The Firemen's Ball
SECTION ONE
"Give the engines room,
Give the engines room."
Louder, faster
The little band-master
Whips up the fluting,
Hurries up the tooting.
He thinks that he stands,
[*] The reins in his hands,
In the fire-chief's place
In the night alarm chase.
The cymbals whang,
The kettledrums bang: —
"Clear the street,
Clear the street,
Clear the street — Boom, boom.
In the evening gloom,
In the evening gloom,
Give the engines room,
Give the engines room.
Lest souls be trapped
In a terrible tomb."
The sparks and the pine-brands
Whirl on high
From the black and reeking alleys
To the wide red sky.
Hear the hot glass crashing,
Hear the stone steps hissing.
Coal black streams
Down the gutters pour.
There are cries for help
From a far fifth floor.
For a longer ladder
Hear the fire-chief call.
Listen to the music
Of the firemen's ball.
Listen to the music
Of the firemen's ball.
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
"NIGHT
Of doom,"
Say the ding-dong doom-bells.
Faster, faster
The red flames come.
"Hum grum," say the engines,
"Hum grum grum."
"Buzz, buzz,"
Says the crowd.
"See, see,"
Calls the crowd.
And the high walls fall:—
Listen to the music
Of the firemen's ball
"'Tis the
NIGHT
Of doom,"
Say the ding-dong doom-bells.
NIGHT
Of doom,
Say the ding-dong doom-bells.
Whangaranga, whangaranga,
Whang, whang, whang,
Clang, clang, clangaranga,
Clang, clang, clang.
Clang—a—ranga—
Clang—a—ranga—
Clang,
Clang,
Clang.
Listen—to—the—music—
Of the firemen's ball—
SECTION TWO
"Many's the heart that's breaking
If we could read them all
After the ball is over."
(An old song.)
Scornfully, gaily
The bandmaster sways,
Changing the strain
That the wild band plays.
With a red and royal intoxication,
A tangle of sounds
And a syncopation,
Sweeping and bending
From side to side,
Master of dreams,
With a peacock pride.
A lord of the delicate flowers of delight
He drives compunction
Back through the night.
Dreams he's a soldier
Plumed and spurred,
And valiant lads
Arise at his word,
Flaying the sober
Thoughts he hates,
Driving them back
From the dream-town gates.
How can the languorous
Dancers know
The red dreams come
When the good dreams go?
'"Tis the
NIGHT
Of love,"
Call the silver joy-bells,
"NIGHT
Of love,"
Call the silver joy-bells.
"Honey and wine,
Honey and wine.
Sing low, now, violins,
Sing, sing low,
Blow gently, wood-wind,
Mellow and slow.
Like midnight poppies
The sweethearts bloom.
Their eyes flash power,
Their lips are dumb.
Faster and faster
Their pulses come,
Though softer now
The drum-beats fall.
Honey and wine,
Honey and wine.
'Tis the firemen's ball,
'Tis the firemen's ball.
"I am slain,"
Cries true-love
There in the shadow.
"And I die,"
Cries true-love,
There laid low.
"When the fire-dreams come,
The wise dreams go."
BUT HIS CRY IS DROWNED
BY THE PROUD BAND-MASTER.
And now great gongs whang,
Sharper, faster,
And kettledrums rattle
And hide the shame
With a swish and a swirk
In dead love's name.
Red and crimson
And scarlet and rose
Magical poppies
The sweethearts bloom.
The scarlet stays
When the rose-flush goes,
And love lies low
In a marble tomb.
"'Tis the
NIGHT
Of doom,"
Call the ding-dong doom-bells.
"NIGHT
Of Doom,"
Call the ding-dong doom-bells.
Hark how the piccolos still make cheer.
'Tis a moonlight night in the spring of the year."
CLANGARANGA, CLANGARANGA,
CLANG . . . CLANG . . . CLANG.
CLANG . . . A . . . RANGA . . .
CLANG . . . A . . . RANGA . . .
