The Fairy Thorn
“GET up, our Anna dear, from the weary spinning wheel’
For your father’s on the hill, and your mother is asleep;
Come up above the crags, and we ’ll dance a highland reel
Around the fairy thorn on the steep.”
At Anna Grace’s door ’t was thus the maidens cried,
Three merry maidens fair in kirtles of the green;
And Anna laid the sock and the weary wheel aside,
The fairest of the four, I ween.
They ’re glancing through the glimmer of the quiet eve,
Away in milky wavings of neck and ankle bare;
The heavy-sliding stream in its sleeply song they leave,
And the crags in the ghostly air;
And linking hand in hand, and singing as they go,
The maids along the hill-side have ta’en their fearless way,
Till they come to where the rowan trees in lovely beauty grow
Beside the Fairy Hawthorn gray.
The hawthorn stands between the ashes tall and slim,
Like matron with her twin grand-daughters at her knee;
The rowan berries cluster o’er her low head gray and dim
In ruddy kisses sweet to see.
The merry maidens four have ranged them in a row,
Between each lovely couple a stately rowan stem,
And away in mazes wavy like skimming birds they go,—
Oh, never caroll’d bird like them!
But solemn is the silence of the silvery haze
That drinks away their voices in echoless repose,
And dreamily the evening has still’d the haunted braes,
And dreamier the gloaming grows.
And sinking one by one, like lark-notes from the sky
When the falcon’s shadow saileth across the open shaw,
Are hush’d the maidens’ voices, as cowering down they lie
In the flutter of their sudden awe.
For, from the air above and the grassy ground beneath,
And from the mountain-ashes and the old white thorn between,
A power of faint enchantment doth through their beings breathe,
And they sink down together on the green.
They sink together silent, and, stealing side by side,
They fling their lovely arms o’er their drooping necks so fair,
Then vainly strive again their naked arms to hide,
For their shrinking necks again are bare.
Thus clasp’d and prostrate all, with their heads together bow’d,
Soft o’er their bosoms beating—the only human sound—
They hear the silky footsteps of the silent fairy crowd,
Like a river in the air, gliding round.
Nor scream can any raise, nor prayer can any say,
But wild, wild, the terror of the speechless three,
For they feel fair Anna Grace drawn silently away,
By whom they dare not look to see.
They feel their tresses twine with her parting locks of gold,
And the curls elastic falling, as her head withdraws;
They feel her sliding arms from their tranced arms unfold,
But they dare not look to see the cause:
For heavy on their senses the faint enchantment lies
Through all that night of anguish and perilous amaze;
And neither fear nor wonder can ope their quivering eyes,
Or their limbs from the cold ground raise,
Till out of night the earth has roll’d her dewy side,
With every haunted mountain and streamy vale below;
When, as the mist dissolves in the yellow morning-tide,
The maidens’ trance dissolveth so.
Then fly the ghastly three as swiftly as they may,
And tell their tale of sorrow to anxious friends in vain:
They pin’d away and died within the year and day,
And ne’er was Anna Grace seen again.
poem by Sir Samuel Ferguson
Submitted by Poetry Lover
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The King's Daughter
WE WERE ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.
We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.
The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.
The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.
The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.
The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.
We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.
By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.
“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.
He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.
He’s made her bed to the goodliest,
Wind and hail in the mill-water;
A grass girdle for all the rest,
A girdle of arms for the king’s daughter.
He’s set his heart to the goodliest,
Snow that snows in the mill-water;
Nine little kisses for all the rest,
An hundredfold for the king’s daughter.
He’s ta’en his leave at the goodliest,
Broken boats in the mill-water;
Golden gifts for all the rest,
Sorrow of heart for the king’s daughter.
“Ye’ll make a grave for my fair body,”
Running rain in the mill-water;
“And ye’ll streek my brother at the side of me,”
The pains of hell for the king’s daughter.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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Anna Lee, The Healer
Anna lee, anna lee, the healer
Healer with the healing hands
Makes you well as quick as she can
You'd love to see those smiling eyes
Of anna lee
From the himalaya mountain side
Of the nishigesh
To a california beach house
Facing towards the sea
Goes a gal who got her fame
By going round healing folks
Anna lee, anna lee, the healer
Healer with the healing hands
Makes you well as quick as she can
You'd feel those healing hands
Of anna lee
When she gets a chance to help someone
She's really happy
If you trust her with your ill
She'll quickly make you see
She can fix things up for you
Just like she did for me
Anna lee, anna lee, the healer
She cures people with her hands
I'm just one of her many fans
You'd love to feel those healing hands
Of anna lee
The healer, the healer, the healer, the healer
song performed by by Beach Boys
Submitted by Lucian Velea
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Sappho To Her Girlfriends
Fragments 34, 77, 76, 61, 71, 48, 86, 83, 47, 129, and 32 combined.
This is my song of maidens dear to me.
Eranna, a slight girl I counted thee,
When first I looked upon thy form and face,
Slim as a reed, and all devoid of grace.
