En.Citatepedia^®.ro

Sketches In The Exhibition

What various objects strike with various force,
Achilles, Hebe, and Sir Watkin's horse!
Here summer scenes, there Pentland's stormy ridge,
Lords, ladies, Noah's ark, and Cranford bridge!
Some that display the elegant design,
The lucid colours, and the flowing line;
Some that might make, alas! Walsh Porter stare,
And wonder how the devil they got there!

LADY M----VE.

How clear a strife of light and shade is spread!
The face how touched with nature's loveliest red!
The eye, how eloquent, and yet how meek!
The glow subdued, yet mantling on thy cheek!
M----ve! I mark alone thy beauteous face,
But all is nature, dignity, and grace!

HON. MISS MERCER.--HOPNER.

Oh! hide those tempting eyes, that faultless form,
Those looks with feeling and with nature warm;
The neck, the softly-swelling bosom hide,
Nor, wanton gales, blow the light vest aside;
For who, when beauties more than life excite
Silent applause, can gaze without delight!
But innocence, enchanting maid, is thine;
Thine eyes in liquid light unconscious shine;
And may thy breast no other feelings prove,
Than those of sympathy and mutual love!

BLIND FIDDLER.--WILKIE.

With mirth unfeigned the cottage chimney rings,
Though only vocal with four fiddle-strings:
And see, the poor blind fiddler draws his bow,
And lifts intent his time-denoting toe;
While yonder maid, as blythe as birds in June,
You almost hear her whistle to the tune!
Hard by, a lad, in imitative guise,
Fixed, fiddle-like, the broken bellows plies;
Before the hearth, with looks of honest joy,
The father chirrups to the chattering boy,
And snaps his lifted thumbs with mimic glee,
To the glad urchin on his mother's knee!

MORNING.--TURNER.

Up! for the morning shines with welcome ray,
And to the sunny seabeach let us stray.
What orient hues proclaim the master's hand!
How light the wave upon the half-wet sand!
How beautiful the sun, as still we gaze,
Streams all diffusive through the opening haze!
Artist--when to the thunder's pealing sound,
Fire mixed with hailstones ran upon the ground,
When partial darkness the dread prospect hid,
And sole aspired the aged pyramid--
Sublimity thy genius seemed to guide
O'er Egypt's champaign, desolate and wide;
But here delightful beauty reigns alone,
And decks the morning scene with graces all her own.

KESWICK.--SIR GEORGE BEAUMONT.

How shall I praise thee, Beaumont, whose nice skill
Can mould the soft and shadowy scene at will;
Chastise to harmony each gaudy ray,
Simple, yet grand, the mountain scene display;
The lake where sober evening seems to sleep,
Hills far retiring into umbrage deep;
Blend all with classic, pure, poetic taste,
And strike the more with forms and colours chaste!

MARKET-DAY.--CALCOT.

Through the wood's maze our eyes delighted stray,
To mark the rustics on the market-day.
Beneath the branches winds the long white road;
Here peeps the rustic cottager's abode;
There in the morning sun, the children play,
Or the crone creeps along the dusty way.

SCENE IN FRANCE.--LOUTHERBOURG.

Artist, I own thy genius; but the touch
May be too restless, and the glare too much:
And sure none ever saw a landscape shine,
Basking in beams of such a sun as thine,
But felt a fervid dew upon his phiz,
And panting cried, O Lord, how hot it is!

DEATH OF NELSON.--WEST.

Turn to Britannia's triumphs on the main:
See Nelson, pale and fainting, 'mid the slain,
Whilst Victory sighs, stern in the garb of war,
And points through clouds the rocks of Trafalgar!
Here cease the strain; but while thy hulls shall ride,
Britain, dark shadowing the tumultuous tide,
May other Nelsons, on the sanguine main,
Guide, like a god, the battle's hurricane;
And when the funeral's transient pomp is past,
High hung the banner, hushed the battle's blast,
May the brave character to ages shine,
And Genius consecrate the immortal shrine!

poem by William Lisle Bowles
Submitted by Poetry Lover
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On A Landscape Bt Rubens

Nay, let us gaze, ev'n till the sense is full,
Upon the rich creation, shadowed so
That not great Nature, in her loftiest pomp
Of living beauty, ever on the sight
Rose more magnificent; nor aught so fair
Hath Fancy, in her wildest, brightest mood,
Imaged of things most lovely, when the sounds
Of this cold cloudy world at distance sink,
And all alone the warm idea lives
Of what is great, or beautiful, or good,
In Nature's general plan.
So the vast scope,
O Rubens! of thy mighty mind, and such
The fervour of thy pencil, pouring wide
The still illumination, that the mind
Pauses, absorbed, and scarcely thinks what powers
Of mortal art the sweet enchantment wrought.
She sees the painter, with no human touch,
Create, embellish, animate at will,
The mimic scenes, from Nature's ampler range
Caught as by inspiration; while the clouds,
High wandering, and the fairest form of things,
Seem at his bidding to emerge, and burn
With radiance and with life!
Let us, subdued,
Now to the magic of the moment lose
The thoughts of life, and mingle every sense
Ev'n in the scenes before us!
The fresh morn
Of summer shines; the white clouds of the east
Are crisped; beneath, the bright blue champaign steams;
The banks, the meadows, and the flowers, send up
An incensed exhalation, like the meek
And holy praise of Him whose soul's deep joy
The lone woods witness. Thou, whose heart is sick
Of vanities; who, in the throng of men,
Dost feel no lenient fellowship; whose eye
Turns, with a languid carelessness, around
Upon the toiling crowd, still murmuring on,
Restless;--oh, think, in summer scenes like these,
How sweet the sense of quiet gladness is,
That, like the silent breath of morning, steals
From lowly nooks, and feels itself expand
Amid the works of Nature, to the Power
That made them: to the awful thought of HIM
Who, when the morning stars shouted for joy,
Bade the great sun from tenfold darkness burst,
The green earth roll in light, and solitude
First hear the voice of man, whilst hills and woods
Stood eminent, in orient hues arrayed,
His dwelling; and all living Nature smiled,
As in this pictured semblance, beaming full
Before us!
Mark again the various view:
Some city's far-off spires and domes appear,
Breaking the long horizon, where the morn
Sits blue and soft: what glowing imagery
Is spread beneath!--Towns, villages, light smoke,
And scarce-seen windmill-sails, and devious woods,
Chequering 'mid sunshine the grass-level land,
That stretches from the sight.
Now nearer trace
The forms of trees distinct--the broad brown oak;
The poplars, that, with silvery trunks, incline,
Shading the lonely castle; flakes of light
Are flung behind the massy groups, that, now
Enlarging and enlarging still, unfold
Their separate beauties. But awhile delay;
Pass the foot-bridge, and listen (for we hear,
Or think we hear her), listen to the song
Of yonder milkmaid, as she brims her pail;
Whilst, in the yellow pasture, pensive near,
The red cows ruminate.
Break off, break off, for lo! where, all alarmed,
The small birds, from the late resounding perch,
Fly various, hushed their early song; and mark,
Beneath the darkness of the bramble-bank
That overhangs the half-seen brook, where nod
The flowing rushes, dew-besprent, with breast
Ruddy, and emerald wing, the kingfisher
Steals through the dripping sedge away. What shape
Of terrors scares the woodland habitants,
Marring the music of the dawn? Look round;
See, where he creeps, beneath the willowy stump,
Cowering and low, step silent after step,
The booted fowler: keen his look, and fixed
Upon the adverse bank, while, with firm hand,
He grasps the deadly tube; his dog, with ears
Hung back, and still and steady eye of fire,
Points to the prey; the boor, intent, moves on
Panting, and creeping close beneath the leaves,
And fears lest ev'n the rustling reeds betray
His footfall; nearer yet, and yet more near,
He stalks. Who now shall save the heedless group,
The speckled partridges, that in the sun,
On yonder hillock green, across the stream,
Bask unalarmed beneath the hawthorn bush,
Whose aged boughs the crawling blackberry
Entwines!
And thus, upon the sweetest scenes
Of human loveliness, and social peace
Domestic, when the full fond heart reclines
Upon its hopes, and almost mingles tears
Of joy, to think that in this hollow world
Such bliss should be its portion; then (alas,
The bitter change!), then, with his unheard step,
In darkness shrouded, yet approaching fast,
Death, from amidst the sunny flowers, lifts up
His giant dread anatomy, and smites,
Smites the fair prospect once, whilst every bloom
Hangs shrivelled, and a sound of mourning fills
The lone and blasted valley: but no sound
Is here of sorrow or of death, though she,
The country Kate, with shining morning cheek
(Who, in the tumbril, with her market-gear,
Sits seated high), seems to expect the flash
Exploding, that shall lay the innocent
And feathered tenants of the landscape low.
Not so the clown, who, heedless whether life
Or death betide, across the plashy ford
Drives slow; the beasts plod on, foot following foot,
Aged and grave, with half-erected ears,
As now his whip above their matted manes
Hangs tremulous, while the dark and shallow stream
Flashes beneath their fetlock: he, astride
On harness saddle, not a sidelong look
Deigns at the breathing landscape, or the maid
Smiling behind; the cold and lifeless calf
Her sole companion: and so mated oft
Is some sweet maid, whose thrilling heart was formed
For dearer fellowship. But lift the eye,
And hail the abode of rural ease. The man
Walks forth, from yonder antique hall, that looks
The mistress of the scene; its turrets gleam
Amid the trees, and cheerful smoke is seen,
As if no spectred shape (though most retired
The spot) there ever wandered, stoled in white,
Along the midnight chambers; but quaint Mab
Her tiny revels led, till the rare dawn
Peeped out, and chanticleer his shrill alarm
Beneath the window rang, then, with a wink,
The shadowy rout have vanished!
As the morn
Jocund ascends, how lovely is the view
To him who owns the fair domain! The friend
Of his still hours is near, to whom he vowed
His truth; her eyes reflect his bliss; his heart
Beats high with joy; his little children play,
Pleased, in his pathway; one the scattered flowers
Straggling collects, the other spreads its arms,
In speechless blandishment, upon the neck
Of its caressing nurse.
Still let us gaze,
And image every form of heartfelt joy
Which scenes like these bestow, that charm the sight,
Yet soothe the spirit. All is quiet here,
Yet cheerful as the green sea, when it shines
In some still bay, shines in its loneliness
Beneath the breeze, that moves, and hardly moves,
The placid surface.
On the balustrade
Of the old bridge, that o'er the moat is thrown,
The fisher with his angle leans intent,
And turns, from the bright pomp of spreading plains,
To watch the nimble fry, that glancing oft
Beneath the gray arch shoot! Oh, happiest he
Who steals through life, untroubled as unseen!
The distant city, with its crowded spires,
That dimly shines upon his view, awakes
No thought but that of pleasure more composed,
As the winds whisper him to sounder sleep.
He leans upon the faithful arm of her
For whom his youthful heart beat, fondly beat,
When life was new: time steals away, yet health
And exercise are his; and in these shades,
Though sometimes he has mourned a proud world's wrong,
He feels an independence that all cares
Breasts with a carol of content; he hears
The green leaves of his old paternal trees
Make music, soothing as they stir: the elm,
And poplar with its silvery trunk, that shades
The green sward of the bank before his porch,
Are to him as companions;--whilst he turns
With more endearment to the living smile
Of those his infants, who, when he is dead,
Shall hear the music of the self-same trees
Waving, till years roll on, and their gray hairs
Go to the dust in peace.
Away, sad thought!
Lo! where the morning light, through the dark wood,
Upon the window-pane is flung like fire,
Hail, Life and Hope; and thou, great work of art,
That 'mid this populous and busy swarm
Of men dost smile serene, as with the hues
Of fairest, grandest Nature; may'st thou speak
Not vainly of the endearments and best joys
That Nature yields. The manliest heart that swells
With honest English feelings,--while the eye,
Saddened, but not cast down, beholds far off
The darkness of the onward rolling storm,--
Charmed for a moment by this mantling view,
Its anxious tumults shall suspend: and such,
The pensive patriot shall exclaim, thy scenes,
My own beloved country, such the abode
Of rural peace! and while the soul has warmth,
And voice has energy, the brave arm strength,
England, thou shalt not fall! The day shall come,
Yes, and now is, that thou shalt lift thyself;
And woe to him who sets upon thy shores
His hostile foot! Proud victor though he be,
His bloody march shall never soil a flower
That hangs its sweet head, in the morning dew,
On thy green village banks! His mustered hosts
Shall be rolled back in thousands, and the surge
Bury them! Then, when peace illumes once more,
My country, thy green nooks and inmost vales,
It will be sweet amidst the forest glens
To stray, and think upon the distant storm
That howled, but injured not!
At thoughts like these,
What heart, what English heart, but shall beat high!
Meantime, its keen flash passed, thine eye intent,
Beaumont, shall trace the master-strokes of art,
And view the assemblage of the finished piece,
As with his skill who formed it: ruder views,
Savage, with solitary pines, hung high
Amid the broken crags (where scowling wait
The fierce banditti), stern Salvator's hand
Shall aptly shade: o'er Poussin's clustering domes,
With ampler umbrage, the black woods shall hang,
Beneath whose waving gloom the sudden flash
Of broken light upon the brawling stream
Is flung below.
Aerial Claude shall paint
The gray fane peering o'er the summer woods,
The azure lake below, or distant seas,
And sails, in the pellucid atmosphere,
Soft gleaming to the morn. Dark on the rock,
Where the red lightnings burst, shall Wilson stand,
Like mighty Shakspeare, whom the imps of fire
Await. Nor oh, sweet Gainsborough! shall thee
The Muse forget, whose simple landscape smiles
Attractive, whether we delight to view
The cottage chimney through the high wood peep;
Or beggar beauty stretch her little hand,
With look most innocent; or homeward kine
Wind through the hollow road at eventide,
Or browse the straggling branches.
Scenes like these
Shall charm all hearts, while truth and beauty live,
And Nature's pictured loveliness shall own
Each master's varied touch; but chiefly thou,
Great Rubens! shalt the willing senses lead,
Enamoured of the varied imagery,
That fills the vivid canvas, swelling still
On the enraptured eye of taste, and still
New charms unfolding; though minute, yet grand,
Simple, yet most luxuriant; every light
And every shade, greatly opposed, and all
Subserving to one magical effect
Of truth and harmony.
So glows the scene;
And to the pensive thought refined displays
The richest rural poem. Oh, may views
So pictured animate thy classic mind,
Beaumont, to wander 'mid Sicilian scenes,
And catch the beauties of the pastoral bard,
Shadowing his wildest landscapes! AEtna's fires,
Bebrycian rocks, Anapus' holy stream,
And woods of ancient Pan; the broken crag
And the old fisher here; the purple vines
There bending; and the smiling boy set down
To guard, who, innocent and happy, weaves,
Intent, his rushy basket, to ensnare
The chirping grasshoppers, nor sees the while
The lean fox meditate her morning meal,
Eyeing his scrip askance; whilst further on
Another treads the purple grapes--he sits,
Nor aught regards, but the green rush he weaves.
O Beaumont! let this pomp of light and shade
Wake thee, to paint the woods that the sweet Muse
Has consecrated: then the summer scenes
Of Phasidamus, clad in richer light,
Shall glow, the glancing poplars, and clear fount;
While distant times admire (as now we trace
This summer-mantling view) hoar AEtna's pines,
The vine-hung grotts, and branching planes, that shade
The silver Arethusa's stealing wave.