CLANG . . . CLANG . . . CLANG . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S BALL . . .
LISTEN . . . TO . . . THE . . . MUSIC . . .
OF . . . THE . . . FIREMEN'S . . . BALL . . .
SECTION THREE
In Which, contrary to Artistic Custom, the moral of the piece is placed before the reader.
(From the first Khandaka of the Mahavagga: "There Buddha thus addressed his disciples: 'Everything, O mendicants, is burning. With what fire is it burning? I declare unto you it is burning with the fire of passion, with the fire of anger, with the fire of ignorance. It is burning with the anxieties of birth, decay and death, grief, lamentation, suffering and despair. . . . A disciple, . . . becoming weary of all that, divests himself of passion. By absence of passion, he is made free.'")
I once knew a teacher,
Who turned from desire,
Who said to the young men
"Wine is a fire."
Who said to the merchants:—
"Gold is a flame
That sears and tortures
If you play at the game."
I once knew a teacher
Who turned from desire
Who said to the soldiers,
"Hate is a fire."
Who said to the statesmen:—
"Power is a flame
That flays and blisters
If you play at the game."
I once knew a teacher
Who turned from desire,
Who said to the lordly,
"Pride is a fire."
Who thus warned the revellers:—
"Life is a flame.
Be cold as the dew
Would you win at the game
With hearts like the stars,
With hearts like the stars."
SO BEWARE,
SO BEWARE,
SO BEWARE OF THE FIRE.
Clear the streets,
BOOM, BOOM,
Clear the streets,
BOOM, BOOM,
GIVE THE ENGINES ROOM,
GIVE THE ENGINES ROOM,
LEST SOULS BE TRAPPED
IN A TERRIBLE TOMB.
SAYS THE SWIFT WHITE HORSE
TO THE SWIFT BLACK HORSE:—
"THERE GOES THE ALARM,
THERE GOES THE ALARM.
THEY ARE HITCHED, THEY ARE OFF,
THEY ARE GONE IN A FLASH,
AND THEY STRAIN AT THE DRIVER'S IRON ARM."
CLANG . . . A . . . RANGA, . . . CLANG.. A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG. . . .
CLANG . . . A . . . RANGA. . . . CLANG . . . A . . . RANGA. . . .
CLANG . . . CLANG . . . CLANG . . . .
poem by Vachel Lindsay
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Related quotes
Revolt In The Ranks
I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.
poem by Charles Bukowski
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The Voice of Truth - A Short Story
"I cannot love her! , yelled the man.
"And why is that? ", the soft voice questioned.
"She will never change. ", the man exclaimed,
"She yells at me, scolds me and does not respect me."
"I can see how you cannot love her.", replied the voice.
The man loosened up. "You understand? ", he asked.
"Of course I understand" the voice confirmed,
"How can you possibly love a woman like that, "
"When you are expecting so much of her? "
Puzzled, the man listened to the voice further.
"You cannot love and expect at the same time.
You can either love her, or expect from her
You see, the purpose of love is to give.
It is my gift to you, to be given to another.
As is her love for you.
You choose who the gift is given to and who it is not.
You cannot expect her to give you her love.
That is a demand.
All you have the ability to do,
Is to give her yours.
The balance you seek is very unbalanced.
Patience, kindness, grace and mercy are all gifts you can give.
If you are expectant of them, they are no longer a gift.
They become a right, an entitlement or an obligation.
The gift of one's love is not a right, but a privilege.
As are all privileges, if abused, they will be taken away.'
A tear rolled down the man's face.
"My heart has been so full of myself, I had no room in it for her." The man sobbed.
"I can see how that works."
The man seeing the err of his ways, realized his love was not true.
He returned to his wife with a new love.
A love not defined by himself,
But as defined by the voice of truth.
poem by Ryan Lee Morris
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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati
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The Quarrel
Our quarrel seemed a giant thing,
It made the room feel mean and small,
The books, the lamp, the furniture,
The very pictures on the wall--
Crowded upon us as we sat
Pale and terrified, face to face.
