Dante, Shakespeare, Milton - From
Doctor. Ah! thou, too,
Sad Alighieri, like a waning moon
Setting in storm behind a grove of bays!
Balder. Yes, the great Florentine, who wove his web
And thrust it into hell, and drew it forth
Immortal, having burn’d all that could burn,
And leaving only what shall still be found
Untouch’d, nor with the small of fire upon it,
Under the final ashes of this world.
Doctor. Shakespeare and Milton!
Balder. Switzerland and home.
I ne’er see Milton, but I see the Alps,
As once, sole standing on a peak supreme,
To the extremest verge summit and gulf
I saw, height after depth, Alp beyond Alp,
O’er which the rising and the sinking soul
Sails into distance, heaving as a ship
O’er a great sea that sets to strands unseen.
And as the mounting and descending bark,
Borne on exulting by the under deep,
Gains of the wild wave something not the wave,
Catches a joy of going, and a will
Resistless, and upon the last lee foam
Leaps into air beyond it, so the soul
upon the Alpine ocean mountain-toss’d,
Incessant carried up to heaven, and plunged
To darkness, and still wet with drops of death
Held into light eternal, and again
Cast down, to be again uplift in vast
And infinite succession, cannot stay
The mad momentum, but in frenzied sight
Of horizontal clouds and mists and skies
And the untried Inane, springs on the surge
Of things, and passing matter by a force
Material, thro’ vacuity careers,
Rising and falling.
Doctor. And my Shakespeare! Call
Milton your Alps, and which is he among
The tops of Andes? Keep your Paradise,
And Eves, and Adams, but give me the Earth
That Shakespeare drew, and make it grave and gay
With Shakespeare’s men and women; let me laugh
Or weep with them, and you—a wager,—aye,
A wager by my faith—either his muse
Was the recording angel, or that hand
Cherubic, which fills up the Book of Life,
Caught what the last relaxing gripe let fall
By a death-bed at Stratford, and hence-forth
Holds Shakespeare’s pen. Now strain your sinews, poet,
And top your Pelion,—Milton Switzerland,
And English Shakespeare—
Balder. This dear English land!
This happy England, loud with brooks and birds,
Shining with harvests, cool with dewy trees,
And bloom’d from hill to dell; but whose best flowers
Are daughters, and Ophelia still more fair
Than any rose she weaves; whose noblest floods
The pulsing torrent of a nation’s heart:
Whose forests stronger than her native oaks
Are living men; and whose unfathom’d lakes
Forever calm the unforgotten dead
In quiet graveyards willow’d seemly round,
O’er which To-day bends sad, and sees his face.
Whose rocks are rights, consolidate of old
Thro’ unremember’d years, around whose base
The ever-surging peoples roll and roar
Perpetual, as around her cliffs the seas
That only wash them whiter; and whose mountains,
Souls that from this mere footing of the earth
Lift their great virtues thro’ all clouds of Fate
Up to the very heavens, and make them rise
To keep the gods above us!
poem by Sydney Thompson Dobell
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Judson Stoddard
On a mountain top above the clouds
That streamed like a sea below me
I said that peak is the thought of Budda,
And that one is the prayer of Jesus,
And this one is the dream of Plato,
And that one there the song of Dante,
And this is Kant and this is Newton,
And this is Milton and this is Shakespeare,
And this the hope of the Mother Church,
And this -- why all these peaks are poems,
Poems and prayers that pierce the clouds.
And I said "What does God do with mountains
That rise almost to heaven?"
poem by Edgar Lee Masters
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America
NOR force nor fraud shall sunder us! O ye
Who north or south, on east or western land,
Native to noble sounds, say truth for truth,
Freedom for freedom, love for love, and God
For God; O ye who in eternal youth
Speak with a living and creative flood
This universal English, and do stand
Its breathing book; live worthy of that grand
Heroic utterance—parted, yet a whole,
Far yet unsever’d,—children brave and free
Of the great Mother-tongue, and ye shall be
Lords of an empire wide as Shakespeare’s soul,
Sublime as Milton’s immemorial theme,
And rich as Chaucer’s speech, and fair as Spenser’s dream.
poem by Sydney Thompson Dobell
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To An Artist
YOU tell me these great lords have raised up Art?
