La Bella Donna Della Mia Mente
MY limbs are wasted with a flame,
My feet are sore with travelling,
For calling on my Lady's name
My lips have now forgot to sing.
O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love's sake,
My gentle Lady passeth by.
She is too fair for any man
To see or hold his heart's delight,
Fairer than Queen or courtezan
Or moon-lit water in the night.
Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.
Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.
Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet's throat
Is not so sweet to look upon.
As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.
O twining hands! O delicate
White body made for love and pain!
O House of love! O desolate
Pale flower beaten by the rain!
poem by Oscar Wilde
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The King's Daughter
WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.
We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.
The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.
The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.
The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.
The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.
We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.
By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.
“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.
He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.
He’s made her bed to the goodliest,
Wind and hail in the mill-water;
A grass girdle for all the rest,
A girdle of arms for the king’s daughter.
He’s set his heart to the goodliest,
Snow that snows in the mill-water;
Nine little kisses for all the rest,
An hundredfold for the king’s daughter.
He’s ta’en his leave at the goodliest,
Broken boats in the mill-water;
Golden gifts for all the rest,
Sorrow of heart for the king’s daughter.
“Ye’ll make a grave for my fair body,”
Running rain in the mill-water;
“And ye’ll streek my brother at the side of me,”
The pains of hell for the king’s daughter.
poem by Algernon Charles Swinburne
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Madona Mia
UNDER green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen’s head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joy from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet,
Yet no man knows.
Only this thing is said;
That white and gold and red,
God’s three chief words, man’s bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady’s praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This was my lady’s birth;
God gave her might and mirth
And laid his whole sweet earth
Between her hands.
Under deep apple-boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
poem by Algernon Charles Swinburne
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August
THERE WERE four apples on the bough,
Half gold half red, that one might know
The blood was ripe inside the core;
The colour of the leaves was more
Like stems of yellow corn that grow
Through all the gold June meadow’s floor.
The warm smell of the fruit was good
To feed on, and the split green wood,
With all its bearded lips and stains
Of mosses in the cloven veins,
Most pleasant, if one lay or stood
In sunshine or in happy rains.
There were four apples on the tree,
Red stained through gold, that all might see
The sun went warm from core to rind;
The green leaves made the summer blind
In that soft place they kept for me
With golden apples shut behind.
The leaves caught gold across the sun,
And where the bluest air begun,
Thirsted for song to help the heat;
As I to feel my lady’s feet
Draw close before the day were done;
Both lips grew dry with dreams of it.
In the mute August afternoon
They trembled to some undertune
Of music in the silver air;
Great pleasure was it to be there
Till green turned duskier and the moon
Coloured the corn-sheaves like gold hair.
That August time it was delight
To watch the red moons wane to white
’Twixt grey seamed stems of apple-trees;
A sense of heavy harmonies
Grew on the growth of patient night,
More sweet than shapen music is.
But some three hours before the moon
The air, still eager from the noon,
Flagged after heat, not wholly dead;
Against the stem I leant my head;
The colour soothed me like a tune,
Green leaves all round the gold and red.
I lay there till the warm smell grew
More sharp, when flecks of yellow dew
Between the round ripe leaves had blurred
The rind with stain and wet; I heard
A wind that blew and breathed and blew,
Too weak to alter its one word.
The wet leaves next the gentle fruit
Felt smoother, and the brown tree-root
Felt the mould warmer: I too felt
(As water feels the slow gold melt
Right through it when the day burns mute)
The peace of time wherein love dwelt.
There were four apples on the tree,
Gold stained on red that all might see
The sweet blood filled them to the core:
The colour of her hair is more
Like stems of fair faint gold, that be
Mown from the harvest’s middle floor.
poem by Algernon Charles Swinburne
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Under The Balcony
O beautiful star with the crimson mouth!
O moon with the brows of gold!
Rise up, rise up, from the odorous south!
And light for my love her way,
Lest her little feet should stray
On the windy hill and the wold!
O beautiful star with the crimson mouth!
O moon with the brows of gold!
O ship that shakes on the desolate sea!
O ship with the wet, white sail!
Put in, put in, to the port to me!
For my love and I would go
To the land where the daffodils blow
In the heart of a violet dale!
O ship that shakes on the desolate sea!
O ship with the wet, white sail!
O rapturous bird with the low, sweet note!
O bird that sits on the spray!
Sing on, sing on, from your soft brown throat!
And my love in her little bed
Will listen, and lift her head
From the pillow, and come my way!
O rapturous bird with the low, sweet note!
O bird that sits on the spray!
O blossom that hangs in the tremulous air!