But stately stature, grace and beauty came
Unto thee with the years — O, dost not shame
For this, Eranna, that thy pride hath grown
Therewith? Alas for thee ! I have not known
One beauty ever of more scornful mien,
As though thou wert of all earth's daughters queen!
Mnasidica is comelier, perchance,
Than my Gyrinna — ah, but sweetly rings
Gyrinna's matchless voice ! In rapture-trance
I listen, listen, while Gyrinna sings.
Hero of Gyara is fleet of foot
As fawns, and as light-footed in the dance,
The dance taught by the measures of my lute.
Ever-impassioned Gorgo! — is it strange
That I grow weary of the change on change
Of thine adored ones? — of thy rhapsodies
O'er each new girlfriend, while the old love dies?
Joy to thee, daughter of a princely race,
For thy last dear one! Lie in her embrace —
Till shines a new star on thy raptured eyes!
Fonder of maids thou art, I trow, than she.
The ghost who nightly steal young girls, to be
In Hades of her woeful company.
This is my fair girl-garden: sweet they grow —
Rose, violet, asphodel and lily's snow;
And which the sweetest is, I do not know;
For rosy arms and starry eyes are there.
Honey-sweet voices and cheeks passing fair.
And these shall men, I ween, remember long;
For these shall bloom for ever in my song.
Anna Lee Healer
Anna lee, anna lee, the healer
Healer with the healing hands
Makes you well as quick as she can
Youd love to see those smiling eyes
Of anna lee
From the himalaya mountain side
Of the nishigesh
To a california beach house
Facing towards the sea
Goes a gal who got her fame
By going round healing folks
Anna lee, anna lee, the healer
Healer with the healing hands
Makes you well as quick as she can
Youd feel those healing hands
Of anna lee
When she gets a chance to help someone
Shes really happy
If you trust her with your ill
Shell quickly make you see
She can fix things up for you
Just like she did for me
Anna lee, anna lee, the healer
She cures people with her hands
Im just one of her many fans
Youd love to feel those healing hands
Of anna lee
The healer, the healer, the healer, the healer
song performed by by Beach Boys
Submitted by Lucian Velea
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The Little HandMaiden
The King's son walks in the garden fair-
Oh, the maiden's heart is merry!
He little knows for his toil and care,
That the bride is gone and the bower is bare.
Put on garments of white, my maidens!
The sun shines bright through the casement high-
Oh, the maiden's heart is merry!
The little handmaid, with a laughing eye,
Looks down on the king's son, strolling by.
Put on garments of white, my maidens!
'He little knows that the bride is gone,
And the Earl knows little as he;
She is fled with her lover afar last night
And the King's son is left to me.'
And back to her chamber with velvety step
The little handmaid did glide,
And a gold key took from her bosom sweet,
And opened the great chests wide.
She bound her hair with a band of blue,
And a garland of lilies sweet;
And put on her delicate silken shoes,
With roses at her feet.
She clad her body in spotless white,
With a girdle as red as blood.
The glad white raiment her beauty bound,
As the sepels blind the bud.
And round and round her white neck she flung
A necklace of sapphires blue;
On one white finger of either hand
A shining ring she drew.
And down the stairway and out of the door
She glided, as soft and light,
As an airy tuft of a thistle seed
Might glide through the grasses bright.
And into the garden sweet she stole-
The little birds carolled loud-
Her beauty shone as a star might shine
In the rift of the morning cloud.
The King's son walked in the garden fair,
And the little handmaiden came,
Through the midst of a shimmer of roses red,
Like a sunbeam through a flame.
The King's son marvelled, his heart leaped up,
'And art thou my bride?' said he,
'For, North or South, I have never beheld
A lovelier maid than thee.'
'And dost thou love me?' the little maid cried,
'A fine King's son, I wis!'
And the king's son took her with both his hands,
And her ruddy lips did kiss.
And the little maid laughed till the beaded tears,
Ran down in a silver rain.
'O foolish King's son!' and she clapped her hands,
Till the gold rings rang again.
'O King's son, foolish and fooled art thou,
For a goodly game is played:
Thy bride is away with her lover last night,
And I am her little handmaid.'
And the King's son sware a great oath, said he-
Oh, the maiden's heart is merry!
'If the Earl's fair daughter a traitress be,
The little handmaid is enough for me.'
Put on garments of white, my maidens!
The King's son walks in the garden fair-
Oh, the maiden's heart is merry!
And the little handmaiden walketh there,
But the old Earl pulleth his beard for care.
Put on garments of white, my maidens!
poem by Archibald Lampman
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Green River
When breezes are soft and skies are fair,
I steal an hour from study and care,
And hie me away to the woodland scene,
Where wanders the stream with waters of green,
As if the bright fringe of herbs on its brink
Had given their stain to the wave they drink;
And they, whose meadows it murmurs through,
Have named the stream from its own fair hue.
