En.Citatepedia^®.ro

To Nimue

I had clean forgotten all, her face who had caused my trouble.
Gone was she as a cloud, as a bird which passed in the wind, as a glittering stream--borne bubble,
As a shadow set by a ship on the sea, where the sail looks down on its double.

I had laid her face to the wall, on the shelf where my fancies sleep.
I had laid my pain in its grave, in its rose--leaf passionless grave, with the things I had dared not keep.
I had left it there. I had dried my tears. I had said, ``Ah, why should I weep?''

I will not be fooled by her, by the spell of her fair child's face.
What is its meaning to me, who have seen, who have known, who have loved what miracle forms of grace?
What are its innocent wiles, its smiles, its idle sweet girlishness?

I will not love without love. I despise the ways of a fool.
Let me prevail as of old, as lover, as lord, as king, or have done with Love's tyrant rule.
I was born to command, not serve, not obey. No boy am I in Love's school.

I have fled to the fields, the plains, the desert places of rest,
To the forest's infinite smile, where the cushat calls from the trees and the yaffle has lined her nest,
To the purple hills with the spray of the sea, when the wind blows loud from the west.

I have done with her love and her, the wine--draughts of human pleasure.
The voice of nature is best, the cradle song of the trees which is hymned to Time's stateliest measure,
As once a boy in the woods I heard it and held it an exquisite treasure.

I had clean forgotten all. I had sung to the indolent hills
Songs of joy without grief, since grief is of human things the shadow of human ills.
I sang aloud in my pride of song to the chime of the answering rills.

And, behold, the whole world heard, the dull mad manridden Earth.
And they cried, ``A prophet hath risen, a sage with the heart of a child, a bard of no human birth,
A soul that hath known nor pain, nor sin, a singer of infinite mirth.''

And she too heard it and came. And she knew it was I grown wise.
And she stood from the rest apart, and I watched her with pitying scorn, and then with a sad surprise,
And last with a new sweet passionate joy, for I saw there were tears in her eyes.

And she came and sat at my feet, as in days ere our grief began.
And I saw her a woman grown. And I was a prophet no more, but a desolate voiceless man.
And I clasped her fast in my arms in joy and kissed her tears as they ran.

And I shall not be fooled by her, though her face is fair as a rose.
And I shall not live without love, though the world should forget my songs and I should forget its woes,
And the purple hills should forget the sea and the spray when the west wind blows.

poem by Wilfrid Scawen Blunt
Submitted by Poetry Lover
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The Dead To The Living

Work while it is day: the night cometh, when no man can work.

IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,

She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!

And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!

Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'

'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.

poem by Edith Nesbit
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Children's Playground In The City

THIS is a place where men laid their dead,
Each with his life-tale of good or ill;
Here prayers were murmured and hot tears shed,
And passionate anguish moaned its fill.
Silent now is each voice that cried,
And the tears that were wept have all been dried
In the dust; and dust are the hearts that bled
With hopeless longing for hearts grown still.

Dead and forgotten! for Death, requiter
Of love, taught Memory how to forget!
The love that remembered them died. Grow brighter,
Oh, dim grave-garden, with dead hearts set!
Room for the small flying feet to pass,
The feet of the children over the grass!
The dead, if they knew it, would feel them lighter
Than the weight of a stone that no tears make wet.

We must die too, and the grief that will live
Must die as surely--death comes to all;
But you who come after--let Nature give
To our graves her tears, to our dust her pall:
Let her hide us away in her cold broad breast,
Let us be forgotten, and be at rest,
And over our heads let the great world strive,
And the children's voices carol and call.

If your heart on the flower of remembrance is set,
There is one way to pluck it--and only one:
Dare you ask your country not to forget
A name that needs to be graved on stone?
By grief, strife, sacrifice, scorn of fame,
You may grave on the people's hearts your name,
Or your name may die, and your soul live yet
In the cause you died for--the work you have done.

poem by Edith Nesbit
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In Memory of Edward Butler

A voice of grave, deep emphasis
Is in the woods to-night;
No sound of radiant day is this,
No cadence of the light.
Here in the fall and flights of leaves
Against grey widths of sea,
The spirit of the forests grieves
For lost Persephone.
The fair divinity that roves
Where many waters sing
Doth miss her daughter of the groves —
The golden-headed Spring.
She cannot find the shining hand
That once the rose caressed;
There is no blossom on the land,
No bird in last year’s nest.

Here, where this strange Demeter weeps —
This large, sad life unseen —
Where July’s strong, wild torrent leaps
The wet hill-heads between,
I sit and listen to the grief,
The high, supreme distress,
Which sobs above the fallen leaf
Like human tenderness!

Where sighs the sedge and moans the marsh,
The hermit plover calls;
The voice of straitened streams is harsh
By windy mountain walls;
There is no gleam upon the hills
Of last October’s wings;
The shining lady of the rills
Is with forgotten things.

Now where the land’s worn face is grey
And storm is on the wave,
What flower is left to bear away
To Edward Butler’s grave?
What tender rose of song is here
That I may pluck and send
Across the hills and seas austere
To my lamented friend?