O blossom with lips of snow!
Come down, come down, for my love to wear!
You will die on her head in a crown,
You will die in a fold of her gown,
To her little light heart you will go!
O blossom that hangs in the tremulous air!
O blossom with lips of snow!
poem by Oscar Wilde
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The Ballad Of The White Lady
SIR GEOFFREY met the white lady
Upon his marriage morn,
Her eyes were blue as cornflowers are,
Her hair was gold like corn.
Sir Geoffrey gave the white lady
A posy of roses seven,
'You are the fairest May,' said he,
'That ever strayed from Heaven.'
Sir Geoffrey by the white lady
Was lured away to shame,
For seven long years of prayers and tears
No tidings of him came.
Then she who should have been his bride
A mighty oath she swore,
'For seven long years I have wept and prayed,
Now I will pray no more.
'Since God and all the saints of Heaven
Bring not my lord to me,
I will go down myself to hell
And bring him back,' said she.
She crept to the white lady's bower,
The taper's flame was dim,
And there Sir Geoffrey lay asleep,
And the white witch sat by him.
Her arm was laid across his neck,
Her gold hair on his face,
And there was silence in the room
As in a burial-place.
And there were gems and carven cups,
And 'broidered bridal gear--
'Whose bridal is this?' the lady said,
'And what knight have ye here?'
'The good knight here ye know full well,
He was your lord, I trow,
But I have taken him from your side,
And I am his lady now.
'This seven year with right good cheer
We twain our bridal keep,
So take for your mate another knight
And let my dear lord sleep.'
Then up and spake Sir Geoffrey's bride,
'What bridal cheer is this?
I would think scorn to have the lips
Who could not have the kiss!
'I would think scorn to take the half
Who could not have the whole;
I would think scorn to steal the body
Who could not take the soul!
'For, though ye hold his body fast
This seven weary year,
His soul walks ever at my side
And whispers in my ear.
'I would think scorn to hold in sleep
What, if it waked, would flee,
So let his body join his soul
And both fare forth with me;
'For I have learned a spell more strong
Than yours that laid him low,
And I will speak it for his sake
Because I love him so!'
The white lady threw back her hair,
Her eyes began to shine--
'His soul is thine these seven years?--
To-night it shall be mine!
'I have been brave to hold him here
While seven long years befell,
Rather than let a bridal be
Whose seed should flower in hell.
'I have not looked into his eyes
Nor joined my lips to his,
For fear his soul should spring to flame
And shrivel at my kiss.
'I have been brave to watch his sleep
While the long hours come and go,
To hold the body without the soul,
Because I love him so.
'But since his soul this seven year
Has sat by thee,' she said,
'His body and soul to-night shall lie
Upon my golden bed.
'Thou hast no need to speak the spell
That thou hast learned,' said she,
'For I will wake him from his sleep
And take his soul from thee.'
She stooped above him where he lay,
She laid her lips on his;
He stirred, he spake: 'These seven long years
I have waited for thy kiss.
'My soul has hung upon thy lips
And trembled at thy breath,
Thou hast given me life in a cup to drink,
As God will give me death.
'Why didst thou fear to kill my soul
Which only lives for thee?
Thou hast put seven wasted years,
O love, 'twixt thee and me.'
poem by Edith Nesbit
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A Match
If love were what the rose is,
And I were like the leaf,
Our lives would grow together
In sad or singing weather,
Blown fields or flowerful closes,
Green pasture or gray grief;
If love were what the rose is,
And I were like the leaf.
If I were what the words are,
And love were like the tune,
With double sound and single
Delight our lips would mingle,
With kisses glad as birds are
That get sweet rain at noon;
If I were what the words are,
And love were like the tune.
If you were life, my darling,
And I your love were death,
We'd shine and snow together
Ere March made sweet the weather
With daffodil and starling
And hours of fruitful breath;
If you were life, my darling,
And I your love were death.
If you were thrall to sorrow,
And I were page to joy,
We'd play for lives and seasons
With loving looks and treasons
And tears of night and morrow
And laughs of maid and boy;
If you were thrall to sorrow,
And I were page to joy.
If you were April's lady,
And I were lord in May,
We'd throw with leaves for hours
And draw for days with flowers,
Till day like night were shady
And night were bright like day;
If you were April's lady,
And I were lord in May.
If you were queen of pleasure,
And I were king of pain,
We'd hunt down love together,
Pluck out his flying-feather,
And teach his feet a measure,
And find his mouth a rein;
If you were queen of pleasure,
And I were king of pain.
poem by Algernon Charles Swinburne
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Madonna Mia
A LILY-GIRL, not made for this world's pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe.
