A Pastoral Ballad
Ye shepherds so cheerful and gay,
Whose flocks never carelessly roam;
Should Corydon's happen to stray,
Oh! call the poor wanderers home.
Allow me to muse and to sigh,
Nor talk of the change that ye find;
None once was so watchful as I;
I have left my dear Phillis behind.
Now I know what it is, to have strove
With the torture of doubt and desire;
What it is to admire and to love,
And to leave her we love and admire,
Ah, lead forth my flock in the morn,
And the damps of each evening repel;
Alas! I am faint and forlorn:
-I have bade my dear Phillis farewell.
Since Phillis vouchsaf'd me a look,
I never once dreamed of my vine;
May I lose both my pipe and my crook,
If I knew of a kid that was mine!
I priz'd every hour that went by,
Beyond all that had pleas'd me before;
But now they are past, and I sigh;
And I grieve that I priz'd them no more.
But why do I languish in vain;
Why wander thus pensively here?
Oh! why did I come from the plain,
Where I fed on the smiles of my dear?
They tell me, my favourite maid,
The pride of that valley, is flown;
Alas! where with her I have stray'd,
I could wander with pleasure, alone.
When forc'd the fair nymph to forgo,
What anguish I felt at my heart!
Yet I thought-but it might not be so-
'Twas with pain that she saw me depart.
She gaz'd, as I slowly withdrew:
My path I could hardly discern;
So sweetly she bade me adieu,
I thought that she bade me return.
The pilgrim that journeys all day
To visit some far distant shrine,
If he bear but a relique away,
Is happy, nor heard to repine.
Thus widely remov'd from the fair,
Where my vows, my devotion, I owe,
Soft hope is the relique I bear,
And my solace wherever I go.
poem by William Shenstone
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A Pastoral Ballad I: Absence
Arbusta humilesque myricæ. Virg.
Ye shepherds so chearful and gay,
Whose flocks never carelessly roam;
Should Corydon's happen to stray,
Oh! call the poor wanderers home.
Allow me to muse and to sigh,
Nor talk of the change that ye find;
None once was so watchful as I;
-- I have left my dear Phyllis behind.
Now I know what it is, to have strove
With the torture of doubt and desire;
What it is, to admire and to love,
And to leave her we love and admire.
Ah lead forth my flock in the morn,
And the damps of each ev'ning repel;
Alas! I am faint and forlorn:
-- I have bade my dear Phyllis farewel.
Since Phyllis vouchsaf'd me a look,
I never once dreamt of my vine;
May I lose both my pipe and my crook,
If I knew of a kid that was mine.
I priz'd every hour that went by,
Beyond all that had pleas'd me before;
But now they are past, and I sigh;
And I grieve that I priz'd them no more.
But why do I languish in vain;
Why wander thus pensively here?
Oh! why did I come from the plain,
Where I fed on the smiles of my dear?
They tell me, my favourite maid,
The pride of that valley, is flown;
Alas! where with her I have stray'd,
I could wander with pleasure, alone.
When forc'd the fair nymph to forego,
What anguish I felt at my heart!
Yet I thought -- but it might not be so --
'Twas with pain that she saw me depart.
She gaz'd, as I slowly withdrew;
My path I could hardly discern;
So sweetly she bade me adieu,
I thought that she bade me return.
The pilgrim that journeys all day
To visit some far-distant shrine,
If he bear but a relique away,
Is happy, nor heard to repine.
Thus widely remov'd from the fair,
Where my vows, my devotion, I owe,
Soft hope is the relique I bear,
And my solace wherever I go.
poem by William Shenstone
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Phillis I
My Phillis hath the morning sun
At first to look upon her;
And Phillis hath morn-waking birds
Her risings still to honour.
My Phillis hath prime-feather'd flowers,
That smile when she treads on them;
And Phillis hath a gallant flock,
That leaps since she doth own them.
But Phillis hath too hard a heart,
Alas that she should have it!
