One Summer 1958

You sat with Fay that summer day
on the flat concrete roof
of the World War Two bomb shelter

down below the tall flats
where you both lived
and you said

do you want to go
to the movies with me?
she looked across

at the coal depot
with its trucks loading
and unloading

I don't have no money
she replied
you looked at her

my dad'll pay
you said
he's always giving me money

for the movies
she shook her head
and you looked ahead

at the sun shining above
the rain tracks
over the coal depot

you had on your blue jeans
and white tee shirt
and she you noticed

turning your head
had a red and white dress
which came just over her knees

and she wore sandals
on bare feet
besides my mother wants me

so she can see me
Fay said with a sigh
she raised and lowered

her legs against
the concrete wall
her sandals making

tapping noises
as they hit the wall
and you noticed bruises

along her thigh
as she moved
and her dress rode higher

what are those bruises
on your leg?
you asked

she looked down
and stopped moving her legs
and pulled her dress hem

over her knees and thighs
I fell
she replied

down the stairs
you looked at her arms
where other fading bruises

blended into her skin
like worn-out badges
we can see a Western film

you said
I'm sure
there's a Jeff Chandler film

so my dad tells me
but she shook her head
too violent

Mother says
Fay uttered looking away
but there's kissing stuff too

you added
Fay looked at you
her blue eyes

moving over you
like a smoothing
palm of a hand

I'm not allowed
to go to the movies
Daddy says

its sinful and only
wicked people
go there

to be tempted
by the Devil
she sighed

and you both sat in silence
for a while
watching pigeons fly

in the blue summer sky
then she turned quickly
and kissed your cheek

and said
don't have to go
to no movie

to see kissing
and you thought
of the boring bits in films

where the cowboy
gets kissed by the girl
after a gun shoot out

and having been kissed
by Fay
you were glad

and guessed that kissing
wasn't at all
too bad.

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Fay and You and The Fading Bruise

Fay met you
at the bus stop
on the New Kent Road
she was dressed

in the lemon coloured dress
you liked
and her hair
was pulled tight

into a ponytail
where are you going?
she asked
to the Globe

you said
what Shakespeare's Globe?
she asked
no the fleapit cinema

at Camberwell Green
you replied
oh
she said

I've never been there
my daddy doesn't like
me going to cinemas
he says they're

dens of sin
she looked at you
as if you would confirm
her father's words

well it's certainly a den
you stated
but whether its
of sin I don't know

she looked puzzled
and touched
her ponytail
with her hand

are you coming along?
you asked
she looked about
as if her father

might be behind her
should I?
she asked
do you want to?

yes
she replied
then let's go
but I haven't any money

she said
I have enough
you said
my Mother gave me money

for chores I did
oh I see
she muttered
and she bit her lip

what would my daddy say
if he saw me?
he won't
how can you be so sure?

trust me
you said
fathers know little
of what their kids do

she smiled
if you think so
she said
sure I do

besides it'll
do you good
you said
giving her a smile

and then the bus came
and you both got on
and sat next
to each other

and you paid
the bus conductor
the fare
and as the bus

moved off
you both swayed
to the motion
of the bus

her arm touching yours
the fading bruise
on her flesh
a mixture of yellow

and brown
and blue
but you said nothing
besides you thought

if her old man
beats her
what the hell
can I do?

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Not An Answer Why.

Fay managed to get out
while her father worked
and she came

and knocked at your door
and said
You want to go out?

Sure
you replied
and you both went down

the stairs of the apartment block
across the Square
and down the slope

up Meadow Road
crossing over
the bombsite

behind the coal wharf
and on to the main road
where you walked along

side by side
Let's see what's on
at the movies

you said
and you stopped outside
the movie house

and peered at the programmes
Fay said
My daddy doesn't think

movies are right for children
he says they're sinful
and full of lust

and sex
and greed
and she stopped

and stared along the road
at the people passing
and the cars and lorries

going by
on the main road
and the evening air

choked up with fumes
and the street lights
giving a false perspective

It isn't all like that
you said
Some movies are about love

and laughter
and people enjoy going
it takes them out

of their dreary lives
Fay said
I've never been

inside a movie house
never seen a movie
Well why don't you come with me

to the matinee on Saturday
I can squeeze some money
from my dad for the two of us

