Sargent's Portrait of Edwin Booth

That face which no man ever saw
And from his memory banished quite,
With eyes in which are Hamlet's awe
And Cardinal Richelieu's subtle light,
Looks from this frame. A master's hand
Has set the master player here,
In the fair temple that he planned
Not for himself. To us most dear
This image of him! "It was thus
He looked; such pallor touched his cheek;
With that same grace he greeted us--
Nay, 't is the man, could it but speak!"
Sad words that shall be said some day--
Far fall the day! O cruel Time,
Whose breath sweeps mortal things away,
Spare long this image of his prime,
That others standing in the place
Where, save as ghosts, we come no more,
May know what sweet majestic face
The gentle Prince of Players wore!

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No Lilies For Lisette

Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.

Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.

Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.

Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.

Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.

"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .

Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.

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Sonnet LIX: As Love and I

As Love and I, late harbor'd in one inn,
With proverbs thus each other entertain:
"In Love there is no lack," thus I begin;
"Fair words make fools," replieth he again;
"Who spares to speak doth spare to speed," quoth I;
"As well," saith he, "too forward as too slow";
"Fortune assists the boldest," I reply;
"A hasty man," quoth he, "ne'er wanted woe";
"Labor is light where Love," quoth I, "doth pay";
Saith he, "Light burden's heavy, if far borne";
Quoth I, "The main lost, cast the bye away";
"You have spun a fair thread," he replies in scorn.
And having thus awhile each other thwarted,
Fools as we met, so fools again we parted.

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At play

Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.

Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!

Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Thomas Hardy

Middle-Age Enthusiasms

To M. H.

WE passed where flag and flower
Signalled a jocund throng;
We said: "Go to, the hour
Is apt!"--and joined the song;
And, kindling, laughed at life and care,
Although we knew no laugh lay there.

We walked where shy birds stood
Watching us, wonder-dumb;
Their friendship met our mood;
We cried: "We'll often come:
We'll come morn, noon, eve, everywhen!"
--We doubted we should come again.

We joyed to see strange sheens
Leap from quaint leaves in shade;
A secret light of greens
They'd for their pleasure made.
We said: "We'll set such sorts as these!"
--We knew with night the wish would cease.

"So sweet the place," we said,
"Its tacit tales so dear,
Our thoughts, when breath has sped,
Will meet and mingle here!"...
"Words!" mused we. "Passed the mortal door,
Our thoughts will reach this nook no more."

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The Seance

"The spirits do not like the light,"
The medium said, and turned the switch;
The little lady on my right
Clutched at my hand with nervous twitch.
(She seemed to be a pretty bitch.)

The moustached women on my left,
With spirits on hr heavy breath,
Lasciviously leaned her heft
On me as one who languisheth.
The sordid room was still as death.

"A shape I see," the medium cried,
"Whose face and name I do not know . . ."
"'Tis Robert service," soft replied
A voice - "I passed a month ago,
And I've come back to let you know.

"The Other Side is gay and bright;
We are so happy there and free,
And Dan McGrew I oft recite,
And follow up with Sam McGee . . .
But now excuse me, I must flee."

The fat dame leaned to get my ear,
(Her breast was soft as feather bed.)
"I love his verses; oh dear, dear,
I didn't know that he was dead."
"No more did I," I sourly said.

The little lady grabbed me hard;
(She looked to me a "yesful" dear.)
Said she: "Don't you adore the Bard?"
Said I: "Before he fades, I fear
I'd like to kick his astral rear."

So then I bravely broke away
From spooks and ectoplasic gauze.
Yet in the brazen light of day
I had to pinch myself because
Really! I wondered if I was.

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The Step Mother

Well I recall my Father's wife,
The day he brought her home.
His children looked for years of strife,
And troubles sure to come --
Ungraciously we welcomed her,
A thing to scorn and blame;
And swore we never would confer
On her, a Mother's name

I see her yet -- a girl in years,
With eyes so blue and mild;
She greeted us with smiles and tears,
How sweetly too she smiled --
She bent to kiss my sullen brow,
With woman's gentle grace;
And laid her tiny hand of snow
On my averted face --

"Henry -- is this your son? She said --
"Dear boy -- he now is mine --
What not one kiss? --" I shook my head,
"I am no son of thine! --"
She sighed -- and from her dimpled cheek
The rosy colour fled;
She turned away and did not speak,
My thoughts were with the dead --

There leaped from out my Father's eyes
A jet of swarthy fire;
That flashed on me in fierce surprise --
I fled before his ire
I heard her gentle voice entreat --
"Forgiveness for her sake" --
Which added swiftness to my feet,
A sad and strange mistake --