"Why do you stay?" she said, "my room
Can never be your resting place."
"Katinka, ere we part for life,
I pray you walk once more with me."
So down the dark, familiar road
We paced together, silently.
The sky--it seemed on fire with stars!
I said:--"Katinka dear, look up!"
Like thirsty children, both of us
Drank from the giant loving cup.
"Who were those dolls?" Katinka said
"What were their stupid, vague alarms?"
And suddenly we turned and laughed
And rushed into each other's arms.
poem by Katherine Mansfield
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The Little Big Man
I am small because I am a little child. I shall be big when I am
as old as my father is.
My teacher will come and say, "It is late, bring your slate
and your books."
I shall tell him, " Do you not know I am as big as father? And
I must not have lessons any more."
My master will wonder and say, "He can leave his books if he
likes, for he is grown up."
I shall dress myself and walk to the fair where the crowd is
thick.
My uncle will come rushing up to me and say, "You will get
lost, my boy; let me carry you."
I shall answer, "Can't you see, uncle, I am as big as father?
I must go to the fair alone."
Uncle will say, "Yes, he can go wherever he likes, for he is
grown up."
Mother will come from her bath when I am giving money to my
nurse, for I shall know how to open the box with my key.
Mother will say, "What are you about, naughty child?"
I shall tell her, "Mother, don't you know, I am as big as
father, and I must give silver to my nurse."
Mother will say to herself, "He can give money to whom he
likes, for he is grown up."
In the holiday time in October father will come home and,
thinking that I am still a baby, will bring for me from the town
little shoes and small silken frocks.
I shall say, "Father, give them to my data, for I am as big
as you are."
Father will think and say, "He can buy his own clothes if he
likes, for he is grown up."
poem by Rabindranath Tagore
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Another Acrostic ( In the style of Father William )
"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"
"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."
poem by Lewis Carroll
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Song
I came to the door of the House of Love
And knocked as the starry night went by;
And my true love cried "Who knocks?" and I said
"It is I."
And Love looked down from a lattice above
Where the roses were dry as the lips of the dead:
"There is not room in the House of Love
For you both," he said.
I plucked a leaf from the porch and crept
Away through a desert of scoffs and scorns
To a lonely place where I prayed and wept
And wove me a crown of thorns.
I came once more to the House of Love
And knocked, ah, softly and wistfully,
And my true love cried "Who knocks?" and I said
"None now but thee."
And the great doors opened wide apart
And a voice rang out from a glory of light,
"Make room, make room for a faithful heart
In the House of Love, to-night."
poem by Alfred Noyes
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Death Of A Cockroach
I opened wide the bath-room door,
And all at once switched on the light,
When moving swift across the floor
I saw a streak of ebon bright:
Then quick, with slipper in my hand,
Before it could escape,--I slammed.
I missed it once, I missed it twice,
But got it ere it gained its lair.
I fear my words were far from nice,
Though d----s with me are rather rare:
Then lo! I thought that dying roach
Regarded me with some reproach.
Said I: "Don't think I grudge you breath;
I hate to spill your greenish gore,
But why did you invite your death
By straying on my bath-room floor?"
"It is because," said he (or she),
"Adventure is my destiny.
"By evolution I was planned,
And marvellously made as you;
And I am led to understand
The selfsame God conceived us two:
Sire, though the coup de grâce you give,
Even a roach has right to live."
Said I: "Of course you have a right,--
But not to blot my bath-room floor.
Yet though with slipper I may smite,
Your doom I morally deplore . . .
From cellar gloom to stellar space
Let bards and beetles have their place.
poem by Robert William Service
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The Penitent
I had a little Sorrow,
Born of a little Sin,
I found a room all damp with gloom
And shut us all within;
And, "Little Sorrow, weep," said I,
"And, Little Sin, pray God to die,
And I upon the floor will lie
And think how bad I've been!"
Alas for pious planning—
It mattered not a whit!