There is no blossom left at all;
But this white winter leaf,
Whose glad green life is past recall,
Is token of my grief.
Where love is tending growths of grace,
The first-born of the Spring,
Perhaps there may be found a place
For my pale offering.

For this heroic Irish heart
We miss so much to-day,
Whose life was of our lives a part,
What words have I to say?
Because I know the noble woe
That shrinks beneath the touch —
The pain of brothers stricken low —
I will not say too much.

But often in the lonely space
When night is on the land,
I dream of a departed face —
A gracious, vanished hand.
And when the solemn waters roll
Against the outer steep,
I see a great, benignant soul
Beside me in my sleep.

Yea, while the frost is on the ways
With barren banks austere,
The friend I knew in other days
Is often very near.
I do not hear a single tone;
But where this brother gleams,
The elders of the seasons flown
Are with me in my dreams.

The saintly face of Stenhouse turns —
His kind old eyes I see;
And Pell and Ridley from their urns
Arise and look at me.
By Butler’s side the lights reveal
The father of his fold,
I start from sleep in tears, and feel
That I am growing old.

Where Edward Butler sleeps, the wave
Is hardly ever heard;
But now the leaves above his grave
By August’s songs are stirred.
The slope beyond is green and still,
And in my dreams I dream
The hill is like an Irish hill
Beside an Irish stream.

poem by Henry Kendall
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Discretion

AH, turn your pretty eyes away!
You would not have me love again?
Love's pleasure does not live a day,
Immortal is Love's pain,
And I am tired of pain.

I have loved once--aye, once or twice;
The pleasure died, the pain lives here;
I will not look in your sweet eyes,
I will not love you, Dear,
Lest you should grow too dear.

For I am weary and afraid.
Have I not seen why life was fair,
And known how good a world God made,
How sweet the blossoms were,
How dear the green fields were?

And I have found how life was gray,
A mist-hung road, a quest in vain,
Until once more Love smiled my way
And fooled me once again,
And taught me grief again.

Now I will gather no more grief;
I only ask to see the sky,
The budding flower, the budding leaf,
And put old dreamings by,
The dreams Love tortures by.

For, being wise, I love no more;
You, if you will, snare with those eyes
Some fool who never loved before,
And teach him to be wise!
For why should you be wise?

poem by Edith Nesbit
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April

WHEN the fields catch flower
And the underwood is green,
And from bower unto bower
The songs of the birds begin,
I sing with sighing between.
When I laugh and sing,
I am heavy at heart for my sin;
I am sad in the spring
For my love that I shall not win,
For a foolish thing.

This profit I have of my woe,
That I know, as I sing,
I know he will needs have it so
Who is master and king,
Who is lord of the spirit of spring.
I will serve her and will not spare
Till her pity awake
Who is good, who is pure, who is fair,
Even her for whose sake
Love hath ta’en me and slain unaware.

O my lord, O Love,
I have laid my life at thy feet;
Have thy will thereof,
Do as it please thee with it,
For what shall please thee is sweet.
I am come unto thee
To do thee service, O Love;
Yet cannot I see
Thou wilt take any pity thereof,
Any mercy on me.

But the grace I have long time sought
Comes never in sight,
If in her it abideth not,
Through thy mercy and might,
Whose heart is the world’s delight.
Thou hast sworn without fail I shall die,
For my heart is set
On what hurts me, I wot not why,
But cannot forget
What I love, what I sing for and sigh.

She is worthy of praise,
For this grief of her giving is worth
All the joy of my days
That lie between death’s day and birth,
All the lordship of things upon earth.
Nay, what have I said?
I would not be glad if I could;
My dream and my dread
Are of her, and for her sake I would
That my life were fled.

Lo, sweet, if I durst not pray to you,
Then were I dead;
If I sang not a little to say to you,
(Could it be said)
O my love, how my heart would be fed;
Ah sweet who hast hold of my heart,
For thy love’s sake I live,
Do but tell me, ere either depart,
What a lover may give
For a woman so fair as thou art.

The lovers that disbelieve,
False rumours shall grieve
And evil-speaking shall part.

poem by Algernon Charles Swinburne
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Christmas Hymn

O CHRIST, born on the holy day,
I have no gift to give my King;
No flowers grow by my weary way;
I have no birthday song to sing.

How can I sing Thy name and praise,
Who never saw Thy face divine;
Who walk in darkness all my days,
And see no Eastern stars a-shine?

Yet, when their Christmas gifts they bring,
How can I leave Thy praise unsung?
How stay from homage to the King,
And hold a silent, grudging tongue?

Lord, I found many a song to sing,
And many a humble hymn of praise
For Thy great Miracle of Spring,
The wonder of the waxing days.

When I beheld Thy days and years,
Did I not sing Thy pleasant earth?
The moons of love, the years of tears,
The mysteries of death and birth?

Have I not sung with all my soul
While soul and song were mine to yield,
Thy lightning crown, Thy cloud-control,
The dewy clover of Thy field?

Have I not loved Thy birds and beasts,
Thy streams and woods, Thy sun and shade;
Have I not made me holy feasts
Of all the beauty Thou hast made?

What though my tear-tired eyes, alas!
Won never grace Thy face to see?
I heard Thy footstep on the grass,
Thy voice in every wind-blown tree.

