
Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.
When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.
Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'
So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.
When she raised her lustrous eyes
A beast peeped at the door;
When she downward cast her eyes
A fish gasped on the floor;
When she turned away her eyes
A bird perched on the sill,
Warbling out its heart of love,
Warbling warbling still,
With pathetic pleadings low.
Light-foot May with Megan
Sought the choicest spot,
Clothed with thyme-alternate grass:
Then, while day waxed hot,
Sat at ease to play and rest,
A gracious rest and play;
The loveliest maidens near or far,
When Margaret was away,
Who sat at home to sing and sew.
Sun-glow flushed their comely cheeks,
Wind-play tossed their hair,
Creeping things among the grass
Stroked them here and there;
Megan piped a merry note,
A fitful wayward lay,
While shrill as bird on topmost twig
Piped merry May;
Honey-smooth the double flow.
Sped a herdsman from the vale,
Mounting like a flame,
All on fire to hear and see,
With floating locks he came.
Looked neither north nor south,
Neither east nor west,
But sat him down at Megan's feet
As love-bird on his nest,
And wooed her with a silent awe,
With trouble not expressed;
She sang the tears into his eyes,
The heart out of his breast:
So he loved her, listening so.
She sang the heart out of his breast,
The words out of his tongue;
Hand and foot and pulse he paused
Till her song was sung.
Then he spoke up from his place
Simple words and true:
'Scanty goods have I to give,
Scanty skill to woo;
But I have a will to work,
And a heart for you:
Bid me stay or bid me go.'
Then Megan mused within herself:
'Better be first with him,
Than dwell where fairer Margaret sits,
Who shines my brightness dim,
For ever second where she sits,
However fair I be:
I will be lady of his love,
And he shall worship me;
I will be lady of his herds
And stoop to his degree,
At home where kids and fatlings grow.'
Sped a shepherd from the height
Headlong down to look,
(White lambs followed, lured by love
Of their shepherd's crook):
He turned neither east nor west,
Neither north nor south,
But knelt right down to May, for love
Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hill-side drouth;
Forgot himself for weal or woe.
Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs,
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But coos and coos thereof:
Thus the notes rang loud or low.
He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands,
Pointing here and there:
'See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care,
Your sweet song hath moved me so.'
In her fluttered heart young May
Mused a dubious while:
'If he loves me as he says'--
Her lips curved with a smile:
'Where Margaret shines like the sun
I shine but like a moon;
If sister Megan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids,
We may be brides at noon.'
Said Megan, 'Yes;' May said not 'No.'
Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
'My sisters loiter long.'
That sultry noon had waned away,
Shadows had waxen great:
'Surely,' she thought within herself,
'My sisters loiter late.'
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.
The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.
Waiting thus in weariness
She marked the nightingale
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring's in blow.
The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed,
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret's knees
Lord king of all that land,
To her highness bending low.
Every beast and bird and fish
Came mustering to the sound,
Every man and every maid
From miles of country round:
Megan on her herdsman's arm,
With her shepherd May,
Flocks and herds trooped at their heels
Along the hill-side way;
No foot too feeble for the ascent,
Not any head too grey;
Some were swift and none were slow.
So Margaret sang her sisters home
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep--
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;
Sang a golden-bearded king
Straightway to her feet,
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.
poem by Christina Georgina Rossetti

