En.Citatepedia^®.ro

Baile And Aillinn

ARGUMENT. Baile and Aillinn were lovers, but Aengus, the
Master of Love, wishing them to he happy in his own land
among the dead, told to each a story of the other's death, so
that their hearts were broken and they died.

I HARDLY hear the curlew cry,

Nor thegrey rush when the wind is high,
Before my thoughts begin to run
On the heir of Uladh, Buan's son,
Baile, who had the honey mouth;
And that mild woman of the south,
Aillinn, who was King Lugaidh's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their hodies had grown old.
Being forbid to marry on earth,
They blossomed to immortal mirth.

About the time when Christ was born,
When the long wars for the White Horn
And the Brown Bull had not yet come,
Young Baile Honey Mouth, whom some
Called rather Baile Little-Land,
Rode out of Emain with a band
Of harpers and young men; and they
Imagined, as they struck the way
To many-pastured Muirthemne,
That all things fell out happily,
And there, for all that fools had said,
Baile and Aillinn would be wed.
They found an old man running there:
He had ragged long grass-coloured hair;
He had knees that stuck out of his hose;
He had puddle-water in his shoes;
He had half a cloak to keep him dry,
Although he had a squirrel's eye.

wandering hirds and rushy beds,
You put such folly in our heads
With all this crying in the wind,
No common love is to our mind,
And our poor kate or Nan is less
Than any whose unhappiness
Awoke the harp-strings long ago.
Yet they that know all things hut know
That all this life can give us is
A child's laughter, a woman's kiss.
Who was it put so great a scorn
In thegrey reeds that night and morn
Are trodden and broken hy the herds,
And in the light bodies of birds
The north wind tumbles to and fro
And pinches among hail and snow?
That runner said: 'I am from the south;
I run to Baile Honey-Mouth,
To tell him how the girl Aillinn
Rode from the country of her kin,
And old and young men rode with her:
For all that country had been astir
If anybody half as fair
Had chosen a husband anywhere
But where it could see her every day.
When they had ridden a little way
An old man caught the horse's head
With: ''You must home again, and wed
With somebody in your own land.''
A young man cried and kissed her hand,
''O lady, wed with one of us'';
And when no face grew piteous
For any gentle thing she spake,
She fell and died of the heart-break.'
Because a lover's heart s worn out,
Being tumbled and blown about
By its own blind imagining,
And will believe that anything
That is bad enough to be true, is true,
Baile's heart was broken in two;
And he, being laid upon green boughs,
Was carried to the goodly house
Where the Hound of Uladh sat before
The brazen pillars of his door,
His face bowed low to weep the end
Of the harper's daughter and her friend
For athough years had passed away
He always wept them on that day,
For on that day they had been betrayed;
And now that Honey-Mouth is laid
Under a cairn of sleepy stone
Before his eyes, he has tears for none,
Although he is carrying stone, but two
For whom the cairn's but heaped anew.

We hold, because our memory is
Sofull of that thing and of this,
That out of sight is out of mind.
But the grey rush under the wind
And the grey bird with crooked bill
rave such long memories that they still
Remember Deirdre and her man;
And when we walk with Kate or Nan
About the windy water-side,
Our hearts can Fear the voices chide.
How could we be so soon content,
Who know the way that Naoise went?
And they have news of Deirdre's eyes,
Who being lovely was so wise --
Ah! wise, my heart knows well how wise.

Now had that old gaunt crafty one,
Gathering his cloak about him, mn
Where Aillinn rode with waiting-maids,
Who amid leafy lights and shades
Dreamed of the hands that would unlace
Their bodices in some dim place
When they had come to the matriage-bed,
And harpers, pacing with high head
As though their music were enough
To make the savage heart of love
Grow gentle without sorrowing,
Imagining and pondering
Heaven knows what calamity;
'Another's hurried off,' cried he,
'From heat and cold and wind and wave;
They have heaped the stones above his grave
In Muirthemne, and over it
In changeless Ogham letters writ --
Baile, that was of Rury's seed.
But the gods long ago decreed
No waiting-maid should ever spread
Baile and Aillinn's marriage-bed,
For they should clip and clip again
Where wild bees hive on the Great Plain.
Therefore it is but little news
That put this hurry in my shoes.'
Then seeing that he scarce had spoke
Before her love-worn heart had broke.
He ran and laughed until he came
To that high hill the herdsmen name
The Hill Seat of Laighen, because
Some god or king had made the laws
That held the land together there,
In old times among the clouds of the air.
That old man climbed; the day grew dim;
Two swans came flying up to him,
Linked by a gold chain each to each,
And with low murmuring laughing speech
Alighted on the windy grass.
They knew him: his changed body was
Tall, proud and ruddy, and light wings
Were hovering over the harp-strings
That Edain, Midhir's wife, had wove
In the hid place, being crazed by love.
What shall I call them? fish that swim,
Scale rubbing scale where light is dim
By a broad water-lily leaf;
Or mice in the one wheaten sheaf
Forgotten at the threshing-place;
Or birds lost in the one clear space
Of morning light in a dim sky;
Or, it may be, the eyelids of one eye,
Or the door-pillars of one house,
Or two sweet blossoming apple-boughs
That have one shadow on the ground;
Or the two strings that made one sound
Where that wise harper's finger ran.
For this young girl and this young man
Have happiness without an end,
Because they have made so good a friend.
They know all wonders, for they pass
The towery gates of Gorias,
And Findrias and Falias,
And long-forgotten Murias,
Among the giant kings whose hoard,
Cauldron and spear and stone and sword,
Was robbed before earth gave the wheat;
Wandering from broken street to street
They come where some huge watcher is,
And tremble with their love and kiss.
They know undying things, for they
Wander where earth withers away,
Though nothing troubles the great streams
But light from the pale stars, and gleams
From the holy orchards, where there is none
But fruit that is of precious stone,
Or apples of the sun and moon.
What were our praise to them? They eat
Quiet's wild heart, like daily meat;
Who when night thickens are afloat
On dappled skins in a glass boat,
Far out under a windless sky;
While over them birds of Aengus fly,
And over the tiller and the prow,
And waving white wings to and fro
Awaken wanderings of light air
To stir their coverlet and their hair.
And poets found, old writers say,
A yew tree where his body lay;
But a wild apple hid the grass
With its sweet blossom where hers was,
And being in good heart, because
A better time had come again
After the deaths of many men,
And that long fighting at the ford,
They wrote on tablets of thin board,
Made of the apple and the yew,
All the love stories that they knew.