No music now I make or win,
Yet, Lord, remember I have been
The lover of Thy world, wherein
I found nought common or unclean.

Grown old and blind, I sing no more,
Thy saints in heaven sing sweet and strong,
Yet take the songs I made of yore
For echoes to Thy birthday song.

poem by Edith Nesbit
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The Desert Wind

I went with happy heart (how happy!) a while since
Behind my camel flocks,
Piping all day where the Nile pastures end
And the white sand begins
Among the rocks.
The wheeling eagles mocked me high there from the skies,
The red blast of the desert wind
Hath seared mine eyes.

I saw a lady pass, (what lady?) none could tell,
Nor of her tribe nor race,
Of Roum or Franjistan or Fars or Hind;
None knew. But I knew well
That her sweet face
Had blossomed first within the gates of Paradise.
The red blast of the desert wind
Hath seared mine eyes.

Within a tasselled frame, rich wrought, she sat and sang
A song of love so sweet,
That beast and bird and serpent came behind,
And lizard with shut fang
And faltering feet.
My flocks strayed after them, and I who heard likewise.
The red blast of the desert wind
Hath seared mine eyes.

Upon a camel tall (how tall!) she rode by me
Enrobed in white and red,
And veiled to her bright eyes in bands that bind
But hide not all souls see;
And on her head
A crown entwined of wool with gold and various dyes.
The red blast of the desert wind
Hath seared mine eyes.

Out to the wilderness, all day, we followed her.
By winding paths untrod,
O'er rock and plain none knew nor I could find,
Although my home was there;
And still we rode.
The creatures tired and stopped; but I went on with sighs.
The red blast of the desert wind
Hath seared mine eyes.

We came to a deep pool (how deep!) I knew of none
In all that land accursed,
A pool of waters clear with white shells lined,
And there we lighted down
And suaged our thirst,
And bathed our weary limbs, we two without disguise.
The red blast of the desert wind
Hath seared mine eyes.

Upon the brink we sat (ah me!) alone, we two,
In that fair empty place.
I kissed her hands and told her all my mind,
And dared her grace to sue,
Her utter grace.
And she with smiles said ``yea'' to my too blest surprise.
The red blast of the desert wind
Hath seared mine eyes.

Ah me, that night of stars, those bridal stars of heaven!
Ah me, those eyes of hers,
So sweet, so near, of that same starry kind,
Which drank their light ungiven,
(Poor blinded stars!)
And left them dark as they have left me wise.
The red blast of the desert wind
Hath seared mine eyes.

How shall I tell it? All three months of happy love
I lived with her, blest queen,
Fed on sole joy and what God's care might send
Of milk and treasure--trove
Of sorrels green,
And roots and tubers fine and samh which we made prize.
The red blast of the desert wind
Hath seared mine eyes.

Since when I search the Earth (sad Earth!) in vain to win
Once more her wondrous voice,
Which led me forth to doom and left me blind,
Bereft of flocks and kin
And homely joys,
Of wife and children's love and to behold the skies.
The red blast of the desert wind
Hath seared mine eyes.

poem by Wilfrid Scawen Blunt
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Greek Funeral Chant Or Myriologue

A WAIL was heard around the bed, the death-bed of the young,
Amidst her tears the Funeral Chant a mournful mother sung.
-'Ianthis! dost thou sleep?-Thou sleep'st!-but this is not the rest,
The breathing and the rosy calm, I have pillow'd on my breast!
I lull'd thee not to this repose, Ianthis! my sweet son!
As in thy glowing childhood's time by twilight I have done!
-How is it that I bear to stand and look upon thee now?
And that I die not, seeing death on thy pale glorious brow?

'I look upon thee, thou that wert of all most fair and brave!
I see thee wearing still too much of beauty for the grave!
Though mournfully thy smile is fix'd, and heavily thine eye
Hath shut above the falcon-glance that in it lov'd to lie;
And fast is bound the springing step, that seem'd on breezes borne,
When to thy couch I came and said,-'Wake, hunter, wake! 'tis morn!'
Yet art thou lovely still, my flower! untouch'd by slow decay,
-And I, the wither'd stem remain-I would that grief might slay!

'Oh! ever when I met thy look, I knew that this would be!
I knew too well that length of days was not a gift for thee!
I saw it in thy kindling cheek, and in thy bearing high;-
A voice came whispering to my soul, and told me thou must die!
That thou must die, my fearless one! where swords were flashing red.-
-Why doth a mother live to say-my first-born and my dead?
They tell me of thy youthful fame, they talk of victory won-
-Speak thou, and I will hear! my child, Ianthis! my sweet son!'

A wail was heard around the bed, the deathbed of the young,
A fair-hair'd bride the Funeral Chant amidst her weeping sung.
-'Ianthis! look'st thou not on me? -Can love indeed be fled?
When was it woe before to gaze upon thy stately head?
I would that I had follow'd thee, Ianthis, my belov'd!
And stood as woman oft hath stood where faithful hearts are prov'd!
That I had bound a breastplate on, and battled at thy side-
-It would have been a blessed thing together had we died!