It yields no mercy to desert,
Nor grace to those that crave it.
poem by Thomas Lodge
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Phillis 01
MY Phillis hath the morning sun
At first to look upon her;
And Phillis hath morn-waking birds
Her risings still to honour.
My Phillis hath prime-feather'd flowers,
That smile when she treads on them;
And Phillis hath a gallant flock,
That leaps since she doth own them.
But Phillis hath too hard a heart,
Alas that she should have it!
It yields no mercy to desert,
Nor grace to those that crave it.
poem by Thomas Lodge
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Song Of A Scholar And His Mistress, Who, Being Crossed By Their Friends, Fell Mad For One Another; And Now First Meet In Bedlam
[Music within.]
The Lovers enter at opposite doors, each held by a keeper.
Phillis.
Look, look I see—I see my love appear!
’Tis he—’Tis he alone;
For, like him, there is none:
’Tis the dear, dear man, ’tis thee, dear.
Amyntas.
Hark! the winds war;
The foamy waves roar;
I see a ship afar:
Tossing and tossing, and making to the shore:
But what’s that I view,
So radiant of hue,
St. Hermo, St Hermo, that sits upon the sails?
Ah! No, no, no.
St. Hermo never, never shone so bright;'
'Tis Phillis, only Phillis, can shoot so fair a light;
'Tis Phillis, ’tis Phillis, that saves the ship alone,
For all the winds are hush’d, and the storm is overblown.
Phillis.
Let me go, let me run, let me fly to his arms.
Amyntas.
If all the fates combine,
And all the furies join,
I’ll force my way to Phillis, and break through the charm.
[Here they break from their keepers, run to each other, and embrace.]
Phillis.
Shall I marry the man I love?
And shall I conclude my pains?
Now bless’d be the powers above,
I feel the blood bound in my veins;
With a lively leap it began to move,
And the vapours leave my brains.
Amyntas.
Body join’d to body, and heart join’d to heart,
To make sure of the cure,
Go call the man in black, to mumble o’er his part.
Phillis.
But suppose he should stay—
Amyntas.
At worst if he delay,
'Tis a work must be done,
We’ll borrow but a day,
And the better, the sooner begun.
[They run out together hand in hand.]
poem by John Dryden
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Phillis 1
MY Phillis hath the morning sun
At first to look upon her;
And Phillis hath morn-waking birds
Her risings still to honour.
My Phillis hath prime-feather'd flowers,
That smile when she treads on them;
And Phillis hath a gallant flock,
That leaps since she doth own them.
But Phillis hath too hard a heart,
Alas that she should have it!
It yields no mercy to desert,
Nor grace to those that crave it.
poem by Thomas Lodge
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The Saddest Fate
To touch a broken lute,
To strike a jangled string,
To strive with tones forever mute
The dear old tunes to sing--
What sadder fate could any heart befall?
Alas! dear child, never to sing at all.
To sigh for pleasures flown,
To weep for withered flowers,
To count the blessings we have known,
Lost with the vanished hours--
What sadder fate could any heart befall?
Alas! dear child, ne'er to have known them at all.
To dream of love and rest,
To know the dream has past,
To bear within an aching breast
Only a void at last--
What sadder fate could any heart befall?
Alas! dear child, ne'er to have loved at all.
To trust an unknown good,
To hope, but all in vain,
Over a far-off bliss to brood,
Only to find it pain--
What sadder fate could any soul befall?
Alas! dear child, never to hope at all.
poem by Anonymous Americas
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The Beautiful Lady Of The May
I.
A quire of bright beauties in spring did appear,
To choose a May-lady to govern the year;
All the nymphs were in white, and the shepherds in green,
The garland was given, and Phillis was queen;
But Phillis refused it, and sighing did say,
I'll not wear a garland while Pan is away.
II.