Yet pure its waters--its shallows are bright
With coloured pebbles and sparkles of light,
And clear the depths where its eddies play,
And dimples deepen and whirl away,
And the plane-tree's speckled arms o'ershoot
The swifter current that mines its root,
Through whose shifting leaves, as you walk the hill,
The quivering glimmer of sun and rill
With a sudden flash on the eye is thrown,
Like the ray that streams from the diamond stone.
Oh, loveliest there the spring days come,
With blossoms, and birds, and wild bees' hum;
The flowers of summer are fairest there,
And freshest the breath of the summer air;
And sweetest the golden autumn day
In silence and sunshine glides away.
Yet fair as thou art, thou shunnest to glide,
Beautiful stream! by the village side;
But windest away from haunts of men,
To quiet valley and shaded glen;
And forest, and meadow, and slope of hill,
Around thee, are lonely, lovely, and still.
Lonely--save when, by thy rippling tides,
From thicket to thicket the angler glides;
Or the simpler comes with basket and book,
For herbs of power on thy banks to look;
Or haply, some idle dreamer, like me,
To wander, and muse, and gaze on thee.
Still--save the chirp of birds that feed
On the river cherry and seedy reed,
And thy own wild music gushing out
With mellow murmur and fairy shout,
From dawn to the blush of another day,
Like traveller singing along his way.
That fairy music I never hear,
Nor gaze on those waters so green and clear,
And mark them winding away from sight,
Darkened with shade or flashing with light,
While o'er them the vine to its thicket clings,
And the zephyr stoops to freshen his wings,
But I wish that fate had left me free
To wander these quiet haunts with thee,
Till the eating cares of earth should depart,
And the peace of the scene pass into my heart;
And I envy thy stream, as it glides along,
Through its beautiful banks in a trance of song.
Though forced to drudge for the dregs of men,
And scrawl strange words with the barbarous pen,
And mingle among the jostling crowd,
Where the sons of strife are subtle and loud--
I often come to this quiet place,
To breathe the airs that ruffle thy face,
And gaze upon thee in silent dream,
For in thy lonely and lovely stream
An image of that calm life appears
That won my heart in my greener years.
poem by William Cullen Bryant
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Dear Anna (Carlos Olmeda)
Did the roses never open,
Are you left to start again?
And not a single tear should fall into the water,
That you kept them in.
Dear Anna,
I am the only one,
Who will love you until the end,
Oh Anna,
Open your heart again,
And warm me by the fire within.
How are you going to face the autumn,
With the pain you only friend?
Just remember that; Before you know the winter,
You'll know love again
Dear Anna,
I am the only one,
Who will love you until the end,
Oh Anna,
Open your heart again,
And warm me by the fire within.
I stand forewarned,
Love will change,
Even the best of friends,
And nothing wrong with starting over,
Go on and have yourself a cry,
I just wanna be the man with arms around you,
When you dry your eyes
Dear Anna,
Well, I am the only one,
Who will love you until the end,
Oh Anna,
Open your heart again,
And warm me by the fire within.
song performed by by Jason Mraz
Submitted by Lucian Velea
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The Spaniards' Graves
O sailors, did sweet eyes look after you
The day you sailed away from sunny Spain?
Bright eyes that followed fading ship and crew,
Melting in tender rain?
Did no one dream of that drear night to be,
Wild with the wind, fierce with the stinging snow,
When on yon granite point that frets the sea,
The ship met her death-blow?
Fifty long years ago these sailors died:
(None know how many sleep beneath the waves)
Fourteen gray headstones, rising side by side,
Point out their nameless graves,-
Lonely, unknown, deserted, but for me,
And the wild birds that flit with mournful cry,
And sadder winds, and voices of the sea
That moans perpetually.
Wives, mothers, maidens, wistfully, in vain
Questioned the distance for the yearning sail,
That leaning landward, should have stretched again
White arms wide on the gale,
To bring back their beloved. Year by year,
Weary they watched, till youth and beauty passed,
And lustrous eyes grew dim and age drew near,
And hope was dead at last.
Still summer broods o'er that delicious land,
Rich, fragrant, warm with skies of golden glow:
Live any yet of that forsaken band
Who loved so long ago?
Spanish women, over the far seas,
Could I but show you where your dead repose!
Could I send tidings on this northern breeze
That strong and steady blows!
Dear dark-eyed sisters, you remember yet
These you have lost, but you can never know
One stands at their bleak graves whose eyes are wet
With thinking of your woe!
poem by Celia Thaxter
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Ballad Of The Mad Ladye
The rowan tree grows by the tower foot,
(_Flotsam and jetsam from over the sea,
Can the dead feel joy or pain?_)
And the owls in the ivy blink and hoot,
And the sea-waves bubble around its root,
Where kelp and tangle and sea-shells be,
When the bat in the dark flies silently.
(_Hark to the wind and the rain._)
The ladye sits in the turret alone,
(_Flotsam and jetsam from over the sea,
The dead--can they complain?_)
And her long hair down to her knee has grown,
And her hand is cold as a hand of stone,
And wan as a band of flesh may be,
While the bird in the bower sings merrily.