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.
poem by Oscar Wilde
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The Little Girl's Song
Do not mind my crying, Papa, I am not crying for pain.
Do not mind my shaking, Papa, I am not shaking with fear;
Tho' the wild wild wind is bideous to hear,
And I see the snow and the rain.
When will you come back again,
Papa, Papa?
Somebody else that you love, Papa,
Somebody else that you dearly love
Is weary, like me, because you're away.
Sometimes I see her lips tremble and move,
And I seem to know what they're going to say;
And every day, and all the long day,
I long to cry, 'Oh Mamma, Mamma,
When will Papa come back again?'
But before I can say it I see the pain
Creeping up on her white white cheek,
As the sweet sad sunshine creeps up the white wall,
And then I am sorry, and fear to speak;
And slowly the pain goes out of her cheek,
As the sad sweet sunshine goes from the wall.
Oh, I wish I were grown up wise and tall,
That I might throw my arms round her neck
And say, 'Dear Mamma, oh, what is it all
That I see and see and do not see
In your white white face all the livelong day?'
But she hides her grief from a child like me.
When will you come back again,
Papa, Papa?
Where were you going, Papa, Papa?
All this long while have you been on the sea?
When she looks as if she saw far away,
Is she thinking of you, and what does she see?
Are the white sails blowing,
And the blue men rowing,
And are you standing on the high deck
Where we saw you stand till the ship grew gray,
And we watched and watched till the ship was a speck,
And the dark came first to you, far away?
I wish I could see what she can see,
But she hides her grief from a child like me.
When will you come back again,
Papa, Papa?
Don't you remember, Papa, Papa,
How we used to sit by the fire, all three,
And she told me tales while I sat on her knee,
And heard the winter winds roar down the street,
And knock like men at the window pane,
And the louder they roared, oh, it seemed more sweet
To be warm and warm as we used to be,
Sitting at night by the fire, all three?
When will you come back again,
Papa, Papa?
Papa, I like to sit by the fire;
Why does she sit far away in the cold?
If I had but somebody wise and old,
That every day I might cry and say,
'Is she changed, do you think, or do I forget?
Was she always as white as she is to-day?
Did she never carry her head up higher?'
Papa, Papa, if I could but know!
Do you think her voice was always so low?
Did I always see what I seem to see
When I wake up at night and her pillow is wet?
You used to say her hair it was gold-
It looks like silver to me.
But still she tells the same tale that she told,
She sings the same songs when I sit on her knee,
And the house goes on as it went long ago,
When we lived together, all three.
Sometimes my heart seems to sink, Papa,
And I feel as if I could be happy no more.
Is she changed, do you think, Papa,
Or did I dream she was brighter before?
She makes me remember my snowdrop, Papa,
That I forgot in thinking of you,
The sweetest snowdrop that ever I knew!
But I put it out of the sun and the rain:
It was green and white when I put it away,
It had one sweet bell and green leaves four;
It was green and white when I found it that day,
It had one pale bell and green leaves four,
But I was not glad of it any more.
Was it changed, do you think, Papa,
Or did I dream it was brighter before?
Do not mind my crying, Papa,
I am not crying for pain.
Do not mind my shaking, Papa,
I am not shaking for fear;
Tho' the wild wild wind is hideous to hear,
And I see the snow and the rain.
When will you come back again,
Papa, Papa?
poem by Sydney Thompson Dobell
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Fragoletta
O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?
I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.
What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?
I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.
O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.
Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.
Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?
How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?
Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.
Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.
Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!
Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.
Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.
O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.
poem by Algernon Charles Swinburne
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In Autumn
The leaves are many under my feet,
And drift one way.
Their scent of death is weary and sweet.
A flight of them is in the grey
Where sky and forest meet.
The low winds moan for sad sweet years;
The birds sing all for pain,
Of a common thing, to weary ears,--
Only a summer's fate of rain,
And a woman's fate of tears.
I walk to love and life alone
Over these mournful places,
Across the summer overthrown,
The dead joys of these silent faces,
To claim my own.
I know his heart has beat to bright
Sweet loves gone by;
I know the leaves that die to-night
Once budded to the sky;
And I shall die from his delight.
O leaves, so quietly ending now,
You heard the cuckoos sing.
And I will grow upon my bough
If only for a spring,
And fall when the rain is on my brow.
O tell me, tell me ere you die,
Is it worth the pain?
You bloomed so fair, you waved so high;
Now that the sad days wane,
Are you repenting where you lie?
I lie amongst you, and I kiss
Your fragrance mouldering.
O dead delights, is it such bliss,
That tuneful Spring?
