En.Citatepedia^®.ro

The Old Cumberland Beggar

I saw an aged Beggar in my walk;
And he was seated, by the highway side,
On a low structure of rude masonry
Built at the foot of a huge hill, that they
Who lead their horses down the steep rough road
May thence remount at ease. The aged Man
Had placed his staff across the broad smooth stone
That overlays the pile; and, from a bag
All white with flour, the dole of village dames,
He drew his scraps and fragments, one by one;
And scanned them with a fixed and serious look
Of idle computation. In the sun,
Upon the second step of that small pile,
Surrounded by those wild unpeopled hills,
He sat, and ate his food in solitude:
And ever, scattered from his palsied hand,
That, still attempting to prevent the waste,
Was baffled still, the crumbs in little showers
Fell on the ground; and the small mountain birds,
Not venturing yet to peck their destined meal,
Approached within the length of half his staff.
Him from my childhood have I known; and then
He was so old, he seems not older now;
He travels on, a solitary Man,
So helpless in appearance, that for him
The sauntering Horseman throws not with a slack
And careless hand his alms upon the ground,
But stops,--that he may safely lodge the coin
Within the old Man's hat; nor quits him so,
But still, when he has given his horse the rein,
Watches the aged Beggar with a look
Sidelong, and half-reverted. She who tends
The toll-gate, when in summer at her door
She turns her wheel, if on the road she sees
The aged beggar coming, quits her work,
And lifts the latch for him that he may pass.
The post-boy, when his rattling wheels o'ertake
The aged Beggar in the woody lane,
Shouts to him from behind; and if, thus warned,
The old man does not change his course, the boy
Turns with less noisy wheels to the roadside,
And passes gently by, without a curse
Upon his lips, or anger at his heart.
He travels on, a solitary Man;
His age has no companion. On the ground
His eyes are turned, and, as he moves along
'They' move along the ground; and, evermore,
Instead of common and habitual sight
Of fields with rural works, of hill and dale,
And the blue sky, one little span of earth
Is all his prospect. Thus, from day to day,
Bow-bent, his eyes for ever on the ground,
He plies his weary journey; seeing still,
And seldom knowing that he sees, some straw,
Some scattered leaf, or marks which, in one track,
The nails of cart or chariot-wheel have left
Impressed on the white road,--in the same line,
At distance still the same. Poor Traveller!
His staff trails with him; scarcely do his feet
Disturb the summer dust; he is so still
In look and motion, that the cottage curs,
Ere he has passed the door, will turn away,
Weary of barking at him. Boys and girls,
The vacant and the busy, maids and youths,
And urchins newly breeched--all pass him by:
Him even the slow-paced waggon leaves behind.
But deem not this Man useless.--Statesmen! ye
Who are so restless in your wisdom, ye
Who have a broom still ready in your hands
To rid the world of nuisances; ye proud,
Heart-swoln, while in your pride ye contemplate
Your talents, power, or wisdom, deem him not
A burthen of the earth! 'Tis Nature's law
That none, the meanest of created things,
Or forms created the most vile and brute,
The dullest or most noxious, should exist
Divorced from good--a spirit and pulse of good,
A life and soul, to every mode of being
Inseparably linked. Then be assured
That least of all can aught--that ever owned
The heaven-regarding eye and front sublime
Which man is born to--sink, howe'er depressed,
So low as to be scorned without a sin;
Without offence to God cast out of view;
Like the dry remnant of a garden-flower
Whose seeds are shed, or as an implement
Worn out and worthless. While from door to door,
This old Man creeps, the villagers in him
Behold a record which together binds
Past deeds and offices of charity,
Else unremembered, and so keeps alive
The kindly mood in hearts which lapse of years,
And that half-wisdom half-experience gives,
Make slow to feel, and by sure steps resign
To selfishness and cold oblivious cares.
Among the farms and solitary huts,
Hamlets and thinly-scattered villages,
Where'er the aged Beggar takes his rounds,
The mild necessity of use compels
To acts of love; and habit does the work 0
Of reason; yet prepares that after-joy
Which reason cherishes. And thus the soul,
By that sweet taste of pleasure unpursued,
Doth find herself insensibly disposed
To virtue and true goodness.
Some there are,
By their good works exalted, lofty minds
And meditative, authors of delight
And happiness, which to the end of time
Will live, and spread, and kindle: even such minds
In childhood, from this solitary Being,
Or from like wanderer, haply have received
(A thing more precious far than all that books
Or the solicitudes of love can do!)
That first mild touch of sympathy and thought,
In which they found their kindred with a world
Where want and sorrow were. The easy man
Who sits at his own door,--and, like the pear
That overhangs his head from the green wall,
Feeds in the sunshine; the robust and young,
The prosperous and unthinking, they who live
Sheltered, and flourish in a little grove
Of their own kindred;--all behold in him
A silent monitor, which on their minds
Must needs impress a transitory thought
Of self-congratulation, to the heart
Of each recalling his peculiar boons,
His charters and exemptions; and, perchance,
Though he to no one give the fortitude
And circumspection needful to preserve
His present blessings, and to husband up
The respite of the season, he, at least,
And 'tis no vulgar service, makes them felt.
Yet further.----Many, I believe, there are
Who live a life of virtuous decency,
Men who can hear the Decalogue and feel
No self-reproach; who of the moral law
Established in the land where they abide
Are strict observers; and not negligent
In acts of love to those with whom they dwell,
Their kindred, and the children of their blood.
Praise be to such, and to their slumbers peace!
--But of the poor man ask, the abject poor;
Go, and demand of him, if there be here
In this cold abstinence from evil deeds,
And these inevitable charities,
Wherewith to satisfy the human soul?
No--man is dear to man; the poorest poor
Long for some moments in a weary life
When they can know and feel that they have been,
Themselves, the fathers and the dealers-out
Of some small blessings; have been kind to such
As needed kindness, for this single cause,
That we have all of us one human heart.
--Such pleasure is to one kind Being known,
My neighbour, when with punctual care, each week
Duly as Friday comes, though pressed herself
By her own wants, she from her store of meal
Takes one unsparing handful for the scrip
Of this old Mendicant, and, from her door
Returning with exhilarated heart,
Sits by her fire, and builds her hope in heaven.
Then let him pass, a blessing on his head!
And while in that vast solitude to which
The tide of things has borne him, he appears
To breathe and live but for himself alone,
Unblamed, uninjured, let him bear about
The good which the benignant law of Heaven
Has hung around him: and, while life is his,
Still let him prompt the unlettered villagers
To tender offices and pensive thoughts.
--Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the valleys; let his blood
Struggle with frosty air and winter snows;
And let the chartered wind that sweeps the heath
Beat his grey locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never HOUSE, misnamed of INDUSTRY,
Make him a captive!--for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures: if his eyes have now
Been doomed so long to settle upon earth
That not without some effort they behold
The countenance of the horizontal sun,
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, 'where' and 'when' he will, sit down
Beneath the trees, or on a grassy bank
Of highway side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die!

poem by William Wordsworth
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Lines Composed A Few Miles Above Tintern Abbey

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.--Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration:--feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened:--that serene and blessed mood,
In which the affections gently lead us on,--
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
If this
Be but a vain belief, yet, oh! how oft--
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart--
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all.--I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.--That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur, other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels 0
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear,--both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance--
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence--wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love--oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

poem by William Wordsworth
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I Know an Old Man Constrained to Dwell

I know an aged Man constrained to dwell
In a large house of public charity,
Where he abides, as in a Prisoner's cell,
With numbers near, alas! no company.

When he could creep about, at will, though poor
And forced to live on alms, this old Man fed
A Redbreast, one that to his cottage door
Came not, but in a lane partook his bread.

There, at the root of one particular tree,
An easy seat this worn-out Labourer found
While Robin pecked the crumbs upon his knee
Laid one by one, or scattered on the ground.

Dear intercourse was theirs, day after day;
What signs of mutual gladness when they met!
Think of their common peace, their simple play,
The parting moment and its fond regret.

Months passed in love that failed not to fulfil,
In spite of season's change, its own demand,
By fluttering pinions here and busy bill;
There by caresses from a tremulous hand.

Thus in the chosen spot a tie so strong
Was formed between the solitary pair,
That when his fate had housed him 'mid a throng
The Captive shunned all converse proffered there.

Wife, children, kindred, they were dead and gone;
But, if no evil hap his wishes crossed,
One living Stay was left, and on that one
Some recompence for all that he had lost.

Oh that the good old Man had power to prove,
By message sent through air or visible token,
That still he loves the Bird, and still must love;
That friendship lasts though fellowship is broken!

poem by William Wordsworth
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The Idiot Boy

'Tis eight o'clock,--a clear March night,
The moon is up,--the sky is blue,
The owlet, in the moonlight air,
Shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!

--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your Idiot Boy?