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Related quotes

Amen
It is over. What is over?
Nay, now much is over truly!—
Harvest days we toiled to sow for;
Now the sheaves are gathered newly,
Now the wheat is garnered duly.
It is finished. What is finished?
Much is finished known or unknown:
Lives are finished; time diminished;
Was the fallow field left unsown?
Will these buds be always unblown?
It suffices. What suffices?
All suffices reckoned rightly:
Spring shall bloom where now the ice is,
Roses make the bramble sightly,
And the quickening sun shine brightly,
And the latter wind blow lightly,
And my garden teem with spices.
Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Meggan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.
When Meggan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.
Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Meggan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way
You and I are used to go.'
So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.
When she raised her lustrous eyes
A beast peeped at the door;
When she downward cast her eyes
A fish gasped on the floor;
When she turned away her eyes
A bird perched on the sill,
Warbling out its heart of love,
Warbling warbling still,
With pathetic pleadings low.
Light-foot May with Meggan
Sought the choicest spot,
Clothed with thyme-alternate grass:
Then, while day waxed hot,
Sat at ease to play and rest,
A gracious rest and play;
The loveliest maidens near or far,
When Margaret was away,
Who sat at home to sing and sew.
Sun-glow flushed their comely cheeks,
Wind-play tossed their hair,
Creeping things among the grass
Stroked them here and there;
Meggan piped a merry note,
A fitful wayward lay,
While shrill as bird on topmost twig
Piped merry May;
Honey-smooth the double flow.
Sped a herdsman from the vale,
Mounting like a flame,
All on fire to hear and see,
With floating locks he came.
Looked neither north nor south,
Neither east nor west,
But sat him down at Meggan's feet
As love-bird on his nest,
And wooed her with a silent awe,
With trouble not expressed;
She sang the tears into his eyes,
The heart out of his breast:
So he loved her, listening so.
She sang the heart out of his breast,
The words out of his tongue;
Hand and foot and pulse he paused
Till her song was sung.
Then he spoke up from his place
Simple words and true:
'Scanty goods have I to give,
Scanty skill to woo;
But I have a will to work,
And a heart for you:
Bid me stay or bid me go.'
Then Meggan mused within herself:
'Better be first with him,
Than dwell where fairer Margaret sits,
Who shines my brightness dim,
For ever second where she sits,
However fair I be:
I will be lady of his love,
And he shall worship me;
I will be lady of his herds
And stoop to his degree,
At home where kids and fatlings grow.'
Sped a shepherd from the height
Headlong down to look,
(White lambs followed, lured by love
Of their shepherd's crook):
He turned neither east nor west,
Neither north nor south,
But knelt right down to May, for love
Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hill-side drouth;
Forgot himself for weal or woe.
Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs,
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But coos and coos thereof:
Thus the notes rang loud or low.
He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands,
Pointing here and there:
'See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care,
Your sweet song hath moved me so.'
In her fluttered heart young May
Mused a dubious while:
'If he loves me as he says'—
Her lips curved with a smile:
'Where Margaret shines like the sun
I shine but like a moon;
If sister Meggan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids,
We may be brides at noon.'
Said Meggan, 'Yes;' May said not 'No.'
Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
'My sisters loiter long.'
That sultry noon had waned away,
Shadows had waxen great:
'Surely,' she thought within herself,
'My sisters loiter late.'
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.
The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.
Waiting thus in weariness
She marked the nightingale
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring's in blow.
The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed,
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret's knees
Lord king of all that land,
To her highness bending low.
Every beast and bird and fish
Came mustering to the sound,
Every man and every maid
From miles of country round:
Meggan on her herdsman's arm,
With her shepherd May,
Flocks and herds trooped at their heels
Along the hill-side way;
No foot too feeble for the ascent,
Not any head too grey;
Some were swift and none were slow.
So Margaret sang her sisters home
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep—
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;
Sang a golden-bearded king
Straightway to her feet,
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.
JESSIE CAMERON
'Jessie, Jessie Cameron,
Hear me but this once,' quoth he.
'Good luck go with you, neighbor's son,
But I'm no mate for you,' quoth she.
Day was verging toward the night
There beside the moaning sea,
Dimness overtook the light
There where the breakers be.
'O Jessie, Jessie Cameron,
I have loved you long and true.'—
'Good luck go with you, neighbor's son,
But I'm no mate for you.'
She was a careless, fearless girl,
And made her answer plain,
Outspoken she to earl or churl,
Kindhearted in the main,
But somewhat heedless with her tongue,
And apt at causing pain;
A mirthful maiden she and young,
Most fair for bliss or bane.
'Oh, long ago I told you so,
I tell you so to-day:
Go you your way, and let me go
Just my own free way.'
The sea swept in with moan and foam,
Quickening the stretch of sand;
They stood almost in sight of home;
He strove to take her hand.
'Oh, can't you take your answer then,
And won't you understand?
For me you're not the man of men,
I've other plans are planned.
You're good for Madge, or good for Cis,
Or good for Kate, may be:
But what's to me the good of this
While you're not good for me?'
They stood together on the beach,
They two alone,
And louder waxed his urgent speech,
His patience almost gone:
'Oh, say but one kind word to me,
Jessie, Jessie Cameron.'—
'I'd be too proud to beg,' quoth she,
And pride was in her tone.
And pride was in her lifted head,
And in her angry eye
And in her foot, which might have fled,
But would not fly.
Some say that he had gipsy blood;
That in his heart was guile:
Yet he had gone through fire and flood
Only to win her smile.
Some say his grandam was a witch,
A black witch from beyond the Nile,
Who kept an image in a niche
And talked with it the while.
And by her hut far down the lane
Some say they would not pass at night,
Lest they should hear an unked strain
Or see an unked sight.
Alas, for Jessie Cameron!—
The sea crept moaning, moaning nigher:
She should have hastened to begone,—
The sea swept higher, breaking by her:
She should have hastened to her home
While yet the west was flushed with fire,
But now her feet are in the foam,
The sea-foam, sweeping higher.
O mother, linger at your door,
And light your lamp to make it plain,
But Jessie she comes home no more,
No more again.
They stood together on the strand,
They only, each by each;
Home, her home, was close at hand,
Utterly out of reach.
Her mother in the chimney nook
Heard a startled sea-gull screech,
But never turned her head to look
Towards the darkening beach:
Neighbours here and neighbours there
Heard one scream, as if a bird
Shrilly screaming cleft the air:—
That was all they heard.
Jessie she comes home no more,
Comes home never;
Her lover's step sounds at his door
No more forever.
And boats may search upon the sea
And search along the river,
But none know where the bodies be:
Sea-winds that shiver,
Sea-birds that breast the blast,
Sea-waves swelling,
Keep the secret first and last
Of their dwelling.
Whether the tide so hemmed them round
With its pitiless flow,
That when they would have gone they found
No way to go;
Whether she scorned him to the last
With words flung to and fro,
Or clung to him when hope was past,
None will ever know:
Whether he helped or hindered her,
Threw up his life or lost it well,
The troubled sea, for all its stir
Finds no voice to tell.
Only watchers by the dying
Have thought they heard one pray
Wordless, urgent; and replying
One seem to say him nay:
And watchers by the dead have heard
A windy swell from miles away,
With sobs and screams, but not a word
Distinct for them to say:
And watchers out at sea have caught
Glimpse of a pale gleam here or there,
Come and gone as quick as thought,
Which might be hand or hair.
poem by Christina Georgina Rossetti

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The Poet's Song
I HID in the world and sang,
And I sang so loud and long
That all the ages rang
With the music of my song.
I sang of the earth and sky,
5
I sang of the whispering seas,
I sang of the mountains high,
And I sang of the flowers and trees;
I sang of the early spring,
I sang of the dawning day,
10
I sang, for I had to sing
As the young lambs have to play;
Till heaven and earth were ringing,
And all the people heard,
And they said, "We love his singing,
15
For his song is the song of the bird."
poem by Frederick George Scott

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Spring Dirge
A child came singing through the dusty town
A song so sweet that all men stayed to hear,
Forgetting for a space their ancient fear
Of evil days and death and fortune’s frown.
She sang of Winter dead and Spring new-born
In the green fields beyond the far hills’ bound;
And how this fair Spring, coming blossom-crowned,
Would cross the city’s threshold on the morn.
And each caged bird in every house anigh,
Even as she sang, caught up the glad refrain
Of Love and Hope and fair days come again,
Till all who heard forgot they had to die.
And all the ghosts of buried woes were laid
That heard the song of this sweet sorceress;
The Past grew to a dream of old distress,
And merry were the hearts of man and maid.
So, at the first faint blush of tender dawn,
Spring stole with noiseless steps through the gray gloom,
And men knew only by a strange perfume
That she had softly entered and withdrawn.
But ah! the lustre of her violet eyes
Was dimmed with tears for her sweet singing maid,
Whose voice would sound no more in shine or shade
To charm men’s souls at set of sun or rise.
For there, with dews of dawn upon her hair,
Like a fair flower plucked and flung away,
Dead in the street the little maiden lay
Who gave new life to hearts nigh dead of care.
Alas! must this be still the bitter doom
Awaiting those, the finer-souled of earth,
Who make for men a morning song of mirth
While yet the birds are dumb amid the gloom?
They walk on thorny ways with feet unshod,
Sing one last song, and die as that song dies.
There is no human hand to close their eyes,
And very heavy is the hand of God.
poem by Victor James Daley

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I woke up to a lullaby
I woke up to a lullaby
The birds sang a song for me
They sang their hearts out all the while
Dancing on the maple tree
Each bird sang a different song
That melted into one
A song full of promises
For the day that’s just begun
They sang of sorrow
Of happiness and mirth
The sang of marriage
And of birth
They sang of people laughing
And of them crying
They sang of sickness
They sang of dying
This little song
They sang for me
Made me think
Made me free