poem by William Lisle Bowles
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Why dost thou Shade thy Lovely Face?

1 Why dost thou shade thy lovely face? Oh, why
2 Does that eclipsing hand so long deny
3 The sunshine of thy soul-enliv'ning eye?

4 Without that light, what light remains in me?
5 Thou art my life, my way, my light; in thee
6 I live, I move, and by thy beams I see.

7 Thou art mv life; if thou but turn away
8 My life's a thousand deaths: thou art my way;
9 Without thee, Lord, I travel not, but stray.

10 My light thou art; without thy glorious sight
11 Mine eyes are darken'd with perpetual night.
12 My God, thou art my way, my life, my light.

13 Thou art my way; I wander if thou fly:
14 Thou art my light; if hid, how blind am I!
15 Thou art my life; if thou withdraw, I die.

16 Mine eyes are blind and dark, I cannot see;
17 To whom or whither should my darkness flee,
18 But to the light? and who's that light but thee?

19 My path is lost, my wand'ring steps do stray;
20 I cannot safely go, nor safely stay;
21 Whom should I seek but thee, my path, my way?

22 Oh, I am dead: to whom shall I, poor I,
23 Repair? to whom shall my sad ashes fly,
24 But life? and where is life but in thine eye?

25 And yet thou turn'st away thy face, and fly'st me;
26 And yet I sue for grace, and thou deny'st me;
27 Speak, art thou angry, Lord, or only try'st me?

28 Unscreen those heavenly lamps, or tell me why
29 Thou shad'st thy face; perhaps thou think'st no eye
30 Can view those flames, and not drop down and die.

31 If that be all, shine forth, and draw thee nigher;
32 Let me behold and die, for my desire
33 Is ph{oe}nix-like to perish in that fire.

34 Death-conquer'd Laz'rus was redeem'd by thee;
35 If I am dead, Lord, set death's prisoner free;
36 Am I more spent, or stink I worse than he?

37 If my puff'd life be out, give leave to tine
38 My shameless snuff at that bright lamp of thine;
39 Oh, what's thy light the less for lighting mine?

40 If I have lost my path, great Shepherd, say,
41 Shall I still wander in a doubtful way?
42 Lord, shall a lamb of Israel's sheep-fold stray?

43 Thou art the pilgrim's path, the blind man's eye,
44 The dead man's life; on thee my hopes rely;
45 If thou remove, I err, I grope, I die.

46 Disclose thy sunbeams; close thy wings, and stay;
47 See, see how I am blind, and dead, and stray,
48 O thou, that art my light, my life, my way.

poem by Francis Quarles
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Cadland, Southampton River

If ever sea-maid, from her coral cave,
Beneath the hum of the great surge, has loved
To pass delighted from her green abode,
And, seated on a summer bank, to sing
No earthly music; in a spot like this,
The bard might feign he heard her, as she dried
Her golden hair, yet dripping from the main,
In the slant sunbeam.
So the pensive bard
Might image, warmed by this enchanting scene,
The ideal form; but though such things are not,
He who has ever felt a thought refined;
He who has wandered on the sea of life,
Forming delightful visions of a home
Of beauty and repose; he who has loved,
With filial warmth his country, will not pass
Without a look of more than tenderness
On all the scene; from where the pensile birch
Bends on the bank, amid the clustered group
Of the dark hollies; to the woody shore
That steals diminished, to the distant spires
Of Hampton, crowning the long lucid wave.
White in the sun, beneath the forest-shade,
Full shines the frequent sail, like Vanity,
As she goes onward in her glittering trim,
Amid the glances of life's transient morn,
Calling on all to view her!
Vectis there,
That slopes its greensward to the lambent wave,
And shows through softest haze its woods and domes,
With gray St Catherine's creeping to the sky,
Seems like a modest maid, who charms the more
Concealing half her beauties.
To the East,
Proud, yet complacent, on its subject realm,
With masts innumerable thronged, and hulls
Seen indistinct, but formidable, mark
Albion's vast fleet, that, like the impatient storm,
Waits but the word to thunder and flash death
On him who dares approach to violate
The shores and living scenes that smile secure
Beneath its dragon-watch!
Long may they smile!
And long, majestic Albion (while the sound
From East to West, from Albis to the Po,
Of dark contention hurtles), may'st thou rest,
As calm and beautiful this sylvan scene
Looks on the refluent wave that steals below.

poem by William Lisle Bowles
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To A Young Lady

In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind
That weeps the woes of human kind,
That heart by friendship's charms inspired,
That soul with sprightly fancy fired,
The air of life, the vivid eye,
The flowing wit, the keen reply--
To paint these beauties as they shine,
Might ask a nobler pen than mine.