(_Hark to the wind and the rain._)
Sadly she leans by her casement side
(_Flotsam and jetsam from over the sea,
Can the dead arise again?_)
And watcheth the ebbing and flowing tide,
But her eye is dim, and the sea is wide;
The fisherman's sail and the cloud flies free
And the bird is mute in the rowan tree.
(_Hark to the wind and the rain._)
The moon shone in on the turret stair
(_Flotsam and jetsam from over the sea,
The dead are bound with a chain._)
And touched her cheek and brightened her hair,
And found naught else in the world so fair,
So ghostly fair as the mad ladye,
While the bird in the bower sang lonesomely.
(_Hark to the wind and the rain._)
The weary days and the months crept on,
(_Flotsam and jetsam from over the sea,
The words of the dead are vain_)
At last the summer was over and gone,
And still she sat in her turret alone,
Her white hands clasping about her knee,
And the bird was mute in the rowan tree.
(_Hark to the wind and the rain._)
Wild was the sound of the wind and the sleet,
(_Flotsam and jetsam from over the sea.
The dead--do they walk again?_)
Wilder the roar of the surf that beat;
Whose was the form that it bore to her feet
Swayed with the swell of the unquiet sea,
While the raven croaked in the rowan tree.
(_Hark to the wind and the rain._)
Oh Lady, strange is the silent guest--
(_Flotsam and jetsam cast up by the sea,
Can the dead feel sorrow or pain?_)
With the sea-drenched locks and the pulseless breast
And the close-shut lips which thine have pressed
And the wide sad eyes that heed not thee,
While the raven croaks in the rowan tree.
(_Hark to the wind and the rain._)
The tower is dark, and the doors are wide,
(_Flotsam and jetsam cast up by the sea,
The dead are at peace again._)
Into the harbour the fisher boats ride,
But two went out with the ebbing tide,
Without sail, without oar, full fast and free,
And the raven croaks in the rowan tree.
(_Hark to the wind and the rain._)
poem by Kate Seymour Maclean
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The Count Of Griers
FROM THE GERMAN OF UHLAND.
At morn the Count of Greiers before his castle stands;
He sees afar the glory that lights the mountain lands;
The horned crags are shining, and in the shade between
A pleasant Alpine valley lies beautifully green.
'Oh, greenest of the valleys, how shall I come to thee!
Thy herdsmen and thy maidens, how happy must they be!
I have gazed upon thee coldly, all lovely as thou art,
But the wish to walk thy pastures now stirs my inmost heart.'
He hears a sound of timbrels, and suddenly appear
A troop of ruddy damsels and herdsmen drawing near;
They reach the castle greensward, and gayly dance across;
The white sleeves flit and glimmer, the wreaths and ribands toss.
The youngest of the maidens, slim as a spray of spring,
She takes the young count's fingers, and draws him to the ring,
They fling upon his forehead a crown of mountain flowers,
'And ho, young Count of Greiers! this morning thou art ours!'
Then hand in hand departing, with dance and roundelay,
Through hamlet after hamlet, they lead the Count away.
They dance through wood and meadow, they dance across the linn,
Till the mighty Alpine summits have shut the music in.
The second morn is risen, and now the third is come;
Where stays the Count of Greiers? has he forgot his home?
Again the evening closes, in thick and sultry air;
There's thunder on the mountains, the storm is gathering there.
The cloud has shed its waters, the brook comes swollen down;
You see it by the lightning--a river wide and brown.
Around a struggling swimmer the eddies dash and roar,
Till, seizing on a willow, he leaps upon the shore.
'Here am I cast by tempests far from your mountain dell.
Amid our evening dances the bursting deluge fell.
Ye all, in cots and caverns, have 'scaped the water-spout,
While me alone the tempest o'erwhelmed and hurried out.
'Farewell, with thy glad dwellers, green vale among the rocks!
Farewell the swift sweet moments, in which I watched thy flocks!
Why rocked they not my cradle in that delicious spot,
That garden of the happy, where Heaven endures me not?
'Rose of the Alpine valley! I feel, in every vein,
Thy soft touch on my fingers; oh, press them not again!
Bewitch me not, ye garlands, to tread that upward track,
And thou, my cheerless mansion, receive thy master back.'
poem by William Cullen Bryant
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The Fairies
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain lake,
With frogs for their watch-dogs,
All night awake.
High on the hill-top
The old King sits;
He is now so old and gray
He's nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music
On cold starry nights
To sup with the Queen
Of the gay Northern Lights.
They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
They took her lightly back,
Between the night and morrow,
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lake,
On a bed of flag-leaves,
Watching till she wake.
By the craggy hill-side,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
If any man so daring
As dig them up in spite,
He shall find their sharpest thorns
In his bed at night.
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
poem by William Allingham
Submitted by Poetry Lover
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The Churchyard
HOW slowly creeps the hand of Time
On the old clock’s green-mantled face!
