Remembered Laughter of the Frail Daughter There Beside the Fields Sweet Grasses - Impressionist Autumnal Portraits In Miniature
.
[Notes jotted while gazing at Impressionists paintings at the Metropolitan Museum of Art, New York City, Autumn]
*
Among ginkgoes
cloven leaves fall
whose burnished
berries yellow late
melon sweetness
of Autumn days
Among boxwoods
evergreen for no good phlox
blooded leaves settle upon
golden flax of weeds
seed the chilling ground
receiving soundless
lips of grain enduring ice
and ice again
Amidst the sortilege
coo of pigeons in the
distant spired village.
low of legion cattle turning
toward evening millet
mow of fringing grain chafing
toward winter silos
Blue waters at a distance
blue the tails of otters
blue the eyelids of sleeping beasts
nested beneath the earth
Distant crows sound the
morning field beyond pasture
Dew murmurs names upon
passing grasses
Echoing wood gold where,
below, the stream's gash furthers along
slowly murdering dimensions
of width and depth
Remembered gait of young ponies
toward the spring's sweet water
Remembered laughter of the frail daughter there
beside the fields sweet grasses
The daughter, as the water, passes into silence
Remembered laughter beside the old well of the woods
*
Spittle on the chin
stubble upon the cheek
she met her love beside the creek
Turned in her sleep
the calling heat gathered
the steep bank in the wood
then fell
as water will
forgetting the blood's
first stain on the long discarded sheet
A woman now she fled toward love
and fed there
but famished still
died there
stuck in 'King James',
entangled in lyrical tongues,
Revelation's virgin.
poem by Warren Falcon
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Pasturale Lullabies - Fragments Of Nocturnal Song From A Child's Abandoned Grave
Lullaby One
Remembered gait of young ponies toward
the spring's sweet water
Remembered laughter of the frail daughter there
beside the fields sweet grasses
The daughter, as the water, passes into silence
Lullaby Two
Distant crows sound the morning field beyond pasture
Dew murmurs names upon passing grasses
still, the woods echo
Below
a stream's gash extends
slowly suspires erasing dimensions
of width and depth
Lullaby Three
Blue the waters at a distance
Blue the tails of otters
Blue the eyelids of sleeping beasts
nested beneath the earth
Lamentation Song
Dear one
Dear one
They've mown the hill
The grass remains
The modern scythe and sickle
felled the frailer blades but stained
their metals green with your name
Now the sun alone shines
burns that hewn spot where I first
learned to love your passing
where I watched your leaving
grow wild and lovely,
untamed beside the stream
learned to hear the quiet there
where now a cycle is begun
A new season of your death
is running rampant again to know
the blades of time and men
poem by Warren Falcon
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The LoRuhamah Poems - Her Death Discordant
for Judy Asher, killed at age 21
These meditations/laments are set in
Appalachian mountains and towns of
North American Southern states, circa mid1960's
[The name, LoRuhamah, means 'not loved']
Hosea 1: 6 - 'And she conceived again, and bare a daughter.
And God said unto him, Call her name LoRuhamah' for I will
no more have mercy on the house of Israel, but will utterly take
them away.'
Part One
1
O rue rue LaRue among the ginkgoes
cloven leaves all fallen whose burnished berries
yellow late melon sweetness of Autumn days
O rue rue LaRue among the boxwoods
evergreen for no good phlox.