I say they have degraded it. Look you,
When ever did they let the Poet sing,
The Painter paint, the Sculptor hew and cast,
The Music raise her heavenly voice, except
To praise them and their wretched rule o'er men?
Behold our English poets that were poor
Since these great lords were rich and held the state:
Behold the glories of the German land,
Poets, Musicians, driven, like them, to death
Unless they'd tune their spirits' harps to play
Drawing-room pieces for the chattering fools
Who aped the taste for Art or for a leer.
I say, no Art was ever noble yet,
Noble and high, the speech of godlike men,
When fetters bound it, be they gold or flowers.
All that is noblest, highest, greatest, best,
Comes from the Galilean peasant's hut, comes from
The Stratford village, the Ayrshire plough, the shop
That gave us Chaucer, the humble Milton's trade —
Bach's, Mozart's, great Beethoven's — and these are they
Who knew the People, being what they knew!
Wherefore, if in the future years no strain,
No picture of earth's glory like to what
Your Artists raised for that small clique or this
Of supercilious imbecilities —
O if no better demi-gods of Art
Can rise save those whose barbarous tinsel yet
Makes hideous all the beauty of old homes —
Then let us seek the comforts of despair
In democratic efforts dead and gone;
Weep with Pheideian Athens, sigh an hour
With Raffaelle's Florence, beat the head and breast
O'er Shakspere's England that from Milton's took
In lips the name that leaped from lead and flame
From out her heart against the Spanish guns!
poem by Francis William Lauderdale Adams
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Epilogue:XXI 'Tristram of Lyonesse
OUR MOTHER, which wast twice, as history saith,
Found first among the nations: once, when she
Who bore thine ensign saw the God in thee
Smite Spain, and bring forth Shakespeare: once, when death
Shrank, and Rome’s bloodhounds cowered, at Milton’s breath:
More than thy place, then first among the free,
More than that sovereign lordship of the sea
Bequeathed to Cromwell from Elizabeth,
More than thy fiery guiding- star, which Drake
Hailed, and the deep saw lit again for Blake,
More than all deeds wrought of thy strong right hand,
This praise keeps most thy fame’s memorial strong,
That thou wast head of all these streams of song,
And time bows down to thee as Shakespeare’s land.
poem by Algernon Charles Swinburne
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I was sorry to have my name mentioned as one of the great authors, because they have a sad habit of dying off. Chaucer is dead, Spencer is dead, so is Milton, so is Shakespeare, and I’m not feeling so well myself.
Mark Twain in “Statistics” speech (1899)
Submitted by Mario
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Musings on the North West
Domestic cattle quiet will graze where now the Buffalos roam,
and in spots now covered o'er with Indian Wigwams,
where white men never trod, cities will occupy their
sites with busy trade, and millions throng from Eastern
lands to take possession of the great North-West; then
Winnipeg, perchance, may be the capital of the Domin-
ion. In the days fortold, when this indeed shall be the
'Greater Britain,' with Ontario's towns for work shops
for this vast Prairie land.
' And poets will arise and high their lays will soar,
Worthy of the muse of a Burns or a Moore,'
A Shakespeare and a Milton, the great and the wise
Will sing of the glories of our Northern skies ;
Of its lakes and rivers, and its mountains grand,
Of its fertile plains and great prairie land.
A fit theme for song this empire gigantic
Whose arms stretch from Pacific to Atlantic.
poem by James McIntyre
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It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.
quote by Lafcadio Hearn
Submitted by Lucian Velea
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Shakespeare, Where Are You? (For Harold Bloom)
SHAKESPEARE, WHERE ARE YOU? (FOR HAROLD BLOOM)
Shakespeare, where are you?
You should be living at this hour.
Literature has need of you.
We have become a fen of stagnant voices
A parody of noble and great lines
All our efforts have become a deriding
Of our own spirit.
We need your Beauty and your Magnitude
The Metaphoric motions of your Incredible most awkward Lines
We need Your Richness and Your Song
Your Endless Entertainment of our own Emotions
Your deep play of Character and Feeling
We need you now Shakespeare
To remind us that to be Human
Is still to be the Glory Jest and Riddle
And that our voices somehow can still say
In Times beyond our own knowing
The wisdom and the way
To what is best within and beyond us
poem by Shalom Freedman
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The Sister's Expostulation On The Brother's Learning Latin
Shut these odious books up, brother;
They have made you quite another
Thing from what you used to be:
Once you liked to play with me,
Now you leave me all alone,
And are so conceited grown
With your Latin, you'll scarce look
Upon any English book.