While Pan and fair Syrinx are fled from our shore,
The Graces are banished, and Love is no more:
The soft god of pleasure that warmed our desires
Has broken his bow, and extinguished his fires,
And vows that himself and his mother will mourn,
Till Pan and fair Syrinx in triumph return.
III.
Forbear your addresses, and court us no more,
For we will perform what the Deity swore:
But, if you dare think of deserving our charms,
Away with your sheephooks, and take to your arms;
Then laurels and myrtles your brows shall adorn,
When Pan and his son and fair Syrinx return.
poem by John Dryden
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The Love Sonnets Of Proteus. Part III: Gods And False Gods: LXV
TO ONE WHO SPOKE ILL OF HIM
What is your quarrel with me, in love's name,
Fair queen of wrath? What evil have I done,
What treason to the thought of our dear shame
Subscribed or plotted? Is my heart less one
In its obedience to your stern decrees
Than on the day when first you said ``I please,''
And with your lips ordained our union?
Am I not now, as then, upon my knees?
You bade me love you, and the deed was done,
And when you cried ``Enough'' I stopped, and when
You bade me go I went, and when you said
``Forget me'' I forgot. Alas, what wrong
Would you avenge upon a loyal head,
Which ever bowed to you in joy and pain,
That you thus scourge me with your pitiless tongue?
poem by Wilfrid Scawen Blunt
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A Pastoral Ballad IV: Disappointment
Ye shepherds give ear to my lay,
And take no more heed of my sheep:
They have nothing to do but to stray;
I have nothing to do but to weep.
Yet do not my folly reprove;
She was fair -- and my passion begun;
She smil'd -- and I could not but love;
She is faithless -- and I am undone.
Perhaps I was void of all thought:
Perhaps it was plain to foresee,
That a nymph so compleat would be sought
By a swain more engaging than me.
Ah! love ev'ry hope can inspire;
It banishes wisdom the while;
And the lip of the nymph we admire
Seems for ever adorn'd with a smile.
She is faithless, and I am undone;
Ye that witness the woes I endure;
Let reason instruct you to shun
What it cannot instruct you to cure.
Beware how you loiter in vain
Amid nymphs of an higher degree:
It is not for me to explain
How fair, and how fickle they be.
Alas! from the day that we met,
What hope of an end to my woes?
When I cannot endure to forget
The glance that undid my repose.
Yet time may diminish the pain:
The flow'r, and the shrub, and the tree,
Which I rear'd for her pleasure in vain,
In time may have comfort for me.
The sweets of a dew-sprinkled rose,
The sound of a murmuring stream,
The peace which from solitude flows,
Henceforth shall be Corydon's theme.
High transports are shewn to the sight,
But we are not to find them our own;
Fate never bestow'd such delight,
As I with my Phyllis had known.
O ye woods, spread your branches apace;
To your deepest recesses I fly;
I would hide with the beasts of the chace;
I would vanish from every eye.
Yet my reed shall resound thro' the grove
With the same sad complaint it begun;
How she smil'd, and I could not but love;
Was faithless, and I am undone!
poem by William Shenstone
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Eclogue the Third Abra
SCENE, a forest TIME, the Evening
In Georgia's land, where Tefflis' towers are seen,
In distant view along the level green,
While evening dews enrich the glittering glade,
And the tall forests cast a longer shade,
Amidst the maids of Zagen's peaceful grove,
Emyra sung the pleasing cares of love.
Of Abra first began the tender strain,
Who led her youth with flocks upon the plain.
At morn she came those willing flocks to lead,
Where lilies rear them in the watery mead;
From early dawn the livelong hours she told,
Till late at silent ev'n she penned the fold.
Deep in the grove beneath the secret shade,
A various wreath of odorous flowers she made.
Gay-motleyed pinks and sweet jonquils she chose,
The violet-blue that on the moss-bank grows;
All-sweet to sense, the flaunting rose was there;
The finished chaplet well-adorned her hair.
Great Abbas chanced that fated morn to stray,
By love conducted from the chase away;
Among the vocal vales he heard her song,
And sought the vales and echoing groves among.