Blooded leaves settle upon golden flax of weeds
seeding the chilling ground receiving soundless
lips of grain enduring ice and ice again
O rue rue LaRue amidst the sortilege
Coo of pigeons in the distant spired village
low of legion cattle turning toward evening millet
mow of fringing grain chafing toward winter silos
O rue rue LaRue
Blue waters at a distance
blue the tails of otters
blue the eyelids of sleeping beasts
nested beneath the earth
Distant crows sound the morning field beyond pasture
Dew murmurs names upon passing grasses
Echoing wood gold where below the stream's gash
furthers along slowly murdering dimensions of
width and depth
Remembered gait of young ponies toward
the spring's sweet water
Remembered laughter of the frail daughter there
beside the fields sweet grasses
The daughter, as the water, passes into silence
Laughter remembered beside the old well of the woods
2
Unearthing the old dwelling
found glass bottles
rusted ancient tins of talcum
utensils grimed which once fed mouths
a comb sadly saving some long
uncaressed and beloved white hair
a rusty chain for what purpose used
then discarded
Overturning stones
reveals a child's gum
machine trinket ring
O the lovely hand of the long grown daughter
remembered in the plastic ring hole full of dirt
caked jewel of childhood, innocent, cool
in this finder's keeping
Rest o daughter
slumber in the dark palm of the grave
We are slave to suffering
but the little ring you lost
or bitterly tossed away
when its small circle's promise
outgrew you
is here
in the sunlight again
in a stranger's hand
standing where the gate allowed
entrance to the once beautiful yard
Brief the rediscovered
for all of us are soon
gone under the hill
The ring dear lost dead thing
once human and frail will endure
beyond our bones.
It's promise is safe
I wish I knew your name, dear one
O rue rue LaRue...
3
Spittle on the chin
stubble upon the cheek
she met her love beside the creek
Turned in her sleep
the calling heat gathered
the steep bank in the wood
then fell
as water will
forgetting the blood's
first stain on the long discarded sheet
A woman now she fled toward love
and fed there but
famished still
died there...
4
...there that little greensward swath of green grass
and leaf and limb and tree in that little crook nook
of vale dark there and sky gimleted on each blade
and leaf hover myriad in air...
Part Two
'Her death discordant...'
'Birds must sing to keep from asphyxiating.' - Mircea Eliade
1
Then died there the rose beside the house of tin.
The track bore no train for years.
Weeds traveled tendriled and
yellow rooted between trestles.
Broken vessels whistled through
shattered teeth of glass.
Only wind and no rusted train passed.
Though the scene bears dislocation,
though the brain remembers station and motion
of steam engine and iron wheel rotation
the places of old gone passing
bear no malice toward stillness.
All around mute remains remind the
occasional passer of former days;
an old snuff tin crumbled in a reverent hand
longs for the woman grasping then,
holds sweet dust beneath her tongue
as the land must hold her now where is
no whisper but sleep beyond sleep.
Weeds to the eye are sad between rails
but listening to their green and yellow belles
the rightness of their swaying displaces all sorrow.
Their distance is a distance one cannot know
but only borrow in imagination by extension
of miles, their reach is ours then, translated
green and longing, their leaves throng the
evening air, in silent clamor fling down seed
to summer's blundering prayer.
2
Discovering a small print of Degas' painting,
'The Singer In Green', on the day of her death,
sending it to her best friend, saying:
This reminds me of her,
her features, the beauty of implied song,
a tenderness, and sadness,
head tilted back in order to lift her voice,
crooked hand above breasts gesturing
in physical song, green light bathing
the mortal scene.
Was this not her
green with life,
woman prime,
taken into the vast green
of the earth during Spring?
She sings still.
In memory we hear the literal voice,
see her gesture, catch her fading laughter.
2
Go out into some silent space
of green world then. Sit. Listen.
Muted voices and motion are greater there
than any little pocket of earth that our
body or grave can hold.
She dies into the world which
is always alive
and Mystery.
So the singer has become the green light
which bathes her, her life signaling toward it,
her death become it which is greater music still.
Be sad, as we will, but know
she is now where the Green is -
in woods,
in the world,
in memory in
hearts and minds
we but borrow it while alive and return
to the Green source with our passing.