Let rush and hird cry out their fill
Of the harper's daughter if they will,
Beloved, I am not afraid of her.
She is not wiser nor lovelier,
And you are more high of heart than she,
For all her wanderings over-sea;
But I'd have bird and rush forget
Those other two; for never yet
Has lover lived, but longed to wive
Like them that are no more alive.

poem by William Butler Yeats
Submitted by Poetry Lover
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The Harp Of Aengus

Edain came out of Midhir's hill, and lay
Beside young Aengus in his tower of glass,
Where time is drowned in odour-laden winds
And Druid moons, and murmuring of boughs,
And sleepy boughs, and boughs where apples made
Of opal and ruhy and pale chrysolite
Awake unsleeping fires; and wove seven strings,
Sweet with all music, out of his long hair,
Because her hands had been made wild by love.
When Midhir's wife had changed her to a fly,
He made a harp with Druid apple-wood
That she among her winds might know he wept;
And from that hour he has watched over none
But faithful lovers.

poem by William Butler Yeats
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The Shadowy Waters: The Harp of Aengus

Edain came out of Midhir's hill, and lay
Beside young Aengus in his tower of glass,
Where time is drowned in odour-laden winds
And Druid moons, and murmuring of boughs,
And sleepy boughs, and boughs where apples made
Of opal and ruhy and pale chrysolite
Awake unsleeping fires; and wove seven strings,
Sweet with all music, out of his long hair,
Because her hands had been made wild by love.
When Midhir's wife had changed her to a fly,
He made a harp with Druid apple-wood
That she among her winds might know he wept;
And from that hour he has watched over none
But faithful lovers.

poem by William Butler Yeats
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Cha Cha Loco

Youve tied the knot
Dont bite the hand or it wont feed
What she aint got
Is sure to make sure you dont need
You cant go back
Youve booked the band
So take your partner by the hand
Baile
Enjoy the food - so many courses
Baile
Enjoy the dance - they dont shoot horses
Baile
Cha cha loco
You like the dress
Its out of mothballs once a year
The good champagne
Tomorrow night its back to beer
But now youre here, youll dance all night
But never get the steps quite right
Baile
Enjoy the food - so many courses
Baile
Enjoy the dance - they dont shoot horses
Baile
Cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Cha cha cha loco
Baile
Enjoy the food - so many courses
Baile
Enjoy the dance - they dont shoot horses
Baile
Cha cha loco

song performed by by Joe Jackson
Submitted by Lucian Velea
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When I Was A Young Girl

(A Song of Old Ballads)

WHEN I was a young girl, all in a green arbor,
When I was a young girl in Springtimes gone by
All the long days I went singing and smiling,
Down by the roses the sweet days beguiling,
Love in the arbor and love in the sky . . .
When I was a young girl, a young girl, a young girl,
When I was a young girl, how happy was I!

Oh, the long days I must sit at my sampler,
Oh, the slow way that the still time would go!
I longed to be running across the bright heather,
'Off with the silk gown and on with the leather,
Following the raggle-taggle gypsies, oh!'
When I was a young girl, a young girl, a young girl,
When I was a young girl, a long time ago!

When I was a young girl in days that were golden,
When I was a young girl, and life had no smart,
All the world seemed a place for my playing,
Full of great lovers to come to me, saying,
'Madam, I give you the keys of my heart . . .'
When I was a young girl, a young girl, a young girl,
When I was a young girl, and dreaming apart!