Yet what sure strokes can draw the Fair,
Who vary, like the fleeting air,
Like willows bending to the force,
Where'er the gales direct their course,
Opposed to no misfortune's power,
And changing with the changing hour.
Now gaily sporting on the plain,
They charm the grove with pleasing strain;
Anon disturb'd, they know not why,
The sad tear trembles in their eye:
Led through vain life's uncertain dance,
The dupes of whim, the slaves of chance.

From me, not famed for much goodnature,
Expect not compliment, but satire;
To draw your picture quite unable,
Instead of fact accept a Fable.

One morn, in Æsop's noisy time,
When all things talk'd, and talk'd in rhyme,
A cloud exhaled by vernal beams
Rose curling o'er the glassy streams.
The dawn her orient blushes spread,
And tinged its lucid skirts with red,
Wide waved its folds with glitt'ring dies,
And gaily streak'd the eastern skies;
Beneath, illumed with rising day,
The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air,
Survey'd its glittering glories there,
And fancied, dress'd in gorgeous show,
Itself the brightest thing below:
For clouds could raise the vaunting strain,
And not the fair alone were vain.

Yet well it knew, howe'er array'd,
That beauty, e'en in clouds, might fade,
That nothing sure its charms could boast
Above the loveliest earthly toast;
And so, like them, in early dawn
Resolved its picture should be drawn,
That when old age with length'ning day
Should brush the vivid rose away,
The world should from the portrait own
Beyond all clouds how bright it shone.

Hard by, a painter raised his stage,
Far famed, the Copley[1] of his age.
So just a form his colours drew,
Each eye the perfect semblance knew;
Yet still on every blooming face
He pour'd the pencil's flowing grace;
Each critic praised the artist rare,
Who drew so like, and yet so fair.

To him, high floating in the sky
Th' elated Cloud advanced t' apply.
The painter soon his colours brought,
The Cloud then sat, the artist wrought;
Survey'd her form, with flatt'ring strictures,
Just as when ladies sit for pictures,
Declared "whatever art can do,
My utmost skill shall try for you:
But sure those strong and golden dies
Dipp'd in the radiance of the skies,
Those folds of gay celestial dress,
No mortal colours can express.
Not spread triumphal o'er the plain,
The rainbow boasts so fair a train,
Nor e'en the morning sun so bright,
Who robes his face in heav'nly light.
To view that form of angel make,
Again Ixion would mistake,[2]
And justly deem so fair a prize,
The sovereign Mistress of the skies,"

He said, and drew a mazy line,
With crimson touch his pencils shine,
The mingling colours sweetly fade,
And justly temper light and shade.

He look'd; the swelling Cloud on high
With wider circuit spread the sky,
Stretch'd to the sun an ampler train,
And pour'd new glories on the main.
As quick, effacing every ground,
His pencil swept the canvas round,
And o'er its field, with magic art,
Call'd forth new forms in every part.

But now the sun, with rising ray,
Advanced with speed his early way;
Each colour takes a differing die,
The orange glows, the purples fly.
The artist views the alter'd sight,
And varies with the varying light;
In vain! a sudden gust arose,
New folds ascend, new shades disclose,
And sailing on with swifter pace,
The Cloud displays another face.
In vain the painter, vex'd at heart,
Tried all the wonders of his art;
In vain he begg'd, her form to grace,
One moment she would keep her place:
For, "changing thus with every gale,
Now gay with light, with gloom now pale,
Now high in air with gorgeous train,
Now settling on the darken'd main,
With looks more various than the moon;
A French coquette were drawn as soon."

He spoke; again the air was mild,
The Cloud with opening radiance smiled;
With canvas new his art he tries,
Anew he joins the glitt'ring dies;
Th' admiring Cloud with pride beheld
Her image deck the pictured field,
And colours half-complete adorn
The splendor of the painted morn.

When lo, the stormy winds arise,
Deep gloom invests the changing skies;
The sounding tempest shakes the plain,
And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade,
Its folds condense in thicker shade,
And borne by rushing blasts, its form
With lowering vapour joins the storm.

poem by John Trumbull
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Pale Morning Sun

Pale morning sun that rises in the east,
Spread wide your light,
And let the warming blush be thus increased,
To shine more bright.

Welcome the dawn and so enhance the sky,
With colours that unite,
A vision there displayed, food for the eye,
Quick changing sight.

A new day now unfolds, and in its glow,
The scene is quite
Breathtaking. Subtle shades soft and mellow,
Just fine and right.

Pale morning sun, that rises, burn more strong,
And so invite,
Nature to call awake the melody of birdsong,
From out the night.

poem by Ernestine Northover
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Southampton Castle

INSCRIBED TO THE MARQUIS OF LANSDOWNE.

The moonlight is without; and I could lose
An hour to gaze, though Taste and Splendour here,
As in a lustrous fairy palace, reign!
Regardless of the lights that blaze within,
I look upon the wide and silent sea,
That in the shadowy moonbeam sleeps:
How still,
Nor heard to murmur, or to move, it lies;
Shining in Fancy's eye, like the soft gleam,
The eve of pleasant yesterdays!
The clouds
Have all sunk westward, and the host of stars
Seem in their watches set, as gazing on;
While night's fair empress, sole and beautiful,
Holds her illustrious course through the mid heavens
Supreme, the spectacle, for such she looks,
Of gazing worlds!
How different is the scene
That lies beneath this arched window's height!
The town, that murmured through the busy day,
Is hushed; the roofs one solemn breadth of shade
Veils; but the towers, and taper spires above,
The pinnets, and the gray embattled walls,
And masts that throng around the southern pier,
Shine all distinct in light; and mark, remote,
O'er yonder elms, St Mary's modest fane.
Oh! if such views may please, to me they shine
How more attractive! but few years have passed,
Since there I saw youth, health, and happiness,
All circling round an aged sire, whose hairs
Are now in peace gone down; he was to me
A friend, and almost with a father's smile
Hung o'er my infant Muse. The cheerful voice
Of fellowship, the song of harmony,
And mirth, and wit, were there.
That scene is passed:
Cold death and separation have dissolved
The evening circle of once-happy friends!
So has it ever fared, and so must fare,
With all! I see the moonlight watery tract
That shines far off, beneath the forest-shades:
What seems it, but the mirror of that tide,
Which noiseless, 'mid the changes of the world,
Holds its inevitable course, the tide
Of years departing; to the distant eye
Still seeming motionless, though hurrying on
From morn till midnight, bearing, as it flows,
The sails of pleasurable barks! These gleam
To-day, to-morrow other passing sails
Catch the like sunshine of the vernal morn.
Our pleasant days are as the moon's brief light
On the pale ripple, passing as it shines!
But shall the pensive bard for this lament,
Who knows how transitory are all worlds
Before His eye who made them!
Cease the strain;
And welcome still the social intercourse
That soothes the world's loud jarring, till the hour
When, universal darkness wrapping all
This nether scene, a light from heaven shall stream
Through clouds dividing, and a voice be heard:
Here only pure and lasting bliss is found!

poem by William Lisle Bowles
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To His Mistress

Why dost thou shade thy lovely face? O why
Does that eclipsing hand of thine deny
The sunshine of the Sun's enlivening eye?

Without thy light what light remains in me?
Thou art my life; my way, my light's in thee;
I live, I move, and by thy beams I see.

Thou art my life-if thou but turn away
My life's a thousand deaths. Thou art my way-
Without.thee, Love, I travel not but stray.

My light thou art-without thy glorious sight
My eyes are darken'd with eternal night.
My Love, thou art my way, my life, my light.

Thou art my way; I wander if thou fly.
Thou art my light; if hid, how blind am I!
Thou art my life; if thou withdraw'st, I die.

My eyes are dark and blind, I cannot see:
To whom or whither should my darkness flee,
But to that light?-and who's that light but thee?

If I have lost my path, dear lover, say,
Shall I still wander in a doubtful way?
Love, shall a lamb of Israel's sheepfold stray?

My path is lost, my wandering steps do stray;
I cannot go, nor can I safely stay;
Whom should I seek but thee, my path, my way?

And yet thou turn'st thy face away and fly'st me!
And yet I sue for grace and thou deny'st me!
Speak, art thou angry, Love, or only try'st me?

Thou art the pilgrim's path, the blind man's eye,
The dead man's life. On thee my hopes rely:
If I but them remove, I surely die.

Dissolve thy sunbeams, close thy wings and stay!
See, see how I am blind, and dead, and stray!
-O thou art my life, my light, my way!

Then work thy will! If passion bid me flee,
My reason shall obey, my wings shall be
Stretch'd out no farther than from me to thee!

poem by Lord John Wilmot
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The Last Song Of Camoens

The morning shone on Tagus' rocky side,
And airs of summer swelled the yellow tide,
When, rising from his melancholy bed,
And faint, and feebly by Antonio led,
Poor Camoens, subdued by want and woe,
Along the winding margin wandered slow,
His harp, that once could each warm feeling move
Of patriot glory or of tenderest love,
His sole and sable friend (while a faint tone
Rose from the wires) placed by a mossy stone.
How beautiful the sun ascending shines
From ridge to ridge, along the purple vines!
How pure the azure of the opening skies!
How resonant the nearer rock replies
To call of early mariners! and, hark!
The distant whistle from yon parting bark,
That down the channel as serene she strays,
Her gray sail mingles with the morning haze,
Bound to explore, o'er ocean's stormy reign,
New lands that lurk amid the lonely main!
A transient fervour touched the old man's breast;
He raised his eyes, so long by care depressed,
And while they shone with momentary fire,
Ardent he struck the long-forgotten lyre.
From Tagus' yellow-sanded shore,
O'er the billows, as they roar,
O'er the blue sea, waste and wide,
Our bark threw back the burning tide,
By northern breezes cheer'ly borne,
On to the kingdoms of the morn.
Blanco, whose cold shadow vast
Chills the western wave, is past!
Huge Bojador, frowning high,
Thy dismal terrors we defy!
But who may violate the sleep
And silence of the sultry deep;
Where, beneath the intenser sun,
Hot showers descend, red lightnings run;
Whilst all the pale expanse beneath
Lies burning wide, without a breath;
And at mid-day from the mast,
No shadow on the deck is cast!
Night by night, still seen the same,
Strange lights along the cordage flame,
Perhaps, the spirits of the good,
That wander this forsaken flood
Sing to the seas, as slow we float,
A solemn and a holy note!
Spectre of the southern main,
Thou barr'st our onward way in vain,
Wrapping the terrors of thy form,
In the thunder's rolling storm!
Fearless o'er the indignant tide,
On to the east our galleys ride.
Triumph! for the toil is o'er--
We kiss the far-sought Indian shore!
Glittering to the orient ray,
The banners of the Cross display!
Does my heart exulting bound?
Alas, forlorn, I gaze around:
Feeble, poor, and old, I stand,
A stranger in my native land!
My sable slave (ah, no! my only friend,
Whose steps upon my rugged path attend)
Sees, but with tenderness that fears to speak,
The tear that trickles down my aged cheek!
My harp is silent,--famine shrinks mine eye,--
'Give me a little food for charity!'

poem by William Lisle Bowles
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Ode to Borrowdale

IN CUMBERLAND.