3
O rue rue LaRue it's here
this space between the gate and the lovely garden
is here everywhere in the ring in the hand in the dirt
within the hole of the ring in the breath flung in
and out the grave house underneath
the dirt's coolth and dank breath
thank the air and pass the leaves
the hand of the digger becomes the tree
becomes the sign upon which all breathing things
shall hang language surpasses itself breaks
upon its own weight like the empty shell of the beetle
little is the frame we live within this tiny world
the walk upon Vast the space it partakes of making
the wave of the wind ripple in the mind and Mind
turns to the dropp of rain the flaked paint of the
barn side the vague window pane opening upon
the eternal scene of stones breathing becoming bread
the living the dead artifacts
All
4
That green has grown.
Leaves have darkened
deepening shadow and hue of green
and so, imagining, walking through,
has her death.
I walk through that, too,
wonder how she fares,
silent lady of dirt
having lost at last
the hurting care of the world,
and we, green and growing,
curl above her dark place,
sure sometime of our grave
as sure as we are now of hers.
5
Scattering wind over bending blades,
I grieve still her leaving,
feel its weight as I see scattered ones
on benches in the park, asleep,
one wretched man huddling where
a band of young musicians tune
their instruments for song.
Disparate images entwine -
gone man,
gone band,
and her death discordant -
the living die
the dead somehow live
singing in the sometime green.
As green returns
so she will in silent memory,
in waves of wind
which is only wind.
We will change but not as she
so changed to every possibility of song.
6
It appears to be ended
but as grass shows there is
a forming wisdom and the same,
Desire.
The fire in our house of living rages
and we cannot come out of our own accord.
The event of her going is a beckoning
to see the flame leaping so let's creep
toward the Green and be silent
but if we cannot be then let us be as she,
frail and tender, lifting voices up
in the greening shadow
7.
Dear one.
Dear one.
They've mown the hill.
The grass remains.
Modern scythe and sickle
felled the frailer blades but
stained their metals
green with your name.
The sun shines,
burns that hewn spot where I first
learned to love your passing,
where I watched your leaving
grow wild and lovely,
untamed beside the street,
learned to hear the quiet there
where now a cycle is begun.
A new season of your death
is running rampant again to know
the blades of time and men.
8
Among oaks the fallen do not speak.
The dirt upon which they lay is hard.
Hard earth.
Cold earth.
Need us here
spoken for nothing.
We scratch our mouths
across the scar of land,
wait in the black sun,
pray to break apart.
A bird with injured wing
sits among the yellow leaves.
It's wild hurt flays the sky.
poem by Warren Falcon
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The King's Daughter
WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.
We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.
The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.
The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.
The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.
The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.
We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.
By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.
“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.
He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.
He’s made her bed to the goodliest,
Wind and hail in the mill-water;
A grass girdle for all the rest,
A girdle of arms for the king’s daughter.
He’s set his heart to the goodliest,
Snow that snows in the mill-water;
Nine little kisses for all the rest,
An hundredfold for the king’s daughter.
He’s ta’en his leave at the goodliest,
Broken boats in the mill-water;
Golden gifts for all the rest,
Sorrow of heart for the king’s daughter.
“Ye’ll make a grave for my fair body,”
Running rain in the mill-water;
“And ye’ll streek my brother at the side of me,”
The pains of hell for the king’s daughter.
poem by Algernon Charles Swinburne
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Time Of Clearer twitterings
I.
Time of crisp and tawny leaves,
And of tarnished harvest sheaves,
And of dusty grasses--weeds--
Thistles, with their tufted seeds
Voyaging the Autumn breeze
Like as fairy argosies:
Time of quicker flash of wings,
And of clearer twitterings
In the grove, or deeper shade
Of the tangled everglade,--
Where the spotted water-snake
Coils him in the sunniest brake;
And the bittern, as in fright,
Darts, in sudden, slanting flight,
Southward, while the startled crane
Films his eyes in dreams again.
II
Down along the dwindled creek
We go loitering. We speak
Only with old questionings
Of the dear remembered things
Of the days of long ago,
When the stream seemed thus and so
In our boyish eyes:--The bank
Greener then, through rank on rank
Of the mottled sycamores,
Touching tops across the shores:
Here, the hazel thicket stood--
There, the almost pathless wood
Where the shellbark hickory tree
Rained its wealth on you and me.