The Voice
One feather is a bird,
I claim; one tree, a wood;
In her low voice I heard
More than a mortal should;
And so I stood apart,
Hidden in my own heart.
And yet I roamed out where
Those notes went, like the bird,
Whose thin song hung in air,
Diminished, yet still heard:
I lived with open sound,
Aloft, and on the ground.
That ghost was my own choice,
The shy cerulean bird;
It sang with her true voice,
And it was I who heard
A slight voice reply;
I heard; and only I.
Desire exults the ear:
Bird, girl, and ghostly tree,
The earth, the solid air--
Their slow song sang in me;
The long noon pulsed away,
Like any summer day.
poem by Theodore Roethke

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Remembered
She sang, and I listened the whole song thro'.
(It was sweet, so sweet, the singing.)
The stars were out and the moon it grew
From a wee soft glimmer way out in the blue
To a bird thro' the heavens winging.
She sang, and the song trembled down to my breast,--
(It was sweet, so sweet the singing.)
As a dove just out of its fledgling nest,
And, putting its wings to the first sweet test,
Flutters homeward so wearily winging.
She sang and I said to my heart 'That song,
That was sweet, so sweet i' the singing,
Shall live with us and inspire us long,
And thou, my heart, shalt be brave and strong
For the sake of those words a-winging.'
The woman died and the song was still.
(It was sweet, so sweet, the singing.)
But ever I hear the same low trill,
Of the song that shakes my heart with a thrill,
And goes forever winging.
poem by Paul Laurence Dunbar

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Angel On My Shoulder
There's an angel on my shoulder,
asking me whats wrong?
and as i speak the words to her
she starts to sing a song
This song she sings is powerfull
yet its the saddest song you'll hear.
She sings a song of pain and love,
even the angel has a tear.
She sang of how she found true love,
and how she let it go.
she sang of how she pushed aside
the only love she'd know
she sang of how she pushed him away
to find another love thats true
she sang of how she looked at him
as he spoke the words 'thats you'
She never faulted in her words
as she sang and as she cried
for as she sang she told me
of how her true love died
She said he died of a broken heart
that only she could mend
her true love died because of her
his true love and friend
as the angel sang her final words
she looked at me and said
Kolee this is not my song
but your true loves instead
There's an angel on my shoulder
asking me whats wrong
asking me to love you,
and to never hear your song.
poem by Angel of Darkness

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The River Sings
The river sings
A voice rises above
Fairer than the water, rings
I know you well
For the river has told
All there is to tell
It sung of a maiden
Fair as the water’s song
Her heart heavy laden
Though she sang
Her song was sorrowed
In voice the sadness rang
No words were needed
The river knew
Her voice it heeded
She walked alone
Her gaiety was lost
River, her only home
She listened to the water
Telling a story
Calling her River Daughter
The river sang, through day and night
Sang for her, the only listener
She joined the song, through dark and light
She called to her lover
Come free me!
Called with song and river
poem by Rachel Harris

