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Berenice by edgar allan poe

MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, -as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? -from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.

My baptismal name is Egaeus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars -in the character of the family mansion -in the frescos of the chief saloon -in the tapestries of the dormitories -in the chiselling of some buttresses in the armory -but more especially in the gallery of antique paintings -in the fashion of the library chamber -and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.

The recollections of my earliest years are connected with that chamber, and with its volumes -of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before -that the soul has no previous existence. You deny it? -let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms -of spiritual and meaning eyes -of sounds, musical yet sad -a remembrance which will not be excluded; a memory like a shadow, vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.

In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy-land -into a palace of imagination -into the wild dominions of monastic thought and erudition -it is not singular that I gazed around me with a startled and ardent eye -that I loitered away my boyhood in books, and dissipated my youth in reverie; but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers -it is wonderful what stagnation there fell upon the springs of my life -wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, -not the material of my every-day existence-but in very deed that existence utterly and solely in itself.

Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew -I ill of health, and buried in gloom -she agile, graceful, and overflowing with energy; hers the ramble on the hill-side -mine the studies of the cloister -I living within my own heart, and addicted body and soul to the most intense and painful meditation -she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! -I call upon her name -Berenice! -and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh! gorgeous yet fantastic beauty! Oh! sylph amid the shrubberies of Arnheim! -Oh! Naiad among its fountains! -and then -then all is mystery and terror, and a tale which should not be told. Disease -a fatal disease -fell like the simoom upon her frame, and, even while I gazed upon her, the spirit of change swept, over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim -where was she, I knew her not -or knew her no longer as Berenice.

Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself -trance very nearly resembling positive dissolution, and from which her manner of recovery was in most instances, startlingly abrupt. In the mean time my own disease -for I have been told that I should call it by no other appelation -my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form -hourly and momently gaining vigor -and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.

To muse for long unwearied hours with my attention riveted to some frivolous device on the margin, or in the topography of a book; to become absorbed for the better part of a summer's day, in a quaint shadow falling aslant upon the tapestry, or upon the door; to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescence long and obstinately persevered in; -such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.

Yet let me not be misapprehended. -The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day dream often replete with luxury, he finds the incitamentum or first cause of his musings entirely vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.

My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio 'de Amplitudine Beati Regni dei'; St. Austin's great work, the 'City of God'; and Tertullian 'de Carne Christi, ' in which the paradoxical sentence 'Mortuus est Dei filius; credible est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est' occupied my undivided time, for many weeks of laborious and fruitless investigation.

Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fall to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice -in the singular and most appalling distortion of her personal identity.

During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning -among the trellised shadows of the forest at noonday -and in the silence of my library at night, she had flitted by my eyes, and I had seen her -not as the living and breathing Berenice, but as the Berenice of a dream -not as a being of the earth, earthy, but as the abstraction of such a being-not as a thing to admire, but to analyze -not as an object of love, but as the theme of the most abstruse although desultory speculation. And now -now I shuddered in her presence, and grew pale at her approach; yet bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.

And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, -one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon*, -I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But uplifting my eyes I saw that Berenice stood before me.

*For as Jove, during the winter season, gives twice seven days of warmth, men have called this clement and temperate time the nurse of the beautiful Halcyon -Simonides.

Was it my own excited imagination -or the misty influence of the atmosphere -or the uncertain twilight of the chamber -or the gray draperies which fell around her figure -that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word, I -not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being, lurked in any single line of the contour. My burning glances at length fell upon the face.

The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets now of a vivid yellow, and Jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupil-less, and I shrank involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!

The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface -not a shade on their enamel -not an indenture in their edges -but what that period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! -the teeth! -they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a phrenzied desire. All other matters and all different interests became absorbed in their single contemplation. They -they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Salle it has been well said, 'que tous ses pas etaient des sentiments, ' and of Berenice I more seriously believed que toutes ses dents etaient des idees. Des idees! -ah here was the idiotic thought that destroyed me! Des idees! -ah therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.

And the evening closed in upon me thus-and then the darkness came, and tarried, and went -and the day again dawned -and the mists of a second night were now gathering around -and still I sat motionless in that solitary room; and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow, or of pain. I arose from my seat and, throwing open one of the doors of the library, saw standing out in the antechamber a servant maiden, all in tears, who told me that Berenice was -no more. She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which intervened I had no positive -at least no definite comprehension. Yet its memory was replete with horror -horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed -what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, 'what was it? '

On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat, 'Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.' Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?

There came a light tap at the library door, and pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? -some broken sentences I heard. He told of a wild cry disturbing the silence of the night -of the gathering together of the household-of a search in the direction of the sound; -and then his tones grew thrillingly distinct as he whispered me of a violated grave -of a disfigured body enshrouded, yet still breathing, still palpitating, still alive!

He pointed to garments; -they were muddy and clotted with gore. I spoke not, and he took me gently by the hand; -it was indented with the impress of human nails. He directed my attention to some object against the wall; -I looked at it for some minutes; -it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and in my tremor it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white and ivory-looking substances that were scattered to and fro about the floor.

poem by Erie Morganmaples
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Upon the lap of Nature

A lonesome bird
A whispering wind
A solitary cloud,
Nature is a singular scene.

A running brook
Gushing falls
Breathing woods,
Nature is a singular voice.

Endless meads
Dancing shades
A grazing cow
Nature is a singular vision.

A ploughman’s call
A melodious song
A barking dog,
Nature is a singular pulse.

A twinkling star
A silent night
A burning candle,
Nature is a singular moment.

A blossoming bud
A blissful moment
A graceful heart,
Nature is a singular mould.

A different season
A different mood
A changing hue
Nature is a singular feel.

Nature’s themes are endless,
Variety simply countless
Yet, the impact is singular,
Thy pulses are thine alone.

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What is actually this Nature? Nature is our own living core. When we are on the lap of Nature, we are within our reflections. We are born out of this Nature and finally return to her elements. We owe our bodily and mental existence to these gross and subtle elements of nature. We are in eternal communion with her either consciously or unconsciously. Our core is peace and solitude. The rest is all a forced mask. This is why we turn to Nature now and then for an all round refreshment. A twinkling star, a flying bird, a passing wind, a running brook, a falling leaf, a burning candle, a silent night, a sailing cloud, a grazing cow… these present moments of glory in our life. They all represent the philosophy of our life. They boost our mental battery because on the lap of Nature, our thoughts gradually disappear and we become contemplative and meditative. Everybody needs this tonic. Nature is a beautiful lass. Nature is a good philosopher too. Let us open our eyes and ears and be ready for a floating experience!

poem by Ravi Panamanna
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Easter Eve

Hear me, Brother, gently met;
Just a little, turn, not yet,
Thou shalt laugh, and soon forget:
Now the midnight draweth near.
I have little more to tell;
Soon with hallow stroke and knell,
Thou shalt count the palace bell,
Calling that the hour is here.

Burdens black and strange to bear,
I must tell, and thou must share,
Listening with that stony stare,
Even as many a man before.
Years have lightly come and gone
In their jocund unison,
But the tides of life roll on-
They remember now no more.

Once upon a night of glee,
In an hour of revelry,
As I wandered restlessly,
I beheld with burning eye,
How a pale procession rolled
Through a quarter quaint and old,
With its banners and its gold,
And the crucifix went by.

Well I knew that body brave
That was pierced and hung to save,
But my flesh was now a grave
For the soul that gnashed within.
He that they were bearing by,
With their banners white and high,
He was pure, and foul was I,
And his whiteness mocked my sin.

Ah, meseemed that even he,
Would not wait to look on me,
In my years and misery,
Things that he alone could heal.
In mine eyes I felt the flame
Of a rage that naught could tame,
And I cried and cursed his name,
Till my brain began to reel.