Fay looked at you
and seemed interested
but then said

No I can't
if my father caught me
there'd be hell to pay

and apart from the lecture
on the immorality
of the arts and such

he'd belt me some
and not let me out again
for some time

and you said
Ok but some day
you're going to find out

things aren't always
as the parents say
then you're going to

have to find your own road
and walk your own way
and she looked sad

and walked away
from the movie house
along to the subway

and down the steps
into the bright lights
and noise of traffic

over head
and you touched her hand
and she gripped yours

and you walked down
through the subway tunnel
she in her flowered dress

and brown shoes
slightly scuffed
and you

in your tee shirt and jeans
and you pretended
not to notice

the bruise on her thigh
which caught your eye
as she skipped along

her dress rising high
as she went holding tight
your hand

her fingers wrapped
about yours
and up and out

on the other side
of the subway
with its bright lights

and evening sky
and too many questions
and not an answer why.

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One Summer 1962

Christina sat next to you
on the school playing fields
the summer day was hot

and she sat there
cross-legged
her school skirt

touching on her knees
and you looked beyond her
wondering if the girl

who had kissed you
at Christmas
while carol singing

was looking over at you
from a group of girls
across the way

I wish I had
my bathing costume on
Christina said

so do I
you said looking back
at her taking in

her white knees
catching the summer sun
she giggled and looked away

did Cedric tell you about me
and what I told him?
she asked

her profile
like some Renoir girl
yes

you said
remembering Cedric's words
and his blushing face

he seemed put out
you added
you don't want to worry

about Cedric
she said
he hates me getting into boys

as she said this
you looked over
at the girl who kissed you

and she was staring
over at you and Christina
and seemed annoyed

and as you gazed at her
you still felt that kiss
on your lips

and that embrace
in the moonlight
and Christina touched

your knee
and said
if you want privacy

we can always go up
into the woods by the fence
and you said

did you hear about Brilton
the teacher of English?
No

she said
what?
he's been sacked

why? she asked
running her hand
along your thigh

for taking boys home
in the lunch period
you said

oh
she said
removing her hand

what for?
You looked
at her knees

in the sunlight
how the light
seemed to warm them

no idea
you said
and you looked away

with a picture
of her knees
carried in your head.

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One Afternnon that Summer.

Despite the fact
that other local kids

were in the hay barn playing
Jane stood at the barn doors

looking in apprehensively
and you stood beside her

waiting for her to move in
or say something

but she just stood looking in
are we allowed in to play?

she asked
sure as long as we don't

cause damage to the hay bales
you replied

and she sniffed the air
and moved in

and looked around
the huge barn

with its semi dark
and smells of hay

and captured sun
and warmth

the other kids played
but took no notice

of Jane or you
as you entered

closed the doors
and moved around

the hay strewn floor
haven't you been

in a hay barn before?
you asked looking

at her bright summer dress
and white socks and sandals

yes years ago
she said

as she paused
at the edge

of the nearest hay bale
and sat down

and you sat beside her
in the semi dark

with sunlight making
small light through cracks

and holes in the walls
I don't like mice and rats

she said
and I saw one once

in another barn
and it frightened me

you sat in silence
for a few moments

taking in the air and smells
and then the other kids

ran off out side
into the sunlight

talking of playing
down by the pond

and catching things
you sat still

until their voices died off
and then she said

why have you
brought me in here?

you looked at her eyes
in the dull light

and her lips moving
with their small speech

to be alone with you
without prying eyes

you said
oh I see

she replied
and stood up

and climbed upwards
on the hay bales

with you following
behind her

seeing her sway
as she moved

her hands pulling
her upwards

her legs taking each step
onto a hay bale carefully

then having reach
high up in the barn

she sat down
and you sat beside her

if my father saw me here
he'd think things

Jane said
and she looked at you

with her large eyes
what things? you asked

watching her lay back
with her hands

behind her head
I don't know

he never said
she muttered

as she lay there
she lifted a leg

and her dress
slipped downwards

revealing a glimpse
of naked thigh

that's parents for you
you uttered

never saying
what they think

or saying things
but don't explain

you lay down
beside her

on the hay
as outside the barn

the soft sound
of pitter patter

on the roof
of sudden rain.