A year had scarcely rolled away
When by that hated bride;
I loved to linger half the day,
In very joy and pride;
Her voice was music to mine ear,
So soft its accent fell;
"Dear Mother now" -- and oh, how dear
No words of mine can tell --

She was so gentle, fair and kind,
So pure in soul and free from art;
That woman with her noble mind,
Subdued my rebel heart --
I just had learned to know her worth,
My Father's second choice to bless;
When God removed her from the earth,
And plunged us all in deep distress --

Hot fever smote with burning blight
Stretchd on a restless bed of pain;
I moaning lay from morn till night
With aching limbs and throbbing brain --
Four weary weeks beside my bed,
She sat within a darkened room;
Untiring held my aching head,
Nor heeded silence -- cold and gloom --

And when my courage quite gave way,
And fainter grew my struggling breath;
She taught my stricken soul to pray
And calmly meet approaching death --
"Fear not God's angel, sent by Him,
The weary spirit to release;
Before the mortal eyes grow dim,
Floats down the white winged dove of peace" --

There came a change -- but fingers small,
No longer smoothed my matted hair;
She sprang not to my feeble call,
Nor helped to lift me to my chair --
And I arose as from the dead,
A life for her dear life was given;
The angel who had watched my bed
Had vanished into Heaven! --

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Rudyard Kipling

Cold Iron

Gold is for the mistress -- silver for the maid --
Copper for the craftsman cunning at his trade.
"Good!" said the Baron, sitting in his hall,
"But Iron -- Cold Iron -- is master of them all."

So he made rebellion 'gainst the King his liege,
Camped before his citadel and summoned it to siege.
"Nay!" said the cannoneer on the castle wall,
"But Iron -- Cold Iron -- shall be master of you all!"

Woe for the Baron and his knights so strong,
When the cruel cannon-balls laid 'em all along;
He was taken prisoner, he was cast in thrall,
And Iron -- Cold Iron -- was master of it all!

Yet his King spake kindly (ah, how kind a Lord!)
"What if I release thee now and give thee back thy sword?"
"Nay!" said the Baron, "mock not at my fall,
For Iron -- Cold Iron -- is master of men all."

Tears are for the craven, prayers are for the clown --
Halters for the silly neck that cannot keep a crown.
"As my loss is grievous, so my hope is small,
For Iron -- Cold Iron -- must be master of men all!"

Yet his King made answer (few such Kings there be!)
"Here is Bread and here is Wine -- sit and sup with me.
Eat and drink in Mary's Name, the whiles I do recall
How Iron -- Cold Iron -- can be master of men all!"

He took the Wine and blessed it. He blessed and brake the Bread,
With His own Hands He served Them, and presently He said:
"See! These Hands they pierced with nails, outside My city wall,
Show Iron -- Cold Iron -- to be master of men all."

"Wounds are for the desperate, blows are for the strong.
Balm and oil for weary hearts all cut and bruised with wrong.
I forgive thy treason -- I redeem thy fall --
For Iron -- Cold Iron -- must be master of men all!"

Crowns are for the valiant -- sceptres for the bold!
Thrones and powers for mighty men who dare to take and hold.
"Nay!" said the Baron, kneeling in his hall,
"But Iron -- Cold Iron -- is master of men all!
Iron out of Calvary is master of men all!"

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Thomas Hardy

The Ruined Maid

"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?"-
"O didn't you know I'd been ruined?" said she.

-"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!"-
"Yes: that's how we dress when we're ruined," said she.

-"At home in the barton you said 'thee' and 'thou,'
And 'thik oon' and 'theäs oon' and 't'other'; but now
Your talking quite fits 'ee for high compan-ny!"-
"Some polish is gained with one's ruin," said she.

-"Your hands were like paws then, you face blue and bleak
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!"-
"We never do work when we're ruined," said she.

-"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly!"-
"True. One's pretty lively when ruined," said she.

-"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town"-
"My dear - raw country girl, such as you be,

Cannot quite expect that. You ain't ruined," said she.

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We are Seven

--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.

"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."

Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."

"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."

"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.

"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."

"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."

"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"

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Grand-Père

And so when he reached my bed
The General made a stand:
"My brave young fellow," he said,
"I would shake your hand."

So I lifted my arm, the right,
With never a hand at all;
Only a stump, a sight
Fit to appal.

"Well, well. Now that's too bad!
That's sorrowful luck," he said;
"But there! You give me, my lad,
The left instead."

So from under the blanket's rim
I raised and showed him the other,
A snag as ugly and grim
As its ugly brother.

He looked at each jagged wrist;
He looked, but he did not speak;
And then he bent down and kissed
Me on either cheek.