Yea, slowly as those ivies climb,
The hours roll round with patient pace;
The drowsy rooks caw on the tower,
The tame doves hover round and round;
Below, the slow grass hour by hour
Makes green God’s sleeping-ground.
All moves, but nothing here is swift;
The grass grows deep, the green boughs shoot;
From east to west the shadows drift;
The earth feels heavenward underfoot;
The slow stream through the bridge doth stray
With water-lilies on its marge,
And slowly, pil’d with scented hay,
Creeps by the silent barge.
All stirs, but nothing here is loud:
The cushat broods, the cuckoo cries;
Faint, far up, under a white cloud,
The lark trills soft to earth and skies;
And underneath the green graves rest;
And through the place, with slow footfalls,
With snowy cambric on his breast,
The old gray Vicar crawls.
And close at hand, to see him come,
Clustering at the playground gate,
The urchins of the schoolhouse, dumb
And bashful, hang the head and wait;
The little maidens curtsey deep,
The boys their forelocks touch meanwhile,
The Vicar sees them, half asleep,
And smiles a sleepy smile.
Slow as the hand on the clock’s face,
Slow as the white cloud in the sky,
He cometh now with tottering pace
To the old vicarage hard by:
Smother’d it stands in ivy leaves,
Laurels and yews make dark the ground;
The swifts that build beneath the eaves
Wheel in still circles round.
And from the portal, green and dark,
He glances at the church-clock old—
Gray soul! why seek his eyes to mark
The creeping of that finger cold?
He cannot see, but still as stone
He pauses, listening for the chime,
And hears from that green tower intone
The eternal voice of Time.
poem by William Cosmo Monkhouse
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Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.
When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.
Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'
So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.
When she raised her lustrous eyes
A beast peeped at the door;
When she downward cast her eyes
A fish gasped on the floor;
When she turned away her eyes
A bird perched on the sill,
Warbling out its heart of love,
Warbling warbling still,
With pathetic pleadings low.
Light-foot May with Megan
Sought the choicest spot,
Clothed with thyme-alternate grass:
Then, while day waxed hot,
Sat at ease to play and rest,
A gracious rest and play;
The loveliest maidens near or far,
When Margaret was away,
Who sat at home to sing and sew.
Sun-glow flushed their comely cheeks,
Wind-play tossed their hair,
Creeping things among the grass
Stroked them here and there;
Megan piped a merry note,
A fitful wayward lay,
While shrill as bird on topmost twig
Piped merry May;
Honey-smooth the double flow.
Sped a herdsman from the vale,
Mounting like a flame,
All on fire to hear and see,
With floating locks he came.
Looked neither north nor south,
Neither east nor west,
But sat him down at Megan's feet
As love-bird on his nest,
And wooed her with a silent awe,
With trouble not expressed;
She sang the tears into his eyes,
The heart out of his breast:
So he loved her, listening so.
She sang the heart out of his breast,
The words out of his tongue;
Hand and foot and pulse he paused
Till her song was sung.
Then he spoke up from his place
Simple words and true:
'Scanty goods have I to give,
Scanty skill to woo;
But I have a will to work,
And a heart for you:
Bid me stay or bid me go.'
Then Megan mused within herself:
'Better be first with him,
Than dwell where fairer Margaret sits,
Who shines my brightness dim,
For ever second where she sits,
However fair I be:
I will be lady of his love,
And he shall worship me;
I will be lady of his herds
And stoop to his degree,
At home where kids and fatlings grow.'
Sped a shepherd from the height
Headlong down to look,
(White lambs followed, lured by love
Of their shepherd's crook):
He turned neither east nor west,
Neither north nor south,
But knelt right down to May, for love
Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hill-side drouth;
Forgot himself for weal or woe.
Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs,
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But coos and coos thereof:
Thus the notes rang loud or low.
He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands,
Pointing here and there:
'See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care,
Your sweet song hath moved me so.'
In her fluttered heart young May
Mused a dubious while:
'If he loves me as he says'--
Her lips curved with a smile:
'Where Margaret shines like the sun
I shine but like a moon;
If sister Megan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids,
We may be brides at noon.'
Said Megan, 'Yes;' May said not 'No.'
Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
'My sisters loiter long.'
That sultry noon had waned away,
Shadows had waxen great:
'Surely,' she thought within herself,
'My sisters loiter late.'
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.
The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.
Waiting thus in weariness
She marked the nightingale
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring's in blow.
The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed,
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret's knees
Lord king of all that land,
To her highness bending low.
Every beast and bird and fish
Came mustering to the sound,
Every man and every maid
From miles of country round:
Megan on her herdsman's arm,
With her shepherd May,
Flocks and herds trooped at their heels
Along the hill-side way;
No foot too feeble for the ascent,
Not any head too grey;
Some were swift and none were slow.