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Of The Wooing Of Halbiorn The Strong
A STORY FROM THE LAND-SETTLING BOOK OF ICELAND, CHAPTER XXX.
At Deildar-Tongue in the autumn-tide,
So many times over comes summer again,
Stood Odd of Tongue his door beside.
What healing in summer if winter be vain?
Dim and dusk the day was grown,
As he heard his folded wethers moan.
Then through the garth a man drew near,
With painted shield and gold-wrought spear.
Good was his horse and grand his gear,
And his girths were wet with Whitewater.
“Hail, Master Odd, live blithe and long!
How fare the folk at Deildar-Tongue?”
“All hail, thou Hallbiorn the Strong!
How fare the folk by the Brothers’-Tongue?”
“Meat have we there, and drink and fire,
Nor lack all things that we desire.
But by the other Whitewater
Of Hallgerd many a tale we hear.”
“Tales enow may my daughter make
If too many words be said for her sake.”
“What saith thine heart to a word of mine,
That I deem thy daughter fair and fine?
Fair and fine for a bride is she,
And I fain would have her home with me.”
“Full many a word that at noon goes forth
Comes home at even little worth.
Now winter treadeth on autumn-tide,
So here till the spring shalt thou abide.
Then if thy mind be changed no whit,
And ye still will wed, see ye to it!
And on the first of summer days,
A wedded man, ye may go your ways.
Yet look, howso the thing will fall,
My hand shall meddle nought at all.
Lo, now the night and rain draweth up,
And within doors glimmer stoop and cup.
And hark, a little sound I know,
The laugh of Snaebiorn’s fiddle-bow,
My sister’s son, and a craftsman good,
When the red rain drives through the iron wood.”
Hallbiorn laughed, and followed in,
And a merry feast there did begin.
Hallgerd’s hands undid his weed,
Hallgerd’s hands poured out the mead.
Her fingers at his breast he felt,
As her hair fell down about his belt.
Her fingers with the cup he took,
And o’er its rim at her did look.
Cold cup, warm hand, and fingers slim,
Before his eyes were waxen dim.
And if the feast were foul or fair,
He knew not, save that she was there.
He knew not if men laughed or wept,
While still ’twixt wall and dais she stept.
Whether she went or stood that eve,
Not once his eyes her face did leave.
But Snaebiorn laughed and Snaebiorn sang,
And sweet his smitten fiddle rang.
And Hallgerd stood beside him there,
So many times over comes summer again,
Nor ever once he turned to her,
What healing in summer if winter be vain?
Master Odd on the morrow spake,
So many times over comes summer again.
Hearken, O guest, if ye be awake,”
What healing in summer if winter be vain?
“Sure ye champions of the south
Speak many things from a silent mouth.
And thine, meseems, last night did pray
That ye might well be wed to-day.
The year’s ingathering feast it is,
A goodly day to give thee bliss.
Come hither, daughter, fine and fair,
Here is a Wooer from Whitewater.
East away hath he gotten fame,
And his father’s name is e’en my names.
Will ye lay hand within his hand,
That blossoming fair our house may stand?”
She laid her hand within his hand;
White she was as the lily wand.
Low sang Snaebiorn’s brand in its sheath,
And his lips were waxen grey as death.
“Snaebiorn, sing us a song of worth,
If your song must be silent from now henceforth.”
Clear and loud his voice outrang,
And a song of worth at the wedding he sang.
“Sharp sword,” he sang, “and death is sure.”
So many times over comes summer again,
“But love doth over all endure.”
What healing in summer if winter be vain?
Now winter cometh and weareth away,
So many times over comes summer again,
And glad is Hallbiorn many a day.
What healing in summer if winter be vain?
Full soft he lay his love beside;
But dark are the days of wintertide.
Dark are the days, and the nights are long,
And sweet and fair was Snaebiorn’s song.
Many a time he talked with her,
Till they deemed the summer-tide was there.
And they forgat the wind-swept ways
And angry fords of the flitting-days.
While the north wind swept the hillside there
They forgat the other Whitewater.
While nights at Deildar-Tongue were long,
They clean forgat the Brothers’-Tongue.
But whatso falleth ’twixt Hell and Home,
So many times over comes summer again,
Full surely again shall summer come.
What healing in summer if winter be vain?
To Odd spake Hallbiorn on a day
So many times over comes summer again,
“Gone is the snow from everyway.”
What healing in summer if winter be vain?
Now green is grown Whitewater-side,
And I to Whitewater will ride.”
Quoth Odd, “Well fare thou winter-guest,
May thine own Whitewater be best.
Well is a man’s purse better at home
Than open where folk go and come.”
“Come ye carles of the south country,
Now shall we go our kin to see!
For the lambs are bleating in the south,
And the salmon swims towards Olfus mouth.
Girth and graithe and gather your gear!
And ho for the other Whitewater!”
Bright was the moon as bright might be,
And Snaebiorn rode to the north country.
And Odd to Reykholt is gone forth,
To see if his mares be ought of worth.
But Hallbiorn into the bower is gone
And there sat Hallgerd all alone.
She was not dight to go nor ride
She had no joy of the summer-tide.
Silent she sat and combed her hair,
That fell all round about her there.
The slant beam lay upon her head,
And gilt her golden locks to red.
He gazed at her with hungry eyes
And fluttering did his heart arise.
“Full hot,” he said, “is the sun to-day,
And the snow is gone from the mountain-way.
The king-cup grows above the grass,
And through the wood do the thrushes pass.”
Of all his words she hearkened none,
But combed her hair amidst the sun.
“The laden beasts stand in the garth
And their heads are turned to Helliskarth.”
The sun was falling on her knee,
And she combed her gold hair silently.
“To-morrow great will be the cheer
At the Brothers’-Tongue by Whitewater.”
From her folded lap the sunbeam slid;
She combed her hair, and the word she hid.
“Come, love; is the way so long and drear
From Whitewater to Whitewater?”
The sunbeam lay upon the floor;
She combed her hair and spake no more.
He drew her by the lily hand:
“I love thee better than all the land.”
He drew her by the shoulders sweet:
“My threshold is but for thy feet.”
He drew her by the yellow hair:
“O why wert thou so deadly fair?
“O am I wedded to death?” he cried
“Is the Dead-strand come to Whitewater side?”
And the sun was fading from the room,
But her eyes were bright in the change and the gloom.
“Sharp sword,” she sang, “and death is sure,
But over all doth love endure.”
She stood up shining in her place
And laughed beneath his deadly face.
Instead of the sunbeam gleamed a brand,
The hilts were hard in Hallbiorn’s hand:
The bitter point was in Hallgerd’s breast
That Snaebiorn’s lips of love had pressed.
Morn and noon, and nones passed o’er,
And the sun is far from the bower door.
To-morrow morn shall the sun come back,
So many times over comes summer again,
But Hallgerd’s feet the floor shall lack.
What healing in summer if winter be vain?
Now Hallbiorn’s house-carles ride full fast,
So many times over comes summer again,
Till many a mile of way is past.
What healing in summer if winter be vain?
But when they came over Oxridges,
’Twas, “Where shall we give our horses ease?”
When Shieldbroad-side was well in sight,
’Twas, “Where shall we lay our heads to-night?”
Hallbiorn turned and raised his head;
“Under the stones of the waste,” he said.
Quoth one, “The clatter of hoofs anigh.”
Quoth the other, “Spears against the sky!”
“Hither ride men from the Wells apace;
Spur we fast to a kindlier place.”
Down from his horse leapt Hallbiorn straight:
“Why should the supper of Odin wait?
Weary and chased I will not come
To the table of my fathers’ home.”
With that came Snaebiorn, who but he,
And twelve in all was his company.
Snaebiorn’s folk were on their feet;
He spake no word as they did meet.
They fought upon the northern hill:
Five are the howes men see there still.
Three men of Snaebiorn’s fell to earth
And Hallbiorn’s twain that were of worth.
And never a word did Snaebiorn say,
Till Hallbiorn’s foot he smote away.
Then Hallbiorn cried: “Come, fellow of mine,
To the southern bent where the sun doth shine.”
Tottering into the sun he went,
And slew two more upon the bent.
And on the bent where dead he lay
Three howes do men behold to-day.
And never a word spake Snaebiorn yet,
Till in his saddle he was set.
Nor was there any heard his voice,
So many times over comes summer again,
Till he came to his ship in Grimsar-oyce.
What healing in summer if winter be vain?
On so fair a day they hoisted sail,
So many times over comes summer again,
And for Norway well did the wind avail.
What healing in summer if winter be vain?
But Snaebiorn looked aloft and said:
“I see in the sail a stripe of red:
Murder, meseems, is the name of it
And ugly things about it flit.
A stripe of blue in the sail I see:
Cold death of men it seems to me.
And next I see a stripe of black,
For a life fulfilled of bitter lack.”
Quoth one, “So fair a wind doth blow
That we shall see Norway soon enow.”
“Be blithe, O shipmate,” Snaebiorn said,
“Tell Hacon the Earl that I be dead.”
About the midst of the Iceland main
Round veered the wind to the east again.
And west they drave, and long they ran
Till they saw a land was white and wan.
“Yea,” Snaebiorn said, “my home it is,
Ye bear a man shall have no bliss.
Far off beside the Greekish sea
The maidens pluck the grapes in glee.
Green groweth the wheat in the English land
And the honey-bee flieth on every hand.
In Norway by the cheaping town
The laden beasts go up and down.
In Iceland many a mead they mow
And Hallgerd’s grave grows green enow.
But these are Gunnbiorn’s skerries wan
Meet harbour for a hapless man.
In all lands else is love alive,
But here is nought with grief to strive.
Fail not for a while, O eastern wind,
For nought but grief is left behind.
And before me here a rest I know,”
So many times over comes summer again,
“A grave beneath the Greenland snow,”
What healing in summer if winter be vain?
poem by William Morris