In a moment I was 'ware,
How that many watching there,
Fearfully with blanch and stare,
Crossed themselves and shrank away;
Then upon my reeling mind,
Like a sharp blow from behind,
Fell the truth, and left me blind,
Hopeless now and all astray.

O'er the city wandering wide,
Seeking but some place to hide,
Where the sounds of mirth had died,
Through the shaken night I stole;
From the ever-eddying stream
Of the crowds that did but seem
Like the processions in a dream
To my empty echoing soul.

Till I came at last alone
To a hidden street of stone,
Where the city's monotone
On the silence fell no more.
Then I saw how one in white
With a footstep mute and light,
Through the shadow of the night
Like a spirit paced before.

And a sudden stillness came
Through my spirit and my frame,
And a spell without a name
Held me in his mystic track.
Though his presence seemed so mild,
Yet he led me like a child,
With a yearning strange and wild,
That I dared not turn me back.

Oh, I could not see his face,
Nor behold his utmost grace,
Yet I might not change my pace
Fastened by a strange belief;
For his steps were sad and slow,
And his hands hung straight below,
And his head was bowed, as though
Pressed by some immortal grief.

So I followed, yet not I
Held alone that company:
Every silent passer-by
Paled and turned and joined with me;
So we followed still and fleet,
While the city street by street,
Fell behind our rustling feet
Like a deadened memory.

Where the sound of sin and riot
Broke upon the night's dim quiet,
And the solemn bells hung nigh it
Echoed from their looming towers;
Where the mourners wept alway,
Watching for the morning grey;
Where the weary toiler lay,
Husbanding the niggard hours;

By the gates where all night long
Guests in many a joyous throng,
With the sound of dance and song,
Dreamed in golden palaces;
Still he passed, and door by door
Opened with a pale outpour,
And the revel rose no more
Hushed in deeper phantasies.

As we passed, the talk and stir
Of the quiet wayfarer
And the noisy banqueter
Died upon the midnight dim.
They that reeled in drunken glee
Shrank upon the trembling knee,
And their jests died pallidly,
As they rose and followed him.

From the street and from the hall,
From the flare of festival
None that saw him stayed, but all
Followed where his wonder would:
And our feet at first so few
Gathered as those white feet drew
To a pallid multitude;

And the hushed and awful beat
Of our pale unnumbered feet
Made a murmur strange and sweet,
As we followed evermore.
Now the night was almost passed,
And the dawn was overcast,
When the stranger stayed at last
At a great cathedral door.

Never word the stranger said,
But he slowly raised his head,
And the vast door opened
By an unseen hand withdrawn;
And in silence wave on wave,
Like an army from the grave,
Up the aisles and up the nave,
All that spectral crowd rolled on.

As I followed close behind,
Knowledge like an awful wind
Seemed to blow my naked mind
Into darkness black and bare;
Yet with longing wild and dim,
And a terror vast and grim,
Nearer still I pressed to him,
Till I almost touched his hair.

From the gloom so strange and eery,
From the organ low and dreary,
Rose the wailing miserere,
By mysterious voices sung;
And a dim light shone, none knew,
How it came, or whence it grew,
From the dusky roof and through
All the solemn spaces flung.

But the stranger still passed on,
Till he reached the alter stone,
And with body white and prone
Sunk his forehead to the floor;
And I saw in my despair,
Standing like a spirit there,
How his head was bruised and bare,
And his hand were clenched before,

How his hair was fouled and knit
With the blood that clotted it,
Where the prickled thorns had bit
In his crowned agony;
In his hands so wan and blue,
Leaning out, I saw the two
Marks of where the nails pierced through,
Once on gloomy Calvary.

Then with trembling throat I owned
All my dark sin unatoned,
Telling it with lips that moaned,
And methought an echo came
From the bended crowd below,
Each one breathing faint and low,
Sins that none but he might know:
'Master I did curse thy name.'

And I saw him slowly rise
With his sad unearthly eyes,
Meeting mine with meek surprise,
And a voice came solemnly:
'Never more on mortal ground
For they soul shall rest be found,
But when bells at midnight sound
Thou must rise and come with me.'

Then my forehead smote the floor,
Swooning, and I knew no more,
Till I heard the chancel door
Open for the choristers:
But the stranger's form was gone,
And the church was dim and lone:
Through the silence, one by one
Stole the early worshippers.

I an ageing now I know;
That was many years ago,
Yet or I shall rest below
In the grave where none intrude,
Night by night I roam the street,
And that awful form I meet,
And I follow pale and fleet,
With a ghostly multitude.

Every night I see his face,
With its sad and burdened grace,
And the torn and bloody trace,
That in hands and feet he has.
Once my life was dark and bad;
Now its days are strange and sad,
And the people call me mad:
See, they whisper as they pass.

Even now the echoes roll
From the swinging bells that toll;
It is midnight, now my soul
Hasten, for he glideth by.
Stranger, 'tis no phantasie:
Look! my master waits for me
Mutely, but thou canst not see
With the mortal blinded eye.

poem by Archibald Lampman
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She Sat Alone Beside Her Hearth

SHE sat alone beside her hearth—
For many nights alone;
She slept not on the pleasant couch
Where fragrant herbs were strewn.

At first she bound her raven hair
With feather and with shell;
But then she hoped; at length, like night,
Around her neck it fell.

They saw her wandering mid the woods,
Lone, with rite cheerless dawn,
And then they said, 'Can this be her
We called 'The Startled Fawn?' '

Her heart was in her large sad eyes,
Half sunshine and half shade;
And love, as love first springs to life,
Of every thing afraid.

The red leaf far more heavily
Fell down to autumn earth,
Than her light feet, which seemed to move
To music and to mirth.

With the light feet of early youth,
What hopes and joys depart,
Ah! nothing like the heavy step
Betrays the heavy heart.

It is a usual history
That Indian girl could tell;
Fate sets apart one common doom
For all who love too well.

The proud—the shy—the sensitive,—
Life has not many such;
They dearly buy their happiness,
By feeling it too much.

A stranger to her forest home,
That fair young stranger came;
They raised for him the funeral song—
For him the funeral flame.

Love sprang from pity,—and her arms
Around his arms she threw;
She told her father, 'If he dies,
Your daughter dieth too.'

For her sweet sake they set him free—
He lingered at her side;
And many a native song yet tells
Of that pale stranger's bride.

Two years have passed—how much two years
Have taken in their flight!
They've taken from the lip its smile,
And from the eye its light.

Poor child! she was a child in years—
So timid and so young;
With what a fond and earnest faith
To desperate hope she clung!

His eyes grew cold—his voice grew strange—
They only grew more dear.
She served him meekly, anxiously,
With love—half faith—half fear.

And can a fond and faithful heart
Be worthless in those eyes
For which it beats?—Ah! wo to those
Who such a heart despise.

Poor child! what lonely days she passed,
With nothing to recall
But bitter taunts, and careless words,
And looks more cold than all.

Alas! for love, that sits at home,
Forsaken, and yet fond;
The grief that sits beside the hearth—
Life has no grief beyond.

He left her, but she followed him—
She thought he could not bear,
When she had left her home for him,
To look on her despair.

Adown the strange and mighty stream
She took her lonely way;
The stars at night her pilots were,
As was the sun by day.

Yet mournfully—how mournfully!—
The Indian looked behind,
When the last sound of voice or step
Died on the midnight wind,

Yet still adown the gloomy stream
She plied her weary oar;
Her husband—he had left their home,
And it was home no more.

She found him—but she found in vain—
He spurned her from his side;
He said, her brow was all too dark,
For her to be his bride.

She grasped his hands,—her own were cold,—
And silent turned away,
As she had not a tear to shed,
And not a word to say.

And pale as death she reached her boat,
And guided it along;
With broken voice she strove to raise
A melancholy song.

None watched the lonely Indian girl,—
She passed unmarked of all,
Until they saw her slight canoe
Approach the mighty Fall!