Scarcely a soul is out of bed;
Good Betty, put him down again;
His lips with joy they burr at you;
But, Betty! what has he to do
With stirrup, saddle, or with rein?

But Betty's bent on her intent;
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan
As if her very life would fail.

There's not a house within a mile,
No hand to help them in distress;
Old Susan lies a-bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.

And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale;
What must be done? what will betide?

And Betty from the lane has fetched
Her Pony, that is mild and good;
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.

And he is all in travelling trim,--
And, by the moonlight, Betty Foy
Has on the well-girt saddle set
(The like was never heard of yet)
Him whom she loves, her Idiot Boy.

And he must post without delay
Across the bridge and through the dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
Or she will die, old Susan Gale.

There is no need of boot or spur,
There is no need of whip or wand;
For Johnny has his holly-bough,
And with a 'hurly-burly' now
He shakes the green bough in his hand.

And Betty o'er and o'er has told
The Boy, who is her best delight,
Both what to follow, what to shun,
What do, and what to leave undone,
How turn to left, and how to right.

And Betty's most especial charge,
Was, 'Johnny! Johnny! mind that you
Come home again, nor stop at all,--
Come home again, whate'er befall,
My Johnny, do, I pray you do.'

To this did Johnny answer make,
Both with his head and with his hand,
And proudly shook the bridle too;
And then! his words were not a few,
Which Betty well could understand.

And now that Johnny is just going,
Though Betty's in a mighty flurry,
She gently pats the Pony's side,
On which her Idiot Boy must ride,
And seems no longer in a hurry.

But when the Pony moved his legs,
Oh! then for the poor Idiot Boy!
For joy he cannot hold the bridle,
For joy his head and heels are idle,
He's idle all for very joy.

And while the Pony moves his legs,
In Johnny's left hand you may see
The green bough motionless and dead:
The Moon that shines above his head
Is not more still and mute than he.

His heart it was so full of glee,
That till full fifty yards were gone,
He quite forgot his holly whip,
And all his skill in horsemanship:
Oh! happy, happy, happy John.

And while the Mother, at the door,
Stands fixed, her face with joy o'erflows,
Proud of herself, and proud of him,
She sees him in his travelling trim,
How quietly her Johnny goes.

The silence of her Idiot Boy,
What hopes it sends to Betty's heart!
He's at the guide-post--he turns right;
She watches till he's out of sight,
And Betty will not then depart.

Burr, burr--now Johnny's lips they burr,
As loud as any mill, or near it;
Meek as a lamb the Pony moves,
And Johnny makes the noise he loves, 0
And Betty listens, glad to hear it.

Away she hies to Susan Gale:
Her Messenger's in merry tune;
The owlets hoot, the owlets curr,
And Johnny's lips they burr, burr, burr,
As on he goes beneath the moon.

His steed and he right well agree;
For of this Pony there's a rumour,
That, should he lose his eyes and ears,
And should he live a thousand years,
He never will be out of humour.

But then he is a horse that thinks!
And when he thinks, his pace is slack;
Now, though he knows poor Johnny well,
Yet, for his life, he cannot tell
What he has got upon his back.

So through the moonlight lanes they go,
And far into the moonlight dale,
And by the church, and o'er the down,
To bring a Doctor from the town,
To comfort poor old Susan Gale.

And Betty, now at Susan's side,
Is in the middle of her story,
What speedy help her Boy will bring,
With many a most diverting thing,
Of Johnny's wit, and Johnny's glory.

And Betty, still at Susan's side,
By this time is not quite so flurried:
Demure with porringer and plate
She sits, as if in Susan's fate
Her life and soul were buried.

But Betty, poor good woman! she,
You plainly in her face may read it,
Could lend out of that moment's store
Five years of happiness or more
To any that might need it.

But yet I guess that now and then
With Betty all was not so well;
And to the road she turns her ears,
And thence full many a sound she hears,
Which she to Susan will not tell.

Poor Susan moans, poor Susan groans;
'As sure as there's a moon in heaven,'
Cries Betty, 'he'll be back again;
They'll both be here--'tis almost ten--
Both will be here before eleven.'

Poor Susan moans, poor Susan groans;
The clock gives warning for eleven;
'Tis on the stroke--'He must be near,'
Quoth Betty, 'and will soon be here,
As sure as there's a moon in heaven.'

The clock is on the stroke of twelve,
And Johnny is not yet in sight:
--The Moon's in heaven, as Betty sees,
But Betty is not quite at ease;
And Susan has a dreadful night.

And Betty, half an hour ago,
On Johnny vile reflections cast:
'A little idle sauntering Thing!'
With other names, an endless string;
But now that time is gone and past.

And Betty's drooping at the heart,
That happy time all past and gone,
'How can it be he is so late?
The Doctor, he has made him wait;
Susan! they'll both be here anon.'

And Susan's growing worse and worse,
And Betty's in a sad 'quandary';
And then there's nobody to say
If she must go, or she must stay!
--She's in a sad 'quandary'.

The clock is on the stroke of one;
But neither Doctor nor his Guide
Appears along the moonlight road;
There's neither horse nor man abroad,
And Betty's still at Susan's side.

And Susan now begins to fear
Of sad mischances not a few,
That Johnny may perhaps be drowned;
Or lost, perhaps, and never found;
Which they must both for ever rue.

She prefaced half a hint of this
With, 'God forbid it should be true!'
At the first word that Susan said
Cried Betty, rising from the bed,
'Susan, I'd gladly stay with you.

'I must be gone, I must away:
Consider, Johnny's but half-wise;
Susan, we must take care of him,
If he is hurt in life or limb'--
'Oh God forbid!' poor Susan cries.

'What can I do?' says Betty, going,
'What can I do to ease your pain?
Good Susan tell me, and I'll stay;
I fear you're in a dreadful way,
But I shall soon be back again.'

'Nay, Betty, go! good Betty, go!
There's nothing that can ease my pain,'
Then off she hies, but with a prayer
That God poor Susan's life would spare, 0
Till she comes back again.

So, through the moonlight lane she goes,
And far into the moonlight dale;
And how she ran, and how she walked,
And all that to herself she talked,
Would surely be a tedious tale.

In high and low, above, below,
In great and small, in round and square,
In tree and tower was Johnny seen,
In bush and brake, in black and green;
'Twas Johnny, Johnny, every where.

And while she crossed the bridge, there came
A thought with which her heart is sore--
Johnny perhaps his horse forsook,
To hunt the moon within the brook,
And never will be heard of more.

Now is she high upon the down,
Alone amid a prospect wide;
There's neither Johnny nor his Horse
Among the fern or in the gorse;
There's neither Doctor nor his Guide.

'O saints! what is become of him?
Perhaps he's climbed into an oak,
Where he will stay till he is dead;
Or, sadly he has been misled,
And joined the wandering gipsy-folk.

'Or him that wicked Pony's carried
To the dark cave, the goblin's hall;
Or in the castle he's pursuing
Among the ghosts his own undoing;
Or playing with the waterfall.'

At poor old Susan then she railed,
While to the town she posts away;
'If Susan had not been so ill,
Alas! I should have had him still,
My Johnny, till my dying day.'

Poor Betty, in this sad distemper,
The Doctor's self could hardly spare:
Unworthy things she talked, and wild;
Even he, of cattle the most mild,
The Pony had his share.

But now she's fairly in the town,
And to the Doctor's door she hies;
'Tis silence all on every side;
The town so long, the town so wide,
Is silent as the skies.

And now she's at the Doctor's door,
She lifts the knocker, rap, rap, rap;
The Doctor at the casement shows
His glimmering eyes that peep and doze!
And one hand rubs his old night-cap.

'O Doctor! Doctor! where's my Johnny?'
'I'm here, what is't you want with me?'
'O Sir! you know I'm Betty Foy,
And I have lost my poor dear Boy,
You know him--him you often see;

'He's not so wise as some folks be:'
'The devil take his wisdom!' said
The Doctor, looking somewhat grim,
'What, Woman! should I know of him?'
And, grumbling, he went back to bed!

'O woe is me! O woe is me!
Here will I die, here will I die;
I thought to find my lost one here,
But he is neither far nor near,
Oh! what a wretched Mother I!'

She stops, she stands, she looks about;
Which way to turn she cannot tell.
Poor Betty! it would ease her pain
If she had heart to knock again;
--The clock strikes three--a dismal knell!

Then up along the town she hies,
No wonder if her senses fail;
This piteous news so much it shocked her,
She quite forgot to send the Doctor,
To comfort poor old Susan Gale.

And now she's high upon the down,
And she can see a mile of road:
'O cruel! I'm almost threescore;
Such night as this was ne'er before,
There's not a single soul abroad.'

She listens, but she cannot hear
The foot of horse, the voice of man;
The streams with softest sound are flowing,
The grass you almost hear it growing,
You hear it now, if e'er you can.

The owlets through the long blue night
Are shouting to each other still:
Fond lovers! yet not quite hob nob,
They lengthen out the tremulous sob,
That echoes far from hill to hill.