Hail , Derwent's beauteous pride!
Whose charms rough rocks in threatening grandeur guard,
Whose entrance seems to mortals barred,
But to the Genius of the storm thrown wide.

He on thy rock's dread height,
Reclined beneath his canopy of clouds,
His form in darkness shrouds,
And frowns as fixt to keep thy beauties from the sight.

But rocks and storms are vain:
Midst mountains rough and rude
Man's daring feet intrude,
Till, lo! upon the ravished eye
Burst thy clear stream, thy smiling sky,
Thy wooded valley, and thy matchless plain.

Bright vale! the Muse's choicest theme,
My morning thought, my midnight dream;
Still memory paints thee, smiling scene,
Still views the robe of purest green,
Refreshed by beauty-shedding rains,
Which wraps thy flower-enamelled plains;

Still marks thy mountains' fronts sublime,
Force graces from the hand of time;
Still I thy rugged rocks recall,
Which seem as nodding to their fall,
Whose wonders fixed my aching sight,
Till terror yielded to delight,
And my surprises, pleasures, fears,
Were told by slow delicious tears.

But suddenly the smiling day
That cheered the valley, flies away;
The wooded rocks, the rapid stream,
No longer boast the noon-tide beam.

But storms athwart the mountains sail,
And darkly brood o'er Borrowdale.
The frightened swain his cottage seeks,
Ere the thick cloud in terror speaks:--
And see, pale lightning flashes round!
While as the thunder's awful sound
On Echo's pinion widely flies,
Yon cataract's roar unheeded dies;....
And thee, Sublimity! I hail,
Throned on the gloom of Borrowdale.

But soon the thunder dies away,
The flash withdraws its fearful ray;

Again upon the silver stream
Waves in bright wreaths the noon-tide beam.

O scene sequestered, varied, wild,
Scene formed to soothe Affliction's child,
How blest were I to watch each charm
That decks thy vale in storm or calm!

To see Aurora's hand unbind
The mists by night's chill power confined;
Upon the mountain's dusky brow
Then mark their colours as they flow,
Gliding the colder West to seek,
As from the East day's splendours break.

Now the green plain enchants the sight,
Adorned with spots of yellow light;
While, by its magic influence, shade
With contrast seems each charm to aid,
And clothes the woods in deeper dyes,
To suit the azure-vested skies.
While, lo! the lofty rocks above,
Where proudly towers the bird of Jove;
See from the view yon radiant cloud
His broad and sable pinions shroud,
Till, as he onward wings his flight,
He vanishes in floods of light;
Where feathered clouds on æther sail,
And glittering hang o'er Borrowdale.....

Or, at still midnight's solemn hour,
When the dull bat revolves no more,
In search of nature's awful grace,
I'd go, with slow and cautious pace,
Where the loud torrent's foaming tide
Lashes the rock's uneven side,....
That rock which, o'er the stream below
Bending its moss-clad crumbling brow,
Makes pale with fear the wanderer's cheek,
Nor midnight's silence fails to break
By fragments from its aged head,
Which, rushing to the river's bed,
Cause, as they dash the waters round,
A dread variety of sound;

While I the gloomy grandeur hail,
And awe-struck rove through Borrowdale.

Yes, scene sequestered, varied, wild,
So form'd to soothe Affliction's child,
Sweet Borrowdale! to thee I'll fly,
To hush my bosom's ceaseless sigh.
If yet in Nature's store there be
One kind heart-healing balm for me,
Now the long hours are told by sighs,
And sorrow steals health's crimson dyes,--
If aught can smiles and bloom restore,
Ah! surely thine's the precious power!

Then take me to thy world of charms,
And hush my tortured breast's alarms;
Thy scenes with unobtrusive art
Shall steal the mourner from her heart,....
The hands in sorrow claspt unclose,
Bid her sick soul on Heaven repose,
And, soothed by time and nature, hail
Health, peace, and hope in Borrowdale.

poem by Amelia Opie
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The Genius of Painting

ADDRESSED TO D——M——

The Genius of Painting one summer eve stray'd,
In a moment of leisure, to Flora's bright bower,
Where, scatter'd around, by the hand of the maid,
In the richest profusion, bloom'd many a flower.

“Oh, see,” Flora cried, as the Genius drew nigh,
“What an Eden of beauty is blossoming here!
But yet”—and a tear-drop stood bright in her eye,—
“How soon will its loveliness all disappear!

“Oh Genius! bid them still live in your art,
And my gratitude well shall your kindness repay;
To some favour'd mortal your spirit impart,
And teach him to rescue my flowers from decay.”

Behold I have rear'd, in my favourite bower,
A shrine, and an altar, dear Painting, for you;
And there will I offer each loveliest flower,
As often as morning their sweets shall renew.”

“Many thanks, dearest Flora!” the Genius cried,
“Though many an altar and temple is mine,
That with richer and costlier gifts are supplied,
Yet none of them all shall be dearer than thine.

“I will gift with my spirit whoever you will,
Yet choose not, dear Flora, the renegade man;
For the ingrate from you will be wandering still,
O'er fields more extended and varied to scan.”

At this instant, a maiden drew near to the bower,
And Flora's own fondness beam'd soft from her eye,
As with rapture she hung o'er each beautiful flower,
Or heaved o'er the dying a tremulous sigh.

Flora turn'd on the Genius a smile of delight—
“There, Painting,” she cried, “is my favourite maid!
Infuse in her bosom your genius bright,
And soon shall your altar be richly array'd.”

“On that maid, then,” said he, “shall my spirit descend,
A bright, and unfading, and beautiful gem;
The young favourite of Flora my shrine shall attend,
And the priestess of painting shall still be D. M.”

poem by Elizabeth Margaret Chandler from Poetical Works (1836)
Submitted by Veronica Serbanoiu
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To Simplicity

[Inscribed to Lady Duncannon.]

SWEET blushing Nymph, who loves to dwell
In the dark forest's silent gloom;
Who smiles within the Hermit's cell,
And sighs upon the rustic's tomb;
Who, pitying, sees the busy throng,
The slaves of fashion's giddy sway;
Who in a wild and artless song,
Warbles the feath'ry hours away.

Oft have I flown thy steps to trace,
In the low valley's still retreat,
Oft have I view'd thy blooming face,
In the small cottage, proudly neat!
I've seen thee, veil'd in vestal lawn,
In the cold cloyster's hallow'd shade;
I've seen thee, at the peep of dawn,
In simple, russet garb array'd.

I've seen thee, crowned with APRIL flow'rs,
Light bounding o'er the rural mead;
I've heard thee in sequester'd bow'rs
Sing to the SHEPHERD'S past'ral reed;
When pleasure led the nymphs along
In moonlight gambols o'er the green,
I've mark'd THEE, fairest of the throng,
With modest eye and timid mien.

No more my eager gaze shall trace
Thy varying footsteps, blithe and free;
For what art thou, but native grace,
Soft Beauty's child, SIMPLICITY?
'Tis thine in every path to dwell,
Where TRUTH and INNOCENCE are seen,
In cottage low, or Hermit's cell,
Or splendid dome, or rural green.

The spotless MIND, the brow serene,
'Tis THINE, enchanting Maid, to boast!
The sweet, benignant, humble mien,
And all that VIRTUE values most!
Thy blushes paint DUNCANNONS's cheek,
Thy light hand weaves her golden hair,
Around her form, THY charms I'll seek,
FOR ALL THE GRACES REVEL THERE!

poem by Mary Darby Robinson
Submitted by Poetry Lover
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Sketch From Bowden Hill After Sickness