Autumn! as you loved us then,
Take us to your heart again!
III
Season halest of the year!
How the zestful atmosphere
Nettles blood and brain, and smites
Into life the old delights
We have tasted in our youth,
And our graver years, forsooth!
How again the boyish heart
Leaps to see the chipmunk start
From the brush and sleek the sun
Very beauty, as he runs!
How again a subtle hint
Of crushed pennyroyal or mint,
Sends us on our knees, as when
We were truant boys of ten--
Brown marauders of the wood,
Merrier than Robin Hood!
IV
Ah! will any minstrel say,
In his sweetest roundelay,
What is sweeter, after all,
Than black haws, in early Fall--
Fruit so sweet the frost first sat,
Dainty-toothed, and nibbled at!
And will any poet sing
Of a lusher, richer thing
Than a ripe May-apple, rolled
Like a pulpy lump of gold
Under thumb and finger-tips,
And poured molten through the lips?
Go, ye bards of classic themes,
Pipe your songs by classic streams!
I would twang the redbird's wings
In the thicket while he sings!
poem by James Whitcomb Riley
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Love Has Remembered Me
Written by: myles goodwyn
Love wont remember me
Its been so long
And thats what Ive told myself
But you proved me wrong
You opened up my eyes
And helped me to see
That love has a way of finding
Those in need
Love has remembered me (love has remembered)
It seems too long since weve been together
Love has remembered me (love has remembered)
Its been so long, seemingly forever
Love has remembered, love has remembered me
I felt so all alone
And at times afraid
That love had foresaken me
It just seemed that way
Then you walked into my life
And you turned my whole world around
Ours is a true love
It cant be found
Love has remembered me (love has remembered)
It seems too long since weve been together
Love has remembered me (love has remembered)
Its been so long, seemingly forever
Love has remembered, love has remembered me
Love wont remember me
Its been so long
And thats what Ive told myself
But you proved me wrong
Love has remembered me (love has remembered)
It seems too long since weve been together
Love has remembered me (love has remembered)
Its been so long, seemingly forever
Love has remembered me (love has remembered)
It seems too long since weve been together
Love has remembered me (love has remembered)
Its been so long, seemingly forever
Love has remembered
Love has remembered
Love has remembered
(love has remembered)
song performed by by April Wine
Submitted by Lucian Velea
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Merry Autumn
IT's all a farce, — these tales they tell
About the breezes sighing,
And moans astir o'er field and dell,
Because the year is dying.
Such principles are most absurd, —
I care not who first taught 'em;
There's nothing known to beast or bird
To make a solemn autumn.
In solemn times, when grief holds sway
With countenance distressing,
You'll note the more of black and gray
Will then be used in dressing.
Now purple tints are all around;
The sky is blue and mellow;
And e'en the grasses turn the ground
From modest green to yellow.
The seed burrs all with laughter crack
On featherweed and jimson;
And leaves that should be dressed in black
Are all decked out in crimson.
A butterfly goes winging by;
A singing bird comes after;
And Nature, all from earth to sky,
Is bubbling o'er with laughter.
The ripples wimple on the rills,
Like sparkling little lasses;
The sunlight runs along the hills,
And laughs among the grasses.
The earth is just so full of fun
It really can't contain it;
And streams of mirth so freely run
The heavens seem to rain it.
Don't talk to me of solemn days
In autumn's time of splendor,
Because the sun shows fewer rays,
And these grow slant and slender.
Why, it's the climax of the year,—
The highest time of living!—
Till naturally its bursting cheer
Just melts into thanksgiving.
poem by Paul Laurence Dunbar
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In The Rainy
In the rainy, in my village
It`s good to see
Green grasses around,
Corn fields looking green
With rice plants growing
Vegetable plants are with flowers and fruits,
In morning and evening
Dew on grass, on leaves
Looks like....
