December 7
As I sit at my desk wishing
I did not have to edit a book
on poetry and painting a
subject that fascinates me
usually, but today is not as
usual, being today, white sky,
decent amount of sunlight,
forty one degrees in Central Park,
and it makes sense to dream of
Chicago, another big city
with two major league ballclubs,
and the pleasure of seeing Paul
and you, too, Elaine, whom
I never get to see often enough
in our own city of the subway series
the champagne gallery and
the tech wreck on wall street,
and as I look out the window
almost any minute I expect
the brokers to fall from the sky
like Icarus in Brughel's painting in
Auden's "Musee des Beaux Arts"
(and so back to work)
poem by David Lehman
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Why I Am Not A Painter
I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,
for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.
But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.
poem by Frank O'Hara
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You're My Evergreen
The words we say, old flowers fade away
Remember yesterday, wish it would bloom again
Apathy and pain, here comes the autumn rain
Old apologies scattered in the wings of fate
Cause today it all looks black and white, wish it would change
We can't keep painting colours when its
Don't hesitate, cause you will bleed
A thousand tears won't wash it clean
Don't hesitate cause you can free yourself
Evergreen, evergreen
Down on my knees, crawling though the streets again
Surrendered to my needs, so i can breathe the air
You're my evergreen, regents park in spring
It takes me to a place, where i can dream again
Cause today it all looks black and white, wish it would change
We can't keep painting colours when it rains
I just want some place where i can breathe without this bitter taste
Cause today it all looks black and white, wish it would change
We can't keep painting colours when it's grey
It all looks black and white today
You're my evergreen, regents park in spring
It takes me to a place, where i can dream again
Cause today it all looks black and white, wish it would change
We can't keep painting colours when it rains
Evergreen, evergreen, evergreen
song performed by by Feeder
Submitted by Lucian Velea
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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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The City is Short Today
The city is short today
and it can’t be anymore
than just a few blocks wide today
and the city is grey today,
grey and cold
and the city is short today
the skyscrapers,
only a few inches tall now,
sway back and forth,
caught in the grasp of a
sharp, cutting wind,
the sky scrapers rankle me today
and the city is short today
and the people walk about today
like zombies,
tiny zombies,
their faces and clothes
lack any colour,
and they resemble ants,
they wait on the street corner,
waiting for a miniscule bus
to take them out of this
tiny city
and the city is short today,
and grey
and cold
and small,
so very small
and yet, it towers over me.
Copyright (C) MMIV (2004)
poem by Derek R. Audette
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Digression On Number 1, 1948
I am ill today but I am not
too ill. I am not ill at all.
It is a perfect day, warm
for winter, cold for fall.
A fine day for seeing. I see
ceramics, during lunch hour, by
Mir6, and I see the sea by Leger;
light, complicated Metzingers
and a rude awakening by Brauner,
a little table by Picasso, pink.
I am tired today but I am not
too tired. I am not tired at all.
There is the Pollock, white, harm
will not fall, his perfect hand
and the many short voyages. They'll
never fence the silver range.
Stars are out and there is sea
enough beneath the glistening earth
to bear me toward the future
which is not so dark. I see.
Click here to view the painting this poem was written about:
Jackson Pollock's "Number 1 (1948)"
poem by Frank O'Hara
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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When Someone Says: "Alexandria"
When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.
When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.
When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows
that I see even when
no one says: "Alexandria!"
poem by Mikhail Alekseevich Kuzmin
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February 23
Light rain is falling in Central Park
but not on Upper Fifth Avenue or Central Park West
where sun and sky are yellow and blue
Winds are gusting on Washington Square
through the arches and on to LaGuardia Place
but calm is the corner of 8th Street and Second Avenue
which reminds me of something John Ashbery said
about his poem "Crazy Weather" he said
he was in favor of all kinds of weather
just so long as it's genuine weather
which is always unusually bad, unusually
good, or unusually indifferent,
since there isn't really any norm for weather
When he was a boy his mother met a friend
who said, "Isn't this funny weather?"
It was one of his earliest memories
poem by David Lehman
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It was you, Atthis, who said
It was you, Atthis, who said
"Sappho, if you will not get
up and let us look at you
I shall never love you again!
"Get up, unleash your suppleness,
lift off your Chian nightdress
and, like a lily leaning into
"a spring, bathe in the water.
Cleis is bringing your best
pruple frock and the yellow
"tunic down from the clothes chest;
you will have a cloak thrown over
you and flowers crowning your hair...
"Praxinoa, my child, will you please
roast nuts for our breakfast? One
of the gods is being good to us:
"today we are going at last
into Mitylene, our favorite
city, with Sappho, loveliest
"of its women; she will walk
among us like a mother with
all her daughters around her
"when she comes home from exile..."
But you forget everything
Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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My Prayer of Thanks
"One day when I from slumber deep
To see the sunlight sweet
I say to him who brought me through
Thanks, God, for the wonders that you do." "Thanks for the luxury of another day,
I live and follow in thine own way,
Do some good whenever I can
Help and serve my fellow man." "And when again I see the setting sun
And all my earthly work is done
As I fall asleep in thy dear arms
Content, secure, and safe from harm."
poem by Dr. Rebecca Batts Butler
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Our Love
Just "us" and "we"
For we are one
Not "you" and "me"
Or we are done
There for always
Every moment
Good and bad days
That's our intent
As we embark
On this journey
Out of the dark
Where we can see
And live each day
Giving it all
I pray we stay
And do not fall
So hold on tight
And don't let go
We'll make it right
Our love will grow
poem by Paul H Nelson
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In The Slight Ripple, The Mind Perceives The Heart
In the slight ripple, the fishes dart
Like fingers, centrifugal, like wishes
Wanton. And pleasures rise
as the eyes fall
Through the lucid water. The small pebble,
The clear clay bottom, the white shell
Are apparent, though superficial.