'But where was I when thou didst fall beneath the fatal sword?
Was I beside the sparkling fount, or at the peaceful board?
Or singing some sweet song of old, in the shadow of the vine,
Or praying to the saints for thee, before the holy shrine?
And thou wert lying low the while, the life-drops from thy heart
Fast gushing like a mountain-spring!-and couldst thou thus depart?
Couldst thou depart, nor on my lips pour out thy fleeting breath?
-Oh! I was with thee but in joy, that should have been in death!

'Yes! I was with thee when the dance through mazy rings was led,
And when the lyre and voice were tun'd, and when the feast was spread;
But not where noble blood flow'd forth, where sounding javelins flew-
-Why did I hear love's first sweet words, and not its last adieu?
What now can breathe of gladness more, what scene, what hour, what tone?
The blue skies fade with all their lights, they fade, since thou art gone!
Ev'n that must leave me, that still face, by all my tears unmov'd-
-Take me from this dark world with thee, Ianthis! my belov'd!'

A wail was heard around the bed, the death-bed of the young,
Amidst her tears the Funeral Chant a mournful sister sung.
'Ianthis! brother of my soul!-oh! where are now the days
That laugh'd among the deep green hills, on all our infant plays?
When we two sported by the streams, or track'd them to their source,
And like a stag's, the rocks along, was thy fleet fearless course!
-I see the pines there waving yet, I see the rills descend,
I see thy bounding step no more-my brother and my friend!

'I come with flowers-for spring is come!-Ianthis! art thou here?
I bring the garlands she hath brought, I cast them on thy bier!
Thou shouldst be crown'd with victory's crown-but oh! more meet they seem,
The first faint violets of the wood, and lilies of the stream!
More meet for one so fondly lov'd, and laid thus early low-
-Alas! how sadly sleeps thy face amidst the sunshine's glow:
The golden glow that through thy heart was wont such joy to send,
-Woe, that it smiles, and not for thee!-my brother and my friend!'

poem by Felicia Dorothea Hemans
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Music

My child, my child
Welcome to a world I was welcomed to
What seems not so far long ago
When the air was not eerie
And life was placid and not so scary
Of course I lie, what is now is what has been
All you see, the sun hath seen
The air is tense and always dense
And life is acid, it makes no sense
But I know of one I met while I yet lived
And came to know and came to grow
To love forevermore
One from whom emerged branches
Branches loved differently by different souls
And has his roots deep in the human spirit
One inspired by the muses or of God himself
One that had the power to make a grown man weep
(I'm a woman, I wept a fountain)
And a new-born dance
One filled with words which are as shallow as a stream
Or as deep as the Pacific on a rainy night
One whose end calls for an encore
I met him as a child and it indeed was love at sight
For the rest of my days I sought for depth
In him was character no one could touch
Loved by all yet none could touch
He speaks aloud with lots of words
Silently moulding the lives of them which heard
I can only try and fail to explain to you
The joy that fills my heart when I listen to a song I love
Or when I fall in love with a song for the first time
The urge I feel to see the song again and again and only again
His words or his rhythm
Music is my only love
If one could plant a grin upon my face
Or put a grey upon my days
Or weave pain through my heart
It was music, it was music on any day
I watched in adoration as a hundred thousand people
Sang while the musician stopped singing and watched them sing his song
He laughs in joy for the song he wrote had changed lives
I smiled at the hope that music transferred to those in pain
I wondered at the most powerful creation
That had such an impact on the soul of man
How a frog needed not the eloquent voice of music
To have a song in his heart
The power it has over the feet of men
Oh, to sway and lift mortals off the ground
To neutralize the acidity of life
One that could make you high on a bridge
And depresses you at the refrain
Which modulates your emotions as the waves of the ocean
Mouths that can't talk explain with music
Hearts that can't beat say so in songs
In all you do, never disparage the branch a man loves
Love yours and always carry a song in your heart
Go for his lyrics, they'll increase your depth
The rhythm is important, more so for the shallow
Guard your heart, music has his yin
Yes his darkness, which darkens the hearts of men
What more can I say of that I love
More than the air I breathe
The string instruments will melt a heart of stone
If you meet a boy that plays the violin, marry him
Oh, I kid, take me not seriously on that last line
But do marry him by all means necessary
The acoustic guitar, the piano I love too
The drums that beat the beating heart
The harp, the flute, the sax, the mute
Doth play, music hath no inhibition
I've loved a few, a few have loved back
But when the wind it blew, it blew both loves away
And memories are all that's left
Music was with me before I loved
And picked my heart from the floor
And with the hand of time healed it more
The secret chord that David played
That pleased God and king him made
On the wings of music I talk to God
As Moses did, face to face, heart to heart
The children's flaw hath made them bound
Their captors required of them a song
God's own children could not sing his song in a strange land
What indeed is in a song
That frees the slave with amazing grace
On days of angst, music reminds me I'm not alone
What's a song but a heart that's dancing through the mouth
And when the mouth be dumb
The heart it dances through the feet
And when the feet be numb
The heart it dances through the ears
And when the hearing's gone
And it seems that sound can no more be born
And music can no more be heard
And he who hears not wishes he were dead
God creates a man to show the world
What music seems and what music means
He named him Ludwig Van Beethoven
He who once heard but one day heard no more
And when this acid of life was poured upon his face
He wished to see his days end before his day
But when hope hath walked to him
And shook his hand and sat with him
He composed his Ninth Symphony
With his heart's melody
And when the performance was done
He with his back to the crowd
Heard not the thundering applause of the audience
That gave him reverence
Till he was turned, and began to weep
And he which heard not changed the century in which he lived
Music is faith, that tells you light up, even if you cannot hear my voice I'll be right beside you dear
Music is hope, that tells you if everything we got is fading away, we've a rock in a Rock till our dying day
Music is a voice, when he declares: questions of science, science and progress do not speak as loud as my heart
Music is a friend, especially to the lonely, he says I'm holding onto you holding on to me, maybe its all we've got but its all I need
Music is spiritual, that transcendental breeze between mortality and deity
Music is healing, he whispers, tears stream down your face when you lose something you cannot replace but I will try to fix you
Music is sublime, as water is to the body so is music to the soul
Music is peace, it lays the soul at war upon lake placid to take a nap
Above all, my child, music is life alive
Before you took your first breath it was
After you take your last it'll be
But do not dare take that deep, sorrowful last breath my child
Without letting the world hear your song by the life you've lived.