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Standing Beside Fay One Saturday.

It was Saturday morning
and Fay stood beside you

on the balcony of the flats
looking over the Square

she pointed at the baker
and his horse drawn cart

down by the wall below
my daddy says he's Jewish

she said
those who asked

for the death of Christ
you followed the baker

as he made his way to the stairs
carrying his bread basket

I don't think he was involved
you said watching the baker

until he disappeared up the stairs
she looked right over the balcony

gripping the brick wall
with her hands

I don't think he's Jewish at all
she said letting her feet

dropp back on the floor
and it doesn't matter if he is

I think he's a nice man
she added

looking at you
with her bright blue eyes

and you gazed at her
standing there

her flowered dress
colourful and coming

just below her knees
her battered sandals

having seen
better days

and her fair hair
tied into a ponytail

at the back
she looked over

the balcony again
I like to feed his horse

with sugar cubes
I get from home

she said thoughtfully
you lean over the balcony

beside her
your elbow touching hers

the pulse of her being
vibrating into your arm

you imagine
don't your parents mind

you taking their sugar?
you asked

she looked guiltily away
they don't know

she said softly
daddy would punish

if he knew
she paused and then said

you won't tell them will you?
the baker came along

the balcony behind you both
whistling happily

of course not
you said

taking in her
trembling jaw line

her blue eyes
and her lips slightly open

her words gone
it's a nice day

the baker called
yes

you both replied
I don't think he's Jewish

she said
anyway.

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Church Sitting

You sat with Jane
in her father's church
the bright morning sun

piercing high windows
pushing colours on flagstone floors
the silence caressed you

her nearness warmed
her ankle socks and sandals
had an innocence of strawberries

her flowered summer dress
rode up to her thighs as she sat
her hands resting on her knees

can you feel that breeze?
she said
cooling isn't it

you sensed it as she spoke
yes I can
you replied

your eyes moved along her thighs
then lifted to her face
as partial sunlight

seemed to show
grace there on skin
and dark black hair

and you watched her lips move
as she spoke and said
I was christened here

and maybe I'll be wed here too
to whom?
you asked

and she looked at you
a thirteen year old boy
then looked away

some birdsong from outside
had caught her ear
and she turned her head

and you gazed
at her neck and jaw
and saw her beauty

in a way you had not before
sunlight catching her
as it had coloured patterns

on flagstone floor
you wanted to reach
and touch her arm

her skin and sense
her pulse of life
that pumped within.

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Wile Watching the Black and White TV

Your old man
came into the lounge
where you were watching
black and white TV

and your mother was standing
talking to an uncle
it's the baker
your old man said

he wants his £50
what £50?
your mother asked
the £50 I owe him

well pay him
your mother said
I can't
I don't have it

you watched
the cowboy film
with half interest
you took a glance

at the debtor
well tell him
you'll pay him
next week

your mother said
I told him that
last week
your old man said

what did you want
to borrow £50
from the baker for?
your mother asked

her cheeks getting flushed
to buy my new suit
what new suit?
the one I'm having made

you noticed
your old man's
moustache flicker
and he stroked it

as he did
when cornered
your mother
breathed heavy

and you looked
at the uncle
ok
the uncle said

here's the £50
go pay him
what you owe
to get him off your back

but you better pay me back
or I'll bust your head
sure I will
your old man said

going out of the room
clutching the money
in his palm
your mother sighed

and the uncle
put away his wallet
into an inside pocket
and you saw that one

of the cowboys
on the black and white
TV screen
had been shot

and died
the other looked angry
and ugly
and mean.

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Sarsparilla and Janice and You.