So Margaret sang her sisters home
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep--
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;
Sang a golden-bearded king
Straightway to her feet,
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.
poem by Christina Georgina Rossetti
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Anna
Madness burns like a candle
Blustery night haunted with Anna
No clover or wild grass grows
No laughter sighs in the wind
Only the moan like a cemetery
The sea wrestles with ghosts
I have drowned in sorrow
Sanity has no wisdom of pain
Nestled in graves of ice
My heart lives in gray shadows
Threatened by brave self discovery
Blue skies are to be behind curtains
No paintings of ruby days of joy
Cobwebs and dust replete in the past
Only the tomb of sweet Anna will last
I have had enough of the light
Pastels have no place in my world
Red legions have come in purple
Don't bring me back - I am chosen
I have left willingly and sanity is evil
I hear her footsteps on the stairs
Curtain lace moves like her negligee
I know the dead live for they are near
Leave me to the kingdom of the past
Where Anna sleeps forever and forever
I have chosen this grand Gothic prison
I am free with glee sordid madness
Away from the world I seek darkness
Only Anna shall call me home
I have never met her but soon I shall
My doors are locked and shall not open
Gates as black as Byron’s steeds
Time is night when moonbeams swirl
Gossamer winds that make love to me
Dreams in dungeons where Anna cries
Etched ever deeply in my embittered heart
Is the sweet castle of Anna
poem by Joseph Narusiewicz
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Anna
Yestreen I had a pint o' wine,
A place where body saw na;
Yestreen lay on this breast o' mine
The gowden locks of Anna.
The hungry Jew in wilderness
Rejoicing o'er his manna
Was naething to my hiney bliss
Upon the lips of Anna.
Ye Monarchs take the East and West
Frae Indus to Savannah:
Gie me within my straining grasp
The melting form of Anna!
There I'll despise Imperial charms,
An empress or sultana,
While dying raptures in her arms,
I give an' take wi' Anna!
Awa, thou flaunting God of Day!
Awa, thou pale Diana!
Ilk star, gae hide thy twinkling ray,
When I'm to meet my Anna!
Come, in thy raven plumage, Night
(Sun, Moon, and Stars, withdrawn a')
And bring an Angel-pen to write
My transports with my Anna!
The Kirk an State may join, an tell
To do sic things I maunna:
The Kirk an State may gae to Hell,
And I'll gae to my Anna.
She is the sunshine o' my e'e,
To live but her I canna:
Had I on earth but wishes three,
The first should be my Anna.
poem by Robert Burns
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The Two Sides Of The River
The Youths.
O Winter, O white winter, wert thou gone
No more within the wilds were I alone
Leaping with bent bow over stock and stone!
No more alone my love the lamp should burn,
Watching the weary spindle twist and turn,
Or o’er the web hold back her tears and yearn:
O winter, O white winter, wert thou gone!
The Maidens.
Sweet thoughts fly swiftlier than the drifting snow,
And with the twisting threads sweet longings grow,
And o’er the web sweet pictures come and go,
For no white winter are we long alone.
The Youths.
O stream so changed, what hast thou done to me,
That I thy glittering ford no more can see
Wreathing with white her fair feet lovingly?
See, in the rain she stands, and, looking down
With frightened eyes upon thy whirlpools brown,
Drops to her feet again her girded gown.
O hurrying turbid stream, what hast thou done?
The Maidens.
The clouds lift, telling of a happier day
When through the thin stream I shall take my way,
Girt round with gold, and garlanded with may,
What rushing stream can keep us long alone?
The Youths.
O burning Sun, O master of unrest,
Why must we, toiling, cast away the best,
Now, when the bird sleeps by her empty nest?
See, with my garland lying at her feet,
In lonely labour stands mine own, my sweet,
Above the quern half-filled with half-ground wheat.
O red taskmaster, that thy flames were done!
The Maidens.
O love, to-night across the half-shorn plain
Shall I not go to meet the yellow wain,
A look of love at end of toil to gain?
What flaming sun can keep us long alone?
The Youths.
To-morrow, said I, is grape gathering o’er;
To-morrow, and our loves are twinned no more
To-morrow came, to bring us woe and war.
What have I done, that I should stand with these
Hearkening the dread shouts borne upon the breeze,
While she, far off, sits weeping ’neath her trees?
Alas, O kings, what is it ye have done?
The Maidens.
Come, love, delay not; come, and slay my dread!
Already is the banquet table spread;
In the cool chamber flower-strewn is my bed:
Come, love, what king shall keep us long alone?
The Youths.
O city, city, open thou thy gate!
See, with life snatched from out the hand of fate!
How on thy glittering triumph I must wait!
Are not her hands stretched out to me? Her eyes,
Grow they not weary as each new hope dies,
And lone before her still the long road lies?
O golden city, fain would I be gone!
The Maidens.
And thou art happy, amid shouts and songs,
And all that unto conquering men belongs.
Night hath no fear for me, and day no wrongs.
What brazen city gates can keep us, lone?
The Youths.
O long, long road, how bare thou art, and grey!
Hill after hill thou climbest, and the day
Is ended now, O moonlit endless way!
And she is standing where the rushes grow,
And still with white hand shades her anxious brow,
Though ’neath the world the sun is fallen now,
O dreary road, when will thy leagues be done?