Poor Betty now has lost all hope,
Her thoughts are bent on deadly sin,
A green-grown pond she just has past,
And from the brink she hurries fast,
Lest she should drown herself therein.

And now she sits her down and weeps;
Such tears she never shed before;
'Oh dear, dear Pony! my sweet joy!
Oh carry back my Idiot Boy! 0
And we will ne'er o'erload thee more.'

A thought is come into her head:
The Pony he is mild and good,
And we have always used him well;
Perhaps he's gone along the dell,
And carried Johnny to the wood.

Then up she springs as if on wings;
She thinks no more of deadly sin;
If Betty fifty ponds should see,
The last of all her thoughts would be
To drown herself therein.

O Reader! now that I might tell
What Johnny and his Horse are doing
What they've been doing all this time,
Oh could I put it into rhyme,
A most delightful tale pursuing!

Perhaps, and no unlikely thought!
He with his Pony now doth roam
The cliffs and peaks so high that are,
To lay his hands upon a star,
And in his pocket bring it home.

Perhaps he's turned himself about,
His face unto his horse's tail,
And, still and mute, in wonder lost,
All silent as a horseman-ghost,
He travels slowly down the vale.

And now, perhaps, is hunting sheep,
A fierce and dreadful hunter he;
Yon valley, now so trim and green,
In five months' time, should he be seen,
A desert wilderness will be!

Perhaps, with head and heels on fire,
And like the very soul of evil,
He's galloping away, away,
And so will gallop on for aye,
The bane of all that dread the devil!

I to the Muses have been bound
These fourteen years, by strong indentures:
O gentle Muses! let me tell
But half of what to him befell;
He surely met with strange adventures.

O gentle Muses! is this kind?
Why will ye thus my suit repel?
Why of your further aid bereave me?
And can ye thus unfriended leave me
Ye Muses! whom I love so well?

Who's yon, that, near the waterfall,
Which thunders down with headlong force,
Beneath the moon, yet shining fair,
As careless as if nothing were,
Sits upright on a feeding horse?

Unto his horse--there feeding free,
He seems, I think, the rein to give;
Of moon or stars he takes no heed;
Of such we in romances read:
--'Tis Johnny! Johnny! as I live.

And that's the very Pony, too!
Where is she, where is Betty Foy?
She hardly can sustain her fears;
The roaring waterfall she hears,
And cannot find her Idiot Boy.

Your Pony's worth his weight in gold:
Then calm your terrors, Betty Foy!
She's coming from among the trees,
And now all full in view she sees
Him whom she loves, her Idiot Boy.

And Betty sees the Pony too:
Why stand you thus, good Betty Foy?
It is no goblin, 'tis no ghost,
'Tis he whom you so long have lost,
He whom you love, your Idiot Boy.

She looks again--her arms are up--
She screams--she cannot move for joy;
She darts, as with a torrent's force,
She almost has o'erturned the Horse,
And fast she holds her Idiot Boy.

And Johnny burrs, and laughs aloud;
Whether in cunning or in joy
I cannot tell; but while he laughs,
Betty a drunken pleasure quaffs
To hear again her Idiot Boy.

And now she's at the Pony's tail,
And now is at the Pony's head,--
On that side now, and now on this;
And, almost stifled with her bliss,
A few sad tears does Betty shed.

She kisses o'er and o'er again
Him whom she loves, her Idiot Boy;
She's happy here, is happy there,
She is uneasy every where;
Her limbs are all alive with joy.

She pats the Pony, where or when
She knows not, happy Betty Foy!
The little Pony glad may be,
But he is milder far than she,
You hardly can perceive his joy.

'Oh! Johnny, never mind the Doctor;
You've done your best, and that is all:'
She took the reins, when this was said,
And gently turned the Pony's head 0
From the loud waterfall.

By this the stars were almost gone,
The moon was setting on the hill,
So pale you scarcely looked at her:
The little birds began to stir,
Though yet their tongues were still.

The Pony, Betty, and her Boy,
Wind slowly through the woody dale;
And who is she, betimes abroad,
That hobbles up the steep rough road?
Who is it, but old Susan Gale?

Long time lay Susan lost in thought;
And many dreadful fears beset her,
Both for her Messenger and Nurse;
And, as her mind grew worse and worse,
Her body--it grew better.

She turned, she tossed herself in bed,
On all sides doubts and terrors met her;
Point after point did she discuss;
And, while her mind was fighting thus,
Her body still grew better.

'Alas! what is become of them?
These fears can never be endured;
I'll to the wood.'--The word scarce said,
Did Susan rise up from her bed,
As if by magic cured.

Away she goes up hill and down,
And to the wood at length is come;
She spies her Friends, she shouts a greeting;
Oh me! it is a merry meeting
As ever was in Christendom.

The owls have hardly sung their last,
While our four travellers homeward wend;
The owls have hooted all night long,
And with the owls began my song,
And with the owls must end.

For while they all were travelling home,
Cried Betty, 'Tell us, Johnny, do,
Where all this long night you have been,
What you have heard, what you have seen:
And, Johnny, mind you tell us true.'

Now Johnny all night long had heard
The owls in tuneful concert strive;
No doubt too he the moon had seen;
For in the moonlight he had been
From eight o'clock till five.

And thus, to Betty's question, he
Made answer, like a traveller bold,
(His very words I give to you,)
'The cocks did crow to-whoo, to-whoo,
And the sun did shine so cold!'
--Thus answered Johnny in his glory,
And that was all his travel's story,

poem by William Wordsworth
Submitted by Poetry Lover
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The Thorn

I

'There is a Thorn--it looks so old,
In truth, you'd find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.

II

'Like rock or stone, it is o'ergrown,
With lichens to the very top,
And hung with heavy tufts of moss,
A melancholy crop:
Up from the earth these mosses creep,
And this poor Thorn they clasp it round
So close, you'd say that they are bent
With plain and manifest intent
To drag it to the ground;
And all have joined in one endeavour
To bury this poor Thorn for ever.

III

'High on a mountain's highest ridge,
Where oft the stormy winter gale
Cuts like a scythe, while through the clouds
It sweeps from vale to vale;
Not five yards from the mountain path,
This Thorn you on your left espy;
And to the left, three yards beyond,
You see a little muddy pond
Of water--never dry
Though but of compass small, and bare
To thirsty suns and parching air.

IV

'And, close beside this aged Thorn,
There is a fresh and lovely sight,
A beauteous heap, a hill of moss,
Just half a foot in height.
All lovely colours there you see,
All colours that were ever seen;
And mossy network too is there,
As if by hand of lady fair
The work had woven been;
And cups, the darlings of the eye,
So deep is their vermilion dye.

V

'Ah me! what lovely tints are there
Of olive green and scarlet bright,
In spikes, in branches, and in stars,
Green, red, and pearly white!
This heap of earth o'ergrown with moss,
Which close beside the Thorn you see,
So fresh in all its beauteous dyes,
Is like an infant's grave in size,
As like as like can be:
But never, never any where,
An infant's grave was half so fair.

VI

'Now would you see this aged Thorn,
This pond, and beauteous hill of moss,
You must take care and choose your time
The mountain when to cross.
For oft there sits between the heap
So like an infant's grave in size,
And that same pond of which I spoke,
A Woman in a scarlet cloak,
And to herself she cries,
'Oh misery! oh misery!
Oh woe is me! oh misery!'

VII

'At all times of the day and night
This wretched Woman thither goes;
And she is known to every star,
And every wind that blows;
And there, beside the Thorn, she sits
When the blue daylight's in the skies,
And when the whirlwind's on the hill,
Or frosty air is keen and still,
And to herself she cries,
'Oh misery! oh misery!
Oh woe is me! oh misery!''

VIII

'Now wherefore, thus, by day and night,
In rain, in tempest, and in snow,
Thus to the dreary mountain-top
Does this poor Woman go?
And why sits she beside the Thorn
When the blue daylight's in the sky
Or when the whirlwind's on the hill,
Or frosty air is keen and still,
And wherefore does she cry?--
O wherefore? wherefore? tell me why
Does she repeat that doleful cry?'

IX

'I cannot tell; I wish I could;
For the true reason no one knows:
But would you gladly view the spot,
The spot to which she goes;
The hillock like an infant's grave,
The pond--and Thorn, so old and grey;
Pass by her door--'tis seldom shut--
And, if you see her in her hut--
Then to the spot away!
I never heard of such as dare
Approach the spot when she is there.'

X

'But wherefore to the mountain-top
Can this unhappy Woman go?
Whatever star is in the skies,
Whatever wind may blow?'
'Full twenty years are past and gone
Since she (her name is Martha Ray)
Gave with a maiden's true good-will
Her company to Stephen Hill;
And she was blithe and gay,
While friends and kindred all approved
Of him whom tenderly she loved.