How cheering are thy prospects, airy hill,
To him who, pale and languid, on thy brow
Pauses, respiring, and bids hail again
The upland breeze, the comfortable sun,
And all the landscape's hues! Upon the point
Of the descending steep I stand.
How rich,
How mantling in the gay and gorgeous tints
Of summer! far beneath me, sweeping on,
From field to field, from vale to cultured vale,
The prospect spreads its crowded beauties wide!
Long lines of sunshine, and of shadow, streak
The farthest distance; where the passing light
Alternate falls, 'mid undistinguished trees,
White dots of gleamy domes, and peeping towers,
As from the painter's instant touch, appear.
As thus the eye ranges from hill to hill,
Here white with passing sunshine, there with trees
Innumerable shaded, clustering more,
As the long vale retires, the ample scene,
Warm with new grace and beauty, seems to live.
Lives! all is animation! beauty! hope!
Snatched from the dark and dreamless grave, so late,
Shall I pass silent, now first issuing forth,
To feel again thy fragrance, to respire
Thy breath, to hail thy look, thy living look,
O Nature!
Let me the deep joy contrast,
Which now the inmost heart like music fills,
With the sick chamber's sorrows, oft from morn,
Silent, till lingering eve, save when the sound
Of whispers steal, and bodings breathed more low,
As friends approach the pillow: so awaked
From deadly trance, the sick man lifts his eyes,
Then in despondence closes them on all,
All earth's fond wishes! Oh, how changed are now
His thoughts! he sees rich nature glowing round,
He feels her influence! languid with delight,
And whilst his eye is filled with transient fire,
He almost thinks he hears her gently say,
Live, live! O Nature, thee, in the soft winds,
Thee, in the soothing sound of summer leaves,
When the still earth lies sultry; thee, methinks,
Ev'n now I hear bid welcome to thy vales
And woods again!
And I will welcome them,
And pour, as erst, the song of heartfelt praise.
From yonder line, where fade the farthest hills
Which bound the blue lap of the swelling vale,
On whose last line, seen like a beacon, hangs
Thy tower, benevolent, accomplished Hoare,
To where I stand, how wide the interval!
Yet instantaneous, to the hurrying eye
Displayed; though peeping towers and villages
Thick scattered, 'mid the intermingling elms,
And towns remotely marked by hovering smoke,
And grass-green pastures with their herds, and seats
Of rural beauty, cottages and farms,
Unnumbered as the hedgerows, lie between!
Roaming at large to where the gray sky bends,
The eye scarce knows to rest, till back recalled
By yonder ivied cloisters in the plain,
Whose turret, peeping pale above the shade,
Smiles in the venerable grace of years.
As the few threads of age's silver hairs,
Just sprinkled o'er the forehead, lend a grace
Of saintly reverence, seemly, though compared
With blooming Mary's tresses like the morn;
So the gray weather-stained towers yet wear
A secret charm impressive, though opposed
To views in verdure flourishing, the woods,
And scenes of Attic taste, that glitter near.
O venerable pile, though now no more
The pensive passenger, at evening, hears
The slowly-chanted vesper; or the sounds
Of 'Miserere,' die along the vale;
Yet piety and honoured age retired,
There hold their blameless sojourn, ere the bowl
Be broken, or the silver chord be loosed.
Nor can I pass, snatched from untimely fate,
Without a secret prayer, that so my age,
When many a circling season has declined,
In charity and peace may wait its close.
Yet still be with me, O delightful friend,
Soothing companion of my vacant hours,
Oh, still be with me, Spirit of the Muse!
Not to subdue, or hold in moody spell,
The erring senses, but to animate
And warm my heart, where'er the prospect smiles,
With Nature's fairest views; not to display
Vain ostentations of a poet's art,
But silent, and associate of my joys
Or sorrows, to infuse a tenderness,
A thought, that seems to mingle, as I gaze,
With all the works of GOD. So cheer my path,
From youth to sober manhood, till the light
Of evening smile upon the fading scene.
And though no pealing clarion swell my fame,
When all my days are gone; let me not pass,
Like the forgotten clouds of yesterday,
Nor unremembered by the fatherless
Of the loved village where my bones are laid.

poem by William Lisle Bowles
Submitted by Poetry Lover
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The Battle Of The Nile

Shout! for the Lord hath triumphed gloriously!
Upon the shores of that renowned land,
Where erst His mighty arm and outstretched hand
He lifted high,
And dashed, in pieces dashed the enemy;--
Upon that ancient coast,
Where Pharaoh's chariot and his host
He cast into the deep,
Whilst o'er their silent pomp He bid the swoll'n sea sweep;
Upon that eastern shore,
That saw His awful arm revealed of yore,
Again hath He arisen, and opposed
His foes' defying vaunt: o'er them the deep hath closed!

Shades of mighty chiefs of yore,
Who triumphed on the self-same shore:
Ammon, who first o'er ocean's empire wide
Didst bid the bold bark stem the roaring tide;
Sesac, who from the East to farthest West
Didst rear thy pillars over realms subdued;
And thou, whose bones do rest
In the huge pyramid's dim solitude,
Beneath the uncouth stone,
Thy name and deeds unknown;
And Philip's glorious son,
With conquest flushed, for fields and cities won;
And thou, imperial Caesar, whose sole sway
The long-disputed world at length confessed,
When on these shores thy bleeding rival lay!
Oh, could ye, starting from your long cold rest,
Burst Death's oblivious trance,
And once again with plumed pride advance,
How would ye own your fame surpassed,
And on the sand your trophies cast,
When, the storm of conflict o'er,
And ceased the burning battle's roar,
Beneath the morning's orient light,
Ye saw, with sails all swelling white,
Britain's proud fleet, to many a joyful cry,
Ride o'er the rolling surge in awful sovereignty!

For fierce Ambition fired your mind--
Beside your glittering car,
Amid the thickest war,
Went Superstition, sorceress blind,
In dimly-figured robe, with scowling mien,
Half hid in jealous hood;
And Tyranny, beneath whose helm was seen
His eye suffused with blood;
And giant Pride,
That the great sun with haughty smile defied;
And Avarice, that grasped his guilty gold;
These, as the sorceress her loud sistrum rung,
Their dismal paean sung;
And still, far off, pale Pity hung her head,
Whilst o'er the dying and the dead
The victor's brazen wheels with gory axle rolled.
Now look on him, in holy courage bold;
The asserter of his country's cause behold!
He lifts his gaze to heaven, serenely brave,
And whilst around war's fearful banners wave,
He prays: Protect us, as our cause is just;
For in thy might alone, Judge of the world, we trust!

And they are scattered--the destroyers die!
They that usurped the bloody victor's claim,
That spoke of freedom; but, behold a cry!
They, that like a wasteful flame,
Or the huge sandy pillar, that amain
Whirls 'mid the silence of the desert plain,
Deathful in their career of terror came,
And scattered ruin as they passed!
So rush they, like the simoom's horrid blast;
They sweep, and all around is wilderness!
But from thy throne on high,
Thou, God, hast heard the cry
Of nations in distress!
Britain goes forth, beneath thy might,
To quell the proud blasphemers in the fight;
And Egypt, far along her winding main,
Echoes the shout of joy, and genuine Freedom's strain!

Now let them, who thy name, O GOD! defy,
Invoke the mighty Prophet of the East;
Or deck, as erst, the mystic feast
To Ashtaroth, queen of the starry sky!
Let them, in some cavern dark,
Seek Osiris' buried ark;
Or call on Typhon, of gigantic form,
Lifting his hundred arms, and howling 'mid the storm!
Or to that grisly king
In vain their cymbals let them ring,
To him in Tophet's vale revered
(With smoke his brazen idol smeared),
Grim Moloch, in whose fuming furnace blue
The unpitying priest the shrieking infant threw,
Whilst to shrill cries, and drums' and timbrels' sound,
The frantic and unhearing troop danced round;
To _him_ despairing let them go,
And tell their fearful tale of hideous overthrow!

Calm breathed the airs along the evening bay,
Where, all in warlike pride,
The Gallic squadron stretched its long array;
And o'er the tranquil tide
With beauteous bend the streamers waved on high
But, ah! how changed the scene ere night descends!
Hark to the shout that heaven's high concave rends!
Hark to that dying cry!
Whilst, louder yet, the cannon's roar
Resounds along the Nile's affrighted shore,
Where, from his oozy bed,
The cowering crocodile hath raised his head!
What bursting flame
Lightens the long track of the gleamy brine!
From yon proud ship it came,
That towered the leader of the hostile line!
Now loud explosion rends the midnight air!
Heard ye the last deep groaning of despair?
Heaven's fiery cope unwonted thunders fill,
Then, with one dreadful pause, earth, air, and seas are still!

But now the mingled fight
Begins its awful strife again!
Through the dun shades of night
Along the darkly-heaving main
Is seen the frequent flash;
And many a towering mast with dreadful crash
Rings falling. Is the scene of slaughter o'er?
Is the death-cry heard no more?
Lo! where the East a glimmering freckle streaks,
Slow o'er the shadowy wave the gray dawn breaks.
Behold, O Sun, the flood
Strewed with the dead, and dark with blood!
Behold, all scattered on the rocking tide,
The wrecks of haughty Gallia's pride!
But Britain's floating bulwarks, with serene
And silent pomp, amid the deathful scene
Move glorious, and more beautiful display
Their ensigns streaming to thy orient ray.

Awful Genius of the land!
Who (thy reign of glory closed)
By marble wrecks, half-hid in sand,
Hast mournfully reposed;
Who long, amid the wasteful desert wide,
Hast loved with death-like stillness to abide;
Or wrapped in tenfold gloom,
From noise of human things for ages hid,
Hast sat upon the shapeless tomb
In the forlorn and dripping pyramid;
Awake! Arise!
Though thou behold the day no more
That saw thy pride and pomp of yore;
Though, like the sounds that in the morning ray
Trembled and died away
From Memnon's statue; though, like these, the voice
That bade thy vernal plains rejoice,
The voice of Science, is no longer heard;
And all thy gorgeous state hath disappeared:
Yet hear, with triumph, and with hope again,
The shouts of joy that swell from thy forsaken main!

And, oh! might He, at whose command
Deep darkness shades a mourning land;
At whose command, bursting from night,
And flaming with redoubled light,
The Sun of Science mounts again,
And re-illumes the wide-extended plain!
Might He, from this eventful day,
Illustrious Egypt, to thy shore
Science, Freedom, Peace restore,
And bid thy crowded ports their ancient pomp display!
No more should Superstition mark,
In characters uncouth and dark,
Her dreary, monumental shrine!
No more should meek-eyed Piety
Outcast, insulted lie
Beneath the mosque, whose golden crescents shine,
But starting from her trance,
O'er Nubia's sands advance
Beyond the farthest fountains of the Nile!
The dismal Gallas should behold her smile,
And Abyssinia's inmost rocks rejoice
To hear her awful lore, yet soft consoling voice!