When I was a young girl, I dreamed of my lover,
A tall cavalier who should whisper me low,
'Love, on your lips are red roses a-blowing,
I am your true love, and fast is time going
Am I your true love? Oh, say yes or no!'
When I was a young girl, a young girl, a young girl–
When I was a young girl, a long time ago!

When I was a young girl there came my true lover,
Swiftly I knew him in glad days gone by;
Never a sword or a lovelock or feather,
But oh, at his touch 'twas our hearts came together,
Love in the arbor and love in the sky . . .
When I was a young girl, a young girl, a young girl,
When I was a young girl, how happy was I!

poem by Margaret Widdemer
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The Old Age Of Queen Maeve

A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked1 of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window. His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.

MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep. But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, 'High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, 'What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, 'I seek your help,
For I am Aengus, and I am crossed in love.'
'How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
He replied,
'I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy housc,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
'I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines' children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, 'These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,
'She will grow old and die, and she has wept!'
And when I'd write it out anew, the words,
Half crazy with the thought, She too has wept!
Outrun the measure.
I'd tell of that great queen
Who stood amid a silence by the thorn
Until two lovers came out of the air
With bodies made out of soft fire. The one,
About whose face birds wagged their fiery wings,
Said, 'Aengus and his sweetheart give their thanks
To Maeve and to Maeve's household, owing all
In owing them the bride-bed that gives peace.'
Then Maeve: 'O Aengus, Master of all lovers,
A thousand years ago you held high ralk
With the first kings of many-pillared Cruachan.
O when will you grow weary?'
They had vanished,
But our of the dark air over her head there came
A murmur of soft words and meeting lips.

poem by William Butler Yeats
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The Year of the Rose

From the depths of the green garden-closes
Where the summer in darkness dozes
Till autumn pluck from his hand
An hour-glass that holds not a sand;
From the maze that a flower-belt encloses
To the stones and sea-grass on the strand
How red was the reign of the roses
Over the rose-crowned land!

The year of the rose is brief;
From the first blade blown to the sheaf,
From the thin green leaf to the gold,
It has time to be sweet and grow old,
To triumph and leave not a leaf
For witness in winter's sight
How lovers once in the light
Would mix their breath with its breath,
And its spirit was quenched not of night,
As love is subdued not of death.

In the red-rose land not a mile
Of the meadows from stile to stile,
Of the valleys from stream to stream,
But the air was a long sweet dream
And the earth was a sweet wide smile
Red-mouthed of a goddess, returned
From the sea which had borne her and burned,
That with one swift smile of her mouth
Looked full on the north as it yearned,
And the north was more than the south.

For the north, when winter was long,
In his heart had made him a song,
And clothed it with wings of desire,
And shod it with shoon as of fire,
To carry the tale of his wrong
To the south-west wind by the sea,
That none might bear it but he
To the ear of the goddess unknown
Who waits till her time shall be
To take the world for a throne.

In the earth beneath, and above
In the heaven where her name is love,
She warms with light from her eyes
The seasons of life as they rise,
And her eyes are as eyes of a dove,
But the wings that lift her and bear
As an eagle's, and all her hair
As fire by the wind's breath curled,
And her passage is song through the air,
And her presence is spring through the world.

So turned she northward and came,
And the white-thorn land was aflame
With the fires that were shed from her feet,
That the north, by her love made sweet,
Should be called by a rose-red name;
And a murmur was heard as of doves,
And a music beginning of loves
In the light that the roses made,
Such light as the music loves,
The music of man with maid.

But the days drop one upon one,
And a chill soft wind is begun
In the heart of the rose-red maze
That weeps for the roseleaf days
And the reign of the rose undone
That ruled so long in the light,
And by spirit, and not by sight,
Through the darkness thrilled with its breath,
Still ruled in the viewless night,
As love might rule over death.

The time of lovers is brief;
From the fair first joy to the grief
That tells when love is grown old,
From the warm wild kiss to the cold,
From the red to the white-rose leaf,
They have but a season to seem
As rose-leaves lost on a stream
That part not and pass not apart
As a spirit from dream to dream,
As a sorrow from heart to heart.

From the bloom and the gloom that encloses
The death-bed of Love where he dozes
Till a relic be left not of sand
To the hour-glass that breaks in his hand;
From the change in the grey garden-closes
To the last stray grass of the strand,
A rain and ruin of roses
Over the red-rose land.

poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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Moorland Night

My face is against the grass - the moorland grass is wet -
My eyes are shut against the grass, against my lips there are the little blades,
Over my head the curlews call, And now there is the night wind in my hair;
My heart is against the grass and the sweet earth, - it has gone still, at last;
It does not want to beat any more,
And why should it beat?
This is the end of the journey.
The Thing is found.