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The Three Songs
The poet sang of a battle-field
Where doughty deeds were done,
Where stout blows rang on helm and shield
And a kingdom's fate was spun
With the scarlet thread of victory,
And honor from death's grim revelry
Like a flame-red flower was won!
So bravely he sang that all who heard
With the sting of the fight and the triumph were stirred,
And they cried, "Let us blazon his name on high,
He has sung a song that will never die!"
Again, full throated, he sang of fame
And ambition's honeyed lure,
Of the chaplet that garlands a mighty name,
Till his listeners fired with the god-like flame
To do, to dare, to endure!
The thirsty lips of the world were fain
The cup of glamor he vaunted to drain,
And the people murmured as he went by,
"He has sung a song that will never die !"
And once more he sang, all low and apart,
A song of the love that was born in his heart:
Thinking to voice in unfettered strain
Its sweet delight and its sweeter pain;
Nothing he cared what the throngs might say
Who passed him unheeding from day to day,
For he only longed with his melodies
The soul of the one beloved to please.
The song of war that he sang is as naught,
For the field and its heroes are long forgot,
And the song he sang of fame and power
Was never remembered beyond its hour!
Only to-day his name is known
By the song he sang apart and alone,
And the great world pauses with joy to hear
The notes that were strung for a lover's ear.
poem by Lucy Maud Montgomery

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The Swamp
FOR one whole day and a long night through
We made our camp
In a she-oak grove by a coastal swamp.
Our tent gleamed white in the she-oak trees,
Whose falling hair
Made a soft, brown mist in the sweet blue air.
A sound subdued from their tresses rose —
A moan, a sigh
As of unseen seas, when the breeze went by.
'Twas wattle-time, and the scented bloom,
New lit and young,
In a mass of gold from the still trees hung.
There music dwelt, and a splendour moved
Through all the day
From the green of dawn to the twilight gray.
For careless ever, like one who goes
Where Joyance leads,
Sang the little reed-bird in the tall, green reeds.
Blue, swift and slender the dragonflies
A-hawking flew,
And a hawk hung poised in the burning blue.
A crane, slow-flapping its great wings, passed
Across the scene,
And a parrot jewelled the leafy screen.
In twos and threes from the hills around
The peewits came,
And the brush-flower burnt like a crimson flame.
On ti-tree trunk and on frond and log
The lizards slept,
While the sun moved west, and the shadows crept.
The sun moved west, and the tall hills sent
Broad shadows east,
And the reed-bird's song in the reed-beds ceased.
Then fell a hush, and within that hush
Rose, clear and shrill,
A cicada note on a distant hill.
A note of farewell, it seemed to us,
Its singing bore;
And the night came down, and it sang no more.
Night came with shadows and fitful gleams
And mist and damp,
And our fire burned red by the coastal swamp.
Then life not known of the daytime woke —
That life that preys
On the feathered things of the leafy ways.
We heard feet moving, and velvet wings
On swamp and height,
And a dingo howling across the night.
As, faces lit by the red camp-fire,
We mused enthralled.
Like a lone, lost spirit a curlew called;
Brown crickets sang in the moisty mould,
And every breeze
Drew a moaning note from the she-oak trees.
And all night long, as they swayed and moaned,
Strange fancies woke,
And we could not rest for the things they spoke.
Thus much and more through the hours we saw;
Thus much we heard
In that place of blossom and tree and bird.
Since then gold wattles have bloomed and bloomed,
And moons aloft
In the sky have wizened and waned full oft.
And yet, at times, when the night is still,
In dreams I tramp
Through the white sand-dunes to that coastal camp.
poem by Roderic Quinn

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Sonnets XLIX: L: LI: LII: Willowwood
I
I sat with Love upon a woodside well,
Leaning across the water, I and he;
Nor ever did he speak nor looked at me,
But touched his lute wherein was audible
The certain secret thing he had to tell:
Only our mirrored eyes met silently
In the low wave; and that sound came to be
The passionate voice I knew; and my tears fell.
And at their fall, his eyes beneath grew hers;
And with his foot and with his wing-feathers
He swept the spring that watered my heart's drouth.
Then the dark ripples spread to waving hair,
And as I stooped, her own lips rising there
Bubbled with brimming kisses at my mouth.
II
And now Love sang: but his was such a song,
So meshed with half-remembrance hard to free,
As souls disused in death's sterility
May sing when the new birthday tarries long.
And I was made aware of a dumb throng
That stood aloof, one form by every tree,
All mournful forms, for each was I or she,
The shades of those our days that had no tongue.
They looked on us, and knew us and were known;
While fast together, alive from the abyss,
Clung the soul-wrung implacable close kiss;
And pity of self through all made broken moan
Which said “For once, for once, for once alone!”
And still Love sang, and what he sang was this:—
III
“O Ye, all ye that walk in Willowwood,
That walk with hollow faces burning white;
What fathom-depth of soul-struck widowhood,
What long, what longer hours, one lifelong night,
Ere ye again, who so in vain have wooed
Your last hope lost, who so in vain invite
Your lips to that their unforgotten food,
Ere ye, ere ye again shall see the light!
Alas! the bitter banks in Willowwood,
With tear-spurge wan, with blood-wort burning red:
Alas! if ever such a pillow could
Steep deep the soul in sleep till she were dead,—
Better all life forget her than this thing,
That Willowwood should hold her wandering!”
IV
So sang he: and as meeting rose and rose
Together cling through the wind's wellaway
Nor change at once, yet near the end of day
The leaves drop loosened where the heart-stain glows,—
So when the song died did the kiss unclose;
And her face fell back drowned, and was as grey
As its grey eyes; and if it ever may
Meet mine again I know not if Love knows.
Only I know that I leaned low and drank
A long draught from the water where she sank,
Her breath and all her tears and all her soul:
And as I leaned, I know I felt Love's face
Pressed on my neck with moan of pity and grace,
Till both our heads were in his aureole.
poem by Dante Gabriel Rossetti