Clouds sail,
Cover the blue sky
But when it rains
Changes everything,
Thatch roofs as waterfalls
Let the water fall down
Making some sound.
Dragon-flies move here and there,
Sit on a grass
And challenge one to capture
But when a hand moves
It flies far and again
Sits there to joke.
poem by Satyabrata Barik
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La Bella Donna Della Mia Mente
MY limbs are wasted with a flame,
My feet are sore with travelling,
For calling on my Lady's name
My lips have now forgot to sing.
O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love's sake,
My gentle Lady passeth by.
She is too fair for any man
To see or hold his heart's delight,
Fairer than Queen or courtezan
Or moon-lit water in the night.
Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.
Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.
Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet's throat
Is not so sweet to look upon.
As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.
O twining hands! O delicate
White body made for love and pain!
O House of love! O desolate
Pale flower beaten by the rain!
poem by Oscar Wilde
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Domination Of Black
At night, by the fire,
The colors of the bushes
And of the fallen leaves,
Repeating themselves,
Turned in the room,
Like the leaves themselves
Turning in the wind.
Yes: but the color of the heavy hemlocks
Came striding.
And I remembered the cry of the peacocks.
The colors of their tails
Were like the leaves themselves
Turning in the wind,
In the twilight wind.
They swept over the room,
Just as they flew from the boughs of the hemlocks
Down to the ground.
I heard them cry -- the peacocks.
Was it a cry against the twilight
Or against the leaves themselves
Turning in the wind,
Turning as the flames
Turned in the fire,
Turning as the tails of the peacocks
Turned in the loud fire,
Loud as the hemlocks
Full of the cry of the peacocks?
Or was it a cry against the hemlocks?
Out of the window,
I saw how the planets gathered
Like the leaves themselves
Turning in the wind.
I saw how the night came,
Came striding like the color of the heavy hemlocks
I felt afraid.
And I remembered the cry of the peacocks.
poem by Wallace Stevens
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Now Is Past
_Now_ is past--the happy _now_
When we together roved
Beneath the wildwood's oak-tree bough
And Nature said we loved.
Winter's blast
The _now_ since then has crept between,
And left us both apart.
Winters that withered all the green
Have froze the beating heart.
Now is past.
_Now_ is past since last we met
Beneath the hazel bough;
Before the evening sun was set
Her shadow stretched below.
Autumn's blast
Has stained and blighted every bough;
Wild strawberries like her lips
Have left the mosses green below,
Her bloom's upon the hips.
Now is past.
_Now_ is past, is changed agen,
The woods and fields are painted new.
Wild strawberries which both gathered then,
None know now where they grew.
The skys oercast.
Wood strawberries faded from wood sides,
Green leaves have all turned yellow;
No Adelaide walks the wood rides,
True love has no bed-fellow.
Now is past.
poem by John Clare
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In the shadows
I am sailing to the leeward,
Where the current runs to seaward
Soft and slow,
Where the sleeping river grasses
Brush my paddle as it passes
To and fro.
On the shore the heat is shaking
All the golden sands awaking
In the cove;
And the quaint sand-piper, winging
O'er the shallows, ceases singing
When I move.
On the water's idle pillow
Sleeps the overhanging willow,
Green and cool;
Where the rushes lift their burnished
Oval heads from out the tarnished
Emerald pool.
Where the very silence slumbers,
Water lilies grow in numbers,
Pure and pale;
All the morning they have rested,
Amber crowned, and pearly crested,
Fair and frail.
Here, impossible romances,
Indefinable sweet fancies,
Cluster round;
But they do not mar the sweetness
Of this still September fleetness
With a sound.
I can scarce discern the meeting
Of the shore and stream retreating,
So remote;
For the laggard river, dozing,
Only wakes from its reposing
Where I float.
Where the river mists are rising,
All the foliage baptizing
With their spray;
There the sun gleams far and faintly,
With a shadow soft and saintly,
In its ray.