This is the end of all the roads -
Over the grass there is the night-dew
And the wind that drives up from the sea along the moorland road,
I hear a curlew start out from the heath
And fly off calling through the dusk,
The wild, long, rippling call -:
The Thing is found and I am quiet with the earth;
Perhaps the earth will hold it or the wind, or that bird's cry,
But it is not for long in any life I know. This cannot stay,
Not now, not yet, not in a dying world, with me, for very long;
I leave it here:
And one day the wet grass may give it back -
One day the quiet earth may give it back -
The calling birds may give it back as they go by -
To someone walking on the moor who starves for love and will not know
Who gave it to all these to give away;
Or, if I come and ask for it again
Oh! then, to me.

poem by Charlotte Mary Mew
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The King's Daughter

WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.

We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.

The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.

The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.

The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.

The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.

We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.

By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.

“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.

He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.

He’s made her bed to the goodliest,
Wind and hail in the mill-water;
A grass girdle for all the rest,
A girdle of arms for the king’s daughter.

He’s set his heart to the goodliest,
Snow that snows in the mill-water;
Nine little kisses for all the rest,
An hundredfold for the king’s daughter.

He’s ta’en his leave at the goodliest,
Broken boats in the mill-water;
Golden gifts for all the rest,
Sorrow of heart for the king’s daughter.

“Ye’ll make a grave for my fair body,”
Running rain in the mill-water;
“And ye’ll streek my brother at the side of me,”
The pains of hell for the king’s daughter.

poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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Supernatural Songs

I
Ribb at the Tomb of Baile and Aillinn
BECAUSE you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none ha've
heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II
Ribb denounces Patrick
An abstract Greek absurdity has crazed the man --
Recall that masculine Trinity. Man, woman, child (a
daughter or a son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are
wed.
As man, as beast, as an ephemeral fly begets, Godhead
begets Godhead,
For things below are copies, the Great Smaragdine
Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped
by the body or the mind,
That juggling nature mounts, her coil in their em-
braces twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air,
share God that is but three,
And could beget or bear themselves could they but
love as He.
III
Ribb in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV
There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V
Ribb considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman Or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI
He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop'.
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly'.
All creation shivers
With that sweet cry
VII
What Magic Drum?
He holds him from desire, all but stops his breathing
lest
primordial Motherhood forsake his limbs, the child no
longer rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic
drum?
Down limb and breast or down that glimmering belly
move his mouth and sinewy tongue.
What from the forest came? What beast has licked its
young?
VIII
Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was con-
ceived?
IX
The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X
Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI
A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII
Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.

poem by William Butler Yeats
Submitted by Poetry Lover
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Under The Moon

I HAVE no happiness in dreaming of Brycelinde,
Nor Avalon the grass-green hollow, nor Joyous Isle,
Where one found Lancelot crazed and hid him for a while;
Nor Uladh, when Naoise had thrown a sail upon the wind;
Nor lands that seem too dim to be burdens on the heart:
Land-under-Wave, where out of the moon's light and the sun's
Seven old sisters wind the threads of the long-lived ones,
Land-of-the-Tower, where Aengus has thrown the gates apart,
And Wood-of-Wonders, where one kills an ox at dawn,
To find it when night falls laid on a golden bier.
Therein are many queens like Branwen and Guinevere;
And Niamh and Laban and Fand, who could change to an otter or fawn,
And the wood-woman, whose lover was changed to a blue-eyed hawk;
And whether I go in my dreams by woodland, or dun, or shore,
Or on the unpeopled waves with kings to pull at the oar,
I hear the harp-string praise them, or hear their mournful talk.
Because of something told under the famished horn
Of the hunter's moon, that hung between the night and the day,
To dream of women whose beauty was folded in dis may,
Even in an old story, is a burden not to be borne.

poem by William Butler Yeats
Submitted by Poetry Lover
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The Dead To The Living

Work while it is day: the night cometh, when no man can work.

IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,

She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!

And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!

Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'

'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.

poem by Edith Nesbit
Submitted by Poetry Lover
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Dance Like This (feat. Claudette Ortiz)

(feat. Claudette Ortiz)
[Wyclef:]
I ain't come to fight tonight
Too many ladies up in here tonight
(Everybody report to the dance floor please! Grab a girl!)
[Wyclef:]
I never really knew that you could dance like this
She makes her man wanna ??
Como se llama, Bonita? Mi casa, Su casa
[Claudette:]
The way you move, you've got me hypnotized
Especially when I look into his eyes
Hey Papi, I wanna see you do the dance to the conga
[Wyclef:]
Hey girl, I can see your body movin' and it's driving me crazy
And I did not ?? until I saw you dancin'
The way you walk up on the dance floor
Noobody could ignore the way you move your body, girl
And everything so unexpected the way you right and left it
So you could keep on digging it
Baila la baile de noche
Baila la baile de da
Baila la baile de noche
Baila la baile de da
[Chorus]
[Claudette:]
Hey boy, now that I see your new rhythm
I'm in a state of shock now
The way I can see your body movin'
And I don't want you to stop now
I like the way you approach me so sensually
You got me in a daze, boy
I can't ignore the way you're dancin'
You got me in a trance and I can't explain it
Baila la baile de noche
Baila la baile de da
Baila la baile de noche
Baila la baile de da
[Chorus]
[Wyclef:]
Senorita, feel the conga
Let me see you move like you come from Havana
[Claudette:]
Ohhh, I didn't know you did it like that
Hey, you Papi, don't you stop it
I wanna see you move your body
Ohhh, I didn't know you did i

song performed by by Wyclef Jean
Submitted by Lucian Velea
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Love's Reward

It was a knight of the southern land
Rode forth upon the way
When the birds sang sweet on either hand
About the middle of the May.