Is love so sweet, that comes to this?
Kiss me again as I kiss you;
Kiss me again;
For all your tuneful nights of dew,
In this your time of rain,
For all your kisses when Spring was new.
You will not, broken hearts; let be.
I pass across your death
To a golden summer you shall not see,
And in your dying breath
There is no benison for me.
There is an autumn yet to wane,
There are leaves yet to fall,
Which, when I kiss, may kiss again,
And, pitied, pity me all for all,
And love me in mist and rain.
poem by Alice Meynell
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Bianca
Her cheeks are hot, her cheeks are white;
The white girl hardly breathes to-night,
So faint the pulses come and go,
That waken to a smouldering glow
The morbid faintness of her white.
What drowsing heats of sense, desire
Longing and languorous, the fire
Of what white ashes, subtly mesh
The fascination of her flesh
Into a breathing web of fire?
Only her eyes, only her mouth,
Live, in the agony of drouth,
Athirst for that which may not be:
The desert of virginity
Aches in the hotness of her mouth.
I take her hands into my hands,
Silently, and she understands;
I set my lips upon her lips;
Shuddering to her finger-tips
She strains my hands within her hands.
I set my lips on hers; they close
Into a false and phantom rose;
Upon her thirsting lips I rain
A flood of kisses, and in vain;
Her lips inexorably close.
Through her closed lips that cling to mine,
Her hands that hold me and entwine,
Her body that abondoned lies,
Rigid with sterile ecstasies,
A shiver knits her flesh to mine.
Life sucks into a mist remote
Her fainting lips, her throbbing throat;
Her lips that open to my lips,
And, hot against her finger-tips,
The pulses leaping in her throat.
poem by Arthur Symons
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Song
A bud has burst on the upper bough
(The linnet sang in my heart to-day);
I know where the pale green grasses show
By a tiny runnel, off the way,
And the earth is wet.
(A cuckoo said in my brain: "Not yet.")
I nabbed the fly in a briar rose
(The linnet to-day in my heart did sing) ;
Last night, my head tucked under my wing,
I dreamed of a green moon-moth that glows
Thro' ferns of June.
(A cuckoo said in my brain: "So soon?")
Good-bye, for the pretty leaves are down
(The linnet sang in my heart to-day) ;
The last gold bit of upland 's mown,
And most of summer has blown away
Thro' the garden gate.
(A cuckoo said in my brain: "Too late.")
poem by Trumbull Stickney from Dramatic Verses (1902)
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In The Valley
Said the yellow-haired Spirit of Spring
To the white-footed Spirit of Snow,
“On the wings of the tempest take wing,
And leave me the valleys, and go.”
And, straightway, the streams were unchained,
And the frost-fettered torrents broke free,
And the strength of the winter-wind waned
In the dawn of a light on the sea.
Then a morning-breeze followed and fell,
And the woods were alive and astir
With the pulse of a song in the dell,
And a whisper of day in the fir.
Swift rings of sweet water were rolled
Down the ways where the lily-leaves grew,
And the green, and the white, and the gold,
Were wedded with purple and blue.
But the lips of the flower of the rose
Said, “where is the ending hereof?
Is it sweet with you, life, at the close?
Is it sad to be emptied of love?”
And the voice of the flower of the peach
Was tender and touching in tone,
“When each has been grafted on each,
It is sorrow to live on alone.”
Then the leaves of the flower of the vine
Said, “what will there be in the day
When the reapers are red with my wine,
And the forests are yellow and grey?”
And the tremulous flower of the quince
Made answer, “three seasons ago
My sisters were star-like, but since,
Their graves have been made in the snow.”
Then the whispering flower of the fern
Said, “who will be sad at the death,
When Summer blows over the burn,
With the fierceness of fire in her breath?”
And the mouth of the flower of the sedge
Was opened to murmur and sigh,
“Sweet wind-breaths that pause at the edge
Of the nightfall, and falter, and die.”
poem by Henry Kendall
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A Brown Study
LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!
Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.
From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.
A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!
Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.
poem by Edith Nesbit
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A Song Of Roses
'Tis time to sing of roses: of roses all ablow,
To every vagrant passing breeze they dip a courtesy low,
'Tis time to sing of roses! for June is here, you know.
One song for true love's roses of sweetest deepest red,
Some heart will wear you faithfully when life itself hath fled,
And for the white rose sing a song--the white rose for the dead.
And ah! the yellow roses, of brightest, lightest gold,
King Midas must have touched their leaves in mystic days of old,
Or they were made of sunshine, and gilded, fold by fold.