You walked with Janice
to Baldwin's the Herbalist

at the corner of Elephant
and Walworth Road

she wore her blue patterned dress
and red beret

and white socks
and red sandals

and in her small purse
she had money

her gran gave her
to buy sarsaparilla

in a half pint glass
and you

in your cowboy shirt
and jeans and plimsolls

with your holster
and six shooter

in the belt
around your waist

and clutching money
your mother'd given you

for doing a few chores
Gran would never let me

go on my own
Janice said

but when I said
you were going

Gran said all right
but no sweets

they rot your teeth
I like the liquorice sticks

you can buy there
you said

they make your teeth white
or so my mum said

Janice looked at your gun
in the holster

and said
you can protect me

from outlaws with your gun
sure

you replied
she smelt of lavender

and toothpaste from tins
and she moved nearer to you

and her arm touched yours
as you walked along

here we are
she said

and opened the door of Baldwin's
and you both went in

and went to the counter
and asked the man

for two half pints
of sarsaparilla

and when he poured them
and you each paid him

you stood by the window
with your glasses

and sipped
and looked

at the passing traffic
and people

you feeling like Wyatt Earp
in the saloon

and Janice looking out
as if she feared

outlaws would be coming
pretty soon.

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Jane and You and the Gatekeeper

You sat with Jane
on the grass
in the field
beneath the Downs

she was looking
at the sky
and you
were watching her

her profile
her hair pulled back
in a ponytail
her eyes bright

as new coins
her pale blue dress
and white ankle socks
and brown sandals

she followed a butterfly
fluttering by
a Gatekeeper
she said

where?
you said
there that butterfly
it's called a Gatekeeper

you turned to watch
the butterfly
she had pointed to
as it fluttered off

down the field
stopping now and then
to land on flowers
I love butterflies

she said
how do you know
all their names?
you asked

I read Daddy's books
he has a number of books
on butterflies and moths
she said

she lay back
on the grass
and stared
at the sky

you lay down
beside her
your hands
behind your head

she smelt of lavender
you noticed
you breathed it in
let it fill within you

don't you read books?
she asked
turning to look at you
taking in your white shirt

and blue jeans
I'm reading a book on birds
you said
I bought it in town

the other week
that's a start
she said smiling
I guess so

you said
I didn't realize
there were so many kinds
she studied you

as you spoke
resting her head
on her hand
maybe we can go looking

for nests next year
when they begin
to nest again
she said

ok
you said
not to touch though
she said

just to look
birds don't like
their nests disturbed
in London

we only have sparrows
and pigeons
you said
how boring

she said
you watched
her lips moving
as she spoke

her eyes on you
studying you
I'm glad you're here
you said

glad to be here
she replied
she touched her fingers
to her lips

and blew you a kiss
and you did likewise
seeing a new world
in her deep dark eyes.

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Matter Of Beauty

That's Speedwell
and that's Red Sorrel

Jane said
pointing out

the wildflowers
as you both walked

down the lane
that led to the empty cottage

with apples trees
in the garden

and gooseberry bushes
in fruit by hedges

They all look the same to me
you said

Just flowers growing
she shook her head

and smiled and said
You townies

do you know nothing
of nature's beauty?

I'm looking at beauty now
you replied

and as you both walked on
down the lane

she in her summery dress
and you in your

open neck shirt
and faded jeans

you felt the morning sun
touching your head

like a fond mother
and the smell of flowers

and sound of birds
and she said

after a minute
or so of silence

Father says beauty
is only skin deep

real beauty lies
in a person's soul

if that soul is not blemished
by sin that is

and you looked at her
hand by her side

swinging as she walked
and the fingers curled

as if she held
something invisible

yet ready to throw
and you took in

her white ankle socks
above her brown sandals

and the calves of her legs
and her thighs

just showing
as the dress moved

and you breathed in deep
like one immersed

in water about to drown
of love or the feeling of such

and you said
I guess he's right

but I love the beauty
of skin pretty much

and she laughed
and her laughter

shooed off birds
from the tree tops around

who probably never heard
such a beautiful sound.

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With Fay on a Bus.

The bus moved away
from the bus stop
and Fay sat next to you

her body rocking
side to side
with the motion

of the bus
her knees pushing
against each other

her hands in a prayer like pose
upon her knees
Are you going

to the cinema?
she asked
Yes

you replied
The Globe
That old fleapit?

she said smiling
her lips parting
showing

small white teeth
What are you going to see?
A cowboy film I think

you said
Why don't you come too?
I can't

I haven't any money
she said
Besides my dad

wouldn't like it
he thinks films
are the Devil's work

she looked out
at the passing view
you studied her thumbs

rubbing over each other
her nails pink
and polished

like small shells
He needn't know
you said

I wouldn't tell
she turned her head
and said

I would know
and he would know
by the look

in my eyes
he knows I always
tell the truth

and never tell lies
you put a hand over hers
and her thumbs

became still
and her hand
touched yours

Maybe one day
she said
I will.