We had used on winter eves
To con over Shakespeare's leaves,
Or on Milton's harder sense
Exercise our diligence-
And you would explain with ease
The obscurer passages,
Find me out the prettiest places,
The poetic turns, and graces,
Which, alas! now you are gone,
I must puzzle out alone,
And oft miss the meaning quite,
Wanting you to set me right.
All this comes since you've been under
Your new master. I much wonder
What great charm it is you see
In those words, musa, musæ;
Or in what they do excel
Our word, song. It sounds as well
To my fancy as the other.
Now believe me, dearest brother,
I would give my finest frock,
And my cabinet, and stock
Of new playthings, every toy,
I would give them all with joy
Could I you returning see
Back to English and to me.
poem by Charles Lamb
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The Invocation
Daughters of Beulah! Muses who inspire the Poet's Song,
Record the journey of immortal Milton thro' your realms
Of terror and mild moony lustre, in soft Sexual delusions
Of varièd beauty, to delight the wanderer, and repose
His burning thirst and freezing hunger! Come into my hand,
By your mild power descending down the nerves of my right arm
From out the portals of my Brain, where by your ministry
The Eternal Great Humanity Divine planted His Paradise,
And in it caus'd the Spectres of the Dead to take sweet form
In likeness of Himself. Tell also of the False Tongue, vegetated
Beneath your land of Shadows, of its sacrifices and
Its offerings; even till Jesus, the image of the Invisible God,
Became its prey; a curse, an offering, and an atonement
For Death Eternal, in the Heavens of Albion, and before the Gates
Of Jerusalem his Emanation, in the Heavens beneath Beulah!
poem by William Blake
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Mary Arden
When a simple English maiden,
Nested warm in Wilmicote,
Sang forth like a lark uprising
Heavenward with its morning note,
Did no English ear that listened,
Even then, foretouched by fame,
Tremble to the prophet-music
Fountain-headed in thy name,
Mary Arden?
And to thee thyself, O tell me!
Shade of Shakespeare’s mother, tell me!
Did no dazzling vision come,
Banishing all thoughts of gloom,
Of the bardic grandeurs waiting
On thy matron fate, when He
Who in time should call thee mother
Should all time’s subjector be,
Mary Arden?
Then a mother we behold thee,
With that babe upon thy breast,
That great nascent soul, so bird-like,
Babbling in its fragrant nest:
O what spirit sweetly human,
O what instincts mildly wise,
Sucked he from those mother-fountains,
Drew he from those mother-eyes,
Mary Arden?
But shall we, now spirit-basking
In the noonblaze of his fame,
Fail to read a sign prophetic
In thy lovely maiden name?
No; it is the star that trembled
O’er a royal poet’s birth;
And amongst immortal Maries,
Second to but one on earth,
Mary Arden!
Glory to thee! Mary Arden!
Shakespeare’s mother! England’s Mary!
poem by Charles Harpur
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An Epitaph on the Admirable Dramatic Poet W. Shakespeare
What needs my Shakespeare for his honored bones
The labor of an age in piled stones?
Or that his hallowed reliques should be hid
Under a star-ypointing pyramid?
Dear son of Memory, great heir of Fame,
What need'st thou such weak witness of thy name?
Thou in our wonder and astonishment
Hast built thy self a livelong monument.
For whilst, to th' shame of slow-endeavoring art,
Thy easy numbers flow, and that each heart
Hath from the leaves of thy unvalued book
Those Delphic lines with deep impression took,
Then thou, our fancy of itself bereaving,
Dost make us marble with too much conceiving,
And so sepulchred in such pomp dost lie
That kings for such a tomb would wish to die.
poem by John Milton
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English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
quote by Lytton Strachey
Submitted by Lucian Velea
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Poetry
THE POETRY OF CHAUCER
Grey with all honours of age! but fresh-featured and ruddy
As dawn when the drowsy farm-yard has thrice heard Chaunticlere.