The Maidens.
O tremblest thou, grey road, or do my feet
Tremble with joy, thy flinty face to meet?
Because my love’s eyes soon mine eyes shall greet?
No heart thou hast to keep us long alone.
The Youths.
O wilt thou ne’er depart, thou heavy night?
When will thy slaying bring on the morning bright,
That leads my weary feet to my delight?
Why lingerest thou, filling with wandering fears
My lone love’s tired heart; her eyes with tears
For thoughts like sorrow for the vanished years?
Weaver of ill thoughts, when wilt thou be gone?
The Maidens.
Love, to the east are thine eyes turned as mine,
In patient watching for the night’s decline?
And hast thou noted this grey widening line?
Can any darkness keep us long alone?
The Youth.
O day, O day, is it a little thing
That thou so long unto thy life must cling,
Because I gave thee such a welcoming?
I called thee king of all felicity,
I praised thee that thou broughtest joy so nigh;
Thine hours are turned to years, thou wilt not die;
O day so longed for, would that thou wert gone!
The Maidens.
The light fails, love; the long day soon shall be
Nought but a pensive happy memory
Blessed for the tales it told to thee and me.
How hard it was, O love, to be alone.
poem by William Morris
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Sonnet. On A Picture Of Leander
Come hither all sweet Maidens soberly
Down looking aye, and with a chasten'd light
Hid in the fringes of your eyelids white,
And meekly let your fair hands joined be,
As if so gentle that ye could not see,
Untouch'd, a victim of your beauty bright,
Sinking away to his young spirit's night,
Sinking bewilder'd 'mid the dreary sea.
'Tis young Leander toiling to his death.
Nigh swooning he doth purse his weary lips
For Hero's cheek, and smiles against her smile.
O horrid dream! see how his body dips
Dead-heavy; arms and shoulders gleam awhile;
He's gone; up bubbles all his amorous breath!
poem by John Keats
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Dennis Shand
THE shadows fall along the wall,
It's night at Haye-la-Serre;
The maidens weave since day grew eve,
The lady's in her chair.
O passing slow the long hours go
With time to think and sigh,
When weary maidens weave beneath
A listless lady's eye.
It's two days that Earl Simon's gone
And it's the second night;
At Haye-la-Serre the lady's fair,
In June the moon is light.
O it's “Maids, ye'll wake till I come back,”
And the hound's i' the lady's chair:
No shuttles fly, the work stands by,
It's play at Haye-la-Serre.
The night is worn, the lamp's forlorn,
The shadows waste and fail;
There's morning air at Haye-la-Serre,
The watching maids look pale.
O all unmarked the birds at dawn
Where drowsy maidens be;
But heard too soon the lark's first tune
Beneath the trysting tree.
“Hold me thy hand, sweet Dennis Shand,”
Says the Lady Joan de Haye,
“That thou to-morrow do forget
To-day and yesterday.
“For many a weary month to come
My lord keeps house with me,
And sighing summer must lie cold
In winter's company.
“And many an hour I'll pass thee by
And see thee and be seen;
Yet not a glance must tell by chance
How sweet these hours have been.
“We've all to fear; there's Maud the spy,
There's Ann whose face I scor'd,
There's Blanch tells Huot everything,
And Huot loves my lord.
“But O and it's my Dennis 'll know,
When my eyes look weary dim,
Who finds the gold for his girdle-fee
And who keeps love for him.”
The morrow's come and the morrow-night,
It's feast at Haye-la-Serre,
And Dennis Shand the cup must hand
Beside Earl Simon's chair.
And still when the high pouring's done
And cup and flagon clink,
Till his lady's lips have touched the brim
Earl Simon will not drink.
But it's, “Joan my wife,” Earl Simon says,
“Your maids are white and wan.”
And it's, “O,” she says, “they've watched the night
With Maud's sick sister Ann.”
But it's, “Lady Joan and Joan my bird,
Yourself look white and wan.”
And it's, “O, I've walked the night myself
To pull the herbs for Ann:
“And some of your knaves were at the hutch
And some in the cellarage,
But the only one that watched with us
Was Dennis Shand your page.
“Look on the boy, sweet honey lord,
How drooped his eyelids be:
The rosy colour's not yet back
That paled in serving me.”
O it's, “Wife, your maids are foolish jades,
And you're a silly chuck,
And the lazy knaves shall get their staves
About their ears for luck:
“But Dennis Shand may take the cup
And pour the wine to his hand;
Wife, thou shalt touch it with thy lips,
And drink thou, Dennis Shand!”
poem by Dante Gabriel Rossetti
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Laus Deo
IN the hall the coffin waits, and the idle armourer stands.
At his belt the coffin nails, and the hammer in his hands.
The bed of state is hung with crape--the grand old bed where she was
wed--
And like an upright corpse she sitteth gazing dumbly at the bed.
Hour by hour her serving-men enter by the curtain'd door,
And with steps of muffled woe pass breathless o'er the silent floor,
And marshal mutely round, and look from each to each with eyelids red;
'Touch him not,' she shriek'd and cried, 'he is but newly dead!'