At length he found and wooed the rural maid:
She knew the monarch, and with fear obeyed.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
The royal lover bore her from the plain,
Yet still her crook and bleating flock remain:
Oft as she went, she backward turned her view,
And bade that crook and bleating flock adieu.
Fair happy maid! to other scenes remove,
To richer scenes of golden power and love!
Go leave the simple pipe and shepherd's strain,
With love delight thee, and with Abbas reign.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Yet midst the blaze of courts she fixed her love
On the cool fountain or the shady grove;
Still with the shepherd's innocence her mind
To the sweet vale and flowery mead inclined,
And oft as spring renewed the plains with flowers,
Breathed his soft gales and led the fragrant hours,
With sure return she sought the sylvan scene,
The breezy mountains and the forests green.
Her maids around her moved, a duteous band!
Each bore a crook all-rural in her hand.
Some simple lay of flocks and herds they sung;
With joy the mountain and the forest rung.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
And oft the royal lover left the care
And thorns of state, attendant on the fair:
Oft to the shades and low-roofed cots retired,
Or sought the vale where first his heart was fired;
A russet mantle, like a swain, he wore,
And thought of crowns and busy courts no more.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Blest was the life that royal Abbas led:
Sweet was his love and innocent his bed.
What if in wealth the noble maid excel;
The simple shepherd girl can love as well.
Let those who rule on Persia's jewelled throne,
Be famed for love and gentlest love alone:
Or wreathe, like Abbas, full of fair renown,
The lover's myrtle with the warrior's crown.
Oh happy days! the maids around her say,
Oh haste, profuse of blessings, haste away!
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
poem by William Taylor Collins
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The Bush Aboon Traquair
Hear me, ye nymphs, and every swain,
I'll tell how Peggy grieves me;
Though thus I languish and complain,
Alas! she ne'er believes me.
My vows and sighs, like silent air,
Unheeded, never move her;
At the bonnie Bush aboon Traquair,
'Twas there I first did love her.
That day she smiled and made me glad,
No maid seemed ever kinder;
I thought myself the luckiest lad,
So sweetly there to find her.
I tried to soothe my amorous flame,
In words that I thought tender;
If more there passed, I'm not to blame,
I meant not to offend her.
Yet now she scornful flies the plain,
The fields we then frequented;
If e'er we meet she shows disdain,
She looks as ne'er acquainted.
The bonnie bush bloomed fair in May,
Its sweets I'll aye remember;
But now her frowns make it decay,
It fades as in December.
Ye rural powers, who hear my strains,
Why thus should Peggy grieve me?
Oh, make her partner in my pains,
Then let her smiles relieve me.
If not, my love will turn despair,
My passion no more tender,
I'll leave the Bush aboon Traquair,
To lonely wilds I'll wander.
poem by Robert Crawford
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A Pastoral Ballad II: Hope
My banks they are furnish'd with bees,
Whose murmur invites one to sleep;
My grottos are shaded with trees,
And my hills are white-over with sheep.
I seldom have met with a loss,
Such health do my fountains bestow;
My fountains all border'd with moss,
Where the hare-bells and violets grow.
Not a pine in my grove is there seen,
But with tendrils of woodbine is bound:
Not a beech's more beautiful green,
But a sweet-briar entwines it around.
Not my fields, in the prime of the year,
More charms than my cattle unfold;
Not a brook that is limpid and clear,
But it glitters with fishes of gold.
One would think she might like to retire
To the bow'r I have labour'd to rear;
Not a shrub that I heard her admire,
But I hasted and planted it there.
O how sudden the jessamine strove
With the lilac to render it gay!
Already it calls for my love,
To prune the wild branches away.
From the plains, from the woodlands and groves,
What strains of wild melody flow!
How the nightingales warble their loves
From thickets of roses that blow!
And when her bright form shall appear,
Each bird shall harmoniously join
In a concert so soft and so clear,
As -- she may not be fond to resign.