Tender to tearfulness-childlike, and manly, and motherly;
Here beats true English blood richest joyance on sweet English ground.
THE POETRY OF SPENSER
Lakes where the sunsheen is mystic with splendour and softness;
Vales where sweet life is all Summer with golden romance:
Forests that glimmer with twilight round revel-bright palaces;
Here in our May-blood we wander, careering 'mongst ladies and knights.
THE POETRY OF SHAKESPEARE
Picture some Isle smiling green 'mid the white-foaming ocean; -
Full of old woods, leafy wisdoms, and frolicsome fays;
Passions and pageants; sweet love singing bird-like above it;
Life in all shapes, aims, and fates, is there warm'd by one great human heart.
THE POETRY OF MILTON
Like to some deep-chested organ whose grand inspiration,
Serenely majestic in utterance, lofty and calm,
Interprets to mortals with melody great as its burthen
The mystical harmonies chiming for ever throughout the bright spheres.
THE POETRY OF SOUTHEY
Keen as an eagle whose flight towards the dim empyrean
Fearless of toil or fatigue ever royally wends!
Vast in the cloud-coloured robes of the balm-breathing Orient
Lo! the grand Epic advances, unfolding the humanest truth.
THE POETRY OF COLERIDGE
A brook glancing under green leaves, self-delighting, exulting,
And full of a gurgling melody ever renewed -
Renewed thro' all changes of Heaven, unceasing in sunlight,
Unceasing in moonlight, but hushed in the beams of the holier orb.
THE POETRY OF SHELLEY
See'st thou a Skylark whose glistening winglets ascending
Quiver like pulses beneath the melodious dawn?
Deep in the heart-yearning distance of heaven it flutters -
Wisdom and beauty and love are the treasures it brings down at eve.
THE POETRY OF WORDSWORTH
A breath of the mountains, fresh born in the regions majestic,
That look with their eye-daring summits deep into the sky.
The voice of great Nature; sublime with her lofty conceptions,
Yet earnest and simple as any sweet child of the green lowly vale.
THE POETRY OF KEATS
The song of a nightingale sent thro' a slumbrous valley,
Low-lidded with twilight, and tranced with the dolorous sound,
Tranced with a tender enchantment; the yearning of passion
That wins immortality even while panting delirious with death.
poem by George Meredith
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Poets and tellers
Dear Poet! You know or know not,
It is your right brain that
Is more active and alert.
It sees things as a whole, in long shot.
It sees wide and tell in terse.
It observes deeply and expresses its core.
Dear Story Teller! You se or see not, ,
It is your left brain that
Is more active and alert.
It sees things minutely in close up.
It scans at length and tells vast.
It observes closely and expands it.
Shakespeare is more a poet.
John Milton is more a storyteller.
16.11.2000, Pmdi
poem by Rm. Shanmugam Chettiar
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The futile wish
Who knows who are John Shakespeare and
Mary Arden who have begotten
William Shakespeare, the greatest dramatist.
You and I drain our blood to make sons great.
27.06.2004
poem by Rm. Shanmugam Chettiar
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Fourteen Lines
Old poets, torturing their thoughts to rhyme,
their lovely English verse to end-words tied,
oft found just cause to moan of 'envious Time',
and seek immortal fame in 'Time defied';
for rhymesters, it is ever June, when moon
shines on their corn; for moralists, base love
may find in Plato reason to attune
and lift their Muse to world on world above -
and then, there's Shakespeare: from whose boundless art
flows liquid gold; whose words bring heaven to earth,
to sing love's beauty; melt the frozen heart,
make men to cry with joy; gods, weep with mirth:
a sonnet's span can bring one to oneself;
in fourteen lines, bequeath us heaven's wealth.
poem by Michael Shepherd
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On Shakespeare
What needs my Shakespeare for his honoured bones,
The labor of an age in pilèd stones,
Or that his hallowed relics should be hid
Under a star-ypointing pyramid?
Dear son of Memory, great heir of fame,
What need’st thou such weak witness of thy name?
Thou in our wonder and astonishment
Hast built thyself a live-long monument.