poem by Jenim Dibie
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Ghost Of The Beautiful Past

Ghost of the beautiful past, of the days long gone, of a queen, of a fair sweet woman.
Ghost with the passionate eyes, how proud, yet not too proud to have wept, to have loved, since to love is human.

Angel in fair white garments, with skirts of lawn, by the autumn wind on the pathway fluttered,
Always close by the castle wall and about to speak. But the whisper dies on her lips unuttered.

Yellow leaves deep strewn on the sward, dead leaves of a far--off glorious summer.
Yea, the leaves of the roses she plucked, petal by petal, with beating heart, for him the delayed loved comer.

Why doth she weep thus year on year? He hath tarried long, ah me, a thousand desolate years.
Why doth she weep? She hath wept enough. For see, dark down in the gardens dim, a lake. It is filled with her tears.

If I should ask her name, her title with men? But I need not ask it. I know it, alas, of old, though of old unspoken.
Is there another name but one for that face divine, for those sad sweet lips, like a bow unbent, like a bent bow broken?

No, it is none but her's, the Queen, the beloved of all, the beloved of one, when the Table Round was set in thy mead, Carleon.
None but hers, who was Guenevere, when the trumpets blew and the knights full clad rode down to joust at noon, with their clamorous shout, ``The Queen!''

Doth she remember all, or is all forgotten, pennon proud and lance in rest, the thunder of hoofs and the light swift tread of the foremost runner?
Dareth she raise her eyes, those passionate eyes, at the crowd that gazed? None of them all might meet her look, save he, her one true passionate knight, who adoring won her.

Surely, surely, she seeth; she knoweth all; she is no lost vision of death.
She hath still a smile deep hidden. She hath a name on her lips. She shall sigh, she shall speak, she shall move, when the light winds breathe from the Western Seas with the Spring that quickeneth.

Oh, she shall laugh and sing, though the shadow of Death be a cloud behind her!
Oh, she shall love! Though the dragon of grief keep watch, he shall sleep when the trees in the mead grow green, and awaking he shall not find her.

Read me a sweeter meaning, O Lady, O thou whom I serve, of this pictured story.
Read. Nay the tale is told. To it's truth I swear, by my sword, by my knightly faith, by the fame of the King and the Table Round, and the souls of the Saints in glory!

poem by Wilfrid Scawen Blunt
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Spring Dirge

A child came singing through the dusty town
A song so sweet that all men stayed to hear,
Forgetting for a space their ancient fear
Of evil days and death and fortune’s frown.
She sang of Winter dead and Spring new-born
In the green fields beyond the far hills’ bound;
And how this fair Spring, coming blossom-crowned,
Would cross the city’s threshold on the morn.

And each caged bird in every house anigh,
Even as she sang, caught up the glad refrain
Of Love and Hope and fair days come again,
Till all who heard forgot they had to die.

And all the ghosts of buried woes were laid
That heard the song of this sweet sorceress;
The Past grew to a dream of old distress,
And merry were the hearts of man and maid.

So, at the first faint blush of tender dawn,
Spring stole with noiseless steps through the gray gloom,
And men knew only by a strange perfume
That she had softly entered and withdrawn.

But ah! the lustre of her violet eyes
Was dimmed with tears for her sweet singing maid,
Whose voice would sound no more in shine or shade
To charm men’s souls at set of sun or rise.

For there, with dews of dawn upon her hair,
Like a fair flower plucked and flung away,
Dead in the street the little maiden lay
Who gave new life to hearts nigh dead of care.

Alas! must this be still the bitter doom
Awaiting those, the finer-souled of earth,
Who make for men a morning song of mirth
While yet the birds are dumb amid the gloom?

They walk on thorny ways with feet unshod,
Sing one last song, and die as that song dies.
There is no human hand to close their eyes,
And very heavy is the hand of God.

poem by Victor James Daley
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A Ballad Maker

ONCE I loved a maiden fair,
Over the hills and jar away,
Lands she had and lovers to spare,
Over the hills and far away.
And I was stooped and troubled sore,
And my face was pale, and the coat I wore
Was thin as my supper the night before
Over the hills and far away.