I have found out a gift for my fair;
I have found where the wood-pigeons breed:
But let me that plunder forbear,
She will say 'twas a barbarous deed.
For he ne'er could be true, she aver'd,
Who could rob a poor bird of its young:
And I lov'd her the more, when I heard
Such tenderness fall from her tongue.
I have heard her with sweetness unfold
How that pity was due to -- a dove:
That it ever attended the bold;
And she call'd it the sister of love.
But her words such a pleasure convey,
So much I her accents adore,
Let her speak, and whatever she say,
Methinks I should love her the more.
Can a bosom so gentle remain
Unmov'd, when her Corydon sighs!
Will a nymph that is fond of the plain,
These plains and this valley despise?
Dear regions of silence and shade!
Soft scenes of contentment and ease!
Where I could have pleasingly stray'd,
If aught, in her absence, could please.
But where does my Phyllida stray?
And where are her grots and her bow'rs?
Are the groves and the valleys as gay,
And the shepherds as gentle as ours?
The groves may perhaps be as fair,
And the face of the valleys as fine;
The swains may in manners compare,
But their love is not equal to mine.
poem by William Shenstone
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Coridon to his Phillis
Alas my hart, mine eye hath wrongèd thee,
Presumptious eye, to gaze on Phillis face:
Whose heavenly eye no mortall man may see
But he must die, or purchase Phillis grace.
Poor Coridon, the Nimph whose eye doth moove thee,
Dooth love to draw, but is not drawne to love thee.
Her beautie, Nature's pride, and sheepheards praise,
Her eye, the heavenly Planet of my life:
Her matchlesse wit and grace, her fame displaies,
As if that love had made her for his wife.
Onely, her eyes shoote fierie darts to kill,
Yet is her hart as cold as Caucase hill.
My wings too weake to flye against the Sunne,
Mine eyes unable to sustaine her light,
My hart doth yeeld that I am quite undone,
Thus hath faire Phillis slaine me with her sight.
My bud is blasted, withred is my leafe
And all my corne is rotted in the sheafe.
Phillis, the golden fetter of my minde,
My fancie's Idoll, and my vitall power:
Goddesse of Nimphs, and honour of thy kinde,
This Age's Phoenix, Beautie's richest bower.
Poore Coridon for love of thee must die:
Thy beautie's thrall and conquest of thine eye.
Leave Coridon to plough the barren field,
Thy buds of hope are blasted with disgrace:
For Phillis' lookes no harty love doo yeeld,
Nor can she love, for all her lovely face.
Die Coridon, the spoile of Phillis' eye:
She cannot love, and therefore thou must die.
Finis.
poem by Sir Edward Dyer
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To Phillis the Faire Sheeperdesse
My Phillis hath the morninge Sunne,
at first to looke upon her:
And Phillis hath morne-waking birds,
her risinge still to honour.
My Phillis hath prime-featherd flowres,
that smile when she treads on them:
And Phillis hath a gallant flocke,
that leapes since she dooth owne them.
But Phillis hath too hard a hart,
alas, that she should have it:
It yeelds no mercie to desert,
nor grace to those that crave it.
Sweete Sunne, when thou look'st on,
pray her regard my moane!
Sweete birds, when you sing to her,
to yeeld some pitty, woo her!
Sweet flowers that she treads on,
tell her, her beauty deads one.
And if in life her love she nill agree me,
Pray her before I die, she will come see me.