But when he came to the lily-close,
Thereby so fair a maiden stood,
That neither the lily nor the rose
Seemed any longer fair nor good.

“All hail, thou rose and lily-bough!
What dost thou weeping here,
For the days of May are sweet enow,
And the nights of May are dear?”

“Well may I weep and make my moan,
Who am bond and captive here;
Well may I weep who lie alone,
Though May be waxen dear.”

“And is there none shall ransom thee;
Mayst thou no borrow find?”
“Nay, what man may my borrow be,
When all my wealth is left behind?

“Perchance some ring is left with thee,
Some belt that did thy body bind?”
“Nay, no man may my borrow be,
My rings and belt are left behind.”

“The shoes that the May-blooms kissed on thee
Might yet be things to some men’s mind.”
“Nay, no man may my borrow be,
My golden shoes are left behind.”

“The milk-white sark that covered thee
A dear-bought token some should find.”
“Nay, no man may my borrow be,
My silken sark is left behind.”

“The kiss of thy mouth and the love of thee
Better than world’s wealth should I find.”
“Nay, thou mayst not my borrow be,
For all my love is left behind.

“A year agone come Midsummer-night
I woke by the Northern sea;
I lay and dreamed of my delight
Till love no more would let me be.

“Seaward I went by night and cloud
To hear the white swans sing;
But though they sang both clear and loud,
I hearkened a sweeter thing.

“O sweet and sweet as none may tell
Was the speech so close ’twixt lip and lip:
But fast, unseen, the black oars fell
That drave to shore the rover’s ship.

“My love lay bloody on the strand
Ere stars were waxen wan:
Naught lacketh graves the Northern land
If to-day it lack a lovelier man.

“I sat and wept beside the mast
When the stars were gone away.
Naught lacketh the Northland joy gone past
If it lack the night and day.”

“Is there no place in any land
Where thou wouldst rather be than here?”
“Yea, a lone grave on a cold sea-strand
My heart for a little holdeth dear.”

“Of all the deeds that women do
Is there none shall bring thee some delight?”
“To lie down and die where lay we two
Upon Midsummer night.”

“I will bring thee there where thou wouldst be,
A borrow shalt thou find.”
“Wherewith shall I reward it thee
For wealth and good-hap left behind?”

“A kiss from lips that love not me,
A good-night somewhat kind;
A narrow house to share with thee
When we leave the world behind.”

They have taken ship and sailed away
Across the Southland main;
They have sailed by hills were green and gay,
A land of goods and gain.

They have sailed by sea-cliffs stark and white
And hillsides fair enow;
They have sailed by lands of little night
Where great the groves did grow.

They have sailed by islands in the sea
That the clouds lay thick about;
And into a main where few ships be
Amidst of dread, and doubt.

With broken mast and battered side
They drave amidst the tempest’s heart;
But why should death to these betide
Whom love did hold so well apart?

The flood it drave them toward the strand,
The ebb it drew them fro;
The swallowing seas that tore the land
Cast them ashore and let them go.

“Is this the land? is this the land,
Where life and I must part a-twain?”
“Yea, this is e’en the sea-washed strand
That made me yoke-fellow of pain.

“The strand is this, the sea is this,
The grey bent and the mountains grey;
But no mound here his grave-mound is;
Where have they borne my love away?”

“What man is this with shield and spear
Comes riding down the bent to us?
A goodly man forsooth he were
But for his visage piteous.”

“Ghost of my love, so kind of yore,
Art thou not somewhat gladder grown
To feel my feet upon this shore?
O love, thou shalt not long be lone.”

“Ghost of my love, each day I come
To see where God first wrought us wrong:
Now kind thou com’st to call me home,
Be sure I shall not tarry long.”

“Come here, my love; come here for rest,
So sore as my body longs for thee!
My heart shall beat against thy breast
As arms of thine shall comfort me.”

“Love, let thy lips depart no more
From those same eyes they once did kiss,
The very bosom wounded sore
When sorrow clave the heart of bliss!”

O was it day, or was it night,
As there they told their love again?
The high-tide of the sun’s delight,
Or whirl of wind and drift of rain?

“Speak sweet, my love, of how it fell,
And how thou cam’st across the sea,
And what kind heart hath served thee well,
And who thy borrow there might be?”

Naught but the wind and sea made moan
As hastily she turned her round;
From light clouds wept the morn alone,
Not the dead corpse upon the ground.

“O look, my love, for here is he
Who once of all the world was kind,
And led my sad heart o’er the sea!
And now must he be left behind.”

She kissed his lips that yet did smile,
She kissed his eyes that were not sad:
“O thou who sorrow didst beguile,
And now wouldst have me wholly glad!