And the perfume of some burning
Far-off brushwood, ever turning
To exhale
All its smoky fragrance dying,
In the arms of evening lying,
Where I sail.
My canoe is growing lazy,
In the atmosphere so hazy,
While I dream;
Half in slumber I am guiding,
Eastward indistinctly gliding
Down the stream.
poem by Emily Pauline Johnson
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Life Is Lovely All the Year
When the buds are blossoming,
Smiling welcome to the spring,
Lovers choose a wedding day -
Life is love in merry May!
Spring is green - Fal lal la!
Summer's rose - Fal lal la!
It is sad when Summer goes,
Fal la!
Autumn's gold - Fal lal la!
Winter's grey - Fal lal la!
Winter still is far away -
Fal la!
Leaves in Autumn fade and fall;
Winter is the end of all.
Spring and summer teem with glee:
Spring and summer, then, for me!
Fal la!
In the Spring-time seed is sown:
In the Summer grass is mown:
In the Autumn you may reap:
Winter is the time for sleep.
Spring is hope - Fal lal la!
Summer's joy - Fal lal la!
Spring and Summer never cloy,
Fal la!
Autumn, toil - Fal lal la!
Winter, rest - Fal lal la!
Winter, after all, is best -
Fal la!
Spring and summer pleasure you,
Autumn, ay, and winter, too -
Every season has its cheer;
Life is lovely all the year!
Fal la!
poem by William Schwenck Gilbert
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Autumn Days
I have been through the woods to-day
And the leaves were falling,
Summer had crept away,
And the birds were not calling.
And the bracken was like yellow gold
That comes too late,
When the heart is sad and old,
And death at the gate.
Ah, mournful Autumn ! Sad,
Slow death that comes at last,
I am mad for a yesterday, mad !
I am sick for a year that is past!
Though the sun be like blood in the sky
He is cold as the lips of hate,
And he fires the sere leaves as they lie
On their bed of earth, too late.
They are dead, and the bare trees weep
Not loud as a mortal weeping,
But as sorrow that sighs in sleep,
And as grief that is still in sleeping.
poem by Lord Alfred Douglas
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For Every Moment That I Live
You've changed.
Like the summer heat...
Leaving to linger.
And remembered as one walks,
Through the ice and snow...
Brought by Winter,
And left on City streets.
To then bring Spring scents...
From budding flowers smelling sweet.
You've changed.
Like Autumn leaves in October breezes.
And teasing with anticipated holiday treats.
You've changed like the seasons.
And captivated I am.
Without one disappointment...
I observe this and agree.
And I love them all.
Every change there is.
And I love you here in my life.
For every moment that I live!
You've changed.
Like the summer heat...
Leaving to linger.
And remembered as one walks,
Through the ice and snow...
Brought by Winter,
And left on City streets.
And captivated I am.
Without one disappointment...
I observe this and agree.
You keep changing on me.
Like an adventure that excites!
With your delightful love of life!
poem by Lawrence S. Pertillar
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The Gardener LV: It Was Mid-Day
It was mid-day when you went
away .
The sun was strong in the sky.
I had done my work and sat alone
on my balcony when you went away.
Fitful gusts came winnowing
through the smells of may distant
fields.
The doves cooed tireless in the shade,
and a bee strayed in my room hum-
ming the news of many distant fields.
The village slept in the noonday
heat. The road lay deserted.
In sudden fits the rustling of the
leaves rose and died.
I gazed at the sky and wove in the
blue the letters of a name I had known,
while the village slept in the noonday
heat.
I had forgotten to braid my hair.
The languid breeze played with it upon
my cheek.
The river ran unruffled under the
shady bank.
The lazy white clouds did not move.
I had forgotten to braid my hair.
It was mid-day when you went
away.
The dust of the road was hot and
the fields panting.
The doves cooed among the dense
leaves.
I was alone in my balcony when you
went away.
poem by Rabindranath Tagore
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Awesomeness of Autumn
Sweet Autumn heralds summer season's past,
She can't conceal the changing of her leaves
Autumnal days will hasten winter's blast
Her sunny days will ripen harvet sheaves.