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Scavenging For Coal

At the back
of the coal wharf
you and Fay
picked up coal pieces

that fell through
the iron railings
and put them
in an old bag from home

Fay looked
at her blackened fingers
and said
if my daddy sees

these fingers
and finds out
what I've been doing
he'll spank me

for sure
you gazed at her
beside you
and said

you can wash your hands
at my place
she looked around
at the bombsite behind you

the evening sun
slowly going down
behind the railway bridge
and nearby buildings

what if someone sees you
she asked
picking up these pieces?
no one worries about this

all the kids do it
you replied
my daddy says
it is evil to steal

she said
you put a black piece
of coal in the bag
and lifted it

to feel the weight
that's enough
you said
too much

and I won't be able
to carry it
Fay stood up
and looked around

at the darkening sky
you held the bag
in one hand
and scanned

the area around you
let's go
you said
and so you both

walked away
from the coal wharf
into Meadow Row
by the public house

where piano music played
and down towards
the flats
where you lived

and after climbing
the concrete stairs
to your landing
you opened the door

and put the bag
by the indoor
coal bunker
and showed Fay

where to wash her hands
turning on
the cold water tap
you both washed

your hands
with the red
Life Buoy soap
her hands near yours

her wet flesh
touching yours
the black water
running away

and another adventure
and another day.

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Julie and You and Christ

Julie was walking
down Oxford Street
with you

one of her hands
was in yours
the other was holding

a cigarette which she put
to her lips and drew on
and exhaled the smoke

and said
pushing smoke
into the world

do you think Christ
ever came?
of course

you replied
the whole calendar
of the Western world

is spilt before and after
his coming
she inhaled deeply

and stopped to peer
in a shop window
don't like that dress

it's too darn middle class
too safe
you looked at the dress

in the window
at the colours and style
would your mother where it?

you asked
she'd wear it
but I wouldn't

be seen dead in it
she said
moving you on

squeezing your hand
reminding you
of the quick grope

and sex in the small cupboard
off the ward
where she was staying

while trying to kick
the drug habit
she spread out

amongst brooms and boxes
and you there gazing at her
wondering if some domestic

would find you there
well? do you think
Christ really came?

she asked
yes
you said

he split history in two
he made people
either love him

or hate him
and want to destroy him
and what he stood for

she laughed and said
you certainly got him
under your skin

I don't think he came at all
she said
before inhaling

her cigarette smoke
I think it was all
a big joke played out

on the Jews
to get them riled
she inhaled

her cigarette smoke
and was silent
as you walked on

down the Street
it was no joke
being crucified

no joke hanging there
on that cross
you said

she pulled you
into a shop doorway
and kissed you

and said
oh forget about him
and his crucifixion

I've had enough
of the parents
ramming him

into my brain
over the years
and she kissed you again

and you looked
into her dark eyes
where you thought

many a dream comes
and drowns
and dies.

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Helen and You and the Bombed Out Factory

Ought we to go in there?
Helen asked
as you both stood outside

the bombed out factory
off Rockingham Street
sure we should

you said
but it's got
STAY OUT signs

on the big doors
she said
you looked at her

with her thick lens glasses
and her hair tied in plaits
nibbling her finger in anxiety

come on in
you said
nothing will happen to you

while you're with me
she didn't look convinced
what if someone sees us?

she asked
no one cares around here
kids are always going

on bombsites
you said
she looked around

her eyes seemingly larger
than they were
are you sure?

she said
yes now come on
and you took

her small hand
and pulled her through
a small opening

in the side
where other kids
had made an entrance

she a pulled face
on the other side
of the gate

and rubbed her arm
where a line of blood showed
look

she said
I've scratched myself
you dabbed at it

with a grey handkerchief
and spittle and she watched
as you cleared up

the line of blood
will it be all right?
yes

you said
it'll be fine
and you walked on

across the yard
and into the bombed out factory by
a door hanging

on its hinges
and into the dark interior
she stood by the entrance inside

and took in the semi darkness
it's frightening
she said

no one is here
you said
how do you know?