As far as gloom went in that room,
The lamp might have been lit!
My little Sorrow would not weep,
My little Sin would go to sleep—
To save my soul I could not keep
My graceless mind on it!
So I got up in anger,
And took a book I had,
And put a ribbon on my hair
To please a passing lad,
And, "One thing there's no getting by—
I've been a wicked girl," said I:
"But if I can't be sorry, why,
I might as well be glad!"
poem by Edna St. Vincent Millay
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Cool The Engines
Now I like takin off
Dont like burnin out
Every time you turn it on
Makes me want to shout
We keep getting hotter
Movin way too fast
If we dont slow this fire down
Were not gonna last
Cool the engines
Red lines gettin near
Cool the engines
Better take it out of gear
Im no fool
Im gonna keep it cool
And take it day by day
We wont know where we might go
till we take it all the way
Take me for a ride
Take me all the way
Take me where Ive never been
Someplace I can stay
Dont get yourself too hot
Dont get yourself too high
If we dont take it easy now
We can kiss it all goodbye
Cool the engines
Slow this rocket down
Cool the engines
Why dont ya take a look around
Im no fool, gonna keep it cool
Take it day by day
We wont know where we might go
till we take it all the way
Cool the engines
Cool the engines
Goin over the line
Goin off the dial
Runnin out of time
And its gettin wild
Got flashin lights
Goin round and round
Until we get it right
Better cool it down
Better cool it down.
Cool the engines.
And now were on our way
No need to hurry just to get from day to day
And i, oooh, I know
We dont have to run that hard to get where we can go.
Cool the engines.
Cool the engines down.
Cool the engines.
Cool the engines down.
(scholz, sheehan)
song performed by by Boston
Submitted by Lucian Velea
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Lesson
Whenever my mother, who taught
small children forty years,
asked a question, she
already knew the answer.
"Would you like to" meant
you would. "Shall we" was
another, and "Don't you think."
As in "Don't you think
it's time you cut your hair."
So when, in the bare room,
in the strict bed, she said,
"You want to see?" her hands
were busy at her neckline,
untying the robe, not looking
down at it, stitches
bristling where the breast
had been, but straight at me.
I did what I always did:
not weep --she never wept--
and made my face a kindly
whitewashed wall, so she
could write, again, whatever
she wanted there.
Anonymous submission.
poem by Ellen Bryant Voigt
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson
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What is—
215
What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—
Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—
You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!
poem by Emily Dickinson
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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Love's Message
"I LOVE YOU" HAS THREE SEPARATE PARTS
THAT TAKEN TOGETHER WILL BIND LOVING HEARTS.
IF ONE PART IS MISSING, THERE'S NO LOVE AT ALL.
SO OUT-OF-LOVE IS THE SAD AND EVENTUAL FALL.
THE "I" FIRST MUST KNOW AND LOVE ITSELF FOR SURE.
ONLY THEN CAN IT GIVE SELFLESS "LOVE" THAT IS PURE.
THE "YOU" CHOSEN WITH NO RESTRAINT OR COMPLAINTS
IS "I LOVE YOU, " A MESSAGE FROM GOD AND THE SAINTS.
poem by Gregory Huyette
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No Lilies For Lisette
Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.
Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.
Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.
Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.
Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.
"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .
Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.
poem by Robert William Service
Submitted by Poetry Lover
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Mine Host
There stands a hostel by a travelled way;
Life is the road and Death the worthy host;
Each guest he greets, nor ever lacks to say,
"How have ye fared?" They answer him, the most,
"This lodging place is other than we sought;
We had intended farther, but the gloom
Came on apace, and found us ere we thought:
Yet will we lodge. Thou hast abundant room."
Within sit haggard men that speak no word,
No fire gleams their cheerful welcome shed;
No voice of fellowship or strife is heard
But silence of a multitude of dead.
"Naught can I offer ye," quoth Death, "but rest!"
And to his chamber leads each tired guest.
poem by John McCrae
Submitted by Poetry Lover
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