XI

'And they had fixed the wedding day,
The morning that must wed them both;
But Stephen to another Maid
Had sworn another oath;
And, with this other Maid, to church
Unthinking Stephen went--
Poor Martha! on that woeful day
A pang of pitiless dismay
Into her soul was sent;
A fire was kindled in her breast,
Which might not burn itself to rest.

XII

'They say, full six months after this,
While yet the summer leaves were green,
She to the mountain-top would go,
And there was often seen.
What could she seek?--or wish to hide?
Her state to any eye was plain;
She was with child, and she was mad;
Yet often was she sober sad
From her exceeding pain.
O guilty Father--would that death
Had saved him from that breach of faith!

XIII

Sad case for such a brain to hold
Communion with a stirring child!
Sad case, as you may think, for one
Who had a brain so wild!
Last Christmas-eve we talked of this,
And grey-haired Wilfred of the glen
Held that the unborn infant wrought
About its mother's heart, and brought
Her senses back again:
And, when at last her time drew near,
Her looks were calm, her senses clear.

XIV

'More know I not, I wish I did,
And it should all be told to you;
For what became of this poor child
No mortal ever knew;
Nay--if a child to her was born
No earthly tongue could ever tell;
And if 'twas born alive or dead,
Far less could this with proof be said;
But some remember well,
That Martha Ray about this time
Would up the mountain often climb.

XV

'And all that winter, when at night
The wind blew from the mountain-peak,
'Twas worth your while, though in the dark,
The churchyard path to seek:
For many a time and oft were heard
Cries coming from the mountain head:
Some plainly living voices were;
And others, I've heard many swear,
Were voices of the dead:
I cannot think, whate'er they say,
They had to do with Martha Ray.

XVI

'But that she goes to this old Thorn,
The Thorn which I described to you,
And there sits in a scarlet cloak
I will be sworn is true.
For one day with my telescope,
To view the ocean wide and bright,
When to this country first I came,
Ere I had heard of Martha's name,
I climbed the mountain's height:--
A storm came on, and I could see
No object higher than my knee.

XVII

''Twas mist and rain, and storm and rain:
No screen, no fence could I discover;
And then the wind! in sooth, it was
A wind full ten times over.
I looked around, I thought I saw
A jutting crag,--and off I ran,
Head-foremost, through the driving rain,
The shelter of the crag to gain;
And, as I am a man,
Instead of jutting crag, I found
A Woman seated on the ground.

XVIII

'I did not speak--I saw her face;
Her face!--it was enough for me;
I turned about and heard her cry,
'Oh misery! oh misery!'
And there she sits, until the moon
Through half the clear blue sky will go;
And, when the little breezes make
The waters of the pond to shake,
As all the country know,
She shudders, and you hear her cry,
'Oh misery! oh misery!''

XIX

'But what's the Thorn? and what the pond?
And what the hill of moss to her?
And what the creeping breeze that comes
The little pond to stir?'
'I cannot tell; but some will say
She hanged her baby on the tree;
Some say she drowned it in the pond,
Which is a little step beyond:
But all and each agree,
The little Babe was buried there,
Beneath that hill of moss so fair.

XX

'I've heard, the moss is spotted red
With drops of that poor infant's blood;
But kill a new-born infant thus,
I do not think she could!
Some say, if to the pond you go,
And fix on it a steady view,
The shadow of a babe you trace,
A baby and a baby's face,
And that it looks at you;
Whene'er you look on it, 'tis plain
The baby looks at you again.

XXI

'And some had sworn an oath that she
Should be to public justice brought;
And for the little infant's bones
With spades they would have sought.
But instantly the hill of moss
Before their eyes began to stir!
And, for full fifty yards around,
The grass--it shook upon the ground!
Yet all do still aver
The little Babe lies buried there,
Beneath that hill of moss so fair.

XXII

'I cannot tell how this may be,
But plain it is the Thorn is bound
With heavy tufts of moss that strive
To drag it to the ground;
And this I know, full many a time,
When she was on the mountain high,
By day, and in the silent night,
When all the stars shone clear and bright,
That I have heard her cry,
'Oh misery! oh misery!
Oh woe is me! oh misery!''

poem by William Wordsworth
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On The Downs

A faint sea without wind or sun;
A sky like flameless vapour dun;
A valley like an unsealed grave
That no man cares to weep upon,
Bare, without boon to crave,
Or flower to save.

And on the lip's edge of the down,
Here where the bent-grass burns to brown
In the dry sea-wind, and the heath
Crawls to the cliff-side and looks down,
I watch, and hear beneath
The low tide breathe.

Along the long lines of the cliff,
Down the flat sea-line without skiff
Or sail or back-blown fume for mark,
Through wind-worn heads of heath and stiff
Stems blossomless and stark
With dry sprays dark,

I send mine eyes out as for news
Of comfort that all these refuse,
Tidings of light or living air
From windward where the low clouds muse
And the sea blind and bare
Seems full of care.

So is it now as it was then,
And as men have been such are men.
There as I stood I seem to stand,
Here sitting chambered, and again
Feel spread on either hand
Sky, sea, and land.

As a queen taken and stripped and bound
Sat earth, discoloured and discrowned;
As a king's palace empty and dead
The sky was, without light or sound;
And on the summer's head
Were ashes shed.

Scarce wind enough was on the sea,
Scarce hope enough there moved in me,
To sow with live blown flowers of white
The green plain's sad serenity,
Or with stray thoughts of light
Touch my soul's sight.

By footless ways and sterile went
My thought unsatisfied, and bent
With blank unspeculative eyes
On the untracked sands of discontent
Where, watched of helpless skies,
Life hopeless lies.

East and west went my soul to find
Light, and the world was bare and blind
And the soil herbless where she trod
And saw men laughing scourge mankind,
Unsmitten by the rod
Of any God.

Out of time's blind old eyes were shed
Tears that were mortal, and left dead
The heart and spirit of the years,
And on mans fallen and helmless head
Time's disanointing tears
Fell cold as fears.

Hope flowering had but strength to bear
The fruitless fruitage of despair;
Grief trod the grapes of joy for wine,
Whereof love drinking unaware
Died as one undivine
And made no sign.

And soul and body dwelt apart;
And weary wisdom without heart
Stared on the dead round heaven and sighed,
'Is death too hollow as thou art,
Or as man's living pride?'
And saying so died.

And my soul heard the songs and groans
That are about and under thrones,
And felt through all time's murmur thrill
Fate's old imperious semitones
That made of good and ill
One same tune still.

Then 'Where is God? and where is aid?
Or what good end of these?' she said;
'Is there no God or end at all,
Nor reason with unreason weighed,
Nor force to disenthral
Weak feet that fall?

'No light to lighten and no rod
To chasten men? Is there no God?'
So girt with anguish, iron-zoned,
Went my soul weeping as she trod
Between the men enthroned
And men that groaned.

O fool, that for brute cries of wrong
Heard not the grey glad mother's song
Ring response from the hills and waves,
But heard harsh noises all day long
Of spirits that were slaves
And dwelt in graves.

The wise word of the secret earth
Who knows what life and death are worth,
And how no help and no control
Can speed or stay things come to birth,
Nor all worlds' wheels that roll
Crush one born soul.

With all her tongues of life and death,
With all her bloom and blood and breath,
From all years dead and all things done,
In the ear of man the mother saith,
'There is no God, O son,
If thou be none.'

So my soul sick with watching heard
That day the wonder of that word,
And as one springs out of a dream
Sprang, and the stagnant wells were stirred
Whence flows through gloom and gleam
Thought's soundless stream.

Out of pale cliff and sunburnt health,
Out of the low sea curled beneath
In the land's bending arm embayed,
Out of all lives that thought hears breathe
Life within life inlaid,
Was answer made.

A multitudinous monotone
Of dust and flower and seed and stone,
In the deep sea-rock's mid-sea sloth,
In the live water's trembling zone,
In all men love and loathe,
One God at growth.

One forceful nature uncreate
That feeds itself with death and fate,
Evil and good, and change and time,
That within all men lies at wait
Till the hour shall bid them climb
And live sublime.

For all things come by fate to flower
At their unconquerable hour,
And time brings truth, and truth makes free,
And freedom fills time's veins with power,
As, brooding on that sea,
My thought filled me.

And the sun smote the clouds and slew,
And from the sun the sea's breath blew,
And white waves laughed and turned and fled
The long green heaving sea-field through,
And on them overhead
The sky burnt red

Like a furled flag that wind sets free,
On the swift summer-coloured sea
Shook out the red lines of the light,
The live sun's standard, blown to lee
Across the live sea's white
And green delight.