she asked
it's too quiet
you said

she leaned closer to you
and grabbed your arm
what was that?

she whispered
a rat probably
what? she said

a rat
you said
let's go out

she said
nothing will hurt you
while I'm here

and you patted
the toy gun
in the belt

of your jeans
she looked at you
then out

into the semi darkness
you walked in
and up the stone stairs

by a wall
and she followed
her breathing

becoming louder
as you walked up
once at the top

and along a landing
you came to a small office
where the door was missing

and there was a hole
in the roof where a bomb
had blown it off

as well as other parts
of the building
you stood

looking around
the room
where rain had rotted

what furniture remained
and on the floor
were books soaked

and rotting
Helen said
can we go now?

you looked up
through the hole
in the roof

and there
was the afternoon sun
and a white cloud

moving slowly across
a blue sky
and she moved

next to you
and kissed your cheek
but you didn't know why.

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The Bombed Out Butcher's Shop.

On the third day
of the holidays
you met Janice

half way up Bath Terrace
at the entrance to the flats
where she lived with her gran

she was dressed in her red beret
yellow flowered cotton dress
white socks and brown sandals

she smiled when she saw you
and said
feared you might not show

I told you I'd be here
you said
she looked at you

and said
I know
but some people say things

but don't show
I'm not some people
if I say I'll be here

I'll be here
you said
glad you're here

she said
Gran doesn't like me
going out alone

she says there are strange men
out there who take kids off
and do things to them

and murder them
yes
you said

I read about that boy
they found murdered
near here

she looked concerned
don't worry
you're with me

my mum told me
where to kick them
if they try anything on

oh
Janice said as you both
walked up to the top

of the terrace
to Harper Road
where're we going?

she asked
a bombed out
butcher's shop

you replied
isn't that dangerous?
she asked

not if we're careful
where we tread
you said

isn't that breaking
and entering?
she asked

no we don't break in
you said
we walk in

the back gate
it's not locked
oh

she said
looking concerned
we won't get into trouble

will we? Gran said
she'd tan my backside
if I got into trouble

would I get you into trouble?
you asked
guess not

she said softly
you crossed
Harper Road

and went round the back
of the bombed out
butcher's shop

and opened the gate
and entered
into an empty yard

you shut the gate
after you
and she stood gaping

at the back of the shop
you showed her
the large walk in freezer

where meat had once
been kept
now empty

smelling of piss
and damp
what if you got locked in?

she said
the lock's busted
you said

oh I see
she replied
her eyes large

and her mouth open
in wonder
you took her into

the shop now empty
apart from a large table
with a marble top

where meat
had once been cut
and chopped up

it stinks
she said
yes tramps get in

sometime and shelter
for the night
are they here now?

she asked nervously
no they go off
in the day

you said
giving her
a smile

you took her up
the creaking stairs
to the upper landing

where the sky
shone through the roof
where a bomb

had fallen in
gosh
she said

how weird
one of the rooms
had an old bed frame

pushed in a corner
and the roof
was still there

except where a few tiles
had gone
someone slept there once

she said
and now
they're probably dead

you took her hand
and walked her
to the window

and looked out
on Harper Road
people would have looked out

of this window too
you said
sad isn't it

she said
and you sensed
her lay

on your shoulder
her fair haired
red bereted head.

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A Question of Love.

After climbing off
the school bus
she grabbed the sleeve

of your coat and said
I want to talk to you
and so you stayed behind

as your sister and hers
walked on ahead
and her brothers ran off

in a game of tag
she released your sleeve
and brushed the hair

out of her eyes
what is it? you asked
walking beside her

along the side of the road
the winter afternoon darkening
what was Roland

saying to you in class?
she asked
Roland?

yes Roland
in the last lesson of maths?
you looked over

at the tall trees
becoming tall giants
as the sky began to dim

he was talking about his sister
you said
then why was he looking at me?