Artistic Autumn paints a myriad hues,
Red, orange, yellow, pink and brown and green
She - from her pallette - has the chance to choose
Collages that no artist ever dreamed.
Majestic Autimn heralds winter's charm,
Leaves fall, trees' silhouttes revealed
Wood piles replenished in the rustic farm
Exotic fungi in the woods concealed.
Is Autumn still - best season of the year?
YES, Autumn well deserves the bonfires' cheer!
(John Knight - September 2009)
poem by John Knight
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Autumn Longing
Let me die away with autumn
Let me be like fire
Ever ignite
Let me fall
I don't want the winter
To come after me
Let the autumn arms
Bright and gold
Let it come for me
In a dream
Like a swallow
Descending for Africa
I want to come with autumn
Let me come away with thee
I want to be wine red
I want tobe amber gold
I want to sleep
With the leaves
I want to burst with juices
Like the berries
I need to sleep
I need to burn
Like the sunset
I need the rest
Like the creatures
Who hibernate
To escape harsh winter
I want tobe with you
Autumn
Let me be asleep with thee
I want to hear you secrets
That hides forever deep
Oh autumn
Let one be in love with me
As I ‘am in love with you
Oh autumn
Let one die away with thee
poem by Guinevere Eveleigh
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The Spring—Time, O The Spring--Time
The Spring-time, O the Spring-time!
Who does not know it well?
When the little birds begin to build,
And the buds begin to swell.
When the sun with the clouds plays hide-and-seek,
And the lambs are bucking and bleating,
And the colour mounts to the maiden's cheek,
And the cuckoo scatters greeting;
In the Spring-time, joyous Spring-time!
The Summer, O the Summer!
Who does not know it well?
When the ringdoves coo the long day through,
And the bee refills his cell.
When the swish of the mower is heard at morn,
And we all in the woods go roaming,
And waiting is over, and love is born,
And shy lips meet in the gloaming;
In the Summer, ripening Summer!
The Autumn, O the Autumn!
Who does not know it well?
When the leaf turns brown, and the mast drops down,
And the chestnut splits its shell.
When we muse o'er the days that have gone before,
And the days that will follow after,
When the grain lies deep on the winnowing-floor,
And the plump gourd hangs from the rafter;
In the Autumn, thoughtful Autumn!
The Winter, O the Winter!
Who does not know it well?
When, day after day, the fields stretch gray,
And the peewit wails on the fell.
When we close up the crannies and shut out the cold,
And the wind sounds hoarse and hollow,
And our dead loves sleep in the churchyard mould,
And we feel that we soon shall follow;
In the Winter, mournful Winter!
poem by Alfred Austin
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Your Laughter
Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.
Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.
My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.
My love, in the darkest
hour your laughter
opens, and if suddenly
you see my blood staining
the stones of the street,
laugh, because your laughter
will be for my hands
like a fresh sword.
Next to the sea in the autumn,
your laughter must raise
its foamy cascade,
and in the spring, love,
I want your laughter like
the flower I was waiting for,
the blue flower, the rose
of my echoing country.
Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
boy who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter
for I would die.
poem by Pablo Neruda
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Nile Crocodile In The Sunshine
The Nile Crocodile
needs to lie in the sun
to digest her
crocodilean breakfast
and longs for a swim
in the cool blue water
though it is winter
in Crocodile country
the evergreen leaves
sparkle with drops of diamond
in winter’s silvery sun
sky shining in brilliant blue
the Nile Crocodile
lies in the sunshine
warming her cold-blooded skin
guilty as ever
for not checking the kids
or helping with homework
leaving the kitchen
in a state of horror
tonight she’ll feel terror
when taken to task
but right now in the sun
warming up for the dive
into the icy water
she’s as happy as
a warm-blooded creature
all the cold-blooded fears
and broken-heart tears
forgotten for a
while...
poem by Margaret Alice
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