Hasten, O GOD! the time, when never more
Pale Pity, from her moonlight seat shall hear,
And dropping at the sound a fruitless tear,
The far-off battle's melancholy roar;
When never more Horror's portentous cry
Shall sound amid the troubled sky;
Or dark Destruction's grimly-smiling mien,
Through the red flashes of the fight be seen!
Father in heaven! our ardent hopes fulfil;
Thou speakest 'Peace,' and the vexed world is still!
Yet should Oppression huge arise,
And with bloody banners spread,
Upon the gasping nations tread,
Whilst he thy name defies,
Trusting in Thee alone, we hope to quell
His furious might, his purpose fell;
And as the ensigns of his baffled pride
O'er the seas are scattered wide,
We will take up a joyous strain and cry--
Shout! for the Lord hath triumphed gloriously!

poem by William Lisle Bowles
Submitted by Poetry Lover
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To Fannie

Write to thine eyes? Why, my poor pen
Quails at the unequal task;
I fear you don't appreciate
The mighty boon you ask.
Thine eyes, I know, oh! beautiful!
True poets would inspire;
But, dear, you should remember, that
I've not a poet's fire.
But still at thy request I call
My sleeping muse to me,
To write a sonnet to thine eyes-
Would it were worthy thee!
Tender and loving, soft and pure,
They pierce the heart of man;
And with the aid of Cupid's darts,
Maim all the hearts they can.
Bright as the stars in yonder sky,
They shine for all on earth:
So sad in sorrow, glad in joy,
And sparkling in their mirth.
They, like the eyes of the gazelle,
Gaze fondly where you love;
And who receives such gaze, esteems
Them angels from above.
Bright as the light of long-sought home
To pilgrims o'er earth's way,
Whose footsteps sore, have wandered far,
Through weary year and day.
The light of love, the light of truth,
From thy soft eyes e'er beam;
And from thy heart, so kind and true,
A host of virtues gleam.
Now if this sonnet, Fannie, dear,
Were written by a lover,
A thousand charms no doubt he'd see,
That I cannot discover.

poem by Mary Eliza Perine Tucker Lambert
Submitted by Poetry Lover
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A Summer Ramble

The quiet August noon has come,
A slumberous silence fills the sky,
The fields are still, the woods are dumb,
In glassy sleep the waters lie.

And mark yon soft white clouds that rest
Above our vale, a moveless throng;
The cattle on the mountain's breast
Enjoy the grateful shadow long.

Oh, how unlike those merry hours
In early June when Earth laughs out,
When the fresh winds make love to flowers,
And woodlands sing and waters shout.

When in the grass sweet voices talk,
And strains of tiny music swell
From every moss-cup of the rock,
From every nameless blossom's bell.

But now a joy too deep for sound,
A peace no other season knows,
Hushes the heavens and wraps the ground,
The blessing of supreme repose.

Away! I will not be, to-day,
The only slave of toil and care.
Away from desk and dust! away!
I'll be as idle as the air.

Beneath the open sky abroad,
Among the plants and breathing things,
The sinless, peaceful works of God,
I'll share the calm the season brings.

Come, thou, in whose soft eyes I see
The gentle meanings of thy heart,
One day amid the woods with me,
From men and all their cares apart.

And where, upon the meadow's breast,
The shadow of the thicket lies,
The blue wild flowers thou gatherest
Shall glow yet deeper near thine eyes.

Come, and when mid the calm profound,
I turn, those gentle eyes to seek,
They, like the lovely landscape round,
Of innocence and peace shall speak.

Rest here, beneath the unmoving shade,
And on the silent valleys gaze,
Winding and widening, till they fade
In yon soft ring of summer haze.

The village trees their summits rear
Still as its spire, and yonder flock
At rest in those calm fields appear
As chiselled from the lifeless rock.

One tranquil mount the scene o'erlooks--
There the hushed winds their sabbath keep
While a near hum from bees and brooks
Comes faintly like the breath of sleep.

Well may the gazer deem that when,
Worn with the struggle and the strife,
And heart-sick at the wrongs of men,
The good forsakes the scene of life;

Like this deep quiet that, awhile,
Lingers the lovely landscape o'er,
Shall be the peace whose holy smile
Welcomes him to a happier shore.

poem by William Cullen Bryant
Submitted by Poetry Lover
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An Ode on the Piece

I.
As wand'ring late on Albion's shore
That chains the rude tempestuous deep,
I heard the hollow surges roar
And vainly beat her guardian steep;
I heard the rising sounds of woe
Loud on the storm's wild pinion flow;
And still they vibrate on the mournful lyre,
That tunes to grief its sympathetic wire.

II.
From shores the wide Atlantic laves,
The spirit of the ocean bears
In moans, along his western waves,
Afflicted nature's hopeless cares:
Enchanting scenes of young delight,
How chang'd since first ye rose to sight;
Since first ye rose in infant glories drest
Fresh from the wave, and rear'd your ample breast.

III.
Her crested serpents, discord throws
O'er scenes which love with roses grac'd;
The flow'ry chain his hands compose,
She wildly scatters o'er the waste:
Her glance his playful smile deforms,
Her frantic voice awakes the storms,
From land to land, her torches spread their fires,
While love's pure flame in streams of blood expires.

IV.
Now burns the savage soul of war,
While terror flashes from his eyes,
Lo! waving o'er his fiery car
Aloft his bloody banner flies:
The battle wakes—with awful sound
He thunders o'er the echoing ground,
He grasps his reeking blade, while streams of blood
Tinge the vast plain, and swell the purple flood.

V.
But softer sounds of sorrow flow;
On drooping wing the murm'ring gales
Have borne the deep complaints of woe
That rose along the lonely vales—
Those breezes waft the orphan's cries,
They tremble to parental sighs,
And drink a tear for keener anguish shed,
The tear of faithful love when hope is fled.

VI.
The object of her anxious fear
Lies pale on earth, expiring, cold,
Ere, wing'd by happy love, one year
Too rapid in its course, has roll'd;
In vain the dying hand she grasps,
Hangs on the quiv'ring lip, and clasps
The fainting form, that slowly sinks in death,
To catch the parting glance, the fleeting breath.

VII.
Pale as the livid corse her cheek,
Her tresses torn, her glances wild,—
How fearful was her frantic shriek!
She wept—and then in horrors smil'd:
She gazes now with wild affright,
Lo! bleeding phantoms rush in sight—
Hark! on yon mangled form the mourner calls,
Then on the earth a senseless weight she falls.

VIII.
And see! o'er gentle Andre's tomb,
The victim of his own despair,
Who fell in life's exulting bloom,
Nor deem'd that life deserv'd a care;
O'er the cold earth his relicks prest,
Lo! Britain's drooping legions rest;
For him the swords they sternly grasp, appear
Dim with a sigh, and sullied with a tear.

IX.
While Seward sweeps her plaintive strings,
While pensive round his sable shrine,
A radiant zone she graceful flings,
Where full emblaz'd his virtues shine;
The mournful loves that tremble nigh
Shall catch her warm melodious sigh;
The mournful loves shall drink the tears that flow
From Pity's hov'ring soul, dissolv'd in woe.

X.
And hark, in Albion's flow'ry vale
A parent's deep complaint I hear!
A sister calls the western gale
To waft her soul-expressive tear;
'Tis Asgill claims that piercing sigh,
That dropp which dims the beauteous eye,
While on the rack of Doubt Affection proves
How strong the force which binds the ties she loves.

XI.
How oft in every dawning grace
That blossom'd in his early hours,
Her soul some comfort lov'd to trace,
And deck'd futurity in flowers!
But lo! in Fancy's troubled sight
The dear illusions sink in night;
She views the murder'd form—the quiv'ring breath,
The rising virtues chill'd in shades of death.

XII.
Cease, cease ye throbs of hopeless woe;
He lives the future hours to bless,
He lives, the purest joy to know,
Parental transports fond excess;
His sight a father's eye shall chear,
A sister's drooping charms endear:—
The private pang was Albion's gen'rous care,
For him she breath'd a warm accepted prayer.

XIII.
And lo! a radiant stream of light
Defending, gilds the murky cloud,
Where Desolation's gloomy night
Retiring, folds her sable shroud;
It flashes o'er the bright'ning deep,
It softens Britain's frowning steep—
'Tis mild benignant Peace, enchanting form!
That gilds the black abyss, that lulls the storm.

XIV.
So thro' the dark, impending sky,
Where clouds, and fallen vapours roll'd,
Their curling wreaths dissolving fly
As the faint hues of light unfold—
The air with spreading azure streams,
The sun now darts his orient beams—
And now the mountains glow—the woods are bright—
While nature hails the season of delight.

XV.
Mild Peace! from Albion's fairest bowers
Pure spirit! cull with snowy hands,
The buds that drink the morning showers,
And bind the realms in flow'ry bands:
Thy smiles the angry passions chase,
Thy glance is pleasure's native grace;
Around thy form th' exulting virtues move,
And thy soft call awakes the strain of love.

XVI.
Bless, all ye powers! the patriot name
That courts fair Peace, thy gentle stay;
Ah! gild with glory's light, his fame,
And glad his life with pleasure's ray!
While, like th' affrighted dove, thy form
Still shrinks, and fears some latent storm,
His cares shall sooth thy panting soul to rest,
And spread thy vernal couch on Albion's breast.

XVII.
Ye, who have mourn'd the parting hour,
Which love in darker horrors drew,
Ye, who have vainly tried to pour
With falt'ring voice the last adieu!
When the pale cheek, the bursting sigh,
The soul that hov'ring in the eye,
Express'd the pains it felt, the pains it fear'd—
Ah! paint the youth's return, by grief endear'd.

XVIII.
Yon hoary form, with aspect mild,
Deserted kneels by anguish prest,
And seeks from Heav'n his long-lost child,
To smooth the path that leads to rest!—
He comes!—to close the sinking eye,
To catch the faint, expiring sigh;
A moment's transport stays the fleeting breath,
And sooths the soul on the pale verge of death.

XIX.
No more the sanguine wreath shall twine
On the lost hero's early tomb,
But hung around thy simple shrine
Fair Peace! shall milder glories bloom.
Lo! commerce lifts her drooping head
Triumphal, Thames! from thy deep bed;
And bears to Albion, on her sail sublime,
The riches Nature gives each happier clime.

XX.
She fearless prints the polar snows,
Mid' horrors that reject the day;
Along the burning line she glows,
Nor shrinks beneath the torrid ray:
She opens India's glitt'ring mine,
Where streams of light reflected shine;
Wafts the bright gems to Britain's temp'rate vale,
And breathes her odours on the northern gale.