And with divine triumphant awe
My spirit moved within me saw,
With burning passion of stretched eyes,
Clear as the light's own firstborn law,
In windless wastes of skies
Time's deep dawn rise.

poem by Algernon Charles Swinburne
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Lines Left upon a Seat in a Yew-tree

Nay, Traveller! rest. This lonely Yew-tree stands
Far from all human dwelling: what if here
No sparkling rivulet spread the verdant herb?
What if the bee love not these barren boughs?
Yet, if the wind breathe soft, the curling waves,
That break against the shore, shall lull thy mind
By one soft impulse saved from vacancy.
--------------------Who he was
That piled these stones and with the mossy sod
First covered, and here taught this aged Tree
With its dark arms to form a circling bower,
I well remember.--He was one who owned
No common soul. In youth by science nursed,
And led by nature into a wild scene
Of lofty hopes, he to the world went forth
A favoured Being, knowing no desire
Which genius did not hallow; 'gainst the taint
Of dissolute tongues, and jealousy, and hate,
And scorn,--against all enemies prepared,
All but neglect. The world, for so it thought,
Owed him no service; wherefore he at once
With indignation turned himself away,
And with the food of pride sustained his soul
In solitude.--Stranger! these gloomy boughs
Had charms for him; and here he loved to sit,
His only visitants a straggling sheep,
The stone-chat, or the glancing sand-piper:
And on these barren rocks, with fern and heath,
And juniper and thistle, sprinkled o'er,
Fixing his downcast eye, he many an hour
A morbid pleasure nourished, tracing here
An emblem of his own unfruitful life:
And, lifting up his head, he then would gaze
On the more distant scene,--how lovely 'tis
Thou seest,--and he would gaze till it became
Far lovelier, and his heart could not sustain
The beauty, still more beauteous! Nor, that time,
When nature had subdued him to herself,
Would he forget those Beings to whose minds,
Warm from the labours of benevolence,
The world, and human life, appeared a scene
Of kindred loveliness: then he would sigh,
Inly disturbed, to think that others felt
What he must never feel: and so, lost Man!
On visionary views would fancy feed,
Till his eye streamed with tears. In this deep vale
He died,--this seat his only monument.
If Thou be one whose heart the holy forms
Of young imagination have kept pure,
Stranger! henceforth be warned; and know that pride,
Howe'er disguised in its own majesty,
Is littleness; that he, who feels contempt
For any living thing, hath faculties
Which he has never used; that thought with him
Is in its infancy. The man whose eye
Is ever on himself doth look on one,
The least of Nature's works, one who might move
The wise man to that scorn which wisdom holds
Unlawful, ever. O be wiser, Thou!
Instructed that true knowledge leads to love;
True dignity abides with him alone
Who, in the silent hour of inward thought,
Can still suspect, and still revere himself
In lowliness of heart.

poem by William Wordsworth
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Stray Pleasures

BY their floating mill,
That lies dead and still,
Behold yon Prisoners three,
The Miller with two Dames, on the breast of the Thames!
The platform is small, but gives room for them all;
And they're dancing merrily.

From the shore come the notes
To their mill where it floats,
To their house and their mill tethered fast:
To the small wooden isle where, their work to beguile,
They from morning to even take whatever is given;--
And many a blithe day they have past.

In sight of the spires,
All alive with the fires
Of the sun going down to his rest,
In the broad open eye of the solitary sky,
They dance,--there are three, as jocund as free,
While they dance on the calm river's breast.

Man and Maidens wheel,
They themselves make the reel,
And their music's a prey which they seize;
It plays not for them,--what matter? 'tis theirs;
And if they had care, it has scattered their cares,
While they dance, crying, 'Long as ye please!'

They dance not for me,
Yet mine is their glee!
Thus pleasure is spread through the earth
In stray gifts to be claimed by whoever shall find;
Thus a rich loving-kindness, redundantly kind,
Moves all nature to gladness and mirth.

The showers of the spring
Rouse the birds, and they sing;
If the wind do but stir for his proper delight,
Each leaf, that and this, his neighbour will kiss;
Each wave, one and t' other, speeds after his brother:
They are happy, for that is their right!

poem by William Wordsworth
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The Beggars

It is the beggars who possess the earth.
Kings on their throne have but a narrow girth
Of some poor known dominion; these possess
All the unknown, and that vast happiness
Of the uncertainty of human things.
Wandering on eternal wanderings,
They know the world; and tasting but the bread
Of charity, know man; and, strangely led
By some vague, certain, and appointed hand,
Know fate; and being lonely, understand
Some little of the thing without a name
That sits by the roadside and talks with them,
When they are silent; for the soul is shy
If more than its own shadow loiter by.
They and the birds are old acquaintances,
Knowing the dawn together; theirs it is
To settle on the dusty land like crows,
The ragged vagabonds of the air; who knows
How they too shall be fed, day after day,
And surer than the birds, for are not they
The prodigal sons of God, our piteous
Aliens, outcast and accusing us?
Do they not ask of us their own, and wait,
Humbly, among the dogs about the gate,
While we are feasting? They will wait till night:
Who shall wait longer? Dim, shadowy, white,
The highway calls; they follow till it ends,
And all the way they walk among their friends,
Sun, wind, and rain, their tearful sister rain,
Their brother wind. Forest and hill and plain
Know them and are forgotten. Grey and old,
Their feet begin to linger, brown arms fold
The heavy peace of earth about their heart,
And soon, and without trouble, they depart
On the last journey. As the beggar lies,
With naked face, remembering the skies,
I think he only wonders: Shall I find
A good road still, a hayrick to my mind,
A tavern now and then upon the road?
He has been earth's guest; he goes; the old abode
Drops to the old horizon, the old way
Of yesterday and every yesterday.
We, heavy laden, miserably proud
Because our hands ache and our backs are bowed
With dusty treasures, have so much to quit:
He, nothing, nor the memory of it.
O, the one happiness, when, out of breath,
Our feet slip, and we stumble upon death!

poem by Arthur Symons
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When Our Love Is True (Sonnet Corona)

I

When all things of our love are really true
like it was on every yesterday,
and nothing at all can make it decay,
when the special thing between me and you

do not pass us by as other things do
and on every sunny day by day
we do live, cry, laugh and sometimes play
and by tomorrow you feel this way too

and still love me then just as tenderly
then I am blessed have joys in excess
when you fill me, even when I lie prone,
your loving is more then I can express
and become part, in what I want to be
in a lower hue, a much simpler tone.

II

In a lower hue, a much simpler tone
where we bring smiles to each other’s faces,
this is how we make our love our own,
where we can walk to some different places

and always as allies walk hand in hand
turning defeat to the enemy’s retreat,
making this great earth our own piece of land
as true compatriots on the busy street.

Where at times some similar thoughts and speech
comes to hand without having to compare,
without having to split as each to each,
being one in everything that we share:

you are grounded in me like a new root,
my heart is like a growing, rising shoot.

III

My heart is like a growing, rising shoot
whose tiny boughs grow true and somewhat free,
my heart is like a spreading tiny taproot
that anchors you very deeply to me.

My heart is like a small burning cheroot
that always brings you some sweet tranquillity,
my heart is like a yellow ripened fruit
on your beloved type of small tree.

My heart is like some small fishes that scoot
away to safety in the deepest sea,
where none other big predator can loot
but only you in true serenity

and I really whither in your absence;
of me you are the living essence.

IV

Of me you are the living essence
of everything that is good in me
that I experience with your presence
the joy of life with a heart kind and free

and so very subtle, so very gently
your eyes wander into my humanity
as if suddenly and just presently
you do know each single activity

before I even consciously perceive
any kind of living words and deeds
and from you I always only receive
blessings for all my tiny wants and needs,

every single day you make my heart sing,
you complete me fully in everything.

V

You complete me fully in everything
while you walk and run in my shadow,
your love is my greatest single blessing
and yet you say that love you do not know.

When from all of my life you are gone,
something essential and great is missing
and when I am single, the only one
even every single thought and feeling

is halved separately and it feels
as if my whole presence, my body
from my head right up to my heels
do not belong to me or to anybody

without you my soul is really underfed,
as if the lamp shatters, no light is shed.

VI

As if the lamp shatters, no light is shed,
if the rain falls and the rainbow is gone,
when any music instrument is dead
and you say nothing and there is none

other light, rainbow, music or any words
the look in your eye, your soft sensual touch
still then remains as tiny records
of nearness of deeds of love, to vouch

for the feelings, for the real principles
that binds us so simply unseen together
and like true reverent following disciples
of an immaterial thing we do not bother

with separating, without you I have no peace,
I do not know if love can increase

VII

I do not know if love can increase,
boundless in its integrity to lie
in every small thing between you and I
and our happy feelings never to cease

even when with time our lives decrease
still to be under a blue radiant sky
to cherish what we have, before we die
even if our lives are not lived with ease

I would wish for you to be only with me,
to struggle along in life’s tournament
even if disaster comes out of the blue,
to live your life to your heart’s full content
and I would love you with intensity
when all things of our love are really true.

poem by Gert Strydom
Submitted by Poetry Lover
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Calm After Storm

The storm hath passed;
I hear the birds rejoice; the hen,
Returned into the road again,
Her cheerful notes repeats. The sky serene
Is, in the west, upon the mountain seen:
The country smiles; bright runs the silver stream.
Each heart is cheered; on every side revive
The sounds, the labors of the busy hive.
The workman gazes at the watery sky,
As standing at the door he sings,
His work in hand; the little wife goes forth,
And in her pail the gathered rain-drops brings;
The vendor of his wares, from lane to lane,
Begins his daily cry again.
The sun returns, and with his smile illumes
The villas on the neighboring hills;
Through open terraces and balconies,
The genial light pervades the cheerful rooms;
And, on the highway, from afar are heard
The tinkling of the bells, the creaking wheels
Of waggoner, his journey who resumes.