Upright, within that slender boat
They saw the pale girl stand,
Her dark hair streaming far behind—
Upraised her desperate hand.

The air is filled with shriek and shout—
They call, but call in vain;
The boat amid the waters dash'd—
'Twas never seen again!

poem by Letitia Elizabeth Landon
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Deadly Cancer

It was diagnosed as deadly cancer
A disease now common but found with fewer
So much progress has been made in this direction
But patients suffer mental agony with medicine's reaction

Mother was not feeling well since many days
She may remain busy whole day and calmly stay
She knew very well that she is up with disease
But disclosed to me that it should not be made known please

I was elder among in the family and realized the importance
There was no hope at all and she was awaited with bleak chance
I knew she may remain with us for few more days or months
Then may be suddenly taken over by cruel death

Females generally suffer more with such kind diseases
The moment they marry their existence suddenly ceases
They are not only overpowered by lots of responsibility at home
But countered with numerous problems to tackle and welcome

I could clearly see worry lines on her face
But she won't allow any body to find trace
She will be smiling all the time and remain cheerful
As if life was defeat4d and she remained successful

Such was her dominating character
Sometimes she will make us to roar in laughter
Forgetting all the pains caused by incurable disease
She used to say 'Life must be spent always at ease'

I will direct look at her eyes and try to find out
Why she is always trying to be normal and talk about?
She was funny too and played with small kids
Never failed in her duty for providing the clear lead

She breathed her last with complete control
There was panic or any distress call
She called everybody near by her bed
Bade farewell and told some one for hymns to be heard

She closed her eyes very slowly
Face with beautiful smile and happily
She was not defeated till the last
As the end came peacefully but very fast

poem by Hasmukh Amathalal
Submitted by Poetry Lover
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Literature and Quantum Physics

Mind spoke:

I have been the Driver of all history
for animal and man,
I've fueled Progress,
built cities,
discovered science
literature, poetry
all of this due to me:
Mind.

Imagination Spoke:

You Mind
are not of consequence
without me
Imagination.

Whatever spark might have
fired your brain
came from my fashioning
events in you Mind
to creativity,
to art
for you are merely physical seat
the vehicle,
But I Imagination
am the driver.

Body Spoke:

The two of you have no independent existence,
no living space
without me Body.

I am that temple
which houses you.

I am the physical portal
which interacts with the
world.
Whatever you can see or think Mind
or you Imagination, can imagine
is filtered thorough me Body
and flesh though I am
few doubt my ultimate power.

For surely as you both have your place
but both of you are mental most
and cannot walk or run,
build or make love;
toast friends or loved ones.

I Body
am sensation
and the Ultimate.

Heart Spoke:

For you three
there is a clear driver
in all this.
Me.

Humanity does not pursue
cold ideas, or body flesh alone.

Even Imagination bows before
Love's Goals
and these clearly foment
much of history.

The Heart is here the seat;
the clear destination
of this imaginary vehicle
driven by a universal need
to merge, with a Divinity
which in the end
only I
Heart represent.

Love is
multifaceted
motherly, fatherly, sisterly,
brotherly, heavenly
all are facets of Love
which lives in my-
the Heart's realm.

Most strive to reach my Land
and those who don't
are so destroyed
they, in my theory,
turn to evil and sin.

I am the true fulcrum of all History.

Soul Speaks:

You mind,
You Body
You Imagination
even you Heart
are all Corporeal.

I am the Mother
of all of you
Universal Soul;
the indescribable;
the Spirit,

the common thread
which unites all of you.

I am
the Father of the
Common Sense
which is taste, sight
smell, hearing and touch
all combined in the sixth sense.

I aligned with
my mentor Faith
and describe
the sea
in which you all swim,
but are oblivious to.

I am the Dark Matter
of your universe,
90% of the ocean
in which you swim.

The Poet Speaks:

For all you Archetypes
and your
products
none to me is more sublime
than the wedding of these
to Musics and Poetries.

Is it not apparent too,
that from these
comes a Unified Theory of Literature?

For is it not the case
all of the actors
in this
our play
exist
forming the basis of our literature
our cultures;
and our goal
therefore,
must be
to illuminate
how they all inter-relate
to form all the world
we know
in and outside of our
written histories?

Now it seems to me
that a crucial point here
is how then does
all this
relate to the Physical Universe?

If mind and brain
exist in this Physical Universe
how then to explain
the inter-relationships
that result
in Creativity?

Einstein knew:
and said it;
feuding with the Theory of Quantum Physics;
all electrons,
in all things in the Universe
inter-relate
and in all of the Universe,
every atom in my brain, and the electrons
therein contained
are in constant communication with every
other atom in all of the universe
and more,
move, both in
and outside of this Universe
to Universes
which exist
in parallel
simultaneously with this one..

We exist
in this Universe
in our world
at the galaxy level
and at the sub-atomic level;
but this existence is inherently unstable
meaning atoms and electrons
move freely between these
multiple Universes.
to which we are
all connected.

Think on that for a moment;
before you realize-
if even marginally true
explains how a poem comes to be;
literally it is Imagination
plucking ideas from my mind
in this universe
and melding
with those with ideas
perhaps from another.

Which in the end
is the only explanation
for Creativity:
that is
in thinking
we cause something to exist
from seemingly nothing;
nothing defined
as coming from some place else
into our world-
into our existence.

And I ask
where
therefore
did this
poem come from?

Or even this phrase
since milli-seconds ago
it did not exist
at least
in this Universe.

Simply put
the most profound question
in the universe is:

What are ideas
and where do they come from?

And how do they in fact create
what we know as literature?

Hummm,
Much To Ponder.

poem by Lonnie Hicks
Submitted by Poetry Lover
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The Raven

[Spoken Track]
[Poe:]
Once upon a midnight dreary
as I pondered, weak and weary
over many a quaint and curious
volume of forgotten lore
while I nodded, nearly napping
suddenly there came a tapping
as of some one gently rapping
rapping at my chamber door
"'Tis some visitor," I muttered
"tapping at my chamber door
only this and nothing more."
Muttering I got up weakly
always I've had trouble sleeping
stumbling upright my mind racing
furtive thoughts flowing once more
I, there hoping for some sunrise
happiness would be a surprise
loneliness no longer a prize
rapping at my chamber door
seeking out the clever bore
lost in dreams forever more
only this and nothing more
Hovering my pulse was racing
stale tobacco my lips tasting
scotch sitting upon my basin
remnants of the night before
came again
infernal tapping on the door
in my mind jabbing
is it in or outside rapping
calling out to me once more
the fit and fury of Lenore
nameless here forever more
And the silken sad uncertain
rustling of the purple curtain
thrilled me, filled me
with fantastic terrors never felt before
so that now, oh wind, stood breathing
hoping yet to calm my breathing
"'Tis some visitor entreating
entrance at my chamber door
some lost visitor entreating
entrance at my chamber door
this it is, and nothing more."
Deep into the darkness peering
long I stood there
wondering fearing
doubting dreaming fantasies
no mortal dared to dream before
but the silence was unbroken
and the stillness gave no token
and the only word there spoken
was the whispered name, "Lenore

song performed by by Lou Reed
Submitted by Lucian Velea
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The Kind Word

Speak kindly, wife; the little ones will grow
Fairest and straightest in the warmest sun.
We talk so often of the seed we sow;
But, maybe, when we think our labour done,
And when we look to gather in the grain,
We'll find these stones, we fling about, again
Strewing the fruitless sod,
Having crush'd down and stunted the sweet life
That bore the likeness of the life of God.
All your hard words of bitterness and strife
Will lie upon their love, as stones would lie;
You think to pick them up, but, by-and-by,
You'll find where they have lain
By the poor, meagre, crooked ears of grain.
You will be sorry then.
Speak kindly, wife; you know not half the wealth
Kind words bring in. Ah! I remember when
I was a little lad, all youth and health,
How I went wrong for want of one, and how
One saved my life—ay, keeps it steady now.