You wonder now I don't mind
I hadn't a hand to offer. . . .
They tell me (you know I'm blind)
'Twas Grand-Père Joffre.

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Khalil Gibran

Beauty XXV

And a poet said, "Speak to us of Beauty."

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide?

And how shall you speak of her except she be the weaver of your speech?

The aggrieved and the injured say, "Beauty is kind and gentle.

Like a young mother half-shy of her own glory she walks among us."

And the passionate say, "Nay, beauty is a thing of might and dread.

Like the tempest she shakes the earth beneath us and the sky above us."

The tired and the weary say, "beauty is of soft whisperings. She speaks in our spirit.

Her voice yields to our silences like a faint light that quivers in fear of the shadow."

But the restless say, "We have heard her shouting among the mountains,

And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions."

At night the watchmen of the city say, "Beauty shall rise with the dawn from the east."

And at noontide the toilers and the wayfarers say, "we have seen her leaning over the earth from the windows of the sunset."

In winter say the snow-bound, "She shall come with the spring leaping upon the hills."

And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair."

All these things have you said of beauty.

Yet in truth you spoke not of her but of needs unsatisfied,

And beauty is not a need but an ecstasy.

It is not a mouth thirsting nor an empty hand stretched forth,

But rather a heart enflamed and a soul enchanted.

It is not the image you would see nor the song you would hear,

But rather an image you see though you close your eyes and a song you hear though you shut your ears.

It is not the sap within the furrowed bark, nor a wing attached to a claw,

But rather a garden forever in bloom and a flock of angels for ever in flight.

People of Orphalese, beauty is life when life unveils her holy face.

But you are life and you are the veil.

Beauty is eternity gazing at itself in a mirror.

But you are eternity and you are the mirror.

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Two Robbers

When Death from some fair face
Is stealing life away,
All weep, save she, the grace
That earth shall lose today.

When Time from some fair face
Steals beauty year by year,
For her slow-fading grace
Who sheds, save she, a tear?

And Death not often dares
To wake the world's distress;
While Time, the cunning, mars
Surely all loveliness.

Yet though by breath and breath
Fades all thy fairest prime,
Men shrink from cruel Death,
But honor crafty Time.

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Walk with me

"Please, can you not walk with me"?
"Can you not share my burden and make me free"?
She was almost in tears and looked at my face
I had seen gradual change in her phase by phase

She was, not arrogant, but intoxicated by beauty
Almost blinded by money, power and dominant personality
No doubt she belonged to very much affluent family
But as an ordinary proud man I lived too very happily

We were almost drawn by qualities in contrast
Yet with super performance and influence to last
On people's mind with almost magic spell
She was associated with theatre and performing well

I am writer of original class and alone
She has her own murky world and adored by precious stones
I go with simple words and make honorable position
She goes like thunder storm with brain and beauty composition

We have never demanded anything to compromise
On the contrary struck with position and promises
She was all out for me and me totally for her
To stand by in all the situation and face together

I think she had realized about the short duration
Beautiful image and money should not come in the way of relation
With this firmness in mind she uttered "please"
I want your hand and make me at ease

I had waited all along for such event
This was one of the happiest moments
One of the beautiful figures on my side forever
I had to take many things into consideration however

I took split second decision and looked ahead
My eyes reassured her and took the lead
"You are my queen and jewel in crown"
Move few steps with me and make it known

"She may be happiest person" I thought
The happiness and joy was definitely brought
I failed to under why did she take long time?
Where as I was for her and had willingness any time

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Emily Dickinson

He forgot—and I—remembered

203

He forgot—and I—remembered—
'Twas an everyday affair—
Long ago as Christ and Peter—
"Warmed them" at the "Temple fire."

"Thou wert with him"—quoth "the Damsel"?
"No"—said Peter, 'twasn't me—
Jesus merely "looked" at Peter—
Could I do aught else—to Thee?

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Ella Wheeler Wilcox

The King and the Siren

The harsh King--Winter--sat upon the hills,
And reigned and ruled the earth right royally.
He locked the rivers, lakes, and all the rills--
"I am no puny, maudlin king," quoth he,
"But a stern monarch, born to rule, and reign;
And I'll show my power to the end.
The summer's flowery retinue I've slain,
And taken the bold, free North Wind for my friend.

"Spring, Summer, Autumn--feeble queens they were,
With their vast troops of flowers, birds and bees,
Soft winds, that made the long green grasses stir--
They lost their own identity in things like these!
I scorn them all! nay, I defy them all!
And none can wrest the sceptre from my hand.
The trusty North Wind answers to my call,
And breathes this icy breath upon the land."