“A little gift is this,” she said,
“Thou once hadst deemed great gift enow;
Yet surely shalt thou rest thine head
Where I one day shall lie alow.

“There shalt thou wake to think of me,
And by thy face my face shall find;
And I shall then thy borrow be
When all the world is left behind.”

poem by William Morris
Submitted by Poetry Lover
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The Withering Of The Boughs

I CRIED when the moon was mutmuring to the birds:
'Let peewit call and curlew cry where they will,
I long for your merry and tender and pitiful words,
For the roads are unending, and there is no place to my mind.'
The honey-pale moon lay low on the sleepy hill,
And I fell asleep upon lonely Echtge of streams.

No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.

I know of the leafy paths that the witches take
Who come with their crowns of pearl and their spindles of wool,
And their secret smile, out of the depths of the lake;
I know where a dim moon drifts, where the Danaan kind
Wind and unwind their dances when the light grows cool
On the island lawns, their feet where the pale foam gleams.

No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.

I know of the sleepy country, where swans fly round
Coupled with golden chains, and sing as they fly.
A king and a queen are wandering there, and the sound
Has made them so happy and hopeless, so deaf and so blind
With wisdom, they wander till all the years have gone by;
I know, and the curlew and peewit on Echtge of streams.

No boughs have withered because of the wintry wind;
The boughs have withered because I have told them my dreams.

poem by William Butler Yeats
Submitted by Poetry Lover
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Fern Hill

Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and
cold,
And the sabbath rang slowly
In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was
air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the
nightjars
Flying with the ricks, and the horses
Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking
warm
Out of the whinnying green stable
On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.

Nothing I cared, in the lamb white days, that time would
take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.

poem by Dylan Thomas
Submitted by Poetry Lover
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The Hall And The Wood

’Twas in the water-dwindling tide
When July days were done,
Sir Rafe of Greenhowes, ’gan to ride
In the earliest of the sun.

He left the white-walled burg behind,
He rode amidst the wheat.
The westland-gotten wind blew kind
Across the acres sweet.

Then rose his heart and cleared his brow,
And slow he rode the way:
“As then it was, so is it now,
Not all hath worn away.”

So came he to the long green lane
That leadeth to the ford,
And saw the sickle by the wain
Shine bright as any sword.

The brown carles stayed ’twixt draught and draught,
And murmuring, stood aloof,
But one spake out when he had laughed:
“God bless the Green-wood Roof!”

Then o’er the ford and up he fared:
And lo the happy hills!
And the mountain-dale by summer cleared,
That oft the winter fills.

Then forth he rode by Peter’s gate,
And smiled and said aloud:
“No more a day doth the Prior wait,
White stands the tower and proud.”

There leaned a knight on the gateway side
In armour white and wan,
And after the heels of the horse he cried,
“God keep the hunted man!”

Then quoth Sir Rafe, “Amen, amen!”
For he deemed the word was good;
But never a while he lingered then
Till he reached the Nether Wood.

He rode by ash, he rode by oak,
He rode the thicket round,
And heard no woodman strike a stroke,
No wandering wife he found.

He rode the wet, he rode the dry,
He rode the grassy glade:
At Wood-end yet the sun was high,
And his heart was unafraid.

There on the bent his rein he drew,
And looked o’er field and fold,
O’er all the merry meads he knew
Beneath the mountains old.

He gazed across to the good Green Howe
As he smelt the sun-warmed sward;
Then his face grew pale from chin to brow,
And he cried, “God save the sword!”

For there beyond the winding way,
Above the orchards green,
Stood up the ancient gables gray
With ne’er a roof between.

His naked blade in hand he had,
O’er rough and smooth he rode,
Till he stood where once his heart was glad
Amidst his old abode.

Across the hearth a tie-beam lay
Unmoved a weary while.
The flame that clomb the ashlar gray
Had burned it red as tile.

The sparrows bickering on the floor
Fled at his entering in;
The swift flew past the empty door
His winged meat to win.

Red apples from the tall old tree
O’er the wall’s rent were shed.
Thence oft, a little lad, would he
Look down upon the lead.

There turned the cheeping chaffinch now
And feared no birding child;
Through the shot-window thrust a bough
Of garden-rose run wild.

He looked to right, he looked to left,
And down to the cold gray hearth,
Where lay an axe with half burned heft
Amidst the ashen dearth.

He caught it up and cast it wide
Against the gable wall;
Then to the dais did he stride,
O’er beam and bench and all.

Amidst there yet the high-seat stood,
Where erst his sires had sat;
And the mighty board of oaken wood,
The fire had stayed thereat.

Then through the red wrath of his eyne
He saw a sheathed sword,
Laid thwart that wasted field of wine,
Amidmost of the board.

And by the hilts a slug-horn lay,
And therebeside a scroll,
He caught it up and turned away
From the lea-land of the bowl.

Then with the sobbing grief he strove,
For he saw his name thereon;
And the heart within his breast uphove
As the pen’s tale now he won.