Cheered is each heart.
Whene'er, as now, doth life appear
A thing so pleasant and so dear?
When, with such love,
Does man unto his books or work return?
Or on himself new tasks impose?
When is he less regardful of his woes?
O pleasure, born of pain!
O idle joy, and vain,
Fruit of the fear just passed, which shook
The wretch who life abhorred, yet dreaded death!
With which each neighbor held his breath,
Silent, and cold, and wan,
Affrighted sore to see
The lightnings, clouds, and winds arrayed,
To do us injury!

O Nature courteous!
These are thy boons to us,
These the delights to mortals given!
Escape from pain, best gift of heaven!
Thou scatterest sorrows with a bounteous hand;
Grief springs spontaneous;
If, by some monstrous growth, miraculous,
Pleasure at times is born of pain,
It is a precious gain!
O human race, unto the gods so dear!
Too happy, in a respite brief
From any grief!
Then only blessed,
When Death releases thee unto thy rest!

poem by Count Giacomo Leopardi
Submitted by Poetry Lover
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Highway

Justin Hayward/John Lodge
It's a long, long highway
Will this road of life lead me to someone
Who sees the world in a grain of sand
Who holds the future in the palm of their hand, aaah
No one else can see things like I do
It's a long, long highway
Looking for a home where the seed was sown
And the harvest was young
Will this road of life lead me to someone, someone
The rays of sun and the light of dawn
My inspriation since the day I was born, aaah
No one else can see things like I do
It's a long, long highway
But don't make the start on an empty heart
When you think you've begun
Let the road of life lead you to someone, someone
Nothing is serious to me
I live for what will be (listen to me)
I can always be a dreamer
So trust your heart
Don't fall apart
You'll see
At your journey's end
You will find a friend in me
It's a long, long highway
Will this road of life lead me to someone
You touched the dream that was in your eyes
You took so long only to realize oooh
No one else can love you like I do
It's a long, long highway
Looking for a home where the seed was sown
And my harvest was young
Will this road of life lead me to someone
It's a long, long highway
But don't make a start
On an empty heart
It's a long, long highway
Let this road of life lead you to someone, someone
=====================================
[email protected] (Linda Bangert),
[email protected] (Karen Koster), and
[email protected] (Caroline Kellogg Haskin)
uploaded by the kind graces of [email protected](Mike
DeZelar)

song performed by by Moody Blues
Submitted by Lucian Velea
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The Thin Line Between Love & Hate

When a person turns to wrong, is it a want to be, belong?
Part of things at any cost, at what price a life is lost
At what point do we begin, fighter spirit a will to win
But what makes a man decide, take the wrong or righteous road
Theres a thin line between love and hate
Wider divide that you can see between good and bad
Theres a grey place between black and white
But everyone does have the right to choose the path that he takes
We all like to put the blame on society these days
But what kind of good or bad a new generation brings
Sometimes take just more than that to survive be good at heart
There is evil in some of us no matter what will never change
I will hope, my soul will fly, so I will live forever
Heart will die, my soul will fly, and I will live forever
Just a few small tears between someone happy and one sad
Just a thin line drawn between being a genius or insane
At what age begin to learn of which way out we will turn
Theres a long and winding road and the trail is there to burn
Theres a thin line between love and hate
Wider divide that you can see between good and bad
Theres a grey place between black and white
But everyone does have the right to choose the path that he takes
I will hope, my soul will fly, so I will live forever
Heart will die, my soul will fly, and I will live forever
I will hope, my soul will fly, so I will live forever
Heart will die, my soul will fly, and I will live forever
The thin line between love and hate
The thin line between love and hate

song performed by by Iron Maiden
Submitted by Lucian Velea
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Speak Gently

Speak gently! -- It is better far
To rule by love, than fear --
Speak gently -- let not harsh words mar
The good we might do here!

Speak gently! -- Love doth whisper low
The vows that true hearts bind;
And gently Friendship's accents flow;
Affection's voice is kind.

Speak gently to the little child!
Its love be sure to gain;
Teach it in accents soft and mild: --
It may not long remain.

Speak gently to the young, for they
Will have enough to bear --
Pass through this life as best they may,
'T is full of anxious care!

Speak gently to the aged one,
Grieve not the care-worn heart;
The sands of life are nearly run,
Let such in peace depart!

Speak gently, kindly, to the poor;
Let no harsh tone be heard;
They have enough they must endure,
Without an unkind word!

Speak gently to the erring -- know,
They may have toiled in vain;
Perchance unkindness made them so;
Oh, win them back again!

Speak gently! -- He who gave his life
To bend man's stubborn will,
When elements were in fierce strife,
Said to them, 'Peace, be still.'

Speak gently! -- 't is a little thing
Dropped in the heart's deep well;
The good, the joy, which it may bring,
Eternity shall tell.

poem by David Bates
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The Two Graves

'Tis a bleak wild hill,--but green and bright
In the summer warmth and the mid-day light;
There's the hum of the bee and the chirp of the wren,
And the dash of the brook from the alder glen;
There's the sound of a bell from the scattered flock,
And the shade of the beech lies cool on the rock,
And fresh from the west is the free wind's breath,--
There is nothing here that speaks of death.

Far yonder, where orchards and gardens lie,
And dwellings cluster, 'tis there men die.
They are born, they die, and are buried near,
Where the populous grave-yard lightens the bier;
For strict and close are the ties that bind
In death the children of human-kind;
Yea, stricter and closer than those of life,--
'Tis a neighbourhood that knows no strife.
They are noiselessly gathered--friend and foe--
To the still and dark assemblies below:
Without a frown or a smile they meet,
Each pale and calm in his winding-sheet;
In that sullen home of peace and gloom,
Crowded, like guests in a banquet-room.

Yet there are graves in this lonely spot,
Two humble graves,--but I meet them not.
I have seen them,--eighteen years are past,
Since I found their place in the brambles last,--
The place where, fifty winters ago,
An aged man in his locks of snow,
And an aged matron, withered with years,
Were solemnly laid!--but not with tears.
For none, who sat by the light of their hearth,
Beheld their coffins covered with earth;
Their kindred were far, and their children dead,
When the funeral prayer was coldly said.

Two low green hillocks, two small gray stones,
Rose over the place that held their bones;
But the grassy hillocks are levelled again,
And the keenest eye might search in vain,
'Mong briers, and ferns, and paths of sheep,
For the spot where the aged couple sleep.

Yet well might they lay, beneath the soil
Of this lonely spot, that man of toil,
And trench the strong hard mould with the spade,
Where never before a grave was made;
For he hewed the dark old woods away,
And gave the virgin fields to the day;
And the gourd and the bean, beside his door,
Bloomed where their flowers ne'er opened before;
And the maize stood up; and the bearded rye
Bent low in the breath of an unknown sky.

'Tis said that when life is ended here,
The spirit is borne to a distant sphere;
That it visits its earthly home no more,
Nor looks on the haunts it loved before.
But why should the bodiless soul be sent
Far off, to a long, long banishment?
Talk not of the light and the living green!
It will pine for the dear familiar scene;
It will yearn, in that strange bright world, to behold
The rock and the stream it knew of old.

'Tis a cruel creed, believe it not!
Death to the good is a milder lot.
They are here,--they are here,--that harmless pair,
In the yellow sunshine and flowing air,
In the light cloud-shadows that slowly pass,
In the sounds that rise from the murmuring grass.
They sit where their humble cottage stood,
They walk by the waving edge of the wood,
And list to the long-accustomed flow
Of the brook that wets the rocks below.
Patient, and peaceful, and passionless,
As seasons on seasons swiftly press,
They watch, and wait, and linger around,
Till the day when their bodies shall leave the ground.

poem by William Cullen Bryant
Submitted by Poetry Lover
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The Beggar

Encouraged by thy word
Of promise to the poor;
Behold, a beggar, Lord,
Waits at thy mercy's door!
No hand, no heart, O Lord, but thine,
Can help or pity wants like mine.

The beggar's usual plea
Relief from men to gain,
If offered unto thee,
I know thou would'st disdain:
And pleas which move thy gracious ear,
Are such as men would scorn to hear.

I have no right to say
That though I now am poor,
Yet once there was a day
When I possessed more:
Thou know'st that from my very birth,
I've been the poorest wretch on earth.