'O my own dear mistress,' the ancient Nurse did say,
'Seven long days and seven long nights you have watch'd him where he
lay.'
'Seven long days and seven long nights,' the hoary Steward said;
'Seven long days and seven long nights,' groan'd the Warrener gray;
'Seven,' said the old Henchman, and bow'd his aged head;
'On your lives!' she shriek'd and cried, 'he is but newly dead!'
Then a father Priest they sought,
The Priest that taught her all she knew,
And they told him of her loss.
'For she is mild and sweet of will,
She loved him, and his words are peace,
And he shall heal her ill.'
But her watch she did not cease.
He bless'd her where she sat distraught,
And show'd her holy cross,--
The cross she kiss'd from year to year--
But she neither saw nor heard;
And said he in her deaf ear
All he had been wont to teach,
All she had been fond to hear,
Missall'd prayer, and solemn speech,
But she answer'd not a word.
Only when he turn'd to speak with those who wept about the bed,
'On your lives!' she shriek'd and cried, 'he is but newly dead!'
Then how sadly he turn'd from her, it were wonderful to tell,
And he stood beside the death-bed as by one who slumbers well,
And he lean'd o'er him who lay there, and in cautious whisper low,
'He is not dead, but sleepeth,' said the Priest, and smooth'd his
brow.
'Sleepeth?' said she, looking up, and the sun rose in her face!
'He must be better than I thought, for the sleep is very sound.'
'He is better,' said the Priest, and call'd her maidens round.
With them came that ancient dame who nursed her when a child;
O Nurse!' she sigh'd, 'O Nurse!' she cried 'O Nurse!' and then she
smiled,
And then she wept; with that they drew
About her, as of old;
Her dying eyes were sweet and blue,
Her trembling touch was cold;
But she said, 'My maidens true,
No more weeping and well-away;
Let them kill the feast.
I would be happy in my soul.
"He is better," saith the Priest;
He did but sleep the weary day,
And will waken whole.
Carry me to his dear side,
And let the halls be trim;
Whistly, whistly,' said she,
'I am wan with watching and wail,
He must not wake to see me pale,
Let me sleep with him.
See you keep the tryst for me,
I would rest till he awake
And rise up like a bride.
But whistly, whistly!' said she.
'Yet rejoice your Lord doth live;
And for His dear sake
Say Laus, Domine.'
Silent they cast down their eyes,
And every breast a sob did rive,
She lifted her in wild surprise
And they dared not disobey.
'Laus Deo,' said the Steward, hoary when her days were new;
'Laus Deo,' said the Warrener, whiter than the warren snows;
'Laus Deo,' the bald Henchman, who had nursed her on his knee.
The old Nurse moved her lips in vain,
And she stood among the train
Like a dead tree shaking dew.
Then the Priest he softly stept
Midway in the little band,
And he took the Lady's hand.
'Laus Deo,' he said aloud,
'Laus Deo,' they said again,
Yet again, and yet again,
Humbly cross'd and lowly bow'd,
Till in wont and fear it rose
To the Sabbath strain.
But she neither turn'd her head
Nor 'Whistly, whistly,' said she.
Her hands were folded as in grace,
We laid her with her ancient race
And all the village wept.
poem by Sydney Thompson Dobell
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The Elected Knight. From The Danish.
Sir Oluf he rideth over the plain,
Full seven miles broad and seven miles wide,
But never, ah never, can meet with the man,
A tilt with him dare ride.
He saw under the hill-side
A Knight full well equipped;
His steed was black, his helm was barred;
He was riding at full speed.
He wore upon his spurs
Twelve little golden birds;
Anon he spurred his steed with a clang,
And there sat all the birds and sang.
He wore upon his mail
Twelve little golden wheels;
Anon in eddies the wild wind blew,
And round and round the wheels they flew.
He wore before his breast
A lance that was poised in rest;
And it was sharper than diamond-stone.
It made Sir Oluf's heart to groan.
He wore upon his helm
A wreath of ruddy gold;
And that gave him the Maidens Three,
The youngest was fair to behold.
Sir Oluf questioned the Knight eftsoon
If he were come from heaven down;
'Art thou Christ of Heaven,' quoth he,
'So will I yield me unto thee.'
'I am not Christ the Great,
Thou shalt not yield thee yet;
I am an Unknown Knight,
Three modest maidens have me bedight.'
'Art thou a Knight elected,
And have three Maidens thee bedight;
So shalt thou ride a tilt this day,
For all the Maidens' honour!'
The first tilt they together rode
They put their steeds to the test;
The second tilt they together rode,
They proved their manhood best;
The third tilt they together rode,
Neither of them would yield;
The fourth tilt they together rode,
They both fell on the field.
Now lie the Lords upon the plain,
And their blood runs unto death:
Now sit the Maidens in the high tower,
The youngest sorrows till death.
poem by Henry Wadsworth Longfellow
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