XXI.
While from the far-divided shore
Where liberty unconquer'd roves,
Her ardent glance shall oft' explore
The parent isle her spirit loves;
Shall spread upon the western main
—Harmonious concord's golden chain,
While stern on Gallia's ever hostile strand
From Albion's cliff she pours her daring band.

XXII.
Yet hide the sabre's hideous glare
Whose edge is bath'd in streams of blood,
The lance that quivers high in air,
And falling drinks a purple flood;
For Britain! fear shall seize thy foes,
While freedom in thy senate glows,
While peace shall smile upon thy cultur'd plain,
With grace and beauty her attendant train.

XXIII.
Enchanting visions sooth my sight—
The finer arts no more oppress'd,
Benignant source of pure delight!
On her soft bosom love to rest.
While each discordant sound expires,
Strike harmony! strike all thy wires;
The fine vibrations of the spirit move
And touch the springs of rapture and of love.

XXIV.
Bright painting's living forms shall rise;
And wrapt in Ugolino's woe,
Shall Reynolds wake unbidden sighs;
And Romney's graceful pencil flow,
That Nature's look benign pourtrays,
When to her infant Shakspeare's gaze
The partial nymph 'unveil'd her awful face,'
And bade his 'colours clear' her features trace.

XXV.
And poesy! thy deep-ton'd shell
The heart shall sooth, the spirit fire,
And all the passion sink, or swell,
In true accordance to the lyre.
Oh! ever wake its heav'nly sound,
Oh! call thy lovely visions round;
Strew the soft path of peace with fancy's flowers,
With raptures bless the soul that feels thy powers.

XXVI.
While Hayley wakes thy magic string,
His shades shall no rude sound profane,
But stillness on her folded wing,
Enamour'd catch his soothing strain:
Tho' genius breathe its purest flame
—Around his lyre's enchanting frame;
Tho' music there in every period roll,
More warm his friendship, and more pure his soul.

XXVII.
While taste refines a polish'd age,
While her own Hurd shall bid us trace
The lustre of the finish'd page
Where symmetry sheds perfect grace;
With sober and collected ray
To fancy, judgment shall display
The faultless model, where accomplish'd art
From nature draws a charm that leads the heart.

XXVIII.
Th' historic Muse illumes the maze
For ages veil'd in gloomy night,
Where empire with meridian blaze
Once trod ambition's giddy height:
Tho' headlong from the dang'rous steep
Its pageants roll'd with wasteful sweep,
Her tablet still records the deeds of fame
And wakes the patriot's, and the hero's flame.

XXIX.
While meek philosophy explores
Creation's vast stupendous round;
Sublime her piercing vision soars,
And bursts the system's distant bound.
Lo! mid' the dark deep void of space
A rushing world her eye can trace!—
It moves majestic in its ample sphere,
Sheds its long light, and rolls its ling'ring year.

XXX.
Ah! still diffuse thy genial ray,
Fair Science, on my Albion's plain!
And still thy grateful homage pay
Where Montagu has rear'd her fane;
Where eloquence and wit entwine
Their attic wreath around her shrine;
And still, while Learning shall unfold her store,
With their bright signet stamp the classic ore.

XXXI.
Enlight'ning Peace! for thine the hours
That wisdom decks in moral grace,
And thine invention's fairy powers,
The charm improv'd of nature's face;
Propitious come! in silence laid
Beneath thy olive's grateful shade,
Pour the mild bliss that sooths the tuneful mind,
And in thy zone the hostile spirit bind.

XXXII.
While Albion on her parent deep
Shall rest, may glory light her shore,
May honour there his vigils keep
Till time shall wing its course no more;
Till angels wrap the spheres in fire,
Till earth and yon fair orbs expire,
While chaos mounted on the wasting flame,
Shall spread eternal shade o'er nature's frame.

poem by Helen Maria Williams
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Verses on Sir Joshua Reynold's Painted Window at New College, Oxford

Ah, stay thy treacherous hand, forbear to trace
Those faultless forms of elegance and grace!
Ah, cease to spread the bright transparent mass,
With Titian's pencil, o'er the speaking glass!
Nor steal, by strokes of art with truth combin'd,
The fond illusions of my wayward mind!
For long, enamour'd of a barbarous age,
A faithless truant to the classic page;
Long have I lov'd to catch the simple chime
Of minstrel-harps, and spell the fabling rime;
To view the festive rites, the knightly play,
That deck'd heroic Albion's elder day;
To mark the mouldering halls of barons bold,
And the rough castle, cast in giant mould;
With Gothic manners Gothic arts explore,
And muse on the magnificence of yore.

But chief, enraptur'd have I lov'd to roam,
A lingering votary, the vaulted dome,
Where the tall shafts, that mount in massy pride,
Their mingling branches shoot from side to side;
Where elfin sculptors, with fantastic clew,
O'er the long roof their wild embroidery drew;
Where Superstition with capricious hand
In many a maze the wreathed window plann'd,
With hues romantic ting'd the gorgeous pane,
To fill with holy light the wondrous fane;
To aid the builder's model, richly rude,
By no Vitruvian symmetry subdu'd;
To suit the genius of the mystic pile:
Whilst as around the far-retiring aisle,
And fretted shrines, with hoary trophies hung,
Her dark illumination wide she flung,
With new solemnity, the nooks profound,
The caves of death, and the dim arches frown'd.
From bliss long felt unwillingly we part:
Ah, spare the weakness of a lover's heart!
Chase not the phantoms of my fairy dream,
Phantoms that shrink at Reason's painful gleam!
That softer touch, insidious artist, stay,
Nor to new joys my struggling breast betray!

Such was a pensive bard's mistaken strain.--
But, oh, of ravish'd pleasures why complain?
No more the matchless skill I call unkind,
That strives to disenchant my cheated mind.
For when again I view thy chaste design,
The just proportion, and the genuine line;
Those native portraitures of Attic art,
That from the lucid surface seem to start;
Those tints, that steal no glories from the day,
Nor ask the sun to lend his streaming ray:
The doubtful radiance of contending dyes,
That faintly mingle, yet distinctly rise;
'Twixt light and shade the transitory strife;
The feature blooming with immortal life:
The stole in casual foldings taught to flow,
Not with ambitious ornaments to glow;
The tread majestic, and the beaming eye,
That lifted speaks its commerce with the sky;
Heaven's golden emanation, gleaming mild
O'er the mean cradle of the Virgin's child:
Sudden, the sombrous imagery is fled,
Which late my visionary rapture fed:
Thy powerful hand has broke the Gothic chain,
And brought my bosom back to truth again;
To truth, by no peculiar taste confin'd,
Whose universal pattern strikes mankind;
To truth, whose bold and unresisted aim
Checks frail caprice, and fashion's fickle claim;
To truth, whose charms deception's magic quell,
And bind coy Fancy in a stronger spell.

Ye brawny Prophets, that in robes so rich,
At distance due, possess the crisped niche;
Ye rows of Patriarchs, that sublimely rear'd
Diffuse a proud primeval length of beard:
Ye Saints, who clad in crimson's bright array,
More pride than humble poverty display:
Ye Virgins meek, that wear the palmy crown
Of patient faith, and yet so fiercely frown:
Ye Angels, that from clouds of gold recline,
But boast no semblance to a race divine:
Ye tragic tales of legendary lore,
That draw devotion's ready tear no more;
Ye martyrdoms of unenlighten'd days,
Ye miracles, that now no wonder raise:
Shapes, that with one broad glare the gazer strike,
Kings, bishops, nuns, apostles, all alike!
Ye colours, that th' unwary sight amaze,
And only dazzle in the noontide blaze!
No more the sacred window's round disgrace,
But yield to Grecian groups the shining space.
Lo, from the canvas Beauty shifts her throne,
Lo, Picture's powers a new formation own!
Behold, she prints upon the crystal plain,
With her own energy, th' expressive stain!
The mighty master spreads his mimic toil
More wide, nor only blends the breathing oil;
But calls the lineaments of life complete
From genial alchymy's creative heat;
Obedient forms to the bright fusion gives,
While in the warm enamel Nature lives.

Reynolds, 'tis thine, from the broad window's height,
To add new lustre to religious light:
Not of its pomp to strip this ancient shrine,
But bid that pomp with purer radiance shine:
With arts unknown before, to reconcile
The willing Graces to the Gothic pile.

poem by Thomas Warton Jr.
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Lines inscribed to P. de Loutherbourg, Esq. R. A.

WHERE on the bosom of the foamy RHINE,
In curling waves the rapid waters shine;
Where tow'ring cliffs in awful grandeur rise,
And midst the blue expanse embrace the skies;
The wond'ring eye beholds yon craggy height,
Ting'd with the glow of Evening's fading light:
Where the fierce cataract swelling o'er its bound,
Bursts from its source, and dares the depth profound.
On ev'ry side the headlong currents flow,
Scatt'ring their foam like silv'ry sands below:
From hill to hill responsive echoes sound,
Loud torrents roar, and dashing waves rebound:
Th' opposing rock, the azure stream divides
The white froth tumbling down its sparry sides;
From fall to fall the glitt'ring channels flow,
'Till lost, they mingle in the Lake below.
Tremendous spot ! amid thy views sublime,
The mental sight ethereal realms may climb,
With wonder rapt the mighty work explore,
Confess TH' ETERNAL'S pow'r ! and pensively adore!

ALL VARYING NATURE! oft the outstretch'd eye
Marks o'er the WELKIN's brow the meteor fly:
Marks, where the COMET with impetuous force,
O'er Heaven's wide concave, skims its fiery course:
While on the ALPINE steep thin vapours rise,
Float on the blast­or freeze amidst the skies:
Or half congeal'd in flaky fragments glide
Along the gelid mountain's breezy side;
Or mingling with the waste of yielding snow,
From the vast height in various currents flow.