For whilst to th’ shame of slow-endeavouring art,
Thy easy numbers flow, and that each heart
Hath from the leaves of thy unvalued book
Those Delphic lines with deep impression took,
Then thou, our fancy of itself bereaving,
Dost make us marble with too much conceiving;
And so sepúlchred in such pomp dost lie,
That kings for such a tomb would wish to die.
poem by John Milton (1630)
Submitted by Dan Costinaş
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Read not Milton, for he is dry; nor Shakespeare, for he wrote of common life.
quote by Charles Stuart Calverley
Submitted by Lucian Velea
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Wahonomin
GREAT mother! from the depths of forest wilds,
From mountain pass and burning sunset plain,
We, thine unlettered children of the woods,
Upraise to thee the everlasting hymn
Of nature, language of the skies and seas,
5
Voice of the birds and sighing of the pine
In wintry wastes. We know none other tongue,
Nor the smooth speech that, like the shining leaves,
Hides the rough stems beneath. We bring our song,
Wood-fragrant, rough, yet autumn-streaked with love,
10
And lay it as a tribute at thy feet.
But should it vex thee thus to hear us sing,
Sad in the universal joy that crowns
This year of years, and shouldst thou deem our voice
But death-cry of the ages that are past,
15
Bear with us—say, "My children of the woods,
In language learnt from bird and wood and stream,
From changing moons and stars and misty lakes,
Pour forth their love, and lay it at my feet;
The voice is wild and strange, untuned to ear
20
Of majesty, ill-timed to fevered pulse
Of this young age, and meteor-souls that flash
New paths upon night's dome; yet will I hear
This singing of my children ere they die."
Great mother! thou art wise, they say, and good,
25
And reignest like the moon in autumn skies,
The world about thy feet. We have not seen
Thy face, nor the wild seas of life that surge
Around thy throne; but we have stood by falls,
Deep-shadowed in the silence of the woods,
30
And heard the water-thunders, and have said,
Thus is the voice of men about our Queen.
What is the red man but the forest stream,
The cry of screech-owl in the desert wilds?
This flood that overflows the hills and plains
35
Is not for us. Back, Westward, Northward, ay,
Up to eternal winter 'neath the stars,
Our path must be in silence, till the snows
And sun and wind have bleached our children's bones.
The red must go; the axe and plough and plane
40
Are not for him. We perish with the pine,
We vanish in the silence of the woods;
Our footsteps, like the war-trail in the snow,
Grow fainter while the new spring buds with life.
Great mother! the white faces came with words
45
Of love and hope, and pointed to the skies,
And in the sunrise splendour set the throne
Of the Great Spirit, and upon the cross
Showed us His Son, and asked a throne for Him.
Their speech was music; but in camp at night
50
We brooded o'er the matter round the fire,
The shadowy pines about us, and the stars,
Set in the silent heavens, looking down.
We brooded o'er the matter days and years,
For thus each thought and thus each spake in words:
55
"We children of the woods have lived and died
In these our forests, since the first moon tipped
Their thousand lakes and rivers with her beams,
Pale silver in the fading sky of even.
Our fathers' faces kindled in the glow
60
Of setting suns; they read the starlit sky;
They heard the Spirit's breathing on the storm,
And on the quaking earth they felt His tread;
But never yet the story of His Son
Was wafted to them from the sighing woods,
65
Or bird or stream. Our fathers' God is ours;
And as for these new words, we watch and wait."
Great mother! we have waited days and years,
Thro' spring and summer—summer, autumn, spring;
Brooding in silence, for anon we dreamed
70
A bird's voice in our hearts half sung, "'Tis true."
We listened and we watched the pale face come,
When, lo! new gods came with them—gods of iron
And fire, that shook the forests as they rushed,
Filling with thunder and loud screeching, plains,
75
Mountains, and woods, and dimming with their breath
The shining skies. These new gods, who were they,
That came devouring all, and blackening earth
And sky with smoke and thunder? We knew not,
But fled in terror further from the face
80
Of these white children and their gods of iron;
We heard no more their story of the Son,
And words of love. Their own lives were not love,
But war concealed and fire beneath the ash.
Thus ever now the burden of our speech—
85
We perish with the pine tree and the bird,
We vanish in the silence of the woods,
The white man's hunting-ground, it is not ours;
We care not for his gods of iron and fire;
Our home is in the trackless wilds, the depths
90
Of mountain solitudes, by starlit lakes,
By noise of waters in the unchanging woods.
