All Minds Must Moulder
ALL MINDS MUST MOULDER
All minds when they start to age must moulder.
This is the price we pay for growing older,
and in the process all minds must forsake
their glory, like a mouldering wedding-cake.
Unlike a wedding-cake, though, mind improve
before age makes them moulder, and may prove
to be a greater treat, with the allure
of older vintages when they mature,
transcending taste of younger one like chateau-
bottled wines, so that the wedding gateau-
yes, even in its prime when wedding-nightly,
is put to shame, though it is less unsightly.
MArgalit Fox writes an obituary of Adrienne Rich, who died at the age of 82 in Santa Cruz on 3/27/12 ("A Poet of Unswerving Vision at the Forefront of Feminism, " NYT,3/29/12) :
Triply marginalized — as a woman, a lesbian and a Jew — Ms. Rich was concerned in her poetry, and in her many essays, with identity politics long before the term was coined.She accomplished in verse what Betty Friedan, author of "The Feminine Mystique, " did in prose. In describing the stifling minutiae that had defined women's lives for generations, both argued persuasively that women's disenfranchisement at the hands of men must end.
For Ms. Rich, the personal, the political and the poetical were indissolubly linked; her body of work can be read as a series of urgent dispatches from the front. While some critics called her poetry polemical, she remained celebrated for the unflagging intensity of her vision, and for the constant formal reinvention that kept her verse — often jagged and colloquial, sometimes purposefully shocking, always controlled in tone, diction and pacing — sounding like that of few other poets….
Once mastered, poetry's formalist rigors gave Ms. Rich something to rebel against, and by her third collection, "Snapshots of a Daughter-in-Law, " published by Harper & Row, she had pretty well exploded them. That volume appeared in 1963, a watershed moment in women's letters: "The Feminine Mystique" was also published that year.
In the collection's title poem, Ms. Rich chronicles the pulverizing onus of traditional married life. It opens this way:
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time....
Your mind now, mouldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact.
3/29/12 #9722
poem by Gershon Hepner
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Related quotes
Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson
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Results Ridiculous
("Humourists have amused themselves by translating famous sonnets into free verse. A result no less ridiculous would have been obtained if somebody had re-written a passage from 'Paradise Lost' as a rondeau." --George Soule in the New Republic)
"PARADISE LOST"
Sing, Heavenly Muse, in lines that flow
More smoothly than the wandering Po,
Of man's descending from the height
Of Heaven itself, the blue, the bright,
To Hell's unutterable throe.
Of sin original and the woe
That fell upon us here below
From man's pomonic primal bite--
Sing, Heavenly Muse!
Of summer sun, of winter snow, Of future days, of long ago,
Of morning and "the shades of night,"
Of woman, "my ever new delight,"
Go to it, Muse, and put us Joe--
Sing, Heavenly Muse!
* * * * *
"THE RIME OF THE ANCIENT MARINER"
THE wedding guest sat on a stone,
He could not chose but hear
The mariner. They were there alone.
The wedding guest sat on a stone.
"I'll read you something of my own,"
Declared that mariner.
The wedding guest sat on a stone--
He could not chose but hear.
poem by Franklin P. Adams
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What is—
215
What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—
Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—
You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!
poem by Emily Dickinson
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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Sea
The Sea called--I lay on the rocks and said:
"I am come."
She mocked and showed her teeth,
Stretching out her long green arms.
"Go away!" she thundered.
"Then tell me what I am to do," I begged.
"If I leave you, you will not be silent,
But cry my name in the cities
And wistfully entreat me in the plains and forests;
All else I forsake to come to you--what must I do?"
"Never have I uttered your name," snarled the Sea.
"There is no more of me in your body
Than the little salt tears you are frightened of shedding.
What can you know of my love on your brown rock
pillow....
Come closer."
poem by Katherine Mansfield
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J.o.a.t.