perhaps he finds you attractive
you replied
she slapped your arm

with her hand
don't talk nonsense
he wouldn't find

Marilyn Monroe attractive
if she sat
on his bony knees

she said looking at you
with her big blue eyes
you rubbed

your injured arm
playfully
he was saying his sister

had found his collection
of dirty magazines under his bed
you said

a car whizzed by
and she turned
and shouted back at it

some words her mother
would have slapped her
for saying

she sighed and said
why can't you tell me the truth?
you stopped and stood facing her

her blue eyes gazing at you
searching yours
as if she'd left something there

on a previous occasion
he said he didn't know
what I saw in you

her eyes enlarged
and what did you say?
she asked

in the sky over her shoulder
the moon was beginning to shine
in competition

with the weak sun
I said you snogged
pretty good

you said
she slapped your arm
and walked on

no
you called out
I was only joking

she stopped
and turned
and glared at you

I said you were the best thing
to happen to me
since God created Sundays

you're lying
she said
all right

you said
seeing her eyes watering
I said I loved you

you said
looking at her
wondering if her hand

might slap you again
did you?
yes

and what did he say?
she asked
he just shrugged

his shoulders
and drew a picture
of Mr Parrot on the corner

of his maths book
she was silent
and looked by you

at the incoming traffic
then kissed your cheek
leaving a damp patch

like a small oasis
on a dry landscape
of your 14 year old skin

conjuring up images
her mother
would define as sin.

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Christina and You and Home for Lunch

As you went by
the girl's playground
after getting off

the school bus
Christina called to you
through the wire fence

and said
my mother said
you can come home

for lunch today
if you like
ok

you said
where shall I meet you?
Cedric will bring you along

she said
and so when
the lunch time

recess bell rang
you followed Cedric
out of the school

and saw Christina
by the outer fence waiting
are you sure

your mother doesn't mind?
you asked
of course not

she said
Cedric walked on in front
leaving you and Christiana

to walk on behind
she talked about some girl
in her class who had a boyfriend

and claimed
to have had sex
and then she went on

about the teacher
who had been expelled
for taking pupils home

in his lunch hour
it was boys though
she added

and then you came
to her house
and she took you in

and there was her mother
in the kitchen
nice to meet you

she said
Christina has talked
about you so much

Cedric behind
his mother's back
was making gagging gestures

with his fingers
down his throat
Christina looked at you

and smiled
nice to be here
you said

are you sure it's all right
me coming?
of course it is

Christina's mother said
now sit down
and I'll serve up for us all

and so you all sat down
around the table
and Cedric looked at you

then looked down
at his knife and fork
and Christina said

glad you're here
and she put a hand
over yours

and gave your hand
a squeeze
then removed it

when her mother
set down the plates
and then sat down herself

and you all began to eat
in an unusual silence
Christina giving you

a bright eyed stare
and Cedric looking
over your shoulder

as if you weren't there
after lunch their mother
cleared the table

of plates and went off
and Cedric went
into the lounge

leaving you and Christina alone
what do you think?
she asked

about what?
you asked
my mother

what do you think of her?
she seems nice
you said

she gets depressed a lot
Christina said
but today

she was at her best
oh right
you said

sorry she gets depressed
come on
Christina said

I'll show you my room
you raised your eyebrows
won't your mother mind?

you asked
not if she doesn't know
Christina replied

isn't it a bit risky?
you said
yes

she said
that's what makes life
so interesting

so you followed her
and tiptoed up the stairs
and she showed you

her bedroom
and her favourite doll
and other favourites of hers

lined along her bed
then she kissed you quickly
and then stood back

and smiled and said
best go down now
or she'll wonder

where we are
and so that was it
and as you followed her

down the stairs
you could hear the radio
playing some classical music

and her mother
humming along
and sounding quite happy

and Christina giving you
another kiss
behind her mother's back

and after saying thank you
to her mother
you all left

to return to school
the clouds promising rain
and so back to school

and the boring lessons
once again.

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Bombsite Conversation.

