
Take up my kit-bag waiting there
And I will stay at home."
* * * * * * * *
Yet while the years have fated Will
To sow the sober loam,
The eyes of Jack are starry still,
High-riding hills of foam.
poem by Robert William Service
Submitted by Poetry Lover
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The Maid-Servant At The Inn
"It's queer," she said; "I see the light
As plain as I beheld it then,
All silver-like and calm and bright-
We've not had stars like that again!
"And she was such a gentle thing
To birth a baby in the cold.
The barn was dark and frightening-
This new one's better than the old.
"I mind my eyes were full of tears,
For I was young, and quick distressed,
But she was less than me in years
That held a son against her breast.
"I never saw a sweeter child-
The little one, the darling one!-
I mind I told her, when he smiled
You'd know he was his mother's son.
"It's queer that I should see them so-
The time they came to Bethlehem
Was more than thirty years ago;
I've prayed that all is well with them."
poem by Dorothy Parker
Submitted by Poetry Lover
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