Who would ask more of the August afternoon?
Who would dig mines and follow shadows?
"I would," answers bored Heart, "Lounger, rise"
(Underlip trembling, face white with stony anger),
"The old error, the thought of sitting still,
"The senses drinking, by the summer river,
"On the tended lawn, below the traffic,
"As if time would pause,
and afternoon stay.
"No, night comes soon,
"With its cold mountains, with desolation,
unless Love build its city."
poem by Delmore Schwartz
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My Rival
I go to concert, party, ball --
What profit is in these?
I sit alone against the wall
And strive to look at ease.
The incense that is mine by right
They burn before her shrine;
And that's because I'm seventeen
And She is forty-nine.
I cannot check my girlish blush,
My color comes and goes;
I redden to my finger-tips,
And sometimes to my nose.
But She is white where white should be,
And red where red should shine.
The blush that flies at seventeen
Is fixed at forty-nine.
I wish I had Her constant cheek;
I wish that I could sing
All sorts of funny little songs,
Not quite the proper thing.
I'm very gauche and very shy,
Her jokes aren't in my line;
And, worst of all, I'm seventeen
While She is forty-nine.
The young men come, the young men go
Each pink and white and neat,
She's older than their mothers, but
They grovel at Her feet.
They walk beside Her 'rickshaw wheels --
None ever walk by mine;
And that's because I'm seventeen
And She is foty-nine.
She rides with half a dozen men,
(She calls them "boys" and "mashers")
I trot along the Mall alone;
My prettiest frocks and sashes
Don't help to fill my programme-card,
And vainly I repine
From ten to two A.M. Ah me!
Would I were forty-nine!
She calls me "darling," "pet," and "dear,"
And "sweet retiring maid."
I'm always at the back, I know,
She puts me in the shade.
She introduces me to men,
"Cast" lovers, I opine,
For sixty takes to seventeen,
Nineteen to foty-nine.
But even She must older grow
And end Her dancing days,
She can't go on forever so
At concerts, balls and plays.
One ray of priceless hope I see
Before my footsteps shine;
Just think, that She'll be eighty-one
When I am forty-nine.
poem by Rudyard Kipling
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Kitchenette Building
We are things of dry hours and the involuntary plan,
Grayed in, and gray. "Dream" mate, a giddy sound, not strong
Like "rent", "feeding a wife", "satisfying a man".
But could a dream sent up through onion fumes
Its white and violet, fight with fried potatoes
And yesterday's garbage ripening in the hall,
Flutter, or sing an aria down these rooms,
Even if we were willing to let it in,
Had time to warm it, keep it very clean,
Anticipate a message, let it begin?
We wonder. But not well! not for a minute!
Since Number Five is out of the bathroom now,
We think of lukewarm water, hope to get in it.
poem by Gwendolyn Brooks
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Lesson
Whenever my mother, who taught
small children forty years,
asked a question, she
already knew the answer.
"Would you like to" meant
you would. "Shall we" was
another, and "Don't you think."
As in "Don't you think
it's time you cut your hair."
So when, in the bare room,
in the strict bed, she said,
"You want to see?" her hands
were busy at her neckline,
untying the robe, not looking
down at it, stitches
bristling where the breast
had been, but straight at me.
I did what I always did:
not weep --she never wept--
and made my face a kindly
whitewashed wall, so she
could write, again, whatever
she wanted there.
Anonymous submission.
poem by Ellen Bryant Voigt
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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LA PORTERIA DER CONVENTO (The Monastery's Porter)
Dico: "Se pò pparlà cor padr'Ilario?"
Dice: "Per oggi no, perché confessa". --
"E doppo confessato?" -- "Ha da dì messa". --
"E doppo detto messa?" -- "Cià er breviario".
Dico: "Fate er zervizzio, fra Maccario,
D'avvisallo ch'è cosa ch'interessa".
Dice: "Ah, qualunque cosa oggi è l'istessa,
Perché nun pò lassà er confessionario".
"Pacenza", dico: "j'avevo portata,
Pe quell'affare che v'avevo detto,
Ste poche libbre qui de cioccolata...".
Dice: "Aspettate, fijo benedetto,
Pe via che, quanno è ppropio una chiamata
De premura, lui viè: mo ciarifretto".
English
I said [1] : "May I speak to father Hillary?"
He said: "Not today: he administers confession". --
"And after confession?" -- "He must say mass". --
"And after saying mass?" -- "He'll say the breviary".
I said: "Do me a favour, friar Maccario,
Tell him it's something that might interest him".
He said: "Ah, today anything would be just the same,
Because he can't leave the confessional".
"Never mind", I said: "because of that
Business I had mentioned you, I had brought him
These few pounds of chocolate..."
He said: "Wait, my dear,
Because when it's really an urgent matter
He does come, I'll think about it".
poem by Giuseppe Gioacchino Belli
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The Big City Type
I woke up in a big city apartment
Rode to a big city job
On a big city subway
With hip, big city people
Worked at a big city job
In a big city skyscraper
Stood in a big city line
For lunch, heard big city jazz
On a big city radio station
It was like a big city scene
In a big budget movie
When I realized I had become
The big city type
I always wanted to be
Yet I was still me
poem by Adam Artois
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