Now pale-ey'd MORNING, at thy soft command,
O'er the rich landscape spreads her dewy hand:
Swift o'er the plain the lucid rivers fly,
Imperfect mirrors of the dappled sky:
On the fring'd margin of the dimpling tide,
Each od'rous bud, by FLORA'S pencil dy'd,
Expands its velvet leaves of lust'rous hue,
Bath'd in the essence of celestial dew:
While from the METEOR to the simplest FLOW R,
Prolific Nature ! we behold thy pow'r !
Yet has mysterious Heaven with care consign'd
Thy noblest triumphs to the human mind;
MAN feels the proud preeminence impart
Intrepid firmness to his swelling heart;
Creation's lord ! where'er HE bends his way,
The torch of REASON spreads its godlike ray.

As o'er SIClLlAN sands the Trav'ler roves,
Feeds on its fruits, and shelters in its groves,
Sudden amidst the calm retreat he hears
The pealing thunders in the distant spheres;
He sees the curling fumes from ETNA rise,
Shade the green vale, and blacken all the skies.
Around his head the forked lightnings glare,
The vivid streams illume the stagnant air:
The nodding hills hang low'ring o'er the deep,
The howling winds the clust'ring vineyards sweep;
The cavern'd rocks terrific tremours rend;
Low to the earth the tawny forests bend:
While He an ATOM in the direful scene,
Views the wild CHAOS, wond'ring, and serene;
Tho' at his feet sulphureous rivers roll,
No touch of terror shakes his conscious soul:
His MIND ! enlighten'd by PROMETHEAN rays
Expanding, glows with intellectual blaze!

Such scenes, long since, th' immortal POET charm'd,
His MUSE enraptur'd, and his FANCY warm'd:
From them he learnt with magic eye t' explore,
The dire ARCANUM of the STYGIAN shore !
Where the departed spirit trembling, hurl'd
"With restless violence round the pendent world,"
On the swift wings of whistling whirlwinds flung,
Plung'd in the wave, or on the mountain hung.

While o'er yon cliff the ling'ring fires of day,
In ruby shadows faintly glide away;
The glassy source that feeds the CATARACT's stream,
Bears the last image of the solar beam:
Wide o'er the Landscape Nature's tints disclose,
The softest picture of sublime repose;
The sober beauties of EVE'S hour serene,
The scatter'd village, now but dimly seen,
The neighb'ring rock, whose flinty brow inclin'd,
Shields the clay cottage from the northern wind:
The variegated woodlands scarce we view,
The distant mountains ting'd with purple hue:
Pale twilight flings her mantle o'er the skies,
From the still lake, the misty vapours rise;
Cold show'rs descending on the western breeze,
Sprinkle with lucid drops the bending trees,
Whose spreading branches o'er the glade reclin'd,
Wave their dank leaves, and murmur to the wind.

Such scenes, O LOUTHERBOURG! thy pencil fir'd,
Warm'd thy great mind, and every touch inspir'd:
Beneath thy hand the varying colours glow,
Vast mountains rise, and crystal rivers flow:
Thy wond'rous Genius owns no pedant rule,
Nature's thy guide, and Nature's works thy school:
Pursue her steps, each rival's art defy,
For while she charms, THY NAME shall never die.

poem by Mary Darby Robinson
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Lewin and Gynneth

"WHEN will my troubled soul have rest?"
The beauteous LEWIN cried;
As thro' the murky shade of night
With frantic step she hied.

"When shall those eyes my GYNNETH'S face,
My GYNNETH'S form survey ?
When shall those longing eyes again
Behold the dawn of day ?"

Cold are the dews that wet my cheek,
The night-mist damps the ground;
Appalling echoes strike mine ear,
And spectres gleam around.

The vivid lightning's transient rays
Around my temples play;
'Tis all the light my fate affords,
To mark my thorny way.

From the black mountain's awful height,
Where LATHRYTH'S turrets rise;
The dark owl screams a direful song,
And warns me as she flies !

The chilling blast, the whistling winds,
The mould'ring ramparts shake;
The hungry tenants of the wood,
Their cavern'd haunts forsake.

Those tender limbs unus'd to stray
Beyond a father's door;
Full many a mile have journey'd forth,
Each footstep mark'd with gore.

No costly sandals deck those feet,
By thorns and briars torn;
The cold rain chills my rosy cheek,
Whose freshness sham'd the morn !

Slow steals the life-stream at my heart;
Dark clouds o'ershade my eyes;
Foreboding sorrow tells my soul,
My captive Lover dies.

Yet if one gentle ray of hope
Can sooth the soul to rest;
Oh ! may it pierce yon flinty tow'r,
And warm my GYNNETH's breast:

And if soft pity's tearful eye
A Tyrant's heart can move;
Ill-fated LEWIN yet may live
To clasp her vanquish'd Love.

And tho' stern war with bonds of steel
His graceful form shall bind;
No earthly spell has pow'r to hold
The freedom of his mind !

And tho' his warm and gallant heart
Now yields to fate's decree;
Its feelings spurn the base constraint,
And fly to LOVE and ME !

Then, BRANWORTH, Lion of the field !
O, hear a maiden plead;
Sheath not thy sword in GYNNETH'S breast,
Or too, let LEWIN'S bleed ?

To valiant feats of arms renown'd
Shall earthly praise be giv'n;
But deeds of MERCY, mighty Chief,
Are register'd in HEAV'N !

Thy praises shall resounding fill
The Palace of thy foe;
While down the joyful LEWIN'S cheek
The grateful tear shall flow.

And sure the tear that VIRTUE sheds,
Some rapture can impart;
What gem can deck a victor's throne
Like incense from the heart?

Now the grey Morning's silv'ry light,
Dawn'd in the eastern skies,
When at the lofty lattice grate
Her Lover's form she spies:

"He lives," she cried, "My GYNNETH lives !"
Youth of the crimson shield !
The graceful Hero of my heart,
The glory of the field !

"Come down, my soul's delight," she said,
"Thy blue-ey'd LEWIN see;
YRGANVY'S Daughter, thy true Love,
Who only breathes for THEE:

"Then haste THEE from thy prison house
Ere yet the Foe doth rise !
Oh! haste, ere yet the Morning Sun
Doth flame along the skies.

"Ah, speak! my heart is chill'd with fear,
My fault'ring voice doth fail;
Why are thy darling eyes so dim,
Thy cheek so deathly pale ?"

"I am THY GYNNETH'S GHOST, sweet maid,
Avoid the madd'ning sight;
Those eyes that doated on thy charms,
Are lock'd in endless night.

"This loyal heart which beat for thee,
Is rent with many a wound;
Cleft is my shield, my glitt'ring spear
Lies broken on the ground !

"My bones the eagle hath convey'd
To feed her rav'nous brood;
The savage BRANWORTH'S cruel hand
Hath spilt my purple blood.

"Then hie thee hence, ill-fated maid,
Ere greater woes betide;
To where LLANGADOC'S silver streams
Along the vallies glide.

"There, where the modest PRIMROSE blooms,
Pale as thy lover's shade;
My mangled relics shalt thou find
Upon the green turf laid.

"Then hie thee hence, with holy hands,
Build up a sacred shrine,
And oh ! chaste maid, thy faith to prove,
Mingle thy dust with mine ?"

Ah ! have you seen a mother's joy
In cherub sweetness dress'd,
Seiz'd by the numbing hand of death,
Expiring at her breast ?

Or the fond maid, whom morrow's dawn
Had hail'd a wedded fair;
Doom'd to behold her lover's corse
Scorch'd by the lightning's glare ?

So stood the hopeless, frantic maid,
YRGANVY's graceful child,
Cold was her cheek, her dove-like eyes
Fix'd in amazement wild !

"This panting heart," at length she cried
"A sharper pang doth feel,
Than thine, brave youth, when rent in twain
By BRANWORTH'S poison'd steel.

"No more these sad and weeping eyes,
My father's house shall see;
Thy kindred spirit calls me hence.
I haste to follow thee."

Beside thy tomb the TRAV'LLER'S tear
Shall join the crystal spring;
Around the solemn dirge of woe
Shall sainted DRUIDS sing;

The weary PILGRIM faint and sad,
Shall stay his steps awhile;
The memory of his OWN hard fate,
THY story shall beguile;

There wet with many a holy tear,
The sweetest buds shall blow,
There LEWIN'S ghost shall mark the shrine
A monument of woe !

Thrice did he ope the lattice grate,
And thrice he bade adieu;
When lo, to join the parting shade,
The MAIDEN'S SPIRIT FLEW!

poem by Mary Darby Robinson
Submitted by Poetry Lover
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Epilogue To Tancred And Sigismunda

Cramm'd to the throat with wholesome moral stuff,
Alas! poor audience! you have had enough.
Was ever hapless heroine of a play
In such a piteous plight as ours to-day?
Was ever woman so by love betray'd?
Match'd with two husbands, and yet—die a maid.
But bless me!—hold—What sounds are these I hear!—
I see the Tragic Muse herself appear.

[The back scene opens, and discovers a romantic sylvan landscape; from which Mrs. Cibber, in the character of the Tragic Muse, advances slowly to music, and speaks the following lines]:

Hence with your flippant epilogue, that tries
To wipe the virtuous tear from British eyes;
That dares my moral, tragic scene profane,
With strains—at best, unsuiting, light and vain.
Hence from the pure unsullied beams that play
In yon fair eyes where virtue shines—Away!
Britons, to you from chaste Castalian groves,
Where dwell the tender, oft unhappy loves!
Where shades of heroes roam, each mighty name,
And court my aid to rise again to fame;
To you I come, to Freedom's noblest seat,
And in Britannia fix my last retreat.
In Greece and Rome, I watch'd the public weal,
The purple tyrant trembled at my steel:
Nor did I less o'er private sorrows reign,
And mend the melting heart with softer pain.
On France and you then rose my brightening star,
With social ray—The arts are ne'er at war.
O, as your fire and genius stronger blaze,
As yours are generous Freedom's bolder lays,
Let not the Gallic taste leave yours behind,
In decent manners and in life refined;
Banish the motley mode to tag low verse,
The laughing ballad to the mournful hearse.
When through five acts your hearts have learnt to glow,
Touch'd with the sacred force of honest woe;
O keep the dear impression on your breast,
Nor idly loose it for a wretched jest.

poem by James Thomson
Submitted by Poetry Lover
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