Nor can I dare profess,
As beggars often do,
Though great is my distress,
My wants have been but few:
If thou shouldst leave my soul to starve,
It would be what I well deserve.

'Twere folly to pretend
I never begged before;
Or if thou now befriend,
I'll trouble thee no more:
Thou often hast relieved my pain,
And often I must come again.

Though crumbs are much too good
For such a dog as I;
No less than children's food
My soul can satisfy:
O do not frown and bid me go,
I must have all thou canst bestow.

poem by John Newton
Submitted by Poetry Lover
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Second Sunday After Trinity

The clouds that wrap the setting sun
When Autumn's softest gleams are ending,
Where all bright hues together run
In sweet confusion blending: -
Why, as we watch their floating wreath
Seem they the breath of life to breathe?
To Fancy's eye their motions prove
They mantle round the Sun for love.

When up some woodland dale we catch
The many-twinkling smile of ocean,
Or with pleased ear bewildered watch
His chime of restless motion;
Still as the surging waves retire
They seem to gasp with strong desire,
Such signs of love old Ocean gives,
We cannot choose but think he lives.

Wouldst thou the life of souls discern?
Nor human wisdom nor divine
Helps thee by aught beside to learn;
Love is life's only sign.
The spring of the regenerate heart,
The pulse, the glow of every part,
Is the true love of Christ our Lord,
As man embraced, as God adored.

But he, whose heart will bound to mark
The full bright burst of summer morn,
Loves too each little dewy spark,
By leaf or flow'ret worn:
Cheap forms, and common hues, 'tis true,
Through the bright shower-drop' meet his view;
The colouring may be of this earth;
The lustre comes of heavenly birth.

E'en so, who loves the Lord aright,
No soul of man can worthless find;
All will be precious in his sight,
Since Christ on all hath shined:
But chiefly Christian souls; for they,
Though worn and soiled with sinful clay,
Are yet, to eyes that see them true,
All glistening with baptismal dew.

Then marvel not, if such as bask
In purest light of innocence,
Hope against mope, in love's dear task,
Spite of all dark offence.
If they who hate the trespass most,
Yet, when all other love is lost,
Love the poor sinner, marvel not;
Christ's mark outwears the rankest blot.

No distance breaks this tie of blood;
Brothers are brothers evermore;
Nor wrong, nor wrath of deadliest mood,
That magic may o'erpower;
Oft, ere the common source be known,
The kindred drops will claim their own,
And throbbing pulses silently
Move heart towards heart by sympathy.

So it is with true Christian hearts;
Their mutual share in Jesus' blood
An everlasting bond imparts
Of holiest brotherhood:
Oh! might we all our lineage prove,
Give and forgive, do good and love,
By soft endearments in kind strife
Lightening the load of daily life.

There is much need; for not as yet
Are we in shelter or repose,
The holy house is still beset
With leaguer of stern foes;
Wild thoughts within, bad men without,
All evil spirits round about,
Are banded in unblest device,
To spoil Love's earthly paradise.

Then draw we nearer day by day,
Each to his brethren, all to God;
Let the world take us as she may,
We must not change our road;
Not wondering, though in grief, to find
The martyr's foe still keep her mind;
But fixed to hold Love's banner fast,
And by submission win at last.

poem by John Keble
Submitted by Poetry Lover
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The Farmer Of Tilsbury Vale

'TIS not for the unfeeling, the falsely refined,
The squeamish in taste, and the narrow of mind,
And the small critic wielding his delicate pen,
That I sing of old Adam, the pride of old men.

He dwells in the centre of London's wide Town;
His staff is a sceptre--his grey hairs a crown;
And his bright eyes look brighter, set off by the streak
Of the unfaded rose that still blooms on his cheek.

'Mid the dews, in the sunshine of morn,--'mid the joy
Of the fields, he collected that bloom, when a boy,
That countenance there fashioned, which, spite of a stain
That his life hath received, to the last will remain.

A Farmer he was; and his house far and near
Was the boast of the country for excellent cheer:
How oft have I heard in sweet Tilsbury Vale
Of the silver-rimmed horn whence he dealt his mild ale!

Yet Adam was far as the farthest from ruin,
His fields seemed to know what their Master was doing:
And turnips, and corn-land, and meadow, and lea,
All caught the infection--as generous as he.

Yet Adam prized little the feast and the bowl,--
The fields better suited the ease of his soul:
He strayed through the fields like an indolent wight,
The quiet of nature was Adam's delight.

For Adam was simple in thought; and the poor,
Familiar with him, made an inn of his door:
He gave them the best that he had; or, to say
What less may mislead you, they took it away.

Thus thirty smooth years did he thrive on his farm:
The Genius of plenty preserved him from harm:
At length, what to most is a season of sorrow,
His means are run out,--he must beg, or must borrow.

To the neighbours he went,--all were free with their money;
For his hive had so long been replenished with honey,
That they dreamt not of dearth;--He continued his rounds,
Knocked here--and knocked there, pounds still adding to pounds.

He paid what he could with his ill-gotten pelf,
And something, it might be, reserved for himself:
Then (what is too true) without hinting a word,
Turned his back on the country--and off like a bird.

You lift up your eyes!--but I guess that you frame
A judgment too harsh of the sin and the shame;
In him it was scarcely a business of art,
For this he did all in the 'ease' of his heart.

To London--a sad emigration I ween--
With his grey hairs he went from the brook and the green;
And there, with small wealth but his legs and his hands,
As lonely he stood as a crow on the sands.

All trades, as need was, did old Adam assume,--
Served as stable-boy, errand-boy, porter, and groom;
But nature is gracious, necessity kind,
And, in spite of the shame that may lurk in his mind,

He seems ten birthdays younger, is green and is stout;
Twice as fast as before does his blood run about;
You would say that each hair of his beard was alive,
And his fingers are busy as bees in a hive.

For he's not like an Old Man that leisurely goes
About work that he knows, in a track that he knows;
But often his mind is compelled to demur,
And you guess that the more then his body must stir.

In the throng of the town like a stranger is he,
Like one whose own country's far over the sea;
And Nature, while through the great city he hies,
Full ten times a day takes his heart by surprise.

This gives him the fancy of one that is young,
More of soul in his face than of words on his tongue;
Like a maiden of twenty he trembles and sighs,
And tears of fifteen will come into his eyes.

What's a tempest to him, or the dry parching heats?
Yet he watches the clouds that pass over the streets;
With a look of such earnestness often will stand,
You might think he'd twelve reapers at work in the Strand.

Where proud Covent-garden, in desolate hours
Of snow and hoar-frost, spreads her fruits and her flowers,
Old Adam will smile at the pains that have made
Poor winter look fine in such strange masquerade.

'Mid coaches and chariots, a waggon of straw,
Like a magnet, the heart of old Adam can draw;
With a thousand soft pictures his memory will teem,
And his hearing is touched with the sounds of a dream.

Up the Haymarket hill he oft whistles his way,
Thrusts his hands in a waggon, and smells at the hay;
He thinks of the fields he so often hath mown,
And is happy as if the rich freight were his own.

But chiefly to Smithfield he loves to repair,--
If you pass by at morning, you'll meet with him there.
The breath of the cows you may see him inhale,
And his heart all the while is in Tilsbury Vale.

Now farewell, old Adam! when low thou art laid,
May one blade of grass spring up over thy head;
And I hope that thy grave, wheresoever it be,
Will hear the wind sigh through the leaves of a tree.

poem by William Wordsworth
Submitted by Poetry Lover
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Titmarsh’s Carmen Lilliense

LILLE, Sept. 2, 1843.

My heart is weary, my peace is gone,
How shall I e'er my woes reveal?
I have no money, I lie in pawn,
A stranger in the town of Lille.

I.

With twenty pounds but three weeks since
From Paris forth did Titmarsh wheel,
I thought myself as rich a prince
As beggar poor I'm now at Lille.

Confiding in my ample means—
In troth, I was a happy chiel!
I passed the gates of Valenciennes,
I never thought to come by Lille.

I never thought my twenty pounds
Some rascal knave would dare to steal;
I gayly passed the Belgic bounds
At Quievrain, twenty miles from Lille.

To Antwerp town I hasten'd post,
And as I took my evening meal
I felt my pouch,—my purse was lost,
O Heaven! Why came I not by Lille?

I straightway called for ink and pen,
To grandmamma I made appeal;
Meanwhile a loan of guineas ten
I borrowed from a friend so leal.

I got the cash from grandmamma
(Her gentle heart my woes could feel,)
But where I went, and what I saw,
What matters? Here I am at Lille.

My heart is weary, my peace is gone,
How shall I e'er my woes reveal?
I have no cash, I lie in pawn,
A stranger in the town of Lille.

II.

To stealing I can never come,
To pawn my watch I'm too genteel,
Besides, I left my watch at home,
How could I pawn it then at Lille?