Finis.
poem by Sir Edward Dyer
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One More Kiss Dear
One more kiss, dear
One more sigh
Only this, dear
Its goodbye
For our love is such pain
And such pleasure
And Ill treasure till I die
So for now, dear
Aurevoir, madame
But Im how-dye, not farewell
For in time we may have a loves glory
Our love story to tell
Just as every autumn
Leaves fall from the tree
Tumble to the ground and die
So in the springtime
Like sweet memories
They will return as will i
Like the sun, dear
Upon high
Well return, dear
To the sky
And well banish the pain and the sorrow
Until tomorrow goodbye
One more kiss, dear
One more sigh
Only this, dear
Is goodbye
For our love is such passion
And such pleasure
And Ill treasure till I die
Like the sun, dear
Upon high
Well return, dear
To the sky
And well banish the pain and the sorrow
Until tomorrow goodbye
song performed by by Vangelis
Submitted by Lucian Velea
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Elegy XXVI. Describing the Sorrow of An Ingeneous Mind
Why mourns my friend? why weeps his downcast eye,
That eye where mirth, where fancy, used to shine?
Thy cheerful meads reprove that swelling sigh;
Spring ne'er enamell'd fairer meads than thine.
Art thou not lodged in Fortune's warm embrace?
Wert thou not form'd by Nature's partial care?
Bless'd in thy song, and bless'd in every grace
That wins the friend, or that enchants the fair?
'Damon,' said he, 'thy partial praise restrain;
Not Damon's friendship can my peace restore:
Alas! his very praise awakes my pain,
And my poor wounded bosom bleeds the more.
'For, O that Nature on my birth had frown'd,
Or Fortune fix'd me to some lowly cell!
Then had my bosom 'scaped this fatal wound,
Nor had I bid these vernal sweets farewell.
'But, led by Fortune's hand, her darling child,
My youth her vain licentious bliss admired;
In Fortune's train the syren Flattery smiled,
And rashly hallow'd all her queen inspired.
'Of folly studious, even of vices vain,
Ah, vices gilded by the rich and gay!
I chased the guileless daughters of the plain,
Nor dropp'd the chase till Jessy was my prey.
'Poor artless maid! to stain thy spotless name,
Expense, and Art, and Toil united strove;
To lure a breast that felt the purest flame,
Sustain'd by Virtue, but betray'd by Love.
'School'd in the science of Love's mazy wiles,
I clothed each feature with affected scorn;
I spoke of jealous doubts, and fickle smiles,
And, feigning, left her anxious and forlorn.
'Then while the fancied rage alarm'd her care,
Warm to deny, and zealous to disprove,
I bade my words the wonted softness wear,
And seized the minute of returning love.
'To thee, my Damon, dare I paint the rest?
Will yet thy love a candid ear incline?
Assured that virtue, by misfortune press'd,
Feels not the sharpness of a pang like mine.
'Nine envious moons matured her growing shame,
Erewhile to flaunt it in the face of day,
When scorn'd of Virtue, stigmatized by Fame,
Low at my feet desponding Jessy lay.
''Henry,' she said, 'by thy dear form subdued,
See the sad relics of a nymph undone!
I find, I find this rising sob renew'd;
I sigh in shades, and sicken at the sun.
''Amid the dreary gloom of night, I cry,
When will the morn's once pleasing scenes return?
Yet what can morn's returning ray supply,
But foes that triumph, or but friends that mourn?
''Alas! no more that joyous morn appears
That led the tranquil hours of spotless fame,
For I have steep'd a father's couch in tears,
And tinged a mother's glowing cheek with shame.
''The vocal birds that raise their matin strain,
The sportive lambs, increase my pensive moan;
All seem to chase me from the cheerful plain,
And talk of truth and innocence alone.
''If through the garden's flowery tribes I stray,
Where bloom the jasmines that could once allure,
'Hope not to find delight in us,' they say,
'For we are spotless, Jessy; we are pure.'
''Ye flowers! that well reproach a nymph so frail,
Say, could you with my virgin fame compare?
The brightest bud that scents the vernal gale
Was not so fragrant; and was not so fair.
''Now the grave old alarm the gentler young,
And all my fame's abhorr'd contagion flee;
Trembles each lip, and falters every tongue,
That bids the morn propitious smile on me.
''Thus for your sake I shun each human eye,
I bid the sweets of blooming youth adieu:
To die I languish, but I dread to die,
Lest my sad fate should nourish pangs for you.