The Siren--South Wind--listening the while,
Now floated airily across the lea.
"Oh King!" she cried, with tender tone and smile,
"I come to do all homage unto thee.
In all the sunny region, whence I came,
I find none like thee, King, so brave and grand!
Thine is a well deserved, unrivaled fame;
I kiss, in awe, dear King, thy cold white hand."

Her words were pleasing, and most fair her face.
He listened wrapt, to her soft-whispered praise.
She nestled nearer, in her Siren grace.
"Dear King," she said, "henceforth my voice shall raise
But songs of thy unrivaled splendor! Lo!
How white thy brow is! How thy garments shine!
I tremble 'neath thy beaming glance, for Oh,
Thy wondrous beauty mak'st thee seem divine."

The rain King listened, in a trance of bliss,
To this most sweet-voiced Siren from the South,
She nestled close, and pressed a lingering kiss
Upon the stern white pallor of his mouth.
She hung upon his breast, she pressed his cheek,
And he was nothing loth to hold her there,
While she such tender, loving words did speak,
And combed his white locks with her fingers fair.

And so she bound him, in her Siren wiles,
And stole his strength, with every kiss she gave,
And stabbed him through and through with tender smiles,
And with her tender words she dug his grave;
And then she left him, old, and weak, and blind,
And unlocked all the rivers, lakes, and rills,
While the queen Spring, with her whole troop behind,
Of flowers, and birds, and bees, came o'er the hills.

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Love's Treasure House

I went to Love's old treasure house last night,
Alone, when all the world was still -- asleep,
And saw the miser Memory, grown gray
With years of jealous counting of his gems,
There seated. Keen was his eye, his hand
Firm as when first his hoarding he began
Of precious things of Love, long years ago.
"And this," he said, "is gold from out her hair,
And this the moonlight that she wandered in,
With here a rose, enamelled by her breath,
That bloomed in glory 'tween her breasts, and here
The brimming sun-cup that she quaffed at noon,
And here the star that cheered her in the night;
In this great chest, see curiously wrought,
Are purest of Love's gems." A ruby key,
Enclasped upon a golden ring, he took,
With care, from out some secret hiding-place,
And delicately touched the lock, whereat
I staggered, blinded by the light of things
More luminous than stars, and questioned thus --
"What are these treasures, miser Memory?"
And slowly bending his gray head, he spoke:
"These are the multitudes of kisses sweet
Love gave so gladly, and I treasure here."

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Alfred Lord Tennyson

In Memoriam A. H. H.: 45. The baby new to earth and sky

The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that "this is I":
But as he grows he gathers much,
And learns the use of "I," and "me,"
And finds "I am not what I see,
And other than the things I touch."
So rounds he to a separate mind
From whence clear memory may begin,
As thro' the frame that binds him in
His isolation grows defined.

This use may lie in blood and breath
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.

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After our Likeness.

Before me now a little picture lies—
A little shadow of a childish face,
Childishly sweet, yet with the dawning grace
Of thought and wisdom on her lips and eyes.

Fair, oval, broad-brow'd face—small, delicate head—
Transparent skin, with blue veins shining through—
All the soft outlines, beautiful and true,
Bring me the echo of the words “God said.”

Made “in our image”—sure 'tis that we see,
God's likeness, in the fair face of a child,
By the world's sin and passion undefiled—
Ay, as I look, it seems quite plain to me.

The light wherein the little features shine,
Strange, mystic light, so undefined and faint,
So far too pure for any words to paint—
'Tis a reflection of the Face divine.

Some day the earthly shadows will be cast
Across that sunshine—it may be to dim
A while the visible countenance of Him;
But 'twill be there—the likeness—to the last.

Some day the lucid waters, in which lie
Pictured those glorious lineaments, will be
Stirred up and troubled like a stormy sea;—
But they will yet re-settle—by-and-by.

They will re-settle when the soul is still'd,
Its passions, its wild longings, and its pain;
The pure reflection will shine out again
When earth's hopes are relinquish'd, unfulfill'd.

They will re-settle in those after-years
When life's hard lessons have been conned and learn'd;
Then this child's beauty will have all return'd,
More lovely for the trouble and the tears.
They will re-settle in the calm of death,
When the sweet eyes are laid asleep, and when
The heart is hush'd. Truly God's likeness then—
The mirror clear, unsullied by a breath.

Ah! while I look, and trace each tender line,
I think most of the day when I shall see
The dear face in that perfect purity,
Its mortal features clothed with the divine.

This self-same face, but with the image bright,
Nevermore undefined, and faint, and dim;
This self-same face, yet like the face of Him,
In glory and in beauty infinite.

poem by Ada CambridgeReport problemRelated quotes
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