Once I passed in the Autumn late,
Over the hills and jar away,
Her bawn and barn and painted gate,
Over the hills and jar away.
She was leaning there in the twilight space,
Sweet sorrow was on her fair young face,
And her wistful eyes were away from the place,
Over the hills and jar away.

Maybe she thought as she watched me come,
Over the hills and jar away,
With my awkward stride and my face so glum,
Over the hills and jar away.
Spite of his stoop, he still is young,
They say he goes the Shee among,
Ballads he makes; I've heard them sung
Over the hills and jar away.

She gave me good-night in gentle wise,
Over the hills and jar away,
Shyly lifting to mine, dark eyes,
Over the hills and jar away.
What could I do but stop and speak,
And she no longer proud, but meek?
She plucked me a rose like her wild-rose cheek-
Over the hills and jar away.

To-morrow Mavourneen a sleeveen weds,
Over the hills and jar away,
With corn in haggard and cattle in sheds,
Over the hills and jar away.
And I who have lost her, the dear, the rare-
Well, I got me this ballad to sing at the fair,
Twill bring enough money to drown my care,
Over the hills and jar away.

poem by Padraic Colum
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The Desolate City

DARK to me is the earth. Dark to me are the heavens.
   Where is she that I loved, the woman with eyes like stars?
Desolate are the streets. Desolate is the city.
   A city taken by storm, where none are left but the slain.

Sadly I rose at dawn, undid the latch of my shutters,
   Thinking to let in light, but I only let in love.
Birds in the boughs were awake; I listen'd to their chaunting;
   Each one sang to his love; only I was alone.

This, I said in my heart, is the hour of life and of pleasure.
   Now each creature on earth has his joy, and lives in the sun,
Each in another's eyes finds light, the light of compassion,
   This is the moment of pity, this is the moment of love.

Speak, O desolate city! Speak, O silence in sadness!
   Where is she that I loved in my strength, that spoke to my soul?
Where are those passionate eyes that appeal'd to my eyes in passion?
   Where is the mouth that kiss'd me, the breast I laid to my own?

Speak, thou soul of my soul, for rage in my heart is kindled.
   Tell me, where didst thou flee in the day of destruction and fear?
See, my arms still enfold thee, enfolding thus all heaven,
   See, my desire is fulfill'd in thee, for it fills the earth.

Thus in my grief I lamented. Then turn'd I from the window,
   Turn'd to the stair, and the open door, and the empty street,
Crying aloud in my grief, for there was none to chide me,
   None to mock my weakness, none to behold my tears.

Groping I went, as blind. I sought her house, my beloved's.
   There I stopp'd at the silent door, and listen'd and tried the
   latch.
Love, I cried, dost thou slumber? This is no hour for slumber,
   This is the hour of love, and love I bring in my hand.

I knew the house, with its windows barr'd, and its leafless fig-tree,
   Climbing round by the doorstep, the only one in the street;
I knew where my hope had climb'd to its goal and there encircled
   All that those desolate walls once held, my beloved's heart.

There in my grief she consoled me. She loved me when I loved not.
   She put her hand in my hand, and set her lips to my lips.
She told me all her pain and show'd me all her trouble.
   I, like a fool, scarce heard, hardly return'd her kiss.

Love, thy eyes were like torches. They changed as I beheld them.
   Love, thy lips were like gems, the seal thou settest on my life.
Love, if I loved not then, behold this hour thy vengeance;
   This is the fruit of thy love and thee, the unwise grown wise.

Weeping strangled my voice. I call'd out, but none answer'd;
   Blindly the windows gazed back at me, dumbly the door;
See whom I love, who loved me, look'd not on my yearning,
   Gave me no more her hands to kiss, show'd me no more her soul.

Therefore the earth is dark to me, the sunlight blackness,
   Therefore I go in tears and alone, by night and day;
Therefore I find no love in heaven, no light, no beauty,
   A heaven taken by storm, where none are left but the slain!

poem by Wilfrid Scawen Blunt
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Rococo

TAKE HANDS and part with laughter;
Touch lips and part with tears;
Once more and no more after,
Whatever comes with years.
We twain shall not remeasure
The ways that left us twain;
Nor crush the lees of pleasure
From sanguine grapes of pain.

We twain once well in sunder,
What will the mad gods do
For hate with me, I wonder,
Or what for love with you?
Forget them till November,
And dream there’s April yet;
Forget that I remember,
And dream that I forget.

Time found our tired love sleeping,
And kissed away his breath;
But what should we do weeping,
Though light love sleep to death?
We have drained his lips at leisure,
Till there’s not left to drain
A single sob of pleasure,
A single pulse of pain.

Dream that the lips once breathless
Might quicken if they would;
Say that the soul is deathless;
Dream that the gods are good;
Say March may wed September,
And time divorce regret;
But not that you remember,
And not that I forget.

We have heard from hidden places
What love scarce lives and hears:
We have seen on fervent faces
The pallor of strange tears:
We have trod the wine-vat’s treasure,
Whence, ripe to steam and stain,
Foams round the feet of pleasure
The blood-red must of pain.