''Raise me from earth; the pains of want remove,
And let me, silent, seek some friendly shore;
There only, banish'd from the form I love,
My weeping virtue shall relapse no more.
''Be but my friend; I ask no dearer name;
Be such the meed of some more artful fair;
Nor could it heal my peace, or chase my shame,
That Pity gave what Love refused to share.
''Force not my tongue to ask its scanty bread,
Nor hurl thy Jessy to the vulgar crew;
Not such the parent's board at which I fed!
Not such the precepts from his lips I drew!
''Haply, when age has silver'd o'er my hair,
Malice may learn to scorn so mean a spoil;
Envy may slight a face no longer fair,
And Pity welcome to my native soil.'
'She spoke-nor was I born of savage race,
Nor could these hands a niggard boon assign;
Grateful she clasp'd me in a last embrace,
And vow'd to waste her life in prayers for mine.
'I saw her foot the lofty bark ascend,
I saw her breast with every passion heave;
I left her-torn from every earthly friend;
Oh, my hard bosom! which could bear to leave!
'Brief let me be: the fatal storm arose;
The billows raged, the pilot's art was vain;
O'er the tall mast the circling surges close;
My Jessy-floats upon the watery plain!
'And-see my youth's impetuous fires decay:
Seek not to stop Reflection's bitter tear;
But warn the frolic, and instruct the gay,
From Jessy floating on her watery bier.'
poem by William Shenstone
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A Greek Girl
I may not weep, not weep, and he is dead.
A weary, weary weight of tears unshed
Through the long day in my sad heart I bear;
The horrid sun with all unpitying glare
Shines down into the dreary weaving-room,
Where clangs the ceaseless clatter of the loom,
And ceaselessly deft maiden-fingers weave
The fine-wrought web; and I from morn till eve
Work with the rest, and when folk speak to me
I smile hard smiles; while still continually
The silly stream of maiden speech flows on:--
And now at length they talk of him that's gone,
Lightly lamenting that he died so soon--
Ah me! ere yet his life's sun stood at noon.
Some praise his eyes, some deem his body fair,
And some mislike the colour of his hair!
Sweet life, sweet shape, sweet eyes, and sweetest hair,
What form, what hue, save Love's own, did ye wear?
I may not weep, not weep, for very shame.
He loved me not. One summer's eve he came
To these our halls, my father's honoured guest,
And seeing me, saw not. If his lips had prest
My lips, but once, in love; his eyes had sent
One love-glance into mine, I had been content,
And deemed it great joy for one little life;
Nor envied other maids the crown of wife:
The long sure years, the merry children-band--
Alas, alas, I never touched his hand!
And now my love is dead that loved not me.
Thrice-blest, thrice-crowned, of gods thrice-lovèd she--
That other, fairer maid, who tombward brings
Her gold, shorn locks and piled-up offerings
Of fragrant fruits, rich wines, and spices rare,
And cakes with honey sweet, with saffron fair;
And who, unchecked by any thought of shame,
May weep her tears, and call upon his name,
With burning bosom prest to the cold ground,
Knowing, indeed, that all her life is crown'd,
Thrice-crowned, thrice honoured, with that love of his;--
No dearer crown on earth is there, I wis.
While yet the sweet life lived, more light to bear
Was my heart's hunger; when the morn was fair,
And I with other maidens in a line
Passed singing through the city to the shrine,
Oft in the streets or crowded market-place
I caught swift glimpses of the dear-known face;
Or marked a stalwart shoulder in the throng;
Or heard stray speeches as we passed along,
In tones more dear to me than any song.
These, hoarded up with care, and kept apart,
Did serve as meat and drink my hungry heart.
And now for ever has my sweet love gone;
And weary, empty days I must drag on,
Till all the days of all my life be sped,
By no thought cheered, by no hope comforted.
For if indeed we meet among the shades,
How shall he know me from the other maids?--
Me, that had died to save his body pain!