'La note,' at times the guests will say.
I turn as white as cold boil'd veal;
I turn and look another way,
I dare not ask the bill at Lille.

I dare not to the landlord say,
'Good sir, I cannot pay your bill;'
He thinks I am a Lord Anglais,
And is quite proud I stay at Lille.

He thinks I am a Lord Anglais,
Like Rothschild or Sir Robert Peel,
And so he serves me every day
The best of meat and drink in Lille.

Yet when he looks me in the face
I blush as red as cochineal;
And think did he but know my case,
How changed he'd be, my host of Lille.

My heart is weary, my peace is gone,
How shall I e'er my woes reveal?
I have no money, I lie in pawn,
A stranger in the town of Lille.

III.

The sun bursts out in furious blaze,
I perspirate from head to heel;
I'd like to hire a one-horse chaise,
How can I, without cash at Lille?

I pass in sunshine burning hot
By cafes where in beer they deal;
I think how pleasant were a pot,
A frothing pot of beer of Lille!

What is yon house with walls so thick,
All girt around with guard and grille?
O gracious gods! it makes me sick,
It is the PRISON-HOUSE of Lille!

O cursed prison strong and barred,
It does my very blood congeal!
I tremble as I pass the guard,
And quit that ugly part of Lille.

The church-door beggar whines and prays,
I turn away at his appeal
Ah, church-door beggar! go thy ways!
You're not the poorest man in Lille.

My heart is weary, my peace is gone,
How shall I e'er any woes reveal?
I have no money, I lie in pawn,
A stranger in the town of Lille.

IV.

Say, shall I to you Flemish church,
And at a Popish altar kneel?
Oh, do not leave me in the lurch,—
I'll cry, ye patron-saints of Lille!

Ye virgins dressed in satin hoops,
Ye martyrs slain for mortal weal,
Look kindly down! before you stoops
The miserablest man in Lille.

And lo! as I beheld with awe
A pictured saint (I swear 'tis real),
It smiled, and turned to grandmamma!—
It did! and I had hope in Lille!

'Twas five o'clock, and I could eat,
Although I could not pay my meal:
I hasten back into the street
Where lies my inn, the best Lille.

What see I on my table stand,—
A letter with a well-known seal?
'Tis grandmamma's! I know her hand,—
'To Mr. M. A. Titmarsh, Lille.'

I feel a choking in my throat,
I pant and stagger, faint and reel!
It is—it is—a ten-pound note,
And I'm no more in pawn at Lille!

[He goes off by the diligence that evening, and is restored to the
bosom of his happy family.]

poem by William Makepeace Thackeray
Submitted by Poetry Lover
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A Tale Of Society As It Is: From Facts, 1811

I.
She was an aged woman; and the years
Which she had numbered on her toilsome way
Had bowed her natural powers to decay.
She was an aged woman; yet the ray
Which faintly glimmered through her starting tears,
Pressed into light by silent misery,
Hath soul's imperishable energy.
She was a cripple, and incapable
To add one mite to gold-fed luxury:
And therefore did her spirit dimly feel
That poverty, the crime of tainting stain,
Would merge her in its depths, never to rise again.

II.
One only son's love had supported her.
She long had struggled with infirmity,
Lingering to human life-scenes; for to die,
When fate has spared to rend some mental tie,
Would many wish, and surely fewer dare.
But, when the tyrant's bloodhounds forced the child
For his cursed power unhallowed arms to wield--
Bend to another's will--become a thing
More senseless than the sword of battlefield--
Then did she feel keen sorrow's keenest sting;
And many years had passed ere comfort they would bring.

III.
For seven years did this poor woman live
In unparticipated solitude.
Thou mightst have seen her in the forest rude
Picking the scattered remnants of its wood.
If human, thou mightst then have learned to grieve.
The gleanings of precarious charity
Her scantiness of food did scarce supply.
The proofs of an unspeaking sorrow dwelt
Within her ghastly hollowness of eye:
Each arrow of the season's change she felt.
Yet still she groans, ere yet her race were run,
One only hope: it was—once more to see her son.

IV.
It was an eve of June, when every star
Spoke peace from Heaven to those on earth that live.
She rested on the moor. 'Twas such an eve
When first her soul began indeed to grieve:
Then he was here; now he is very far.
The sweetness of the balmy evening
A sorrow o'er her aged soul did fling,
Yet not devoid of rapture’s mingled tear:
A balm was in the poison of the sting.
This aged sufferer for many a year
Had never felt such comfort. She suppressed
A sigh--and turning round, clasped William to her breast!

V.
And, though his form was wasted by the woe
Which tyrants on their victims love to wreak,
Though his sunk eyeballs and his faded cheek
Of slavery's violence and scorn did speak,
Yet did the aged woman's bosom glow.
The vital fire seemed re-illumed within
By this sweet unexpected welcoming.
Oh, consummation of the fondest hope
That ever soared on Fancy's wildest wing!
Oh, tenderness that foundst so sweet a scope!
Prince who dost pride thee on thy mighty sway,
When THOU canst feel such love, thou shalt be great as they!

VI.
Her son, compelled, the country's foes had fought,
Had bled in battle; and the stern control
Which ruled his sinews and coerced his soul
Utterly poisoned life's unmingled bowl,
And unsubduable evils on him brought.
He was the shadow of the lusty child
Who, when the time of summer season smiled,
Did earn for her a meal of honesty,
And with affectionate discourse beguiled
The keen attacks of pain and poverty;
Till Power, as envying her this only joy,
From her maternal bosom tore the unhappy boy.

VII.
And now cold charity's unwelcome dole
Was insufficient to support the pair;
And they would perish rather than would bear
The law's stern slavery, and the insolent stare
With which law loves to rend the poor man's soul--
The bitter scorn, the spirit-sinking noise
Of heartless mirth which women, men, and boys
Wake in this scene of legal misery.
...

poem by Percy Bysshe Shelley
Submitted by Poetry Lover
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Simon Lee: The Old Huntsman

. With an incident in which he was concerned
In the sweet shire of Cardigan,
Not far from pleasant Ivor-hall,
An old Man dwells, a little man,--
'Tis said he once was tall.
For five-and-thirty years he lived
A running huntsman merry;
And still the centre of his cheek
Is red as a ripe cherry.
No man like him the horn could sound,
And hill and valley rang with glee
When Echo bandied, round and round
The halloo of Simon Lee.
In those proud days, he little cared
For husbandry or tillage;
To blither tasks did Simon rouse
The sleepers of the village.

He all the country could outrun,
Could leave both man and horse behind;
And often, ere the chase was done,
He reeled, and was stone-blind.
And still there's something in the world
At which his heart rejoices;
For when the chiming hounds are out,
He dearly loves their voices!

But, oh the heavy change!--bereft
Of health, strength, friends, and kindred, see!
Old Simon to the world is left
In liveried poverty.
His Master's dead--and no one now
Dwells in the Hall of Ivor;
Men, dogs, and horses, all are dead;
He is the sole survivor.

And he is lean and he is sick;
His body, dwindled and awry,
Rests upon ankles swoln and thick;
His legs are thin and dry.
One prop he has, and only one,
His wife, an aged woman,
Lives with him, near the waterfall,
Upon the village Common.

Beside their moss-grown hut of clay,
Not twenty paces from the door,
A scrap of land they have, but they
Are poorest of the poor.
This scrap of land he from the heath
Enclosed when he was stronger;
But what to them avails the land
Which he can till no longer?

Oft, working by her Husband's side,
Ruth does what Simon cannot do;
For she, with scanty cause for pride,
Is stouter of the two.
And, though you with your utmost skill
From labour could not wean them,
'Tis little, very little--all
That they can do between them.

Few months of life has he in store
As he to you will tell,
For still, the more he works, the more
Do his weak ankles swell.
My gentle Reader, I perceive,
How patiently you've waited,
And now I fear that you expect
Some tale will be related.

O Reader! had you in your mind
Such stores as silent thought can bring,
O gentle Reader! you would find
A tale in every thing.
What more I have to say is short,
And you must kindly take it:
It is no tale; but, should you think,
Perhaps a tale you'll make it.

One summer-day I chanced to see
This old Man doing all he could
To unearth the root of an old tree,
A stump of rotten wood.
The mattock tottered in his hand;
So vain was his endeavour,
That at the root of the old tree
He might have worked for ever.

"You're overtasked, good Simon Lee,
Give me your tool," to him I said;
And at the word right gladly he
Received my proffered aid.
I struck, and with a single blow
The tangled root I severed,
At which the poor old Man so long
And vainly had endeavoured.

The tears into his eyes were brought,
And thanks and praises seemed to run
So fast out of his heart, I thought
They never would have done.
--I've heard of hearts unkind, kind deeds
With coldness still returning;
Alas! the gratitude of men
Hath oftener left me mourning.

poem by William Wordsworth
Submitted by Poetry Lover
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