And the roadside rose, sweet-briar, we would remember thee
And the cinnamon rose that evermore enthralls each passing bee,
You old, old-fashioned roses, a-growing wild and free.
'Tis time to sing of roses! of roses all ablow!
They come again, as sweet, my dear, as those of long ago.
'Tis time to sing of roses! for June is here you know.
poem by Virna Sheard
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In The Rose Garden
RED roses bright, pink roses and white
That bud and blossom and fall;
The very sight of my heart's delight
Is more than worth them all!
Is worth far more than the whole sweet store
That ever a garden grew--
She plucked the best to die at her breast,
But it laughed and it bloomed anew!
The red rose lay at her lips to-day,
And flushed with the joy thereof;
She said a word that the white rose heard,
And the white rose paled with love.
But the west wind blows, and my lady goes,
And she leaves the world forlorn;
And every rose that the garden grows,
Might just as well be a thorn!
poem by Edith Nesbit
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Deborah, I Think You'll Understand
Deborah,
I think you'll understand what I mean
when at night I sleep on the surfaces of books
and dream of paper attics
Through the green mesh of your eyes
I see rooftops of innocence
and hills of joy
O how brilliant you are in the milky moon
O how tender is your walk through my eardrums
I collapse in my drunkenness
and watch the skies of wonder, O Deborah
I kiss the thin fabric of your lips
and journey through your hair
I'm lost, my love, in your negligee
of white horses and silky winds
Teach me the arithmetic of who you are
for I cannot add nor subtract your splendor
The rain falls blue above your wild eyes
my love
and I'm born again to wonder
if that sweet kiss
has made me whisper
upon your fair skin.
poem by Alexander Shaumyan
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A Memory of June
When June comes dancing o'er the death of May,
With scarlet roses tinting her green breast,
And mating thrushes ushering in her day,
And Earth on tiptoe for her golden guest,
I always see the evening when we met--
The first of June baptized in tender rain--
And walked home through the wide streets, gleaming wet,
Arms locked, our warm flesh pulsing with love's pain.
I always see the cheerful little room,
And in the corner, fresh and white, the bed,
Sweet scented with a delicate perfume,
Wherein for one night only we were wed;
Where in the starlit stillness we lay mute,
And heard the whispering showers all night long,
And your brown burning body was a lute
Whereon my passion played his fevered song.
When June comes dancing o'er the death of May,
With scarlet roses staining her fair feet,
My soul takes leave of me to sing all day
A love so fugitive and so complete.
poem by Claude McKay
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Cadences
I
(MINOR)
THE ANCIENT memories buried lie,
And the olden fancies pass;
The old sweet flower-thoughts wither and fly,
And die as the April cowslips die,
That scatter the bloomy grass.
All dead, my dear! And the flowers are dead,
And the happy blossoming spring;
The winter comes with its iron tread,
The fields with the dying sun are red,
And the birds have ceas’d to sing.
I trace the steps on the wasted strand
Of the vanish’d springtime’s feet:
Wither’d and dead is our Fairyland,
For Love and Death go hand in hand
Go hand in hand, my sweet!
II
(MAJOR)
OH, what shall be the burden of our rhyme,
And what shall be our ditty when the blossom’s on the lime?
Our lips have fed on winter and on weariness too long:
We will hail the royal summer with a golden-footed song!
O lady of my summer and my spring,
We shall hear the blackbird whistle and the brown sweet throstle sing,
And the low clear noise of waters running softly by our feet,
When the sights and sounds of summer in the green clear fields are sweet.
We shall see the roses blowing in the green,
The pink-lipp’d roses kissing in the golden summer sheen;
We shall see the fields flower thick with stars and bells of summer gold,
And the poppies burn out red and sweet across the corn-crown’d wold.
The time shall be for pleasure, not for pain;
There shall come no ghost of grieving for the past betwixt us twain;
But in the time of roses our lives shall grow together,
And our love be as the love of gods in the blue Olympic weather.
poem by John Howard Payne
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Love and Sleep
Love and Sleep
Lying asleep between the strokes of night
I saw my love lean over my sad bed,
Pale as the duskiest lily's leaf or head,
Smooth-skinned and dark, with bare throat made to bite,
Too wan for blushing and too warm for white,
But perfect-coloured without white or red.
And her lips opened amorously, and said -
I wist not what, saving one word - Delight.
And all her face was honey to my mouth,
And all her body pasture to mine eyes;
The long lithe arms and hotter hands than fire
The quivering flanks, hair smelling of the south,
The bright light feet, the splendid supple thighs
And glittering eyelids of my soul's desire.
poem by Algernon Charles Swinburne
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