* * * * *
My mother died, you know, when I had seen
Only a few days' light; they say her face
Was fair and young—and so it might have been;
I cannot tell. But she, who took her place,
Was coarse and hard, and had a shrewish tongue
That fretted all the household into strife.
Ah, how that sharp voice rung
Through ear and heart—through all the peace of life!
It drove my father from his home at length,
And drove him to the ale-house, where he learn'd
To drink away the good name he had earn'd,
And drink away his precious health and strength.

I can remember well how he would sigh,
Would sigh, and turn from his own chimney nook;
And how, though wintry winds blew fierce and high,
He fumbled at the door with hands that shook,
And pass'd out slowly, as though caring not
Whither he went. And she, who tempted him,
Was first to see the change—to mark the blot
That made his manhood's beauty blurred and dim—
But had no mercy and no help for him.
I think I see her now!
Standing, with that red flush upon her brow,
Hurling her stinging insults thick and fast,
As he was sadly creeping through the door;
Until he raised his grizzled head, and swore,
And suddenly struck her, growing mad at last.
Was that the way to better him? Ah, no;
She taunted him, and stung his spirit so,
That what was weakness became sin and crime.
Wife, did you ever hear
What happen'd in that dark and dreadful time?
One night, when I was wide awake for fear,
Straining my baby ears to catch the sound
Of the fierce voices that were storming near—
One night, I heard a cry—
So sharp! so shrill! a strange and fearful cry—
And then a heavy fall upon the ground;
And then—and then—in the grey morning light
I saw her lie,
With her hard face so strangely still and white,
With a broad purple stain upon her brow,
And dusky shadows on her lips and eyes.
Ah me! ah me! I think I see her now,
Wrapped in that awful death-sleep, as she lies!
I well remember how I cried and shook
In childish terror, and with what a look
I turn'd to all the living faces there,
Seeking in vain,
With the first dreary thrill of my despair,
The one face that I never saw again!

* * * * *
I was so young—a little lad, a child—
And it was hard, ay, very hard, to be
So helpless and so ignorant and wild,
With not a soul to love and care for me.
She, when she storm'd about,
Had roughly used me, and had turn'd me out
Into the streets, to gather what I could
And what I liked of all the evil there;
But he, my father, at odd times he would
Sit, with his arms flung round me, in his chair,
And tell me, as he stroked my curly head,
How he could see the mother that was dead
In my blue eyes and in my golden hair.

And now I was alone—quite, quite alone.
Ah, you can never know how I was toss'd
From place to place; how like a thing of stone,
Frozen for want of just a kindly tone,
My heart became—all its good instincts cross'd!
And how like some distorted tree I grew,
Barren of all things beautiful and true.
Sullen, and hard, and reckless, I was fit
And ready, when the devil laid his snare—
Quite ready—to rush headlong into it.
And who was there to care?
In a wild night—a well-remember'd night,
When I was prowling in a darken'd street,
Trying to hush the echo of my feet,
Trying to hide me out of sound and sight—
Just as I heard the bells begin to call
From a church-tower—as I caught a gleam
Of marble pillars, standing white and tall,
And saw the stream
Of tender, mellow light make, as it were,
A shining pathway in the misty air,
Whither soft footsteps trod
Out of the world into the courts of God—
Just then they found me out—
They who had watch'd and follow'd me so long—
They found me as I idly hung about
That stately doorway; and I felt the strong
Relentless grip upon my arm—I saw
The quiet, cruel, smiling eyes, and saw
That I was bound.
That night I lay awake upon the ground
Of a dark cell. The moonlight quiver'd in,
Tender, and pure, and sweet, and hover'd round—
Trying to cool the raging fire within
My eyes and heart; like tender mother's touch,
It wander'd over lips, and hands, and hair.
I think I feel it now—it came with such
An unexpected pity to me there!
It was so dark—and I was all alone.
No gentle tone
To comfort and to keep me from despair!
A blessing had been sent—ah, now I know,
Just by that little moonbeam; its white glow
Lay on my heart, till the tears fell like rain.
The long-endured, sullen sense of pain,
So dark and deep,
Was stirred and touch'd, and almost lighten'd, when

I plunged my face into my hands to weep.
Somehow the boyish spirit came again,
With just a little of its softness, then;
The burning fever cool'd, and I could sleep.
Ah, I remember, as I lay there, she
I never knew came gliding through my dream,
As through the shadows that encompass'd me
Glided the tender moonshine; I could see,
Dim and yet purely bright—just in the gleam
That cross'd the prison-floor—a girlish face,
Divinely beautiful—an angel's face;
And long robes, fair and white,
Shadow'd with wings that shone like living light.
I seem'd to feel, e'en in that gloomy place,
The soft, sweet kisses stray
Over my feverish forehead as I lay;
But when I woke, and look'd with glistening eyes
Up through the grating, I could only see
The pale rose-colour dawning in the skies
From whence that message had come down to me.

I was so lonely! Yet more lonely far
In the bright day-time, when my sight was bound
By cold, hard, scornful faces all around,
Instead of prison-wall and iron bar.
More lonely—ay, so much more lonely! They,
My judges and accusers, and the crowd
That witness'd all my misery that day,
They knew not that my spirit was as proud,
As sensitive to suffering, as theirs.
They knew the sweet hearth-love, that makes the cares
And storms of life so light!
And the great safeguard against sin and crime
Stood round about their homes by day and night.
But I had no one in that bitter time,
No one, I thought—no one to stand by me,
No one to teach me or to care for me!
I pass'd through fire as I stood waiting—stood
In that great, dreary, dreadful, crowded place;
A fire that scorch'd out even the faintest trace
My tearful dream had left, of good and true.

* * * * *
Wearily, wearily, I laid me down
Within my little prison-cell that night;
And then I long'd for death to come, and drown
The sinful, lonely, sorrowful earthly life
That always seem'd at strife
With God and man. I know it was not right—
I know it, dear; but it is hard to be
Shut out from all the pleasant, genial life
That makes life worth!—and it was hard for me.
And so I lay, and fix'd a vacant stare
Upon my grated bars, now dimly drawn
Across a grey-blue thunder-cloud; for there
The moonlight came, and there the rosy dawn
Peep'd in—a kind and friendly face to see;
One thing, at least, of peace and purity.
And dark thoughts brooded in my heart and brain,
Such wicked, reckless thoughts! I wonder'd why
I had been born to so much misery,
Born to so large a heritage of pain!
Sure it was wrong, I murmur'd bitterly,
Setting my teeth again.
And then there slowly drifted through my mind—
Vaguely and darkly, gaining shape at length—
A thought whose likeness it were hard to find
In any common words. I felt the strength
Of stern endurance and resolve die out,
And felt a fierce new strength creep round about
My smouldering heart. Eager I turn'd to gaze
At my new vision—and the warning doubt
Died in the passion that was set ablaze.
What was the vision? Wife, I scarcely dare
Paint it again.
It's very memory enfolds such pain!
A river, dark, and deep, and dreadful, where
The moaning eddies swirl'd about the piers
Of a high bridge; lights twinkling in the air;
Unnumber'd voices thrilling in my ears;
And one—one only—speaking to me there—
Calling from out the deep,
Dark water, in its slow, reluctant sweep . . . . .
An awful space of shadows; then the gleam
Of steely ripples, lying far below,
Like bright snakes coil'd together on the stream;—
Ah, wife, you know! you know!
I saw—but did not see—the grey-blue cloud
Change into black; the thunder roar'd aloud;
And shining arrows glanced across the floor,
Striking a blaze upon my staring eyes;—
Darling, these are such painful memories,
I cannot tell you more.
* * * * *
But in the day that follow'd—when the sun
Was high in heaven, and the crimson flame
Danced on the bleak white wall above me—one
Bearing a sweet and holy message, came.
He found me lying motionless, alone,
Passionately quiet, and as hard as stone;
And he stepped softly, and bent over me
Until I saw his face—
Fair as an angel's, with a shining crown
Of wavy golden hair—a boyish face,
But shadow'd with a wondrous dignity.
As he bent down,
His grave eyes looking deeply into mine,
The dignity seem'd born of the divine.
Ah me, he was so good! so true! so kind!
He melted that black shadow on my mind
With his sweet, earnest tones; I sat and wept
Just like a child; and a new life and light
Once more, as he sat by me, gently crept
Into my spirit, that was dark as night.
He did not talk as if he were above
The sins and follies of his fellow-men;
But all his words were sympathy and love—
Or I had never listen'd to them then.
He did not once reproach me, though he heard—
Because he would not ask it—every word
I had to tell him; but he counselled me,
Framing his lips in that humility
Which seems the stamp of a good man and true.
Saying not, “I know this,” but “God has said;”
Saying not, with the solemn warning, “you,”
But mostly “we;” yet over all he shed
The high and special dignity he bore.
One felt he was a priest, as if he wore
His surplice—standing in the church, instead
Of on a prison-floor.