Remembrance may recover
And time bring back to time
The name of your first lover,
The ring of my first rhyme;
But rose-leaves of December
The frosts of June shall fret,
The day that you remember,
The day that I forget.

The snake that hides and hisses
In heaven we twain have known;
The grief of cruel kisses,
The joy whose mouth makes moan;
The pulse’s pause and measure,
Where in one furtive vein
Throbs through the heart of pleasure
The purpler blood of pain.

We have done with tears and treasons
And love for treason’s sake;
Room for the swift new seasons,
The years that burn and break,
Dismantle and dismember
Men’s days and dreams, Juliette;
For love may not remember,
But time will not forget.

Life treads down love in flying,
Time withers him at root;
Bring all dead things and dying,
Reaped sheaf and ruined fruit,
Where, crushed by three days’ pressure,
Our three days’ love lies slain;
And earlier leaf of pleasure,
And latter flower of pain.

Breathe close upon the ashes,
It may be flame will leap;
Unclose the soft close lashes,
Lift up the lids, and weep.
Light love’s extinguished ember,
Let one tear leave it wet
For one that you remember
And ten that you forget.

poem by Algernon Charles Swinburne
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To The Beloved

Beauty beloved, who hast my heart inspired,
Seen from afar, or with thy face concealed,
Save, when in visions of the night revealed,
Or seen in daydreams bright,
When all the fields are filled with light,
And Nature's smile is sweet,
Say, hast thou blessed
Some golden age of innocence,
And floatest, now, a shadow, o'er the earth?
Or hath Fate's envious doom
Reserved thee for some happier day to come?

To see thee e'er alive,
No hope remains to me;
Unless perchance, when from this body free,
My wandering spirit, lone,
O'er some new path, to some new world hath flown.
E'en here, at first, I, at the dawn
Of this, my day, so dreary and forlorn,
Sought thee, to guide me on my weary way:
But none on earth resembles thee. E'en if
One were in looks and acts and words thy peer,
Though like thee, she less lovely would appear.

Amidst the deepest grief
That fate hath e'er to human lot assigned,
Could one but love thee on this earth,
Alive, and such as my thought painteth thee,
He would be happy in his misery:
And I most clearly see, how, still,
As in my earliest days,
Thy love would make me cling to virtue's ways.
Unto _my_ grief heaven hath no comfort brought;
And yet with thee, this mortal life would seem
Like that in heaven, of which we fondly dream.

Along the valleys where is heard
The song of the laborious husbandman,
And where I sit and moan
O'er youth's illusions gone;
Along the hills, where I recall with tears,
The vanished joys and hopes of earlier years,
At thought of thee, my heart revives again.
O could I still thy image dear retain,
In this dark age, and in this baleful air!
To loss of thee, O let me be resigned,
And in thy image still some comfort find!

If thou art one of those
Ideas eternal, which the Eternal Mind
Refused in earthly form to clothe,
Nor would subject unto the pain and strife
Of this, our frail and dreary life;
Or if thou hast a mansion fair,
Amid the boundless realms of space,
That lighted is by a more genial sun,
And breathest there a more benignant air;
From here, where brief and wretched are our days,
Receive thy humble lover's hymn of praise!

poem by Count Giacomo Leopardi
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My Friend has fled

My friend has fled! alas, my friend has fled,
And left me nought but tears and pain behind!
Like smoke above a flame caught by the wind,
So rose she from my breast and forth she sped.
Drunk with desire, I seized Love's cup divine,
But she that held it poured the bitter wine
Of Separation into it and fled.

The hunter she, and I the helpless prey;
Wounded and sick, round me her toils she drew,
My heart into a sea of sorrow threw,
Bound up her camel loads and fled away.
Fain had I laid an ambush for her soul,
She saw and vanished, and the timid foal,
Good Fortune, slipped the rein and would not stay.

My heart was all too narrow for my woe,
And tears of blood my weeping eyes have shed,
A crimson stream across the desert sped,
Rising from out my sad heart's overflow.
She knew not what Love's meanest slave can tell:
''Tis sweet to serve!' but threw me a Farewell,
Kissing my threshold, turned, and cried 'I go!'

In the clear dawn, before the east was red,
Before the rose had torn her veil in two,
A nightingale through Hafiz' garden flew,
Stayed but to fill its song with tears, and fled.

poem by Shams al-Din Hafiz
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Daisy

Where the thistle lifts a purple crown
Six foot out of the turf,
And the harebell shakes on the windy hill--
O breath of the distant surf!--

The hills look over on the South,
And southward dreams the sea;
And with the sea-breeze hand in hand
Came innocence and she.

Where 'mid the gorse the raspberry
Red for the gatherer springs;
Two children did we stray and talk
Wise, idle, childish things.

She listened with big-lipped surprise,
Breast-deep 'mid flower and spine:
Her skin was like a grape whose veins
Run snow instead of wine.

She knew not those sweet words she spake,
Nor knew her own sweet way;
But there's never a bird, so sweet a song
Thronged in whose throat all day.

Oh, there were flowers in Storrington
On the turf and on the spray;
But the sweetest flower on Sussex hills
Was the Daisy-flower that day!

Her beauty smoothed earth's furrowed face.
She gave me tokens three:--
A look, a word of her winsome mouth,
And a wild raspberry.