Alas, alas, such idle thoughts are vain!
O cruel, cruel sunlight, get thee gone!
O dear, dim shades of eve, come swiftly on!
That when quick lips, keen eyes, are closed in sleep,
Through the long night till dawn I then may weep.
To the Memory of
I once could hope—alas! no more
Her bright wings wave for me;
The sunlit hours of life are o'er,
I weep, dear love, for thee!
And in those tears—and in that sigh
Will fond remembrance dwell;
'Tis all remains when dear ones lie
Within death's darksome cell.
So young! so pure!—alas! that thou
In marble tomb should sleep!
And leave the weary heart and brow
Thy vigils lone to keep.
And yet 'tis better thus than feel
The crushed heart's mad despair;
Alas! no balm those woes may heal
Love—death—have planted there.
Farewell! farewell! my buried love,
No pangs may wring thy heart;
Enough for me to gaze above,
To meet where none may part!
poem by Edward Henry Bickersteth
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Lines Addressed To A.C.
I.
DEAR Babe, soft object of my care,
Unseen, for whom I pour my pray'r;
Unknown, yet priz'd all else above,
The heir of my maternal love;
Ah, let me hail, in simplest lay,
Thy earliest New-Year's Day!
II.
Nor past, nor future cloud thy brow,
Thy range of thought confin'd to now;
Calm on a mother's breast you lie,
And heed not if, with tearful eye,
For thee her wishes fondly stray
O'er many a New-Year's Day.
III.
Yet soon the years in rapid flight
Shall wake thy heart to new delight;
Soon shall exulting youth draw near,
With charms so fresh, and hopes so dear;
And lovely as the bloom of May
Shall seem each New-Year's Day.
IV.
But ah, since Time at length will bring
No rapture on his weary wing,
Then, o'er thy path, no longer bright,
May Virtue shed a line of light,
That cheers the pilgrim, when his way
Leads to no New-Year's Day!
poem by Helen Maria Williams
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The Emigrant
FAREWELL, ah, happy shades! ah, scenes belov'd,
Of infant sports and bright unclouded hours!
Where oft in childhood's happy days I rov'd,
Thro' forest-walks, and wild secluded bow'rs!
Far from your woods, and sweet romantic glades,
A wand'ring emigrant I'm doom'd to roam,
Yet oft will memory, ling'ring in your shades,
Recal the dear, regretted charms of home!
Her magic pencil oft shall fondly trace
The mournful pictures of departed joy;
To ev'ry image give a pensive grace,
Which time may soften—but can ne'er destroy.
Ah! scenes belov'd! again delightful spring
In vernal beauty decks your smiling vales;
With balmy odour scents the zephyr's wing,
And wafts from heav'n the soft Favonian gales.
With transport once, to hail her blest return,
I tun'd my artless reed, my numbers wild,
Then all was new in life's bewitching morn,
And hope—ah, fair enchantress! gaily smil'd.
Oh! then, what airy visions of delight,
Beguil'd my youthful heart in ev'ry grove;
Deluding fancy pictur'd to my sight
The fairy-land of happiness and love!
But now, for me in vain the flow'rs expand,
And leaves unfolding, dress the woods anew;
I go, a wanderer, to some distant land,
And bid my native hills—a last adieu!
Farewell the hermit-cell, the lov'd retreat,
The cottage mantled o'er with clustering vine;
Where mild content had found a tranquil seat,
And peace and calm domestic joys were mine.
Dear, lovely scenes! how oft, at dawn of day,
My pipe has wak'd your mountain-echoes sound;
How oft at evening's hour I lov'd to stray,
Beside the river's bank, with osiers crown'd.
Ye woodland-streams, ye peaceful, happy shades,
Oft on your charms will pensive memory dwell;
Ah, native vales! ah, sweet embow'ring glades,
Scenes of my early youth!—a last farewell!
poem by Felicia Dorothea Hemans
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