* * * * *
And those kind words—they brought a blessed morn
Unto my soul; I never wish'd again
That I might die; I never felt forlorn,
As if my life were given me in vain.
But I went out into the world, and fought
Against its legions, with an arm of strength!
Wife, though I often falter'd, what he taught
Nerved me to courage, and I won at length.

poem by Ada Cambridge
Submitted by Poetry Lover
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Robert Parkes

High travelling winds by royal hill
Their awful anthem sing,
And songs exalted flow and fill
The caverns of the spring.

To-night across a wild wet plain
A shadow sobs and strays;
The trees are whispering in the rain
Of long departed days.

I cannot say what forest saith —
Its words are strange to me:
I only know that in its breath
Are tones that used to be.

Yea, in these deep dim solitudes
I hear a sound I know —
The voice that lived in Penrith woods
Twelve weary years ago.

And while the hymn of other years
Is on a listening land,
The Angel of the Past appears
And leads me by the hand;

And takes me over moaning wave,
And tracts of sleepless change,
To set me by a lonely grave
Within a lonely range.

The halo of the beautiful
Is round the quiet spot;
The grass is deep and green and cool,
Where sound of life is not.

Here in this lovely lap of bloom,
The grace of glen and glade,
That tender days and nights illume,
My gentle friend was laid.

I do not mark the shell that lies
Beneath the touching flowers;
I only see the radiant eyes
Of other scenes and hours.

I only turn, by grief inspired,
Like some forsaken thing,
To look upon a life retired
As hushed Bethesda’s spring.

The glory of unblemished days
Is on the silent mound —
The light of years, too pure for praise;
I kneel on holy ground!

Here is the clay of one whose mind
Was fairer than the dew,
The sweetest nature of his kind
I haply ever knew.

This Christian, walking on the white
Clear paths apart from strife,
Kept far from all the heat and light
That fills his father’s life.

The clamour and exceeding flame
Were never in his days:
A higher object was his aim
Than thrones of shine and praise.

Ah! like an English April psalm,
That floats by sea and strand,
He passed away into the calm
Of the Eternal Land.

The chair he filled is set aside
Upon his father’s floor;
In morning hours, at eventide,
His step is heard no more.

No more his face the forest knows;
His voice is of the past;
But from his life of beauty flows
A radiance that will last.

Yea, from the hours that heard his speech
High shining mem’ries give
That fine example which will teach
Our children how to live.

Here, kneeling in the body, far
From grave of flower and dew,
My friend beyond the path of star,
I say these words to you.

Though you were as a fleeting flame
Across my road austere,
The memory of your face became
A thing for ever dear.

I never have forgotten yet
The Christian’s gentle touch;
And, since the time when last we met,
You know I’ve suffered much.

I feel that I have given pain
By certain words and deeds,
But stricken here with Sorrow’s rain,
My contrite spirit bleeds.

For your sole sake I rue the blow,
But this assurance send:
I smote, in noon, the public foe,
But not the private friend.

I know that once I wronged your sire,
But since that awful day
My soul has passed through blood and fire,
My head is very grey.

Here let me pause! From years like yours
There ever flows and thrives
The splendid blessing which endures
Beyond our little lives.

From lonely lands across the wave
Is sent to-night by me
This rose of reverence for the grave
Beside the mountain lea.

poem by Henry Kendall
Submitted by Poetry Lover
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Requiescit

I cannot tell his story. He was one
To whom the riddle of our human life
Was strangely put, and who, because of that
And that he could not read it, died. But a short hour
Before he passed, the woman who stood by,
Weeping as once she had wept to see him born,
Tired with her watching looked into his face
And saw the heavy eyelids dropping down
Loaded with sleep. And she, for all her tears,
Bent for the hundredth time to ease his bed.
And, as she almost touched him, smoothing out
The ruffled pillows, close into her ear
He whispered, never lifting up his eyes:
``No matter now. I shall be soon asleep.''
And then, as if he would pursue the thought
A little way as once he loved to do,
And yet too weak to catch it, he went on:
``And what a trouble it has been to keep
This pillow smooth! And in a little while
It will not want another touch; and then--
This aching head of mine will have done with thought.
Thought! Thought!'' But loud the aged woman sobbed,
``Poor soul, poor gentleman.'' So they remained
For a brief space, the goodwife standing there
Knotting her wrinkled hands and he hard by
Upon the bed and breathing heavily.
For he seemed sunk again in that dull trance
Through which men often pass away from life,
When death, as the lion does, has shaken his prey
And he lies numb and dumb and powerless.

She listened. He was telling slowly over
The names of those whom he had loved in youth.
Many were strange to her; and then there came
One she knew well. She started at the sound
She had not heard for years, and bending near
Heard him repeat it twice. She whispered hoarsely:
``Have you no word for her?''--yet stopped again
Because his eyes were open. Doubtingly
They wandered to her own and seemed to say
``Who, and what is it that you ask?'' And she
Spoke it again. He seemed to catch the name
And said it after her, but like a child
Which knows not what it speaks; and afterwards:
``Ah! Bridget, I have quite forgot that story,
And now, in half an hour, it is not long,
I shall have clean forgotten the name too.''
She cried, ``Oh Sir, it is a life too late.
Would God you had forgot it long ago!''

The tears stole slowly down her withered cheeks
And fell upon his hands. She did not move
While he went murmuring on: ``'Tis very well
Thus to forget. And what a wonder too
It now is''--and there came a sudden light
Into his eyes--``that one should ever care
To recollect a single day of life.
I used to think and plan and plot and scheme
How I might build my life in such a way
That I should take fine memories to my grave.
And now what a small matter 'tis to know
How the years went, when death in half an hour
Is all that is left of them! No matter now,
But only to sleep sound in any bed
And have no dreams.'' His eyes grew dim again
As he ceased speaking. And the woman knew
That he was dying. ``He is gone,'' she said.
And then she started muttering half aloud
``They cannot pass without the sacraments,
These gentle--folks.'' And so she hurried out.

The dying man smiled. When they came again,
She whispered in his ear, and looking down
Saw him still smiling; so she lit in haste
A candle by the bed and knelt aside.
They put the holy oils upon his hands,
Which closed upon the fingers of the priest.
The priest bent over him and laid his ear
To the half--open mouth and presently,
Thinking he heard some words, gave absolution.
But, when they would have gone on with the rest,
They found that he was dead. They buried him
With some small pomp to comfort the old dame,
Who said her master was a gentleman
And must be followed with a mourning coach
And mutes and weepers. There was no one else.