A berry red, a guileless look,
A still word,--strings of sand!
And yet they made my wild, wild heart
Fly down to her little hand.

For standing artless as the air,
And candid as the skies,
She took the berries with her hand,
And the love with her sweet eyes.

The fairest things have fleetest end,
Their scent survives their close:
But the rose's scent is bitterness
To him that loved the rose.

She looked a little wistfully,
Then went her sunshine way--
The sea's eye had a mist on it,
And the leaves fell from the day.

She went her unremembering way,
She went and left in me
The pang of all he partings gone,
And partings yet to be.

She left me marvelling why my soul
Was sad that she was glad;
At all the sadness in the sweet,
The sweetness in the sad.

Still, still I seemed to see her, still
Look up with soft replies,
And take the berries with her hand,
And the love with her lovely eyes.

Nothing begins, and nothing ends,
That is not paid with moan,
For we are born in other's pain,
And perish in our own.

poem by Francis Thompson
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To J. S.

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.
And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade
Even with a verse your holy woe.
'Tis strange that those we lean on most,
Those in whose laps our limbs are nursed,
Fall into shadow, soonest lost:
Those we love first are taken first.

God gives us love. Something to love
He lends us; but, when love is grown
To ripeness, that on which it throve
Falls off, and love is left alone.

This is the curse of time. Alas!
In grief I am not all unlearn'd;
Once thro' mine own doors Death did pass;
One went, who never hath return'd.

He will not smile--not speak to me
Once more. Two years his chair is seen
Empty before us. That was he
Without whose life I had not been.

Your loss is rarer; for this star
Rose with you thro' a little arc
Of heaven, nor having wander'd far
Shot on the sudden into dark.

I knew your brother: his mute dust
I honour and his living worth:
A man more pure and bold and just
Was never born into the earth.

I have not look'd upon you nigh,
Since that dear soul hath fall'n asleep.
Great nature is more wise than I:
I will not tell you not to weep.

And tho' mine own eyes fill with dew,
Drawn from the spirit thro' the brain,
I will not even preach to you,
"Weep, weeping dulls the inward pain."

Let Grief be her own mistress still.
She loveth her own anguish deep
More than much pleasure. Let her will
Be done--to weep or not to weep.

I will not say "God's ordinance
Of death is blown in every wind;"
For that is not a common chance
That takes away a noble mind.

His memory long will live alone
In all our hearts, as mournful light
That broods above the fallen sun,
And dwells in heaven half the night.

Vain solace! Memory standing near
Cast down her eyes, and in her throat
Her voice seem'd distant, and a tear
Dropt on the letters as I wrote.

I wrote I know not what. In truth,
How should I soothe you anyway,
Who miss the brother of your youth?
Yet something I did wish to say:

For he too was a friend to me:
Both are my friends, and my true breast
Bleedeth for both: yet it may be
That only silence suiteth best.

Words weaker than your grief would make
Grief more. 'Twere better I should cease;
Although myself could almost take
The place of him that sleeps in peace.

Sleep sweetly, tender heart, in peace;
Sleep, holy spirit, blessed soul,
While the stars burn, the moons increase,
And the great ages onward roll.

Sleep till the end, true soul and sweet.
Nothing comes to thee new or strange,
Sleep full of rest from head to feet:
Lie still, dry dust, secure of change.

poem by Alfred Lord Tennyson
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A Poet of One Mood

A poet of one mood in all my lays,
Ranging all life to sing one only love,
Like a west wind across the world I move,
Sweeping my harp of floods mine own wild ways.
The countries change, but not the west-wind days
Which are my songs. My soft skies shine above,
And on all seas the colours of a dove,
And on all fields a flash of silver greys.
I made the whole world answer to my art
And sweet monotonous meanings. In your ears
I change not ever, bearing, for my part,
One thought that is the treasure of my years-
A small cloud full of rain upon my heart
And in mine arms, clasped, like a child in tears.

poem by Alice Meynell
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I Told You

I told you the winter would go, love,
I told you the winter would go,
That he'd flee in shame when the south wind came,
And you smiled when I told you so.
You said the blustering fellow
Would never yield to a breeze,
That his cold, icy breath had frozen to death
The flowers, the birds, and trees.

And I told you the snow would melt, love,
In the passionate glance o' the sun;
And the leaves o' the trees, and the flowers and bees,
Would come back again, one by one.
That the great, gray clouds would vanish,
And the sky turn tender and blue;
And the sweet birds would sing, and talk of the spring
And, love, it has all come true.

I told you that sorrow would fade, love,
And you would forget half your pain;
That the sweet bird of song would waken ere long,
And sing in your bosom again;
That hope would creep out of the shadows,
And back to its nest in your heart,
And gladness would come, and find its old home,
And that sorrow at length would depart.

I told you that grief seldom killed, love,
Though the heart might seem dead for awhile.
But the world is so bright, and full of warm light
That 'twould waken at length, in its smile.
Ah, love! was I not a true prophet?
There's a sweet happy smile on your face;
Your sadness has flown - the snow-drift is gone,
And the buttercups bloom in its place.

poem by Ella Wheeler Wilcox
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