“O Rafe, my love of long ago!
Draw forth thy father’s blade,
And blow the horn for friend and foe,
And the good green-wood to aid!”

He turned and took the slug-horn up,
And set it to his mouth,
And o’er that meadow of the cup
Blew east and west and south.

He drew the sword from out the sheath
And shook the fallow brand;
And there a while with bated breath,
And hearkening ear did stand.

Him-seemed the horn’s voice he might hear —
Or the wind that blew o’er all.
Him-seemed that footsteps drew anear —
Or the boughs shook round the hall.

Him-seemed he heard a voice he knew —
Or a dream of while agone.
Him-seemed bright raiment towards him drew —
Or bright the sun-set shone.

She stood before him face to face,
With the sun-beam thwart her hand,
As on the gold of the Holy Place
The painted angels stand.

With many a kiss she closed his eyes;
She kissed him cheek and chin:
E’en so in the painted Paradise
Are Earth’s folk welcomed in.

There in the door the green-coats stood,
O’er the bows went up the cry,
“O welcome, Rafe, to the free green-wood,
With us to live and die.”

It was bill and bow by the high-seat stood,
And they cried above the bows,
“Now welcome, Rafe, to the good green-wood,
And welcome Kate the Rose!”

White, white in the moon is the woodland plash,
White is the woodland glade,
Forth wend those twain, from oak to ash,
With light hearts unafraid.

The summer moon high o’er the hill,
All silver-white is she,
And Sir Rafe’s good men with bow and bill,
They go by two and three.

In the fair green-wood where lurks no fear,
Where the King’s writ runneth not,
There dwell they, friends and fellows dear,
While summer days are hot,

And when the leaf from the oak-tree falls,
And winds blow rough and strong,
With the carles of the woodland thorps and halls
They dwell, and fear no wrong.

And there the merry yule they make,
And see the winter wane,
And fain are they for true-love’s sake,
And the folk thereby are fain.

For the ploughing carle and the straying herd
Flee never for Sir Rafe:
No barefoot maiden wends afeard,
And she deems the thicket safe.

But sore adread do the chapmen ride;
Wide round the wood they go;
And the judge and the sergeants wander wide,
Lest they plead before the bow.

Well learned and wise is Sir Rafe’s good sword,
And straight the arrows fly,
And they find the coat of many a lord,
And the crest that rideth high.

poem by William Morris
Submitted by Poetry Lover
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In Faith

When the soft sweet wind o' the south went by,
I dwelt in the light of a dark brown eye;
And out where the robin sang his song,
We lived and loved, while the days were long.

In the sweet, sweet eves, when the moon swung high,
We wandered under the starry sky;
Or sat in the porch, and the moon looked through
The latticed wall where the roses grew.

My lips, that hd no lover's kiss,
You taught the art, till they trilled in bliss;
And the moon, and the stars, and the roses knew
That the heart you won was pure and true.

But true hearts weary men, maybe,
For you grew weary of love, and me.
Over the porch the dead vines hang,
And a mourning dove sobs where the robin sang.

In a warmer clime does another sigh
Under the light of your dark brown eye?
Did you follow the soft sweet wing o' the south,
And are you kissing a redder mouth?

Lips may be redder, and eyes more bright;
The face may be fairer you see to-night;
But never, love, while the stars shall shine,
Will you find a heart that is truer than mine.

Sometime, perhaps, when south winds blow,
You will think of a love you used to know;
Sometime, perhaps, when a robin sings,
Your heart will go back to olden things.

Sometime you will weary of this world's arts,
Of deceit and change and hollow hearts,
And, wearying, sigh for the 'used to be, '
And your feet will turn to the porch, and me.

I shall watch for you here when days grow long;
I shall list for your step through the robin's song;
I shall sit in the porch where the moon looks through,
And a vacant chair will wait - for you.

You may stray, and forget, and rove afar,
But my changeless love, like the polar star,
Will draw you at length o'er land and sea -
And I know you will yet come back to me.

The years may come, and the years may go,
But sometime again, when south winds blow,
When roses bloom, and the moon swings high,
I shall live in he light of your dark brown eye.

poem by Ella Wheeler Wilcox
Submitted by Poetry Lover
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Broken Heart

The leaves rustled
In the cold breeze
Around the stillness
Of the old Haunted House

The moonlight shone down
Sending strays of shadows
Upon the ground

The silent footsteps
Of the distant past
Echoed through the night

And as I glanced up
At the shattered windows
There was a luminous
Pale light reflecting
Off the glass

Blinking once
Blinking twice
It just vanished
From my sight

I have heard story's of old
Of a long lost soul
Who awaits for
Her one true love

The story goes
Of a young girl blind
Raised in the house of old

And she meets
A boy who taught her love
And they vowed to be
Together as one

But a war was at hand
And a letter did come
Stating he must defend
His homeland

So with a heavy heart
He vowed to return
As soon as the
War was done

The day came around
When in uniform he wore
To give a token
To his one true love

He held in his hand
Two pieces of gold
Of a heart broken in two

This piece is mine
And this piece is yours
Once returned
Will be together as one

So softly he kissed
Upon her lips
A found farewell
To true love

So there she sat
Day after day
Waiting for lost
Love to return

But alas he died
In a foreign land
And grasped in his hand
Was his piece of gold?
That they pried from his hand
To send to his loved ones at home
But alas it never reached home