His name is cut upon a stone. His dreams
Were written on Time's hem; and Time has fled
And taken him and them. The grass is green
Upon his grave. I cannot doubt he sleeps.

poem by Wilfrid Scawen Blunt
Submitted by Poetry Lover
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The Dream

I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past - they speak
Like sibyls of the future; they have power -
The tyranny of pleasure and of pain;
They make us what we were not - what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows - Are they so?
Is not the past all shadow? - What are they?
Creations of the mind? - The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep - for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.

II

I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs: the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing - the one on all that was beneath
Fair as herself - but the boy gazed on her;
And both were young, and one was beautiful:
And both were young - yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers:
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which coloured all his objects; - he had ceased
To live within himself: she was his life,
The ocean to the river of his thoughts,
Which terminated all; upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously - his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother - but no more; 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honoured race. - It was a name
Which pleased him, and yet pleased him not - and why?
Time taught him a deep answer - when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.

III

A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned:
Within an antique Oratory stood
The Boy of whom I spake; - he was alone,
And pale, and pacing to and fro: anon
He sate him down, and seized a pen, and traced
Words which I could not guess of; then he leaned
His bowed head on his hands and shook, as 'twere
With a convulsion - then rose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The Lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved; she knew -
For quickly comes such knowledge - that his heart
Was darkened with her shadow, and she saw
That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded, as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old Hall,
And mounting on his steed he went his way;
And ne'er repassed that hoary threshold more.

IV

A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his Soul drank their sunbeams; he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer;
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man,
Glad in a flowing garb, did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in heaven.

V

A change came o'er the spirit of my dream.
The Lady of his love was wed with One
Who did not love her better: in her home,
A thousand leagues from his, - her native home,
She dwelt, begirt with growing Infancy,
Daughters and sons of Beauty, - but behold!
Upon her face there was a tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be? - she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be? - she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind - a spectre of the past.

VI

A change came o'er the spirit of my dream.
The Wanderer was returned. - I saw him stand
Before an altar - with a gentle bride;
Her face was fair, but was not that which made
The Starlight of his Boyhood; - as he stood
Even at the altar, o'er his brow there came
The selfsame aspect and the quivering shock
That in the antique Oratory shook
His bosom in its solitude; and then -
As in that hour - a moment o'er his face
The tablet of unutterable thoughts
Was traced - and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been -
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back
And thrust themselves between him and the light;
What business had they there at such a time?

VII

A change came o'er the spirit of my dream.
The Lady of his love; - Oh! she was changed,
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!

VIII

A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore,
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With Hatred and Contention; Pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men,
And made him friends of mountains; with the stars
And the quick Spirit of the Universe
He held his dialogues: and they did teach
To him the magic of their mysteries;
To him the book of Night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret. - Be it so.

IX

My dream is past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality - the one
To end in madness - both in misery

poem by Byron (1816)
Submitted by Veronica Serbanoiu
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In Youth I have Known One

How often we forget all time, when lone
Admiring Nature's universal throne;
Her woods - her winds - her mountains - the intense
Reply of Hers to Our intelligence!

I.

In youth I have known one with whom the Earth
In secret communing held - as he with it,
In daylight, and in beauty, from his birth:
Whose fervid, flickering torch of life was lit
From the sun and stars, whence he had drawn forth
A passionate light - such for his spirit was fit -
And yet that spirit knew - not in the hour
Of its own fervour - what had o'er it power.

II.

Perhaps it may be that my mind is wrought
To a fever by the moonbeam that hangs o'er,
But I will half believe that wild light fraught
With more of sovereignty than ancient lore
Hath ever told - or is it of a thought
The unembodied essence, and no more
That with a quickening spell doth o'er us pass
As dew of the night time, o'er the summer grass?

III.

Doth o'er us pass, when as th' expanding eye
To the loved object - so the tear to the lid
Will start, which lately slept in apathy?
And yet it need not be - (that object) hid
From us in life - but common - which doth lie
Each hour before us - but then only bid
With a strange sound, as of a harpstring broken
T' awake us - 'Tis a symbol and a token -

IV.

Of what in other worlds shall be - and given
In beauty by our God, to those alone
Who otherwise would fall from life and Heaven
Drawn by their heart's passion, and that tone,
That high tone of the spirit which hath striven
Though not with Faith - with godliness - whose throne
With desperate energy 't hath beaten down;
Wearing its own deep feeling as a crown.

poem by Edgar Allan Poe
Submitted by Poetry Lover
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The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore--
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door--
Only this and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;--vainly I had sought to borrow
From my books surcease of sorrow--sorrow for the lost Lenore--
For the rare and radiant maiden whom the angels name Lenore--
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me--filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door--
Some late visiter entreating entrance at my chamber door;
This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"--here I opened wide the door--
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"--
Merely this and nothing more.

Back into the chamber turning, all my sour within me burning,
Soon again I heard a tapping something louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is and this mystery explore--
Let my heart be still a moment and this mystery explore;--
'Tis the wind and nothing more.

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he,
But, with mien of lord or lady, perched above my chamber door--
Perched upon a bust of Pallas just above my chamber door--
Perched, and sat, and nothing more.

Then the ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore--
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning--little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door--
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if its soul in that one word he did outpour
Nothing farther then he uttered; not a feather then he fluttered--
Till I scarcely more than muttered: "Other friends have flown before--
On the morrow he will leave me, as my Hopes have flown before."
Then the bird said "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore--
Till the dirges of his Hope that melancholy burden bore
Of 'Never--nevermore.'"

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore--
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee--by these angels he hath sent thee
Respite--respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!--
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted--
On this home by Horror haunted--tell me truly, I implore--
Is there--is there balm in Gilead?--tell me--tell me, I implore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!
By that Heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore--
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."

"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul has spoken!
Leave my loneliness unbroken!--quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming
And the lamp-light o'er him streaming throws his shadows on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted--nevermore!

poem by Edgar Allan Poe
Submitted by Veronica Serbanoiu
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The Organist

In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.

One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.

She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'

'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'

And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.

And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.

And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'

So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.

At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.

'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.

And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.

The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.

And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.

poem by Archibald Lampman
Submitted by Poetry Lover
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The Old Age Of Queen Maeve

A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked1 of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window. His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.

MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep. But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, 'High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, 'What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, 'I seek your help,
For I am Aengus, and I am crossed in love.'
'How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
He replied,
'I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy housc,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
'I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines' children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, 'These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,
'She will grow old and die, and she has wept!'
And when I'd write it out anew, the words,
Half crazy with the thought, She too has wept!
Outrun the measure.
I'd tell of that great queen
Who stood amid a silence by the thorn
Until two lovers came out of the air
With bodies made out of soft fire. The one,
About whose face birds wagged their fiery wings,
Said, 'Aengus and his sweetheart give their thanks
To Maeve and to Maeve's household, owing all
In owing them the bride-bed that gives peace.'
Then Maeve: 'O Aengus, Master of all lovers,
A thousand years ago you held high ralk
With the first kings of many-pillared Cruachan.
O when will you grow weary?'
They had vanished,
But our of the dark air over her head there came
A murmur of soft words and meeting lips.

poem by William Butler Yeats
Submitted by Poetry Lover
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Lines Composed A Few Miles Above Tintern Abbey

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.--Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration:--feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,--
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
If this
Be but a vain belief, yet, oh! how oft--
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart--
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all.--I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.--That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur, other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels 0
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,--both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance--
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence--wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love--oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

poem by William Wordsworth
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Strange Romance

"Romance is lost; romance is forgotten; romance has died; the young lady with ocean blue eyes and skin as fair as the tips of oceans waves heart has been broken, " exclaimed the poet whom is lost in an age that did not fit in his frame of mind.