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An Interlude
IN the greenest growth of the Maytime,
I rode where the woods were wet,
Between the dawn and the daytime;
The spring was glad that we met.
There was something the season wanted,
Though the ways and the woods smelt sweet;
The breath at your lips that panted,
The pulse of the grass at your feet.
You came, and the sun came after,
And the green grew golden above;
And the flag-flowers lightened with laughter,
And the meadow-sweet shook with love.
Your feet in the full-grown grasses
Moved soft as a weak wind blows;
You passed me as April passes,
With face made out of a rose.
By the stream where the stems were slender,
Your bright foot paused at the sedge;
It might be to watch the tender
Light leaves in the springtime hedge,
On boughs that the sweet month blanches
With flowery frost of May:
It might be a bird in the branches,
It might be a thorn in the way.
I waited to watch you linger
With foot drawn back from the dew,
Till a sunbeam straight like a finger
Struck sharp through the leaves at you.
And a bird overhead sang Follow,
And a bird to the right sang Here;
And the arch of the leaves was hollow,
And the meaning of May was clear.
I saw where the sun’s hand pointed,
I knew what the bird’s note said;
By the dawn and the dewfall anointed,
You were queen by the gold on your head.
As the glimpse of a burnt-out ember
Recalls a regret of the sun,
I remember, forget, and remember
What Love saw done and undone.
I remember the way we parted,
The day and the way we met;
You hoped we were both broken-hearted,
And knew we should both forget.
And May with her world in flower
Seemed still to murmur and smile
As you murmured and smiled for an hour;
I saw you turn at the stile.
A hand like a white wood-blossom
You lifted, and waved, and passed,
With head hung down to the bosom,
And pale, as it seemed, at last.
And the best and the worst of this is
That neither is most to blame
If you’ve forgotten my kisses
And I’ve forgotten your name.
poem by Algernon Charles Swinburne

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The Two Keys
There was a Boy, long years ago,
Who hour by hour awake would lie,
And watch the white moon gliding slow
Along her pathway in the sky.
And every night as thus he lay
Entranced in lonely fantasy,
Borne swiftly on a bright moon-ray
There came to him a Golden Key.
And with that Golden Key the Boy
Oped every night a magic door
That to a melody of Joy
Turned on its hinges evermore.
Then, trembling with delight and awe,
When he the charmèd threshold crossed,
A radiant corridor he saw—
Its end in dazzling distance lost.
Great windows shining in a row
Lit up the wondrous corridor,
And each its own rich light did throw
In stream resplendent on the floor.
One window showed the Boy a scene
Within a forest old and dim,
Where fairies danced upon the green
And kissed their little hands to him.
Sweet strains of elfin harp and horn
He heard so clearly sounding there,
And he to Wonderland was borne
And breathed its soft enchanted air.
Then, passing onward with the years,
He turned his back on Elf and Fay,
And sadly sweet, as if in tears,
The fairy music died away.
The second window held him long:
It looked upon a field of fight
Whereon the countless hordes of Wrong
Fought fiercely with the friends of Right.
And, lo! upon that fateful field,
Where cannon thundered, banners streamed,
And rushing squadrons rocked and reeled,
His sword a star of battle gleamed.
And when the hordes of Wrong lay still,
And that great fight was fought and won,
He stood, bright-eyed, upon a hill,
His white plume shining in the sun.
A glorious vision! yet behind
He left it with its scarlet glow,
And faint and far upon the wind
He heard the martial trumpets blow.
For to his listening ear was borne
A music more entrancing far
Than strains of elfin harp or horn,
More thrilling than the trump of war.
No longer as a dreamy boy
He trod the radiant corridor:
His young man’s heart presaged a joy
More dear than all the joys of yore.
To that third window, half in awe,
He moved, and slowly raised his eyes—
And was it earth grown young he saw?
Or was it man’s lost Paradise?
For all the flowers that ever bloomed
Upon the earth, and all the rare
Sweet Loveliness by Time entombed,
Seemed blushing, blooming, glowing there.
And every mellow-throated bird
That ever sang the trees among
Seemed singing there, with one sweet word—
“Love! Love!” on every little tongue.
Then he by turns grew rosy-red,
And he by turns grew passion-pale.
“Sweet Love!” the lark sang overhead,
“Sweet Love!” sang Love’s own nightingale.
In mid-heart of the hawthorn-tree
The thrush sang all its buds to bloom;
“Love! Love! Love! Love! Sweet Love,” sang he
Amidst the soft green sun-flecked gloom.
She stood upon a lilied lawn,
With dreamful eyes that gazed afar:
A maiden tender as the Dawn
And lovely as the Morning Star.
She stooped and kissed him on the brow,
And in a low, sweet voice said she:
“I am this country’s queen—and thou?”
“I am thy vassal,” murmured he.
She hid him with her hair gold-red,
That flowed like sunshine to her knee;
She kissed him on the lips, and said:
“Dear heart! I’ve waited long for thee.”
And, oh, she was so fair, so fair,
So gracious was her beauty bright,
Around her the enamoured air
Pulsed tremulously with delight.
In passionate melody did melt
Bird-voices, scent of flower and tree,
And he within his bosom felt
The piercing thorn of ecstasy.
The years passed by in dark and light,
In storm and shine; the man grew old,
Yet never more by day or night
There came to him the Key of Gold.
But ever, ere the great sun flowers
In gold above the sky’s blue rim,
All in the dark and lonely hours
There comes an Iron Key to him.
And with that key he opes a wide
And gloomy door—the Door of Fate—
That makes, whene’er it swings aside,
A music sad and desolate,
A music sad from saddest source:
He sees beside the doorway set
The chill, gray figure of Remorse,
The pale, cold image of Regret.
For all the glory and the glow
Of Life are passed, and dead, and gone:
The Light and Life of Long Ago
Are memories only—moonlight wan.
There is no man of woman born
So brave, so good, so wise but he
Must sometimes in a night forlorn
Take up and use the Iron Key.
poem by Victor James Daley

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Little Bird
Little bird up in a tree
Looked down and sang a song to me
Of how it began
Na na na na na na
Na na na na na na
Na na na na na na
The trout in the shiny brook
Gave the worm another look
And told me not to worry
About my life
Na na na na na na
Na na na na na na
Na na na na na na
Tree in my own backyard
Stands all alone
Bears fruit for me
And it tastes so good
Wheres my pretty bird
He must have flown away
If I keep singing
Hell come back someday
Dawn, birds still gone
Guess Ill go mow the lawn
What a day, what a day
Oooo, what a beautiful day this is
Ooooooooo
Little bird up in a tree
Looked down a sang a song to me
The trout in a shiny brook
Gave the worm another look
And told me not to worry about my life
Little bird looked down
And sang a song to me
Little bird looked down
And sang a songto me
Little bird looked down
And sang a song to me
song performed by by Beach Boys