Upon the news
Of the young mans death
She cried in vain and clasps to her chest
The pendant of gold still around her neck
And dies of broken heart in two

Tears of sorrow
Cascade down my cheeks
And glancing up
At the old haunted house
I see her face
Glisten with tears

As she sits
And waits for
Her one true love
To return safely home
To her arms

Shaking my head
I move away in pain
When will this haunting
Ever end

poem by Kaila George
Submitted by Poetry Lover
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Lines written in the Belief that the Ancient Roman Festival of the Dead was called Ambarvalia

Swings the way still by hollow and hill,
And all the world's a song;
'She's far,' it sings me, 'but fair,' it rings me,
'Quiet,' it laughs, 'and strong!'

Oh! spite of the miles and years between us,
Spite of your chosen part,
I do remember; and I go
With laughter in my heart.

So above the little folk that know not,
Out of the white hill-town,
High up I clamber; and I remember;
And watch the day go down.

Gold is my heart, and the world's golden,
And one peak tipped with light;
And the air lies still about the hill
With the first fear of night;

Till mystery down the soundless valley
Thunders, and dark is here;
And the wind blows, and the light goes,
And the night is full of fear,

And I know, one night, on some far height,
In the tongue I never knew,
I yet shall hear the tidings clear
From them that were friends of you.

They'll call the news from hill to hill,
Dark and uncomforted,
Earth and sky and the winds; and I
Shall know that you are dead.

I shall not hear your trentals,
Nor eat your arval bread;
For the kin of you will surely do
Their duty by the dead.

Their little dull greasy eyes will water;
They'll paw you, and gulp afresh.
They'll sniffle and weep, and their thoughts will creep
Like flies on the cold flesh.

They will put pence on your grey eyes,
Bind up your fallen chin,
And lay you straight, the fools that loved you
Because they were your kin.

They will praise all the bad about you,
And hush the good away,
And wonder how they'll do without you,
And then they'll go away.

But quieter than one sleeping,
And stranger than of old,
You will not stir for weeping,
You will not mind the cold;

But through the night the lips will laugh not,
The hands will be in place,
And at length the hair be lying still
About the quiet face.

With snuffle and sniff and handkerchief,
And dim and decorous mirth,
With ham and sherry, they'll meet to bury
The lordliest lass of earth.

The little dead hearts will tramp ungrieving
Behind lone-riding you,
The heart so high, the heart so living,
Heart that they never knew.

I shall not hear your trentals,
Nor eat your arval bread,
Nor with smug breath tell lies of death
To the unanswering dead.

With snuffle and sniff and handkerchief,
The folk who loved you not
Will bury you, and go wondering
Back home. And you will rot.

But laughing and half-way up to heaven,
With wind and hill and star,
I yet shall keep, before I sleep,
Your Ambarvalia.

poem by Rupert Brooke
Submitted by Veronica Serbanoiu
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Fergus And The Druid

Fergus. This whole day have I followed in the rocks,
And you have changed and flowed from shape to shape,
First as a raven on whose ancient wings
Scarcely a feather lingered, then you seemed
A weasel moving on from stone to stone,
And now at last you wear a human shape,
A thin grey man half lost in gathering night.
Druid. What would you, king of the proud Red Branch kings?
Fergus. This would I Say, most wise of living souls:
Young subtle Conchubar sat close by me
When I gave judgment, and his words were wise,
And what to me was burden without end,
To him seemed easy, So I laid the crown
Upon his head to cast away my sorrow.
Druid. What would you, king of the proud Red Branch kings?
Fergus. A king and proud! and that is my despair.
I feast amid my people on the hill,
And pace the woods, and drive my chariot-wheels
In the white border of the murmuring sea;
And still I feel the crown upon my head
Druid. What would you, Fergus?
Fergus. Be no more a king
But learn the dreaming wisdom that is yours.
Druid. Look on my thin grey hair and hollow cheeks
And on these hands that may not lift the sword,
This body trembling like a wind-blown reed.
No woman's loved me, no man sought my help.
Fergus. A king is but a foolish labourer
Who wastes his blood to be another's dream.
Druid. Take, if you must, this little bag of dreams;
Unloose the cord, and they will wrap you round.
Fergus. I See my life go drifting like a river
From change to change; I have been many things --
A green drop in the surge, a gleam of light
Upon a sword, a fir-tree on a hill,
An old slave grinding at a heavy quern,
A king sitting upon a chair of gold --
And all these things were wonderful and great;
But now I have grown nothing, knowing all.
Ah! Druid, Druid, how great webs of sorrow
Lay hidden in the small slate-coloured thing!

poem by William Butler Yeats
Submitted by Poetry Lover
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