In 19th century France, John would have been considered a genius but in modern day America people considered him insane. You see, he lacked the moral perception to discern good and evil. He saw the sweetness in sin and the vacuousness of virtue. He thought nature to be mundane and gave each of its creations the romance of the five senses. To him each flower could smell the honey of the bees, each bird chirped a song of love to the branches of the trees, and each apple could savor the taste of light peach lips curvaceous as a woman's hips.

"The young lily, the bella, whose blonde hair vibrates like tremendous threads of thin gold, glass heart has been smeared by lies, her gracefulness marred by a charlatan's cruel eyes. Her art, integrity and honor sold cheaply to dilettantes. Shattered in pieces one will never feel the full affect of her beating heart again."

Mr. Wilde's words "Thy love not art, " displayed their succinct potency as one subtle tear slid down his eye and dissipated on his mouth.

"Her love is pure, her love is marvelous, her love taste of passionate kisses; her love feels like sinuous caresses, her love burns in the inferno of Dante's hell; the woes of souls drowning in a whirlpool of sorrow can't light the flame and reveal the path to love for her again! " exclaimed John in poetic utterance after waking from a dream.

II
Mary sat melancholy on a case of stairs in robe of satin silk, peering into the sky, with angelic eye, contemplating the mystery of the universe, pondering the eyes of the night, the imperial stars that hovered the earth, with no meaning, with no thought, only motion, subtle and slow, the stars guiding her mind, the universe spoke! she heard voices in her head, which strangled her tongue.

"The silence of the heart, the sadness of her lips, the beauty of her hand, could leave an indelible impression in the softness of sand, " said John passionately. Mary felt nobody could hear her screams!

With the stars as her master, Mary wrote with pen in hand, the murmurs of her heart, the anxieties of her mind, words of one person, of one kind.

I dream of color

I dream of dolor

I hear voices of all but my own

Universes vast and powerful

Create my thoughts?

Gray clouds of night, Reveal my sentiment

I have always loved in vain?

Now I beseech the world to move me sane

Can't you see me, Love is me

I fear loneliness, I fear me

I fear being lost at sea.

The first cut is the most brilliant

Life is fading, I am no longer resilient.

The young lady, at the tender age of 25, closed her book of red and ebony. She took her nails and dug them deep into the lines of her palms; blackish red blood protruded through her fingers, dripping to the ground, sounding like footsteps, Mary heard a sudden sound! She raised her head. There was John, pale as a white ghost, as if he risen from the dead! In an instant, like how miracles occur, life was no longer a question, but life was an intuition.

John said in words of simple vernacular "Mary girl, I felt in my heart that there was some trouble with you, is everything alright? I had a horrible dream and I went for a walk and I saw you! "

Mary looked at him, the blood of her hands swam in his eyes, John saw the pain, that pain that never dies.

John heard the screams of her soul, her saw the light of her vice, the secret of her virtue, the madness of her mind, the strength of her softness, he understood her and he loved her. He walked her to her room and whispered "goodnight."

poem by Kevin Michael Murphy
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The Power

A wave of power rushes past you on a windy day
waving your hair into disarray and tingling your skin
A formless power makes you comfortable in the biting cold
the same power fills you in agony, pain and suffering
when you go straight to possess the heart of that comfortable power
and it is the same power which falls out of the clouds in little drops
and each of these are a single form of power
for the power is in the air
and the power is in the fire and the power is in the water.

A beam of power ricochets into your eyes from something
and you are illuminated with the beauty of the complete world
you see the ugly, you see the amazing, you see the violent,
and you see every solid and pattern
you see darkness behind an object in the form of it
lying in the ground or right beside your arm
and even in the darkness, there are objects and things
which has a power that enables you a touch of it.

All for the reason that the power is in the objects,
and the power is in the light and even the darkness and shadows.

A form of the same power enables you,
to know the presence of your woman near you
the same form of power gives you, the knowledge
of the proximity of your best food.
For the power is in the scent and smell
and the power is even in your nose that smells.

A vibe of power rings in your ear
and you know that something is somewhere near
and your tongue that knows the quality of the food
is all the power that's doing you good
the sound is itself the power
and so is the ear and the tongue
the tongue that so eagerly tastes your favorite food
the food which contains the power in itself too.

All this time you and me are here
and all this time everything else is there,
is for the power is everywhere;
the power pumps inside your body all the time
and even when you are dead and bloodless,
the power is still there in your veins and muscles.

The power is the life, the soul
the touch, the light, the darkness, the sound
the sentiments flowing inside you is the power
the strike you make in anger is the power,
and the power is existence, energy, substance, and motion.

The power was in the place where God was born
the God is Himself the power
and like God Himself,
the power is omnipotent, and it is there where existence is there.

poem by Rajiv Prajapati
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Ginevra

Wild, pale, and wonder-stricken, even as one
Who staggers forth into the air and sun
From the dark chamber of a mortal fever,
Bewildered, and incapable, and ever
Fancying strange comments in her dizzy brain
Of usual shapes, till the familiar train
Of objects and of persons passed like things
Strange as a dreamer’s mad imaginings,
Ginevra from the nuptial altar went;
The vows to which her lips had sworn assent
Rung in her brain still with a jarring din,
Deafening the lost intelligence within.

And so she moved under the bridal veil,
Which made the paleness of her cheek more pale,
And deepened the faint crimson of her mouth,
And darkened her dark locks, as moonlight doth,--
And of the gold and jewels glittering there
She scarce felt conscious,--but the weary glare
Lay like a chaos of unwelcome light,
Vexing the sense with gorgeous undelight,
A moonbeam in the shadow of a cloud
Was less heavenly fair--her face was bowed,
And as she passed, the diamonds in her hair
Were mirrored in the polished marble stair
Which led from the cathedral to the street;
And ever as she went her light fair feet
Erased these images.

The bride-maidens who round her thronging came,
Some with a sense of self-rebuke and shame,
Envying the unenviable; and others
Making the joy which should have been another’s
Their own by gentle sympathy; and some
Sighing to think of an unhappy home:
Some few admiring what can ever lure
Maidens to leave the heaven serene and pure
Of parents’ smiles for life’s great cheat; a thing
Bitter to taste, sweet in imagining.

But they are all dispersed--and, lo! she stands
Looking in idle grief on her white hands,
Alone within the garden now her own;
And through the sunny air, with jangling tone,
The music of the merry marriage-bells,
Killing the azure silence, sinks and swells;--
Absorbed like one within a dream who dreams
That he is dreaming, until slumber seems
A mockery of itself--when suddenly
Antonio stood before her, pale as she.
With agony, with sorrow, and with pride,
He lifted his wan eyes upon the bride,
And said--‘Is this thy faith?’ and then as one
Whose sleeping face is stricken by the sun
With light like a harsh voice, which bids him rise
And look upon his day of life with eyes
Which weep in vain that they can dream no more,
Ginevra saw her lover, and forbore
To shriek or faint, and checked the stifling blood
Rushing upon her heart, and unsubdued
Said--‘Friend, if earthly violence or ill,
Suspicion, doubt, or the tyrannic will
Of parents, chance or custom, time or change,
Or circumstance, or terror, or revenge,
Or wildered looks, or words, or evil speech,
With all their stings and venom can impeach
Our love,--we love not:--if the grave which hides
The victim from the tyrant, and divides
The cheek that whitens from the eyes that dart
Imperious inquisition to the heart
That is another’s, could dissever ours,
We love not.’--‘What! do not the silent hours
Beckon thee to Gherardi’s bridal bed?
Is not that ring’--a pledge, he would have said,
Of broken vows, but she with patient look
The golden circle from her finger took,
And said--‘Accept this token of my faith,
The pledge of vows to be absolved by death;
And I am dead or shall be soon—my knell
Will mix its music with that merry bell,
Does it not sound as if they sweetly said
“We toll a corpse out of the marriage-bed”?
The flowers upon my bridal chamber strewn
Will serve unfaded for my bier—so soon
That even the dying violet will not die
Before Ginevra.’ The strong fantasy
Had made her accents weaker and more weak,
And quenched the crimson life upon her cheek,
And glazed her eyes, and spread an atmosphere
Round her, which chilled the burning noon with fear,
Making her but an image of the thought
Which, like a prophet or a shadow, brought
News of the terrors of the coming time.
Like an accuser branded with the crime
He would have cast on a beloved friend,
Whose dying eyes reproach not to the end
The pale betrayer—he then with vain repentance
Would share, he cannot now avert, the sentence--
Antonio stood and would have spoken, when
The compound voice of women and of men
Was heard approaching; he retired, while she
Was led amid the admiring company
Back to the palace,--and her maidens soon
Changed her attire for the afternoon,
And left her at her own request to keep
An hour of quiet rest:--like one asleep
With open eyes and folded hands she lay,
Pale in the light of the declining day.