There's very little I cannot do
After making up my mind to do it
"Jill of all trades" (my best virtue)
It's not my nature to say "I quit"
Lest up front I say "Aw screw it"
ROTMS
(
Dedicated to women who "Go it alone")
View poems, images and video at;
ROTMS.blogspot.com
poem by Ray Lucero
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The Gardener XXVI: What Comes From Your Willing Hands
"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
poem by Rabindranath Tagore
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Good - Better - Best
When young, in tones quite positive
I said, "The world shall see
That I can keep myself from sin;
A good man I will be."
But when I loved Miss Kate St. Clair
'Twas thus my musing ran:
"I cannot be compared with her;
I'll be a better man."
'Twas at the wedding of a friend
(He married Kate St. Clair)
That I became superlative,
For I was "best man" there.
poem by Ellis Parker Butler
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My Groupie
I read last Saturday in the
redwoods outside of Santa Cruz
and I was about 3/4's finished
when I heard a long high scream
and a quite attractive
young girl came running toward me
long gown & divine eyes of fire
and she leaped up on the stage
and screamed: "I WANT YOU!
I WANT YOU! TAKE ME! TAKE
ME!"
I told her, "look, get the hell
away from me."
but she kept tearing at my
clothing and throwing herself
at me.
"where were you," I
asked her, "when I was living
on one candy bar a day and
sending short stories to the
Atlantic Monthly?"
she grabbed my balls and almost
twisted them off. her kisses
tasted like shitsoup.
2 women jumped up on the stage
and
carried her off into the
woods.
I could still hear her screams
as I began the next poem.
mabye, I thought, I should have
taken her on stage in front
of all those eyes.
but one can never be sure
whether it's good poetry or
bad acid.
poem by Charles Bukowski
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Mi Piedra Sepulchral
I do not write for financial gain.
I write because my poetry
may produce more than a tombstone fame.
Rather than a "b" and "d",
my poetry may better preserve my name.
It also means my creative juices flow
giving me, and I hope you, a memorable glow.
"What is your poetry about?" they ask of me.
It is about what I hear, feel and see.
It is my religion, existence and philosophy.
It is spontaneous and none is fictitious.
Distilled to its essence,
I am my poetry; My poetry is me.
poem by Nile B. Norton
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Intimacy
I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.
poem by Tim Stensloff
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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling
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My Fairy
I have a fairy by my side
Which says I must not sleep,
When once in pain I loudly cried
It said "You must not weep"
If, full of mirth, I smile and grin,
It says "You must not laugh"
When once I wished to drink some gin
It said "You must not quaff".
When once a meal I wished to taste
It said "You must not bite"
When to the wars I went in haste
It said "You must not fight".
"What may I do?" at length I cried,
Tired of the painful task.
The fairy quietly replied,
And said "You must not ask".
Moral: "You mustn't."
poem by Lewis Carroll
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Revolt In The Ranks
I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.
poem by Charles Bukowski
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My Friend, The Parking Lot Attendant
—he's a dandy
—small moustache
—usually sucking on a cigar
he tends to lean into cars as he
transacts business
first time I met him, he said,
"hey! ya gonna make a
killin'?"
"maybe," I answered.
next meeting it was:
"hey, Ramrod! what's
happening?"
"very little," I told
him.
next time I had my girlfriend with me
and he just
grinned.
next time I was
alone.
"hey," he asked, "where's the young
chick?"
"I left her at home...."
"Bullshit! I'll bet she dumped
you!"
and the next time
he really leaned into the car:
"what's a guy like you doing driving a
BMW! I'll bet you inherited your
money, you didn't get this car with your
brains!"
"how'd you guess?" I
answered.
that was some weeks ago.
I haven't seen him lately.
feIlow like that, chances are he just moved on
to better
things.
poem by Charles Bukowski
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How Deep Is Your Love?
Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."
poem by Ryan Lee Morris
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There was one I met upon the road
There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.
poem by Stephen Crane
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The Wayfarer
The wayfarer,
Perceiving the pathway to truth,
Was struck with astonishment.
It was thickly grown with weeds.
"Ha," he said,
"I see that none has passed here
In a long time."
Later he saw that each weed
Was a singular knife.
"Well," he mumbled at last,
"Doubtless there are other roads."
poem by Stephen Crane
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