Submitted by Lucian Velea
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The Raven And The King's Daughter
King’s daughter sitting in tower so high,
Fair summer is on many a shield.
Why weepest thou as the clouds go by?
Fair sing the swans ’twixt firth and field.
Why weepest thou in the window-seat
Till the tears run through thy fingers sweet?
The King’s Daughter.
I weep because I sit alone
Betwixt these walls of lime and stone.
Fair folk are in my father’s hall,
But for me he built this guarded wall.
And here the gold on the green I sew
Nor tidings of my true-love know.
The Raven.
King’s daughter, sitting above the sea,
I shall tell thee a tale shall gladden thee.
Yestreen I saw a ship go forth
When the wind blew merry from the north.
And by the tiller Steingrim sat,
And O, but my heart was glad thereat!
For ’twixt ashen plank and dark blue sea
His sword sang sweet of deeds to be.
The King’s Daughter.
O barren sea, thou bitter bird,
And a barren tale my ears have heard.
The Raven.
Thy father’s men were hard thereby
In byrny bright and helmet high.
The King’s Daughter.
O worser waxeth thy story far,
For these drew upon me bolt and bar.
Fly south, O fowl, to the field of death
For nothing sweet thy grey neb saith.
The Raven.
O, there was Olaf the lily-rose,
As fair as any oak that grows.
The King’s Daughter.
O sweet bird, what did he then
Among the spears of my father’s men?
The Raven.
’Twixt ashen plank and dark blue sea,
He sang: My true love waiteth me.
The King’s Daughter.
As well as this dull floor knows my feet,
I am not weary yet, my sweet.
The Raven.
He sang: As once her hand I had,
Her lips at last shall make me glad.
The King’s Daughter.
As once our fingers met, O love,
So shall our lips be fain thereof.
The Raven.
He sang: Come wrack and iron and flame,
For what shall breach the wall but fame?
The King’s Daughter.
Be swift to rise and set, O Sun,
Lest life ’twixt hope and death be done.
The Raven.
King’s daughter sitting in tower so high,
A gift for my tale ere forth I fly,
The gold from thy finger fair and fine,
Thou hadst it from no love of thine.
The King’s Daughter.
By my father’s ring another there is,
I had it with my mother’s kiss.
Fly forth, O fowl, across the sea
To win another gift of me.
Fly south to bring me tidings true,
Fair summer is on many a shield.
Of the eve grown red with the battle-dew,
Fair sing the swans ’twixt firth and field.
The Raven.
King’s daughter sitting in tower so high,
Fair summer is on many a shield.
Tidings to hearken ere thou die,
Fair sing the swans ’twixt firth and field.
In the Frankish land the spear points met,
And wide about the field was wet.
And high ere the cold moon quenched the sun,
Blew Steingrim’s horn for battle won.
The King’s Daughter.
Fair fall thee fowl! Tell tidings true
Of deeds that men that day did do.
The Raven.
Steingrim before his banner went,
And helms were broke and byrnies rent.
The King’s Daughter.
A doughty man and good at need;
Tell men of any other’s deed?
The Raven.
Where Steingrim through the battle bore
Still Olaf went a foot before.
The King’s Daughter.
O fair with deeds the world doth grow!
Where is my true-love gotten now?
The Raven.
Upon the deck beside the mast
He lieth now, and sleepeth fast.
The King’s Daughter.
Heard’st thou before his sleep began
That he spake word of any man?
The Raven.
Methought of thee he sang a song,
But nothing now he saith for long.
The King’s Daughter.
And wottest thou where he will wend
With the world before him from end to end?
The Raven.
Before the battle joined that day
Steingrim a word to him did say:
“If we bring the banner back in peace,
In the King’s house much shall my fame increase;
Till there no guarded door shall be
But it shall open straight to me.
Then to the bower we twain shall go
Where thy love the golden seam doth sew.
I shall bring thee in and lay thine hand
About the neck of that lily-wand.
And let the King be lief or loth
One bed that night shall hold you both.”
Now north belike runs Steingrim’s prow,
And the rain and the wind from the south do blow.
The King’s Daughter.
Lo, fowl of death, my mother’s ring,
But the bridal song I must learn to sing.
And fain were I for a space alone,
For O the wind, and the wind doth moan.
And I must array the bridal bed,
Fair summer is on many a shield.
For O the rain, and the rain drifts red!
Fair sing the swans ’twixt firth and field.
Before the day from the night was born,
Fair summer is on many a shield.
She heard the blast of Steingrim’s horn,
Fair sing the swans ’twixt firth and field.
Before the day was waxen fair
Were Steingrim’s feet upon the stair.
“O bolt and bar they fall away,
But heavy are Steingrim’s feet to-day.”
“O heavy the feet of one who bears
The longing of days and the grief of years!
Lie down, lie down, thou lily-wand
That on thy neck I may lay his hand.
Whether the King be lief or loth
To-day one bed shall hold you both.
O thou art still as he is still,
So sore as ye longed to talk your fill.
And good it were that I depart,
Now heart is laid so close to heart.
For sure ye shall talk so left alone
Fair summer is on many a shield.
Of days to be below the stone.”
Fair sing the swans ’twixt firth and field.
poem by William Morris