Meanwhile the day sinks fast, the sun is set,
And in the lighted hall the guests are met;
The beautiful looked lovelier in the light
Of love, and admiration, and delight
Reflected from a thousand hearts and eyes,
Kindling a momentary Paradise.
This crowd is safer than the silent wood,
Where love’s own doubts disturb the solitude;
On frozen hearts the fiery rain of wine
Falls, and the dew of music more divine
Tempers the deep emotions of the time
To spirits cradled in a sunny clime:--
How many meet, who never yet have met,
To part too soon, but never to forget.
How many saw the beauty, power and wit
Of looks and words which ne’er enchanted yet;
But life’s familiar veil was now withdrawn,
As the world leaps before an earthquake’s dawn,
And unprophetic of the coming hours,
The matin winds from the expanded flowers
Scatter their hoarded incense, and awaken
The earth, until the dewy sleep is shaken
From every living heart which it possesses,
Through seas and winds, cities and wildernesses,
As if the future and the past were all
Treasured i’ the instant;--so Gherardi’s hall
Laughed in the mirth of its lord’s festival,
Till some one asked--‘Where is the Bride?’ And then
A bridesmaid went,--and ere she came again
A silence fell upon the guests--a pause
Of expectation, as when beauty awes
All hearts with its approach, though unbeheld;
Then wonder, and then fear that wonder quelled;--
For whispers passed from mouth to ear which drew
The colour from the hearer’s cheeks, and flew
Louder and swifter round the company;
And then Gherardi entered with an eye
Of ostentatious trouble, and a crowd
Surrounded him, and some were weeping loud.

They found Ginevra dead! if it be death
To lie without motion, or pulse, or breath,
With waxen cheeks, and limbs cold, stiff, and white,
And open eyes, whose fixed and glassy light
Mocked at the speculation they had owned.
If it be death, when there is felt around
A smell of clay, a pale and icy glare,
And silence, and a sense that lifts the hair
From the scalp to the ankles, as it were
Corruption from the spirit passing forth,
And giving all it shrouded to the earth,
And leaving as swift lightning in its flight
Ashes, and smoke, and darkness: in our night
Of thought we know thus much of death,—no more
Than the unborn dream of our life before
Their barks are wrecked on its inhospitable shore.
The marriage feast and its solemnity
Was turned to funeral pomp--the company,
With heavy hearts and looks, broke up; nor they
Who loved the dead went weeping on their way
Alone, but sorrow mixed with sad surprise
Loosened the springs of pity in all eyes,
On which that form, whose fate they weep in vain,
Will never, thought they, kindle smiles again.
The lamps which, half extinguished in their haste,
Gleamed few and faint o’er the abandoned feast,
Showed as it were within the vaulted room
A cloud of sorrow hanging, as if gloom
Had passed out of men’s minds into the air.
Some few yet stood around Gherardi there,
Friends and relations of the dead,--and he,
A loveless man, accepted torpidly
The consolation that he wanted not;
Awe in the place of grief within him wrought.
Their whispers made the solemn silence seem
More still--some wept,...
Some melted into tears without a sob,
And some with hearts that might be heard to throb
Leaned on the table and at intervals
Shuddered to hear through the deserted halls
And corridors the thrilling shrieks which came
Upon the breeze of night, that shook the flame
Of every torch and taper as it swept
From out the chamber where the women kept;--
Their tears fell on the dear companion cold
Of pleasures now departed; then was knolled
The bell of death, and soon the priests arrived,
And finding Death their penitent had shrived,
Returned like ravens from a corpse whereon
A vulture has just feasted to the bone.
And then the mourning women came.--

...

THE DIRGE.
Old winter was gone
In his weakness back to the mountains hoar,
And the spring came down
From the planet that hovers upon the shore

Where the sea of sunlight encroaches
On the limits of wintry night;--
If the land, and the air, and the sea,
Rejoice not when spring approaches,
We did not rejoice in thee,
Ginevra!

She is still, she is cold
On the bridal couch,
One step to the white deathbed,
And one to the bier,
And one to the charnel--and one, oh where?
The dark arrow fled
In the noon.

Ere the sun through heaven once more has rolled,
The rats in her heart
Will have made their nest,
And the worms be alive in her golden hair,
While the Spirit that guides the sun,
Sits throned in his flaming chair,
She shall sleep.

poem by Percy Bysshe Shelley
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Open Book's Monologue Part 5: Welcome To The Library!

Welcome to the library! come one come all
Welcome to the library! come with your brethren on this wall
Welcome to the library! come all you books tattered or new
Welcome to the library! come tired and overdue

Yes welcome to the library the place where you're most mundane
Yes welcome to the library the place where you're to endure most pain
Yes welcome to the library where you'll sit unwanted
Yes welcome to the library where you'll sit haunted
Yes welcome to the library where everyone's just like you
Yes welcome to the library where we're all books too!
Yes welcome to the library where you can take comfort
Yes welcome to the library where In the fact you're no longer unique
Yes welcome to the library You're just pen marks ink

Departing the library? I think not, even if you get out we'll bring you back
Departing the library? Here you rot, but we'll dust you to ease your passing
Departing the library? Don't make me laugh, here you're black and white
Departing the library? Nobody argues on your behalf, look more amassing

Welcome to the library! A place of keeping and safety
Welcome to the library! Take your place you'll like it, just wait and see
Welcome to the library! New books don't mind the old they're disillusioned
Welcome to the library! You've sold your soul... but it's too late for you

so WELCOME

poem by David Knox
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Stanzas

How often we forget all time, when lone
Admiring Nature's universal throne;
Her woods- her wilds- her mountains- the intense
Reply of HERS to OUR intelligence! [BYRON, The Island.]

I

In youth have I known one with whom the Earth
In secret communing held- as he with it,
In daylight, and in beauty from his birth:
Whose fervid, flickering torch of life was lit
From the sun and stars, whence he had drawn forth
A passionate light- such for his spirit was fit-
And yet that spirit knew not, in the hour
Of its own fervor what had o'er it power.

II

Perhaps it may be that my mind is wrought
To a fever by the moonbeam that hangs o'er,
But I will half believe that wild light fraught
With more of sovereignty than ancient lore
Hath ever told- or is it of a thought
The unembodied essence, and no more,
That with a quickening spell doth o'er us pass
As dew of the night-time o'er the summer grass?

III

Doth o'er us pass, when, as th' expanding eye
To the loved object- so the tear to the lid
Will start, which lately slept in apathy?
And yet it need not be- (that object) hid
From us in life- but common- which doth lie
Each hour before us- but then only, bid
With a strange sound, as of a harp-string broken,
To awake us- 'Tis a symbol and a token

IV

Of what in other worlds shall be- and given
In beauty by our God, to those alone
Who otherwise would fall from life and Heaven
Drawn by their heart's passion, and that tone,
That high tone of the spirit which hath striven,
Tho' not with Faith- with godliness- whose throne
With desperate energy 't hath beaten down;
Wearing its own deep feeling as a crown.

poem by Edgar Allan Poe
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