Fay sat beside you
on the concrete stairs
of Banks House
looking out
into the Square

where young girls
played skip rope
or boys having toy guns
reenacted WW2
taking no prisoners

firing noisy cap guns
and Fay said
where shall we go?
where do you want to go?
you said

away from the noisy guns
and skip rope games
she replied
and so you both got up
and went out

into the Square
and down the slope
the morning sun
blessing your heads
she in her summery dress

of yellow and orange flowers
white socks and sandals
and you in your grey tee shirt
and jeans and battered
black shoes

and you walked up
Meadow Row
between the houses
on either side until you turned right
by the public house

and onto the bombsite
behind the greengrocer store
and there you both sat
on the remains of a wall
looking around the ruins

and wild flowers
growing between bricks
and broken concrete blocks
and Fay said
I wonder who lived here

when the bombs fell?
what did they feel?
you studied her fair hair
tied in a bow
her blue eyes

scanning the scene
the white and yellow flowers
the weedy green
scared I guess
you said

I would be
she said
my mum said
she hid under
the dining room table

with her niece
where she lived
when the bombs fell
and there was the sound
of bombs falling

and explosions
and bangs
and people calling
and children crying
you said

Fay put her arm
under yours
and squeezed it tight
and lay her head
on your shoulder

and she whispered
I'm glad we
weren't here then
glad we were born
after the War

me too
you said
and she squeezed
your arm tightly
some more.

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The Summer Recess of 62.

It was the second day
of the summer recess
and Judith and you
walked through the field

behind her house
and sat down on the grass
the sky above blue
like an upside-down ocean

with the white clouds
like small fluffy islands
and she said
Mother doesn't trust you

why not?
you asked
she doesn't trust any male
she says they're all after

the one thing
you looked at her
sitting there beside you
her hair brown and curly

and her eyes blue
and bright
and you said
not all males

are the same
she looked up
at the sky
and said

I know but that's
how she sees things
my mother likes you
you said

she says you're good for me
keep me focused
she smiled
and lay back

on the grass
and you lay
beside her
and turned

to look at her there
taking in her profile
and she turned
to face you

and she said
does your mother
trust us to be together?
sure she does

you said
an airplane
went over the sky
a sparrow hawk

hovered above
its eyes watching
and waiting
you put your hand

on her hip
and she placed
her hand on yours
you felt her hipbone

beneath her green skirt
moved your palm
gently over and over
she moved your hand

off of her hip
and said
just in case
mother's looking at us

from the upstairs window
would she?
you asked
of course

she said
she held your hand
and took it
and laid it

on her breast
her heart
somewhere beating
your hand sensing

the softness beneath
the white blouse
and she said
just as well

she never saw us
last Christmas
and you smiled
and remembered

and the sparrow hawk
flew off through the sky
and the sound
of a distant train

and your heart thumping
like the downpour of rain.

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Oops (Oh My)

Tell u what i did last nite
I came home
Say about a quarter to 3
Still so high
Hypnotized
In a trance
From this body
So buttery brown
& tantalizing
U would have thought i needed help
From this feeling that i felt
So shook i had 2 catch my breath
Chorus
Ooops!
There goes my shirt up over my head
Oh my (oh my)
Ooops!
There goes my skirt droppin' to my feet
Oh my (oh my)
Oooo!
Some kind of touch
caressing my legs
Oh my (oh my)
Oooo!
I'm turning red
Who could this be?
I tried & i tried
To avoid
But this thang was happenin'
Swallowed my pride
Let it ride
& partied
But this body felt juz like mines
I got worried
I looked over to the left
A reflection of myself
That's y i couldn't catch my breath
Chorus
Ooops!
There goes my shirt up over my head
Oh my (oh my)
Ooops!
There goes my skirt droppin' to my feet
Oh my (oh my)
Oooo!
Some kind of touch
caressing my legs
Oh my (oh my)
Oooo!
I'm turning red
Who could this be?
(Tweet)i looked over to the left
(Missy)um i was looking so good i couldn't reject myself
(Tweet)i looked over to the left
(Missy)& i was feeling so good i had to touch myself
(Tweet)i looked over to the left
(Missy)i was eyeing my thighs butter pecan brown
(Tweet)i looked over to the left
(Missy)coming outta my shirt &then my skirt came down
Chorus
Ooops!
There goes my shirt up over my head
Oh my (oh my)
Ooops!
There goes my skirt droppin' to my feet
Oh my (oh my)
Oooops!
Some kind of touch
caressing my legs
Oh my (oh my)
Oooops!
I'm turning red
Who could this be?

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