Great mother! we have wondered that thy sons,
Thy pale sons, should have left thy side and come
To these wild plains, and sought the haunts of bears
95
And red men. Why their battle with the woods?
Whither they go upon their gods of iron,
Out of the golden sunrise to the mists
Of purple evening in the setting west?
Their lives have scarce as many moons as ours,
100
Nor happier are. We know not what they seek;
For death's cold finger chills their fevered life,
As in the wilds he stills the meanest worm,
And death flies with them over all their paths,
And waits them in the heart of wildest waste;
105
They cannot break his power. Forgive these thoughts
If, as they rise like mists, they dim the gold
That zones thy brow. They came to us at night,
As we have sat in council round the fire;
They seemed the echo of the sighing pines
110
Far in our soul. One evening rose a chief,
White-headed, bowed with years, one hand on staff,
One on death's arm, preparing for the way.
"My sons," he said, "these people are not wise.
We bide our time, and they will pass away;
115
Then shall the red man come like bird in spring,
And build the broken camp, and hunt and fish
In his old woods. These people pass away;
Then shall the red man come like bird in spring,
And build the broken camp, and hunt and fish
120
In his old woods. These people pass away;
For I have thought through many nights and days,
And wondered what they seek; and now I know,
And knowing, say these people are not wise.
They found these plains beneath the burning west,
125
And westward, ever westward, still they press,
Seeking the shining meadows of the land
Where the sun sleeps, and, folded 'neath his wings,
The happy spirits breathe eternal day.
But I have lived thro' five score changing years,
130
And I have talked with wintry-headed chiefs,
And I have heard that kingdom is not reached
Thro' woods and plains, but by the bridge of death.
This people is not wise; we bide our time."
Great mother! they have told us that the snows
135
Of fifty winters sleep about thy throne,
And buds of spring now blossom with sweet breath
Beneath thy tread. They tell us of the sea,
And other lands, where other children dwell;
Of mighty cities and the gleam of gold,
140
Of empires wider than the shining plains
Viewed from giant hill, that lift thy throne above
The clouded mountain-tops. They tell us, too,
Of wonders in the home of man; of gods
Of iron and fire made servants, and of fire
145
Snatched from the clouds to flash man's swiftest thought;
But these are not for us. The forest flower
Droops in the haunts of man; it needs the sky,
And smokeless air, and glances of the sun
Thro' rustling leaves. We perish with the woods;
150
The plains are all before thee. Send thy sons
To plant and build, and drive their flashing gods,
Startling the forests, till, like ocean's bounds,
Thine empire rolls in splendour from wide east
To widest west, broad fields of gold for thee
155
And thy white children; but our spirits wait
Amid the silent ages, and we pass
To where our fathers dwell, by silent streams,
And hunt in trackless wilds through cloudless days.
The wheels of thy great empire, as it moves
160
From east to west, from south to icy north,
Crush us to earth. We perish with the woods.
Great mother; if the changing moons have brought
Thee nearer to the darksome bridge that spans
The gulf between this and the eternal day,
165
If thy path and thy children's be the same,
And thy feet follow where thy fathers went,
Perchance thy soul upon earth's utmost verge,
The eternal sky about thee, and the deeps
Unfathomable beyond—perchance thy soul,
170
Grown weary with the fever of thy life,
May yearn for song of bird, and sighing pine,
And silent meditation of the woods;
Perchance, when, looking back from infinite skies
To restless man, thy soul, too, echoes, "Why?"
175
"Where?" and "Whither?" and thy heart may love
This death-song of thy children, ere they pass
With birds and forests to the silent land.
Perchance the white face told us what was true,
And love and hope wait by the throne of God.
180
The ruffled lake gives out but broken gleams
Of the clear stars above; so, restless life
May be the troubled reflex of the skies.
The world rolls onward, ever on and on,
Through clouded vast and moans of dying years,
185
Into the depths of sunset; but the light
Blinds our dim eyes, we cannot see the goal.
The spirit of the world is not for us;
We perish with the pine tree and the bird;
We bow our heads in silence. We must die.
poem by Frederick George Scott
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