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Margaret's Bridal Eve
I
The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.
My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.
O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.
Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.
Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.
O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.
II
O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.
Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.
O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.
O mother, but when I awake in the morn!
There is a rose in the garden;
My child, you are his, and the ring is worn:
And the bird sings over the roses.
Tall Margaret sighed and loosened a tress:
There is a rose in the garden;
Poor comfort she had of her comeliness
And the bird sings over the roses.
My mother will sink if this thing be said:
There is a rose in the garden;
That my first betrothed came thrice to my bed;
And the bird sings over the roses.
He died on my shoulder the third cold night:
There is a rose in the garden;
I dragged his body all through the moonlight:
And the bird sings over the roses.
But when I came by my father's door:
There is a rose in the garden;
I fell in a lump on the stiff dead floor:
And the bird sings over the roses.
O neither to heaven, nor yet to hell:
There is a rose in the garden;
Could I follow the lover I loved so well!
And the bird sings over the roses.
III
The bridesmaids slept in their chambers apart:
There is a rose that's ready;
Tall Margaret walked with her thumping heart:
There's a rose that's ready for clipping.
The frill of her nightgown below the left breast:
There is a rose that's ready;
Had fall'n like a cloud of the moonlighted West:
There's a rose that's ready for clipping.
But where the West-cloud breaks to a star:
There is a rose that's ready;
Pale Margaret's breast showed a winding scar:
There's a rose that's ready for clipping.
O few are the brides with such a sign!
There is a rose that's ready;
Though I went mad the fault was mine:
There's a rose that's ready for clipping.
I must speak to him under this roof to-night:
There is a rose that's ready;
I shall burn to death if I speak in the light:
There's a rose that's ready for clipping.
O my breast! I must strike you a bloodier wound:
There is a rose that's ready;
Than when I scored you red and swooned:
There's a rose that's ready for clipping.
I will stab my honour under his eye:
There is a rose that's ready;
Though I bleed to the death, I shall let out the lie:
There's a rose that's ready for clipping.
O happy my bridesmaids! white sleep is with you!
There is a rose that's ready;
Had he chosen among you he might sleep too!
There's a rose that's ready for clipping.
O happy my bridesmaids! your breasts are clean:
There is a rose that's ready;
You carry no mark of what has been!
There's a rose that's ready for clipping.
IV
An hour before the chilly beam:
Red rose and white in the garden;
The bridegroom started out of a dream:
And the bird sings over the roses.
He went to the door, and there espied:
Red rose and white in the garden;
The figure of his silent bride:
And the bird sings over the roses.
He went to the door, and let her in:
Red rose and white in the garden;
Whiter looked she than a child of sin:
And the bird sings over the roses.
She looked so white, she looked so sweet:
Red rose and white in the garden;
She looked so pure he fell at her feet:
And the bird sings over the roses.
He fell at her feet with love and awe:
Red rose and white in the garden;
A stainless body of light he saw:
And the bird sings over the roses.
O Margaret, say you are not of the dead!
Red rose and white in the garden;
My bride! by the angels at night are you led?
And the bird sings over the roses.
I am not led by the angels about:
Red rose and white in the garden;
But I have a devil within to let out:
And the bird sings over the roses.
O Margaret! my bride and saint!
Red rose and white in the garden;
There is on you no earthly taint:
And the bird sings over the roses.
I am no saint, and no bride can I be:
Red rose and while in the garden;
Until I have opened my bosom to thee:
And the bird sings over the roses.
To catch at her heart she laid one hand:
Red rose and white in the garden;
She told the tale where she did stand:
And the bird sings over the roses.
She stood before him pale and tall:
Red rose and white in the garden;
Her eyes between his, she told him all:
And the bird sings over the roses.
She saw how her body grow freckled and foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
With never a quiver her mouth did speak:
Red rose and white in the garden;
O when she had done she stood so meek!
And the bird sings over the roses.
The bridegroom stamped and called her vile:
Red rose and white in the garden;
He did but waken a little smile:
And the bird sings over the roses.
The bridegroom raged and called her foul:
Red rose and white in the garden;
She heard from the woods the hooting owl:
And the bird sings over the roses.
He muttered a name full bitter and sore:
Red rose and white in the garden;
She fell in a lump on the still dead floor:
And the bird sings over the roses.
O great was the wonder, and loud the wail:
Red rose and white in the garden;
When through the household flew the tale:
And the bird sings over the roses.
The old grey mother she dressed the bier:
Red rose and white in the garden;
With a shivering chin and never a tear:
And the bird sings over the roses.
O had you but done as I bade you, my child!
Red rose and white in the garden;
You would not have died and been reviled:
And the bird sings over the roses.
The bridegroom he hung at midnight by the bier:
Red rose and white in the garden;
He eyed the white girl thro' a dazzling tear:
And the bird sings over the roses.
O had you been false as the women who stray:
Red rose and white in the garden;
You would not be now with the Angels of Day!
And the bird sings over the roses.
poem by George Meredith

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Spring's Bedfellow
Spring went about the woods to-day,
The soft-foot winter-thief,
And found where idle sorrow lay
’Twixt flower and faded leaf.
She looked on him, and found him fair
For all she had been told;
She knelt adown beside him there,
And sang of days of old.
His open eyes beheld her nought,
Yet ’gan his lips to move;
But life and deeds were in her thought,
And he would sing of love.
So sang they till their eyes did meet,
And faded fear and shame;
More bold he grew, and she more sweet,
Until they sang the same.
Until, say they who know the thing,
Their very lips did kiss,
And Sorrow laid abed with Spring
Begat an earthly bliss.
poem by William Morris

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Two Songs
A BEE that was searching for sweets one day
Through the gate of a rose garden happened to stray.
In the heart of a rose he hid away,
And forgot in his bliss the light of day,
As sipping his honey he buzzed in song;
Though day was waning, he lingered long,
For the rose was sweet, so sweet.
A robin sits pluming his ruddy breast,
And a madrigal sings to his love in her nest:
'Oh, the skies they are blue, the fields are green,
And the birds in your nest will soon be seen!'
She hangs on his words with a thrill of love,
And chirps to him as he sits above,
For the song is sweet, so sweet.
A maiden was out on a summer's day
With the winds and the waves and the flowers at play;
And she met with a youth of gentle air,
With the light of the sunshine on his hair.
Together they wandered the flowers among;
They loved, and loving they lingered long,
For to love is sweet, so sweet.
BIRD of my lady's bower,
Sing her a song;
Tell her that every hour,
All the day long,
Thoughts of her come to me,
Filling my brain
With the warm ecstasy
Of love's refrain.
Little bird! happy bird!
Being so near,
Where e'en her slightest word
Thou mayest hear,
Seeing her glancing eyes,
Sheen of her hair,
Thou art in paradise, —
Would I were there.
I am so far away,
Thou art so near;
Plead with her, birdling gay,
Plead with my dear.
Rich be thy recompense,
Fine be thy fee,
If through thine eloquence
She hearken me.
poem by Paul Laurence Dunbar

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Singing Children
IN the streets of Bethlehem sang the children
So merry and so shrill,
'He shall have sweet cedars in his garden
And a house on Hermon Hill.
He shall have the king's daughter for his fellow,
A king's crown to bind upon his head.'
And with bracken buds and straw, brown and yellow,
Mary made His bed.
In the streets of Nazareth sang the children
So clearly and so sweet,
'He shall lead us to the spoiling of the nations,
He shall bruise them with his feet.
His standards shall outface the stars for number,
Red as field-lilies when the rains are done.'
And Mary heard them singing in her slumber.
And woke to kiss her Son.
In the streets of Jerusalem the children
Sang, passing to their play,
'The king's daughter waits in her apparel
All glorious as day.
We charge you, O ye watchmen, of your pity
Reveal us our belovéd, call his name.'
And the shadow of a cross beyond the city
Fell softly o'er their game.
In the ways of all the world sing the children,
'We know Him, we have named Him, He is ours,
Like leaves we have fluttered to His shadow,
He has gathered us as flowers.
And when the bud falls all too soon for blossom
And when the play has wearied of its charm,
He bears the tired lambs within His bosom
And the young lambs in His arm.'
poem by Marjorie Lowry Christie Pickthall

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